gaussalgo/Canard_Wiki-augmented huggingface dataset:
James Taylor

Context: Taylor spent most of 1973 enjoying his new life as a married man and did not return to the recording studio until January 1974, when sessions for his fifth album began. Walking Man was released in June and featured appearances of Paul and Linda McCartney and guitarist David Spinozza. The album was a critical and commercial disaster and was his first album to miss the Top 5 since his contract with Warner. It received poor reviews and sold only 300,000 copies in the United States. The title track failed to appear on the Top 100.  However, James Taylor's artistic fortunes spiked again in 1975 when the Gold album Gorilla reached #6 and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)", featuring wife Carly on backing vocals and reached #5 in America and #1 in Canada. On the Billboard Adult Contemporary chart, the track also reached the top, and the follow-up single, the feelgood "Mexico" also reached the Top 5 of that list. A well-received album, Gorilla showcased Taylor's electric, lighter side that was evident on Walking Man. However, it was arguably a more consistent and fresher-sounding Taylor, with classics such as "Mexico", "Wandering" and "Angry Blues". It also featured a song about his daughter Sally, "Sarah Maria".  Gorilla was followed in 1976 by In the Pocket, Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed a harmonica solo). A melodic album, it was highlighted with the single "Shower the People", an enduring classic that hit #1 on the Adult Contemporary chart and almost hit the Top 20 of the Pop Charts. However, the album was not well received, reaching #16 and being criticized, particularly by Rolling Stone. Still, In The Pocket went on to be certified gold.  With the close of Taylor's contract with Warner, in November, the label released Greatest Hits, the album that comprised most of his best work between 1970 and 1976. With time, it became his best-selling album ever. It was certified 11x Platinum in the US, earned a Diamond certification by the RIAA, and eventually sold close to 20 million copies worldwide. CANNOTANSWER

Question: what was some of James Taylor downs?
Answer: The album was a critical and commercial disaster and was his first album to miss the Top 5 since his contract with Warner.
James Taylor

Context: Taylor spent most of 1973 enjoying his new life as a married man and did not return to the recording studio until January 1974, when sessions for his fifth album began. Walking Man was released in June and featured appearances of Paul and Linda McCartney and guitarist David Spinozza. The album was a critical and commercial disaster and was his first album to miss the Top 5 since his contract with Warner. It received poor reviews and sold only 300,000 copies in the United States. The title track failed to appear on the Top 100.  However, James Taylor's artistic fortunes spiked again in 1975 when the Gold album Gorilla reached #6 and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)", featuring wife Carly on backing vocals and reached #5 in America and #1 in Canada. On the Billboard Adult Contemporary chart, the track also reached the top, and the follow-up single, the feelgood "Mexico" also reached the Top 5 of that list. A well-received album, Gorilla showcased Taylor's electric, lighter side that was evident on Walking Man. However, it was arguably a more consistent and fresher-sounding Taylor, with classics such as "Mexico", "Wandering" and "Angry Blues". It also featured a song about his daughter Sally, "Sarah Maria".  Gorilla was followed in 1976 by In the Pocket, Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed a harmonica solo). A melodic album, it was highlighted with the single "Shower the People", an enduring classic that hit #1 on the Adult Contemporary chart and almost hit the Top 20 of the Pop Charts. However, the album was not well received, reaching #16 and being criticized, particularly by Rolling Stone. Still, In The Pocket went on to be certified gold.  With the close of Taylor's contract with Warner, in November, the label released Greatest Hits, the album that comprised most of his best work between 1970 and 1976. With time, it became his best-selling album ever. It was certified 11x Platinum in the US, earned a Diamond certification by the RIAA, and eventually sold close to 20 million copies worldwide. CANNOTANSWER

Question: what was some of success James Taylor  had?
Answer: James Taylor's artistic fortunes spiked again in 1975 when the Gold album Gorilla reached #6 and provided one of his biggest hit singles,
James Taylor

Context: Taylor spent most of 1973 enjoying his new life as a married man and did not return to the recording studio until January 1974, when sessions for his fifth album began. Walking Man was released in June and featured appearances of Paul and Linda McCartney and guitarist David Spinozza. The album was a critical and commercial disaster and was his first album to miss the Top 5 since his contract with Warner. It received poor reviews and sold only 300,000 copies in the United States. The title track failed to appear on the Top 100.  However, James Taylor's artistic fortunes spiked again in 1975 when the Gold album Gorilla reached #6 and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)", featuring wife Carly on backing vocals and reached #5 in America and #1 in Canada. On the Billboard Adult Contemporary chart, the track also reached the top, and the follow-up single, the feelgood "Mexico" also reached the Top 5 of that list. A well-received album, Gorilla showcased Taylor's electric, lighter side that was evident on Walking Man. However, it was arguably a more consistent and fresher-sounding Taylor, with classics such as "Mexico", "Wandering" and "Angry Blues". It also featured a song about his daughter Sally, "Sarah Maria".  Gorilla was followed in 1976 by In the Pocket, Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed a harmonica solo). A melodic album, it was highlighted with the single "Shower the People", an enduring classic that hit #1 on the Adult Contemporary chart and almost hit the Top 20 of the Pop Charts. However, the album was not well received, reaching #16 and being criticized, particularly by Rolling Stone. Still, In The Pocket went on to be certified gold.  With the close of Taylor's contract with Warner, in November, the label released Greatest Hits, the album that comprised most of his best work between 1970 and 1976. With time, it became his best-selling album ever. It was certified 11x Platinum in the US, earned a Diamond certification by the RIAA, and eventually sold close to 20 million copies worldwide. CANNOTANSWER

Question: did James Taylor go on tour to support Gold album Gorilla ?
Answer: CANNOTANSWER
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: Did Hughes go to school?
Answer: CANNOTANSWER
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: What was Hughes first job?
Answer: where he wrote for The Spectator,
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: How long did Hughes keep his first job?
Answer: Oz. In 1970 he was appointed art critic for TIME magazine
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: Was Hughes successful at Time magazine?
Answer: became an influential voice.
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: Was Hughes award winning for TIME magazine?
Answer: CANNOTANSWER
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: What stood out about Hughes tenure with Time magazine?
Answer: Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20.
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: Did Hughes except the position of anchoring the new ABC news?
Answer: ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs.
Robert Hughes (critic)

Context: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006. CANNOTANSWER

Question: When was Hughes terminated?
Answer: CANNOTANSWER
Kansas (band)

Context: In July 1985 the band came back together with Ehart, Williams and Walsh (who had briefly played keyboards on the road for Cheap Trick in the spring and summer of 1985 after the break up of Streets), but without Livgren, Hope or Steinhardt. The new lineup included Streets bassist Billy Greer and guitarist Steve Morse (formerly of the Dixie Dregs). The first performances of the new lineup with Morse and Greer took place during a third USO 1st Airborne Rock and Roll Division tour that toured US military bases in the US, Japan, Okinawa, the Philippines, Singapore, Iceland and most of Europe during the late summer through early October 1986.  The re-formed band released Power in November 1986. The first single, "All I Wanted", became the last Kansas single to hit the Billboard Top 40 chart, peaking at No. 19. It also received considerable airplay on MTV. Two more singles, the title track and "Can't Cry Anymore", were less successful, "Power" hitting the lower end of the Hot 100 and getting substantial play and charting on the Rock Charts, but "Can't Cry Anymore" receiving little airplay despite a clever music video.  The band added New Orleans native Greg Robert on keyboards and back-up vocals at the suggestion of LeRoux's Leon Medica. Greg played his first show with Kansas on January 31, 1987 at Roberto Clemente Stadium in Puerto Rico. The new lineup released a second album, In the Spirit of Things, in October 1988. The concept album and subsequent tour were popular with the fan base but did not receive widespread airplay beyond the "Stand Beside Me" video on MTV. Morse temporarily left the band at the end of a tour of Germany in April 1989.  On September 15, 1990, Walsh, Williams and Ehart played a charity event at the Saddlerock Ranch in Malibu, California, alongside Saga, Lou Gramm (of Foreigner), Mr. Big, Eddie Money, Kevin Cronin (from REO Speedwagon) and others. Alex Lifeson joined them on stage for a short set of Kansas before Geddy Lee flew in to join Alex for a Rush set, with Ehart on drums subbing for Neil Peart.  In November 1990 a German promoter arranged to reunite all the original members of Kansas (except for Steinhardt) for a European tour. Greer joined them, along with keyboardist Greg Robert. At the end of the tour, Hope left again, but Livgren remained on into 1991. CANNOTANSWER

Question: How did the Kansas band get back together?
Answer: In July 1985 the band came back together
Kansas (band)

Context: In July 1985 the band came back together with Ehart, Williams and Walsh (who had briefly played keyboards on the road for Cheap Trick in the spring and summer of 1985 after the break up of Streets), but without Livgren, Hope or Steinhardt. The new lineup included Streets bassist Billy Greer and guitarist Steve Morse (formerly of the Dixie Dregs). The first performances of the new lineup with Morse and Greer took place during a third USO 1st Airborne Rock and Roll Division tour that toured US military bases in the US, Japan, Okinawa, the Philippines, Singapore, Iceland and most of Europe during the late summer through early October 1986.  The re-formed band released Power in November 1986. The first single, "All I Wanted", became the last Kansas single to hit the Billboard Top 40 chart, peaking at No. 19. It also received considerable airplay on MTV. Two more singles, the title track and "Can't Cry Anymore", were less successful, "Power" hitting the lower end of the Hot 100 and getting substantial play and charting on the Rock Charts, but "Can't Cry Anymore" receiving little airplay despite a clever music video.  The band added New Orleans native Greg Robert on keyboards and back-up vocals at the suggestion of LeRoux's Leon Medica. Greg played his first show with Kansas on January 31, 1987 at Roberto Clemente Stadium in Puerto Rico. The new lineup released a second album, In the Spirit of Things, in October 1988. The concept album and subsequent tour were popular with the fan base but did not receive widespread airplay beyond the "Stand Beside Me" video on MTV. Morse temporarily left the band at the end of a tour of Germany in April 1989.  On September 15, 1990, Walsh, Williams and Ehart played a charity event at the Saddlerock Ranch in Malibu, California, alongside Saga, Lou Gramm (of Foreigner), Mr. Big, Eddie Money, Kevin Cronin (from REO Speedwagon) and others. Alex Lifeson joined them on stage for a short set of Kansas before Geddy Lee flew in to join Alex for a Rush set, with Ehart on drums subbing for Neil Peart.  In November 1990 a German promoter arranged to reunite all the original members of Kansas (except for Steinhardt) for a European tour. Greer joined them, along with keyboardist Greg Robert. At the end of the tour, Hope left again, but Livgren remained on into 1991. CANNOTANSWER

Question: Did Kansas band make any new music during get back together?
Answer: The re-formed band released Power in November 1986.
Kansas (band)

Context: In July 1985 the band came back together with Ehart, Williams and Walsh (who had briefly played keyboards on the road for Cheap Trick in the spring and summer of 1985 after the break up of Streets), but without Livgren, Hope or Steinhardt. The new lineup included Streets bassist Billy Greer and guitarist Steve Morse (formerly of the Dixie Dregs). The first performances of the new lineup with Morse and Greer took place during a third USO 1st Airborne Rock and Roll Division tour that toured US military bases in the US, Japan, Okinawa, the Philippines, Singapore, Iceland and most of Europe during the late summer through early October 1986.  The re-formed band released Power in November 1986. The first single, "All I Wanted", became the last Kansas single to hit the Billboard Top 40 chart, peaking at No. 19. It also received considerable airplay on MTV. Two more singles, the title track and "Can't Cry Anymore", were less successful, "Power" hitting the lower end of the Hot 100 and getting substantial play and charting on the Rock Charts, but "Can't Cry Anymore" receiving little airplay despite a clever music video.  The band added New Orleans native Greg Robert on keyboards and back-up vocals at the suggestion of LeRoux's Leon Medica. Greg played his first show with Kansas on January 31, 1987 at Roberto Clemente Stadium in Puerto Rico. The new lineup released a second album, In the Spirit of Things, in October 1988. The concept album and subsequent tour were popular with the fan base but did not receive widespread airplay beyond the "Stand Beside Me" video on MTV. Morse temporarily left the band at the end of a tour of Germany in April 1989.  On September 15, 1990, Walsh, Williams and Ehart played a charity event at the Saddlerock Ranch in Malibu, California, alongside Saga, Lou Gramm (of Foreigner), Mr. Big, Eddie Money, Kevin Cronin (from REO Speedwagon) and others. Alex Lifeson joined them on stage for a short set of Kansas before Geddy Lee flew in to join Alex for a Rush set, with Ehart on drums subbing for Neil Peart.  In November 1990 a German promoter arranged to reunite all the original members of Kansas (except for Steinhardt) for a European tour. Greer joined them, along with keyboardist Greg Robert. At the end of the tour, Hope left again, but Livgren remained on into 1991. CANNOTANSWER

Question: What singles were from the Re-formed band of Kansas?
Answer: The first single, "All I Wanted", became the last Kansas single to hit the Billboard Top 40 chart,
Kansas (band)

Context: In July 1985 the band came back together with Ehart, Williams and Walsh (who had briefly played keyboards on the road for Cheap Trick in the spring and summer of 1985 after the break up of Streets), but without Livgren, Hope or Steinhardt. The new lineup included Streets bassist Billy Greer and guitarist Steve Morse (formerly of the Dixie Dregs). The first performances of the new lineup with Morse and Greer took place during a third USO 1st Airborne Rock and Roll Division tour that toured US military bases in the US, Japan, Okinawa, the Philippines, Singapore, Iceland and most of Europe during the late summer through early October 1986.  The re-formed band released Power in November 1986. The first single, "All I Wanted", became the last Kansas single to hit the Billboard Top 40 chart, peaking at No. 19. It also received considerable airplay on MTV. Two more singles, the title track and "Can't Cry Anymore", were less successful, "Power" hitting the lower end of the Hot 100 and getting substantial play and charting on the Rock Charts, but "Can't Cry Anymore" receiving little airplay despite a clever music video.  The band added New Orleans native Greg Robert on keyboards and back-up vocals at the suggestion of LeRoux's Leon Medica. Greg played his first show with Kansas on January 31, 1987 at Roberto Clemente Stadium in Puerto Rico. The new lineup released a second album, In the Spirit of Things, in October 1988. The concept album and subsequent tour were popular with the fan base but did not receive widespread airplay beyond the "Stand Beside Me" video on MTV. Morse temporarily left the band at the end of a tour of Germany in April 1989.  On September 15, 1990, Walsh, Williams and Ehart played a charity event at the Saddlerock Ranch in Malibu, California, alongside Saga, Lou Gramm (of Foreigner), Mr. Big, Eddie Money, Kevin Cronin (from REO Speedwagon) and others. Alex Lifeson joined them on stage for a short set of Kansas before Geddy Lee flew in to join Alex for a Rush set, with Ehart on drums subbing for Neil Peart.  In November 1990 a German promoter arranged to reunite all the original members of Kansas (except for Steinhardt) for a European tour. Greer joined them, along with keyboardist Greg Robert. At the end of the tour, Hope left again, but Livgren remained on into 1991. CANNOTANSWER

Question: Together with "All I Wanted", did Kansas Band release any other albums during the re-formed band?
Answer: The re-formed band released Power in November 1986.
Kansas (band)

Context: In July 1985 the band came back together with Ehart, Williams and Walsh (who had briefly played keyboards on the road for Cheap Trick in the spring and summer of 1985 after the break up of Streets), but without Livgren, Hope or Steinhardt. The new lineup included Streets bassist Billy Greer and guitarist Steve Morse (formerly of the Dixie Dregs). The first performances of the new lineup with Morse and Greer took place during a third USO 1st Airborne Rock and Roll Division tour that toured US military bases in the US, Japan, Okinawa, the Philippines, Singapore, Iceland and most of Europe during the late summer through early October 1986.  The re-formed band released Power in November 1986. The first single, "All I Wanted", became the last Kansas single to hit the Billboard Top 40 chart, peaking at No. 19. It also received considerable airplay on MTV. Two more singles, the title track and "Can't Cry Anymore", were less successful, "Power" hitting the lower end of the Hot 100 and getting substantial play and charting on the Rock Charts, but "Can't Cry Anymore" receiving little airplay despite a clever music video.  The band added New Orleans native Greg Robert on keyboards and back-up vocals at the suggestion of LeRoux's Leon Medica. Greg played his first show with Kansas on January 31, 1987 at Roberto Clemente Stadium in Puerto Rico. The new lineup released a second album, In the Spirit of Things, in October 1988. The concept album and subsequent tour were popular with the fan base but did not receive widespread airplay beyond the "Stand Beside Me" video on MTV. Morse temporarily left the band at the end of a tour of Germany in April 1989.  On September 15, 1990, Walsh, Williams and Ehart played a charity event at the Saddlerock Ranch in Malibu, California, alongside Saga, Lou Gramm (of Foreigner), Mr. Big, Eddie Money, Kevin Cronin (from REO Speedwagon) and others. Alex Lifeson joined them on stage for a short set of Kansas before Geddy Lee flew in to join Alex for a Rush set, with Ehart on drums subbing for Neil Peart.  In November 1990 a German promoter arranged to reunite all the original members of Kansas (except for Steinhardt) for a European tour. Greer joined them, along with keyboardist Greg Robert. At the end of the tour, Hope left again, but Livgren remained on into 1991. CANNOTANSWER

Question: Did Kansas Band go on tour during the re-formed band?
Answer: The concept album and subsequent tour were popular with the fan base but did not receive widespread airplay beyond the "Stand Beside Me" video on MTV.
Algonquin Round Table

Context: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait. CANNOTANSWER

Question: What kinds of activities did the members of the Algonquin Round Table do?
Answer: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.
Algonquin Round Table

Context: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait. CANNOTANSWER

Question: What kind of work did the members of the Algonquin Round Table do together?
Answer: The group was devoted to games, including cribbage and poker. The group had its own poker club,
Algonquin Round Table

Context: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait. CANNOTANSWER

Question: Did the members of the Algonquin Round Table play any games other than cribbage and poker?
Answer: The group also played charades (which they called simply "The Game")
Algonquin Round Table

Context: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait. CANNOTANSWER

Question: Did the members of the Algonquin Round Table participate in any activities besides playing cribbage, poker, and charades?
Answer: Members often visited Neshobe Island,
Algonquin Round Table

Context: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait. CANNOTANSWER

Question: What did members of the Algonquin Round Table do at Neshobe Island?
Answer: There they would engage in their usual array of games including Wink murder,
Algonquin Round Table

Context: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait. CANNOTANSWER

Question: What is Wink Murder?
Answer: Wink murder, which they called simply "Murder",