gaussalgo/Canard_Wiki-augmented huggingface dataset:
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: What year was did Mick Taylor debut with the Rolling Stones?
Answer: 1969.
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: How long did Mick Taylor play with the Stones?
Answer: CANNOTANSWER
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: Besides Mick Taylor's debut with the Rolling Stones, what else happened during 1969?
Answer: June 1969, John Mayall recommended Taylor to Mick Jagger.
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: What did Mick Jagger say when John Mayall recommended Mick Taylor to him?
Answer: An impressed Jagger and Keith Richards invited Taylor back the following day
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: What happened the day that Mick Taylor was invited by Mick Jagger and Keith Richards?
Answer: He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed,
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: How did the fans of the Rolling Stones like the sound of Mick Taylor overdubbing the guitar on "Country Honk" and "Live With Me"?
Answer: CANNOTANSWER
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: Besides Mick Taylor's debut with the Rolling Stones, are there any other interesting aspects about the article, Mick Taylor, 1969-74: The Rolling Stones?
Answer: Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: Why wasn't Keith Richards there when the Rolling Stones was making tracks with Mick Taylor??
Answer: Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other -
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: What happened after the Rolling Stones made tracks with Mick Taylor?
Answer: After the 1973 European tour, Richards's drug problems had worsened
Mick Taylor

Context: After Brian Jones was removed from The Rolling Stones in June 1969, John Mayall recommended Taylor to Mick Jagger. Taylor believed he was being called in to be a session musician at his first studio session with the Rolling Stones. An impressed Jagger and Keith Richards invited Taylor back the following day to continue rehearsing and recording with the band. He overdubbed guitar on "Country Honk" and "Live With Me" for the album Let It Bleed, and on the single "Honky Tonk Women" released in the UK on 4 July 1969.  Taylor's onstage debut as a Rolling Stone, at the age of 20, was the free concert in Hyde Park, London on 5 July 1969. An estimated quarter of a million people attended for a show that turned into a tribute to Brian Jones, who had died two days before the concert.  The Rolling Stones' 1971 release Sticky Fingers included "Sway" and "Moonlight Mile" which Taylor and Jagger had completed in Richards' absence. At the time Jagger stated: "We made [tracks] with just Mick Taylor, which are very good and everyone loves, where Keith wasn't there for whatever reasons ... It's me and [Mick Taylor] playing off each other - another feeling completely, because he's following my vocal lines and then extemporizing on them during the solos." However, Taylor was only credited as co-author of one track, "Ventilator Blues", from the album Exile on Main St. (1972).  After the 1973 European tour, Richards's drug problems had worsened and began affecting the ability of the band to function as a whole. Between recording sessions, the band members were living in various countries and during this period Taylor appeared on Herbie Mann's London Underground (1974) and also appeared on Mann's album Reggae (1974). CANNOTANSWER

Question: Did Keith Richards go to rehab after his drug problems worsened following the 1973 European tour?
Answer: CANNOTANSWER
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What led to Hattie McDaniel's death
Answer: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What did the stroke led Hattie McDaniel to do
Answer: October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What did the stroke do for Hattie McDaniel
Answer: McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What did Hattie McDaniel end up dying of
Answer: She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What was wrong with the funeral
Answer: "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: Why was the funeral request so terrible
Answer: I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood,
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What did the funeral request lead people to believe
Answer: cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: Besides the funeral requests, What else is said
Answer: In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there.
Hattie McDaniel

Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke."  McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today.  In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.  McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department. CANNOTANSWER

Question: What did the Hollywood Forever Cemetery do
Answer: Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions.
Kim Jae-joong

Context: Apart from TVXQ and JYJ, Kim has worked on solo activities as a singer. He sang "Insa" (insa lit. Greeting) for the soundtrack of A Millionaire's First Love. Kim collaborated with label-mates The Grace for the Japanese version of their song "Just for One Day", which was featured on their fifth Japanese single and their debut album, Graceful 4.  Kim also sang the solo track "Maze" for the fifth and final single of the Trick Project, "Keyword/Maze". Jaejoong wrote and composed "Wasurenaide" (Wang renaide, lit. Don't Forget) which was included on Tohoshinki's twenty-fifth single "Bolero/Kiss the Baby Sky/Wasurenaide." The song was also on their fourth Japanese album The Secret Code, along with the songs "9095" and "9096" which were also composed by Kim. The song, "Wang renaide" was used in an television advertisement for cosmetics in Japan.  On 30 September 2009, Kim and bandmate Yoochun released a self-composed single "Colors (Melody and Harmony)/Shelter." The A-side track, Colors (Melody and Harmony), was used as the image song for Hello Kitty's thirty-fifth anniversary. Jaejoong and Yoochun also participated in m-flo's album m-flo TRIBUTE -maison de m-flo, singing the track "Been So Long".  Kim sang "Love" for the soundtrack of the film Heaven's Postman in which he starred as the male lead. He also sang "Found You" and "For you It's Separation, For me It's Waiting" for the soundtrack of the television drama Sungkyunkwan Scandal, "I'll Protect You" for Protect the Boss, and "Living Like A Dream" for Dr. Jin. "Living Like a Dream" was awarded the Best Hallyu Drama OST at the Seoul International Drama Awards. CANNOTANSWER

Question: Who has Kim Jae-joong collaborated with?
Answer: label-mates The Grace
Kim Jae-joong

Context: Apart from TVXQ and JYJ, Kim has worked on solo activities as a singer. He sang "Insa" (insa lit. Greeting) for the soundtrack of A Millionaire's First Love. Kim collaborated with label-mates The Grace for the Japanese version of their song "Just for One Day", which was featured on their fifth Japanese single and their debut album, Graceful 4.  Kim also sang the solo track "Maze" for the fifth and final single of the Trick Project, "Keyword/Maze". Jaejoong wrote and composed "Wasurenaide" (Wang renaide, lit. Don't Forget) which was included on Tohoshinki's twenty-fifth single "Bolero/Kiss the Baby Sky/Wasurenaide." The song was also on their fourth Japanese album The Secret Code, along with the songs "9095" and "9096" which were also composed by Kim. The song, "Wang renaide" was used in an television advertisement for cosmetics in Japan.  On 30 September 2009, Kim and bandmate Yoochun released a self-composed single "Colors (Melody and Harmony)/Shelter." The A-side track, Colors (Melody and Harmony), was used as the image song for Hello Kitty's thirty-fifth anniversary. Jaejoong and Yoochun also participated in m-flo's album m-flo TRIBUTE -maison de m-flo, singing the track "Been So Long".  Kim sang "Love" for the soundtrack of the film Heaven's Postman in which he starred as the male lead. He also sang "Found You" and "For you It's Separation, For me It's Waiting" for the soundtrack of the television drama Sungkyunkwan Scandal, "I'll Protect You" for Protect the Boss, and "Living Like A Dream" for Dr. Jin. "Living Like a Dream" was awarded the Best Hallyu Drama OST at the Seoul International Drama Awards. CANNOTANSWER

Question: Besides The Grace, has Kim Jae-joong had any other collaborations?
Answer: Yoochun
Kim Jae-joong

Context: Apart from TVXQ and JYJ, Kim has worked on solo activities as a singer. He sang "Insa" (insa lit. Greeting) for the soundtrack of A Millionaire's First Love. Kim collaborated with label-mates The Grace for the Japanese version of their song "Just for One Day", which was featured on their fifth Japanese single and their debut album, Graceful 4.  Kim also sang the solo track "Maze" for the fifth and final single of the Trick Project, "Keyword/Maze". Jaejoong wrote and composed "Wasurenaide" (Wang renaide, lit. Don't Forget) which was included on Tohoshinki's twenty-fifth single "Bolero/Kiss the Baby Sky/Wasurenaide." The song was also on their fourth Japanese album The Secret Code, along with the songs "9095" and "9096" which were also composed by Kim. The song, "Wang renaide" was used in an television advertisement for cosmetics in Japan.  On 30 September 2009, Kim and bandmate Yoochun released a self-composed single "Colors (Melody and Harmony)/Shelter." The A-side track, Colors (Melody and Harmony), was used as the image song for Hello Kitty's thirty-fifth anniversary. Jaejoong and Yoochun also participated in m-flo's album m-flo TRIBUTE -maison de m-flo, singing the track "Been So Long".  Kim sang "Love" for the soundtrack of the film Heaven's Postman in which he starred as the male lead. He also sang "Found You" and "For you It's Separation, For me It's Waiting" for the soundtrack of the television drama Sungkyunkwan Scandal, "I'll Protect You" for Protect the Boss, and "Living Like A Dream" for Dr. Jin. "Living Like a Dream" was awarded the Best Hallyu Drama OST at the Seoul International Drama Awards. CANNOTANSWER

Question: Did Kim Jae-joong work a lot with Yoochun?
Answer: Kim and bandmate Yoochun released a self-composed single "Colors (Melody and Harmony)/Shelter.