gaussalgo/Canard_Wiki-augmented huggingface dataset:
Janis Joplin

Context: Joplin appeared at Woodstock starting at approximately 2:00 a.m., on Sunday, August 17, 1969. Joplin informed her band that they would be performing at the concert as if it were just another gig. On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy. Upon landing and getting off the helicopter, Joplin was approached by reporters asking her questions. She referred them to Caserta as she was too excited to speak. Initially Joplin was eager to get on the stage and perform, but was repeatedly delayed as bands were contractually obliged to perform ahead of Joplin. Faced with a ten-hour wait after arriving at the backstage area, Joplin shot heroin and drank alcohol with Caserta, and by the time of reaching the stage, Joplin was "three sheets to the wind". During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance.  Joplin pulled through, however, and engaged frequently with the crowd, asking them if they had everything they needed and if they were staying stoned. The audience cheered for an encore, to which Joplin replied and sang "Ball and Chain". Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: "She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited. But even Janis on an off-night was incredible."  Janis remained at Woodstock for the remainder of the festival. Starting at approximately 3:00 a.m. on Monday, August 18, Joplin was among many Woodstock performers who stood in a circle behind Crosby, Stills & Nash during their performance, which was the first time anyone at Woodstock ever had heard the group perform with Neil Young. This information was published by David Crosby in 1988. Later in the morning of August 18, Joplin and Joan Baez sat in Joe Cocker's van and witnessed Hendrix's close-of-show performance, according to Baez's memoir And a Voice to Sing With (1989).  Still photographs in color show Joplin backstage with Grace Slick the day after Joplin's performance, wherein Joplin appears to be very happy. Joplin was ultimately unhappy with her performance, however, and blamed Caserta. Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of "Work Me, Lord". The documentary film of the festival that was released to theaters in 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent. CANNOTANSWER

Question: Was Janis Joplin's singing not included because she was not happy with her performance at woodstock?
Answer: Joplin was ultimately unhappy with her performance,
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: What did Roberto Mangabeira do in sense of academics?
Answer: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society,
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Did Roberto Mangabeira Unger write Knowledge and Politics and Law in Modern Society, or how was he influenced by the books?
Answer: published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz.
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: How did Roberto Mangabeira Unger continue with his academic career?
Answer: By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Did Roberto Mangabeira Unger face any setbacks in his career?
Answer: CANNOTANSWER
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Are there any other interesting aspects about the article besides Roberto Mangabeira Unger?
Answer: Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory,
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Did Roberto Mangabeira Unger finish his magnum opus?
Answer: a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact,
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: How did the public react to magnum opus
Answer: CANNOTANSWER
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Did Roberto Mangabeira Unger leave a legacy behind?
Answer: Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: How did Gisele Bündchen's career start?
Answer: She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: where did Gisele Bündchen go after that Alexander McQueen's 1998 "rain" ready-to-wear show?
Answer: McQueen dubbed Bundchen "the Body", immediately boosting her bookings.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Why did Gisele Bündchen earn the name "the body"?
Answer: In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: did Gisele Bündchen's career end in 2000?
Answer: In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World".
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Aside from Rolling Stone, what other magazines did Gisele Bündchen appear in?
Answer: The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar
Lewis H. Morgan

Context: After graduating in 1840, Morgan returned to Aurora to read the law with an established firm. In 1842 he was admitted to the bar in Rochester, where he went into partnership with a Union classmate, George F. Danforth, a future judge. They could find no clients, as the nation was in an economic depression, which had started with the Panic of 1837. Morgan wrote essays, which he had begun to do while studying law, and published some in The Knickerbocker under the pen name Aquarius.  On January 1, 1841, Morgan and some friends from Cayuga Academy formed a secret fraternal society which they called the Gordian Knot. As Morgan's earliest essays from that time had classical themes, the club may have been a kind of literary society, as was common then. In 1841 or 1842 the young men redefined the society, renaming it the Order of the Iroquois. Morgan referred to this event as cutting the knot. In 1843 they named it the Grand Order of the Iroquois, followed by the New Confederacy of the Iroquois. They made the group a research organization to collect information on the Iroquois, whose historical territory for centuries had included central and upstate New York west of the Hudson and the Finger Lakes region.  The men intended to resurrect the spirit of the Iroquois. They tried to learn the languages, assumed Iroquois names, and organized the group by the historic pattern of Iroquois tribes. In 1844 they received permission from the former Freemasons of Aurora to use the upper floor of the Masonic temple as a meeting hall. New members underwent a secret rite called inindianation in which they were transformed spiritually into Iroquois. They met in the summer around campfires and paraded yearly through the town in costume. Morgan seemed infused with the spirit of the Iroquois. He said, "We are now upon the very soil over which they exercised dominion ... Poetry still lingers around the scenery...." These new Iroquois retained a literary frame of mind, but they intended to focus on "the writing of a native American epic that would define national identity". CANNOTANSWER

Question: what was the new conderacy of the iroquois by Lewis H. Morgan.
Answer: then. In 1841 or 1842 the young men redefined the society, renaming it the Order of the Iroquois. Morgan referred to this event as cutting the knot.
Lewis H. Morgan

Context: After graduating in 1840, Morgan returned to Aurora to read the law with an established firm. In 1842 he was admitted to the bar in Rochester, where he went into partnership with a Union classmate, George F. Danforth, a future judge. They could find no clients, as the nation was in an economic depression, which had started with the Panic of 1837. Morgan wrote essays, which he had begun to do while studying law, and published some in The Knickerbocker under the pen name Aquarius.  On January 1, 1841, Morgan and some friends from Cayuga Academy formed a secret fraternal society which they called the Gordian Knot. As Morgan's earliest essays from that time had classical themes, the club may have been a kind of literary society, as was common then. In 1841 or 1842 the young men redefined the society, renaming it the Order of the Iroquois. Morgan referred to this event as cutting the knot. In 1843 they named it the Grand Order of the Iroquois, followed by the New Confederacy of the Iroquois. They made the group a research organization to collect information on the Iroquois, whose historical territory for centuries had included central and upstate New York west of the Hudson and the Finger Lakes region.  The men intended to resurrect the spirit of the Iroquois. They tried to learn the languages, assumed Iroquois names, and organized the group by the historic pattern of Iroquois tribes. In 1844 they received permission from the former Freemasons of Aurora to use the upper floor of the Masonic temple as a meeting hall. New members underwent a secret rite called inindianation in which they were transformed spiritually into Iroquois. They met in the summer around campfires and paraded yearly through the town in costume. Morgan seemed infused with the spirit of the Iroquois. He said, "We are now upon the very soil over which they exercised dominion ... Poetry still lingers around the scenery...." These new Iroquois retained a literary frame of mind, but they intended to focus on "the writing of a native American epic that would define national identity". CANNOTANSWER

Question: was  Lewis H. Morgan a mason society
Answer: CANNOTANSWER
Lewis H. Morgan

Context: After graduating in 1840, Morgan returned to Aurora to read the law with an established firm. In 1842 he was admitted to the bar in Rochester, where he went into partnership with a Union classmate, George F. Danforth, a future judge. They could find no clients, as the nation was in an economic depression, which had started with the Panic of 1837. Morgan wrote essays, which he had begun to do while studying law, and published some in The Knickerbocker under the pen name Aquarius.  On January 1, 1841, Morgan and some friends from Cayuga Academy formed a secret fraternal society which they called the Gordian Knot. As Morgan's earliest essays from that time had classical themes, the club may have been a kind of literary society, as was common then. In 1841 or 1842 the young men redefined the society, renaming it the Order of the Iroquois. Morgan referred to this event as cutting the knot. In 1843 they named it the Grand Order of the Iroquois, followed by the New Confederacy of the Iroquois. They made the group a research organization to collect information on the Iroquois, whose historical territory for centuries had included central and upstate New York west of the Hudson and the Finger Lakes region.  The men intended to resurrect the spirit of the Iroquois. They tried to learn the languages, assumed Iroquois names, and organized the group by the historic pattern of Iroquois tribes. In 1844 they received permission from the former Freemasons of Aurora to use the upper floor of the Masonic temple as a meeting hall. New members underwent a secret rite called inindianation in which they were transformed spiritually into Iroquois. They met in the summer around campfires and paraded yearly through the town in costume. Morgan seemed infused with the spirit of the Iroquois. He said, "We are now upon the very soil over which they exercised dominion ... Poetry still lingers around the scenery...." These new Iroquois retained a literary frame of mind, but they intended to focus on "the writing of a native American epic that would define national identity". CANNOTANSWER

Question: Why did Lewis H. Morgan rename  Confederacy of the Iroquois?
Answer: CANNOTANSWER
Lewis H. Morgan

Context: After graduating in 1840, Morgan returned to Aurora to read the law with an established firm. In 1842 he was admitted to the bar in Rochester, where he went into partnership with a Union classmate, George F. Danforth, a future judge. They could find no clients, as the nation was in an economic depression, which had started with the Panic of 1837. Morgan wrote essays, which he had begun to do while studying law, and published some in The Knickerbocker under the pen name Aquarius.  On January 1, 1841, Morgan and some friends from Cayuga Academy formed a secret fraternal society which they called the Gordian Knot. As Morgan's earliest essays from that time had classical themes, the club may have been a kind of literary society, as was common then. In 1841 or 1842 the young men redefined the society, renaming it the Order of the Iroquois. Morgan referred to this event as cutting the knot. In 1843 they named it the Grand Order of the Iroquois, followed by the New Confederacy of the Iroquois. They made the group a research organization to collect information on the Iroquois, whose historical territory for centuries had included central and upstate New York west of the Hudson and the Finger Lakes region.  The men intended to resurrect the spirit of the Iroquois. They tried to learn the languages, assumed Iroquois names, and organized the group by the historic pattern of Iroquois tribes. In 1844 they received permission from the former Freemasons of Aurora to use the upper floor of the Masonic temple as a meeting hall. New members underwent a secret rite called inindianation in which they were transformed spiritually into Iroquois. They met in the summer around campfires and paraded yearly through the town in costume. Morgan seemed infused with the spirit of the Iroquois. He said, "We are now upon the very soil over which they exercised dominion ... Poetry still lingers around the scenery...." These new Iroquois retained a literary frame of mind, but they intended to focus on "the writing of a native American epic that would define national identity". CANNOTANSWER

Question: What else can you tell me interesting besides the the Order of the Iroquois.
Answer: The men intended to resurrect the spirit of the Iroquois.
Lewis H. Morgan

Context: After graduating in 1840, Morgan returned to Aurora to read the law with an established firm. In 1842 he was admitted to the bar in Rochester, where he went into partnership with a Union classmate, George F. Danforth, a future judge. They could find no clients, as the nation was in an economic depression, which had started with the Panic of 1837. Morgan wrote essays, which he had begun to do while studying law, and published some in The Knickerbocker under the pen name Aquarius.  On January 1, 1841, Morgan and some friends from Cayuga Academy formed a secret fraternal society which they called the Gordian Knot. As Morgan's earliest essays from that time had classical themes, the club may have been a kind of literary society, as was common then. In 1841 or 1842 the young men redefined the society, renaming it the Order of the Iroquois. Morgan referred to this event as cutting the knot. In 1843 they named it the Grand Order of the Iroquois, followed by the New Confederacy of the Iroquois. They made the group a research organization to collect information on the Iroquois, whose historical territory for centuries had included central and upstate New York west of the Hudson and the Finger Lakes region.  The men intended to resurrect the spirit of the Iroquois. They tried to learn the languages, assumed Iroquois names, and organized the group by the historic pattern of Iroquois tribes. In 1844 they received permission from the former Freemasons of Aurora to use the upper floor of the Masonic temple as a meeting hall. New members underwent a secret rite called inindianation in which they were transformed spiritually into Iroquois. They met in the summer around campfires and paraded yearly through the town in costume. Morgan seemed infused with the spirit of the Iroquois. He said, "We are now upon the very soil over which they exercised dominion ... Poetry still lingers around the scenery...." These new Iroquois retained a literary frame of mind, but they intended to focus on "the writing of a native American epic that would define national identity". CANNOTANSWER

Question: What or who were the Iroquis in  The New Confederacy
Answer: native American
Aretha Franklin

Context: Franklin dealt with weight issues for years. In 1974, she dropped 40 pounds (18 kg) during a crash diet and maintained her new weight until the end of the decade. Franklin again lost the weight in the early 1990s before gaining some back. A former chain smoker who struggled with alcoholism, she quit smoking in 1992. Franklin admitted in 1994 that her smoking was "messing with my voice", but after quitting smoking she said later, in 2003, that her weight "ballooned".  In 2010, Franklin canceled a number of concerts after she decided to have surgery for an undisclosed tumor. Discussing the surgery in 2011, she quoted her doctor as saying it would "add 15 to 20 years" to her life. She denied that the ailment had anything to do with pancreatic cancer, as it was rumored. On May 19, 2011, Franklin had her comeback show in the Chicago theatre. In May 2013, Franklin canceled two performances to deal with an undisclosed medical treatment. Later in the same month, Franklin canceled three more concerts in June and planned to return to perform in July. However, a show of July 27 in Clarkston, Michigan was canceled due to continued medical treatment. In addition, Franklin canceled an appearance at an MLB luncheon in Chicago honoring her commitment to civil rights on an August 24 date. She also canceled a performance of September 21 in Atlanta due to her health recovery. During a phone interview with The Associated Press in late August 2013 Franklin stated that she had a "miraculous" recovery from her undisclosed illness but had to cancel shows and appearances until she was at 100% health, stating she was "85% healed". Franklin has since returned to live performing, including a 2013 Christmas concert at Detroit's Motor City Casino. She launched a multi-city tour beginning the summer of 2014, starting with a performance of June 14 in New York at the Radio City Music Hall.  In 2017, Franklin canceled a series of concerts due to health reasons. During an outdoors Detroit show, Franklin told the audience to "keep me in your prayers". In July 2017, Franklin reemerged, appearing to lose more weight before a performance at the Wolf Trap in Virginia. CANNOTANSWER

Question: what was Aretha Franklin's health problem
Answer: Franklin dealt with weight issues for years.
Aretha Franklin

Context: Franklin dealt with weight issues for years. In 1974, she dropped 40 pounds (18 kg) during a crash diet and maintained her new weight until the end of the decade. Franklin again lost the weight in the early 1990s before gaining some back. A former chain smoker who struggled with alcoholism, she quit smoking in 1992. Franklin admitted in 1994 that her smoking was "messing with my voice", but after quitting smoking she said later, in 2003, that her weight "ballooned".  In 2010, Franklin canceled a number of concerts after she decided to have surgery for an undisclosed tumor. Discussing the surgery in 2011, she quoted her doctor as saying it would "add 15 to 20 years" to her life. She denied that the ailment had anything to do with pancreatic cancer, as it was rumored. On May 19, 2011, Franklin had her comeback show in the Chicago theatre. In May 2013, Franklin canceled two performances to deal with an undisclosed medical treatment. Later in the same month, Franklin canceled three more concerts in June and planned to return to perform in July. However, a show of July 27 in Clarkston, Michigan was canceled due to continued medical treatment. In addition, Franklin canceled an appearance at an MLB luncheon in Chicago honoring her commitment to civil rights on an August 24 date. She also canceled a performance of September 21 in Atlanta due to her health recovery. During a phone interview with The Associated Press in late August 2013 Franklin stated that she had a "miraculous" recovery from her undisclosed illness but had to cancel shows and appearances until she was at 100% health, stating she was "85% healed". Franklin has since returned to live performing, including a 2013 Christmas concert at Detroit's Motor City Casino. She launched a multi-city tour beginning the summer of 2014, starting with a performance of June 14 in New York at the Radio City Music Hall.  In 2017, Franklin canceled a series of concerts due to health reasons. During an outdoors Detroit show, Franklin told the audience to "keep me in your prayers". In July 2017, Franklin reemerged, appearing to lose more weight before a performance at the Wolf Trap in Virginia. CANNOTANSWER

Question: did weight issues killed Aretha Franklin
Answer: she decided to have surgery for an undisclosed tumor. Discussing the surgery in 2011, she quoted her doctor as saying it would "add 15 to 20 years" to her life.