gaussalgo/Canard_Wiki-augmented huggingface dataset:
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: Who did Woody Guthrie work for?
Answer: owned by a populist-minded New Deal Democrat, Frank W. Burke,
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: What did Frank W. Burke do for Woody Guthrie?
Answer: Guthrie was making enough money to send for his family, who were still living in Texas.
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: Did Woody Guthrie marry any one?
Answer: Ed Robbin.
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: When were Woody Guthrie and Ed Robbin married?
Answer: Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa,
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: did Woody Guthrie and Ed Robbin have kids?
Answer: outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939,
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: Does Woody Guthrie go to war at the outbreak of World War II?
Answer: With the outbreak of World War II
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: Besides Woody Guthrie marrying Ed Robbin, Are there any other interesting aspects about this article?
Answer: "spinning apologia"
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: What is spinning apologia in regards to Woody Guthrie?
Answer: Without the daily radio show,
Woody Guthrie

Context: During the Dust Bowl period, Guthrie joined the thousands of Okies who were migrating to California looking for work, leaving his wife and children in Texas. Many of his songs are concerned with the conditions faced by these working-class people.  During the late part of that decade, he achieved fame with radio partner Maxine "Lefty Lou" Crissman as a broadcast performer of commercial hillbilly music and traditional folk music. Guthrie was making enough money to send for his family, who were still living in Texas. While appearing on the commercial radio station KFVD, owned by a populist-minded New Deal Democrat, Frank W. Burke, Guthrie began to write and perform some of the protest songs that would eventually appear on Dust Bowl Ballads.  While at KFVD, Guthrie met newscaster Ed Robbin. Robbin was impressed with a song Guthrie wrote about political activist Thomas Mooney, believed by many to be wrongly convicted in a case that was a cause celebre of the time. Robbin, who became Guthrie's political mentor, introduced Guthrie to socialists and Communists in Southern California, including Will Geer (who, in turn, introduced Guthrie to John Steinbeck). Robbin remained Guthrie's lifelong friend, and helped Guthrie book benefit performances in the Communist circles in Southern California. Notwithstanding Guthrie's later claim that "the best thing that I did in 1936 was to sign up with the Communist Party", he was never a member of the party. He was noted as a fellow traveler--an outsider who agreed with the platform of the party while not subject to party discipline. Guthrie wrote a column for the Communist newspaper, People's World. The column, titled "Woody Sez", appeared a total of 174 times from May 1939 to January 1940. "Woody Sez" was not explicitly political, but was about current events as observed by Guthrie. He wrote the columns in an exaggerated hillbilly dialect and usually included a small comic; they were published as a collection after Guthrie's death. Steve Earle said of Guthrie, "I don't think of Woody Guthrie as a political writer. He was a writer who lived in very political times."  With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio did not want its staff "spinning apologia" for the Soviet Union. Both Robbin and Guthrie left the station. Without the daily radio show, his prospects for employment diminished, and Guthrie and his family returned to Pampa, Texas. Although Mary Guthrie was happy to return to Texas, Guthrie preferred to accept Will Geer's invitation to New York City and headed east. CANNOTANSWER

Question: Who hosted the daily radio show that Woody Guthrie was involved with?
Answer: Woody Guthrie
LL Cool J

Context: After acting in The Hard Way and Toys, LL Cool J released 14 Shots to the Dome. The album had four singles ("How I'm Comin'", "Back Seat" and the strangely titled "Pink Cookies in a Plastic Bag Getting Crushed by Buildings", "Stand by your man") and guest-featured labelmates Lords of the Underground on "NFA-No Frontin' Allowed". The album went gold.  LL Cool J starred in In the House, an NBC sitcom, before releasing Mr. Smith (1995), which went on to sell over two million copies. Its singles included "Doin' It" and "Loungin". Another of the album's singles, "Hey Lover", featured Boyz II Men sampling Michael Jackson's "The Lady in My Life," which eventually became one of the first hip-hop music videos to air on VH1. The song also earned him a Grammy Award. Yet another single from the album, "I Shot Ya Remix", included vocal work by Foxy Brown. In 1996, Def Jam released this "greatest hits" package, offering a good summary of Cool J's career, from the relentless minimalism of early hits such as "Rock the Bells" to the smooth-talking braggadocio that followed. Classic albums including Bigger and Deffer and Mama Said Knock You Out are well represented here. In 1997, he released the album Phenomenon. The singles included "Phenomenon" and "Father". The official second single from Phenomenon was "4, 3, 2, 1", which featured Method Man, Redman & Master P and introduced DMX and Canibus.  In 2000, LL Cool J released the album G.O.A.T., which stood for the "Greatest of All Time." It debuted at number one on the Billboard album charts, and went platinum. LL Cool J thanked Canibus in the liner notes of the album, "for the inspiration". LL Cool J's next album 10 from 2002, was his 9th studio (10th overall including his greatest hits compilation All World), and included the singles "Paradise" (featuring Amerie), "Luv U Better", produced by Pharrell and the Neptunes, and the 2003 Jennifer Lopez duet, "All I Have". The album reached platinum status. LL Cool J's tenth album The DEFinition was released on August 31, 2004. The album debuted at No. 4 on the Billboard charts. Production came from Timbaland, 7 Aurelius, R. Kelly, and others. The lead single was the Timbaland-produced "Headsprung", which peaked at No. 16 on the Billboard Hot 100. The second single was the 7 Aurelius-produced, "Hush", which peaked at No. 26 on the Billboard Hot 100. CANNOTANSWER

Question: What happened LL Cool J in 1993?
Answer: LL Cool J starred in In the House, an NBC sitcom, before releasing Mr. Smith (1995),
LL Cool J

Context: After acting in The Hard Way and Toys, LL Cool J released 14 Shots to the Dome. The album had four singles ("How I'm Comin'", "Back Seat" and the strangely titled "Pink Cookies in a Plastic Bag Getting Crushed by Buildings", "Stand by your man") and guest-featured labelmates Lords of the Underground on "NFA-No Frontin' Allowed". The album went gold.  LL Cool J starred in In the House, an NBC sitcom, before releasing Mr. Smith (1995), which went on to sell over two million copies. Its singles included "Doin' It" and "Loungin". Another of the album's singles, "Hey Lover", featured Boyz II Men sampling Michael Jackson's "The Lady in My Life," which eventually became one of the first hip-hop music videos to air on VH1. The song also earned him a Grammy Award. Yet another single from the album, "I Shot Ya Remix", included vocal work by Foxy Brown. In 1996, Def Jam released this "greatest hits" package, offering a good summary of Cool J's career, from the relentless minimalism of early hits such as "Rock the Bells" to the smooth-talking braggadocio that followed. Classic albums including Bigger and Deffer and Mama Said Knock You Out are well represented here. In 1997, he released the album Phenomenon. The singles included "Phenomenon" and "Father". The official second single from Phenomenon was "4, 3, 2, 1", which featured Method Man, Redman & Master P and introduced DMX and Canibus.  In 2000, LL Cool J released the album G.O.A.T., which stood for the "Greatest of All Time." It debuted at number one on the Billboard album charts, and went platinum. LL Cool J thanked Canibus in the liner notes of the album, "for the inspiration". LL Cool J's next album 10 from 2002, was his 9th studio (10th overall including his greatest hits compilation All World), and included the singles "Paradise" (featuring Amerie), "Luv U Better", produced by Pharrell and the Neptunes, and the 2003 Jennifer Lopez duet, "All I Have". The album reached platinum status. LL Cool J's tenth album The DEFinition was released on August 31, 2004. The album debuted at No. 4 on the Billboard charts. Production came from Timbaland, 7 Aurelius, R. Kelly, and others. The lead single was the Timbaland-produced "Headsprung", which peaked at No. 16 on the Billboard Hot 100. The second single was the 7 Aurelius-produced, "Hush", which peaked at No. 26 on the Billboard Hot 100. CANNOTANSWER

Question: What did LL Cool J do after filming
Answer: "The Lady in My Life," which eventually became one of the first hip-hop music videos to air on VH1.
LL Cool J

Context: After acting in The Hard Way and Toys, LL Cool J released 14 Shots to the Dome. The album had four singles ("How I'm Comin'", "Back Seat" and the strangely titled "Pink Cookies in a Plastic Bag Getting Crushed by Buildings", "Stand by your man") and guest-featured labelmates Lords of the Underground on "NFA-No Frontin' Allowed". The album went gold.  LL Cool J starred in In the House, an NBC sitcom, before releasing Mr. Smith (1995), which went on to sell over two million copies. Its singles included "Doin' It" and "Loungin". Another of the album's singles, "Hey Lover", featured Boyz II Men sampling Michael Jackson's "The Lady in My Life," which eventually became one of the first hip-hop music videos to air on VH1. The song also earned him a Grammy Award. Yet another single from the album, "I Shot Ya Remix", included vocal work by Foxy Brown. In 1996, Def Jam released this "greatest hits" package, offering a good summary of Cool J's career, from the relentless minimalism of early hits such as "Rock the Bells" to the smooth-talking braggadocio that followed. Classic albums including Bigger and Deffer and Mama Said Knock You Out are well represented here. In 1997, he released the album Phenomenon. The singles included "Phenomenon" and "Father". The official second single from Phenomenon was "4, 3, 2, 1", which featured Method Man, Redman & Master P and introduced DMX and Canibus.  In 2000, LL Cool J released the album G.O.A.T., which stood for the "Greatest of All Time." It debuted at number one on the Billboard album charts, and went platinum. LL Cool J thanked Canibus in the liner notes of the album, "for the inspiration". LL Cool J's next album 10 from 2002, was his 9th studio (10th overall including his greatest hits compilation All World), and included the singles "Paradise" (featuring Amerie), "Luv U Better", produced by Pharrell and the Neptunes, and the 2003 Jennifer Lopez duet, "All I Have". The album reached platinum status. LL Cool J's tenth album The DEFinition was released on August 31, 2004. The album debuted at No. 4 on the Billboard charts. Production came from Timbaland, 7 Aurelius, R. Kelly, and others. The lead single was the Timbaland-produced "Headsprung", which peaked at No. 16 on the Billboard Hot 100. The second single was the 7 Aurelius-produced, "Hush", which peaked at No. 26 on the Billboard Hot 100. CANNOTANSWER

Question: What was LL Cool J biggest hit?
Answer: The Lady in My Life,
LL Cool J

Context: After acting in The Hard Way and Toys, LL Cool J released 14 Shots to the Dome. The album had four singles ("How I'm Comin'", "Back Seat" and the strangely titled "Pink Cookies in a Plastic Bag Getting Crushed by Buildings", "Stand by your man") and guest-featured labelmates Lords of the Underground on "NFA-No Frontin' Allowed". The album went gold.  LL Cool J starred in In the House, an NBC sitcom, before releasing Mr. Smith (1995), which went on to sell over two million copies. Its singles included "Doin' It" and "Loungin". Another of the album's singles, "Hey Lover", featured Boyz II Men sampling Michael Jackson's "The Lady in My Life," which eventually became one of the first hip-hop music videos to air on VH1. The song also earned him a Grammy Award. Yet another single from the album, "I Shot Ya Remix", included vocal work by Foxy Brown. In 1996, Def Jam released this "greatest hits" package, offering a good summary of Cool J's career, from the relentless minimalism of early hits such as "Rock the Bells" to the smooth-talking braggadocio that followed. Classic albums including Bigger and Deffer and Mama Said Knock You Out are well represented here. In 1997, he released the album Phenomenon. The singles included "Phenomenon" and "Father". The official second single from Phenomenon was "4, 3, 2, 1", which featured Method Man, Redman & Master P and introduced DMX and Canibus.  In 2000, LL Cool J released the album G.O.A.T., which stood for the "Greatest of All Time." It debuted at number one on the Billboard album charts, and went platinum. LL Cool J thanked Canibus in the liner notes of the album, "for the inspiration". LL Cool J's next album 10 from 2002, was his 9th studio (10th overall including his greatest hits compilation All World), and included the singles "Paradise" (featuring Amerie), "Luv U Better", produced by Pharrell and the Neptunes, and the 2003 Jennifer Lopez duet, "All I Have". The album reached platinum status. LL Cool J's tenth album The DEFinition was released on August 31, 2004. The album debuted at No. 4 on the Billboard charts. Production came from Timbaland, 7 Aurelius, R. Kelly, and others. The lead single was the Timbaland-produced "Headsprung", which peaked at No. 16 on the Billboard Hot 100. The second single was the 7 Aurelius-produced, "Hush", which peaked at No. 26 on the Billboard Hot 100. CANNOTANSWER

Question: Did LL Cool J receive any awards?
Answer: It debuted at number one on the Billboard album charts, and went platinum.
Rodney Dangerfield

Context: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day. He divorced his first wife Joyce in 1961, and returned to the stage, performing at many hotels in the Catskill Mountains, but still finding minimal success. He fell into debt (about $20,000 by his own estimate), and couldn't get booked. As he would later joke, "I played one club--it was so far out, my act was reviewed in Field & Stream."  He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to, one that would distinguish him from other comics. After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.  He took the name Rodney Dangerfield, which had been used as the comical name of a faux cowboy star by Jack Benny on his radio program at least as early as the December 21, 1941, broadcast, and later as a pseudonym by Ricky Nelson on the TV program The Adventures of Ozzie and Harriet. The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character. The "Biography" program also tells of the time Benny visited Dangerfield backstage after one of his performances. During this visit Benny complimented him on developing such a wonderful comedy character and style. However, Jack Roy remained Dangerfield's legal name, as he mentioned in several interviews. During a question-and-answer session with the audience on the album No Respect, Dangerfield joked that his real name was Percival Swetwater. CANNOTANSWER

Question: What was Rodney Dangerfield's early career like?
Answer: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day.
Rodney Dangerfield

Context: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day. He divorced his first wife Joyce in 1961, and returned to the stage, performing at many hotels in the Catskill Mountains, but still finding minimal success. He fell into debt (about $20,000 by his own estimate), and couldn't get booked. As he would later joke, "I played one club--it was so far out, my act was reviewed in Field & Stream."  He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to, one that would distinguish him from other comics. After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.  He took the name Rodney Dangerfield, which had been used as the comical name of a faux cowboy star by Jack Benny on his radio program at least as early as the December 21, 1941, broadcast, and later as a pseudonym by Ricky Nelson on the TV program The Adventures of Ozzie and Harriet. The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character. The "Biography" program also tells of the time Benny visited Dangerfield backstage after one of his performances. During this visit Benny complimented him on developing such a wonderful comedy character and style. However, Jack Roy remained Dangerfield's legal name, as he mentioned in several interviews. During a question-and-answer session with the audience on the album No Respect, Dangerfield joked that his real name was Percival Swetwater. CANNOTANSWER

Question: Why did Rodney Dangerfield's career need rehabilitation?
Answer: He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to,
Rodney Dangerfield

Context: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day. He divorced his first wife Joyce in 1961, and returned to the stage, performing at many hotels in the Catskill Mountains, but still finding minimal success. He fell into debt (about $20,000 by his own estimate), and couldn't get booked. As he would later joke, "I played one club--it was so far out, my act was reviewed in Field & Stream."  He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to, one that would distinguish him from other comics. After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.  He took the name Rodney Dangerfield, which had been used as the comical name of a faux cowboy star by Jack Benny on his radio program at least as early as the December 21, 1941, broadcast, and later as a pseudonym by Ricky Nelson on the TV program The Adventures of Ozzie and Harriet. The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character. The "Biography" program also tells of the time Benny visited Dangerfield backstage after one of his performances. During this visit Benny complimented him on developing such a wonderful comedy character and style. However, Jack Roy remained Dangerfield's legal name, as he mentioned in several interviews. During a question-and-answer session with the audience on the album No Respect, Dangerfield joked that his real name was Percival Swetwater. CANNOTANSWER

Question: How did Rodney Dangerfield create the rehabilitated career?
Answer: After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.
Rodney Dangerfield

Context: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day. He divorced his first wife Joyce in 1961, and returned to the stage, performing at many hotels in the Catskill Mountains, but still finding minimal success. He fell into debt (about $20,000 by his own estimate), and couldn't get booked. As he would later joke, "I played one club--it was so far out, my act was reviewed in Field & Stream."  He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to, one that would distinguish him from other comics. After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.  He took the name Rodney Dangerfield, which had been used as the comical name of a faux cowboy star by Jack Benny on his radio program at least as early as the December 21, 1941, broadcast, and later as a pseudonym by Ricky Nelson on the TV program The Adventures of Ozzie and Harriet. The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character. The "Biography" program also tells of the time Benny visited Dangerfield backstage after one of his performances. During this visit Benny complimented him on developing such a wonderful comedy character and style. However, Jack Roy remained Dangerfield's legal name, as he mentioned in several interviews. During a question-and-answer session with the audience on the album No Respect, Dangerfield joked that his real name was Percival Swetwater. CANNOTANSWER

Question: Was the developing a character for whom nothing goes right successful?
Answer: CANNOTANSWER
Rodney Dangerfield

Context: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day. He divorced his first wife Joyce in 1961, and returned to the stage, performing at many hotels in the Catskill Mountains, but still finding minimal success. He fell into debt (about $20,000 by his own estimate), and couldn't get booked. As he would later joke, "I played one club--it was so far out, my act was reviewed in Field & Stream."  He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to, one that would distinguish him from other comics. After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.  He took the name Rodney Dangerfield, which had been used as the comical name of a faux cowboy star by Jack Benny on his radio program at least as early as the December 21, 1941, broadcast, and later as a pseudonym by Ricky Nelson on the TV program The Adventures of Ozzie and Harriet. The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character. The "Biography" program also tells of the time Benny visited Dangerfield backstage after one of his performances. During this visit Benny complimented him on developing such a wonderful comedy character and style. However, Jack Roy remained Dangerfield's legal name, as he mentioned in several interviews. During a question-and-answer session with the audience on the album No Respect, Dangerfield joked that his real name was Percival Swetwater. CANNOTANSWER

Question: Besides, Rodney Dangerfield rehabilitating his career, are there any other interesting aspects about this article?
Answer: The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character.
Rodney Dangerfield

Context: In the early 1960s he started down what would be a long road toward rehabilitating his career as an entertainer, still working as a salesman by day. He divorced his first wife Joyce in 1961, and returned to the stage, performing at many hotels in the Catskill Mountains, but still finding minimal success. He fell into debt (about $20,000 by his own estimate), and couldn't get booked. As he would later joke, "I played one club--it was so far out, my act was reviewed in Field & Stream."  He came to realize that what he lacked was an "image", a well-defined on-stage persona that audiences could relate to, one that would distinguish him from other comics. After being shunned by some premier comedy venues, he returned to the East Coast where he began developing a character for whom nothing goes right.  He took the name Rodney Dangerfield, which had been used as the comical name of a faux cowboy star by Jack Benny on his radio program at least as early as the December 21, 1941, broadcast, and later as a pseudonym by Ricky Nelson on the TV program The Adventures of Ozzie and Harriet. The Benny character, who also received little or no respect from the outside world, served as a great inspiration to Dangerfield while he was developing his own comedy character. The "Biography" program also tells of the time Benny visited Dangerfield backstage after one of his performances. During this visit Benny complimented him on developing such a wonderful comedy character and style. However, Jack Roy remained Dangerfield's legal name, as he mentioned in several interviews. During a question-and-answer session with the audience on the album No Respect, Dangerfield joked that his real name was Percival Swetwater. CANNOTANSWER

Question: Did Rodney Dangerfield receive a lot of criticism in his early career?
Answer: CANNOTANSWER