gaussalgo/Canard_Wiki-augmented huggingface dataset:
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: What was the reaction of Billie Jean King when he lost?
Answer: CANNOTANSWER
Miguel Induráin

Context: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today. CANNOTANSWER

Question: When did Miguel Induráin's professional career begin?
Answer: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds.
Miguel Induráin

Context: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today. CANNOTANSWER

Question: What was Miguel Induráin's first major race?
Answer: He won his first professional race a week later, a time trial in the Tour de l'Avenir.
Miguel Induráin

Context: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today. CANNOTANSWER

Question: Where did Miguel Induráin go from his first professional race a week later, a time trial in the Tour de l'Avenir?
Answer: In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch.
Miguel Induráin

Context: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today. CANNOTANSWER

Question: Did Miguel Induráin recieve any financial compensation?
Answer: CANNOTANSWER
Miguel Induráin

Context: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today. CANNOTANSWER

Question: Did Miguel Induráin set any records?
Answer: CANNOTANSWER
Miguel Induráin

Context: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.  In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado.  Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today. CANNOTANSWER

Question: What else did you find interesting about Miguel Induráin other than his races?
Answer: He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage.
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: what did Diplo and Mia have?
Answer: After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London.
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: how did Diplo react to Mia?
Answer: " The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1.,
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: what kind of music was Piracy funds that Diplo and Mia corraborated on?
Answer: where Arular track acapellas were mashed with other artists' songs
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: was Piracy funds successful?
Answer: mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media.
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: did Diplo and Mia produce anything else other than Privacy Funds?
Answer: Together, they created the Grammy-nominated track "Paper Planes",
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: was Paper Planes successful?
Answer: number 4 on the Billboard Hot 100.
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: did Diplo and Mia ever go on tour?
Answer: He was the tour DJ on her 2005 Arular Tour.
Diplo

Context: Main article; M.I.A.  After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour.  Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful. CANNOTANSWER

Question: What were Diplo's feelings of Mia approaching him in the beginning?
Answer: "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: when was Stan Brakhage born?
Answer: January 14, 1933,
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: where was Stan Brakhage born?
Answer: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: who were Stan Brakhage's parents?
Answer: Ludwig and Clara Brakhage.
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: did Stan Brakhage end up having any siblings?
Answer: CANNOTANSWER
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: where did Stan Brakhage go to school?
Answer: He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney.
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: did Stan Brakhage go to college?
Answer: Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films.
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: did Stan Brakhage collaborate with Jordan, Subotnick and Tenney?
Answer: Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.
Stan Brakhage

Context: Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.  As a child, Brakhage was featured on radio as a boy soprano and sang in church choirs and as a soloist at other events. He was raised in Denver, Colorado, where he attended high school with the filmmaker Larry Jordan and the musicians Morton Subotnick and James Tenney. Together, Brakhage, Jordan, Tenney and Subotnick formed a drama group called the Gadflies.  Brakhage briefly attended Dartmouth College on a scholarship before dropping out to make films. He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney. In 1953, Brakhage moved to San Francisco to attend the San Francisco Art Institute, then called the California School of the Arts. He found the atmosphere in San Francisco more rewarding, associating with poets Robert Duncan and Kenneth Rexroth, but did not complete his education, instead moving to New York City in 1954. There he met a number of notable artists, including Maya Deren (in whose apartment he briefly lived), Willard Maas, Jonas Mekas, Marie Menken, Joseph Cornell, and John Cage. Brakhage would collaborate with the latter two, making two films with Cornell (Gnir Rednow and Centuries of June) and using Cage's music for the soundtrack of his first color film, In Between.  Brakhage spent the next few years living in near poverty, depressed about what he saw as the failure of his work. He briefly considered suicide. While living in Denver, Brakhage met Mary Jane Collom (see Jane Wodening), whom he married in late 1957. Known as Jane Brakhage, she became his first wife. Brakhage tried to make money on his films, but had to take a job making industrial shorts to support his family. In 1958, Jane gave birth to the first of the five children they would have together, a daughter called Myrrena, an event Brakhage recorded for his 1959 film Window Water Baby Moving. CANNOTANSWER

Question: what did Gadflies perform (or do?)
Answer: He completed his first film, Interim, at the age of 19; the music for the film was composed by his school friend James Tenney.
A.J. Styles

Context: Styles returned to Ring of Honor at the Third Anniversary Celebration: Part Two to wrestle Jimmy Rave, who accused him of stealing the Styles Clash (which he called the Rave Clash) from him, though he was unsuccessful in defeating Rave. During his feud with Rave and The Embassy, Styles formed an alliance with Generation Next, who were also feuding with The Embassy. At Glory by Honor IV, Styles defeated Rave with Mick Foley in his corner, with the stipulation that the loser could no longer use the Rave/Styles Clash in Ring of Honor. At This Means War, he defeated Generation Next leader Austin Aries, who was attacked by The Embassy following the show. At Vendetta, Styles had his final match against The Embassy when he, along with Austin Aries, Jack Evans and Matt Sydal were defeated by Abyss, Alex Shelley, Jimmy Rave, and Prince Nana in an eight-man tag match.  Following his feud with The Embassy, Styles set his sights on winning a championship. At A Night of Tribute, Styles faced Christopher Daniels and Matt Sydal in a three-way match, which Daniels won. On the first show of 2006, Styles wrestled and defeated Matt Sydal, after which the two agreed to form a tag team and challenge for the ROH Tag Team Championship, which were held by Sydal's Generation Next teammates Austin Aries and Roderick Strong. Before receiving a shot at the tag team title, Styles received a shot at the ROH World Championship when he was handpicked by Bryan Danielson, but he was unsuccessful. At the Fourth Anniversary Show, Styles and Sydal received their shot at the ROH Tag Team Championship, but were unable to defeat the champions.  After an absence, Styles returned at Death Before Dishonor IV, defeating Davey Richards. Styles returned at Time to Man Up, losing to Samoa Joe. In a pre-taped promo, Styles said he would be taking several months off from ROH following the match; however, ROH commentators continually referred to the match as his final match and even played a special tribute to him after it. CANNOTANSWER

Question: How did A.J. Styles get into a feud with Jimmy Rave?
Answer: Jimmy Rave, who accused him of stealing the Styles Clash (which he called the Rave Clash) from him,
A.J. Styles

Context: Styles returned to Ring of Honor at the Third Anniversary Celebration: Part Two to wrestle Jimmy Rave, who accused him of stealing the Styles Clash (which he called the Rave Clash) from him, though he was unsuccessful in defeating Rave. During his feud with Rave and The Embassy, Styles formed an alliance with Generation Next, who were also feuding with The Embassy. At Glory by Honor IV, Styles defeated Rave with Mick Foley in his corner, with the stipulation that the loser could no longer use the Rave/Styles Clash in Ring of Honor. At This Means War, he defeated Generation Next leader Austin Aries, who was attacked by The Embassy following the show. At Vendetta, Styles had his final match against The Embassy when he, along with Austin Aries, Jack Evans and Matt Sydal were defeated by Abyss, Alex Shelley, Jimmy Rave, and Prince Nana in an eight-man tag match.  Following his feud with The Embassy, Styles set his sights on winning a championship. At A Night of Tribute, Styles faced Christopher Daniels and Matt Sydal in a three-way match, which Daniels won. On the first show of 2006, Styles wrestled and defeated Matt Sydal, after which the two agreed to form a tag team and challenge for the ROH Tag Team Championship, which were held by Sydal's Generation Next teammates Austin Aries and Roderick Strong. Before receiving a shot at the tag team title, Styles received a shot at the ROH World Championship when he was handpicked by Bryan Danielson, but he was unsuccessful. At the Fourth Anniversary Show, Styles and Sydal received their shot at the ROH Tag Team Championship, but were unable to defeat the champions.  After an absence, Styles returned at Death Before Dishonor IV, defeating Davey Richards. Styles returned at Time to Man Up, losing to Samoa Joe. In a pre-taped promo, Styles said he would be taking several months off from ROH following the match; however, ROH commentators continually referred to the match as his final match and even played a special tribute to him after it. CANNOTANSWER

Question: Where was A.J. Styles when the feud with Jimmy Rave began?
Answer: CANNOTANSWER