gaussalgo/Canard_Wiki-augmented huggingface dataset:
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Sly and the Family Stone?
Answer: Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100.
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: Did Sly and the Family Stone have any other hits that charted based besides Dance to the Music  ?
Answer: the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: Did Sly and the Family Stone tour?
Answer: In September 1968, the band embarked on its first overseas tour, to England. It was cut short
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: Why was the tour with Sly and the Family Stone cut short?
Answer: short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters.
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: What happened after the tour of Sly and the Family Stone?
Answer: CANNOTANSWER
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: Was Graham released from the Sly and the Family Stone  band?
Answer: CANNOTANSWER
Sly and the Family Stone

Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.  Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists.  After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone.  Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.  The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters. CANNOTANSWER

Question: Was there any other hits released by Sly and the Family Stone besides the Graham?
Answer: CANNOTANSWER
Trey Songz

Context: While recording his debut album in 2004, Songz released multiple mixtapes under the alias Prince of Virginia. One of the mixtapes featured an "answer track" to R. Kelly's "Trapped in the Closet", entitled "Open the Closet". The song gave Songz some notoriety. His debut album, I Gotta Make It was released on July 26, 2005. It debuted at #20 on the Billboard 200, selling 40,000 copies in its first week of sales. It has sold 300,000 records in the US. Songz's debut single, Gotta Make It, featuring Twista, was released in March 2005 and reached #87 on the Billboard Hot 100 and #21 on the Hot R&B/Hip-Hop Songs. It garnered success in the R&B/urban community but failed to make a mark in mainstream music. The album's second and final single, Gotta Go, was released in July 2005 and reached #67 on the Hot 100 and #11 on the Hot R&B/Hip-Hop Songs chart, becoming even more successful than his debut single in the R&B/urban community and in the mainstream community. After promotion for his debut concluded, he was featured on the lead single from Twista's fifth album, The Day After. The single, "Girl Tonite", reached #14 on the Hot 100 and #3 on the Hot R&B/Hip-Hop Songs chart, becoming a huge hit.  In mid-2006, Songz began work on a follow-up album to his debut with longtime collaborator Troy Taylor and also employed successful Bryan-Michael Cox, Danja, Stargate and R. Kelly to help create the album. Trey aimed for the album to be more mainstream-oriented than his debut album. His second studio album, Trey Day, was released on October 2, 2007. The album reached #11 on the Billboard 200, selling 73,000 copies in its first week. It has since sold 400,000 records in the US, becoming his second album not to be certified by the RIAA. The album was going to be released on May 8, 2007, but was continually delayed in order for a successful single to precede the album, as the lead single failed to impact charts.  His second album was preceded by the lead single, "Wonder Woman", which was released in February 2007. It reached #54 on the Hot R&B/Hip-Hop Songs chart, but failed to impact the Hot 100. Because of the single's failure, his second album was delayed from May 2007 to October 2007. The album's second single, "Can't Help but Wait", was released in August 2007 and was released to promote his second album and the film Step Up 2 the Streets soundtrack as a single for it. The single reached #14 on the Hot 100, and #2 on the Hot R&B/Hip-Hop Songs chart. It became Songz's first Top 20 hit on the Hot 100, and helped to boost his second album's sales. The single was also nominated for Best Male R&B Vocal Performance at the 2008 50th Grammy Awards. The third single from the album, "Last Time", was released in January 2008 and reached #69 on the Hot 100, and #9 on the Hot R&B/Hip-Hop Songs chart. The fourth and final single from the album, "Missin' You", was released in May 2008, but failed to chart completely. In mid-2008, Songz was nominated for a BET Award for Best Male R&B Artist but did not win the award. CANNOTANSWER

Question: What was the best single from the albums 'I Gotta Make It' and 'Trey Day'?
Answer: Open the Closet
Trey Songz

Context: While recording his debut album in 2004, Songz released multiple mixtapes under the alias Prince of Virginia. One of the mixtapes featured an "answer track" to R. Kelly's "Trapped in the Closet", entitled "Open the Closet". The song gave Songz some notoriety. His debut album, I Gotta Make It was released on July 26, 2005. It debuted at #20 on the Billboard 200, selling 40,000 copies in its first week of sales. It has sold 300,000 records in the US. Songz's debut single, Gotta Make It, featuring Twista, was released in March 2005 and reached #87 on the Billboard Hot 100 and #21 on the Hot R&B/Hip-Hop Songs. It garnered success in the R&B/urban community but failed to make a mark in mainstream music. The album's second and final single, Gotta Go, was released in July 2005 and reached #67 on the Hot 100 and #11 on the Hot R&B/Hip-Hop Songs chart, becoming even more successful than his debut single in the R&B/urban community and in the mainstream community. After promotion for his debut concluded, he was featured on the lead single from Twista's fifth album, The Day After. The single, "Girl Tonite", reached #14 on the Hot 100 and #3 on the Hot R&B/Hip-Hop Songs chart, becoming a huge hit.  In mid-2006, Songz began work on a follow-up album to his debut with longtime collaborator Troy Taylor and also employed successful Bryan-Michael Cox, Danja, Stargate and R. Kelly to help create the album. Trey aimed for the album to be more mainstream-oriented than his debut album. His second studio album, Trey Day, was released on October 2, 2007. The album reached #11 on the Billboard 200, selling 73,000 copies in its first week. It has since sold 400,000 records in the US, becoming his second album not to be certified by the RIAA. The album was going to be released on May 8, 2007, but was continually delayed in order for a successful single to precede the album, as the lead single failed to impact charts.  His second album was preceded by the lead single, "Wonder Woman", which was released in February 2007. It reached #54 on the Hot R&B/Hip-Hop Songs chart, but failed to impact the Hot 100. Because of the single's failure, his second album was delayed from May 2007 to October 2007. The album's second single, "Can't Help but Wait", was released in August 2007 and was released to promote his second album and the film Step Up 2 the Streets soundtrack as a single for it. The single reached #14 on the Hot 100, and #2 on the Hot R&B/Hip-Hop Songs chart. It became Songz's first Top 20 hit on the Hot 100, and helped to boost his second album's sales. The single was also nominated for Best Male R&B Vocal Performance at the 2008 50th Grammy Awards. The third single from the album, "Last Time", was released in January 2008 and reached #69 on the Hot 100, and #9 on the Hot R&B/Hip-Hop Songs chart. The fourth and final single from the album, "Missin' You", was released in May 2008, but failed to chart completely. In mid-2008, Songz was nominated for a BET Award for Best Male R&B Artist but did not win the award. CANNOTANSWER

Question: When was 'I Gotta Make It' released?
Answer: March 2005
Trey Songz

Context: While recording his debut album in 2004, Songz released multiple mixtapes under the alias Prince of Virginia. One of the mixtapes featured an "answer track" to R. Kelly's "Trapped in the Closet", entitled "Open the Closet". The song gave Songz some notoriety. His debut album, I Gotta Make It was released on July 26, 2005. It debuted at #20 on the Billboard 200, selling 40,000 copies in its first week of sales. It has sold 300,000 records in the US. Songz's debut single, Gotta Make It, featuring Twista, was released in March 2005 and reached #87 on the Billboard Hot 100 and #21 on the Hot R&B/Hip-Hop Songs. It garnered success in the R&B/urban community but failed to make a mark in mainstream music. The album's second and final single, Gotta Go, was released in July 2005 and reached #67 on the Hot 100 and #11 on the Hot R&B/Hip-Hop Songs chart, becoming even more successful than his debut single in the R&B/urban community and in the mainstream community. After promotion for his debut concluded, he was featured on the lead single from Twista's fifth album, The Day After. The single, "Girl Tonite", reached #14 on the Hot 100 and #3 on the Hot R&B/Hip-Hop Songs chart, becoming a huge hit.  In mid-2006, Songz began work on a follow-up album to his debut with longtime collaborator Troy Taylor and also employed successful Bryan-Michael Cox, Danja, Stargate and R. Kelly to help create the album. Trey aimed for the album to be more mainstream-oriented than his debut album. His second studio album, Trey Day, was released on October 2, 2007. The album reached #11 on the Billboard 200, selling 73,000 copies in its first week. It has since sold 400,000 records in the US, becoming his second album not to be certified by the RIAA. The album was going to be released on May 8, 2007, but was continually delayed in order for a successful single to precede the album, as the lead single failed to impact charts.  His second album was preceded by the lead single, "Wonder Woman", which was released in February 2007. It reached #54 on the Hot R&B/Hip-Hop Songs chart, but failed to impact the Hot 100. Because of the single's failure, his second album was delayed from May 2007 to October 2007. The album's second single, "Can't Help but Wait", was released in August 2007 and was released to promote his second album and the film Step Up 2 the Streets soundtrack as a single for it. The single reached #14 on the Hot 100, and #2 on the Hot R&B/Hip-Hop Songs chart. It became Songz's first Top 20 hit on the Hot 100, and helped to boost his second album's sales. The single was also nominated for Best Male R&B Vocal Performance at the 2008 50th Grammy Awards. The third single from the album, "Last Time", was released in January 2008 and reached #69 on the Hot 100, and #9 on the Hot R&B/Hip-Hop Songs chart. The fourth and final single from the album, "Missin' You", was released in May 2008, but failed to chart completely. In mid-2008, Songz was nominated for a BET Award for Best Male R&B Artist but did not win the award. CANNOTANSWER

Question: Are 'I Gotta Make It' and 'Trey Day' different albums?
Answer: Trey Day, was released on October 2, 2007.
Sun Ra

Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said:  I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up."  Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works.  The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. CANNOTANSWER

Question: Was Sun Ra a student?
Answer: CANNOTANSWER
Sun Ra

Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said:  I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up."  Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works.  The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. CANNOTANSWER

Question: What was Sun Ra's view on students?
Answer: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time.
Sun Ra

Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said:  I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up."  Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works.  The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. CANNOTANSWER

Question: What did Sun Ra do to change the black culture?
Answer: Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks.
Sun Ra

Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said:  I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up."  Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works.  The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. CANNOTANSWER

Question: What did Sun Ra say the blacks should do?
Answer: This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture.
Sun Ra

Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said:  I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up."  Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works.  The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. CANNOTANSWER

Question: What were Sun Ra's views of the world?
Answer: At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns
Sun Ra

Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said:  I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up."  Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works.  The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. CANNOTANSWER

Question: Did Sun Ra's views change as he got older?
Answer: It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show,
Genelia D'Souza

Context: The year 2006 marked a significant turning point in Genelia's career. She completed two Telugu movies in early 2006, one was the romantic comedy Happy, and the other was Raam. She then portrayed the role of Haasini, a vibrant, effervescent and a happy-go-lucky young girl, in the 2006 Telugu romantic film Bommarillu. The movie, a blockbuster at the box-office, grossed Rs250 million (US$3.8 million) in India, and also won the 2006 Golden Nandi award. Her character was well received, and garnered her the Telugu Filmfare Award for Best Actress, besides Nandi Special Jury Award and Santosham Award for Best Actress. Sify concluded about her acting in their review that, "The scene stealer is Genelia with her innocent looks and cute mannerisms. She does not overact and we just fall in love with her character. Genelia looks like a dream in chic skirts and is the life of the party and raises the bar of the film."  Following the success of Bommarillu, Genelia played the role of the daughter of a local don, in the Tamil gangster film Chennai Kadhal alongside Boys co-star Bharath. Rediff.com criticized her commenting, "Genelia stands up yet again to prove the point that if you are pretty and well dressed, you can get away with anything, without acting." Shortly afterwards in 2007, Genelia played the role of sister of a notorious gangster in the blockbuster Telugu movie Dhee, set against a gang war backdrop.  The following year, Genelia appeared in the 2008 Telugu romantic thriller Mr. Medhavi, in which she portrayed the role of a student from Canada. The movie was successful, with Rediff.com complimenting her performance saying, "Genelia is her effervescent self - full of joie-de-vivre and lights up the screen." She made her Kannada debut in Satya in Love the same year. Later, she was cast in a leading role in Santhosh Subramaniam, a Tamil remake of Bommarillu. The film also turned out to be rather successful as its predecessor. Sify described Genelia's portrayal as "the soul of the film" and the film's "biggest strength", however Rediff.com described her character as "appears a little too good to be true." CANNOTANSWER

Question: what was the turning point in the south indian films from 2006-2008?
Answer: The year 2006 marked a significant turning point in Genelia's career. She completed two Telugu movies in early 2006,
Genelia D'Souza

Context: The year 2006 marked a significant turning point in Genelia's career. She completed two Telugu movies in early 2006, one was the romantic comedy Happy, and the other was Raam. She then portrayed the role of Haasini, a vibrant, effervescent and a happy-go-lucky young girl, in the 2006 Telugu romantic film Bommarillu. The movie, a blockbuster at the box-office, grossed Rs250 million (US$3.8 million) in India, and also won the 2006 Golden Nandi award. Her character was well received, and garnered her the Telugu Filmfare Award for Best Actress, besides Nandi Special Jury Award and Santosham Award for Best Actress. Sify concluded about her acting in their review that, "The scene stealer is Genelia with her innocent looks and cute mannerisms. She does not overact and we just fall in love with her character. Genelia looks like a dream in chic skirts and is the life of the party and raises the bar of the film."  Following the success of Bommarillu, Genelia played the role of the daughter of a local don, in the Tamil gangster film Chennai Kadhal alongside Boys co-star Bharath. Rediff.com criticized her commenting, "Genelia stands up yet again to prove the point that if you are pretty and well dressed, you can get away with anything, without acting." Shortly afterwards in 2007, Genelia played the role of sister of a notorious gangster in the blockbuster Telugu movie Dhee, set against a gang war backdrop.  The following year, Genelia appeared in the 2008 Telugu romantic thriller Mr. Medhavi, in which she portrayed the role of a student from Canada. The movie was successful, with Rediff.com complimenting her performance saying, "Genelia is her effervescent self - full of joie-de-vivre and lights up the screen." She made her Kannada debut in Satya in Love the same year. Later, she was cast in a leading role in Santhosh Subramaniam, a Tamil remake of Bommarillu. The film also turned out to be rather successful as its predecessor. Sify described Genelia's portrayal as "the soul of the film" and the film's "biggest strength", however Rediff.com described her character as "appears a little too good to be true." CANNOTANSWER

Question: which movies was Genelia D'Souza in during 2006?
Answer: one was the romantic comedy Happy, and the other was Raam.
Genelia D'Souza

Context: The year 2006 marked a significant turning point in Genelia's career. She completed two Telugu movies in early 2006, one was the romantic comedy Happy, and the other was Raam. She then portrayed the role of Haasini, a vibrant, effervescent and a happy-go-lucky young girl, in the 2006 Telugu romantic film Bommarillu. The movie, a blockbuster at the box-office, grossed Rs250 million (US$3.8 million) in India, and also won the 2006 Golden Nandi award. Her character was well received, and garnered her the Telugu Filmfare Award for Best Actress, besides Nandi Special Jury Award and Santosham Award for Best Actress. Sify concluded about her acting in their review that, "The scene stealer is Genelia with her innocent looks and cute mannerisms. She does not overact and we just fall in love with her character. Genelia looks like a dream in chic skirts and is the life of the party and raises the bar of the film."  Following the success of Bommarillu, Genelia played the role of the daughter of a local don, in the Tamil gangster film Chennai Kadhal alongside Boys co-star Bharath. Rediff.com criticized her commenting, "Genelia stands up yet again to prove the point that if you are pretty and well dressed, you can get away with anything, without acting." Shortly afterwards in 2007, Genelia played the role of sister of a notorious gangster in the blockbuster Telugu movie Dhee, set against a gang war backdrop.  The following year, Genelia appeared in the 2008 Telugu romantic thriller Mr. Medhavi, in which she portrayed the role of a student from Canada. The movie was successful, with Rediff.com complimenting her performance saying, "Genelia is her effervescent self - full of joie-de-vivre and lights up the screen." She made her Kannada debut in Satya in Love the same year. Later, she was cast in a leading role in Santhosh Subramaniam, a Tamil remake of Bommarillu. The film also turned out to be rather successful as its predecessor. Sify described Genelia's portrayal as "the soul of the film" and the film's "biggest strength", however Rediff.com described her character as "appears a little too good to be true." CANNOTANSWER

Question: what other work did Genelia D'Souza do besides Happy and Raam?
Answer: She then portrayed the role of Haasini, a vibrant, effervescent and a happy-go-lucky young girl, in the 2006 Telugu romantic film Bommarillu.