gaussalgo/Canard_Wiki-augmented huggingface dataset:
Dražen Petrović

Context: Petrovic's national team debut came at the age of 15, at the Under-18 Balkan Championship in Turkey, where the Yugoslavian junior team won the bronze. The young man regularly played for the Yugoslavian national team in the Balkan Championships, also winning gold with the junior team and silver with the senior team. He also brought back the silver from the 1982 FIBA Europe Under-18 Championship in Bulgaria.  The 1984 Summer Olympics were Petrovic's first competition of a grand scale with the Yugoslav senior national team, and the bronze medal won in Los Angeles that summer became his first Olympic medal. Third place was also earned at the 1986 FIBA World Championship, remembered for the last minute thriller in the semi-final game against the Soviet Union. At the 1987 EuroBasket, Petrovic again returned with bronze, as Yugoslavia lost to the hosts and gold medalists Greece. The University Games, held in Zagreb in 1987, saw the Yugoslavian squad with Petrovic win the gold. In the 1988 Summer Olympics, Yugoslavia with Petrovic, earned 2nd place, as they lost once more to the Soviet powerhouse.  An excellent club season with Real Madrid was topped by Petrovic's 1989 accomplishment with the Yugoslav national team: at the EuroBasket in Zagreb, the young Yugoslavian team went all the way, defeating Greece more than comfortably in the championship game. Petrovic was the tournament's second leading scorer and most valuable player. The very next year, the summer in between the two most frustrating seasons of his professional career, as he struggled for playing time with the Trail Blazers, Petrovic was again making history with the national team, as Yugoslavia became world champions, after beating the Soviet Union for the gold in Buenos Aires, at the 1990 FIBA World Championship. CANNOTANSWER

Question: When did Dražen Petrović leave his team?
Answer: CANNOTANSWER
ZZ Top

Context: The original line-up was formed in Houston and consisted of Gibbons, organist Lanier Greig (died February 2013) and drummer Dan Mitchell.  The name of the band was Gibbons' idea. The band had a little apartment covered with concert posters and he noticed that many performers' names utilized initials. Gibbons particularly noticed B.B. King and Z.Z. Hill and thought of combining the two into "ZZ King", but considered it too similar to the original name. He then figured that "king is going at the top" which brought him to "ZZ Top".  ZZ Top was managed by Bill Ham, a Waxahachie, Texas native who had befriended Gibbons a year earlier. They released their first single, "Salt Lick", in 1969, and the B-side contained the song "Miller's Farm". Both songs were credited to Gibbons. Immediately after the recording of "Salt Lick", Greig was replaced by bassist Billy Ethridge, a band-mate of Stevie Ray Vaughan, and Mitchell was replaced by Frank Beard of the American Blues. Due to lack of interest from U.S. record companies, ZZ Top accepted a record deal from London Records. Unwilling to sign a recording contract, Ethridge quit the band and Dusty Hill was selected as his replacement. After Hill moved from Dallas to Houston, ZZ Top signed with London in 1970. They performed their first concert together at the Knights of Columbus Hall in Beaumont on February 10.  In addition to assuming the role as the band's leader, Gibbons became the main lyricist and musical arranger. With the assistance of Ham and engineer Robin Hood Brians, ZZ Top's First Album (1971) was released and exhibited the band's humour, with "barrelhouse" rhythms, distorted guitars, double entendres, and innuendo. The music and songs reflected ZZ Top's blues influences. Following their debut album, the band released Rio Grande Mud (1972), which failed commercially and the promotional tour consisted of mostly empty auditoriums. CANNOTANSWER

Question: When was ZZ Top formed?
Answer: The original line-up was formed in Houston and consisted of Gibbons, organist Lanier Greig (died February 2013) and drummer Dan Mitchell.
ZZ Top

Context: The original line-up was formed in Houston and consisted of Gibbons, organist Lanier Greig (died February 2013) and drummer Dan Mitchell.  The name of the band was Gibbons' idea. The band had a little apartment covered with concert posters and he noticed that many performers' names utilized initials. Gibbons particularly noticed B.B. King and Z.Z. Hill and thought of combining the two into "ZZ King", but considered it too similar to the original name. He then figured that "king is going at the top" which brought him to "ZZ Top".  ZZ Top was managed by Bill Ham, a Waxahachie, Texas native who had befriended Gibbons a year earlier. They released their first single, "Salt Lick", in 1969, and the B-side contained the song "Miller's Farm". Both songs were credited to Gibbons. Immediately after the recording of "Salt Lick", Greig was replaced by bassist Billy Ethridge, a band-mate of Stevie Ray Vaughan, and Mitchell was replaced by Frank Beard of the American Blues. Due to lack of interest from U.S. record companies, ZZ Top accepted a record deal from London Records. Unwilling to sign a recording contract, Ethridge quit the band and Dusty Hill was selected as his replacement. After Hill moved from Dallas to Houston, ZZ Top signed with London in 1970. They performed their first concert together at the Knights of Columbus Hall in Beaumont on February 10.  In addition to assuming the role as the band's leader, Gibbons became the main lyricist and musical arranger. With the assistance of Ham and engineer Robin Hood Brians, ZZ Top's First Album (1971) was released and exhibited the band's humour, with "barrelhouse" rhythms, distorted guitars, double entendres, and innuendo. The music and songs reflected ZZ Top's blues influences. Following their debut album, the band released Rio Grande Mud (1972), which failed commercially and the promotional tour consisted of mostly empty auditoriums. CANNOTANSWER

Question: What ZZ Top band members changed later on?
Answer: ", Greig was replaced by bassist Billy Ethridge,
ZZ Top

Context: The original line-up was formed in Houston and consisted of Gibbons, organist Lanier Greig (died February 2013) and drummer Dan Mitchell.  The name of the band was Gibbons' idea. The band had a little apartment covered with concert posters and he noticed that many performers' names utilized initials. Gibbons particularly noticed B.B. King and Z.Z. Hill and thought of combining the two into "ZZ King", but considered it too similar to the original name. He then figured that "king is going at the top" which brought him to "ZZ Top".  ZZ Top was managed by Bill Ham, a Waxahachie, Texas native who had befriended Gibbons a year earlier. They released their first single, "Salt Lick", in 1969, and the B-side contained the song "Miller's Farm". Both songs were credited to Gibbons. Immediately after the recording of "Salt Lick", Greig was replaced by bassist Billy Ethridge, a band-mate of Stevie Ray Vaughan, and Mitchell was replaced by Frank Beard of the American Blues. Due to lack of interest from U.S. record companies, ZZ Top accepted a record deal from London Records. Unwilling to sign a recording contract, Ethridge quit the band and Dusty Hill was selected as his replacement. After Hill moved from Dallas to Houston, ZZ Top signed with London in 1970. They performed their first concert together at the Knights of Columbus Hall in Beaumont on February 10.  In addition to assuming the role as the band's leader, Gibbons became the main lyricist and musical arranger. With the assistance of Ham and engineer Robin Hood Brians, ZZ Top's First Album (1971) was released and exhibited the band's humour, with "barrelhouse" rhythms, distorted guitars, double entendres, and innuendo. The music and songs reflected ZZ Top's blues influences. Following their debut album, the band released Rio Grande Mud (1972), which failed commercially and the promotional tour consisted of mostly empty auditoriums. CANNOTANSWER

Question: What music did ZZ Top release after Lanier Greig was replaced by Billy Ethridge?
Answer: Salt Lick
ZZ Top

Context: The original line-up was formed in Houston and consisted of Gibbons, organist Lanier Greig (died February 2013) and drummer Dan Mitchell.  The name of the band was Gibbons' idea. The band had a little apartment covered with concert posters and he noticed that many performers' names utilized initials. Gibbons particularly noticed B.B. King and Z.Z. Hill and thought of combining the two into "ZZ King", but considered it too similar to the original name. He then figured that "king is going at the top" which brought him to "ZZ Top".  ZZ Top was managed by Bill Ham, a Waxahachie, Texas native who had befriended Gibbons a year earlier. They released their first single, "Salt Lick", in 1969, and the B-side contained the song "Miller's Farm". Both songs were credited to Gibbons. Immediately after the recording of "Salt Lick", Greig was replaced by bassist Billy Ethridge, a band-mate of Stevie Ray Vaughan, and Mitchell was replaced by Frank Beard of the American Blues. Due to lack of interest from U.S. record companies, ZZ Top accepted a record deal from London Records. Unwilling to sign a recording contract, Ethridge quit the band and Dusty Hill was selected as his replacement. After Hill moved from Dallas to Houston, ZZ Top signed with London in 1970. They performed their first concert together at the Knights of Columbus Hall in Beaumont on February 10.  In addition to assuming the role as the band's leader, Gibbons became the main lyricist and musical arranger. With the assistance of Ham and engineer Robin Hood Brians, ZZ Top's First Album (1971) was released and exhibited the band's humour, with "barrelhouse" rhythms, distorted guitars, double entendres, and innuendo. The music and songs reflected ZZ Top's blues influences. Following their debut album, the band released Rio Grande Mud (1972), which failed commercially and the promotional tour consisted of mostly empty auditoriums. CANNOTANSWER

Question: When was the ZZ Top album Salt Lick released?
Answer: CANNOTANSWER
ZZ Top

Context: The original line-up was formed in Houston and consisted of Gibbons, organist Lanier Greig (died February 2013) and drummer Dan Mitchell.  The name of the band was Gibbons' idea. The band had a little apartment covered with concert posters and he noticed that many performers' names utilized initials. Gibbons particularly noticed B.B. King and Z.Z. Hill and thought of combining the two into "ZZ King", but considered it too similar to the original name. He then figured that "king is going at the top" which brought him to "ZZ Top".  ZZ Top was managed by Bill Ham, a Waxahachie, Texas native who had befriended Gibbons a year earlier. They released their first single, "Salt Lick", in 1969, and the B-side contained the song "Miller's Farm". Both songs were credited to Gibbons. Immediately after the recording of "Salt Lick", Greig was replaced by bassist Billy Ethridge, a band-mate of Stevie Ray Vaughan, and Mitchell was replaced by Frank Beard of the American Blues. Due to lack of interest from U.S. record companies, ZZ Top accepted a record deal from London Records. Unwilling to sign a recording contract, Ethridge quit the band and Dusty Hill was selected as his replacement. After Hill moved from Dallas to Houston, ZZ Top signed with London in 1970. They performed their first concert together at the Knights of Columbus Hall in Beaumont on February 10.  In addition to assuming the role as the band's leader, Gibbons became the main lyricist and musical arranger. With the assistance of Ham and engineer Robin Hood Brians, ZZ Top's First Album (1971) was released and exhibited the band's humour, with "barrelhouse" rhythms, distorted guitars, double entendres, and innuendo. The music and songs reflected ZZ Top's blues influences. Following their debut album, the band released Rio Grande Mud (1972), which failed commercially and the promotional tour consisted of mostly empty auditoriums. CANNOTANSWER

Question: Was the ZZ Top album Salt Lick successful?
Answer: CANNOTANSWER
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: Did the Beatles play in the US in 1964?
Answer: During the 1964 US tour,
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: What city(s) did Beatles play in 1964?
Answer: Gator Bowl in Jacksonville, Florida
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: Was the show Gator Bowl a success?
Answer: CANNOTANSWER
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: Where else did Beatles  play in 1964 besides Gator Bowl in Jacksonville?
Answer: CANNOTANSWER
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: When did Beatles meed Bob Dylan?
Answer: In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan.
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: Where was the meeting between Beatles and Bob Dylan?
Answer: Visiting the band in their New York hotel suite,
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: What happened at the meeting between Beatles and Bob Dylan at?
Answer: Dylan introduced them to cannabis.
The Beatles

Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.  In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.  During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated. CANNOTANSWER

Question: What New York hotel was the meeting between Beatles and Bob Dylan at ?
Answer: CANNOTANSWER
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: What is one of the intenational records that Figo holds?
Answer: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired.
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: What is one of his biggest achievements that makes Figo a legend?
Answer: The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: When did Figo retire?
Answer: On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title,
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: What country did Figo play for?
Answer: Italy.
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: What country was Figo playing for at the time of his retirement?
Answer: Portuguese
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: Does Figo still hold the record for the most appearances with the Portugal national team?
Answer: CANNOTANSWER
Luís Figo

Context: Figo left Real Madrid to join Italian club Internazionale in the middle of 2005 on a free transfer after his contract with Madrid had expired. This meant that Figo would finally be able to play for a club in Italy, something he had the chance to do before his move to Barcelona, but was scuppered due to a dispute between the two clubs interested, Juventus and Parma. During the middle of 2008, Figo's compatriot Jose Mourinho joined Inter on a managerial level. This has been said to please Figo, as he would have several Portuguese teammates during the remainder of his stay at Inter.  On 16 May 2009, Figo announced his retirement from football, the same day Inter won the 2008-09 title, and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro. At Javier Zanetti's insistence, Figo captained the side for his very last match. He received a standing ovation from the crowd as he was substituted by Davide Santon. The free-kick he scored in extra time against Roma during the Supercoppa Italiana was his most memorable moment in Italy.  Figo said, "I am leaving football, not Inter." He was interviewed by Inter Channel after his last game against Atalanta and also said, "I hope to be able to help this club to become even greater also after my retirement. I will certainly work for Inter in the future in the club board. I never imagined that I was going to remain here for such a long time. What I will never forget is the love that I have received since my first day here from my teammates and president Massimo Moratti. I will never forget it; Inter have given me the chance to start a winning cycle with some extraordinary people." Figo was on the sidelines when Inter won the 2009-10 UEFA Champions League on 22 May 2010. CANNOTANSWER

Question: How many caps did Figo end his international career with?
Answer: and re-confirmed this on 30 May; his final game was on 31 May against Atalanta at the San Siro.