gaussalgo/Canard_Wiki-augmented huggingface dataset:
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: What was André the Giant doing early in his life?
Answer: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: How long did André the Giant live in Paris?
Answer: in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: Where was André the Giant originally from?
Answer: CANNOTANSWER
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: Was André the Giant very successful early in his life?
Answer: Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre,
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: Besides wrestling in the United Kingdom, Germany, Australia, New Zealand and Africa, did André the Giant do anything else?
Answer: Roussimoff next moved to Montreal, Canada,
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: What did André the Giant do in Canada?
Answer: he became an immediate success, regularly selling out the Montreal Forum.
André the Giant

Context: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa.  He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly.  Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee. CANNOTANSWER

Question: How long did André the Giant live in Canada?
Answer: CANNOTANSWER
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: What artists did Jon Denver work with?
Answer: Denver began his recording career with a group that had started as the Chad Mitchell Trio;
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: Who was the group with John Denver?
Answer: The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio,
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: Did the Chad Mitchell Trio record any albums?
Answer: He recorded three albums with the Mitchell Trio,
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: what songs were on the three albums with John Denver in the Mitchell Trio?
Answer: his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs.
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: Besides the Chad Mitchell trio did John Denver work with anyone else?
Answer: Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family,
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: did John Denver win any awards?
Answer: CANNOTANSWER
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: Besides working with Bill Danoff and Taffy Nivert,Are there any other interesting aspects about this article?
Answer: His record company, Windstar, is still an active record label today.
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: Other than Jon Denver does Windstar have any other famous artists?
Answer: Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane",
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: Besides Peter, Paul, and Mary, what other artists did Windstar work with?
Answer: Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene.
John Denver

Context: Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor. The group Denver, Boise, and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.  Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul, and Mary of his song "Leaving on a Jet Plane", which became the sole number-1 hit single for the group. Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today. Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.  Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it. In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Comin' Thro' the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album. CANNOTANSWER

Question: was Bob Denver friends with anyone?
Answer: In 1976, Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance,
Tom Hafey

Context: After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton in the Goulburn Valley area of northern Victoria. His tenacious attitude and devotion to fitness turned the club into a winner. Shepparton lost the Grand Final to Tongala in 1961, then won three straight from 1963 to 1965. Meanwhile, Hafey acted as a recruiting agent for the Tigers, recommending potential players from his region.  Hafey's performance drew the attention of Tiger secretary Graeme Richmond. When coach Len Smith had a heart attack in 1965, the club appointed Jack Titus to serve as interim coach until a replacement could be found. Hafey was encouraged to apply, and the decision came down to Hafey and former club captain Ron Branton. Many expected Branton to get the job. However, Graeme Richmond saw something special in Hafey and he was appointed coach for the 1966 season.  On his return to Richmond, Hafey found the team had acquired a number of young, high quality players. He later recalled feeling some apprehension about his youth and that he would be coaching some ex-teammates. Even so, he quickly put his stamp on the club, bringing intensity and desire to reach the top. Although he acknowledged the ideas and tactical approach of Len Smith (who remained at the club as a selector and consultant), Hafey opted for what became his trademark style: kick the ball long and quickly into the forward line. He raised the bar for fitness among his players, extending pre-season training and introducing a third training night during the week. Richmond quickly became known for being the fittest team in the competition.  Richmond began 1966 strongly. A month before the finals, they hit the top of the ladder for the first time since 1951 and seemed certain to play in September. However, two losses dropped the Tigers to fifth place with thirteen wins and a draw. They became the best performing team to miss the finals since the inception of the McIntyre finals system in 1931. Richmond dismissed a number of players, replacing them with new players such as Royce Hart and Francis Bourke. CANNOTANSWER

Question: When did Tom Hafey coach?
Answer: However, Graeme Richmond saw something special in Hafey and he was appointed coach for the 1966 season.
Tom Hafey

Context: After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton in the Goulburn Valley area of northern Victoria. His tenacious attitude and devotion to fitness turned the club into a winner. Shepparton lost the Grand Final to Tongala in 1961, then won three straight from 1963 to 1965. Meanwhile, Hafey acted as a recruiting agent for the Tigers, recommending potential players from his region.  Hafey's performance drew the attention of Tiger secretary Graeme Richmond. When coach Len Smith had a heart attack in 1965, the club appointed Jack Titus to serve as interim coach until a replacement could be found. Hafey was encouraged to apply, and the decision came down to Hafey and former club captain Ron Branton. Many expected Branton to get the job. However, Graeme Richmond saw something special in Hafey and he was appointed coach for the 1966 season.  On his return to Richmond, Hafey found the team had acquired a number of young, high quality players. He later recalled feeling some apprehension about his youth and that he would be coaching some ex-teammates. Even so, he quickly put his stamp on the club, bringing intensity and desire to reach the top. Although he acknowledged the ideas and tactical approach of Len Smith (who remained at the club as a selector and consultant), Hafey opted for what became his trademark style: kick the ball long and quickly into the forward line. He raised the bar for fitness among his players, extending pre-season training and introducing a third training night during the week. Richmond quickly became known for being the fittest team in the competition.  Richmond began 1966 strongly. A month before the finals, they hit the top of the ladder for the first time since 1951 and seemed certain to play in September. However, two losses dropped the Tigers to fifth place with thirteen wins and a draw. They became the best performing team to miss the finals since the inception of the McIntyre finals system in 1931. Richmond dismissed a number of players, replacing them with new players such as Royce Hart and Francis Bourke. CANNOTANSWER

Question: What team was Tom Hafey the coach of?
Answer: Graeme Richmond.
Tom Hafey

Context: After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton in the Goulburn Valley area of northern Victoria. His tenacious attitude and devotion to fitness turned the club into a winner. Shepparton lost the Grand Final to Tongala in 1961, then won three straight from 1963 to 1965. Meanwhile, Hafey acted as a recruiting agent for the Tigers, recommending potential players from his region.  Hafey's performance drew the attention of Tiger secretary Graeme Richmond. When coach Len Smith had a heart attack in 1965, the club appointed Jack Titus to serve as interim coach until a replacement could be found. Hafey was encouraged to apply, and the decision came down to Hafey and former club captain Ron Branton. Many expected Branton to get the job. However, Graeme Richmond saw something special in Hafey and he was appointed coach for the 1966 season.  On his return to Richmond, Hafey found the team had acquired a number of young, high quality players. He later recalled feeling some apprehension about his youth and that he would be coaching some ex-teammates. Even so, he quickly put his stamp on the club, bringing intensity and desire to reach the top. Although he acknowledged the ideas and tactical approach of Len Smith (who remained at the club as a selector and consultant), Hafey opted for what became his trademark style: kick the ball long and quickly into the forward line. He raised the bar for fitness among his players, extending pre-season training and introducing a third training night during the week. Richmond quickly became known for being the fittest team in the competition.  Richmond began 1966 strongly. A month before the finals, they hit the top of the ladder for the first time since 1951 and seemed certain to play in September. However, two losses dropped the Tigers to fifth place with thirteen wins and a draw. They became the best performing team to miss the finals since the inception of the McIntyre finals system in 1931. Richmond dismissed a number of players, replacing them with new players such as Royce Hart and Francis Bourke. CANNOTANSWER

Question: What happened during Tom Hafey coaching years?
Answer: Hafey found the team had acquired a number of young, high quality players.