gaussalgo/Canard_Wiki-augmented huggingface dataset:
Jane Roberts

Context: Seth's effect upon New Age thinkers has been profound. The title jacket of "The Nature of Personal Reality, A Seth Book," published in 1994 (Amber-Allen/New World Library), contains testimonials from some of the most notable thinkers and writers within the movement. Marianne Williamson, Deepak Chopra, Shakti Gawain, Dan Millman, Louise Hay, Richard Bach, and others express the effect the Seth Material had upon their own awakening. In words similar to Williamson's they state: "Seth was one of my first metaphysical teachers. He remains a constant source of knowledge and inspiration in my life." Catherine L. Albanese, professor of religious history at the University of Chicago, stated that in the 1970s the Seth Material "launched an era of nationwide awareness" of the channeling trend. She believes it contributed to the "self-identity of an emergent New Age movement and also augment[ed] its ranks."  John P. Newport, in his study of the impact of New Age beliefs on contemporary culture, described the central focus of the Seth material as the idea that, for each individual: "you create your own reality." (Briefly summarized, our beliefs generate emotions which trigger our memories and organize our associations. Eventually those beliefs become manifested in our physical lives and health.) Newport wrote that this foundational concept of the New Age movement was first developed in the "Seth Material." Historian Robert C. Fuller, a professor of religious studies at Bradley University, wrote that Seth filled the role of guide for what Fuller called "unchurched American spirituality," related to concepts of reincarnation, karma, free will, ancient metaphysical wisdom, and "Christ consciousness."  Some writers noted, "Husband Robert Butts stated that similarities exist between Seth's ideas and those of various religious, philosophical, and mystical doctrines from the Near, Middle, or Far East... and we've done a little reading on Buddhism, Hinduism, Zen, and Taoism, for example, not to mention subjects like shamanism, voodooism, and obeah."  The late amateur physicist Michael Talbot wrote, "To my great surprise--and slight annoyance--I found that Seth eloquently and lucidly articulated a view of reality that I had arrived at only after great effort and an extensive study of both paranormal phenomena and quantum physics." CANNOTANSWER

Question: What was dumb in Jane Roberts' Reception and influence?
Answer: stated that in the 1970s the Seth Material "launched an era of nationwide awareness"
Jane Roberts

Context: Seth's effect upon New Age thinkers has been profound. The title jacket of "The Nature of Personal Reality, A Seth Book," published in 1994 (Amber-Allen/New World Library), contains testimonials from some of the most notable thinkers and writers within the movement. Marianne Williamson, Deepak Chopra, Shakti Gawain, Dan Millman, Louise Hay, Richard Bach, and others express the effect the Seth Material had upon their own awakening. In words similar to Williamson's they state: "Seth was one of my first metaphysical teachers. He remains a constant source of knowledge and inspiration in my life." Catherine L. Albanese, professor of religious history at the University of Chicago, stated that in the 1970s the Seth Material "launched an era of nationwide awareness" of the channeling trend. She believes it contributed to the "self-identity of an emergent New Age movement and also augment[ed] its ranks."  John P. Newport, in his study of the impact of New Age beliefs on contemporary culture, described the central focus of the Seth material as the idea that, for each individual: "you create your own reality." (Briefly summarized, our beliefs generate emotions which trigger our memories and organize our associations. Eventually those beliefs become manifested in our physical lives and health.) Newport wrote that this foundational concept of the New Age movement was first developed in the "Seth Material." Historian Robert C. Fuller, a professor of religious studies at Bradley University, wrote that Seth filled the role of guide for what Fuller called "unchurched American spirituality," related to concepts of reincarnation, karma, free will, ancient metaphysical wisdom, and "Christ consciousness."  Some writers noted, "Husband Robert Butts stated that similarities exist between Seth's ideas and those of various religious, philosophical, and mystical doctrines from the Near, Middle, or Far East... and we've done a little reading on Buddhism, Hinduism, Zen, and Taoism, for example, not to mention subjects like shamanism, voodooism, and obeah."  The late amateur physicist Michael Talbot wrote, "To my great surprise--and slight annoyance--I found that Seth eloquently and lucidly articulated a view of reality that I had arrived at only after great effort and an extensive study of both paranormal phenomena and quantum physics." CANNOTANSWER

Question: What would Jane Roberts' Reception and influence lead followers to do?
Answer: University of Chicago, stated that in the 1970s the Seth Material "launched an era of nationwide awareness"
Jane Roberts

Context: Seth's effect upon New Age thinkers has been profound. The title jacket of "The Nature of Personal Reality, A Seth Book," published in 1994 (Amber-Allen/New World Library), contains testimonials from some of the most notable thinkers and writers within the movement. Marianne Williamson, Deepak Chopra, Shakti Gawain, Dan Millman, Louise Hay, Richard Bach, and others express the effect the Seth Material had upon their own awakening. In words similar to Williamson's they state: "Seth was one of my first metaphysical teachers. He remains a constant source of knowledge and inspiration in my life." Catherine L. Albanese, professor of religious history at the University of Chicago, stated that in the 1970s the Seth Material "launched an era of nationwide awareness" of the channeling trend. She believes it contributed to the "self-identity of an emergent New Age movement and also augment[ed] its ranks."  John P. Newport, in his study of the impact of New Age beliefs on contemporary culture, described the central focus of the Seth material as the idea that, for each individual: "you create your own reality." (Briefly summarized, our beliefs generate emotions which trigger our memories and organize our associations. Eventually those beliefs become manifested in our physical lives and health.) Newport wrote that this foundational concept of the New Age movement was first developed in the "Seth Material." Historian Robert C. Fuller, a professor of religious studies at Bradley University, wrote that Seth filled the role of guide for what Fuller called "unchurched American spirituality," related to concepts of reincarnation, karma, free will, ancient metaphysical wisdom, and "Christ consciousness."  Some writers noted, "Husband Robert Butts stated that similarities exist between Seth's ideas and those of various religious, philosophical, and mystical doctrines from the Near, Middle, or Far East... and we've done a little reading on Buddhism, Hinduism, Zen, and Taoism, for example, not to mention subjects like shamanism, voodooism, and obeah."  The late amateur physicist Michael Talbot wrote, "To my great surprise--and slight annoyance--I found that Seth eloquently and lucidly articulated a view of reality that I had arrived at only after great effort and an extensive study of both paranormal phenomena and quantum physics." CANNOTANSWER

Question: What was bad about Jane Roberts' Reception and influence?
Answer: She believes it contributed to the "self-identity of an emergent New Age movement and also augment[ed] its ranks."
Jane Roberts

Context: Seth's effect upon New Age thinkers has been profound. The title jacket of "The Nature of Personal Reality, A Seth Book," published in 1994 (Amber-Allen/New World Library), contains testimonials from some of the most notable thinkers and writers within the movement. Marianne Williamson, Deepak Chopra, Shakti Gawain, Dan Millman, Louise Hay, Richard Bach, and others express the effect the Seth Material had upon their own awakening. In words similar to Williamson's they state: "Seth was one of my first metaphysical teachers. He remains a constant source of knowledge and inspiration in my life." Catherine L. Albanese, professor of religious history at the University of Chicago, stated that in the 1970s the Seth Material "launched an era of nationwide awareness" of the channeling trend. She believes it contributed to the "self-identity of an emergent New Age movement and also augment[ed] its ranks."  John P. Newport, in his study of the impact of New Age beliefs on contemporary culture, described the central focus of the Seth material as the idea that, for each individual: "you create your own reality." (Briefly summarized, our beliefs generate emotions which trigger our memories and organize our associations. Eventually those beliefs become manifested in our physical lives and health.) Newport wrote that this foundational concept of the New Age movement was first developed in the "Seth Material." Historian Robert C. Fuller, a professor of religious studies at Bradley University, wrote that Seth filled the role of guide for what Fuller called "unchurched American spirituality," related to concepts of reincarnation, karma, free will, ancient metaphysical wisdom, and "Christ consciousness."  Some writers noted, "Husband Robert Butts stated that similarities exist between Seth's ideas and those of various religious, philosophical, and mystical doctrines from the Near, Middle, or Far East... and we've done a little reading on Buddhism, Hinduism, Zen, and Taoism, for example, not to mention subjects like shamanism, voodooism, and obeah."  The late amateur physicist Michael Talbot wrote, "To my great surprise--and slight annoyance--I found that Seth eloquently and lucidly articulated a view of reality that I had arrived at only after great effort and an extensive study of both paranormal phenomena and quantum physics." CANNOTANSWER

Question: What did Jane Roberts' Reception and influence do to the readers?
Answer: you create your own reality." (Briefly summarized, our beliefs generate emotions which trigger our memories and organize our associations.
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: Was Bushido considered a misogynist or homophobic?
Answer: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying.
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: Did the misogyny and homophobia make Bushido any less popular?
Answer: CANNOTANSWER
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: Was there any particular album by Bushido that provoked discussion the most?
Answer: "Nutte Bounce", from his demo album King of KingZ (2001),
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: Were there any protests about Bushido's albums or anything like protests?
Answer: During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: What did Bushido do to the homosexual protesters?
Answer: saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: How did other fans of Bushido react to Bushido threatening the homosexuals?
Answer: CANNOTANSWER
Bushido (rapper)

Context: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic:  In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye."  On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following:  In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy.  In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel. CANNOTANSWER

Question: Did Bushido lose any fans over his misogynist and homophobic views?
Answer: CANNOTANSWER
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: What tv station aired the show, "ThatWasTheWeekThatWas?"
Answer: An American version was on NBC, initially as a pilot episode
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: Who starred in the show "ThatWasTheWeekThatWas?"
Answer: The pilot featured Henry Fonda and Henry Morgan,
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: What actors were on the series "ThatWasTheWeekThatWas?"
Answer: The recurring cast included Frost, Morgan, Buck Henry and Alan Alda,
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: Were there any other well known actors in the cast of "ThatWasTheWeekThatWas? other than Buck Henry and Alan Alda??
Answer: regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin.
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: what happened in 1985 to "ThatWasTheWeekThatWas?"
Answer: On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special,
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: Was the 1985 special showing of "ThatWasTheWeekThatWas?" a success?
Answer: CANNOTANSWER
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: Are there any other interesting aspects about "ThatWasTheWeekThatWas" besides the 1985 special?
Answer: The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector.
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: Was the American version of "ThatWasTheWeekThatWas" cancelled?
Answer: After the series' cancellation, Lehrer recorded a collection of his songs used on the show,
That Was the Week That Was

Context: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour."  The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965.  In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination.  On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.  Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal. CANNOTANSWER

Question: Was the US version of "ThatWasTheWeekThatWas?" the most successful?
Answer: CANNOTANSWER