gaussalgo/Canard_Wiki-augmented huggingface dataset:
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: When did Robb Royer join bread?
Answer: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968.
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: How did the band Bread start?
Answer: Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: What trend was Bread?
Answer: band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS.
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: How did the trend Bread started affect things?
Answer: Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract:
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: Did Bread ever get hooked up with a label?
Answer: When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A.
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: Did Bread ever record for Elektra?
Answer: The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs,
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: What was Bread's album name?
Answer: CANNOTANSWER
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: What other songs did Bread write along with Robb Royer?
Answer: CANNOTANSWER
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: What else can you tell me about Bread together with Robb Royer?
Answer: After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: Did the rest of the Bread stay together along Robb Royer?
Answer: so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel,
Robb Royer

Context: Robb Royer and Jimmy Griffin co-founded Bread with David Gates in 1968. Maria Yolanda Aguayo once again contributed to the band's history when she revealed a trend she noticed as (Record Producer) Gary Usher's desk girl at CBS Records - band managers generally waited in the lobby but attorneys generally had immediate access to the executives at CBS. The trio quickly hired Al Schlesinger to represent them and he pitched their group to three labels in their search of a recording contract: Elektra Records, The Beatles' Apple Records and Atlantic Records, but Apple did not have clear leadership and was quickly eliminated from the process while Atlantic had recently signed two supergroups - Crosby Stills & Nash and Led Zeppelin - and they were based on the East Coast. Elektra was the label for The Doors, but were becoming embroiled in Jim Morrison's legal battles. When both Atlantic and Elektra offered recording deals to Bread, the group chose the Elektra deal because they had a local headquarters in L.A. and the group felt Elektra would more actively promote them, given Atlantic's other recent signings.  The first album made use of Jimmy Gordon's drumming and Gordon also performed drums with the group during their initial gigs, but due to Gordon's high demand among multiple recording artists and his participation with the artists that eventually became Derek and the Dominos, he was replaced with Mike Botts as the group's regular drummer, thus expanding the band to a quartet.  After three years, Robb Royer and David Gates came to a breaking point because Gates wanted more control of the group, so Royer left the group in 1971 after its third album Manna and was replaced with famous session keyboardist/bassist/guitarist Larry Knechtel, who had previously contributed the piano performance on Simon and Garfunkel's "Bridge Over Troubled Water". Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations. CANNOTANSWER

Question: Did Bread continue to write along Robb Royer?
Answer: Royer continued to write with Griffin and Bread continued to record Royer/Griffin collaborations.
Faryl Smith

Context: In July 2009 it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to do another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as television appearances including Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise.  Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections." He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling." Overall, Gill gave Wonderland 3 out of 5. However, the album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number 92 the following week and then out of the top 100. After Wonderland, Smith's contract with Universal ended, and she subsequently received less attention from the press. Smith described the break with the label as mainly her decision, as she needed to focus on her A levels, which would allow her to get to university, explaining in an interview that "It wasn't like it ended horribly."  Smith performed at the 2009 Royal Variety Performance in front of Queen Elizabeth II, where she sang "God Save the Queen" with The Soldiers. She later said that the experience, including subsequently meeting the Queen, as the highlight of her year. Smith also performed elsewhere with The Soldiers, including at St Paul's Cathedral and Great Ormond Street Children's Hospital. CANNOTANSWER

Question: What was Wonderland?
Answer: details about the album were released, including its name, Wonderland,
Faryl Smith

Context: In July 2009 it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to do another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as television appearances including Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise.  Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections." He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling." Overall, Gill gave Wonderland 3 out of 5. However, the album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number 92 the following week and then out of the top 100. After Wonderland, Smith's contract with Universal ended, and she subsequently received less attention from the press. Smith described the break with the label as mainly her decision, as she needed to focus on her A levels, which would allow her to get to university, explaining in an interview that "It wasn't like it ended horribly."  Smith performed at the 2009 Royal Variety Performance in front of Queen Elizabeth II, where she sang "God Save the Queen" with The Soldiers. She later said that the experience, including subsequently meeting the Queen, as the highlight of her year. Smith also performed elsewhere with The Soldiers, including at St Paul's Cathedral and Great Ormond Street Children's Hospital. CANNOTANSWER

Question: When was the album Wonderland by Faryl Smith released?
Answer: 30 November.
Faryl Smith

Context: In July 2009 it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to do another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as television appearances including Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise.  Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections." He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling." Overall, Gill gave Wonderland 3 out of 5. However, the album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number 92 the following week and then out of the top 100. After Wonderland, Smith's contract with Universal ended, and she subsequently received less attention from the press. Smith described the break with the label as mainly her decision, as she needed to focus on her A levels, which would allow her to get to university, explaining in an interview that "It wasn't like it ended horribly."  Smith performed at the 2009 Royal Variety Performance in front of Queen Elizabeth II, where she sang "God Save the Queen" with The Soldiers. She later said that the experience, including subsequently meeting the Queen, as the highlight of her year. Smith also performed elsewhere with The Soldiers, including at St Paul's Cathedral and Great Ormond Street Children's Hospital. CANNOTANSWER

Question: What did people think or say about the album Wonderland by Faryl Smith?
Answer: said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances".
Faryl Smith

Context: In July 2009 it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to do another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as television appearances including Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise.  Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections." He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling." Overall, Gill gave Wonderland 3 out of 5. However, the album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number 92 the following week and then out of the top 100. After Wonderland, Smith's contract with Universal ended, and she subsequently received less attention from the press. Smith described the break with the label as mainly her decision, as she needed to focus on her A levels, which would allow her to get to university, explaining in an interview that "It wasn't like it ended horribly."  Smith performed at the 2009 Royal Variety Performance in front of Queen Elizabeth II, where she sang "God Save the Queen" with The Soldiers. She later said that the experience, including subsequently meeting the Queen, as the highlight of her year. Smith also performed elsewhere with The Soldiers, including at St Paul's Cathedral and Great Ormond Street Children's Hospital. CANNOTANSWER

Question: What else did others think about the album Wonderland by Faryl Smith, besides her maturing since the first album?
Answer: Paul Callan, reviewing the album for the Daily Express, described it as "a joy".
Faryl Smith

Context: In July 2009 it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to do another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as television appearances including Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise.  Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections." He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling." Overall, Gill gave Wonderland 3 out of 5. However, the album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number 92 the following week and then out of the top 100. After Wonderland, Smith's contract with Universal ended, and she subsequently received less attention from the press. Smith described the break with the label as mainly her decision, as she needed to focus on her A levels, which would allow her to get to university, explaining in an interview that "It wasn't like it ended horribly."  Smith performed at the 2009 Royal Variety Performance in front of Queen Elizabeth II, where she sang "God Save the Queen" with The Soldiers. She later said that the experience, including subsequently meeting the Queen, as the highlight of her year. Smith also performed elsewhere with The Soldiers, including at St Paul's Cathedral and Great Ormond Street Children's Hospital. CANNOTANSWER

Question: What songs or hit singles did the album Wonderland by Faryl Smith have?
Answer: "Adiemus", "Barcarolle", "Merry Christmas,
Art Donovan

Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance" CANNOTANSWER

Question: how did Art Donovan's career start?
Answer: In each of his first three seasons, Donovan played for a team which went out of business.
Art Donovan

Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance" CANNOTANSWER

Question: which was Art Donovan's first team?
Answer: He started out with the first Baltimore Colts, who folded after his rookie season in 1950,
Art Donovan

Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance" CANNOTANSWER

Question: who did Art Donovan play for after the Baltimore Colts?
Answer: followed by the New York Yanks in 1951,
Art Donovan

Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance" CANNOTANSWER

Question: which was Art Donovan's last team?
Answer: the Dallas Texans, in 1952.
Art Donovan

Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance" CANNOTANSWER

Question: what did Art Donovan do after leaving the Dallas Texans?
Answer: the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team.
Art Donovan

Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968.  During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game.  "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance" CANNOTANSWER

Question: was the Baltimore Colts the last team that Art Donovan moved to or did he change teams again later in life?
Answer: CANNOTANSWER