gaussalgo/Canard_Wiki-augmented huggingface dataset:
Geronimo

Context: Geronimo was born to the Bedonkohe band of the Apache, near Turkey Creek, a tributary of the Gila River in the modern-day state of New Mexico, then part of Mexico, though the Apache disputed Mexico's claim. His grandfather, Mahko, had been chief of the Bedonkohe Apache. He had three brothers and four sisters.  His parents raised him according to Apache traditions; after the death of his father, his mother took him to live with the Tchihende and he grew up with them. Geronimo married a woman named Alope, from the Nedni-Chiricahua band of Apache when he was 17; they had three children. She was the first of nine wives. On March 5, 1858, a company of 400 Mexican soldiers from Sonora led by Colonel Jose Maria Carrasco attacked Geronimo's camp outside Janos (Kas-Ki-Yeh in Apache) while the men were in town trading. Among those killed were his wife, children and mother. The loss of his family led Geronimo to hate all Mexicans for the rest of his life; he and his followers would frequently attack and kill any group of Mexicans that they encountered. Recalling that at the time his band was at peace with the Mexicans, Geronimo remembered the incident as follows:  Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children. Quickly we separated, concealing ourselves as best we could until nightfall, when we assembled at our appointed place of rendezvous -- a thicket by the river. Silently we stole in one by one, sentinels were placed, and when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.  Geronimo's chief, Mangas Coloradas, sent him to Cochise's band for help in his revenge against the Mexicans. It was during this incident that the name Geronimo came about. This appellation stemmed from a battle in which, ignoring a deadly hail of bullets, he repeatedly attacked Mexican soldiers with a knife. The origin of the name is a source of controversy with historians, some writing that it was appeals by the soldiers to Saint Jerome ("Jeronimo!") for help. Others source it as the mispronunciation of his name by the Mexican soldiers. CANNOTANSWER

Question: Did Geronimo attend school?
Answer: he and his followers would frequently attack and kill any group of Mexicans that they encountered.
Geronimo

Context: Geronimo was born to the Bedonkohe band of the Apache, near Turkey Creek, a tributary of the Gila River in the modern-day state of New Mexico, then part of Mexico, though the Apache disputed Mexico's claim. His grandfather, Mahko, had been chief of the Bedonkohe Apache. He had three brothers and four sisters.  His parents raised him according to Apache traditions; after the death of his father, his mother took him to live with the Tchihende and he grew up with them. Geronimo married a woman named Alope, from the Nedni-Chiricahua band of Apache when he was 17; they had three children. She was the first of nine wives. On March 5, 1858, a company of 400 Mexican soldiers from Sonora led by Colonel Jose Maria Carrasco attacked Geronimo's camp outside Janos (Kas-Ki-Yeh in Apache) while the men were in town trading. Among those killed were his wife, children and mother. The loss of his family led Geronimo to hate all Mexicans for the rest of his life; he and his followers would frequently attack and kill any group of Mexicans that they encountered. Recalling that at the time his band was at peace with the Mexicans, Geronimo remembered the incident as follows:  Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children. Quickly we separated, concealing ourselves as best we could until nightfall, when we assembled at our appointed place of rendezvous -- a thicket by the river. Silently we stole in one by one, sentinels were placed, and when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.  Geronimo's chief, Mangas Coloradas, sent him to Cochise's band for help in his revenge against the Mexicans. It was during this incident that the name Geronimo came about. This appellation stemmed from a battle in which, ignoring a deadly hail of bullets, he repeatedly attacked Mexican soldiers with a knife. The origin of the name is a source of controversy with historians, some writing that it was appeals by the soldiers to Saint Jerome ("Jeronimo!") for help. Others source it as the mispronunciation of his name by the Mexican soldiers. CANNOTANSWER

Question: Why would Geronimo and the followers attack and kill Mexicans?
Answer: company of 400 Mexican soldiers from Sonora led by Colonel Jose Maria Carrasco attacked Geronimo's camp outside
Geronimo

Context: Geronimo was born to the Bedonkohe band of the Apache, near Turkey Creek, a tributary of the Gila River in the modern-day state of New Mexico, then part of Mexico, though the Apache disputed Mexico's claim. His grandfather, Mahko, had been chief of the Bedonkohe Apache. He had three brothers and four sisters.  His parents raised him according to Apache traditions; after the death of his father, his mother took him to live with the Tchihende and he grew up with them. Geronimo married a woman named Alope, from the Nedni-Chiricahua band of Apache when he was 17; they had three children. She was the first of nine wives. On March 5, 1858, a company of 400 Mexican soldiers from Sonora led by Colonel Jose Maria Carrasco attacked Geronimo's camp outside Janos (Kas-Ki-Yeh in Apache) while the men were in town trading. Among those killed were his wife, children and mother. The loss of his family led Geronimo to hate all Mexicans for the rest of his life; he and his followers would frequently attack and kill any group of Mexicans that they encountered. Recalling that at the time his band was at peace with the Mexicans, Geronimo remembered the incident as follows:  Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children. Quickly we separated, concealing ourselves as best we could until nightfall, when we assembled at our appointed place of rendezvous -- a thicket by the river. Silently we stole in one by one, sentinels were placed, and when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.  Geronimo's chief, Mangas Coloradas, sent him to Cochise's band for help in his revenge against the Mexicans. It was during this incident that the name Geronimo came about. This appellation stemmed from a battle in which, ignoring a deadly hail of bullets, he repeatedly attacked Mexican soldiers with a knife. The origin of the name is a source of controversy with historians, some writing that it was appeals by the soldiers to Saint Jerome ("Jeronimo!") for help. Others source it as the mispronunciation of his name by the Mexican soldiers. CANNOTANSWER

Question: Did Carrasco attacked Geronimo's camp happen when Geronimo was an adult?
Answer: while the men were in town trading. Among those killed were his wife, children and mother. The loss of his family led Geronimo to hate all Mexicans
Pearl Jam

Context: Compared with the other grunge bands of the early 1990s, Pearl Jam's style is noticeably less heavy and harkens back to the classic rock music of the 1970s. Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Led Zeppelin, Neil Young, Kiss and the Ramones. Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses." Gossard's rhythm guitar style is known for its sense of beat and groove, while McCready's lead guitar style, influenced by artists such as Jimi Hendrix, has been described as "feel-oriented" and "rootsy."  Pearl Jam has broadened its musical range with subsequent releases. As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy. He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes." By 1994's Vitalogy, the band began to incorporate more punk influences into its music. The band's 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism. After Yield in 1998, which was somewhat of a return to the straightforward rock approach of the band's early work, they dabbled with experimental art rock on the Binaural album of 2000, and with folk rock elements on the 2002 Riot Act album. The band's 2006 album, Pearl Jam, was cited as a return to their early sound. Their 2009 album, Backspacer, contains elements of pop and new wave.  Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl." Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock." Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." CANNOTANSWER

Question: What genre of music did Pearl Jam do?
Answer: Pearl Jam has cited many punk rock and classic rock bands as influences,
Pearl Jam

Context: Compared with the other grunge bands of the early 1990s, Pearl Jam's style is noticeably less heavy and harkens back to the classic rock music of the 1970s. Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Led Zeppelin, Neil Young, Kiss and the Ramones. Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses." Gossard's rhythm guitar style is known for its sense of beat and groove, while McCready's lead guitar style, influenced by artists such as Jimi Hendrix, has been described as "feel-oriented" and "rootsy."  Pearl Jam has broadened its musical range with subsequent releases. As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy. He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes." By 1994's Vitalogy, the band began to incorporate more punk influences into its music. The band's 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism. After Yield in 1998, which was somewhat of a return to the straightforward rock approach of the band's early work, they dabbled with experimental art rock on the Binaural album of 2000, and with folk rock elements on the 2002 Riot Act album. The band's 2006 album, Pearl Jam, was cited as a return to their early sound. Their 2009 album, Backspacer, contains elements of pop and new wave.  Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl." Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock." Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." CANNOTANSWER

Question: What were some of Pearl Jam's songs?
Answer: CANNOTANSWER
Pearl Jam

Context: Compared with the other grunge bands of the early 1990s, Pearl Jam's style is noticeably less heavy and harkens back to the classic rock music of the 1970s. Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Led Zeppelin, Neil Young, Kiss and the Ramones. Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses." Gossard's rhythm guitar style is known for its sense of beat and groove, while McCready's lead guitar style, influenced by artists such as Jimi Hendrix, has been described as "feel-oriented" and "rootsy."  Pearl Jam has broadened its musical range with subsequent releases. As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy. He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes." By 1994's Vitalogy, the band began to incorporate more punk influences into its music. The band's 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism. After Yield in 1998, which was somewhat of a return to the straightforward rock approach of the band's early work, they dabbled with experimental art rock on the Binaural album of 2000, and with folk rock elements on the 2002 Riot Act album. The band's 2006 album, Pearl Jam, was cited as a return to their early sound. Their 2009 album, Backspacer, contains elements of pop and new wave.  Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl." Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock." Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." CANNOTANSWER

Question: What album did Pearl Jam release?
Answer: The band's 1996 album, No Code,
Pearl Jam

Context: Compared with the other grunge bands of the early 1990s, Pearl Jam's style is noticeably less heavy and harkens back to the classic rock music of the 1970s. Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Led Zeppelin, Neil Young, Kiss and the Ramones. Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses." Gossard's rhythm guitar style is known for its sense of beat and groove, while McCready's lead guitar style, influenced by artists such as Jimi Hendrix, has been described as "feel-oriented" and "rootsy."  Pearl Jam has broadened its musical range with subsequent releases. As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy. He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes." By 1994's Vitalogy, the band began to incorporate more punk influences into its music. The band's 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism. After Yield in 1998, which was somewhat of a return to the straightforward rock approach of the band's early work, they dabbled with experimental art rock on the Binaural album of 2000, and with folk rock elements on the 2002 Riot Act album. The band's 2006 album, Pearl Jam, was cited as a return to their early sound. Their 2009 album, Backspacer, contains elements of pop and new wave.  Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl." Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock." Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." CANNOTANSWER

Question: What other interesting aspects are in this article other than information of Pearl Jam's music?
Answer: Vedder sought to make the band's musical output less catchy.
Pearl Jam

Context: Compared with the other grunge bands of the early 1990s, Pearl Jam's style is noticeably less heavy and harkens back to the classic rock music of the 1970s. Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Led Zeppelin, Neil Young, Kiss and the Ramones. Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses." Gossard's rhythm guitar style is known for its sense of beat and groove, while McCready's lead guitar style, influenced by artists such as Jimi Hendrix, has been described as "feel-oriented" and "rootsy."  Pearl Jam has broadened its musical range with subsequent releases. As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy. He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes." By 1994's Vitalogy, the band began to incorporate more punk influences into its music. The band's 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism. After Yield in 1998, which was somewhat of a return to the straightforward rock approach of the band's early work, they dabbled with experimental art rock on the Binaural album of 2000, and with folk rock elements on the 2002 Riot Act album. The band's 2006 album, Pearl Jam, was cited as a return to their early sound. Their 2009 album, Backspacer, contains elements of pop and new wave.  Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl." Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock." Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." CANNOTANSWER

Question: What did Pearl Jam do to make the band a success?
Answer: Pearl Jam's success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk,
Memoirs of a Geisha (film)

Context: Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in". CANNOTANSWER

Question: What kind of reviews did the film, Memoirs of Geisha, receive from the western critics?
Answer: Memoirs of a Geisha received mixed reviews from western critics.
Memoirs of a Geisha (film)

Context: Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in". CANNOTANSWER

Question: What were some of the reviews from the film, Memoirs of a Geisha?
Answer: The film scored a 35% "Rotten" rating on Rotten Tomatoes;
Memoirs of a Geisha (film)

Context: Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in". CANNOTANSWER

Question: Aside from the rotten tomatoes score, were there any other interesting aspects about this article?
Answer: In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia,
Memoirs of a Geisha (film)

Context: Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II".  The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review."  In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million.  The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in". CANNOTANSWER

Question: Were there any awards for the film, Memoirs of a Geisha?
Answer: CANNOTANSWER
Yes (band)

Context: In 1980, pop duo the Buggles (keyboardist Geoff Downes and singer Trevor Horn) acquired Brian Lane as a manager.  At this point, the departure of Anderson and Wakeman had been kept secret from everyone outside the Yes inner circle. Seeing an option of continuing the band with new creative input and expertise, Squire revealed the situation to Horn and Downes and suggested that they join Yes as full-time members. Horn and Downes accepted the invitation and the reconfigured band recorded the Drama album, which was released in August 1980. The record displayed a heavier, harder sound than the material Yes recorded with Anderson in 1979, opening with the lengthy hard rocker "Machine Messiah". The album received substantial radio airplay in the late summer-fall of 1980, and peaked at number 2 in the UK and number 18 in the US, though it was the first Yes album to not be certified Gold by the RIAA since 1971. Their 1980 tour of North America and the UK received a mixed reaction from audiences. They were well received in the United States, and were awarded with a commemorative certificate after they performed a record 16 consecutive sold out concerts at Madison Square Garden since 1974.  After the Drama tour, Yes reconvened in England to decide the band's next step, beginning by dismissing Lane as their manager. Horn chose to leave Yes to pursue a career in music production, with White and Squire next to depart. Left as the sole remaining members, Downes and Howe opted not to continue with the group and went their own separate ways in December 1980. A live compilation album of Yes performances from 1976 to 1978, mixed in mid-1979 and originally intended for release in late 1979, was released as Yesshows, peaking at number 22 in the UK charts and number 43 in the US. An announcement came from the group's management in March 1981 confirming that Yes no longer existed.  Downes and Howe later reunited to form Asia with former King Crimson bassist and vocalist John Wetton, and drummer Carl Palmer from Emerson, Lake, and Palmer. Squire and White continued to work together, initially recording sessions with Jimmy Page for a proposed band called XYZ (short for "ex-Yes-and-Zeppelin") in the spring of 1981. Page's former bandmate Robert Plant was also to be involved as the vocalist but he lost enthusiasm, citing his ongoing grieving for recently deceased Led Zeppelin drummer John Bonham. The short-lived group produced a few demo tracks, elements of which would appear in Page's band the Firm and on future Yes tracks "Mind Drive" and "Can You Imagine?". In late 1981, Squire and White released "Run with the Fox", a Christmas single with Squire on vocals which received radio airplay through the 1980s and early 1990s during the Christmas periods. A second Yes compilation album, Classic Yes, was released in November 1981. CANNOTANSWER

Question: What caused the drama in the band Yes?
Answer: After the Drama tour,
Yes (band)

Context: In 1980, pop duo the Buggles (keyboardist Geoff Downes and singer Trevor Horn) acquired Brian Lane as a manager.  At this point, the departure of Anderson and Wakeman had been kept secret from everyone outside the Yes inner circle. Seeing an option of continuing the band with new creative input and expertise, Squire revealed the situation to Horn and Downes and suggested that they join Yes as full-time members. Horn and Downes accepted the invitation and the reconfigured band recorded the Drama album, which was released in August 1980. The record displayed a heavier, harder sound than the material Yes recorded with Anderson in 1979, opening with the lengthy hard rocker "Machine Messiah". The album received substantial radio airplay in the late summer-fall of 1980, and peaked at number 2 in the UK and number 18 in the US, though it was the first Yes album to not be certified Gold by the RIAA since 1971. Their 1980 tour of North America and the UK received a mixed reaction from audiences. They were well received in the United States, and were awarded with a commemorative certificate after they performed a record 16 consecutive sold out concerts at Madison Square Garden since 1974.  After the Drama tour, Yes reconvened in England to decide the band's next step, beginning by dismissing Lane as their manager. Horn chose to leave Yes to pursue a career in music production, with White and Squire next to depart. Left as the sole remaining members, Downes and Howe opted not to continue with the group and went their own separate ways in December 1980. A live compilation album of Yes performances from 1976 to 1978, mixed in mid-1979 and originally intended for release in late 1979, was released as Yesshows, peaking at number 22 in the UK charts and number 43 in the US. An announcement came from the group's management in March 1981 confirming that Yes no longer existed.  Downes and Howe later reunited to form Asia with former King Crimson bassist and vocalist John Wetton, and drummer Carl Palmer from Emerson, Lake, and Palmer. Squire and White continued to work together, initially recording sessions with Jimmy Page for a proposed band called XYZ (short for "ex-Yes-and-Zeppelin") in the spring of 1981. Page's former bandmate Robert Plant was also to be involved as the vocalist but he lost enthusiasm, citing his ongoing grieving for recently deceased Led Zeppelin drummer John Bonham. The short-lived group produced a few demo tracks, elements of which would appear in Page's band the Firm and on future Yes tracks "Mind Drive" and "Can You Imagine?". In late 1981, Squire and White released "Run with the Fox", a Christmas single with Squire on vocals which received radio airplay through the 1980s and early 1990s during the Christmas periods. A second Yes compilation album, Classic Yes, was released in November 1981. CANNOTANSWER

Question: What happened to Yes (band) in 1980?
Answer: Downes and Howe opted not to continue with the group and went their own separate ways in December 1980.
Yes (band)

Context: In 1980, pop duo the Buggles (keyboardist Geoff Downes and singer Trevor Horn) acquired Brian Lane as a manager.  At this point, the departure of Anderson and Wakeman had been kept secret from everyone outside the Yes inner circle. Seeing an option of continuing the band with new creative input and expertise, Squire revealed the situation to Horn and Downes and suggested that they join Yes as full-time members. Horn and Downes accepted the invitation and the reconfigured band recorded the Drama album, which was released in August 1980. The record displayed a heavier, harder sound than the material Yes recorded with Anderson in 1979, opening with the lengthy hard rocker "Machine Messiah". The album received substantial radio airplay in the late summer-fall of 1980, and peaked at number 2 in the UK and number 18 in the US, though it was the first Yes album to not be certified Gold by the RIAA since 1971. Their 1980 tour of North America and the UK received a mixed reaction from audiences. They were well received in the United States, and were awarded with a commemorative certificate after they performed a record 16 consecutive sold out concerts at Madison Square Garden since 1974.  After the Drama tour, Yes reconvened in England to decide the band's next step, beginning by dismissing Lane as their manager. Horn chose to leave Yes to pursue a career in music production, with White and Squire next to depart. Left as the sole remaining members, Downes and Howe opted not to continue with the group and went their own separate ways in December 1980. A live compilation album of Yes performances from 1976 to 1978, mixed in mid-1979 and originally intended for release in late 1979, was released as Yesshows, peaking at number 22 in the UK charts and number 43 in the US. An announcement came from the group's management in March 1981 confirming that Yes no longer existed.  Downes and Howe later reunited to form Asia with former King Crimson bassist and vocalist John Wetton, and drummer Carl Palmer from Emerson, Lake, and Palmer. Squire and White continued to work together, initially recording sessions with Jimmy Page for a proposed band called XYZ (short for "ex-Yes-and-Zeppelin") in the spring of 1981. Page's former bandmate Robert Plant was also to be involved as the vocalist but he lost enthusiasm, citing his ongoing grieving for recently deceased Led Zeppelin drummer John Bonham. The short-lived group produced a few demo tracks, elements of which would appear in Page's band the Firm and on future Yes tracks "Mind Drive" and "Can You Imagine?". In late 1981, Squire and White released "Run with the Fox", a Christmas single with Squire on vocals which received radio airplay through the 1980s and early 1990s during the Christmas periods. A second Yes compilation album, Classic Yes, was released in November 1981. CANNOTANSWER

Question: Who was Downes and Howe replaced with?
Answer: An announcement came from the group's management in March 1981 confirming that Yes no longer existed.
Yes (band)

Context: In 1980, pop duo the Buggles (keyboardist Geoff Downes and singer Trevor Horn) acquired Brian Lane as a manager.  At this point, the departure of Anderson and Wakeman had been kept secret from everyone outside the Yes inner circle. Seeing an option of continuing the band with new creative input and expertise, Squire revealed the situation to Horn and Downes and suggested that they join Yes as full-time members. Horn and Downes accepted the invitation and the reconfigured band recorded the Drama album, which was released in August 1980. The record displayed a heavier, harder sound than the material Yes recorded with Anderson in 1979, opening with the lengthy hard rocker "Machine Messiah". The album received substantial radio airplay in the late summer-fall of 1980, and peaked at number 2 in the UK and number 18 in the US, though it was the first Yes album to not be certified Gold by the RIAA since 1971. Their 1980 tour of North America and the UK received a mixed reaction from audiences. They were well received in the United States, and were awarded with a commemorative certificate after they performed a record 16 consecutive sold out concerts at Madison Square Garden since 1974.  After the Drama tour, Yes reconvened in England to decide the band's next step, beginning by dismissing Lane as their manager. Horn chose to leave Yes to pursue a career in music production, with White and Squire next to depart. Left as the sole remaining members, Downes and Howe opted not to continue with the group and went their own separate ways in December 1980. A live compilation album of Yes performances from 1976 to 1978, mixed in mid-1979 and originally intended for release in late 1979, was released as Yesshows, peaking at number 22 in the UK charts and number 43 in the US. An announcement came from the group's management in March 1981 confirming that Yes no longer existed.  Downes and Howe later reunited to form Asia with former King Crimson bassist and vocalist John Wetton, and drummer Carl Palmer from Emerson, Lake, and Palmer. Squire and White continued to work together, initially recording sessions with Jimmy Page for a proposed band called XYZ (short for "ex-Yes-and-Zeppelin") in the spring of 1981. Page's former bandmate Robert Plant was also to be involved as the vocalist but he lost enthusiasm, citing his ongoing grieving for recently deceased Led Zeppelin drummer John Bonham. The short-lived group produced a few demo tracks, elements of which would appear in Page's band the Firm and on future Yes tracks "Mind Drive" and "Can You Imagine?". In late 1981, Squire and White released "Run with the Fox", a Christmas single with Squire on vocals which received radio airplay through the 1980s and early 1990s during the Christmas periods. A second Yes compilation album, Classic Yes, was released in November 1981. CANNOTANSWER

Question: How did the album Drama do on the charts?
Answer: CANNOTANSWER
Yes (band)

Context: In 1980, pop duo the Buggles (keyboardist Geoff Downes and singer Trevor Horn) acquired Brian Lane as a manager.  At this point, the departure of Anderson and Wakeman had been kept secret from everyone outside the Yes inner circle. Seeing an option of continuing the band with new creative input and expertise, Squire revealed the situation to Horn and Downes and suggested that they join Yes as full-time members. Horn and Downes accepted the invitation and the reconfigured band recorded the Drama album, which was released in August 1980. The record displayed a heavier, harder sound than the material Yes recorded with Anderson in 1979, opening with the lengthy hard rocker "Machine Messiah". The album received substantial radio airplay in the late summer-fall of 1980, and peaked at number 2 in the UK and number 18 in the US, though it was the first Yes album to not be certified Gold by the RIAA since 1971. Their 1980 tour of North America and the UK received a mixed reaction from audiences. They were well received in the United States, and were awarded with a commemorative certificate after they performed a record 16 consecutive sold out concerts at Madison Square Garden since 1974.  After the Drama tour, Yes reconvened in England to decide the band's next step, beginning by dismissing Lane as their manager. Horn chose to leave Yes to pursue a career in music production, with White and Squire next to depart. Left as the sole remaining members, Downes and Howe opted not to continue with the group and went their own separate ways in December 1980. A live compilation album of Yes performances from 1976 to 1978, mixed in mid-1979 and originally intended for release in late 1979, was released as Yesshows, peaking at number 22 in the UK charts and number 43 in the US. An announcement came from the group's management in March 1981 confirming that Yes no longer existed.  Downes and Howe later reunited to form Asia with former King Crimson bassist and vocalist John Wetton, and drummer Carl Palmer from Emerson, Lake, and Palmer. Squire and White continued to work together, initially recording sessions with Jimmy Page for a proposed band called XYZ (short for "ex-Yes-and-Zeppelin") in the spring of 1981. Page's former bandmate Robert Plant was also to be involved as the vocalist but he lost enthusiasm, citing his ongoing grieving for recently deceased Led Zeppelin drummer John Bonham. The short-lived group produced a few demo tracks, elements of which would appear in Page's band the Firm and on future Yes tracks "Mind Drive" and "Can You Imagine?". In late 1981, Squire and White released "Run with the Fox", a Christmas single with Squire on vocals which received radio airplay through the 1980s and early 1990s during the Christmas periods. A second Yes compilation album, Classic Yes, was released in November 1981. CANNOTANSWER

Question: Did Yes (band) members form any other bands besides Yes?
Answer: Downes and Howe later reunited to form Asia