gaussalgo/Canard_Wiki-augmented huggingface dataset:
Abraham Ortelius

Context: On 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius' Theatrum Orbis Terrarum, the "first modern atlas" (of 53 maps). Three Latin editions of this (besides a Dutch, a French and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius' death in 1598; and several others were published subsequently, for the atlas continued to be in demand until about 1612. Most of the maps were admittedly reproductions (a list of 87 authors is given in the first Theatrum by Ortelius himself, growing to 183 names in the 1601 Latin edition), and many discrepancies of delineation or nomenclature occur. Errors, of course, abound, both in general conceptions and in detail; thus South America is initially very faulty in outline, but corrected in the 1587 French edition, and in Scotland the Grampians lie between the Forth and the Clyde; but, taken as a whole, this atlas with its accompanying text was a monument of rare erudition and industry. Its immediate precursor and prototype was a collection of thirty-eight maps of European lands, and of Asia, Africa, Tartary and Egypt, gathered together by the wealth and enterprise, and through the agents, of Ortelius' friend and patron, Gillis Hooftman (1521-1581), lord of Cleydael and Aertselaer: most of these were printed in Rome, eight or nine only in the Southern Netherlands.  In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book (also in 1573, published by Philippe Galle of Antwerp) Deorum dearumque capita ... ex Museo Ortelii (reprinted in 1582, 1602, 1612, 1680, 1683 and finally in 1699 by Gronovius, Thesaurus Graecarum Antiquitatum. vol. vii).  The Theatrum Orbis Terrarum inspired a six volume work entitled Civitates orbis terrarum edited by Georg Braun and illustrated by Frans Hogenberg with the assistance of Ortelius himself, who visited England to see his friend John Dee in Mortlake in 1577 and Braun tells of Ortelius putting pebbles in cracks in Temple Church, Bristol, being crushed by the vibration of the bells in the description on the back of 'Brightovve' Map 2, Third Edition 1581 CANNOTANSWER

Question: What is the title of the work inspired by The Theatrum Orbis ?
Answer: entitled Civitates orbis terrarum edited by
Abraham Ortelius

Context: On 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius' Theatrum Orbis Terrarum, the "first modern atlas" (of 53 maps). Three Latin editions of this (besides a Dutch, a French and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius' death in 1598; and several others were published subsequently, for the atlas continued to be in demand until about 1612. Most of the maps were admittedly reproductions (a list of 87 authors is given in the first Theatrum by Ortelius himself, growing to 183 names in the 1601 Latin edition), and many discrepancies of delineation or nomenclature occur. Errors, of course, abound, both in general conceptions and in detail; thus South America is initially very faulty in outline, but corrected in the 1587 French edition, and in Scotland the Grampians lie between the Forth and the Clyde; but, taken as a whole, this atlas with its accompanying text was a monument of rare erudition and industry. Its immediate precursor and prototype was a collection of thirty-eight maps of European lands, and of Asia, Africa, Tartary and Egypt, gathered together by the wealth and enterprise, and through the agents, of Ortelius' friend and patron, Gillis Hooftman (1521-1581), lord of Cleydael and Aertselaer: most of these were printed in Rome, eight or nine only in the Southern Netherlands.  In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book (also in 1573, published by Philippe Galle of Antwerp) Deorum dearumque capita ... ex Museo Ortelii (reprinted in 1582, 1602, 1612, 1680, 1683 and finally in 1699 by Gronovius, Thesaurus Graecarum Antiquitatum. vol. vii).  The Theatrum Orbis Terrarum inspired a six volume work entitled Civitates orbis terrarum edited by Georg Braun and illustrated by Frans Hogenberg with the assistance of Ortelius himself, who visited England to see his friend John Dee in Mortlake in 1577 and Braun tells of Ortelius putting pebbles in cracks in Temple Church, Bristol, being crushed by the vibration of the bells in the description on the back of 'Brightovve' Map 2, Third Edition 1581 CANNOTANSWER

Question: What happened next after Civitates orbis ?
Answer: Ortelius himself, who visited England to see his friend John Dee in
Abraham Ortelius

Context: On 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius' Theatrum Orbis Terrarum, the "first modern atlas" (of 53 maps). Three Latin editions of this (besides a Dutch, a French and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius' death in 1598; and several others were published subsequently, for the atlas continued to be in demand until about 1612. Most of the maps were admittedly reproductions (a list of 87 authors is given in the first Theatrum by Ortelius himself, growing to 183 names in the 1601 Latin edition), and many discrepancies of delineation or nomenclature occur. Errors, of course, abound, both in general conceptions and in detail; thus South America is initially very faulty in outline, but corrected in the 1587 French edition, and in Scotland the Grampians lie between the Forth and the Clyde; but, taken as a whole, this atlas with its accompanying text was a monument of rare erudition and industry. Its immediate precursor and prototype was a collection of thirty-eight maps of European lands, and of Asia, Africa, Tartary and Egypt, gathered together by the wealth and enterprise, and through the agents, of Ortelius' friend and patron, Gillis Hooftman (1521-1581), lord of Cleydael and Aertselaer: most of these were printed in Rome, eight or nine only in the Southern Netherlands.  In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book (also in 1573, published by Philippe Galle of Antwerp) Deorum dearumque capita ... ex Museo Ortelii (reprinted in 1582, 1602, 1612, 1680, 1683 and finally in 1699 by Gronovius, Thesaurus Graecarum Antiquitatum. vol. vii).  The Theatrum Orbis Terrarum inspired a six volume work entitled Civitates orbis terrarum edited by Georg Braun and illustrated by Frans Hogenberg with the assistance of Ortelius himself, who visited England to see his friend John Dee in Mortlake in 1577 and Braun tells of Ortelius putting pebbles in cracks in Temple Church, Bristol, being crushed by the vibration of the bells in the description on the back of 'Brightovve' Map 2, Third Edition 1581 CANNOTANSWER

Question: Where did Ortelius go next?
Answer: Ortelius putting pebbles in cracks in Temple Church,
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: Did John Maulbetsch's team win the 1914 Harvard game?
Answer: Harvard prevailed, 7-0,
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: What were some of  John Maulbetsch's most interesting plays in that 1914 Harvard game?
Answer: According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps.
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: Other than John Maulbetsch participating in the 1914 Harvard game, are there any other interesting aspects about this article?
Answer: Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line.
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: Was the 1914 Harvard game famous?
Answer: The game was one of the most anticipated matches of the year.
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: Other than John Maulbetsch, Were there other famous people involved in the 1914 Harvard game?
Answer: CANNOTANSWER
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: Was John Maulbetsch playing for michigan in 1914?
Answer: CANNOTANSWER
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Where does Joi Ito work currently?
Answer: He currently serves as a Board Emeritus for OSI.
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Where did Joi Ito start his career?
Answer: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Besides Board Emeritus for OSI, did Joi Ito have any other non tech-jobs?
Answer: Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar.
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: What area did Joi Ito end up specializing in?
Answer: Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC,
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Is Board Emeritus for OSI currently Joi Ito's only project or are there others?
Answer: He is the founder and CEO of the venture capital firm Neoteny Co., Ltd.
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Has Neoteny invested in any notable start-ups?
Answer: Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate,
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Are there any other ventures Joi Ito's helped to start?
Answer: A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Besides advocate of emergent democracy and the sharing economy does Joi Ito have any other career interests?
Answer: He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC.
Joi Ito

Context: Ito became a disk jockey working in nightclubs in Chicago such as The Limelight and The Smart Bar and to work with Metasystems Design Group to start a virtual community in Tokyo. Later, Ito ran a nightclub in Roppongi, Japan called XY Relax with help from Joe Shanahan of Metro Chicago/Smart Bar. He helped bring industrial music from Chicago (Wax Trax) and later the rave scene, including importing Anarchic Adjustment to Japan.  Ito was the Chairman of Creative Commons from December 2006 until 2012. He is on the board of Digital Garage, Culture Convenience Club (CCC), Tucows, and EPIC, and is on the advisory boards of Creative Commons and WITNESS. He is the founder and CEO of the venture capital firm Neoteny Co., Ltd. In October 2004, he was named to the board of ICANN for a three-year term starting December 2004. In August 2005, he joined the board of the Mozilla Foundation and served until April 2016. He served on the board of the Open Source Initiative (OSI) from March 2005 until April 2007. He currently serves as a Board Emeritus for OSI. He was a founding board member of Expression College for Digital Arts as well as the Zero One Art and Technology Network. In 1999, he served as the Associate to Mr. Mount (the executive producer) on the film The Indian Runner. Ito also served as a Board Member of Energy Conversion Devices from 1995 to 2000.  Ito is a venture capitalist and angel investor and was an early stage investor in Kickstarter, Twitter, Six Apart, Technorati, Flickr, SocialText, Dopplr, Last.fm, Rupture, Kongregate, Fotopedia, Diffbot, Formlabs, 3Dsolve and other Internet companies. A vocal advocate of emergent democracy and the sharing economy, Ito is a doctoral candidate in Business Administration focusing on the sharing economy at the Graduate School of International Corporate Strategy, Hitotsubashi University. He is the author of Emergent Democracy. Ito is Senior Visiting Researcher of Keio Research Institute at SFC. In May 2011, it was announced that Ito's company, Digital Garage, will provide PR, marketing, product marketing research and market research for Linkedin Japan.  Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.  In recent years, Ito has become critical of what he sees as Japan's inward focus. He stated in a 2011 interview that he thinks Japan needs to look internationally if it is to continue to be "relevant". CANNOTANSWER

Question: Along with advocate of emergent democracy and the sharing economy what other areas of interest does is Joi Ito involved in?
Answer: Ito is a PADI IDC Staff Instructor, an Emergency First Responder Instructor Trainer, and a Divers Alert Network (DAN) Instructor Trainer.