gaussalgo/Canard_Wiki-augmented huggingface dataset:
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: how did Vince McMahon influence the 1980s wrestling boom?
Answer: promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: What year did wrestling promoters decide not to invade each other's territories?
Answer: this practice had gone on undeterred for decades;
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: what happened to Vince McMahon in 1980?
Answer: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts,
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: Did  Vince McMahon have any rivals?
Answer: such as the American Wrestling Association (AWA).
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: is there anything interesting about  Vince McMahon's 1980s wrestling boom?
Answer: In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar,
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: who else did Vince McMahon recruit besides Hulk Hogan?
Answer: created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines.
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: Did Vince Mcmahon have anything to do with wrestling being televised?
Answer: the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming.
Vince McMahon

Context: On February 21, 1980, McMahon officially founded Titan Sports, and the company's headquarters were established in South Yarmouth, Massachusetts, using the now defunct Cape Cod Coliseum as a home base for the company. At the time of his purchase of the WWF, professional wrestling was a business run by regional promotions. The various promoters shared an understanding that they would not invade each other's territories, as this practice had gone on undeterred for decades; McMahon had a different vision of what the industry could become. In 1983, the WWF split from the National Wrestling Alliance a second time, after initially splitting from them in 1963 before rejoining them in 1971. The NWA was the governing body for all the regional territories across the country and as far away as Japan.  He began expanding the company nationally by promoting in areas outside of the company's Northeast U.S. stomping grounds and by signing talent from other companies, such as the American Wrestling Association (AWA). In 1984, he recruited Hulk Hogan to be the WWF's charismatic new megastar, and the two quickly drew the ire of industry peers as the promotion began traveling and broadcasting into rival territories. Nevertheless, McMahon (who still also fronted as the WWF's squeaky clean babyface announcer) created The Rock 'n' Wrestling Connection by incorporating pop music stars into wrestling storylines. As a result, the WWF was able to expand its fanbase into a national mainstream audience as the promotion was featured heavily on MTV programming. On March 31, 1985, he ran the first WrestleMania at Madison Square Garden, available on closed circuit television in various markets throughout the U.S.  During the late 1980s, McMahon shaped the WWF into a unique sports entertainment brand that reached out to family audiences while attracting fans who had never before paid attention to pro wrestling. By directing his storylines towards highly publicized supercards, McMahon capitalized on a fledgling revenue stream by promoting these events live on PPV television. In 1987, the WWF reportedly drew 93,173 fans to the Pontiac Silverdome (which was called the "biggest crowd in sports entertainment history") for WrestleMania III, which featured the main event of Hulk Hogan versus Andre the Giant. CANNOTANSWER

Question: What other programs would the WWF show on besides MTV?
Answer: on closed circuit television in various markets throughout the U.S.
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: What happened at Woodstock in 1969?
Answer: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: Was Abbie Hoffman successful interrupting The Who's performance at Woodstock?
Answer: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: What happened after Abbie Hoffman interrupted The Who's performance at Woodstock in 1969?
Answer: Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: What happened after Townshend told Hoffman to "Fuck off! Fuck off my fucking stage!" at Woodstock?
Answer: and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman.
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: Was anyone arrested after the confrontation between Hoffman and Townshend at Woodstock?
Answer: CANNOTANSWER
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: Did anyone get hurt in the confrontation between Hoffman and Townshend at Woodstock?
Answer: He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage.
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: Other than Hoffman and Townshend, what else can you tell me about Woodstock in this article??
Answer: 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership
Abbie Hoffman

Context: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident").  In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach."  In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts. CANNOTANSWER

Question: Did the book "Steal This book" do well?
Answer: CANNOTANSWER
Scooter Libby

Context: Libby was born to an affluent Jewish family in New Haven, Connecticut; his late father, Irving Lewis Liebowitz, was an investment banker.  Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school, in 1965. The family lived in the Washington region, Miami and Connecticut prior to Libby's graduation from Phillips Academy, in Andover, Massachusetts, in 1968.  He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college. Libby matriculated at Yale University in New Haven, Connecticut, in Fall 1968, graduating magna cum laude in 1972. As Yale Daily News reporter Jack Mirkinson observes, "Even though he would eventually become a prominent Republican, Libby's political beginnings would not have pointed in that direction. He served as vice president of the Yale College Democrats and later campaigned for Michael Dukakis when he was running for governor of Massachusetts." According to Mirkinson: "Two particular Yale courses helped guide Libby's future endeavors. One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science class with professor and future Deputy Secretary of Defense Paul Wolfowitz. In an interview with author James Mann, Libby said Wolfowitz was one of his favorite professors, and their professional relationship did not end with the class." Wolfowitz became a significant mentor in his later professional life.  In 1975, as a Harlan Fiske Stone Scholar, Libby received his Juris Doctor (J.D.) degree from Columbia Law School. CANNOTANSWER

Question: Where is  Scooter Libby from?
Answer: in New Haven, Connecticut;
Scooter Libby

Context: Libby was born to an affluent Jewish family in New Haven, Connecticut; his late father, Irving Lewis Liebowitz, was an investment banker.  Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school, in 1965. The family lived in the Washington region, Miami and Connecticut prior to Libby's graduation from Phillips Academy, in Andover, Massachusetts, in 1968.  He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college. Libby matriculated at Yale University in New Haven, Connecticut, in Fall 1968, graduating magna cum laude in 1972. As Yale Daily News reporter Jack Mirkinson observes, "Even though he would eventually become a prominent Republican, Libby's political beginnings would not have pointed in that direction. He served as vice president of the Yale College Democrats and later campaigned for Michael Dukakis when he was running for governor of Massachusetts." According to Mirkinson: "Two particular Yale courses helped guide Libby's future endeavors. One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science class with professor and future Deputy Secretary of Defense Paul Wolfowitz. In an interview with author James Mann, Libby said Wolfowitz was one of his favorite professors, and their professional relationship did not end with the class." Wolfowitz became a significant mentor in his later professional life.  In 1975, as a Harlan Fiske Stone Scholar, Libby received his Juris Doctor (J.D.) degree from Columbia Law School. CANNOTANSWER

Question: Where did Scooter Libby grow up?
Answer: Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school,
Scooter Libby

Context: Libby was born to an affluent Jewish family in New Haven, Connecticut; his late father, Irving Lewis Liebowitz, was an investment banker.  Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school, in 1965. The family lived in the Washington region, Miami and Connecticut prior to Libby's graduation from Phillips Academy, in Andover, Massachusetts, in 1968.  He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college. Libby matriculated at Yale University in New Haven, Connecticut, in Fall 1968, graduating magna cum laude in 1972. As Yale Daily News reporter Jack Mirkinson observes, "Even though he would eventually become a prominent Republican, Libby's political beginnings would not have pointed in that direction. He served as vice president of the Yale College Democrats and later campaigned for Michael Dukakis when he was running for governor of Massachusetts." According to Mirkinson: "Two particular Yale courses helped guide Libby's future endeavors. One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science class with professor and future Deputy Secretary of Defense Paul Wolfowitz. In an interview with author James Mann, Libby said Wolfowitz was one of his favorite professors, and their professional relationship did not end with the class." Wolfowitz became a significant mentor in his later professional life.  In 1975, as a Harlan Fiske Stone Scholar, Libby received his Juris Doctor (J.D.) degree from Columbia Law School. CANNOTANSWER

Question: Did Scooter Libby attend college?
Answer: He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college.
Scooter Libby

Context: Libby was born to an affluent Jewish family in New Haven, Connecticut; his late father, Irving Lewis Liebowitz, was an investment banker.  Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school, in 1965. The family lived in the Washington region, Miami and Connecticut prior to Libby's graduation from Phillips Academy, in Andover, Massachusetts, in 1968.  He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college. Libby matriculated at Yale University in New Haven, Connecticut, in Fall 1968, graduating magna cum laude in 1972. As Yale Daily News reporter Jack Mirkinson observes, "Even though he would eventually become a prominent Republican, Libby's political beginnings would not have pointed in that direction. He served as vice president of the Yale College Democrats and later campaigned for Michael Dukakis when he was running for governor of Massachusetts." According to Mirkinson: "Two particular Yale courses helped guide Libby's future endeavors. One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science class with professor and future Deputy Secretary of Defense Paul Wolfowitz. In an interview with author James Mann, Libby said Wolfowitz was one of his favorite professors, and their professional relationship did not end with the class." Wolfowitz became a significant mentor in his later professional life.  In 1975, as a Harlan Fiske Stone Scholar, Libby received his Juris Doctor (J.D.) degree from Columbia Law School. CANNOTANSWER

Question: Where did Scooter Libby attend college?
Answer: Libby matriculated at Yale University in New Haven, Connecticut,
Scooter Libby

Context: Libby was born to an affluent Jewish family in New Haven, Connecticut; his late father, Irving Lewis Liebowitz, was an investment banker.  Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school, in 1965. The family lived in the Washington region, Miami and Connecticut prior to Libby's graduation from Phillips Academy, in Andover, Massachusetts, in 1968.  He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college. Libby matriculated at Yale University in New Haven, Connecticut, in Fall 1968, graduating magna cum laude in 1972. As Yale Daily News reporter Jack Mirkinson observes, "Even though he would eventually become a prominent Republican, Libby's political beginnings would not have pointed in that direction. He served as vice president of the Yale College Democrats and later campaigned for Michael Dukakis when he was running for governor of Massachusetts." According to Mirkinson: "Two particular Yale courses helped guide Libby's future endeavors. One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science class with professor and future Deputy Secretary of Defense Paul Wolfowitz. In an interview with author James Mann, Libby said Wolfowitz was one of his favorite professors, and their professional relationship did not end with the class." Wolfowitz became a significant mentor in his later professional life.  In 1975, as a Harlan Fiske Stone Scholar, Libby received his Juris Doctor (J.D.) degree from Columbia Law School. CANNOTANSWER

Question: what did Scooter Libby study at Yale ?
Answer: One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science