gaussalgo/Canard_Wiki-augmented huggingface dataset:
Jeff Dunham

Context: On July 18, 2003, Dunham appeared on Comedy Central Presents, his first solo appearance on Comedy Central. During his half hour piece, he showcased Jose Jalapeno on a Stick, Walter, an early version of Melvin the Superhero Guy and Peanut, whom Dunham had begun to merchandise into a line of dolls. The appearance was successful, but Comedy Central resisted giving Dunham more airtime, feeling that he was not a good fit for them. By 2005 Dunham decided to gamble on financing his own comedy DVD, Jeff Dunham: Arguing with Myself, which was taped in Santa Ana, California. Dunham's manager, Judi Brown-Marmel, lobbied the network to air it, pointing to Dunham's drawing power and merchandising profits, and arguing that the network needed more diverse content. Surprised by the high ratings of the first Blue Collar Comics concert movie that same year, the network began to reconsider its brand. In late 2006, Comedy Central aired Arguing with Myself, drawing two million viewers when it aired, and selling two million DVDs.  In 2007, Dunham appeared as The Amazing Ken with Jose Jalapeno on a Stick in the Larry the Cable Guy feature film Delta Farce. His second special, Jeff Dunham: Spark of Insanity, was taped at the Warner Theater in Washington, D.C. that same year. It served not only to cement Dunham's stardom, but to introduce his most controversial character, Achmed the Dead Terrorist, which became a viral Internet sensation. A clip of Achmed from Insanity attracted over 140 million hits on YouTube, making it the ninth most watched clip on that website as of October 2009.  By 2008, Dunham's characters had crossed language barriers, with his specials dubbed for audiences in various countries such as France, and Dunham attracting requests for performances in South Africa, Australia, Norway, Denmark, China, and the Middle East. Jeff Dunham's Very Special Christmas Special was taped at the Pabst Theater in Milwaukee, Wisconsin that same year, and premiered on Comedy Central on November 16, 2008, watched by 6.6 million people. It became available on DVD and Blu-ray on November 18, 2008. The special's premiere was the highest rated telecast in Comedy Central's history.  In September 2008, his career reached new heights as he began performing in arenas filled with tens of thousands of people. Dunham was somewhat wary of such large venues, but adapted by adjusting the timing of his often rapid exchanges with the puppets so that audience members farthest from the stage could have time to react.  In addition to his comedy specials, Dunham also released his first music album, Don't Come Home for Christmas, on November 4, 2008. It contains original Christmas songs as well as a parody of "Jingle Bells" by Achmed entitled "Jingle Bombs". All the songs, with the exception of "Jingle Bombs", were written and accompanied by Brian Haner, who joined Dunham's act as "Guitar Guy". His first onscreen appearance was in Jeff Dunham's Very Special Christmas Special. CANNOTANSWER

Question: When did Jeff Dunham's "First Comedy Central specials" release?
Answer: 2005
Jeff Dunham

Context: On July 18, 2003, Dunham appeared on Comedy Central Presents, his first solo appearance on Comedy Central. During his half hour piece, he showcased Jose Jalapeno on a Stick, Walter, an early version of Melvin the Superhero Guy and Peanut, whom Dunham had begun to merchandise into a line of dolls. The appearance was successful, but Comedy Central resisted giving Dunham more airtime, feeling that he was not a good fit for them. By 2005 Dunham decided to gamble on financing his own comedy DVD, Jeff Dunham: Arguing with Myself, which was taped in Santa Ana, California. Dunham's manager, Judi Brown-Marmel, lobbied the network to air it, pointing to Dunham's drawing power and merchandising profits, and arguing that the network needed more diverse content. Surprised by the high ratings of the first Blue Collar Comics concert movie that same year, the network began to reconsider its brand. In late 2006, Comedy Central aired Arguing with Myself, drawing two million viewers when it aired, and selling two million DVDs.  In 2007, Dunham appeared as The Amazing Ken with Jose Jalapeno on a Stick in the Larry the Cable Guy feature film Delta Farce. His second special, Jeff Dunham: Spark of Insanity, was taped at the Warner Theater in Washington, D.C. that same year. It served not only to cement Dunham's stardom, but to introduce his most controversial character, Achmed the Dead Terrorist, which became a viral Internet sensation. A clip of Achmed from Insanity attracted over 140 million hits on YouTube, making it the ninth most watched clip on that website as of October 2009.  By 2008, Dunham's characters had crossed language barriers, with his specials dubbed for audiences in various countries such as France, and Dunham attracting requests for performances in South Africa, Australia, Norway, Denmark, China, and the Middle East. Jeff Dunham's Very Special Christmas Special was taped at the Pabst Theater in Milwaukee, Wisconsin that same year, and premiered on Comedy Central on November 16, 2008, watched by 6.6 million people. It became available on DVD and Blu-ray on November 18, 2008. The special's premiere was the highest rated telecast in Comedy Central's history.  In September 2008, his career reached new heights as he began performing in arenas filled with tens of thousands of people. Dunham was somewhat wary of such large venues, but adapted by adjusting the timing of his often rapid exchanges with the puppets so that audience members farthest from the stage could have time to react.  In addition to his comedy specials, Dunham also released his first music album, Don't Come Home for Christmas, on November 4, 2008. It contains original Christmas songs as well as a parody of "Jingle Bells" by Achmed entitled "Jingle Bombs". All the songs, with the exception of "Jingle Bombs", were written and accompanied by Brian Haner, who joined Dunham's act as "Guitar Guy". His first onscreen appearance was in Jeff Dunham's Very Special Christmas Special. CANNOTANSWER

Question: Did Jeff Dunham go on tour?
Answer: South Africa, Australia, Norway, Denmark, China, and the Middle East.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What is the animal style of Migration Period art?
Answer: He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What animal is mentioned in the article of Migration Period art?
Answer: two bears
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: Besides two bears, what else is mentioned in the article of Migration Period art?
Answer: they tend to be described as serpents, although the heads often have characteristics of other types of animal.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: How many styles was classified in Migration Period art?
Answer: about 700 localised styles develop,
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What happened in 1904 with Migration Period art?
Answer: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: Is there any notable name for Migration Period art
Answer: Bernhard Salin
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: What is own the night by Lady Antebellum?
Answer: title of third album;
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: Did the songs on Own the Night perform well?
Answer: charted moderally in the Hot Country Songs.
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: What was another single off the album Own the Night other than the title song?
Answer: ", "Dancin' Away with My Heart"
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: Did "Dancin' Away with My Heart" chart?
Answer: charted moderally in the Hot Country Songs.
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: DId Lady Antebellum collaborate with anyone?
Answer: CANNOTANSWER
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: What other album did Lady Antebellum release other than Own the Night?
Answer: CANNOTANSWER
Lady Antebellum

Context: The week of January 9, 2011, the group ventured into the studio to begin recording for their third studio album. In an interview with Entertainment Weekly, Charles Kelley said, "We actually just went ahead and decided we're gonna take two, two and a half months straight in the studio to create this thing and not have all this distraction. Hopefully that will be a good thing".  On May 2, 2011, the group released the first single from their upcoming album, titled "Just a Kiss". The group performed the single on stage on American Idol's result show on May 5, 2011. It was a commercial and critical success, debuting and peaking at number 7 on the Billboard Hot 100, making it their highest debut on the chart. It also topped the Billboard Hot Country Songs, making it their fifth number-one single on the chart. On June 7, 2011, they announced the title of third album; called Own the Night, it was released on September 13, 2011. The album cover and track listing was released on July 18, 2011. All together four singles were released from Own the Night. Follow up singles were "We Owned the Night", "Dancin' Away with My Heart" and "Wanted You More" which charted moderally in the Hot Country Songs.  Lady A released a "Lady Hazed" version of Jason Aldean's song "Dirt Road Anthem" entitled "Country Club Anthem" on their installment of Webisode Wednesdays on August 10, 2011. On October 1, 2011, the group performed as the musical guests on Saturday Night Live.  Lady Antebellum released their first Christmas album On This Winter's Night on October 22, 2012. CANNOTANSWER

Question: Did Lady Antebellum perform anywhere from 2011-2012?
Answer: On October 1, 2011, the group performed as the musical guests on Saturday Night Live.
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: When did chuck bowns final years begin?
Answer: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison.
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: what happened after Chuck Bown moved back up to the Cup series?
Answer: He won the pole for the Food City 500, setting a new track record.
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: What was Chuck Bowns final race?
Answer: In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet.
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: Aside from Chuck Bown's return to Hensley, what other interesting things happened in this article?
Answer: Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired.
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: What year did Chuck Bown retire?
Answer: In 1999,
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: Did Chuck Bown have any celebration when he retired?
Answer: Bown was released from the team halfway into the season, and soon retired.
Chuck Bown

Context: In 1994, Bown moved back up to the Cup series, driving the No. 12 Ford Thunderbird for Bobby Allison. He won the pole for the Food City 500, setting a new track record. He was seriously injured in a wreck at Pocono Raceway which sidelined him for the season.  Bown returned to racing in 1995 in four Busch races, finishing ninth at Charlotte Motor Speedway in the No. 05 Key Motorsports Ford. He competed in nine Cup races in the No. 32 Chevrolet Monte Carlo for Active Motorsports, his best finish a 21st at Charlotte. In 1996, Bown drove for a variety of teams in the Busch Series, his best finish 21st at Darlington Raceway. He drove the Sadler Brothers Racing' No. 95 Ford in three Winston Cup Series events but only finished one race.  In 1997, Bown began racing in the Craftsman Truck Series, driving the No. 99 Ford F-150 for Roush Racing. Despite not winning a race, he had four top-fives and finished ninth in the standings. The next season, Bown qualified on the pole at the season opener at Walt Disney World Speedway, but finished 25th. After that race, he was released from Roush due to downsizing. He movted to the No. 57 CSG Motorsports Ford driving in six events before being released. He ended the season driving the No. 67 Chevrolet Silverado in a pair of races, finishing seventeenth at Phoenix.  In 1999, Bown returned to Hensley to drive their No. 63 Chevrolet. Despite a seventh-place finish at Charlotte, Bown was released from the team halfway into the season, and soon retired. CANNOTANSWER

Question: Why was Chuck Bown released from the team?
Answer: Despite not winning a race, he had four top-fives and finished ninth in the standings.
Vaslav Nijinsky

Context: Vaslav Nijinsky was born in 1889 or 1890 in Kiev, Russian Empire (now Ukraine), as Waclaw Nizynski, to ethnic Polish parents, touring dancers Tomasz Nizynski (b. 7 March 1862) and Eleonora Bereda (b. 28 December 1856). Nijinsky was christened in Warsaw. He identified himself as Polish although he grew up in the interior of Russia with his parents and he had difficulty speaking Polish.  Eleanora, along with her two brothers and two sisters, was orphaned while still a child. She started to earn a living as an extra in Warsaw's Grand Theatre Ballet (Polish: Teatr Wielki), becoming a full member of the company at age thirteen. In 1868 her talent was spotted and she moved to Kiev as a solo dancer. Tomasz Nizynski also attended the Wielki Theatre school, becoming a soloist there. At age 18 he accepted a soloist contract with the Odessa Theatre. The two met, married in May 1884 and settled into a career with the traveling Setov opera company. Tomasz was premier danseur, and Eleanora a soloist. Eleanora continued to tour and dance while having three children, sons Stanislav Fomitch (b. 29 December 1886 in Tiflis) and Vaslav; and daughter Bronislava Fominitchna ('Bronia', b. 8 January 1891 in Minsk). She suffered from depression, which may have been a genetic vulnerability shared in a different form by her son Vaslav. Both boys received training from their father and appeared in an amateur Hopak production in Odessa in 1894.  After Josef Setov died about 1894, the company disbanded. Thomas attempted to run his own company, but was not successful. He and his family became itinerant dancers, the children appearing in the Christmas show at Nizhny Novgorod. In 1897 Thomas and Eleanora separated after Thomas had fallen in love with another dancer, Rumiantseva, while touring in Finland. Eleanora moved to 20 Mokhovaya Street in St Petersburg with her children. She persuaded a friend from the Wielki Theatre, Victor Stanislas Gillert, who was at the time teaching at the Imperial Ballet School, to help get Vaslav into the school. He arranged for the noted teacher Enrico Cecchetti to sponsor the application. Bronia entered the school two years after Vaslav. Their older brother Stanislav had suffered a fall from a window when young and seemed to have suffered some brain damage. Vaslav and Bronia, just two years apart, became very close as they grew. As he got older, Stanislav became increasingly mentally unstable and would have fierce tantrums. He was admitted to an asylum for the insane in 1902. CANNOTANSWER

Question: At what point did Vaslav Nijinsky become interested in ballet?
Answer: She persuaded a friend from the Wielki Theatre, Victor Stanislas Gillert, who was at the time teaching at the Imperial Ballet School, to help get Vaslav into the school.
Vaslav Nijinsky

Context: Vaslav Nijinsky was born in 1889 or 1890 in Kiev, Russian Empire (now Ukraine), as Waclaw Nizynski, to ethnic Polish parents, touring dancers Tomasz Nizynski (b. 7 March 1862) and Eleonora Bereda (b. 28 December 1856). Nijinsky was christened in Warsaw. He identified himself as Polish although he grew up in the interior of Russia with his parents and he had difficulty speaking Polish.  Eleanora, along with her two brothers and two sisters, was orphaned while still a child. She started to earn a living as an extra in Warsaw's Grand Theatre Ballet (Polish: Teatr Wielki), becoming a full member of the company at age thirteen. In 1868 her talent was spotted and she moved to Kiev as a solo dancer. Tomasz Nizynski also attended the Wielki Theatre school, becoming a soloist there. At age 18 he accepted a soloist contract with the Odessa Theatre. The two met, married in May 1884 and settled into a career with the traveling Setov opera company. Tomasz was premier danseur, and Eleanora a soloist. Eleanora continued to tour and dance while having three children, sons Stanislav Fomitch (b. 29 December 1886 in Tiflis) and Vaslav; and daughter Bronislava Fominitchna ('Bronia', b. 8 January 1891 in Minsk). She suffered from depression, which may have been a genetic vulnerability shared in a different form by her son Vaslav. Both boys received training from their father and appeared in an amateur Hopak production in Odessa in 1894.  After Josef Setov died about 1894, the company disbanded. Thomas attempted to run his own company, but was not successful. He and his family became itinerant dancers, the children appearing in the Christmas show at Nizhny Novgorod. In 1897 Thomas and Eleanora separated after Thomas had fallen in love with another dancer, Rumiantseva, while touring in Finland. Eleanora moved to 20 Mokhovaya Street in St Petersburg with her children. She persuaded a friend from the Wielki Theatre, Victor Stanislas Gillert, who was at the time teaching at the Imperial Ballet School, to help get Vaslav into the school. He arranged for the noted teacher Enrico Cecchetti to sponsor the application. Bronia entered the school two years after Vaslav. Their older brother Stanislav had suffered a fall from a window when young and seemed to have suffered some brain damage. Vaslav and Bronia, just two years apart, became very close as they grew. As he got older, Stanislav became increasingly mentally unstable and would have fierce tantrums. He was admitted to an asylum for the insane in 1902. CANNOTANSWER

Question: What influences did Vaslav Nijinsky have to get him interested in ballet?
Answer: Polish parents, touring dancers Tomasz Nizynski (b. 7 March 1862) and Eleonora Bereda (b. 28 December 1856).