gaussalgo/Canard_Wiki-augmented huggingface dataset:
Starsailor (band)

Context: For their second album, Silence Is Easy, which was recorded in Los Angeles, Starsailor teamed up with Phil Spector. The collaboration came about following Spector's daughter Nicole attending one of the band's American concerts in the winter of 2002. Spector was reported to have been fascinated by "Lullaby", the band's fourth single. After meeting the producer, the band agreed to work with him on their second album. However, the collaboration was short-lived; sessions at London's Abbey Road proved difficult. Spector is said to have dismissed Ben Byrne's drumming, and proved difficult to work with. Only two tracks made the band's second album: the title track, "Silence Is Easy", and "White Dove".  The band co-produced seven of the other tracks with Danton Supple and former The Stone Roses and Radiohead producer John Leckie was brought in to oversee the recording of "Shark Food".  The first single was "Silence Is Easy", which made the Top Ten (#9, the band's highest placing). The album spawned just three singles; the second of which, "Born Again" had evolved from a B-side to "Poor Misguided Fool", released in early 2002. The song was re-recorded for the album, and cut down for a radio edit. "Four to the Floor", which was remixed by Thin White Duke, became a popular club hit. Walsh wanted the track to become the band's "I Am the Resurrection", something to be played in "indie discos everywhere".  The album charted well, but sales were sluggish in comparison to the band's first album. The release dropped out of the Top 40 soon thereafter.  A full UK Tour began in Autumn 2003 shortly after the release of the album, culminating at London's Brixton Academy. The show featured the only performance before their American tour in 2006 of "Restless Heart", the closing track on the Silence Is Easy album. Mark Collins, from The Charlatans joined Starsailor for all dates between August 2003 to December 2004, playing additional and lead guitar. CANNOTANSWER

Question: Was there anything notable about the tour by Starsailor (band)?
Answer: The Charlatans joined Starsailor for all dates between August 2003 to December 2004,
Starsailor (band)

Context: For their second album, Silence Is Easy, which was recorded in Los Angeles, Starsailor teamed up with Phil Spector. The collaboration came about following Spector's daughter Nicole attending one of the band's American concerts in the winter of 2002. Spector was reported to have been fascinated by "Lullaby", the band's fourth single. After meeting the producer, the band agreed to work with him on their second album. However, the collaboration was short-lived; sessions at London's Abbey Road proved difficult. Spector is said to have dismissed Ben Byrne's drumming, and proved difficult to work with. Only two tracks made the band's second album: the title track, "Silence Is Easy", and "White Dove".  The band co-produced seven of the other tracks with Danton Supple and former The Stone Roses and Radiohead producer John Leckie was brought in to oversee the recording of "Shark Food".  The first single was "Silence Is Easy", which made the Top Ten (#9, the band's highest placing). The album spawned just three singles; the second of which, "Born Again" had evolved from a B-side to "Poor Misguided Fool", released in early 2002. The song was re-recorded for the album, and cut down for a radio edit. "Four to the Floor", which was remixed by Thin White Duke, became a popular club hit. Walsh wanted the track to become the band's "I Am the Resurrection", something to be played in "indie discos everywhere".  The album charted well, but sales were sluggish in comparison to the band's first album. The release dropped out of the Top 40 soon thereafter.  A full UK Tour began in Autumn 2003 shortly after the release of the album, culminating at London's Brixton Academy. The show featured the only performance before their American tour in 2006 of "Restless Heart", the closing track on the Silence Is Easy album. Mark Collins, from The Charlatans joined Starsailor for all dates between August 2003 to December 2004, playing additional and lead guitar. CANNOTANSWER

Question: In addition to The Charlatans joined Starsailor, are there any other interesting aspects about this article?
Answer: Silence Is Easy, which was recorded in Los Angeles, Starsailor teamed up with Phil Spector.
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: When did Karch Kiraly start with US national team?
Answer: Kiraly joined the national team in 1981.
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: Did Karch Kiraly play well?
Answer: Playing outside hitter, he proved to be an extremely solid passer.
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: Who were Karch Kiraly's team mates?
Answer: Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983.
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: What is a notable fact regarding Karch Kiraly's career?
Answer: Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics,
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: Who did U.S National Team beat?
Answer: overcoming a pool play loss to Brazil to defeat Brazil in the finals.
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: What did people think of Karch Kiraly?
Answer: CANNOTANSWER
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: Did Karch Kiraly stay with the U.S National Team his entire career?
Answer: Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: How long did Karch Kiraly play professional volleyball for Il Messaggero Ravenna?
Answer: from 1990 to 1992.
Karch Kiraly

Context: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team.  The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988.  Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). CANNOTANSWER

Question: DId Karch Kiraly ever win any awards?
Answer: FIVB named Kiraly the top player in the world in 1986 and 1988.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: What is Gary Ablett Sr.'s legacy?
Answer: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Did Gary Ablett Sr. have any notable awards?
Answer: He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final,
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Other than the Norm Smith Medal, are there any other recognition or awards?
Answer: In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: In addition to being awarded the Norm Smith Medal, what else pertains to Gary Ablett Sr.'s legacy?
Answer: ". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Any other pertinant info about Gary Ablett Sr.'s legacy aside from being the subject of the song "Kicking the Footy with God."
Answer: In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Most interesting info the reader should know about Gary Ablett Sr.'s legacy?
Answer: CANNOTANSWER
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Most notable achievements of Gary Ablett Sr.?
Answer: Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Any other honors besides having a set of gates named in his honour?
Answer: In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium.
Gary Ablett Sr.

Context: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

Question: Any scandals or criticism in Gary Ablett Sr.'s legacy?
Answer: CANNOTANSWER
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: In relation to the cultural impact of the Beatles, what is progressiveness?
Answer: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia.
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: What is British psychedelia?
Answer: fused elements of cultivated music with the vernacular traditions of rock.