gaussalgo/Canard_Wiki-augmented huggingface dataset:
Faryl Smith

Context: The day after the Britain's Got Talent finals, Max Clifford, speaking for Simon Cowell, said that it was "quite possible" that Cowell would be signing some of the finalists, including Smith. Though she did not sign with Syco, Cowell's record label, she did record a duet of "Walking in the Air" with Johnston, which appeared on his debut album, One Voice, and was tipped as a potential Christmas number-one. Before the release of One Voice, it was revealed that Smith and her father, Tony Smith, were finalising the details of her record deal. In November, it was announced that Smith would be performing on stage in Kettering with Sylvia Berryman, a vocal tutor who had worked with Smith prior to her appearance on Britain's Got Talent. Smith said that she was "really looking forward to singing locally again", and it was again reported that Smith hoped to soon sign her own record deal.  In December 2008 the Daily Mail reported that Smith had signed a PS2.3 million, multi-album deal with Universal Music Group that was the "most lucrative recording contract ever handed to a schoolgirl". Smith said "I'm honoured to be joining such a fantastic record company, especially since it's where [Jenkins] started." Dickon Stainer, speaking on behalf of Universal, said "as soon as we saw Faryl, it became an ambition to sign her." Universal claimed it intended to market Smith as a pop star. Smith signed the contract at the Royal Albert Hall, following which she performed with Katherine Jenkins. Neil Fisher, writing for The Times, described Smith as "heir apparent" to Jenkins; the pair had first met when Smith won a competition at the Llangollen International Musical Eisteddfod. By 2009, Jenkins was acting as a mentor to Smith.  In January 2009 plans were released for Smith to perform with Placido Domingo, an idea originally suggested by him. In an interview with the Metro, Smith talked about her future plans, insisting that she did not wish to be dubbed as the next Charlotte Church. She later said that "In the papers, it sounded like I was snobby when I said 'I don't want to be like Charlotte Church', but I didn't mean it like that." She has also spoken of her desire to appear in films on top of her musical career. She said "Films and movies are something I'd really like to do. I've always wanted to act so doing a film would be amazing." CANNOTANSWER

Question: In addition to Faryl Smith's record deal, are there any other interesting aspects about this article?
Answer: In January 2009 plans were released for Smith to perform with Placido Domingo, an idea originally suggested by him.
Enzo Francescoli

Context: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004. CANNOTANSWER

Question: What players did Enzo Francescoli admire and emulate in his playing style?
Answer: of French creative offensive midfielder Zinedine Zidane,
Enzo Francescoli

Context: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004. CANNOTANSWER

Question: What about Zinedine Zidane's playing style did Enzo Francescoli copy?
Answer: he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him.
Enzo Francescoli

Context: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004. CANNOTANSWER

Question: What is distinctive about Enzo Francescoli's style?
Answer: and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear.
Enzo Francescoli

Context: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004. CANNOTANSWER

Question: What is distinctive about Enzo Francescoli's PLAYING style?
Answer: Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace.
Enzo Francescoli

Context: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004. CANNOTANSWER

Question: What players cite Enzo Francescoli as an influence?
Answer: A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces,
Enzo Francescoli

Context: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace. A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks. These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him. Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.  Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Perez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli. Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.  In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pele as one of the top 125 greatest living footballers in March 2004. CANNOTANSWER

Question: Besides Zinedine Zidane did other players emulate Enzo Francescoli's playing style?
Answer: Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy,
Robert Hughes (critic)

Context: Hughes met his first wife, Danne Emerson, in London in 1967. Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom. They divorced in 1981; she died of a brain tumor in 2003. Their son, Danton, Hughes's only child, was named after the French revolutionary Georges Danton. Danton Hughes, a sculptor, committed suicide in April 2001. He had been in a long term relationship with fashion designer Jenny Kee, who found his body on 15 April. Robert Hughes later wrote: "I miss Danton and always will, although we had been miserably estranged for years and the pain of his loss has been somewhat blunted by the passage of time".  Hughes was married to his second wife, Victoria Whistler, a housewife from California, from 1981 until a divorce in 1996.  In 1999, Hughes was involved in a near-fatal car accident south of Broome, Western Australia. He was returning from a fishing trip and driving on the wrong side of the road when he collided head on with another car carrying three occupants. He was trapped in the car for three hours before being airlifted to Perth in critical condition. Hughes was in a coma for five weeks after the crash. In a 2000 court hearing, Hughes's defence barrister alleged that the occupants of the other car had been transporting illicit drugs at the time of the accident and were at fault. In 2003 Hughes pleaded guilty to dangerous driving causing bodily harm and was fined A$2,500. He also allegedly described the crown prosecutor, Lloyd Rayney, as a "curry muncher", which resulted in a defamation action and out-of-court settlement. Hughes recounts the story of the accident and his recovery in the first chapter of his 2006 memoir Things I Didn't Know.  In 2001, Hughes wed his third wife, the American artist and art director Doris Downes. "Apart from being a talented painter, she saved my life, my emotional stability, such as it is", he said. CANNOTANSWER

Question: Where did Robert Hughes grow up?
Answer: CANNOTANSWER
Robert Hughes (critic)

Context: Hughes met his first wife, Danne Emerson, in London in 1967. Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom. They divorced in 1981; she died of a brain tumor in 2003. Their son, Danton, Hughes's only child, was named after the French revolutionary Georges Danton. Danton Hughes, a sculptor, committed suicide in April 2001. He had been in a long term relationship with fashion designer Jenny Kee, who found his body on 15 April. Robert Hughes later wrote: "I miss Danton and always will, although we had been miserably estranged for years and the pain of his loss has been somewhat blunted by the passage of time".  Hughes was married to his second wife, Victoria Whistler, a housewife from California, from 1981 until a divorce in 1996.  In 1999, Hughes was involved in a near-fatal car accident south of Broome, Western Australia. He was returning from a fishing trip and driving on the wrong side of the road when he collided head on with another car carrying three occupants. He was trapped in the car for three hours before being airlifted to Perth in critical condition. Hughes was in a coma for five weeks after the crash. In a 2000 court hearing, Hughes's defence barrister alleged that the occupants of the other car had been transporting illicit drugs at the time of the accident and were at fault. In 2003 Hughes pleaded guilty to dangerous driving causing bodily harm and was fined A$2,500. He also allegedly described the crown prosecutor, Lloyd Rayney, as a "curry muncher", which resulted in a defamation action and out-of-court settlement. Hughes recounts the story of the accident and his recovery in the first chapter of his 2006 memoir Things I Didn't Know.  In 2001, Hughes wed his third wife, the American artist and art director Doris Downes. "Apart from being a talented painter, she saved my life, my emotional stability, such as it is", he said. CANNOTANSWER

Question: What happens in Robert Hughes' personal life of note?
Answer: Hughes met his first wife, Danne Emerson, in London in 1967.
Robert Hughes (critic)

Context: Hughes met his first wife, Danne Emerson, in London in 1967. Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom. They divorced in 1981; she died of a brain tumor in 2003. Their son, Danton, Hughes's only child, was named after the French revolutionary Georges Danton. Danton Hughes, a sculptor, committed suicide in April 2001. He had been in a long term relationship with fashion designer Jenny Kee, who found his body on 15 April. Robert Hughes later wrote: "I miss Danton and always will, although we had been miserably estranged for years and the pain of his loss has been somewhat blunted by the passage of time".  Hughes was married to his second wife, Victoria Whistler, a housewife from California, from 1981 until a divorce in 1996.  In 1999, Hughes was involved in a near-fatal car accident south of Broome, Western Australia. He was returning from a fishing trip and driving on the wrong side of the road when he collided head on with another car carrying three occupants. He was trapped in the car for three hours before being airlifted to Perth in critical condition. Hughes was in a coma for five weeks after the crash. In a 2000 court hearing, Hughes's defence barrister alleged that the occupants of the other car had been transporting illicit drugs at the time of the accident and were at fault. In 2003 Hughes pleaded guilty to dangerous driving causing bodily harm and was fined A$2,500. He also allegedly described the crown prosecutor, Lloyd Rayney, as a "curry muncher", which resulted in a defamation action and out-of-court settlement. Hughes recounts the story of the accident and his recovery in the first chapter of his 2006 memoir Things I Didn't Know.  In 2001, Hughes wed his third wife, the American artist and art director Doris Downes. "Apart from being a talented painter, she saved my life, my emotional stability, such as it is", he said. CANNOTANSWER

Question: Did Robert Hughes and Danne Emerson have any kids?
Answer: Their son, Danton, Hughes's only child,
Robert Hughes (critic)

Context: Hughes met his first wife, Danne Emerson, in London in 1967. Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom. They divorced in 1981; she died of a brain tumor in 2003. Their son, Danton, Hughes's only child, was named after the French revolutionary Georges Danton. Danton Hughes, a sculptor, committed suicide in April 2001. He had been in a long term relationship with fashion designer Jenny Kee, who found his body on 15 April. Robert Hughes later wrote: "I miss Danton and always will, although we had been miserably estranged for years and the pain of his loss has been somewhat blunted by the passage of time".  Hughes was married to his second wife, Victoria Whistler, a housewife from California, from 1981 until a divorce in 1996.  In 1999, Hughes was involved in a near-fatal car accident south of Broome, Western Australia. He was returning from a fishing trip and driving on the wrong side of the road when he collided head on with another car carrying three occupants. He was trapped in the car for three hours before being airlifted to Perth in critical condition. Hughes was in a coma for five weeks after the crash. In a 2000 court hearing, Hughes's defence barrister alleged that the occupants of the other car had been transporting illicit drugs at the time of the accident and were at fault. In 2003 Hughes pleaded guilty to dangerous driving causing bodily harm and was fined A$2,500. He also allegedly described the crown prosecutor, Lloyd Rayney, as a "curry muncher", which resulted in a defamation action and out-of-court settlement. Hughes recounts the story of the accident and his recovery in the first chapter of his 2006 memoir Things I Didn't Know.  In 2001, Hughes wed his third wife, the American artist and art director Doris Downes. "Apart from being a talented painter, she saved my life, my emotional stability, such as it is", he said. CANNOTANSWER

Question: Did Robert Hughes have any other interests other than being a critic?
Answer: Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom.
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: Is Sound an album?
Answer: Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.;
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: was Skinny Puppy's sound popular?
Answer: the group is generally considered to be a pioneer of the electro-industrial genre.
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: what was Skinny Puppy's most common genre?
Answer: AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld",
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: what Skinny Puppy's songs were primal or netheworld?
Answer: Skinny Puppy's musical style
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: Are there any other interesting aspects about this article in addition to Skinny Pupy's music genre?
Answer: the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop",
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: did Skinny Puppy influence any other bands aside from themselves?
Answer: CANNOTANSWER
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: How was Skinny Puppy's music different
Answer: People magazine called Ogre's lyrical delivery as "incomprehensible",
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: did Skinny Puppy have any other reviews besides the one from People Magazine
Answer: Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating".
Skinny Puppy

Context: Inspired by the music of Suicide, Cabaret Voltaire, Chrome, Throbbing Gristle, Nocturnal Emissions, Portion Control, and The Legendary Pink Dots, music which had been accessible to the band primarily via tape exchange, Skinny Puppy experimented with analog and digital recording techniques, composing multi-layered music with synthesizers, drum machines, acoustic percussion, tape-splices, found sounds, distortion, samplers, and conventional rock music instruments. They also incorporated samples from films and radio broadcasts into their songs, and applied liberal amounts of distortion and other effects to Ogre's vocals, which are often delivered in a stream of consciousness style. Lyrics commonly reference social and political topics including animal rights, environmental degradation, drug addiction, suicide, war, and the right to privacy. They have also highlighted events such as the Tiananmen Square protests of 1989 and the AIDS epidemic. These themes were often lyrically and conceptually intertwined. Skinny Puppy's often informal, improvisational approach to musical composition is indicated by use of the term brap, coined by them and defined as a verb meaning "to get together, hook up electronic instruments, get high, and record".  Skinny Puppy's musical style has encompassed a wide selection of different genres, ranging from ambient music and synthpop, to noise rock and industrial metal.; the group is generally considered to be a pioneer of the electro-industrial genre. The Village Voice described Skinny Puppy's early work as "dark electro-pop", while Bill Coleman of Billboard magazine described Skinny Puppy as a "moody techno-outfit", going on to report their delivery as "aggravating". People magazine called Ogre's lyrical delivery as "incomprehensible", and likened the group's use of sampling to noises heard on "a TV set in an adjoining hotel room". AllMusic referred to Skinny Puppy's music as "primal" and " Kraftwerk gone netherworld", going on to state that unlike the bands that followed in their wake, "Ogre and Key knew how to craft tunes and marry them to the most ingenious of sound patterns". Some of Skinny Puppy's more recent offerings have been placed in genres such as glitch and intelligent dance music.  Ogre said in an interview with the Auxiliary Magazine in June 2013, "there is a very military side to Industrial music, and we are far more in the psychedelic side." CANNOTANSWER

Question: did Skinny Puppy have any unfavorable reviews
Answer: CANNOTANSWER