gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bob Crane

Context: At the 1994 trial, Crane's son Robert testified that in the weeks before his father's death, Crane had repeatedly expressed a desire to sever his friendship with Carpenter. He said Carpenter had become "a hanger-on" and "a nuisance to the point of being obnoxious". "My dad expressed that he just didn't need Carpenter kind of hanging around him anymore," he said. He testified that Crane had called Carpenter the night before the murder and ended their friendship.  Carpenter's attorneys attacked the prosecution's case as circumstantial and inconclusive. They presented evidence, including witnesses from the restaurant where the two men had dined the evening prior to the murder, that Carpenter and Crane were still the best of friends. They noted that the murder weapon had never been identified or found; the prosecution's camera tripod theory was sheer speculation, they said, based solely on Carpenter's occupation. They disputed the claim that the newly discovered evidence photo showed brain tissue, and presented many examples of "sloppy work" by police, such as the mishandling and misplacing of evidence--including the crucial tissue sample itself. They pointed out that Crane had been videotaped and photographed in compromising sexual positions with numerous women, implying that any one of them, fearing blackmail, might have been the killer. Other potential suspects proposed by defense attorneys included angry husbands and boyfriends of the seduced women, and an actor who had sworn vengeance after a violent argument with Crane in Texas several months earlier.  Carpenter was acquitted. He continued to maintain his innocence until his death four years later, in 1998. After the trial, Robert Crane speculated publicly that Crane's widow, Patricia Olson, might have had a role in instigating the crime. "Nobody got a dime out of [the murder]," he said, "except for one person," alluding to Crane's will, which excluded him, his siblings, and his mother, and left the entire estate to Olson. Robert Crane repeated his suspicions in a 2015 book. Maricopa County District Attorney Rick Romley, who prosecuted the case, responded, "We never characterized Patty as a suspect." He added, "I am convinced John Carpenter murdered Bob Crane." Officially, Crane's murder remains unsolved. CANNOTANSWER

Question: Besides Patricia Olson and Carpenter, which other names are called in the crime?
Answer: CANNOTANSWER
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: Where is the band Focus originated from?
Answer: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer,
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: Who were the members of the band Focus?
Answer: bass guitarist Martijn Dresden and drummer Hans Cleuver
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: What country do the band members of Focus originate from?
Answer: CANNOTANSWER
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: What year did the band Focus disband?
Answer: ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: Besides the formation of the band Focus, are there any other high points of interest in the article?
Answer: Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: Is hair a name of one of the band Focus' albums?
Answer: An album of the soundtrack featuring the band
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: What were some of the band Focus' major gigs?
Answer: The three went on to start a new three-piece band initially known as Thijs van Leer
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: How long was the band "Thijs Van Leer" together?
Answer: In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan
Focus (band)

Context: Focus formed in mid-1969 by keyboardist, vocalist, and flautist Thijs van Leer, who recruited bass guitarist Martijn Dresden and drummer Hans Cleuver after he met them at sessions for the Jazz and Poetry radio program in Hilversum, Netherlands. The three went on to start a new three-piece band initially known as Thijs van Leer and the Rebaptised, playing a set formed mostly of cover songs by Traffic and original material mostly written by van Leer. In November 1969, during rehearsals at the theatre where van Leer performed as part of Ramses Shaffy's theatre group, they were joined by guitarist Jan Akkerman of the rock band Brainbox after Shaffy invited him to play with the trio. Van Leer later recalled the first try out session: "Jan came in and we jammed for hours, and it was really kicking". They then settled on the name Focus for the new band; Akkerman later said, "Focus is a Latin word that is the same in many languages. It means concentration, which is the meaning of what Focus does". Their first live gig as Focus followed at the Bird's Club in Rembrandtplein, and they soon secured a weekly residency playing two shows a night on two days. Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus".  In their search for more work and a steady income, Focus was chosen to play as part of the pit band for the Dutch production of the rock musical Hair produced by Welsh actor Victor Spinetti. They were invited to audition at the Victoria Ballroom, London after Dutch lyricist Lennaert Nijgh suggested them to Del Newman, the musical's director. Cast member Robin Lent claimed the production was suffering and Focus, taking part only for the money, "were also pretty rusty ... but this changed and everybody got into it". The show, launched in December 1969, involved six nightly performances a week and gave them space to rehearse in the afternoons for free and store their equipment. An album of the soundtrack featuring the band was recorded in February 1970 and released soon after by Polydor Records.  After Hair ended its run in June 1970, Focus declined an offer to tour the musical across the Netherlands for a year and a half and become a full time band. They had picked up more local gigs and dates across the country by this time, and had performed their first international gigs in Belgium and Spain. Their weekly earnings from gigs, plus their earnings from Hair, had reached 400 guilders though Akkerman recalled the group failed to appreciate its value and were quick to spend it. To manage their finances more carefully, Cleuver was chosen to oversee their earnings and expenses. CANNOTANSWER

Question: Is the band Focus still together today?
Answer: CANNOTANSWER
Sherman Alexie

Context: Alexie was born on October 7, 1966, at Sacred Heart Hospital in Spokane, Washington. As a little child he lived on the Spokane Indian Reservation, located west of Spokane. His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe, and his mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry. One of his paternal great-grandfathers was of Russian descent. Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the cranial cavity. He had to have brain surgery when he was six months old, and was at high risk of death or mental disabilities if he survived. Alexie's surgery was successful; he suffered no mental damage but had other side effects.  His parents were alcoholics though his mother was a sober alcoholic. His father often left the house on drinking binges for days at a time. To support her six children, Alexie's mother, Lillian, sewed quilts, worked as a clerk at the Wellpinit Trading Post and had some other jobs.  Alexie has described his life at the reservation school as challenging because he was constantly teased by other kids as well as endured abuse he described as "torture" from teachers who were white nuns. They called him "The Globe" because his head was larger than usual, due to the hydrocephalus as an infant. Until the age of seven, Alexie suffered from seizures and bedwetting; he had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. Alexie excelled academically, reading everything available, including auto repair manuals. CANNOTANSWER

Question: Where was Sherman Alexie born?
Answer: at Sacred Heart Hospital in Spokane, Washington.
Sherman Alexie

Context: Alexie was born on October 7, 1966, at Sacred Heart Hospital in Spokane, Washington. As a little child he lived on the Spokane Indian Reservation, located west of Spokane. His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe, and his mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry. One of his paternal great-grandfathers was of Russian descent. Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the cranial cavity. He had to have brain surgery when he was six months old, and was at high risk of death or mental disabilities if he survived. Alexie's surgery was successful; he suffered no mental damage but had other side effects.  His parents were alcoholics though his mother was a sober alcoholic. His father often left the house on drinking binges for days at a time. To support her six children, Alexie's mother, Lillian, sewed quilts, worked as a clerk at the Wellpinit Trading Post and had some other jobs.  Alexie has described his life at the reservation school as challenging because he was constantly teased by other kids as well as endured abuse he described as "torture" from teachers who were white nuns. They called him "The Globe" because his head was larger than usual, due to the hydrocephalus as an infant. Until the age of seven, Alexie suffered from seizures and bedwetting; he had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. Alexie excelled academically, reading everything available, including auto repair manuals. CANNOTANSWER

Question: In what year was Sherman Alexie born?
Answer: October 7, 1966,
Sherman Alexie

Context: Alexie was born on October 7, 1966, at Sacred Heart Hospital in Spokane, Washington. As a little child he lived on the Spokane Indian Reservation, located west of Spokane. His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe, and his mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry. One of his paternal great-grandfathers was of Russian descent. Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the cranial cavity. He had to have brain surgery when he was six months old, and was at high risk of death or mental disabilities if he survived. Alexie's surgery was successful; he suffered no mental damage but had other side effects.  His parents were alcoholics though his mother was a sober alcoholic. His father often left the house on drinking binges for days at a time. To support her six children, Alexie's mother, Lillian, sewed quilts, worked as a clerk at the Wellpinit Trading Post and had some other jobs.  Alexie has described his life at the reservation school as challenging because he was constantly teased by other kids as well as endured abuse he described as "torture" from teachers who were white nuns. They called him "The Globe" because his head was larger than usual, due to the hydrocephalus as an infant. Until the age of seven, Alexie suffered from seizures and bedwetting; he had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. Alexie excelled academically, reading everything available, including auto repair manuals. CANNOTANSWER

Question: Who were Sherman Alexie's parents?
Answer: His father, Sherman Joseph Alexie,
Sherman Alexie

Context: Alexie was born on October 7, 1966, at Sacred Heart Hospital in Spokane, Washington. As a little child he lived on the Spokane Indian Reservation, located west of Spokane. His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe, and his mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry. One of his paternal great-grandfathers was of Russian descent. Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the cranial cavity. He had to have brain surgery when he was six months old, and was at high risk of death or mental disabilities if he survived. Alexie's surgery was successful; he suffered no mental damage but had other side effects.  His parents were alcoholics though his mother was a sober alcoholic. His father often left the house on drinking binges for days at a time. To support her six children, Alexie's mother, Lillian, sewed quilts, worked as a clerk at the Wellpinit Trading Post and had some other jobs.  Alexie has described his life at the reservation school as challenging because he was constantly teased by other kids as well as endured abuse he described as "torture" from teachers who were white nuns. They called him "The Globe" because his head was larger than usual, due to the hydrocephalus as an infant. Until the age of seven, Alexie suffered from seizures and bedwetting; he had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. Alexie excelled academically, reading everything available, including auto repair manuals. CANNOTANSWER

Question: Where did Sherman Alexie attend school?
Answer: reservation school
Sherman Alexie

Context: Alexie was born on October 7, 1966, at Sacred Heart Hospital in Spokane, Washington. As a little child he lived on the Spokane Indian Reservation, located west of Spokane. His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe, and his mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry. One of his paternal great-grandfathers was of Russian descent. Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the cranial cavity. He had to have brain surgery when he was six months old, and was at high risk of death or mental disabilities if he survived. Alexie's surgery was successful; he suffered no mental damage but had other side effects.  His parents were alcoholics though his mother was a sober alcoholic. His father often left the house on drinking binges for days at a time. To support her six children, Alexie's mother, Lillian, sewed quilts, worked as a clerk at the Wellpinit Trading Post and had some other jobs.  Alexie has described his life at the reservation school as challenging because he was constantly teased by other kids as well as endured abuse he described as "torture" from teachers who were white nuns. They called him "The Globe" because his head was larger than usual, due to the hydrocephalus as an infant. Until the age of seven, Alexie suffered from seizures and bedwetting; he had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. Alexie excelled academically, reading everything available, including auto repair manuals. CANNOTANSWER

Question: Did Sherman Alexie live in a reservation?
Answer: CANNOTANSWER
Thirty Seconds to Mars

Context: Thirty Seconds to Mars launched a website, called abeautifullie.org, to provide information about environmental issues and ways to participate in environmental activities. People can make donations through the site to support the Natural Resources Defense Council. In 2006, Jared Leto created the cover art for The 97X Green Room: Volume 2, a compilation of live music that includes a Thirty Seconds to Mars song, which proceeds from the sales benefited The Nature Conservancy. During their Welcome to the Universe Tour, the group worked to develop strategies that would minimize fuel consumption to offset the impact that the tour would have had on the environment.  In June 2008, the band joined Habitat for Humanity to work on a home being repaired and renovated through the Greater Los Angeles Area's "A Brush With Kindness" programme. In advance of the build, the band organized an auction of "build slots" to give fans the opportunity to volunteer alongside them. In less than a week, six extra workers were enlisted and over $10,000 was raised to fund additional Habitat for Humanity projects. Thirty Seconds to Mars fans, termed as the Echelon, started several philanthropic organizations and projects with the purpose of supporting various charities and humanitarian causes.  After the 2010 Haiti earthquake, Thirty Seconds to Mars raised $100,100 for Haitian relief through a charity auction. The band has also supported the Haitian population through the Echelon project "House for Haiti" and Hope For Haiti Now telethon special. The group auctioned a quantity of items raising funds to help the Red Cross assist people affected by the 2011 Tohoku earthquake and tsunami. The band contributed one dollar per concert ticket sold on the Carnivores Tour to the charity Music for Relief to support disaster relief and programs to protect and restore the environment. CANNOTANSWER

Question: What did Thirty Seconds to Mars support?
Answer: to support the Natural Resources Defense Council.
Thirty Seconds to Mars

Context: Thirty Seconds to Mars launched a website, called abeautifullie.org, to provide information about environmental issues and ways to participate in environmental activities. People can make donations through the site to support the Natural Resources Defense Council. In 2006, Jared Leto created the cover art for The 97X Green Room: Volume 2, a compilation of live music that includes a Thirty Seconds to Mars song, which proceeds from the sales benefited The Nature Conservancy. During their Welcome to the Universe Tour, the group worked to develop strategies that would minimize fuel consumption to offset the impact that the tour would have had on the environment.  In June 2008, the band joined Habitat for Humanity to work on a home being repaired and renovated through the Greater Los Angeles Area's "A Brush With Kindness" programme. In advance of the build, the band organized an auction of "build slots" to give fans the opportunity to volunteer alongside them. In less than a week, six extra workers were enlisted and over $10,000 was raised to fund additional Habitat for Humanity projects. Thirty Seconds to Mars fans, termed as the Echelon, started several philanthropic organizations and projects with the purpose of supporting various charities and humanitarian causes.  After the 2010 Haiti earthquake, Thirty Seconds to Mars raised $100,100 for Haitian relief through a charity auction. The band has also supported the Haitian population through the Echelon project "House for Haiti" and Hope For Haiti Now telethon special. The group auctioned a quantity of items raising funds to help the Red Cross assist people affected by the 2011 Tohoku earthquake and tsunami. The band contributed one dollar per concert ticket sold on the Carnivores Tour to the charity Music for Relief to support disaster relief and programs to protect and restore the environment. CANNOTANSWER

Question: WHy were Thirty Seconds to Mars considered activists?
Answer: work on a home being repaired and renovated through the Greater Los Angeles Area's
Thirty Seconds to Mars

Context: Thirty Seconds to Mars launched a website, called abeautifullie.org, to provide information about environmental issues and ways to participate in environmental activities. People can make donations through the site to support the Natural Resources Defense Council. In 2006, Jared Leto created the cover art for The 97X Green Room: Volume 2, a compilation of live music that includes a Thirty Seconds to Mars song, which proceeds from the sales benefited The Nature Conservancy. During their Welcome to the Universe Tour, the group worked to develop strategies that would minimize fuel consumption to offset the impact that the tour would have had on the environment.  In June 2008, the band joined Habitat for Humanity to work on a home being repaired and renovated through the Greater Los Angeles Area's "A Brush With Kindness" programme. In advance of the build, the band organized an auction of "build slots" to give fans the opportunity to volunteer alongside them. In less than a week, six extra workers were enlisted and over $10,000 was raised to fund additional Habitat for Humanity projects. Thirty Seconds to Mars fans, termed as the Echelon, started several philanthropic organizations and projects with the purpose of supporting various charities and humanitarian causes.  After the 2010 Haiti earthquake, Thirty Seconds to Mars raised $100,100 for Haitian relief through a charity auction. The band has also supported the Haitian population through the Echelon project "House for Haiti" and Hope For Haiti Now telethon special. The group auctioned a quantity of items raising funds to help the Red Cross assist people affected by the 2011 Tohoku earthquake and tsunami. The band contributed one dollar per concert ticket sold on the Carnivores Tour to the charity Music for Relief to support disaster relief and programs to protect and restore the environment. CANNOTANSWER

Question: Did Thirty Seconds to Mars donate any money?
Answer: opportunity to volunteer alongside them. In less than a week, six extra workers were enlisted and over $10,000 was raised to fund additional Habitat for Humanity projects.
Thirty Seconds to Mars

Context: Thirty Seconds to Mars launched a website, called abeautifullie.org, to provide information about environmental issues and ways to participate in environmental activities. People can make donations through the site to support the Natural Resources Defense Council. In 2006, Jared Leto created the cover art for The 97X Green Room: Volume 2, a compilation of live music that includes a Thirty Seconds to Mars song, which proceeds from the sales benefited The Nature Conservancy. During their Welcome to the Universe Tour, the group worked to develop strategies that would minimize fuel consumption to offset the impact that the tour would have had on the environment.  In June 2008, the band joined Habitat for Humanity to work on a home being repaired and renovated through the Greater Los Angeles Area's "A Brush With Kindness" programme. In advance of the build, the band organized an auction of "build slots" to give fans the opportunity to volunteer alongside them. In less than a week, six extra workers were enlisted and over $10,000 was raised to fund additional Habitat for Humanity projects. Thirty Seconds to Mars fans, termed as the Echelon, started several philanthropic organizations and projects with the purpose of supporting various charities and humanitarian causes.  After the 2010 Haiti earthquake, Thirty Seconds to Mars raised $100,100 for Haitian relief through a charity auction. The band has also supported the Haitian population through the Echelon project "House for Haiti" and Hope For Haiti Now telethon special. The group auctioned a quantity of items raising funds to help the Red Cross assist people affected by the 2011 Tohoku earthquake and tsunami. The band contributed one dollar per concert ticket sold on the Carnivores Tour to the charity Music for Relief to support disaster relief and programs to protect and restore the environment. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Thirty Seconds to Mars donation information?
Answer: CANNOTANSWER