gaussalgo/Canard_Wiki-augmented huggingface dataset:
Fugazi

Context: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me."  MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.  After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]".  The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted. CANNOTANSWER

Question: Where did the band Fugazi perform?
Answer: CANNOTANSWER
Fugazi

Context: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me."  MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.  After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]".  The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted. CANNOTANSWER

Question: What were some of Fugazi's early songs?
Answer: CANNOTANSWER
Fugazi

Context: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me."  MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.  After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]".  The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted. CANNOTANSWER

Question: How did the band Fugazi come together?
Answer: One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session
Fugazi

Context: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me."  MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.  After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]".  The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted. CANNOTANSWER

Question: In what year did the band Fugazi form?
Answer: 1986.
Fugazi

Context: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me."  MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.  After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]".  The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted. CANNOTANSWER

Question: Where did the band Fugazi form?
Answer: CANNOTANSWER
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: What was the controversy over Eden Natan-Zada's burial?
Answer: Natan-Zada's funeral was a controversial matter.
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Why was Eden Natan-Zada's funeral a controversial matter?
Answer: Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: When was Eden Natan-Zada finally buried?
Answer: An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Did Eden Natan-Zada get buried in a time frame acceptable to the Jewish culture?
Answer: The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Did anything come of the protests over Abu Kabir Forensic Institute's refusal to release Eden Natan-Zada's body for burial?
Answer: Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents.
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Was the appeal to Prime Minister Sharon by Eden Natan-Zada's parents to release his body for burial successful?
Answer: On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there.
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Are there any other interesting aspects about the controversy of Eden Natan-Zada's burial besides the morgue's refusal to release his body?
Answer: Three of the hundreds of mourners at the burial were arrested
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Why were three of the mourners at Eden Natan-Zada's burial arrested?
Answer: with administrative arrest orders,
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: Why were there arrest orders for three of the mourners at Eden Natan-Zada's burial?
Answer: including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad.
Eden Natan-Zada

Context: Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days.  An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.  Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death.  Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad. CANNOTANSWER

Question: What did "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad do?
Answer: He was buried in the Gordon neighborhood.
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: What is the significance of Leontyne Price's Antony and Cleopatra?
Answer: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers,
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: Did Leontyne Price work with other well known composers other than Samuel Barber?
Answer: CANNOTANSWER
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than Leontyne Price's performance in Anthony and Cleopatra?
Answer: Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: How was Leontyne Price's performance of Cleopatra in Anthony and Cleopatra received?
Answer: In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure.
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: Why was the opera Anthony and Cleopatra a failure?
Answer: Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery.
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: Are there any other performances noted in the article other than Leontyne Price's performace of Cleopatra?
Answer: CANNOTANSWER
Leontyne Price

Context: Price's career climaxed on September 16, 1966, when she sang Cleopatra in Antony and Cleopatra by American composer Samuel Barber and conducted by Thomas Schippers, commissioned to open the Met's new house at Lincoln Center. The role of Cleopatra was written especially for Price. Since their early collaborations, Price and Barber had remained close friends and colleagues, and the composer tailored Cleopatra's music to Price's warm middle register and soaring top.  In the performances, although Price's singing was praised, especially in a powerful death scene, the opera as a whole was widely considered a failure. Director Franco Zeffirelli was blamed for burying the music under heavy costumes and huge scenery. Bing admitted he had underestimated the challenge of mounting nine new productions that season (three in the first week), and relying heavily on untested high-tech equipment. (In rehearsals, an expensive turntable broke down and, in the dress rehearsal, another mechanical failure left Price trapped briefly inside a giant pyramid.) The pressures and many of the glitches were chronicled by cameras for a Bell Telephone Hour special documentary, directed by Robert Drew.  Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The opera was never revived at the Met. However, with the help of Gian Carlo Menotti, Barber later reworked the score for successful productions at the Juilliard School and the Spoleto Festival in Charleston, where it received praise. Barber also prepared a concert suite of Cleopatra's arias, which Price premiered in Washington in 1968 and subsequently recorded. Price lobbied Kurt Herbert Adler to have it produced in San Francisco, but did not succeed. CANNOTANSWER

Question: What do you find most interesting about this article on Leontyne Price in Anthony and Cleopatra?
Answer: Still others complained that Barber's score was difficult to grasp because of the dense Shakespearean verse, and lacked satisfying set pieces (apart from the death scene). The