gaussalgo/Canard_Wiki-augmented huggingface dataset:
Myles Kennedy

Context: In 1995, Kennedy started teaching guitar in a store called Rock City Music. By August 1996, he became the lead vocalist and lead guitarist of The Mayfield Four, a rock band he formed with his childhood friends Zia Uddin, Marty Meisner, and Craig Johnson (also of Citizen Swing). They signed a contract with Epic Records thanks to a critically acclaimed demo called Thirty Two Point Five Hours that the band recorded in 1996, followed by a live extended play called Motion in 1997. The Mayfield Four's debut album, Fallout, was supported with a fifteen-month tour with bands such as Creed, Big Wreck, and Stabbing Westward. The album was praised by critics, but it failed to chart, and ultimately became the only album by the band to feature rhythm guitarist Craig Johnson, who was fired from the band due to undisclosed reasons.  Following the Fallout tour, Kennedy made an appearance in the 2001 drama film Rock Star starring Mark Wahlberg and Jennifer Aniston. He said that he got a call from his manager telling him that the filmmakers needed someone who could sing high and that his name was suggested. On the set of the film, he met Wahlberg along with Zakk Wylde and Jason Bonham, who also appeared in the movie alongside several other notable musicians. Kennedy was the only actor in the movie whose actual singing voice was used. In the movie, directly paralleling a scene at the beginning of the film, Kennedy's character (Mike, also known as "Thor") is noticed by Wahlberg's character, Chris "Izzy" Cole, the lead singer of Thor's favorite band, Steel Dragon. Izzy pulls Thor onstage and sings the rest of the song with him, eventually telling him to finish the rest of the band's concert. The film was met with mostly mixed reviews, garnering a 52% "Rotten" score on Rotten Tomatoes.  The Mayfield Four's second and final album, Second Skin, was released in June 2001. Kennedy has since said that it is one of the most personal records he has made. The album has been critically acclaimed and Kennedy has commented on how it and Fallout are much more popular now than when they were released.  Though popular, The Mayfield Four never garnered enough exposure to break into the mainstream. In 2002, the future of the band began to look unlikely, and Kennedy began recording new music, which he described as "Daniel Lanois meets Massive Attack." The band went on hiatus that year, and would ultimately disband. In an interview with Pulse Weekly in 2004, Kennedy said that it was because he was "burned out with the whole rock industry at that point." However, three previously unreleased songs appeared on a fan-run Myspace page dedicated to and approved by The Mayfield Four in early 2010, causing rumors of a possible reunion to begin circulating. However, when asked about this during an interview, Kennedy replied that he does not see it happening. CANNOTANSWER

Question: Did the Mayfield Four produce any albums?
Answer: The Mayfield Four's debut album, Fallout, was supported with a fifteen-month tour with bands such as Creed, Big Wreck, and Stabbing Westward.
Myles Kennedy

Context: In 1995, Kennedy started teaching guitar in a store called Rock City Music. By August 1996, he became the lead vocalist and lead guitarist of The Mayfield Four, a rock band he formed with his childhood friends Zia Uddin, Marty Meisner, and Craig Johnson (also of Citizen Swing). They signed a contract with Epic Records thanks to a critically acclaimed demo called Thirty Two Point Five Hours that the band recorded in 1996, followed by a live extended play called Motion in 1997. The Mayfield Four's debut album, Fallout, was supported with a fifteen-month tour with bands such as Creed, Big Wreck, and Stabbing Westward. The album was praised by critics, but it failed to chart, and ultimately became the only album by the band to feature rhythm guitarist Craig Johnson, who was fired from the band due to undisclosed reasons.  Following the Fallout tour, Kennedy made an appearance in the 2001 drama film Rock Star starring Mark Wahlberg and Jennifer Aniston. He said that he got a call from his manager telling him that the filmmakers needed someone who could sing high and that his name was suggested. On the set of the film, he met Wahlberg along with Zakk Wylde and Jason Bonham, who also appeared in the movie alongside several other notable musicians. Kennedy was the only actor in the movie whose actual singing voice was used. In the movie, directly paralleling a scene at the beginning of the film, Kennedy's character (Mike, also known as "Thor") is noticed by Wahlberg's character, Chris "Izzy" Cole, the lead singer of Thor's favorite band, Steel Dragon. Izzy pulls Thor onstage and sings the rest of the song with him, eventually telling him to finish the rest of the band's concert. The film was met with mostly mixed reviews, garnering a 52% "Rotten" score on Rotten Tomatoes.  The Mayfield Four's second and final album, Second Skin, was released in June 2001. Kennedy has since said that it is one of the most personal records he has made. The album has been critically acclaimed and Kennedy has commented on how it and Fallout are much more popular now than when they were released.  Though popular, The Mayfield Four never garnered enough exposure to break into the mainstream. In 2002, the future of the band began to look unlikely, and Kennedy began recording new music, which he described as "Daniel Lanois meets Massive Attack." The band went on hiatus that year, and would ultimately disband. In an interview with Pulse Weekly in 2004, Kennedy said that it was because he was "burned out with the whole rock industry at that point." However, three previously unreleased songs appeared on a fan-run Myspace page dedicated to and approved by The Mayfield Four in early 2010, causing rumors of a possible reunion to begin circulating. However, when asked about this during an interview, Kennedy replied that he does not see it happening. CANNOTANSWER

Question: Did the album Fallout by The Mayfield Four do well?
Answer: The album was praised by critics, but it failed to chart, and ultimately became the only album by the band to feature rhythm guitarist Craig Johnson,
Myles Kennedy

Context: In 1995, Kennedy started teaching guitar in a store called Rock City Music. By August 1996, he became the lead vocalist and lead guitarist of The Mayfield Four, a rock band he formed with his childhood friends Zia Uddin, Marty Meisner, and Craig Johnson (also of Citizen Swing). They signed a contract with Epic Records thanks to a critically acclaimed demo called Thirty Two Point Five Hours that the band recorded in 1996, followed by a live extended play called Motion in 1997. The Mayfield Four's debut album, Fallout, was supported with a fifteen-month tour with bands such as Creed, Big Wreck, and Stabbing Westward. The album was praised by critics, but it failed to chart, and ultimately became the only album by the band to feature rhythm guitarist Craig Johnson, who was fired from the band due to undisclosed reasons.  Following the Fallout tour, Kennedy made an appearance in the 2001 drama film Rock Star starring Mark Wahlberg and Jennifer Aniston. He said that he got a call from his manager telling him that the filmmakers needed someone who could sing high and that his name was suggested. On the set of the film, he met Wahlberg along with Zakk Wylde and Jason Bonham, who also appeared in the movie alongside several other notable musicians. Kennedy was the only actor in the movie whose actual singing voice was used. In the movie, directly paralleling a scene at the beginning of the film, Kennedy's character (Mike, also known as "Thor") is noticed by Wahlberg's character, Chris "Izzy" Cole, the lead singer of Thor's favorite band, Steel Dragon. Izzy pulls Thor onstage and sings the rest of the song with him, eventually telling him to finish the rest of the band's concert. The film was met with mostly mixed reviews, garnering a 52% "Rotten" score on Rotten Tomatoes.  The Mayfield Four's second and final album, Second Skin, was released in June 2001. Kennedy has since said that it is one of the most personal records he has made. The album has been critically acclaimed and Kennedy has commented on how it and Fallout are much more popular now than when they were released.  Though popular, The Mayfield Four never garnered enough exposure to break into the mainstream. In 2002, the future of the band began to look unlikely, and Kennedy began recording new music, which he described as "Daniel Lanois meets Massive Attack." The band went on hiatus that year, and would ultimately disband. In an interview with Pulse Weekly in 2004, Kennedy said that it was because he was "burned out with the whole rock industry at that point." However, three previously unreleased songs appeared on a fan-run Myspace page dedicated to and approved by The Mayfield Four in early 2010, causing rumors of a possible reunion to begin circulating. However, when asked about this during an interview, Kennedy replied that he does not see it happening. CANNOTANSWER

Question: Why did the album Fallout feature Craig Johnson?
Answer: who was fired from the band due to undisclosed reasons.
Lillian Moller Gilbreth

Context: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. CANNOTANSWER

Question: When was Lillian Moller Gilbreth born?
Answer: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878,
Lillian Moller Gilbreth

Context: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. CANNOTANSWER

Question: Did Lillian Moller Gilbreth have any siblings?
Answer: She was the second of the family's eleven children.
Lillian Moller Gilbreth

Context: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. CANNOTANSWER

Question: Who were Lillian Moller Gilbreth parents?
Answer: Annie (Delger) and William Moller, a builder's supply merchant.
Lillian Moller Gilbreth

Context: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. CANNOTANSWER

Question: Where Lillian Moller Gilbreth was born?
Answer: Oakland, California,
Lillian Moller Gilbreth

Context: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. CANNOTANSWER

Question: Was Lillian Moller Gilbreth college educated?
Answer: continued her education at the University of California, Berkeley,
Lillian Moller Gilbreth

Context: Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie (Delger) and William Moller, a builder's supply merchant. She was the second of the family's eleven children. Both of her wealthy parents were of German descent. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896.  Moller, who changed her name to Lillian during college, continued her education at the University of California, Berkeley, commuting by streetcar from her parents' Oakland home. She graduated from the university in 1900, earning a teaching certificate and a bachelor's degree in English literature, and was the school's first female commencement speaker at the university.  Moller enrolled at Columbia University, intending to pursue a master's degree in literature and to study with Brander Matthews, a well-known writer and educator, but soon realized he did not allow women to study with him or attend his lectures. Following her exposure to Edward Thorndike's psychology courses, she turned to Thorndike and the study of psychology because he did accept female students. After Moller became ill and returned home, she completed a master's degree in literature at the University of California, Berkeley, in 1902. The topic of her thesis was Ben Jonson's play Bartholomew Fair.  Moller began studies for a Ph.D. at the University of California, but took time off to travel in Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914.  After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which mader her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. CANNOTANSWER

Question: What year did Lillian Moller Gilbreth graduate?
Answer: She graduated from the university in 1900,
Wasim Akram

Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting. CANNOTANSWER

Question: What was Wasim Akram's legacy?
Answer: His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings,
Wasim Akram

Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting. CANNOTANSWER

Question: What happened during some of Wasim Akram's bowling innings?
Answer: earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.
Wasim Akram

Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting. CANNOTANSWER

Question: Did Wasim Akram have a huge following?
Answer: CANNOTANSWER
Wasim Akram

Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting. CANNOTANSWER

Question: Was Wasim Akram popular among a lot of people?
Answer: known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.
Wasim Akram

Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting. CANNOTANSWER

Question: Besides the mastery of reverse swing with the cricket ball, what are some other important things regarding Wasim Akram's legacy?
Answer: December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "
Wasim Akram

Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis.  As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket.  With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup.  In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting. CANNOTANSWER

Question: What happened during the times Wasim Akram was faced with the toughest bowlers?
Answer: you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting.
Charles Dickens

Context: Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare. Dickensian characters are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Sydney Carton, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, and Uriah Heep are so well known as to be part and parcel of British culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser - or someone who dislikes Christmas festivity.  His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character Mrs Gamp, and "Pickwickian", "Pecksniffian", and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively, quixotic, hypocritical, and vapidly factual. Many were drawn from real life: Mrs Nickleby is based on his mother, though she didn't recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance': Harold Skimpole in Bleak House is based on James Henry Leigh Hunt: his wife's dwarfish chiropodist recognised herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep.  Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks". One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work. CANNOTANSWER

Question: What are some of Charles Dickens' characters?
Answer: The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham,
Charles Dickens

Context: Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare. Dickensian characters are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Sydney Carton, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, and Uriah Heep are so well known as to be part and parcel of British culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser - or someone who dislikes Christmas festivity.  His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character Mrs Gamp, and "Pickwickian", "Pecksniffian", and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively, quixotic, hypocritical, and vapidly factual. Many were drawn from real life: Mrs Nickleby is based on his mother, though she didn't recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance': Harold Skimpole in Bleak House is based on James Henry Leigh Hunt: his wife's dwarfish chiropodist recognised herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep.  Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks". One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work. CANNOTANSWER

Question: What was Ebenezer Scrooge like?
Answer: a scrooge, for example, is a miser - or someone who dislikes Christmas festivity.
Charles Dickens

Context: Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare. Dickensian characters are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Sydney Carton, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, and Uriah Heep are so well known as to be part and parcel of British culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser - or someone who dislikes Christmas festivity.  His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character Mrs Gamp, and "Pickwickian", "Pecksniffian", and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively, quixotic, hypocritical, and vapidly factual. Many were drawn from real life: Mrs Nickleby is based on his mother, though she didn't recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance': Harold Skimpole in Bleak House is based on James Henry Leigh Hunt: his wife's dwarfish chiropodist recognised herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep.  Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks". One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work. CANNOTANSWER

Question: What book was Charles Dickens from?
Answer: CANNOTANSWER
Charles Dickens

Context: Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare. Dickensian characters are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Sydney Carton, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, and Uriah Heep are so well known as to be part and parcel of British culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser - or someone who dislikes Christmas festivity.  His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character Mrs Gamp, and "Pickwickian", "Pecksniffian", and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively, quixotic, hypocritical, and vapidly factual. Many were drawn from real life: Mrs Nickleby is based on his mother, though she didn't recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance': Harold Skimpole in Bleak House is based on James Henry Leigh Hunt: his wife's dwarfish chiropodist recognised herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep.  Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks". One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work. CANNOTANSWER

Question: What was Oliver Twist like?
Answer: CANNOTANSWER