gaussalgo/Canard_Wiki-augmented huggingface dataset:
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: Is Cosmo Kramer's father shown or mentioned?
Answer: Kramer mentions that he is the last male member of his family, implying that his father had died.
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: Does Cosmo Kramer have any siblings?
Answer: CANNOTANSWER
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: Where is Cosmo Kramer from originally?
Answer: Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: What is Cosmo Kramer's education?
Answer: Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: Does Cosmo Kramer say what he did in Sweden?
Answer: CANNOTANSWER
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: Does Cosmo Kramer say how he got back to the US?
Answer: CANNOTANSWER
Mississippian culture

Context: The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages. CANNOTANSWER

Question: What is Caddoan Mississippian?
Answer: a regional variant of the Mississippian culture,
Mississippian culture

Context: The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages. CANNOTANSWER

Question: What type of variant of the Mississippian culture is Caddoan Mississippian?
Answer: The Caddoan Mississippian area,
Mississippian culture

Context: The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages. CANNOTANSWER

Question: What does is Caddoan Mississippian say about Mississippi?
Answer: covered a large territory,
Mississippian culture

Context: The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages. CANNOTANSWER

Question: Are there any interesting aspects about Caddoan Mississippian other than being a regional variant of the Mississippian culture covering a large territory ??
Answer: covered a large territory, including what is now eastern Oklahoma,
Mississippian culture

Context: The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma.  The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification.  The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people.  Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages. CANNOTANSWER

Question: Is Caddoan Mississippian covering other states than Mississippi and eastern Oklahoma ?
Answer: Nation of Oklahoma.
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: Can you tell me a little about the first features and rise to fame? Permanent Vacation and Stranger than Paradise?
Answer: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film.
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: How did well did critics like Permanent Vacation?
Answer: did not attract the sort of adulation from critics that greeted his later work.
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: What are some important aspects of Permanent Vacation?
Answer: The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: Did Permanent Vacation finally attract other critics?
Answer: The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989)
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: Did the Permanent Vacation later become successful?
Answer: Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work,
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: Did Jarmusch finally rise to fame?
Answer: became a landmark work in modern independent film.
Jim Jarmusch

Context: Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER

Question: What of importance happened after became a landmark work in modern independent film?
Answer: CANNOTANSWER
Slayer

Context: In late 1987, Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempos, and incorporate more melodic singing. According to Hanneman, "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird--we've never done that on an album, before or since."  Released in July 1988, South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at number 57 on the Billboard 200, and their second album to receive gold certification in the United States. Press response to the album was mixed, with AllMusic citing the album as "disturbing and powerful," and Kim Nelly of Rolling Stone calling it "genuinely offensive satanic drivel." King said "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.  Slayer returned to the studio in spring 1990 with co-producer Andy Wallace to record its fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood, while retaining their newfound melodic sense." Seasons in the Abyss, released on October 25, 1990, was the first Slayer album to be released under Rubin's new Def American label, as he had parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at number 44 on the Billboard 200, and was certified gold in 1992. The album spawned Slayer's first music video for the album's title track, which was filmed in front of the Giza pyramids in Egypt.  Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. During the sold out European leg of this tour tickets fetched up to 1,000 Deutschmark ($680 USD) on the black market. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years since their formation. The compilation debuted at number 55 on the Billboard 200.  In May 1992, Lombardo quit the band due to conflicts with other members, as well as his desire to be off tour for the birth of his first child. Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta, and Slayer recruited former Forbidden drummer Paul Bostaph to take his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War," "UK '82," and "Disorder," with rapper Ice-T, for the Judgment Night movie soundtrack in 1993. CANNOTANSWER

Question: Besides the US and Europe, where else did the band Slayer tour?
Answer: Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington.
Slayer

Context: In late 1987, Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempos, and incorporate more melodic singing. According to Hanneman, "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird--we've never done that on an album, before or since."  Released in July 1988, South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at number 57 on the Billboard 200, and their second album to receive gold certification in the United States. Press response to the album was mixed, with AllMusic citing the album as "disturbing and powerful," and Kim Nelly of Rolling Stone calling it "genuinely offensive satanic drivel." King said "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.  Slayer returned to the studio in spring 1990 with co-producer Andy Wallace to record its fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood, while retaining their newfound melodic sense." Seasons in the Abyss, released on October 25, 1990, was the first Slayer album to be released under Rubin's new Def American label, as he had parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at number 44 on the Billboard 200, and was certified gold in 1992. The album spawned Slayer's first music video for the album's title track, which was filmed in front of the Giza pyramids in Egypt.  Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. During the sold out European leg of this tour tickets fetched up to 1,000 Deutschmark ($680 USD) on the black market. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years since their formation. The compilation debuted at number 55 on the Billboard 200.  In May 1992, Lombardo quit the band due to conflicts with other members, as well as his desire to be off tour for the birth of his first child. Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta, and Slayer recruited former Forbidden drummer Paul Bostaph to take his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War," "UK '82," and "Disorder," with rapper Ice-T, for the Judgment Night movie soundtrack in 1993. CANNOTANSWER

Question: Did the band Slayer still do well without Lombardo?
Answer: Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington.
Duke Ellington

Context: When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged.  In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club).  Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. CANNOTANSWER

Question: What was Duke Ellington's first gig?
Answer: They played at rent-house parties for income.
Duke Ellington

Context: When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged.  In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club).  Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members. CANNOTANSWER

Question: Where did Duke Ellington play the house parties at?
Answer: Harlem,