gaussalgo/Canard_Wiki-augmented huggingface dataset:
Rubin Carter

Context: After his release from prison in September 1961, Carter became a professional boxer. At 5 ft 8 in (1.73 m), Carter was shorter than the average middleweight, but he fought all of his professional career at 155-160 lb (70-72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders--such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton--the boxing world took notice. The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.  He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in The Ring's ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.  After that fight, Carter's ranking in The Ring began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodriguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life--inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.  Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame. CANNOTANSWER

Question: Did Rubin Carter win any boxing tournaments?
Answer: The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963.
Rubin Carter

Context: After his release from prison in September 1961, Carter became a professional boxer. At 5 ft 8 in (1.73 m), Carter was shorter than the average middleweight, but he fought all of his professional career at 155-160 lb (70-72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders--such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton--the boxing world took notice. The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.  He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in The Ring's ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.  After that fight, Carter's ranking in The Ring began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodriguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life--inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.  Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame. CANNOTANSWER

Question: Did Rubin Carter have sponsors during his boxing career?
Answer: CANNOTANSWER
Rubin Carter

Context: After his release from prison in September 1961, Carter became a professional boxer. At 5 ft 8 in (1.73 m), Carter was shorter than the average middleweight, but he fought all of his professional career at 155-160 lb (70-72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders--such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton--the boxing world took notice. The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.  He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in The Ring's ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.  After that fight, Carter's ranking in The Ring began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodriguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life--inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.  Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame. CANNOTANSWER

Question: What additional interesting aspects, aside from this article about Rubin Carter, are there?
Answer: Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts
Rubin Carter

Context: After his release from prison in September 1961, Carter became a professional boxer. At 5 ft 8 in (1.73 m), Carter was shorter than the average middleweight, but he fought all of his professional career at 155-160 lb (70-72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders--such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton--the boxing world took notice. The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.  He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in The Ring's ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.  After that fight, Carter's ranking in The Ring began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodriguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life--inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.  Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame. CANNOTANSWER

Question: When did Rubin Carter retire from boxing?
Answer: CANNOTANSWER
Rubin Carter

Context: After his release from prison in September 1961, Carter became a professional boxer. At 5 ft 8 in (1.73 m), Carter was shorter than the average middleweight, but he fought all of his professional career at 155-160 lb (70-72.6 kg). His aggressive style and punching power (resulting in many early-round knockouts) drew attention, establishing him as a crowd favorite and earning him the nickname "Hurricane." After he defeated a number of middleweight contenders--such as Florentino Fernandez, Holley Mims, Gomeo Brennan, and George Benton--the boxing world took notice. The Ring first listed him as one of its "Top 10" middleweight contenders in July 1963. At the end of 1965, they ranked him as the number five middleweight.  He fought six times in 1963, winning four bouts and losing two. He remained ranked in the lower part of the top 10 until December 20, when he surprised the boxing world by flooring past and future world champion Emile Griffith twice in the first round and scoring a technical knockout. That win resulted in The Ring's ranking of Carter as the number three contender for Joey Giardello's world middleweight title. Carter won two more fights (one a decision over future heavyweight champion Jimmy Ellis) in 1964, before meeting Giardello in Philadelphia for a 15-round championship match on December 14. Carter landed a few solid rights to the head and staggered Giardello in the fourth, but was unable to follow them up, and Giardello took control of the fight in the fifth round. The judges awarded Giardello a unanimous decision.  After that fight, Carter's ranking in The Ring began to decline. He fought nine times in 1965, winning five but losing three of four against contenders Luis Manuel Rodriguez, Dick Tiger, and Harry Scott. Tiger, in particular, floored Carter three times in their match. "It was," Carter said, "the worst beating that I took in my life--inside or outside the ring." During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.  Carter's career record in boxing was 27 wins, 12 losses, and one draw in 40 fights, with 19 total knockouts (8 KOs and 11 TKOs). He received an honorary championship title belt from the World Boxing Council in 1993 (as did Joey Giardello at the same banquet) and was later inducted into the New Jersey Boxing Hall of Fame. CANNOTANSWER

Question: Did Rubin Carter suffer injuries from boxing?
Answer: During his visit to London (to fight Scott) Carter was involved in an incident in which a shot was fired in his hotel room.
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: What year was andy Dick first arrested?
Answer: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: Was Andy Dick intoxicated or under the influence?
Answer: possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving.
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: Did Andy Dick do time for driving a car into a utility pole in Hollywood?
Answer: After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: Was Andy Dick arrested again after completing  an 18-month drug diversion program?
Answer: On December 4, 2004, Dick was arrested for indecent exposure
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: Where was Dick arrested for indecent exposure on December 4,2004?
Answer: he exposed his buttocks at a local McDonald's.
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: What were the legal ramifications of Andy Dick exposing his buttocks at a local McDonald's?
Answer: CANNOTANSWER
Andy Dick

Context: On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him.  On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's.  On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year.  On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages. CANNOTANSWER

Question: Was exposing Andy Dick's buttocks in Mcdonald's Andy Dick's last run in with the law?
Answer: On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery.
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: Can you provide me with a little more information on the instrumental music of Jean-Philippe Rameau?
Answer: Rameau is one of the two masters of the French school of harpsichord music
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: Was Rameau successful as a master of the French school of harpsichord music?
Answer: Rameau's three collections appeared in 1706, 1724 and 1726 or 1727,
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: Can you tell me how many people were apart of the French school of harpsichord music?
Answer: Couperin, Rameau is one of the two masters of the French school
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: Besides Rameau being a master of the French school of harpsichord music, what are some other important aspects of the French school ?
Answer: ). Rameau published his first book
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: Was Jean-Philippe Rameau's first book successful?
Answer: CANNOTANSWER
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: What types of instruments were used by Rameau?
Answer: harpsichord:
Jean-Philippe Rameau

Context: Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret.  Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key.  Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him.  During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least. CANNOTANSWER

Question: Was the harpsichord used quite a lot?
Answer: CANNOTANSWER