gaussalgo/Canard_Wiki-augmented huggingface dataset:
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: Did Carroll Baker do anything else, besides Corrado Farina's film Baba Yaya?
Answer: sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance,
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: Besides Carroll Baker having a leading role in Corrado Farina's Baba Yaga, are there any other interesting aspects about this article?
Answer: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career
Jumbo

Context: Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff. The calf was sold to Lorenzo Casanova, an Italian animal dealer and explorer. Casanova transported the animals that he had bought north from Sudan to Suez, and then across the Mediterranean to Trieste.  This collection was sold to Gottlieb Christian Kreutzberg's "Menagerie Kreutzberg" in Germany. Soon after, the elephant was imported to France and kept in the Paris zoo, Jardin des Plantes. In 1865 he was transferred to London Zoo, arriving on 26 June, and becoming famous for giving rides to visitors, especially children. The London zookeeper association leader Anoshan Anathajeyasri gave Jumbo his name; it is likely a variation of one of two Swahili words: jambo, which means "hello"; or jumbe, meaning "chief". If Anoshan Anathajeyasri was from India, it is possible that he named Jumbo after a gigantic rose-apple tree, called jambu (which at that time would be transliterated as 'jumboo')which grows on the mythical Mount Meru and whose fruits were said to be as large as elephants.  While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure. His keeper at London was Matthew Scott, whose 1885 autobiography details his life with Jumbo.  Jumbo was sold in February 1882 to the Barnum & Bailey Circus for PS2,000. There was popular objection when Barnum's proposal became known; 100,000 school children wrote to Queen Victoria begging her not to sell the elephant. Despite a lawsuit against the Zoological Gardens alleging the sale was in violation of multiple zoo bylaws, and the zoo's attempt to renege on the sale, the court upheld the sale and Barnum refused to sell Jumbo back. Matthew Scott elected to go with Jumbo to the USA.  In New York, Barnum exhibited the elephant at Madison Square Garden, earning enough in three weeks from the enormous crowds to recoup the money he spent to buy the animal. In the 31-week season, the circus earned $1.75M, largely due to its star attraction. On 30 May 1884, Jumbo was one of Barnum's 21 elephants that crossed the Brooklyn Bridge to prove that it was safe after 12 people died during a stampede caused by mass panic over collapse fears a year earlier. CANNOTANSWER

Question: What period of history was the Jumbo, History article about?
Answer: 1860
Jumbo

Context: Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff. The calf was sold to Lorenzo Casanova, an Italian animal dealer and explorer. Casanova transported the animals that he had bought north from Sudan to Suez, and then across the Mediterranean to Trieste.  This collection was sold to Gottlieb Christian Kreutzberg's "Menagerie Kreutzberg" in Germany. Soon after, the elephant was imported to France and kept in the Paris zoo, Jardin des Plantes. In 1865 he was transferred to London Zoo, arriving on 26 June, and becoming famous for giving rides to visitors, especially children. The London zookeeper association leader Anoshan Anathajeyasri gave Jumbo his name; it is likely a variation of one of two Swahili words: jambo, which means "hello"; or jumbe, meaning "chief". If Anoshan Anathajeyasri was from India, it is possible that he named Jumbo after a gigantic rose-apple tree, called jambu (which at that time would be transliterated as 'jumboo')which grows on the mythical Mount Meru and whose fruits were said to be as large as elephants.  While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure. His keeper at London was Matthew Scott, whose 1885 autobiography details his life with Jumbo.  Jumbo was sold in February 1882 to the Barnum & Bailey Circus for PS2,000. There was popular objection when Barnum's proposal became known; 100,000 school children wrote to Queen Victoria begging her not to sell the elephant. Despite a lawsuit against the Zoological Gardens alleging the sale was in violation of multiple zoo bylaws, and the zoo's attempt to renege on the sale, the court upheld the sale and Barnum refused to sell Jumbo back. Matthew Scott elected to go with Jumbo to the USA.  In New York, Barnum exhibited the elephant at Madison Square Garden, earning enough in three weeks from the enormous crowds to recoup the money he spent to buy the animal. In the 31-week season, the circus earned $1.75M, largely due to its star attraction. On 30 May 1884, Jumbo was one of Barnum's 21 elephants that crossed the Brooklyn Bridge to prove that it was safe after 12 people died during a stampede caused by mass panic over collapse fears a year earlier. CANNOTANSWER

Question: Do you know where Jumbo the elephant first came from?
Answer: Jumbo was born at about Christmas 1860 in the Sudan
Jumbo

Context: Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff. The calf was sold to Lorenzo Casanova, an Italian animal dealer and explorer. Casanova transported the animals that he had bought north from Sudan to Suez, and then across the Mediterranean to Trieste.  This collection was sold to Gottlieb Christian Kreutzberg's "Menagerie Kreutzberg" in Germany. Soon after, the elephant was imported to France and kept in the Paris zoo, Jardin des Plantes. In 1865 he was transferred to London Zoo, arriving on 26 June, and becoming famous for giving rides to visitors, especially children. The London zookeeper association leader Anoshan Anathajeyasri gave Jumbo his name; it is likely a variation of one of two Swahili words: jambo, which means "hello"; or jumbe, meaning "chief". If Anoshan Anathajeyasri was from India, it is possible that he named Jumbo after a gigantic rose-apple tree, called jambu (which at that time would be transliterated as 'jumboo')which grows on the mythical Mount Meru and whose fruits were said to be as large as elephants.  While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure. His keeper at London was Matthew Scott, whose 1885 autobiography details his life with Jumbo.  Jumbo was sold in February 1882 to the Barnum & Bailey Circus for PS2,000. There was popular objection when Barnum's proposal became known; 100,000 school children wrote to Queen Victoria begging her not to sell the elephant. Despite a lawsuit against the Zoological Gardens alleging the sale was in violation of multiple zoo bylaws, and the zoo's attempt to renege on the sale, the court upheld the sale and Barnum refused to sell Jumbo back. Matthew Scott elected to go with Jumbo to the USA.  In New York, Barnum exhibited the elephant at Madison Square Garden, earning enough in three weeks from the enormous crowds to recoup the money he spent to buy the animal. In the 31-week season, the circus earned $1.75M, largely due to its star attraction. On 30 May 1884, Jumbo was one of Barnum's 21 elephants that crossed the Brooklyn Bridge to prove that it was safe after 12 people died during a stampede caused by mass panic over collapse fears a year earlier. CANNOTANSWER

Question: What was significant about Jumbo compared to other circus elephants?
Answer: While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure.
Jumbo

Context: Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff. The calf was sold to Lorenzo Casanova, an Italian animal dealer and explorer. Casanova transported the animals that he had bought north from Sudan to Suez, and then across the Mediterranean to Trieste.  This collection was sold to Gottlieb Christian Kreutzberg's "Menagerie Kreutzberg" in Germany. Soon after, the elephant was imported to France and kept in the Paris zoo, Jardin des Plantes. In 1865 he was transferred to London Zoo, arriving on 26 June, and becoming famous for giving rides to visitors, especially children. The London zookeeper association leader Anoshan Anathajeyasri gave Jumbo his name; it is likely a variation of one of two Swahili words: jambo, which means "hello"; or jumbe, meaning "chief". If Anoshan Anathajeyasri was from India, it is possible that he named Jumbo after a gigantic rose-apple tree, called jambu (which at that time would be transliterated as 'jumboo')which grows on the mythical Mount Meru and whose fruits were said to be as large as elephants.  While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure. His keeper at London was Matthew Scott, whose 1885 autobiography details his life with Jumbo.  Jumbo was sold in February 1882 to the Barnum & Bailey Circus for PS2,000. There was popular objection when Barnum's proposal became known; 100,000 school children wrote to Queen Victoria begging her not to sell the elephant. Despite a lawsuit against the Zoological Gardens alleging the sale was in violation of multiple zoo bylaws, and the zoo's attempt to renege on the sale, the court upheld the sale and Barnum refused to sell Jumbo back. Matthew Scott elected to go with Jumbo to the USA.  In New York, Barnum exhibited the elephant at Madison Square Garden, earning enough in three weeks from the enormous crowds to recoup the money he spent to buy the animal. In the 31-week season, the circus earned $1.75M, largely due to its star attraction. On 30 May 1884, Jumbo was one of Barnum's 21 elephants that crossed the Brooklyn Bridge to prove that it was safe after 12 people died during a stampede caused by mass panic over collapse fears a year earlier. CANNOTANSWER

Question: Why was Jumbo the elephant grinding his tusks?  Was he going crazy or sick?
Answer: CANNOTANSWER
Jumbo

Context: Jumbo was born at about Christmas 1860 in the Sudan and, after his mother was killed by hunters, the infant Jumbo was captured by Sudanese elephant hunter, Taher Sheriff. The calf was sold to Lorenzo Casanova, an Italian animal dealer and explorer. Casanova transported the animals that he had bought north from Sudan to Suez, and then across the Mediterranean to Trieste.  This collection was sold to Gottlieb Christian Kreutzberg's "Menagerie Kreutzberg" in Germany. Soon after, the elephant was imported to France and kept in the Paris zoo, Jardin des Plantes. In 1865 he was transferred to London Zoo, arriving on 26 June, and becoming famous for giving rides to visitors, especially children. The London zookeeper association leader Anoshan Anathajeyasri gave Jumbo his name; it is likely a variation of one of two Swahili words: jambo, which means "hello"; or jumbe, meaning "chief". If Anoshan Anathajeyasri was from India, it is possible that he named Jumbo after a gigantic rose-apple tree, called jambu (which at that time would be transliterated as 'jumboo')which grows on the mythical Mount Meru and whose fruits were said to be as large as elephants.  While at London, Jumbo broke both tusks, and when they regrew, ground them down against the stonework of his enclosure. His keeper at London was Matthew Scott, whose 1885 autobiography details his life with Jumbo.  Jumbo was sold in February 1882 to the Barnum & Bailey Circus for PS2,000. There was popular objection when Barnum's proposal became known; 100,000 school children wrote to Queen Victoria begging her not to sell the elephant. Despite a lawsuit against the Zoological Gardens alleging the sale was in violation of multiple zoo bylaws, and the zoo's attempt to renege on the sale, the court upheld the sale and Barnum refused to sell Jumbo back. Matthew Scott elected to go with Jumbo to the USA.  In New York, Barnum exhibited the elephant at Madison Square Garden, earning enough in three weeks from the enormous crowds to recoup the money he spent to buy the animal. In the 31-week season, the circus earned $1.75M, largely due to its star attraction. On 30 May 1884, Jumbo was one of Barnum's 21 elephants that crossed the Brooklyn Bridge to prove that it was safe after 12 people died during a stampede caused by mass panic over collapse fears a year earlier. CANNOTANSWER

Question: Was Jumbo the elephant notable for any particular circus acts?
Answer: CANNOTANSWER
The Devil Wears Prada (band)

Context: In an interview at the beginning of April with Lucy Alberts of Alternative Press, the band revealed that they were recording an EP before they begin their Back to the Roots Tour. The EP was described as a "fun" release with "brutal" songs in the vein of what will eventually become the band's forthcoming studio album. The band's Back to the Roots Tour was presented by Rockstar. Mike Hranica stated "One of the primary elements of the Back to the Roots Tour is playing a few Dear Love songs that we have not played in a long time, and probably will not play again or anytime soon." On June 11 it was announced that they have completed the recording of the EP, the title for it was revealed as being Zombie and was released on August 23. After the completion and announcement of the EP, the band began their Back to the Roots Tour on June 25 as they planned.  By January 2011, Hranica revealed in an interview with Tim Karan what the band's ideas and plans for their fourth full-length studio album would be. His comments were placed within comparison to their latest release (the Zombie EP and described that the record is "a more heavy-focused sound from us. We think it would be smart to push that beefy, heavy songwriting [from Zombie] into the new full-length...but with a strong blend of what we usually do with melody." The album was confirmed to not be a concept album - like their previous work on the Zombie EP - but would have an overall theme, focused on anti-idolatry, which, according to Hranica, "has been weighing on me lately." On June 13, Alternative Press began streaming a track, titled "Born to Lose", debuting off the upcoming album, and during the same month, the band signed with Roadrunner Records. Vocalist, Hrancia offered his opinion of the new material, stating that it will contain "the heavy aspects of the Zombie EP, meshed with the melody of the full-lengths. 'Born to Lose' captures some of those elements and serves as a comprehensive preview to the album." He ended his comments with; "By all means I'd call it our most emotional, well-written album to date."  The album's name was revealed to be Dead Throne, and was released on September 13, 2011 through Ferret Music. It has since become a critical and commercial success, where it peaked at number 10 on the Billboard 200, selling 32,420 copies within its first week. Dead Throne also topped the Christian and Independent album charts, as well as peaking at number 3 on the Rock and Hard Rock album charts.  The band was confirmed for the Mayhem Festival tour at the beginning of 2012, with Slayer, Slipknot and As I Lay Dying. During this tour on February 22, 2012 keyboard player James Baney left the band. The Devil Wears Prada will release a CD/DVD album, Dead and Alive. The live album was released on June 26, 2012. CANNOTANSWER

Question: When did the band The Devil Wears Prada perform?
Answer: June 26, 2012.
The Devil Wears Prada (band)

Context: In an interview at the beginning of April with Lucy Alberts of Alternative Press, the band revealed that they were recording an EP before they begin their Back to the Roots Tour. The EP was described as a "fun" release with "brutal" songs in the vein of what will eventually become the band's forthcoming studio album. The band's Back to the Roots Tour was presented by Rockstar. Mike Hranica stated "One of the primary elements of the Back to the Roots Tour is playing a few Dear Love songs that we have not played in a long time, and probably will not play again or anytime soon." On June 11 it was announced that they have completed the recording of the EP, the title for it was revealed as being Zombie and was released on August 23. After the completion and announcement of the EP, the band began their Back to the Roots Tour on June 25 as they planned.  By January 2011, Hranica revealed in an interview with Tim Karan what the band's ideas and plans for their fourth full-length studio album would be. His comments were placed within comparison to their latest release (the Zombie EP and described that the record is "a more heavy-focused sound from us. We think it would be smart to push that beefy, heavy songwriting [from Zombie] into the new full-length...but with a strong blend of what we usually do with melody." The album was confirmed to not be a concept album - like their previous work on the Zombie EP - but would have an overall theme, focused on anti-idolatry, which, according to Hranica, "has been weighing on me lately." On June 13, Alternative Press began streaming a track, titled "Born to Lose", debuting off the upcoming album, and during the same month, the band signed with Roadrunner Records. Vocalist, Hrancia offered his opinion of the new material, stating that it will contain "the heavy aspects of the Zombie EP, meshed with the melody of the full-lengths. 'Born to Lose' captures some of those elements and serves as a comprehensive preview to the album." He ended his comments with; "By all means I'd call it our most emotional, well-written album to date."  The album's name was revealed to be Dead Throne, and was released on September 13, 2011 through Ferret Music. It has since become a critical and commercial success, where it peaked at number 10 on the Billboard 200, selling 32,420 copies within its first week. Dead Throne also topped the Christian and Independent album charts, as well as peaking at number 3 on the Rock and Hard Rock album charts.  The band was confirmed for the Mayhem Festival tour at the beginning of 2012, with Slayer, Slipknot and As I Lay Dying. During this tour on February 22, 2012 keyboard player James Baney left the band. The Devil Wears Prada will release a CD/DVD album, Dead and Alive. The live album was released on June 26, 2012. CANNOTANSWER

Question: What the name of one of The Devil Wears Prada albums.
Answer: Dead and Alive.
The Devil Wears Prada (band)

Context: In an interview at the beginning of April with Lucy Alberts of Alternative Press, the band revealed that they were recording an EP before they begin their Back to the Roots Tour. The EP was described as a "fun" release with "brutal" songs in the vein of what will eventually become the band's forthcoming studio album. The band's Back to the Roots Tour was presented by Rockstar. Mike Hranica stated "One of the primary elements of the Back to the Roots Tour is playing a few Dear Love songs that we have not played in a long time, and probably will not play again or anytime soon." On June 11 it was announced that they have completed the recording of the EP, the title for it was revealed as being Zombie and was released on August 23. After the completion and announcement of the EP, the band began their Back to the Roots Tour on June 25 as they planned.  By January 2011, Hranica revealed in an interview with Tim Karan what the band's ideas and plans for their fourth full-length studio album would be. His comments were placed within comparison to their latest release (the Zombie EP and described that the record is "a more heavy-focused sound from us. We think it would be smart to push that beefy, heavy songwriting [from Zombie] into the new full-length...but with a strong blend of what we usually do with melody." The album was confirmed to not be a concept album - like their previous work on the Zombie EP - but would have an overall theme, focused on anti-idolatry, which, according to Hranica, "has been weighing on me lately." On June 13, Alternative Press began streaming a track, titled "Born to Lose", debuting off the upcoming album, and during the same month, the band signed with Roadrunner Records. Vocalist, Hrancia offered his opinion of the new material, stating that it will contain "the heavy aspects of the Zombie EP, meshed with the melody of the full-lengths. 'Born to Lose' captures some of those elements and serves as a comprehensive preview to the album." He ended his comments with; "By all means I'd call it our most emotional, well-written album to date."  The album's name was revealed to be Dead Throne, and was released on September 13, 2011 through Ferret Music. It has since become a critical and commercial success, where it peaked at number 10 on the Billboard 200, selling 32,420 copies within its first week. Dead Throne also topped the Christian and Independent album charts, as well as peaking at number 3 on the Rock and Hard Rock album charts.  The band was confirmed for the Mayhem Festival tour at the beginning of 2012, with Slayer, Slipknot and As I Lay Dying. During this tour on February 22, 2012 keyboard player James Baney left the band. The Devil Wears Prada will release a CD/DVD album, Dead and Alive. The live album was released on June 26, 2012. CANNOTANSWER

Question: What is the name of one of the integrants of the band The Devil Wears Prada?
Answer: keyboard player James Baney
The Devil Wears Prada (band)

Context: In an interview at the beginning of April with Lucy Alberts of Alternative Press, the band revealed that they were recording an EP before they begin their Back to the Roots Tour. The EP was described as a "fun" release with "brutal" songs in the vein of what will eventually become the band's forthcoming studio album. The band's Back to the Roots Tour was presented by Rockstar. Mike Hranica stated "One of the primary elements of the Back to the Roots Tour is playing a few Dear Love songs that we have not played in a long time, and probably will not play again or anytime soon." On June 11 it was announced that they have completed the recording of the EP, the title for it was revealed as being Zombie and was released on August 23. After the completion and announcement of the EP, the band began their Back to the Roots Tour on June 25 as they planned.  By January 2011, Hranica revealed in an interview with Tim Karan what the band's ideas and plans for their fourth full-length studio album would be. His comments were placed within comparison to their latest release (the Zombie EP and described that the record is "a more heavy-focused sound from us. We think it would be smart to push that beefy, heavy songwriting [from Zombie] into the new full-length...but with a strong blend of what we usually do with melody." The album was confirmed to not be a concept album - like their previous work on the Zombie EP - but would have an overall theme, focused on anti-idolatry, which, according to Hranica, "has been weighing on me lately." On June 13, Alternative Press began streaming a track, titled "Born to Lose", debuting off the upcoming album, and during the same month, the band signed with Roadrunner Records. Vocalist, Hrancia offered his opinion of the new material, stating that it will contain "the heavy aspects of the Zombie EP, meshed with the melody of the full-lengths. 'Born to Lose' captures some of those elements and serves as a comprehensive preview to the album." He ended his comments with; "By all means I'd call it our most emotional, well-written album to date."  The album's name was revealed to be Dead Throne, and was released on September 13, 2011 through Ferret Music. It has since become a critical and commercial success, where it peaked at number 10 on the Billboard 200, selling 32,420 copies within its first week. Dead Throne also topped the Christian and Independent album charts, as well as peaking at number 3 on the Rock and Hard Rock album charts.  The band was confirmed for the Mayhem Festival tour at the beginning of 2012, with Slayer, Slipknot and As I Lay Dying. During this tour on February 22, 2012 keyboard player James Baney left the band. The Devil Wears Prada will release a CD/DVD album, Dead and Alive. The live album was released on June 26, 2012. CANNOTANSWER

Question: Besides keyboard player WJames Baney, who else is involved in the success of the band?
Answer: The band was confirmed for the Mayhem Festival tour
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: What is Automatic Dlamini?
Answer: a band based in Bristol
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: What songs did Automatic Dlamini band release?
Answer: the band's debut studio album, The D is for Drum.
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: Was The D is for Drum album successful?
Answer: CANNOTANSWER
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: Besides PJ Harvey are there any other interesting aspects about this article?
Answer: In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver;
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: Why did PJ Harvey leave and form her own band?
Answer: CANNOTANSWER
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: What happened with Automatic Dlamini band after Harvey left?
Answer: she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate."
PJ Harvey

Context: In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellis and Ian Oliver. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in West Germany, Spain and Poland to support the band's debut studio album, The D is for Drum. A second European tour took place throughout June and July 1989. Following the tour, the band recorded Here Catch, Shouted His Father, their second studio album, between late 1989 and early 1990. This is the only Automatic Dlamini material to feature Harvey, but remains unreleased, although bootleg versions of the album are in circulation.  In January 1991, Harvey left to form her own band with former bandmates Ellis and Oliver; yet she had formed lasting personal and professional relationships with certain members, especially Parish, whom she has referred to as her "musical soulmate." Parish would subsequently contribute to, and sometimes co-produce, Harvey's solo studio albums and has toured with her a number of times. As a duo, Parish and Harvey have recorded two collaborative albums where Parish composed the music and Harvey penned the lyrics. Additionally, Parish's girlfriend in the late 1980s was photographer Maria Mochnacz. She and Harvey became close friends and Mochnacz went on to shoot and design most of Harvey's album artwork and music videos, contributing significantly to her public image.  Harvey has said of her time with Automatic Dlamini: "I ended up not singing very much but I was just happy to learn how to play the guitar. I wrote a lot during the time I was with them but my first songs were crap. I was listening to a lot of Irish folk music at the time, so the songs were folky and full of penny whistles and stuff. It was ages before I felt ready to perform my own songs in front of other people." She also credits Parish for teaching her how to perform in front of audiences, saying "after the experience with John's band and seeing him perform I found it was enormously helpful to me as a performer to engage with people in the audience, and I probably did learn that from him, amongst other things." CANNOTANSWER

Question: Were PJ Harvey's years with the Automatic Dlamini band successful?
Answer: CANNOTANSWER