gaussalgo/Canard_Wiki-augmented huggingface dataset:
Truman Capote

Context: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically. CANNOTANSWER

Question: What is Breakfast at Tiffany's?
Answer: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "
Truman Capote

Context: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically. CANNOTANSWER

Question: What year was Breakfast at Tiffany's written?
Answer: 1958
Truman Capote

Context: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically. CANNOTANSWER

Question: Was Breakfast at Tiffany's a success?
Answer: the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".
Truman Capote

Context: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically. CANNOTANSWER

Question: What is Breakfast at Tiffany's synopsis?
Answer: CANNOTANSWER
Truman Capote

Context: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically. CANNOTANSWER

Question: Who were some of the character's in Breakfast at Tiffany's?
Answer: CANNOTANSWER
Truman Capote

Context: Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".  The novella itself was originally supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House. But the publisher of Harper's, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November, 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.  For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):  I think I've had two careers. One was the career of precocity, the young person who published a series of books that were really quite remarkable. I can even read them now and evaluate them favorably, as though they were the work of a stranger ... My second career began, I guess it really began with Breakfast at Tiffany's. It involves a different point of view, a different prose style to some degree. Actually, the prose style is an evolvement from one to the other - a pruning and thinning-out to a more subdued, clearer prose. I don't find it as evocative, in many respects, as the other, or even as original, but it is more difficult to do. But I'm nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I'm going to get, at least strategically. CANNOTANSWER

Question: Who published the book Breakfast at Tiffany's?
Answer: supposed to be published in Harper's Bazaar's July, 1958 issue, several months before its publication in book form by Random House.
Violent J

Context: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.  On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company.  On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. CANNOTANSWER

Question: What name did Violent J perform under in 2004?
Answer: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV.
Violent J

Context: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.  On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company.  On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. CANNOTANSWER

Question: How did the "Total Nonstop Action Wrestling" match go?
Answer: Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes.
Violent J

Context: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.  On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company.  On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. CANNOTANSWER

Question: What happened after Insane Clown Posse sprayed Jarrett with Faygo?
Answer: The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves.
Violent J

Context: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.  On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company.  On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. CANNOTANSWER

Question: Was Insane Clown Posse allowed to participate?
Answer: Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.
Violent J

Context: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.  On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company.  On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. CANNOTANSWER

Question: What came of Insane Clown Posse's match together?
Answer: On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young.
Violent J

Context: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week.  On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company.  On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. CANNOTANSWER

Question: Were the Insane Clown Posse involved any further in fights?
Answer: the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight".
James Strachey

Context: Looking back forty years later at this turning-point, Strachey commented in a 'disarming passage' to his fellow analysts on his then qualifications as a psychoanalytic candidate, as compared to modern times: 'A discreditable academic career with the barest of B. A. degrees, no medical qualifications...no experience of anything except third-rate journalism. The only thing in my favour was that at the age of thirty I wrote a letter out of the blue to Freud, asking him if he would take me on as a student'.  He continued by saying that, having spent a couple of years in Vienna, "I got back to London in the summer of 1922, and in October, without any further ado, I was elected an associate member of the [Psycho-Analytical] Society. ... A year later, I was made a full member. So there I was, launched on the treatment of patients, with no experience, with no supervision, with nothing to help me but some two years of analysis with Freud".  He concluded wryly that the modern "curriculum vitae is essential. Whether it is possible for it to become over-institutionalized is an open question. Is it worthwhile to leave a loophole for an occasional maverick? ... if the curriculum vitae had existed forty years ago, you wouldn't have had to listen to these remarks tonight".  Nevertheless, Freud had decided that "the Stracheys should become members (full) of the Society. ... To be sure their conflicts have not been decided, but we need not wait so long, we can only instigate the processus which has to be fed by the factors of life". James and Alix thus both become practising analysts; James subsequently began publishing his own original articles; and the two of them (in collaboration with Jones and Joan Riviere) began translating Freud's works in earnest, as well as writings by a number of other European psychoanalysts such as Karl Abraham. Their translation of Freud's works, in twenty-four volumes, remains the standard edition of Freud's works to this day, and according to Michael Holroyd a German publishing house considered retranslating their translation of the Master's works back into German, because they were a work of art and scholarship, with a maze of additional footnotes and introductions.  While the Stracheys were instrumental in encouraging Melanie Klein to come to England to pursue her analytic discoveries, both remained loyal to Freud at the same time, and stood as part of the Middle Group in the wartime Controversial discussions between the proponents of Melanie Klein and of Anna Freud. 'James Strachey characterised the battle between the two women in his own wryly sensible way: "My own view is that Mrs K. has made some highly important contributions ... but that it's absurd to make out (a) that they cover the whole subject or (b) that their validity is axiomatic. On the other hand, I think it is equally ludicrous for Miss F. to maintain that [Psychoanalysis] is a Game Preserve belonging to the F. family". CANNOTANSWER

Question: What was the psychoanalytic turn of James Strachey?
Answer: at the age of thirty I wrote a letter out of the blue to Freud, asking him if he would take me on as a student
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: what happened with Fabolous in 2001?
Answer: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001.
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: was the album Ghetto Fabolous successful?
Answer: It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week.
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: did Ghetto Fabolous have any hit singles?
Answer: The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: did the album Ghetto Fabolous make the charts?
Answer: CANNOTANSWER
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: did Fabolous produce any other albums, besides Ghetto Fabolous?
Answer: Fabolous released his second album Street Dreams on March 4, 2003.
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: was the Fabolous album Street Dreams successful?
Answer: Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: did Fabolous go on tour at all?
Answer: CANNOTANSWER
Fabolous

Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro.  Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy.  Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album. CANNOTANSWER

Question: Along with the Fabolous song "Can't Let You Go" reaching number one on the Rhythmic Top 40 chart, are there any other interesting aspects about this article?
Answer: Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: