gaussalgo/Canard_Wiki-augmented huggingface dataset:
Louis Jordan

Context: Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. CANNOTANSWER

Question: When did Louis Jordan start his solo career?
Answer: band's first recording date, for Decca Records on December 20, 1938,
Louis Jordan

Context: Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. CANNOTANSWER

Question: Did Louis Jordan ever play solo music?
Answer: CANNOTANSWER
Louis Jordan

Context: Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. CANNOTANSWER

Question: What instrument did Louis Jordan play?
Answer: Jordan (saxes, vocals
Louis Jordan

Context: Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. CANNOTANSWER

Question: Did Louis Jordan ever perform solo?
Answer: various lineups of the Tympany Five (which often featured two or three extra players)
Louis Jordan

Context: Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. CANNOTANSWER

Question: Besides Louis Jordan's sax playing, his lineups of the Tympany Five, and his solo career, is there anything else interesting about him?
Answer: Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "
Louis Jordan

Context: Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis.  The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.)  The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs.  Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. CANNOTANSWER

Question: Was Keep a-Knockin well-received?
Answer: CANNOTANSWER
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: At what age did Mao Asada start her training?
Answer: CANNOTANSWER
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: What competitions did Mao Asada compete in?
Answer: the 2013 Skate America and the 2013 NHK Trophy.
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: How did Asada do in the 2013 Skate America?
Answer: She won gold
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: Was there any tricks that were remarkable in the 2013 Stake America competition?
Answer: underrotating a triple flip, and doubling a triple loop.
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: Other than winning gold, did Asada win any other medals?
Answer: winning her third world title
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: What was the event's name where Asada won her 3rd title?
Answer: 2014 World Championships,
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: Was there any competitions where Asada did not place so well?
Answer: Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: Other than competing in the 2013-2014 Japan Championship, did Asada have any other things going on besides skating in the 2013-14 season?
Answer: CANNOTANSWER
Mao Asada

Context: Asada began the 2013-14 season at the Japan Open, performing to Rachmaninoff Piano Concerto No. 2. She won gold at her two Grand Prix assignments, the 2013 Skate America and the 2013 NHK Trophy. With her victory at Skate America, she became the first singles skater, male or female, to win all seven of the current events on the Grand Prix series. At NHK Trophy, she set personal best scores for the free skating and total score. She advanced to the 2013-14 Grand Prix of Figure Skating Final where she took her fourth Grand Prix Final title. With this victory, she became the first woman to complete two consecutive Grand Prix seasons undefeated. At all three Grand Prix events, she won by a margin of over ten points. In late December, Asada competed in the 2013-14 Japan Championships. She led after a strong short program, but only placed 3rd in the free skating, dropping to 3rd overall.  In the team event at the 2014 Winter Olympic Games, Asada skated the ladies' short program. She fell on the triple axel and placed third individually; team Japan finished fifth. In the ladies' singles event, she placed 16th in the short program after falling on her triple axel, underrotating a triple flip, and doubling a triple loop. She rebounded in the free skating, earning a personal best score of 142.71 making her the third woman to score above the 140 mark after Kim Yuna 2010 Olympics score and Yulia Lipnitskaya 2014 Olympics team event score. This placed her third in the free skating and sixth overall. Asada's free skating was the most technically difficult of all the ladies and the only one with a triple axel.  At the 2014 World Championships, she broke the world record for the short program by scoring 78.66, 0.16 points higher than the former record set by Yuna Kim at the 2010 Winter Olympics. Asada went on to score 138.03 in the free skating, winning her third world title with a total of 216.69, a personal best for her. With this victory, she became the third woman in the last 45 years (along with Michelle Kwan and Katarina Witt) and the tenth woman to have won three world championship titles.  After winning the World Championship title, Asada stated that there was a 50-50 chance she would continue her career. On 19 May 2014, Asada announced she intended to skip the next season. Asada said she was mentally and physically tired and wanted a chance to focus on other aspects of her life, including attending university. CANNOTANSWER

Question: What kind of training did Asada undertake in the 2013-14 season?
Answer: CANNOTANSWER
Nathan Buckley

Context: After months of speculation, Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011; he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years.  Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3. However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6. They were defeated by Hawthorn in the Qualifying Final before bouncing back to defeat West Coast in the Semi Final. However they lost comfortably to eventual premier Sydney in the Preliminary Final at ANZ Stadium to bring an end to the 2012 season.  2013 started poorly for the Magpies, slumping to a 5-4 record after 9 games. They couldn't quite find the consistency of previous seasons and finished the year in sixth place with a 14-8 record. They played Port Adelaide in their Elimination Final at the MCG and slumped to a shock 24-point loss, which caused Buckley to call into question the club's culture.  Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists Fremantle by 70 points. They ended up missing the finals to finish 12th partly due to an injury crisis. Collingwood started the 2015 season at 3-1 as of Round 4 and a gutsy win against Essendon on Anzac Day in 100th centenary of Gallipoli landing.  At the end of Collingwood's 2017 season on 28 August 2017, Buckley was given a two-year contract extension by the club after it undertook a review of the entire football club. CANNOTANSWER

Question: When did Nathan Buckley begin coaching?
Answer: Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011;
Nathan Buckley

Context: After months of speculation, Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011; he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years.  Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3. However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6. They were defeated by Hawthorn in the Qualifying Final before bouncing back to defeat West Coast in the Semi Final. However they lost comfortably to eventual premier Sydney in the Preliminary Final at ANZ Stadium to bring an end to the 2012 season.  2013 started poorly for the Magpies, slumping to a 5-4 record after 9 games. They couldn't quite find the consistency of previous seasons and finished the year in sixth place with a 14-8 record. They played Port Adelaide in their Elimination Final at the MCG and slumped to a shock 24-point loss, which caused Buckley to call into question the club's culture.  Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists Fremantle by 70 points. They ended up missing the finals to finish 12th partly due to an injury crisis. Collingwood started the 2015 season at 3-1 as of Round 4 and a gutsy win against Essendon on Anzac Day in 100th centenary of Gallipoli landing.  At the end of Collingwood's 2017 season on 28 August 2017, Buckley was given a two-year contract extension by the club after it undertook a review of the entire football club. CANNOTANSWER

Question: Was Nathan Buckley ever head coach?
Answer: he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years.
Nathan Buckley

Context: After months of speculation, Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011; he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years.  Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3. However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6. They were defeated by Hawthorn in the Qualifying Final before bouncing back to defeat West Coast in the Semi Final. However they lost comfortably to eventual premier Sydney in the Preliminary Final at ANZ Stadium to bring an end to the 2012 season.  2013 started poorly for the Magpies, slumping to a 5-4 record after 9 games. They couldn't quite find the consistency of previous seasons and finished the year in sixth place with a 14-8 record. They played Port Adelaide in their Elimination Final at the MCG and slumped to a shock 24-point loss, which caused Buckley to call into question the club's culture.  Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists Fremantle by 70 points. They ended up missing the finals to finish 12th partly due to an injury crisis. Collingwood started the 2015 season at 3-1 as of Round 4 and a gutsy win against Essendon on Anzac Day in 100th centenary of Gallipoli landing.  At the end of Collingwood's 2017 season on 28 August 2017, Buckley was given a two-year contract extension by the club after it undertook a review of the entire football club. CANNOTANSWER

Question: How was Nathan Buckley's time as assistant coach?
Answer: Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists
Nathan Buckley

Context: After months of speculation, Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011; he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years.  Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3. However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6. They were defeated by Hawthorn in the Qualifying Final before bouncing back to defeat West Coast in the Semi Final. However they lost comfortably to eventual premier Sydney in the Preliminary Final at ANZ Stadium to bring an end to the 2012 season.  2013 started poorly for the Magpies, slumping to a 5-4 record after 9 games. They couldn't quite find the consistency of previous seasons and finished the year in sixth place with a 14-8 record. They played Port Adelaide in their Elimination Final at the MCG and slumped to a shock 24-point loss, which caused Buckley to call into question the club's culture.  Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists Fremantle by 70 points. They ended up missing the finals to finish 12th partly due to an injury crisis. Collingwood started the 2015 season at 3-1 as of Round 4 and a gutsy win against Essendon on Anzac Day in 100th centenary of Gallipoli landing.  At the end of Collingwood's 2017 season on 28 August 2017, Buckley was given a two-year contract extension by the club after it undertook a review of the entire football club. CANNOTANSWER

Question: Did Collingwood have a better season after 2013 grand finalists?
Answer: Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3.
Nathan Buckley

Context: After months of speculation, Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011; he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years.  Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3. However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6. They were defeated by Hawthorn in the Qualifying Final before bouncing back to defeat West Coast in the Semi Final. However they lost comfortably to eventual premier Sydney in the Preliminary Final at ANZ Stadium to bring an end to the 2012 season.  2013 started poorly for the Magpies, slumping to a 5-4 record after 9 games. They couldn't quite find the consistency of previous seasons and finished the year in sixth place with a 14-8 record. They played Port Adelaide in their Elimination Final at the MCG and slumped to a shock 24-point loss, which caused Buckley to call into question the club's culture.  Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists Fremantle by 70 points. They ended up missing the finals to finish 12th partly due to an injury crisis. Collingwood started the 2015 season at 3-1 as of Round 4 and a gutsy win against Essendon on Anzac Day in 100th centenary of Gallipoli landing.  At the end of Collingwood's 2017 season on 28 August 2017, Buckley was given a two-year contract extension by the club after it undertook a review of the entire football club. CANNOTANSWER

Question: Was the rest of the year better after the shaky start in the 2012 season?
Answer: However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6.