gaussalgo/Canard_Wiki-augmented huggingface dataset:
Usher (musician)

Context: Usher developed a friendship with American record producer, Jermaine Dupri, with whom he co-wrote and produced several tracks for his second album, My Way, released on September 16, 1997. The album's lead single, "You Make Me Wanna...", reached number one in the United Kingdom, becoming Usher's first record to be top single; the record led to his popularity reaching in the country. It also became Usher's first gold- and platinum-certified single in the United States. The album's second single, "Nice & Slow", peaked in January 1998 at number one on the Billboard Hot 100, giving Usher his first US number-one single. In February of the same year, the single was certified platinum by the RIAA. My Way has been certified six-time platinum in the United States.  "You Make Me Wanna..." won the Best Male R&B/Soul Single at the 1999 Soul Train Music Awards. In the closing months of 1997, Usher embarked on a series of tour engagements including a spot on Puffy's No Way Out tour, dates with Mary J. Blige, and the opening spot on Janet Jackson's The Velvet Rope Tour. Usher's first concert album, Live, was released in 1999, which featured appearances by Lil' Kim, Jagged Edge, Trey Lorenz, Shanice, Twista and Manuel Seal; the album has been certified gold in the United States.  Usher made his acting debut on the UPN television series Moesha, which resulted in a recurring role on the series and subsequently his first film role in 1998's The Faculty. Usher's extracurricular activities outside of the recording industry gathered momentum over the following year as he was cast in the soap opera, The Bold and the Beautiful. He completed two more films, She's All That, and his first starring role in Light It Up. He also appeared in the Disney TV movie Geppetto.  Usher's third studio album, originally titled All About U, was slated to be released in early 2001. The first single, "Pop Ya Collar", was released in late 2000 and became a number two hit in the UK but underperformed in the United States. The album was subsequently pushed back and retooled after select tracks were later leaked to the radio and Internet. After having revised and renamed to 8701, the album was released August 7, 2001 (8.7.01). The first two singles "U Remind Me" and "U Got It Bad" each topped the Billboard Hot 100 for four and six weeks, respectively. 8701 has been certified four-time platinum in the United States.  Usher appeared in the 2001 film Texas Rangers. In February 2002, Usher won a Grammy for Best Male R&B Vocal Performance for "U Remind Me". The next year, he won the same award for "U Don't Have to Call", making Usher the only artist aside from Luther Vandross and Stevie Wonder to win this award consecutively. In summer 2002, Usher contributed vocals to P. Diddy's "I Need a Girl, Part I". The year closed out with a trio of TV series appearances, all in November, on The Twilight Zone, 7th Heaven, Moesha, and American Dreams, the latter in which Usher portrayed Marvin Gaye. CANNOTANSWER

Question: How did Usher do as an actor?
Answer: he was cast in the soap opera, The Bold and the Beautiful.
Usher (musician)

Context: Usher developed a friendship with American record producer, Jermaine Dupri, with whom he co-wrote and produced several tracks for his second album, My Way, released on September 16, 1997. The album's lead single, "You Make Me Wanna...", reached number one in the United Kingdom, becoming Usher's first record to be top single; the record led to his popularity reaching in the country. It also became Usher's first gold- and platinum-certified single in the United States. The album's second single, "Nice & Slow", peaked in January 1998 at number one on the Billboard Hot 100, giving Usher his first US number-one single. In February of the same year, the single was certified platinum by the RIAA. My Way has been certified six-time platinum in the United States.  "You Make Me Wanna..." won the Best Male R&B/Soul Single at the 1999 Soul Train Music Awards. In the closing months of 1997, Usher embarked on a series of tour engagements including a spot on Puffy's No Way Out tour, dates with Mary J. Blige, and the opening spot on Janet Jackson's The Velvet Rope Tour. Usher's first concert album, Live, was released in 1999, which featured appearances by Lil' Kim, Jagged Edge, Trey Lorenz, Shanice, Twista and Manuel Seal; the album has been certified gold in the United States.  Usher made his acting debut on the UPN television series Moesha, which resulted in a recurring role on the series and subsequently his first film role in 1998's The Faculty. Usher's extracurricular activities outside of the recording industry gathered momentum over the following year as he was cast in the soap opera, The Bold and the Beautiful. He completed two more films, She's All That, and his first starring role in Light It Up. He also appeared in the Disney TV movie Geppetto.  Usher's third studio album, originally titled All About U, was slated to be released in early 2001. The first single, "Pop Ya Collar", was released in late 2000 and became a number two hit in the UK but underperformed in the United States. The album was subsequently pushed back and retooled after select tracks were later leaked to the radio and Internet. After having revised and renamed to 8701, the album was released August 7, 2001 (8.7.01). The first two singles "U Remind Me" and "U Got It Bad" each topped the Billboard Hot 100 for four and six weeks, respectively. 8701 has been certified four-time platinum in the United States.  Usher appeared in the 2001 film Texas Rangers. In February 2002, Usher won a Grammy for Best Male R&B Vocal Performance for "U Remind Me". The next year, he won the same award for "U Don't Have to Call", making Usher the only artist aside from Luther Vandross and Stevie Wonder to win this award consecutively. In summer 2002, Usher contributed vocals to P. Diddy's "I Need a Girl, Part I". The year closed out with a trio of TV series appearances, all in November, on The Twilight Zone, 7th Heaven, Moesha, and American Dreams, the latter in which Usher portrayed Marvin Gaye. CANNOTANSWER

Question: How long did Usher work on the Bold and Beautiful?
Answer: CANNOTANSWER
Criss Angel

Context: Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are." CANNOTANSWER

Question: When did Criss Angel's career start?
Answer: His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets.
Criss Angel

Context: Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are." CANNOTANSWER

Question: What did Criss Angel do in his early career?
Answer: Angel also starred in the 1997 television movie The Science of Magic
Criss Angel

Context: Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are." CANNOTANSWER

Question: Did Criss Angel work with anyone?
Answer: In 1995, Barker asked Angel to work with him on his film Lord of Illusions.
Criss Angel

Context: Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are." CANNOTANSWER

Question: Did Criss Angel agree to work with Barker on his film Lord of Illusions?
Answer: Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough."
Criss Angel

Context: Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are." CANNOTANSWER

Question: What else is notable about Criss Angel's early days besides starring in The Science of Magic?
Answer: His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water.
Criss Angel

Context: Angel has said that, "I stayed away from magicians when I was younger because I didn't want to think like them and wanted to create my own style." His first television appearance was in 1994, where he performed as a part of a one-hour ABC primetime special entitled Secrets. One of the early supporters of Angel was horror director Clive Barker. In 1995, Barker asked Angel to work with him on his film Lord of Illusions. He also later recorded the intro to Angel's album World of Illusion: System One. Barker said of Angel in the mid-1990s that, "Criss Angel is extraordinary, a spectacular mix of visionary magic. This is the future, and it can't come quickly enough." During that year, he collaborated with musician Klayton to form Angeldust, a show that combined magic with music. They released their first album Musical Conjurings from the World of Conjuring in 1998. Also that year, Angel performed a ten-minute show over the course of the "World of Illusion" conference in Madison Square Garden, performing sixty shows per day. However, by 2000, Klayton's name was removed from Angel's website.  Angel also starred in the 1997 television movie The Science of Magic and its 2003 sequel The Science of Magic II. Criss Angel Mindfreak, which would later become Angel's first television series, was originally an off-Broadway show by Angel, which in 2001 was picked up by the World Underground Theatre. When not performing the show, Angel worked the streets promoting the show to pedestrians. Criss Angel Mindfreak ran for more than 600 performances between 2001 and 2003 at the World Underground Theater in Times Square. His twenty-four hours in a tank of water set a world record for the longest amount of time for a human to be completely submerged under water. This performance would also become a part of his first television special.  Angel has also been known to actively discourage a belief in mediumship, stating that there is no way for mediums to speak with people beyond the dead. He has said, "If somebody's doing that for entertainment purposes, that's one thing. But if they claim to be communicating with the dead, I don't care if they're from my hometown, I don't care if they're my family members: I'll expose them and tell them what they really are." CANNOTANSWER

Question: Did Criss Angel set any other records besides longest amount of time for a human to be completely submerged under water?
Answer: CANNOTANSWER
Tōru Takemitsu

Context: In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland. CANNOTANSWER

Question: What was Toru Takemitsu's personal life like?
Answer: CANNOTANSWER
Tōru Takemitsu

Context: In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland. CANNOTANSWER

Question: What did Toru Tokemistsu do important in his early career?
Answer: In 1948, Takemitsu conceived the idea of electronic music technology,
Tōru Takemitsu

Context: In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland. CANNOTANSWER

Question: Did Toru Tokemitsu win any rewards or recognition?
Answer: CANNOTANSWER
Tōru Takemitsu

Context: In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland. CANNOTANSWER

Question: What was Toru Tokemitsu's most memorable works?
Answer: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka,
Tōru Takemitsu

Context: In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence."  In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later.  In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957  listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland. CANNOTANSWER

Question: Did Toru Tokemitsu ever marry?
Answer: CANNOTANSWER
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: Which team won the 1999 Rugby World Cup drop-goal?
Answer: the Wallabies
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: How many drop goals were there in the 1999 Rugby World Cup?
Answer: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: Did Larkham have any injuries in the World Cup?
Answer: Larkham had quite a badly injured knee
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: Did Larkham ever have to get surgery, if so, in what year?
Answer: Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision,
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: Which teammates did Stephen play with at the World Cup?
Answer: then-captain John Eales,
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: Did (insert name of team here, to give context)  ever beat France in a World Cup?
Answer: CANNOTANSWER
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: Are there any other interesting aspects about this article aside from the statistics, such as personal achievement stories of a particular player??
Answer: several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess.
Stephen Larkham

Context: Larkham's famous 48m-drop goal to seal victory over South Africa in extra time of the 1999 Rugby World Cup Semi-Final has gone down in rugby folklore as the defining moment in the Wallabies' victorious Rugby World Cup campaign. South Africa had got to the semi final largely through the efforts of Jannie de Beer kicking 5 drop goals in their previous match. By contrast not one of the Australian players on the team had to that date ever scored a drop goal at test level. The fact that Larkham had quite a badly injured knee through the match caused Steve Smith to remark incredulously while calling the game for English ITV "He can barely stand on that leg and yet he just thwacked it over."  The feat was even more remarkable as Larkham's eyesight was very poor at the time. Since 1999 he has had laser surgery to correct his vision, however at the time he could not see the goal posts clearly. Following Australia's victory over France in the World Cup final, several television commercials aired in Australia humorously mocking Larkham's lack of kicking prowess. The commercial featured current & former teammates, junior and senior coaches (including former Australian coach Rod MacQueen) and even Australian rugby icons (such as Phil Kearns) expressing their astonishment that Larkham managed to score.  The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match. The climax of the commercial features then-captain John Eales, as well as Matt Burke, Kearns and MacQueen each saying "Don't kick it!" as footage of the moment is replayed. The commercial is available to view on YouTube. CANNOTANSWER

Question: How did Larkham's lack of kicking prowess commercial begin?
Answer: The commercial begins with Larkham's school coaches saying he was a poor kicker, and had never successfully scored a drop-goal in a match.