gaussalgo/Canard_Wiki-augmented huggingface dataset:
Captain Marvel (DC Comics)

Context: After the success of National Comics' new superhero characters Superman and Batman, Fawcett Publications started its own comics division in 1939, recruiting writer Bill Parker to create several hero characters for the first title in their line, tentatively titled Flash Comics. Besides penning stories featuring Ibis the Invincible, Spy Smasher, Golden Arrow, Lance O'Casey, Scoop Smith, and Dan Dare for the new book, Parker also wrote a story about a team of six superheroes, each possessing a special power granted to them by a mythological figure.  Fawcett Comics' executive director Ralph Daigh decided it would be best to combine the team of six into one hero who would embody all six powers. Parker responded by creating a character he called "Captain Thunder". Staff artist Charles Clarence "C. C." Beck was recruited to design and illustrate Parker's story, rendering it in a direct, somewhat cartoony style that became his trademark. "When Bill Parker and I went to work on Fawcett's first comic book in late 1939, we both saw how poorly written and illustrated the superhero comic books were," Beck told an interviewer. "We decided to give our reader a real comic book, drawn in comic-strip style and telling an imaginative story, based not on the hackneyed formulas of the pulp magazine, but going back to the old folk-tales and myths of classic times".  The first issue of the comic book, printed as both Flash Comics #1 and Thrill Comics #1, had a low-print run in the fall of 1939 as an ashcan copy created for advertising and trademark purposes. Shortly after its printing, however, Fawcett found it could not trademark "Captain Thunder", "Flash Comics", or "Thrill Comics", because all three names were already in use. Consequently, the book was renamed Whiz Comics, and Fawcett artist Pete Costanza suggested changing Captain Thunder's name to "Captain Marvelous", which the editors shortened to "Captain Marvel". The word balloons in the story were re-lettered to label the hero of the main story as "Captain Marvel". Whiz Comics #2 (cover-dated Feb. 1940) was published in late 1939. CANNOTANSWER

Question: Are there any other interesting aspects about Captain Marvel, in addition to the development and inspiration?  ?
Answer: Fawcett found it could not trademark "Captain Thunder", "Flash Comics", or "Thrill Comics", because all three names were already in use.
Captain Marvel (DC Comics)

Context: After the success of National Comics' new superhero characters Superman and Batman, Fawcett Publications started its own comics division in 1939, recruiting writer Bill Parker to create several hero characters for the first title in their line, tentatively titled Flash Comics. Besides penning stories featuring Ibis the Invincible, Spy Smasher, Golden Arrow, Lance O'Casey, Scoop Smith, and Dan Dare for the new book, Parker also wrote a story about a team of six superheroes, each possessing a special power granted to them by a mythological figure.  Fawcett Comics' executive director Ralph Daigh decided it would be best to combine the team of six into one hero who would embody all six powers. Parker responded by creating a character he called "Captain Thunder". Staff artist Charles Clarence "C. C." Beck was recruited to design and illustrate Parker's story, rendering it in a direct, somewhat cartoony style that became his trademark. "When Bill Parker and I went to work on Fawcett's first comic book in late 1939, we both saw how poorly written and illustrated the superhero comic books were," Beck told an interviewer. "We decided to give our reader a real comic book, drawn in comic-strip style and telling an imaginative story, based not on the hackneyed formulas of the pulp magazine, but going back to the old folk-tales and myths of classic times".  The first issue of the comic book, printed as both Flash Comics #1 and Thrill Comics #1, had a low-print run in the fall of 1939 as an ashcan copy created for advertising and trademark purposes. Shortly after its printing, however, Fawcett found it could not trademark "Captain Thunder", "Flash Comics", or "Thrill Comics", because all three names were already in use. Consequently, the book was renamed Whiz Comics, and Fawcett artist Pete Costanza suggested changing Captain Thunder's name to "Captain Marvelous", which the editors shortened to "Captain Marvel". The word balloons in the story were re-lettered to label the hero of the main story as "Captain Marvel". Whiz Comics #2 (cover-dated Feb. 1940) was published in late 1939. CANNOTANSWER

Question: Why did DC comics name the comic "Captain Marvel"?
Answer: Pete Costanza suggested changing Captain Thunder's name to "Captain Marvelous", which the editors shortened to "Captain Marvel".
Captain Marvel (DC Comics)

Context: After the success of National Comics' new superhero characters Superman and Batman, Fawcett Publications started its own comics division in 1939, recruiting writer Bill Parker to create several hero characters for the first title in their line, tentatively titled Flash Comics. Besides penning stories featuring Ibis the Invincible, Spy Smasher, Golden Arrow, Lance O'Casey, Scoop Smith, and Dan Dare for the new book, Parker also wrote a story about a team of six superheroes, each possessing a special power granted to them by a mythological figure.  Fawcett Comics' executive director Ralph Daigh decided it would be best to combine the team of six into one hero who would embody all six powers. Parker responded by creating a character he called "Captain Thunder". Staff artist Charles Clarence "C. C." Beck was recruited to design and illustrate Parker's story, rendering it in a direct, somewhat cartoony style that became his trademark. "When Bill Parker and I went to work on Fawcett's first comic book in late 1939, we both saw how poorly written and illustrated the superhero comic books were," Beck told an interviewer. "We decided to give our reader a real comic book, drawn in comic-strip style and telling an imaginative story, based not on the hackneyed formulas of the pulp magazine, but going back to the old folk-tales and myths of classic times".  The first issue of the comic book, printed as both Flash Comics #1 and Thrill Comics #1, had a low-print run in the fall of 1939 as an ashcan copy created for advertising and trademark purposes. Shortly after its printing, however, Fawcett found it could not trademark "Captain Thunder", "Flash Comics", or "Thrill Comics", because all three names were already in use. Consequently, the book was renamed Whiz Comics, and Fawcett artist Pete Costanza suggested changing Captain Thunder's name to "Captain Marvelous", which the editors shortened to "Captain Marvel". The word balloons in the story were re-lettered to label the hero of the main story as "Captain Marvel". Whiz Comics #2 (cover-dated Feb. 1940) was published in late 1939. CANNOTANSWER

Question: What other inspirations did DC comicshave for the story, besides combining the team into one hero?
Answer: Parker also wrote a story about a team of six superheroes, each possessing a special power granted to them by a mythological figure.
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: What was the change in the new line-up for The Sweet?
Answer: band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon.
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: Did The Sweet have more success with their new line-up?
Answer: adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: Who gave The Sweet their new record deal?
Answer: EMI's Parlophone label.
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: What year did The Sweet get their new record deal?
Answer: 1969
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: Did The Sweet release an album under their new record deal?
Answer: Expansions on Life,
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: Was there a popular single on The Sweet's, Expansions on Life?
Answer: all of which failed to chart.
The Sweet

Context: Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.  The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, Expansions on Life, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.  The Sweet initially attempted to combine various musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.  The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. CANNOTANSWER

Question: Was there anything special about The Sweet's new line-up?
Answer: Andy Scott appears in the album cover shot, even though he did not play on any of the recordings.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: When did the band Cold get together and recorded there album?
Answer: Cold, who at the time were called Grundig, formed in 1986
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: Who were the original band members of cold?
Answer: Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: Where did the band Cold play their first venue?
Answer: The band played their first gig in 1990 at a club called the Spray.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: what was the band Cold's  first album?
Answer: In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: What happened after Cold moved to Atlanta?
Answer: During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: When Sean Lay left the band Cold who replaced him?
Answer: Kelly Hayes then joined the band, and they all later returned to Florida.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: When Cold was in Florida did anyone besides Sean Lay leave or join the band?
Answer: Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: How long did the band  Diablo last?
Answer: Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: After 1996 did Cold release another album besides into everything?
Answer: Cold to record their debut album titled Cold, which was released in 1998.
Cold (band)

Context: Cold, who at the time were called Grundig, formed in 1986 with the line-up of Scooter Ward (vocals, guitar), Sam McCandless (drums), Jeremy Marshall (bass) and Matt Loughran (guitar) at Fletcher High School in Neptune Beach, Florida. The band played their first gig in 1990 at a club called the Spray. In 1992, the band released an 8-song EP called "Into Everything" Initially based in Jacksonville, they moved to Atlanta hoping to get a break in the industry. During this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all later returned to Florida. Three and a half years later in 1995, Grundig broke up and Ward moved back to Jacksonville, where he, McCandless, Kelly Hayes, and Pat Lally formed the band Diablo. Diablo would only last about 3 months. At the end of that three-month period, Grundig reformed under the name Cold in 1996.  Following Cold's progress in the Jacksonville scene was local Fred Durst. Impressed by what he had heard, he invited Ward to record two acoustic tracks, "Check Please" and "Ugly." The two demos were passed on to producer Ross Robinson, who was also impressed by what he had heard, leading the recently renamed Cold to record their debut album titled Cold, which was released in 1998. The record was a minor success under A&M Records - now an imprint label under Interscope Records.  That same year, the band released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, crawling on the face of her doll. The band sought a signature element that fans could remember them by, and Wednesday served as the inspiration; McCandless gave a particularly favorable image of a spider to a friend and tattoo artist who transformed it into what would become Cold's official logo. The drummer would later note, "Our music kind of creeps along like a spider." CANNOTANSWER

Question: Was the album Cold by Cold a success?
Answer: The record was a minor success under A&M Records - now an imprint label under Interscope Records.