gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: What was Ziaur Rahman first position in the military?
Answer: Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army.
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: Did Ziaur Rahman get promotions while in the military?
Answer: CANNOTANSWER
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: How long was Ziaur Rahman in the military for?
Answer: CANNOTANSWER
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: Ziaur Rahman get any honors in the military?
Answer: Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award,
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: Hilal-i-Jur'at medal is  the only award Ziaur Rahman received?
Answer: and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India.
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: Besides Rahman´s unit won two Sitara-e-Jurat, is there anything else interesting in the article?
Answer: Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military,
Ziaur Rahman

Context: Graduating from the Pakistan Military Academy at 12th PMA long course on 18 September 1955 in the top 10% of his class, Ziaur Rahman was commissioned as a second lieutenant in the Pakistan Army. In the army, he received commando training, became a paratrooper and received training in a special intelligence course.  Zia went to East Pakistan on a short visit and was struck by the negative attitude of the Bengali middle class towards the military, which consumed a large chunk of the country's resources. The low representation of the Bengalis in the military was largely due to discrimination, but Ziaur Rahman felt that the Bengali attitude towards the military perhaps prevented promising young Bengali from seeking military careers. As a Bengali army officer he advocated military careers for Bengali youth. After serving for two years in Karachi, he was transferred to the East Bengal Regiment in 1957. He attended military training schools in West Germany and UK. He also worked in the military intelligence department from 1959 to 1964.  Ayub Khan's highly successful military rule from 1958 to 1968 convinced Zia of the need for a fundamental change in the Bengali attitude towards the military. During the Indo-Pakistani War of 1965, Ziaur Rahman saw combat in the Khemkaran sector in Punjab as the commander of a company unit of 300-500 soldiers. Ziaur Rahman won the prestigious Hilal-i-Jur'at medal, Pakistan's second highest military award, and his unit won 2 Sitara-e-Jurat (Star of Courage) medals, and 9 Tamgha-e-Jurat (Medal of Courage) medals, for their role in the 1965 War with India. In 1966, Zia was appointed military instructor at the Pakistan Military Academy, later going on to attend the Command and Staff College in Quetta, Pakistan, he completed a course in command and tactical warfare. Zia helped raise two Bengali battalions called the 8th and 9th Bengals during his stint as instructor. Around the same time, his wife Khaleda Zia, now 23, gave birth to their first child Tarique Rahman on 20 November 1964. Zia joined the 2nd East Bengal regiment as its second-in-command at Joydebpur in Gazipur district, near Dhaka, in 1969, and travelled to West Germany to receive advanced military and command training with the German Army and later spent a few months with the British Army. CANNOTANSWER

Question: Did Ziaur Rahman try to do anything about Bengali middle class negative attitude?
Answer: As a Bengali army officer he advocated military careers for Bengali youth.
Garth Brooks

Context: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week.  After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993.  Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart. CANNOTANSWER

Question: Is Ropin' the Wind one of Garth Brooks albums?
Answer: Brooks' third album, Ropin' the Wind,
Garth Brooks

Context: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week.  After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993.  Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart. CANNOTANSWER

Question: What year was Ropin the Wind released?
Answer: Ropin' the Wind, was released in September 1991.
Garth Brooks

Context: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week.  After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993.  Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart. CANNOTANSWER

Question: Did Ropin the Wins have any hits?
Answer: "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless".
Garth Brooks

Context: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week.  After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993.  Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart. CANNOTANSWER

Question: When did Garth Brooks release The Chase?
Answer: CANNOTANSWER
Garth Brooks

Context: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week.  After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993.  Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart. CANNOTANSWER

Question: Was there any awards won for The Chase?
Answer: and earned Brooks a 1993 GLAAD Media Award.
Tool (band)

Context: The following year, at a time when alternative rock and grunge was at its height, Tool released their first full-length album, Undertow (1993). It expressed more diverse dynamics than Opiate and included songs the band had chosen not to publish on their previous release, when they had opted for a heavier sound. The band began touring again as planned, with an exception in May 1993. Tool was scheduled to play at the Garden Pavilion in Hollywood but learned at the last minute that the venue belonged to L. Ron Hubbard's Church of Scientology, which was perceived as a clash with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being." Keenan "spent most of the show baa-ing like a sheep at the audience."  Tool later played several concerts during the Lollapalooza festival tour, and were moved from the second stage to the main stage by their manager and the festival co-founder Ted Gardner. At the last concert of Lollapalooza in Tool's hometown Los Angeles, comedian Bill Hicks introduced the band. Hicks had become a friend of the band members and an influence on them after being mentioned in Undertow's liner notes. He jokingly asked the audience of 10,000 people to stand still and help him look for a lost contact lens. The boost in popularity gained from these concerts helped Undertow to be certified gold by the RIAA in September 1993 and to achieve platinum status in 1995, despite being sold with a censored album cover by distributors such as Wal-Mart. The single "Sober" became a hit single by March 1994 and won the band Billboard's "Best Video by a New Artist" award for the accompanying stop motion music video.  With the release of Tool's follow-up single "Prison Sex", the band again became the target of censorship. The song's lyrics and video dealt with child abuse, which sparked controversial reactions; Keenan's lyrics begin with: "It took so long to remember just what happened. I was so young and vestal then, you know it hurt me, but I'm breathing so I guess I'm still alive ... I've got my hands bound and my head down and my eyes closed and my throat wide open." The video was created primarily by guitarist Adam Jones, who saw it as his "surrealistic interpretation" of the subject matter. And while some contemporary journalists praised the video and described the lyrics as "metaphoric", the American branch of MuchMusic asked Keenan to represent the band in a hearing. It deemed the music video too graphic and obscene, and MTV stopped airing it after a few showings.  In September 1995, the band started writing and recording their second studio album. At that time Tool experienced its only lineup change to date, with bassist D'Amour leaving the band amicably to pursue other projects. Justin Chancellor, a member of former tourmates Peach, eventually replaced D'Amour, having been chosen over competitors such as Kyuss's Scott Reeder, Filter's Frank Cavanaugh, Pigmy Love Circus's E. Shepherd Stevenson, Jane's Addiction's Eric Avery and ZAUM's Marco Fox. CANNOTANSWER

Question: What is Undertow by Tool?
Answer: their first full-length album,
Tool (band)

Context: The following year, at a time when alternative rock and grunge was at its height, Tool released their first full-length album, Undertow (1993). It expressed more diverse dynamics than Opiate and included songs the band had chosen not to publish on their previous release, when they had opted for a heavier sound. The band began touring again as planned, with an exception in May 1993. Tool was scheduled to play at the Garden Pavilion in Hollywood but learned at the last minute that the venue belonged to L. Ron Hubbard's Church of Scientology, which was perceived as a clash with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being." Keenan "spent most of the show baa-ing like a sheep at the audience."  Tool later played several concerts during the Lollapalooza festival tour, and were moved from the second stage to the main stage by their manager and the festival co-founder Ted Gardner. At the last concert of Lollapalooza in Tool's hometown Los Angeles, comedian Bill Hicks introduced the band. Hicks had become a friend of the band members and an influence on them after being mentioned in Undertow's liner notes. He jokingly asked the audience of 10,000 people to stand still and help him look for a lost contact lens. The boost in popularity gained from these concerts helped Undertow to be certified gold by the RIAA in September 1993 and to achieve platinum status in 1995, despite being sold with a censored album cover by distributors such as Wal-Mart. The single "Sober" became a hit single by March 1994 and won the band Billboard's "Best Video by a New Artist" award for the accompanying stop motion music video.  With the release of Tool's follow-up single "Prison Sex", the band again became the target of censorship. The song's lyrics and video dealt with child abuse, which sparked controversial reactions; Keenan's lyrics begin with: "It took so long to remember just what happened. I was so young and vestal then, you know it hurt me, but I'm breathing so I guess I'm still alive ... I've got my hands bound and my head down and my eyes closed and my throat wide open." The video was created primarily by guitarist Adam Jones, who saw it as his "surrealistic interpretation" of the subject matter. And while some contemporary journalists praised the video and described the lyrics as "metaphoric", the American branch of MuchMusic asked Keenan to represent the band in a hearing. It deemed the music video too graphic and obscene, and MTV stopped airing it after a few showings.  In September 1995, the band started writing and recording their second studio album. At that time Tool experienced its only lineup change to date, with bassist D'Amour leaving the band amicably to pursue other projects. Justin Chancellor, a member of former tourmates Peach, eventually replaced D'Amour, having been chosen over competitors such as Kyuss's Scott Reeder, Filter's Frank Cavanaugh, Pigmy Love Circus's E. Shepherd Stevenson, Jane's Addiction's Eric Avery and ZAUM's Marco Fox. CANNOTANSWER

Question: Were there any hit songs on Tool's Undertow album?
Answer: Prison Sex
Tool (band)

Context: The following year, at a time when alternative rock and grunge was at its height, Tool released their first full-length album, Undertow (1993). It expressed more diverse dynamics than Opiate and included songs the band had chosen not to publish on their previous release, when they had opted for a heavier sound. The band began touring again as planned, with an exception in May 1993. Tool was scheduled to play at the Garden Pavilion in Hollywood but learned at the last minute that the venue belonged to L. Ron Hubbard's Church of Scientology, which was perceived as a clash with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being." Keenan "spent most of the show baa-ing like a sheep at the audience."  Tool later played several concerts during the Lollapalooza festival tour, and were moved from the second stage to the main stage by their manager and the festival co-founder Ted Gardner. At the last concert of Lollapalooza in Tool's hometown Los Angeles, comedian Bill Hicks introduced the band. Hicks had become a friend of the band members and an influence on them after being mentioned in Undertow's liner notes. He jokingly asked the audience of 10,000 people to stand still and help him look for a lost contact lens. The boost in popularity gained from these concerts helped Undertow to be certified gold by the RIAA in September 1993 and to achieve platinum status in 1995, despite being sold with a censored album cover by distributors such as Wal-Mart. The single "Sober" became a hit single by March 1994 and won the band Billboard's "Best Video by a New Artist" award for the accompanying stop motion music video.  With the release of Tool's follow-up single "Prison Sex", the band again became the target of censorship. The song's lyrics and video dealt with child abuse, which sparked controversial reactions; Keenan's lyrics begin with: "It took so long to remember just what happened. I was so young and vestal then, you know it hurt me, but I'm breathing so I guess I'm still alive ... I've got my hands bound and my head down and my eyes closed and my throat wide open." The video was created primarily by guitarist Adam Jones, who saw it as his "surrealistic interpretation" of the subject matter. And while some contemporary journalists praised the video and described the lyrics as "metaphoric", the American branch of MuchMusic asked Keenan to represent the band in a hearing. It deemed the music video too graphic and obscene, and MTV stopped airing it after a few showings.  In September 1995, the band started writing and recording their second studio album. At that time Tool experienced its only lineup change to date, with bassist D'Amour leaving the band amicably to pursue other projects. Justin Chancellor, a member of former tourmates Peach, eventually replaced D'Amour, having been chosen over competitors such as Kyuss's Scott Reeder, Filter's Frank Cavanaugh, Pigmy Love Circus's E. Shepherd Stevenson, Jane's Addiction's Eric Avery and ZAUM's Marco Fox. CANNOTANSWER

Question: What was Tool's second album called?
Answer: CANNOTANSWER
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: What is some background on Highway 61?
Answer: Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan.
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: What year was Highway 61 revisited?
Answer: 1965,
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: Was anyone featured on Highway 61?
Answer: The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone".
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: Did Tom Wilson record any other hits besides Like a Rolling Stone after Highway 61?
Answer: CANNOTANSWER
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: Why was Highway 61 recorded in two blocks?
Answer: From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston.
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: Where was some places Tom Wilson performed the hits?
Answer: On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance.
Highway 61 Revisited

Context: In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. He told journalist Nat Hentoff: "I was going to quit singing. I was very drained." The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you."  As a consequence of his dissatisfaction, Dylan wrote 20 pages of verse he later described as a "long piece of vomit". He reduced this to a song with four verses and a chorus--"Like a Rolling Stone". He told Hentoff that writing and recording the song washed away his dissatisfaction, and restored his enthusiasm for creating music. Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song."  Highway 61 Revisited was recorded in two blocks of recording sessions that took place in Studio A of Columbia Records, located in Midtown Manhattan. The first block, June 15 and June 16, was produced by Tom Wilson and resulted in the single "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, he and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston. CANNOTANSWER

Question: Why was Dylan's performance booed?
Answer: CANNOTANSWER