gaussalgo/Canard_Wiki-augmented huggingface dataset:
Tila Tequila

Context: During the first season of Fuse TV's dance show, Pants-Off Dance-Off, on which a group of contestants strip to music videos, Nguyen was the most frequent host. In April 2006, during the taping of an interview with MTV's Total Request Live VJs, will.i.am announced that Nguyen had been signed to the Will.I.Am music group, a record label under A&M Records. Despite this major-label signing, Nguyen independently released her first single "I Love U" through iTunes on February 27, 2007, justifying the independent release through her desire to become famous by herself. She also shot a music video for the song. In March 2007, Washington-based record label The Saturday Team released an EP called Sex, by Tila Tequila. On July 27, 2007, Italian website MusicBlob reported that The Saturday Team and distributor Icon Music Entertainment Services sued Nguyen over breaching her contract related to the album. However, Nguyen claimed in a MySpace bulletin that the EP was not authorized for release by her, and was removed from most retailers. The Saturday Team won a legal case, making Sex available for digital purchase. Nguyen made an appearance as one of the 12 strangers in the first game on April 6, 2007 episode of NBC's game show Identity. On March 4, 2007, she made a cameo appearance on the show "The War At Home." She also appeared as a Hooters Girl in the 2007 film I Now Pronounce You Chuck and Larry.  In May 2007, Nguyen began filming for a reality show which first aired on MTV on October 9, 2007, as A Shot at Love with Tila Tequila. The program was a bisexual-themed dating show where 16 straight men and 16 lesbian women competed for Nguyen's affections, the twist being that the contestants were not aware of her bisexuality until the end of the first episode. The ten-episode series was produced by SallyAnn Salsano and MTV. The show led to a heated online debate between Nguyen and conservative Christians after an article appeared on The Christian Post on September 13, 2007. After seeing the article, Nguyen wrote an impassioned response in her blog on September 28, 2007, criticizing churches for "bashing" the gay community while thanking God for saving her life. The show premiered for a second season in April 2008 and became a popular gossip subject in Asian media, such as AsianWeek. The season finale premiered July 8, 2008, the winner being Kristy Morgan who declined her "shot at love".  On October 9, 2007, Nguyen released her second official single, "Stripper Friends". A video premiered via Yahoo! Music on February 26, 2008 and was released to iTunes on March 4, 2008. The single failed to chart. In April 2008, the single "Paralyze" and its accompanying music video were released via Yahoo! Music and iTunes. The "I Love U Remixes" EP was released to digital music retailers on April 7, 2009. On December 2, 2008, Nguyen released a self-help book, Hooking Up with Tila Tequila: A Guide to Love, Fame, Happiness, Success, and Being the Life of the Party (ISBN 9781439101537). CANNOTANSWER

Question: did Tila Tequila produce any songs?
Answer: Nguyen independently released her first single "I Love U" through iTunes
Tila Tequila

Context: During the first season of Fuse TV's dance show, Pants-Off Dance-Off, on which a group of contestants strip to music videos, Nguyen was the most frequent host. In April 2006, during the taping of an interview with MTV's Total Request Live VJs, will.i.am announced that Nguyen had been signed to the Will.I.Am music group, a record label under A&M Records. Despite this major-label signing, Nguyen independently released her first single "I Love U" through iTunes on February 27, 2007, justifying the independent release through her desire to become famous by herself. She also shot a music video for the song. In March 2007, Washington-based record label The Saturday Team released an EP called Sex, by Tila Tequila. On July 27, 2007, Italian website MusicBlob reported that The Saturday Team and distributor Icon Music Entertainment Services sued Nguyen over breaching her contract related to the album. However, Nguyen claimed in a MySpace bulletin that the EP was not authorized for release by her, and was removed from most retailers. The Saturday Team won a legal case, making Sex available for digital purchase. Nguyen made an appearance as one of the 12 strangers in the first game on April 6, 2007 episode of NBC's game show Identity. On March 4, 2007, she made a cameo appearance on the show "The War At Home." She also appeared as a Hooters Girl in the 2007 film I Now Pronounce You Chuck and Larry.  In May 2007, Nguyen began filming for a reality show which first aired on MTV on October 9, 2007, as A Shot at Love with Tila Tequila. The program was a bisexual-themed dating show where 16 straight men and 16 lesbian women competed for Nguyen's affections, the twist being that the contestants were not aware of her bisexuality until the end of the first episode. The ten-episode series was produced by SallyAnn Salsano and MTV. The show led to a heated online debate between Nguyen and conservative Christians after an article appeared on The Christian Post on September 13, 2007. After seeing the article, Nguyen wrote an impassioned response in her blog on September 28, 2007, criticizing churches for "bashing" the gay community while thanking God for saving her life. The show premiered for a second season in April 2008 and became a popular gossip subject in Asian media, such as AsianWeek. The season finale premiered July 8, 2008, the winner being Kristy Morgan who declined her "shot at love".  On October 9, 2007, Nguyen released her second official single, "Stripper Friends". A video premiered via Yahoo! Music on February 26, 2008 and was released to iTunes on March 4, 2008. The single failed to chart. In April 2008, the single "Paralyze" and its accompanying music video were released via Yahoo! Music and iTunes. The "I Love U Remixes" EP was released to digital music retailers on April 7, 2009. On December 2, 2008, Nguyen released a self-help book, Hooking Up with Tila Tequila: A Guide to Love, Fame, Happiness, Success, and Being the Life of the Party (ISBN 9781439101537). CANNOTANSWER

Question: was the song Nguyen independently released her first single "I Love U" successful?
Answer: CANNOTANSWER
Tila Tequila

Context: During the first season of Fuse TV's dance show, Pants-Off Dance-Off, on which a group of contestants strip to music videos, Nguyen was the most frequent host. In April 2006, during the taping of an interview with MTV's Total Request Live VJs, will.i.am announced that Nguyen had been signed to the Will.I.Am music group, a record label under A&M Records. Despite this major-label signing, Nguyen independently released her first single "I Love U" through iTunes on February 27, 2007, justifying the independent release through her desire to become famous by herself. She also shot a music video for the song. In March 2007, Washington-based record label The Saturday Team released an EP called Sex, by Tila Tequila. On July 27, 2007, Italian website MusicBlob reported that The Saturday Team and distributor Icon Music Entertainment Services sued Nguyen over breaching her contract related to the album. However, Nguyen claimed in a MySpace bulletin that the EP was not authorized for release by her, and was removed from most retailers. The Saturday Team won a legal case, making Sex available for digital purchase. Nguyen made an appearance as one of the 12 strangers in the first game on April 6, 2007 episode of NBC's game show Identity. On March 4, 2007, she made a cameo appearance on the show "The War At Home." She also appeared as a Hooters Girl in the 2007 film I Now Pronounce You Chuck and Larry.  In May 2007, Nguyen began filming for a reality show which first aired on MTV on October 9, 2007, as A Shot at Love with Tila Tequila. The program was a bisexual-themed dating show where 16 straight men and 16 lesbian women competed for Nguyen's affections, the twist being that the contestants were not aware of her bisexuality until the end of the first episode. The ten-episode series was produced by SallyAnn Salsano and MTV. The show led to a heated online debate between Nguyen and conservative Christians after an article appeared on The Christian Post on September 13, 2007. After seeing the article, Nguyen wrote an impassioned response in her blog on September 28, 2007, criticizing churches for "bashing" the gay community while thanking God for saving her life. The show premiered for a second season in April 2008 and became a popular gossip subject in Asian media, such as AsianWeek. The season finale premiered July 8, 2008, the winner being Kristy Morgan who declined her "shot at love".  On October 9, 2007, Nguyen released her second official single, "Stripper Friends". A video premiered via Yahoo! Music on February 26, 2008 and was released to iTunes on March 4, 2008. The single failed to chart. In April 2008, the single "Paralyze" and its accompanying music video were released via Yahoo! Music and iTunes. The "I Love U Remixes" EP was released to digital music retailers on April 7, 2009. On December 2, 2008, Nguyen released a self-help book, Hooking Up with Tila Tequila: A Guide to Love, Fame, Happiness, Success, and Being the Life of the Party (ISBN 9781439101537). CANNOTANSWER

Question: did Nguyen have any other songs other than "I Love U"?
Answer: CANNOTANSWER
Tila Tequila

Context: During the first season of Fuse TV's dance show, Pants-Off Dance-Off, on which a group of contestants strip to music videos, Nguyen was the most frequent host. In April 2006, during the taping of an interview with MTV's Total Request Live VJs, will.i.am announced that Nguyen had been signed to the Will.I.Am music group, a record label under A&M Records. Despite this major-label signing, Nguyen independently released her first single "I Love U" through iTunes on February 27, 2007, justifying the independent release through her desire to become famous by herself. She also shot a music video for the song. In March 2007, Washington-based record label The Saturday Team released an EP called Sex, by Tila Tequila. On July 27, 2007, Italian website MusicBlob reported that The Saturday Team and distributor Icon Music Entertainment Services sued Nguyen over breaching her contract related to the album. However, Nguyen claimed in a MySpace bulletin that the EP was not authorized for release by her, and was removed from most retailers. The Saturday Team won a legal case, making Sex available for digital purchase. Nguyen made an appearance as one of the 12 strangers in the first game on April 6, 2007 episode of NBC's game show Identity. On March 4, 2007, she made a cameo appearance on the show "The War At Home." She also appeared as a Hooters Girl in the 2007 film I Now Pronounce You Chuck and Larry.  In May 2007, Nguyen began filming for a reality show which first aired on MTV on October 9, 2007, as A Shot at Love with Tila Tequila. The program was a bisexual-themed dating show where 16 straight men and 16 lesbian women competed for Nguyen's affections, the twist being that the contestants were not aware of her bisexuality until the end of the first episode. The ten-episode series was produced by SallyAnn Salsano and MTV. The show led to a heated online debate between Nguyen and conservative Christians after an article appeared on The Christian Post on September 13, 2007. After seeing the article, Nguyen wrote an impassioned response in her blog on September 28, 2007, criticizing churches for "bashing" the gay community while thanking God for saving her life. The show premiered for a second season in April 2008 and became a popular gossip subject in Asian media, such as AsianWeek. The season finale premiered July 8, 2008, the winner being Kristy Morgan who declined her "shot at love".  On October 9, 2007, Nguyen released her second official single, "Stripper Friends". A video premiered via Yahoo! Music on February 26, 2008 and was released to iTunes on March 4, 2008. The single failed to chart. In April 2008, the single "Paralyze" and its accompanying music video were released via Yahoo! Music and iTunes. The "I Love U Remixes" EP was released to digital music retailers on April 7, 2009. On December 2, 2008, Nguyen released a self-help book, Hooking Up with Tila Tequila: A Guide to Love, Fame, Happiness, Success, and Being the Life of the Party (ISBN 9781439101537). CANNOTANSWER

Question: what is a shot at love by Tila Tequila?
Answer: a reality show which first aired on MTV on October 9, 2007,
Roberto Mangabeira Unger

Context: Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory and engaged in a quest for scientific objectivity. In Unger's analysis, classical economics focused on the causal relations among social activities, which were connected with the production and distribution of wealth. Classical economists asked questions about the true basis of value, activities that contributed to national wealth, systems of rights, or about the forms of government under which people grow rich. In the late-nineteenth century, in response to attacks from socialist ideas and debates about how society works, and as a means to escape the conundrums of value theory and to answer how values could become prices, marginalist economics arose. This movement in economics disengaged economics from prescriptive and normative commitments to withdraw the study of economies from debates about how society worked and what kind of society we wanted to live in. For Unger, this moment in the history of economics robbed it of any analytical or practical value.  Unger's critique of Marginalism begins with Walras' equilibrium theory, which attempted to achieve a certainty of economic analysis by putting aside normative controversies of social organization. Unger finds three weaknesses that crippled the theory: foremost, the theory claimed that equilibrium would be spontaneously generated in a market economy. In reality, a self-adjusting equilibrium fails to occur. Second, the theory puts forth a determinate image of the market. Historically, however, the market has been shown to be indeterminate with different market arrangements. Third, the polemical use of efficiency fails to account for the differences of distribution among individuals, classes, and generations.  The consequences of the marginalist movement were profound for the study of economics, Unger says. The most immediate problem is that under this generalizing tendency of economics, there is no means by which to incorporate empirical evidence and thus to re-imagine the world and develop new theories and new directions. In this way, the discipline is always self-referential and theoretical. Furthermore, the lack of a normative view of the world curtails the ability to propose anything more than a policy prescription, which by definition always assumes a given context. The discipline can only rationalize the world and support a status quo. Lastly, Unger finds that this turn in economics ended up universalizing debates in macroeconomics and leaving the discipline without any historical perspective. A consequence, for example, was that Keynes' solution to a particular historical crisis was turned into a general theory when it should only be understood as a response to a particular situation. CANNOTANSWER

Question: What was Roberto Mangaberia known for?
Answer: critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory
Roberto Mangabeira Unger

Context: Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory and engaged in a quest for scientific objectivity. In Unger's analysis, classical economics focused on the causal relations among social activities, which were connected with the production and distribution of wealth. Classical economists asked questions about the true basis of value, activities that contributed to national wealth, systems of rights, or about the forms of government under which people grow rich. In the late-nineteenth century, in response to attacks from socialist ideas and debates about how society works, and as a means to escape the conundrums of value theory and to answer how values could become prices, marginalist economics arose. This movement in economics disengaged economics from prescriptive and normative commitments to withdraw the study of economies from debates about how society worked and what kind of society we wanted to live in. For Unger, this moment in the history of economics robbed it of any analytical or practical value.  Unger's critique of Marginalism begins with Walras' equilibrium theory, which attempted to achieve a certainty of economic analysis by putting aside normative controversies of social organization. Unger finds three weaknesses that crippled the theory: foremost, the theory claimed that equilibrium would be spontaneously generated in a market economy. In reality, a self-adjusting equilibrium fails to occur. Second, the theory puts forth a determinate image of the market. Historically, however, the market has been shown to be indeterminate with different market arrangements. Third, the polemical use of efficiency fails to account for the differences of distribution among individuals, classes, and generations.  The consequences of the marginalist movement were profound for the study of economics, Unger says. The most immediate problem is that under this generalizing tendency of economics, there is no means by which to incorporate empirical evidence and thus to re-imagine the world and develop new theories and new directions. In this way, the discipline is always self-referential and theoretical. Furthermore, the lack of a normative view of the world curtails the ability to propose anything more than a policy prescription, which by definition always assumes a given context. The discipline can only rationalize the world and support a status quo. Lastly, Unger finds that this turn in economics ended up universalizing debates in macroeconomics and leaving the discipline without any historical perspective. A consequence, for example, was that Keynes' solution to a particular historical crisis was turned into a general theory when it should only be understood as a response to a particular situation. CANNOTANSWER

Question: What is CLS?
Answer: CANNOTANSWER
Roberto Mangabeira Unger

Context: Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory and engaged in a quest for scientific objectivity. In Unger's analysis, classical economics focused on the causal relations among social activities, which were connected with the production and distribution of wealth. Classical economists asked questions about the true basis of value, activities that contributed to national wealth, systems of rights, or about the forms of government under which people grow rich. In the late-nineteenth century, in response to attacks from socialist ideas and debates about how society works, and as a means to escape the conundrums of value theory and to answer how values could become prices, marginalist economics arose. This movement in economics disengaged economics from prescriptive and normative commitments to withdraw the study of economies from debates about how society worked and what kind of society we wanted to live in. For Unger, this moment in the history of economics robbed it of any analytical or practical value.  Unger's critique of Marginalism begins with Walras' equilibrium theory, which attempted to achieve a certainty of economic analysis by putting aside normative controversies of social organization. Unger finds three weaknesses that crippled the theory: foremost, the theory claimed that equilibrium would be spontaneously generated in a market economy. In reality, a self-adjusting equilibrium fails to occur. Second, the theory puts forth a determinate image of the market. Historically, however, the market has been shown to be indeterminate with different market arrangements. Third, the polemical use of efficiency fails to account for the differences of distribution among individuals, classes, and generations.  The consequences of the marginalist movement were profound for the study of economics, Unger says. The most immediate problem is that under this generalizing tendency of economics, there is no means by which to incorporate empirical evidence and thus to re-imagine the world and develop new theories and new directions. In this way, the discipline is always self-referential and theoretical. Furthermore, the lack of a normative view of the world curtails the ability to propose anything more than a policy prescription, which by definition always assumes a given context. The discipline can only rationalize the world and support a status quo. Lastly, Unger finds that this turn in economics ended up universalizing debates in macroeconomics and leaving the discipline without any historical perspective. A consequence, for example, was that Keynes' solution to a particular historical crisis was turned into a general theory when it should only be understood as a response to a particular situation. CANNOTANSWER

Question: Where is Roberto Mangaberia from?
Answer: CANNOTANSWER
Roberto Mangabeira Unger

Context: Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory and engaged in a quest for scientific objectivity. In Unger's analysis, classical economics focused on the causal relations among social activities, which were connected with the production and distribution of wealth. Classical economists asked questions about the true basis of value, activities that contributed to national wealth, systems of rights, or about the forms of government under which people grow rich. In the late-nineteenth century, in response to attacks from socialist ideas and debates about how society works, and as a means to escape the conundrums of value theory and to answer how values could become prices, marginalist economics arose. This movement in economics disengaged economics from prescriptive and normative commitments to withdraw the study of economies from debates about how society worked and what kind of society we wanted to live in. For Unger, this moment in the history of economics robbed it of any analytical or practical value.  Unger's critique of Marginalism begins with Walras' equilibrium theory, which attempted to achieve a certainty of economic analysis by putting aside normative controversies of social organization. Unger finds three weaknesses that crippled the theory: foremost, the theory claimed that equilibrium would be spontaneously generated in a market economy. In reality, a self-adjusting equilibrium fails to occur. Second, the theory puts forth a determinate image of the market. Historically, however, the market has been shown to be indeterminate with different market arrangements. Third, the polemical use of efficiency fails to account for the differences of distribution among individuals, classes, and generations.  The consequences of the marginalist movement were profound for the study of economics, Unger says. The most immediate problem is that under this generalizing tendency of economics, there is no means by which to incorporate empirical evidence and thus to re-imagine the world and develop new theories and new directions. In this way, the discipline is always self-referential and theoretical. Furthermore, the lack of a normative view of the world curtails the ability to propose anything more than a policy prescription, which by definition always assumes a given context. The discipline can only rationalize the world and support a status quo. Lastly, Unger finds that this turn in economics ended up universalizing debates in macroeconomics and leaving the discipline without any historical perspective. A consequence, for example, was that Keynes' solution to a particular historical crisis was turned into a general theory when it should only be understood as a response to a particular situation. CANNOTANSWER

Question: Which was the name of one of the books Robert Mangaberia wrote?
Answer: CANNOTANSWER
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: Did Bill Shankly play or manage for Carlisle United?
Answer: Shankly began his managerial career at the club
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: When did Bill Shankly become manager?
Answer: 1948-49 season
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: How did Shankly do in his first season?
Answer: Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches.
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: Did Shankly make any big changes to the team?
Answer: Shankly used psychology to motivate his players,
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: Did Shankly bring in any new players?
Answer: Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool.
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: How long did Shankly manage Carlisle United?
Answer: Shankly resigned and took up an offer from Grimsby Town.
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: When did Shankly manage Carlisle United?
Answer: 1950-51
Bill Shankly

Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion.  One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players.  Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln.  Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches. CANNOTANSWER

Question: Did Shankly win any trophies in his time as manager at Carlisle?
Answer: CANNOTANSWER
Debby Boone

Context: With her older sisters married and younger sister Laury in college, Boone was actively encouraged by producer Mike Curb to launch a solo career. Boone released her first solo effort, "You Light Up My Life" (which had been featured in the film of the same name) in 1977. The song became the biggest hit of the 1970s spending ten consecutive weeks at No. 1 on the Billboard Hot 100 -- longer than any other song in Hot 100 history to that point. (In 2008, Billboard ranked the song No. 7 among all songs that charted in the 50-year history of the Hot 100.) The song earned Boone a Grammy Award for Best New Artist and an American Music Award for Favorite Pop Single of 1977. She also received Grammy nominations for Best Pop Vocal Performance - Female and Record of the Year won by, respectively, Barbra Streisand ("Love Theme From "A Star Is Born" (Evergreen)") and the Eagles ("Hotel California"). "You Light Up My Life" also succeeded on Billboard's Adult Contemporary (No. 1 for one week) and Country (No. 4) singles charts. The single and the album (No. 6 Pop, No. 6 Country) of the same name were both certified platinum.  The song, written and produced by Joe Brooks, was from the film of the same name. Brooks earned Song of the Year awards at both the 1978 Grammys and Oscars for writing the song. (Boone performed the song at both awards shows.) Boone's version was not used in the movie or featured on its soundtrack. The song was lip-synched in the film by its star, Didi Conn, performing to vocals recorded by Kacey Cisyk. It was written as a love song, but Boone interpreted the song as inspirational and stated that she recorded the song for God.  Boone's overnight success led to a tour with her father and frequent television appearances, but she was unable to maintain her success in pop music after "You Light Up My Life". Her follow-up single, "California" (also written and produced by Joe Brooks), peaked at No. 50 Pop and No. 20 AC. "California" was included on Boone's second album, Midstream, which faltered at No. 147 Pop. Her next single, the double-sided "God Knows"/"Baby I'm Yours", also struggled, peaking at No. 74 Pop, becoming her last entry on the Hot 100. However, the single charted AC (No. 14) and returned Boone to the country chart (No. 22). Boone then released another movie theme, "When You're Loved", from The Magic of Lassie. Like "You Light Up My Life", the song was nominated for an Academy Award for its composers, the Sherman Brothers, but it failed to replicate the success of her first single charting only No. 48 AC. Boone's wholesome persona contrasted with the image-conscious pop-music industry, leading her career in different musical directions. CANNOTANSWER

Question: What was Debby Boone's, "You light up my life"
Answer: The song became the biggest hit of the 1970s
Debby Boone

Context: With her older sisters married and younger sister Laury in college, Boone was actively encouraged by producer Mike Curb to launch a solo career. Boone released her first solo effort, "You Light Up My Life" (which had been featured in the film of the same name) in 1977. The song became the biggest hit of the 1970s spending ten consecutive weeks at No. 1 on the Billboard Hot 100 -- longer than any other song in Hot 100 history to that point. (In 2008, Billboard ranked the song No. 7 among all songs that charted in the 50-year history of the Hot 100.) The song earned Boone a Grammy Award for Best New Artist and an American Music Award for Favorite Pop Single of 1977. She also received Grammy nominations for Best Pop Vocal Performance - Female and Record of the Year won by, respectively, Barbra Streisand ("Love Theme From "A Star Is Born" (Evergreen)") and the Eagles ("Hotel California"). "You Light Up My Life" also succeeded on Billboard's Adult Contemporary (No. 1 for one week) and Country (No. 4) singles charts. The single and the album (No. 6 Pop, No. 6 Country) of the same name were both certified platinum.  The song, written and produced by Joe Brooks, was from the film of the same name. Brooks earned Song of the Year awards at both the 1978 Grammys and Oscars for writing the song. (Boone performed the song at both awards shows.) Boone's version was not used in the movie or featured on its soundtrack. The song was lip-synched in the film by its star, Didi Conn, performing to vocals recorded by Kacey Cisyk. It was written as a love song, but Boone interpreted the song as inspirational and stated that she recorded the song for God.  Boone's overnight success led to a tour with her father and frequent television appearances, but she was unable to maintain her success in pop music after "You Light Up My Life". Her follow-up single, "California" (also written and produced by Joe Brooks), peaked at No. 50 Pop and No. 20 AC. "California" was included on Boone's second album, Midstream, which faltered at No. 147 Pop. Her next single, the double-sided "God Knows"/"Baby I'm Yours", also struggled, peaking at No. 74 Pop, becoming her last entry on the Hot 100. However, the single charted AC (No. 14) and returned Boone to the country chart (No. 22). Boone then released another movie theme, "When You're Loved", from The Magic of Lassie. Like "You Light Up My Life", the song was nominated for an Academy Award for its composers, the Sherman Brothers, but it failed to replicate the success of her first single charting only No. 48 AC. Boone's wholesome persona contrasted with the image-conscious pop-music industry, leading her career in different musical directions. CANNOTANSWER

Question: Did the song "You light up my life" make it to the top charts?
Answer: spending ten consecutive weeks at No. 1 on the Billboard Hot 100