gaussalgo/Canard_Wiki-augmented huggingface dataset:
Lucy Stone

Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents. CANNOTANSWER

Question: Once Stanton became President of the American women's movement what were Stanton's views etc?
Answer: Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening
Lucy Stone

Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents. CANNOTANSWER

Question: Why were Isabella Beecher Hooker, Stone, Stanton and Anthony called away from the conference?
Answer: away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary.
Lucy Stone

Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents. CANNOTANSWER

Question: Where or when was the woman suffrage hearing before the US House Committee on the Judiciary??
Answer: 1892
Lucy Stone

Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents. CANNOTANSWER

Question: In addition to the women suffrage hearing, were there any other accomplishments during 1892?
Answer: Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition
Lucy Stone

Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents. CANNOTANSWER

Question: What about Catt was Stone impressed about?
Answer: been impressed at her ambition and sense of presence, saying
Lucy Stone

Context: In 1887, eighteen years after the rift formed in the American women's rights movement, Stone proposed a merger of the two groups. Plans were drawn up, and, at their annual meetings, propositions were heard and voted on, then passed to the other group for evaluation. By 1890, the organizations resolved their differences and merged to form the National American Woman Suffrage Association (NAWSA). Stone was too weak with heart problems and respiratory illness to attend its first convention but was elected chair of the executive committee. Stanton was president of the new organization, but Anthony, who had the title of vice president, was its leader in practice.  Starting early in January, 1891, Carrie Chapman Catt visited Stone repeatedly at Pope's Hill, for the purpose of learning from Stone about the ways of political organizing. Stone had previously met Catt at an Iowa state woman's suffrage convention in October, 1889, and had been impressed at her ambition and sense of presence, saying "Mrs. Chapman will be heard from yet in this movement." Stone mentored Catt the rest of that winter, giving her a wealth of information about lobbying techniques and fund-raising. Catt later used the teaching to good effect in leading the final drive to gain women the vote in 1920.  Catt, Stone and Blackwell went together to the January, 1892 NAWSA convention in Washington, DC. Along with Isabella Beecher Hooker, Stone, Stanton and Anthony, the "triumvirate" of women's suffrage, were called away from the convention's opening hours by an unexpected woman suffrage hearing before the United States House Committee on the Judiciary. Stone told the assembled congressmen "I come before this committee with the sense which I always feel, that we are handicapped as women in what we try to do for ourselves by the single fact that we have no vote. This cheapens us. You do not care so much for us as if we had votes..." Stone argued that men should work to pass laws for equality in property rights between the sexes. Stone demanded an eradication of coverture, the folding of a wife's property into that of her husband. Stone's impromptu speech paled in comparison to Stanton's brilliant outpouring which preceded hers. Stone later published Stanton's speech in its entirety in the Woman's Journal as "Solitude of Self". Back at the NAWSA convention, Anthony was elected president, with Stanton and Stone becoming honorary presidents. CANNOTANSWER

Question: In addition to Catt's ambition and sense of presence, what else was Stone impressed with?
Answer: "Mrs. Chapman will be heard from yet in this movement." Stone mentored
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: What was Blackened Sky?
Answer: the band's debut album, Blackened Sky,
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: When did Blackened Sky, The Vertigo of Bliss and Infinity Land release?
Answer: 2002,
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: Did Blackened Sky, The Vertigo of Bliss and Infinity Land do well?
Answer: was released to generally positive reviews.
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: What happened after Biffy Clyro successful Blackened Sky, The Vertigo of Bliss and Infinity Land?
Answer: In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky.
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: What did Biffy Clyro record?
Answer: The band's second album, The Vertigo of Bliss was released on 16 June,
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: Did The Vertigo of Bliss do well also?
Answer: The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: Did Biffy Clyro ever record more music?
Answer: On 4 October, the band's third album, Infinity Land was released,
Biffy Clyro

Context: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss).  In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.  After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show.  Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums. CANNOTANSWER

Question: Was Infinity Land the final album that Blackened Sky, The Vertigo of Bliss and Infinity Land released?
Answer: Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke.
Gypsy (musical)

Context: In analyzing the character of Rose, Clive Barnes described her as "bossy, demanding, horrific". Rich described Rose as "a monster". Critic Walter Kerr commented that though Rose is a monster, she must be liked and understood. Patti LuPone describes Rose: "She has tunnel vision, she's driven, and she loves her kids.... And she is a survivor. I do not see her as a monster at all--she may do monstrous things, but that does not make a monster." Sondheim has said of the character: "The fact that she's monstrous to her daughters and the world is secondary... She's a very American character, a gallant figure and a life force." Sondheim also noted, "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother. There is hope for her. Rose does confront who she is in 'Rose's Turn.' There is a catharsis. It's not Rodgers and Hammerstein, but you feel maybe the mother and daughter will come to an understanding and maybe triumph over Rose's craziness and Louise's bitterness."  Brantley noted that Rose is a "mythic character". She is "[t]raditionally presented as an armored tank on autopilot, which finally crashes only minutes before the final curtain".  Bernadette Peters' take on the character was different: "Rose was a woman who was traumatized by her own mother leaving her at an early age. I think that longing for acceptance is what fuels all her ambition. In the end, when she confronts herself in 'Rose's Turn', she realizes she has failed her daughter just as her own mother failed her...and that destroys Rose. There is a vulnerability to Rose that makes her human, not just some loud and cartoonish parody of a stage mother." CANNOTANSWER

Question: What kind of drama happened in the Gypsy musical?
Answer: The fact that she's monstrous to her daughters and the world is secondary...
Gypsy (musical)

Context: In analyzing the character of Rose, Clive Barnes described her as "bossy, demanding, horrific". Rich described Rose as "a monster". Critic Walter Kerr commented that though Rose is a monster, she must be liked and understood. Patti LuPone describes Rose: "She has tunnel vision, she's driven, and she loves her kids.... And she is a survivor. I do not see her as a monster at all--she may do monstrous things, but that does not make a monster." Sondheim has said of the character: "The fact that she's monstrous to her daughters and the world is secondary... She's a very American character, a gallant figure and a life force." Sondheim also noted, "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother. There is hope for her. Rose does confront who she is in 'Rose's Turn.' There is a catharsis. It's not Rodgers and Hammerstein, but you feel maybe the mother and daughter will come to an understanding and maybe triumph over Rose's craziness and Louise's bitterness."  Brantley noted that Rose is a "mythic character". She is "[t]raditionally presented as an armored tank on autopilot, which finally crashes only minutes before the final curtain".  Bernadette Peters' take on the character was different: "Rose was a woman who was traumatized by her own mother leaving her at an early age. I think that longing for acceptance is what fuels all her ambition. In the end, when she confronts herself in 'Rose's Turn', she realizes she has failed her daughter just as her own mother failed her...and that destroys Rose. There is a vulnerability to Rose that makes her human, not just some loud and cartoonish parody of a stage mother." CANNOTANSWER

Question: Why was Gypsy monstrous to her daughters?
Answer: CANNOTANSWER
Gypsy (musical)

Context: In analyzing the character of Rose, Clive Barnes described her as "bossy, demanding, horrific". Rich described Rose as "a monster". Critic Walter Kerr commented that though Rose is a monster, she must be liked and understood. Patti LuPone describes Rose: "She has tunnel vision, she's driven, and she loves her kids.... And she is a survivor. I do not see her as a monster at all--she may do monstrous things, but that does not make a monster." Sondheim has said of the character: "The fact that she's monstrous to her daughters and the world is secondary... She's a very American character, a gallant figure and a life force." Sondheim also noted, "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother. There is hope for her. Rose does confront who she is in 'Rose's Turn.' There is a catharsis. It's not Rodgers and Hammerstein, but you feel maybe the mother and daughter will come to an understanding and maybe triumph over Rose's craziness and Louise's bitterness."  Brantley noted that Rose is a "mythic character". She is "[t]raditionally presented as an armored tank on autopilot, which finally crashes only minutes before the final curtain".  Bernadette Peters' take on the character was different: "Rose was a woman who was traumatized by her own mother leaving her at an early age. I think that longing for acceptance is what fuels all her ambition. In the end, when she confronts herself in 'Rose's Turn', she realizes she has failed her daughter just as her own mother failed her...and that destroys Rose. There is a vulnerability to Rose that makes her human, not just some loud and cartoonish parody of a stage mother." CANNOTANSWER

Question: Aside from Gypsy (musical), what other drama happened?
Answer: Rose was a woman who was traumatized by her own mother leaving her at an early age.
Gypsy (musical)

Context: In analyzing the character of Rose, Clive Barnes described her as "bossy, demanding, horrific". Rich described Rose as "a monster". Critic Walter Kerr commented that though Rose is a monster, she must be liked and understood. Patti LuPone describes Rose: "She has tunnel vision, she's driven, and she loves her kids.... And she is a survivor. I do not see her as a monster at all--she may do monstrous things, but that does not make a monster." Sondheim has said of the character: "The fact that she's monstrous to her daughters and the world is secondary... She's a very American character, a gallant figure and a life force." Sondheim also noted, "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother. There is hope for her. Rose does confront who she is in 'Rose's Turn.' There is a catharsis. It's not Rodgers and Hammerstein, but you feel maybe the mother and daughter will come to an understanding and maybe triumph over Rose's craziness and Louise's bitterness."  Brantley noted that Rose is a "mythic character". She is "[t]raditionally presented as an armored tank on autopilot, which finally crashes only minutes before the final curtain".  Bernadette Peters' take on the character was different: "Rose was a woman who was traumatized by her own mother leaving her at an early age. I think that longing for acceptance is what fuels all her ambition. In the end, when she confronts herself in 'Rose's Turn', she realizes she has failed her daughter just as her own mother failed her...and that destroys Rose. There is a vulnerability to Rose that makes her human, not just some loud and cartoonish parody of a stage mother." CANNOTANSWER

Question: Aside from Gypsy, was there anyone else in the show?
Answer: CANNOTANSWER
Gypsy (musical)

Context: In analyzing the character of Rose, Clive Barnes described her as "bossy, demanding, horrific". Rich described Rose as "a monster". Critic Walter Kerr commented that though Rose is a monster, she must be liked and understood. Patti LuPone describes Rose: "She has tunnel vision, she's driven, and she loves her kids.... And she is a survivor. I do not see her as a monster at all--she may do monstrous things, but that does not make a monster." Sondheim has said of the character: "The fact that she's monstrous to her daughters and the world is secondary... She's a very American character, a gallant figure and a life force." Sondheim also noted, "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother. There is hope for her. Rose does confront who she is in 'Rose's Turn.' There is a catharsis. It's not Rodgers and Hammerstein, but you feel maybe the mother and daughter will come to an understanding and maybe triumph over Rose's craziness and Louise's bitterness."  Brantley noted that Rose is a "mythic character". She is "[t]raditionally presented as an armored tank on autopilot, which finally crashes only minutes before the final curtain".  Bernadette Peters' take on the character was different: "Rose was a woman who was traumatized by her own mother leaving her at an early age. I think that longing for acceptance is what fuels all her ambition. In the end, when she confronts herself in 'Rose's Turn', she realizes she has failed her daughter just as her own mother failed her...and that destroys Rose. There is a vulnerability to Rose that makes her human, not just some loud and cartoonish parody of a stage mother." CANNOTANSWER

Question: Besides the musical, what else is interesting?
Answer: "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother.
Gypsy (musical)

Context: In analyzing the character of Rose, Clive Barnes described her as "bossy, demanding, horrific". Rich described Rose as "a monster". Critic Walter Kerr commented that though Rose is a monster, she must be liked and understood. Patti LuPone describes Rose: "She has tunnel vision, she's driven, and she loves her kids.... And she is a survivor. I do not see her as a monster at all--she may do monstrous things, but that does not make a monster." Sondheim has said of the character: "The fact that she's monstrous to her daughters and the world is secondary... She's a very American character, a gallant figure and a life force." Sondheim also noted, "Yet the end of Gypsy is not entirely bleak. Louise comes out a star and forgives her mother. There is hope for her. Rose does confront who she is in 'Rose's Turn.' There is a catharsis. It's not Rodgers and Hammerstein, but you feel maybe the mother and daughter will come to an understanding and maybe triumph over Rose's craziness and Louise's bitterness."  Brantley noted that Rose is a "mythic character". She is "[t]raditionally presented as an armored tank on autopilot, which finally crashes only minutes before the final curtain".  Bernadette Peters' take on the character was different: "Rose was a woman who was traumatized by her own mother leaving her at an early age. I think that longing for acceptance is what fuels all her ambition. In the end, when she confronts herself in 'Rose's Turn', she realizes she has failed her daughter just as her own mother failed her...and that destroys Rose. There is a vulnerability to Rose that makes her human, not just some loud and cartoonish parody of a stage mother." CANNOTANSWER

Question: How successful was the Gypsy musical show?
Answer: CANNOTANSWER
Testament (band)

Context: As early as 2009, Testament commenced writing new material for their tenth album. In an interview with Metalheadz, guitarist Eric Peterson stated that there were about four songs written and that "there's other guys in the band who like to play the more rock melodic style but the next one is gonna be a bit heavier." In a January 2011 interview during the 70000 Tons of Metal cruise, frontman Chuck Billy revealed that Testament had been working on six new songs, with four or five "maybe left to write," and would begin recording their new album by early March. On 18 May 2011, guitarist Alex Skolnick posted an update on his Twitter, saying, "Another tune done! My riffs from last week [plus] some of [fellow Testament guitarist Eric Peterson's plus] new ones we wrote today. Planning one more, then we've got more than we need."  Testament began recording their tenth studio album on June 20, 2011. Drummer Paul Bostaph was unable to take part in the recording due to a "serious injury", although he was expected to rejoin when the band tours to support the album. Gene Hoglan, who played drums on the band's 1997 album Demonic, filled in for Bostaph. It was also reported that Lamb of God drummer Chris Adler would make a special guest appearance on a couple of bonus tracks.  Testament appeared at the California dates of the summer 2011 Rockstar Energy Drink Mayhem Festival, replacing In Flames.  On 14 July 2011, it was announced that the tenth Testament studio album would be called Dark Roots of Earth, which, after many delays, was released on July 27, 2012. Dark Roots of Earth debuted at No. 12 on Billboard 200, the band's highest chart position to date. Prior to the album's release, the band toured in the fall of 2011 with Anthrax and Death Angel. Overkill was invited to the tour, but due to the pre-production of their sixteenth studio album The Electric Age, they did not participate. It was announced on 1 December 2011 that Paul Bostaph had left Testament. Gene Hoglan recorded the drum tracks for Dark Roots of Earth and continues to play live with the band. In interviews, Testament have expressed pleasure in Hoglan's playing, and hope that he would continue playing with the band for the foreseeable future. CANNOTANSWER

Question: What was the Testament (band)'s Dark Roots of Earth ?
Answer: the tenth Testament studio album would be called Dark Roots of Earth,