gaussalgo/Canard_Wiki-augmented huggingface dataset:
Wu-Tang Clan

Context: The group reconvened once again to make The W, though without Ol' Dirty Bastard, who was at the time incarcerated in California for violating the terms of his probation. Though incarcerated, ODB managed to make it onto the track "Conditioner" which featured Snoop Dogg. ODB's vocals were recorded via the telephones used for inmates to talk with visitors, while in prison. The W was mostly well received by critics, particularly for The RZA's production, and also gave the group a hit single with the uptempo "Gravel Pit", part of a trilogy of videos where the group would visit different eras with a time traveling elevator, which also included "Protect Ya Neck (The Jump Off)" and "Careful (Click, Click)", which were then followed by "I Can't Go to Sleep" featuring Isaac Hayes. The album would go on to reach double platinum status.  Shortly before the release of The W, ODB escaped custody while being transported from a rehab center to a Los Angeles court and was considered a fugitive. At a record release party for The W, ODB appeared with his face hidden by an orange parka, and was not recognized until introduced to the crowd. With police officers present outside, ODB performed briefly and then fled, fearing capture. Six days later ODB caused a commotion, signing autographs in a McDonald's at Broad & Girard Street in North Philadelphia. Unaware of who was causing the commotion, the manager called the police. When the law arrived, ODB mistook them for fans until they drew their guns. ODB fled the facility, but was stopped while trying to start his vehicle. After presenting a fake ID, he admitted his real identity, and was arrested.  In 2001, the Wu-Tang Clan released Iron Flag, an album which made extensive use of outside producers and guests. Its crossover vibe and features, including Ron Isley, Flavor Flav, and prominent producers Trackmasters, marked it as a lighter fare; while critically praised, it gained a less than stellar reputation with fans. Group member Ghostface Killah would later denounce the record.  While originally featured on the cover of Iron Flag, Cappadonna was airbrushed out of the artwork and absent from the album entirely. This may be related to tension that arose within the group when it was revealed that Cappadonna's manager was, or had been, a police informant, a revelation that also brought on the manager's subsequent firing. Cappadonna would however, continue collaborating and touring with the group in the upcoming years.  Around this time Method Man began his acting career, along with close collaborator Redman, by starring in the stoner comedy film How High. CANNOTANSWER

Question: Was the W by Wu-Tang Clan a success?
Answer: The W was mostly well received by critics,
Wu-Tang Clan

Context: The group reconvened once again to make The W, though without Ol' Dirty Bastard, who was at the time incarcerated in California for violating the terms of his probation. Though incarcerated, ODB managed to make it onto the track "Conditioner" which featured Snoop Dogg. ODB's vocals were recorded via the telephones used for inmates to talk with visitors, while in prison. The W was mostly well received by critics, particularly for The RZA's production, and also gave the group a hit single with the uptempo "Gravel Pit", part of a trilogy of videos where the group would visit different eras with a time traveling elevator, which also included "Protect Ya Neck (The Jump Off)" and "Careful (Click, Click)", which were then followed by "I Can't Go to Sleep" featuring Isaac Hayes. The album would go on to reach double platinum status.  Shortly before the release of The W, ODB escaped custody while being transported from a rehab center to a Los Angeles court and was considered a fugitive. At a record release party for The W, ODB appeared with his face hidden by an orange parka, and was not recognized until introduced to the crowd. With police officers present outside, ODB performed briefly and then fled, fearing capture. Six days later ODB caused a commotion, signing autographs in a McDonald's at Broad & Girard Street in North Philadelphia. Unaware of who was causing the commotion, the manager called the police. When the law arrived, ODB mistook them for fans until they drew their guns. ODB fled the facility, but was stopped while trying to start his vehicle. After presenting a fake ID, he admitted his real identity, and was arrested.  In 2001, the Wu-Tang Clan released Iron Flag, an album which made extensive use of outside producers and guests. Its crossover vibe and features, including Ron Isley, Flavor Flav, and prominent producers Trackmasters, marked it as a lighter fare; while critically praised, it gained a less than stellar reputation with fans. Group member Ghostface Killah would later denounce the record.  While originally featured on the cover of Iron Flag, Cappadonna was airbrushed out of the artwork and absent from the album entirely. This may be related to tension that arose within the group when it was revealed that Cappadonna's manager was, or had been, a police informant, a revelation that also brought on the manager's subsequent firing. Cappadonna would however, continue collaborating and touring with the group in the upcoming years.  Around this time Method Man began his acting career, along with close collaborator Redman, by starring in the stoner comedy film How High. CANNOTANSWER

Question: Did the W by Wu-Tang Clan win any awards?
Answer: The album would go on to reach double platinum status.
Wu-Tang Clan

Context: The group reconvened once again to make The W, though without Ol' Dirty Bastard, who was at the time incarcerated in California for violating the terms of his probation. Though incarcerated, ODB managed to make it onto the track "Conditioner" which featured Snoop Dogg. ODB's vocals were recorded via the telephones used for inmates to talk with visitors, while in prison. The W was mostly well received by critics, particularly for The RZA's production, and also gave the group a hit single with the uptempo "Gravel Pit", part of a trilogy of videos where the group would visit different eras with a time traveling elevator, which also included "Protect Ya Neck (The Jump Off)" and "Careful (Click, Click)", which were then followed by "I Can't Go to Sleep" featuring Isaac Hayes. The album would go on to reach double platinum status.  Shortly before the release of The W, ODB escaped custody while being transported from a rehab center to a Los Angeles court and was considered a fugitive. At a record release party for The W, ODB appeared with his face hidden by an orange parka, and was not recognized until introduced to the crowd. With police officers present outside, ODB performed briefly and then fled, fearing capture. Six days later ODB caused a commotion, signing autographs in a McDonald's at Broad & Girard Street in North Philadelphia. Unaware of who was causing the commotion, the manager called the police. When the law arrived, ODB mistook them for fans until they drew their guns. ODB fled the facility, but was stopped while trying to start his vehicle. After presenting a fake ID, he admitted his real identity, and was arrested.  In 2001, the Wu-Tang Clan released Iron Flag, an album which made extensive use of outside producers and guests. Its crossover vibe and features, including Ron Isley, Flavor Flav, and prominent producers Trackmasters, marked it as a lighter fare; while critically praised, it gained a less than stellar reputation with fans. Group member Ghostface Killah would later denounce the record.  While originally featured on the cover of Iron Flag, Cappadonna was airbrushed out of the artwork and absent from the album entirely. This may be related to tension that arose within the group when it was revealed that Cappadonna's manager was, or had been, a police informant, a revelation that also brought on the manager's subsequent firing. Cappadonna would however, continue collaborating and touring with the group in the upcoming years.  Around this time Method Man began his acting career, along with close collaborator Redman, by starring in the stoner comedy film How High. CANNOTANSWER

Question: What is Wu-Tang Clan's Iron Flag?
Answer: In 2001, the Wu-Tang Clan released Iron Flag, an album which made extensive use of outside producers and guests.
Wu-Tang Clan

Context: The group reconvened once again to make The W, though without Ol' Dirty Bastard, who was at the time incarcerated in California for violating the terms of his probation. Though incarcerated, ODB managed to make it onto the track "Conditioner" which featured Snoop Dogg. ODB's vocals were recorded via the telephones used for inmates to talk with visitors, while in prison. The W was mostly well received by critics, particularly for The RZA's production, and also gave the group a hit single with the uptempo "Gravel Pit", part of a trilogy of videos where the group would visit different eras with a time traveling elevator, which also included "Protect Ya Neck (The Jump Off)" and "Careful (Click, Click)", which were then followed by "I Can't Go to Sleep" featuring Isaac Hayes. The album would go on to reach double platinum status.  Shortly before the release of The W, ODB escaped custody while being transported from a rehab center to a Los Angeles court and was considered a fugitive. At a record release party for The W, ODB appeared with his face hidden by an orange parka, and was not recognized until introduced to the crowd. With police officers present outside, ODB performed briefly and then fled, fearing capture. Six days later ODB caused a commotion, signing autographs in a McDonald's at Broad & Girard Street in North Philadelphia. Unaware of who was causing the commotion, the manager called the police. When the law arrived, ODB mistook them for fans until they drew their guns. ODB fled the facility, but was stopped while trying to start his vehicle. After presenting a fake ID, he admitted his real identity, and was arrested.  In 2001, the Wu-Tang Clan released Iron Flag, an album which made extensive use of outside producers and guests. Its crossover vibe and features, including Ron Isley, Flavor Flav, and prominent producers Trackmasters, marked it as a lighter fare; while critically praised, it gained a less than stellar reputation with fans. Group member Ghostface Killah would later denounce the record.  While originally featured on the cover of Iron Flag, Cappadonna was airbrushed out of the artwork and absent from the album entirely. This may be related to tension that arose within the group when it was revealed that Cappadonna's manager was, or had been, a police informant, a revelation that also brought on the manager's subsequent firing. Cappadonna would however, continue collaborating and touring with the group in the upcoming years.  Around this time Method Man began his acting career, along with close collaborator Redman, by starring in the stoner comedy film How High. CANNOTANSWER

Question: Who did Wu-Tang Clan collaborate with on the album Iron Flag?
Answer: Ron Isley, Flavor Flav, and prominent producers Trackmasters,
Belinda Carlisle

Context: Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad.  Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said.  The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11.  In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. CANNOTANSWER

Question: what was most interesting about Early ventures and The Go-Go's?
Answer: she co-founded The Go-Go's (originally named the Misfits), with friends
Belinda Carlisle

Context: Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad.  Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said.  The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11.  In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. CANNOTANSWER

Question: what year did the Go-Gos reunite?
Answer: CANNOTANSWER
Belinda Carlisle

Context: Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad.  Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said.  The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11.  In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. CANNOTANSWER

Question: when did Belinda Carlisle release the 7th album?
Answer: CANNOTANSWER
Belinda Carlisle

Context: Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad.  Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said.  The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11.  In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. CANNOTANSWER

Question: did you like Belinda Carlisle album?
Answer: CANNOTANSWER
The Master (Doctor Who)

Context: Unlike the Doctor, the Master does not usually have companions. There have been times when he made exceptions, though in his case they are not so much "companions" as "tools". In Castrovalva, the Doctor's companion Adric was abducted by the Master and forced to create a block transfer computation. Later, in The King's Demons, Kamelion is controlled by the Master before the Doctor steals him away, with the Master regaining control of Kamelion in Planet of Fire. In the second episode of The Ultimate Foe, Sabalom Glitz chose to go with the Master in search of Time Lord secrets.  In the 1996 television movie, Chang Lee helps the Master because he has been duped into believing that the Doctor had stolen his body. When Lee begins to realise the truth behind the Master, his loyalty begins to falter, therefore the Master attempts to kill him without hesitation. In promotional media surrounding the movie, Lee is depicted more as a companion to the Eighth Doctor (alongside Grace Holloway), and was referred to as such in a documentary series released as part of the 50 year anniversary celebrations, The Doctors Revisited - The Eighth Doctor.  In "Utopia", Chantho plays a similar companion role to the Professor Yana persona. Chantho states that she has been with him for 17 years as a "devoted assistant". Later, when the Master persona resurfaces, he berates her for never freeing him from his confinement and the two fatally wound one another, resulting in Chantho's death and the Master's regeneration.  In "The Sound of Drums", the Master, as Harold Saxon, is married to Lucy Saxon, to whom he refers at one point as his "faithful companion". Lucy is aware of the nature of the Master's plans yet is still loyal to him. She has travelled with him to Utopia, the end of the universe, and thus believes "there's no point to anything." Their relationship appears to be non-platonic; they kiss quite often and it seems as though their marriage is more than just a pretence. Lucy comments, "I made my choice, for better or for worse." In "Last of the Time Lords" she is still present, but showing signs of apparent physical abuse, and her loyalty towards him begins to waver. She shoots the Master at the climax of the story, killing him. She is imprisoned, but when the Master's coven made the preparations for his resurrection in The End of Time, she is forced into giving the Master's biometric signature on her lips to complete the ritual. Having foreseen his return, Lucy threw a vial containing a chemical to disrupt the resurrection, killing herself in the resulting explosion while only succeeding in giving the Master a tentative life.  Although not a companion in the traditional sense, the Master allied himself with another evil renegade Time Lord, the Rani, in The Mark of the Rani to thwart the Doctor. The Master has also been known to ally himself with other villains of the series, including the Daleks, the Cybermen and the Autons. None of these alliances lasted past the Master achieving his own aims, or his being stopped by the Doctor. CANNOTANSWER

Question: Who were some of Doctor Who's companions?
Answer: Kamelion
The Master (Doctor Who)

Context: Unlike the Doctor, the Master does not usually have companions. There have been times when he made exceptions, though in his case they are not so much "companions" as "tools". In Castrovalva, the Doctor's companion Adric was abducted by the Master and forced to create a block transfer computation. Later, in The King's Demons, Kamelion is controlled by the Master before the Doctor steals him away, with the Master regaining control of Kamelion in Planet of Fire. In the second episode of The Ultimate Foe, Sabalom Glitz chose to go with the Master in search of Time Lord secrets.  In the 1996 television movie, Chang Lee helps the Master because he has been duped into believing that the Doctor had stolen his body. When Lee begins to realise the truth behind the Master, his loyalty begins to falter, therefore the Master attempts to kill him without hesitation. In promotional media surrounding the movie, Lee is depicted more as a companion to the Eighth Doctor (alongside Grace Holloway), and was referred to as such in a documentary series released as part of the 50 year anniversary celebrations, The Doctors Revisited - The Eighth Doctor.  In "Utopia", Chantho plays a similar companion role to the Professor Yana persona. Chantho states that she has been with him for 17 years as a "devoted assistant". Later, when the Master persona resurfaces, he berates her for never freeing him from his confinement and the two fatally wound one another, resulting in Chantho's death and the Master's regeneration.  In "The Sound of Drums", the Master, as Harold Saxon, is married to Lucy Saxon, to whom he refers at one point as his "faithful companion". Lucy is aware of the nature of the Master's plans yet is still loyal to him. She has travelled with him to Utopia, the end of the universe, and thus believes "there's no point to anything." Their relationship appears to be non-platonic; they kiss quite often and it seems as though their marriage is more than just a pretence. Lucy comments, "I made my choice, for better or for worse." In "Last of the Time Lords" she is still present, but showing signs of apparent physical abuse, and her loyalty towards him begins to waver. She shoots the Master at the climax of the story, killing him. She is imprisoned, but when the Master's coven made the preparations for his resurrection in The End of Time, she is forced into giving the Master's biometric signature on her lips to complete the ritual. Having foreseen his return, Lucy threw a vial containing a chemical to disrupt the resurrection, killing herself in the resulting explosion while only succeeding in giving the Master a tentative life.  Although not a companion in the traditional sense, the Master allied himself with another evil renegade Time Lord, the Rani, in The Mark of the Rani to thwart the Doctor. The Master has also been known to ally himself with other villains of the series, including the Daleks, the Cybermen and the Autons. None of these alliances lasted past the Master achieving his own aims, or his being stopped by the Doctor. CANNOTANSWER

Question: Was Kamelion male or female?
Answer: CANNOTANSWER
The Shadow

Context: In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias the Black Eagle, according to The Shadow's Shadow (1933), although later stories revised this alias as the Dark Eagle, beginning with The Shadow Unmasks (1937). After the war, Allard finds a new challenge in waging war on criminals. Allard falsifies his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.  One of the identities Allard assumes--indeed, the best known--is that of Lamont Cranston, a "wealthy young man-about-town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity (The Shadow Laughs, 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard, as The Shadow, threatens Cranston, saying he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Although alarmed at first, Cranston is amused by the irony of the situation and agrees. The two men sometimes meet in order to impersonate each other (Crime over Miami, 1940). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).  His other disguises include businessman Henry Arnaud, who first appeared in The Black Master (March 1, 1932), which revealed that like Cranston, there is a real Henry Arnaud; elderly Isaac Twambley, who first appeared in No Time For Murder; and Fritz, who first appeared in The Living Shadow (April 1931); in this last disguise, he sometimes takes the place of the doddering old slow-witted, uncommunicative janitor who works at Police Headquarters in order to listen in on conversations and to look at evidence.  For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous. In The Living Shadow, a thug claims to have seen the Shadow's face, and thought he saw "a piece of white that looked like a bandage." In The Black Master and The Shadow's Shadow, the villains both see The Shadow's true face and remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, The Shadow Unmasks, that The Shadow's real name is revealed.  In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises. CANNOTANSWER

Question: Who created The Shadow?
Answer: The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I.
The Shadow

Context: In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias the Black Eagle, according to The Shadow's Shadow (1933), although later stories revised this alias as the Dark Eagle, beginning with The Shadow Unmasks (1937). After the war, Allard finds a new challenge in waging war on criminals. Allard falsifies his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.  One of the identities Allard assumes--indeed, the best known--is that of Lamont Cranston, a "wealthy young man-about-town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity (The Shadow Laughs, 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard, as The Shadow, threatens Cranston, saying he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Although alarmed at first, Cranston is amused by the irony of the situation and agrees. The two men sometimes meet in order to impersonate each other (Crime over Miami, 1940). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).  His other disguises include businessman Henry Arnaud, who first appeared in The Black Master (March 1, 1932), which revealed that like Cranston, there is a real Henry Arnaud; elderly Isaac Twambley, who first appeared in No Time For Murder; and Fritz, who first appeared in The Living Shadow (April 1931); in this last disguise, he sometimes takes the place of the doddering old slow-witted, uncommunicative janitor who works at Police Headquarters in order to listen in on conversations and to look at evidence.  For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous. In The Living Shadow, a thug claims to have seen the Shadow's face, and thought he saw "a piece of white that looked like a bandage." In The Black Master and The Shadow's Shadow, the villains both see The Shadow's true face and remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, The Shadow Unmasks, that The Shadow's real name is revealed.  In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises. CANNOTANSWER

Question: How did Kent Allard become The Shadow?
Answer: ). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).
The Shadow

Context: In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias the Black Eagle, according to The Shadow's Shadow (1933), although later stories revised this alias as the Dark Eagle, beginning with The Shadow Unmasks (1937). After the war, Allard finds a new challenge in waging war on criminals. Allard falsifies his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.  One of the identities Allard assumes--indeed, the best known--is that of Lamont Cranston, a "wealthy young man-about-town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity (The Shadow Laughs, 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard, as The Shadow, threatens Cranston, saying he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Although alarmed at first, Cranston is amused by the irony of the situation and agrees. The two men sometimes meet in order to impersonate each other (Crime over Miami, 1940). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).  His other disguises include businessman Henry Arnaud, who first appeared in The Black Master (March 1, 1932), which revealed that like Cranston, there is a real Henry Arnaud; elderly Isaac Twambley, who first appeared in No Time For Murder; and Fritz, who first appeared in The Living Shadow (April 1931); in this last disguise, he sometimes takes the place of the doddering old slow-witted, uncommunicative janitor who works at Police Headquarters in order to listen in on conversations and to look at evidence.  For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous. In The Living Shadow, a thug claims to have seen the Shadow's face, and thought he saw "a piece of white that looked like a bandage." In The Black Master and The Shadow's Shadow, the villains both see The Shadow's true face and remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, The Shadow Unmasks, that The Shadow's real name is revealed.  In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises. CANNOTANSWER

Question: Who is Cranston, who looks like Kent Allard?
Answer: Cranston, a "wealthy young man-about-town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston
The Shadow

Context: In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias the Black Eagle, according to The Shadow's Shadow (1933), although later stories revised this alias as the Dark Eagle, beginning with The Shadow Unmasks (1937). After the war, Allard finds a new challenge in waging war on criminals. Allard falsifies his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.  One of the identities Allard assumes--indeed, the best known--is that of Lamont Cranston, a "wealthy young man-about-town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity (The Shadow Laughs, 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard, as The Shadow, threatens Cranston, saying he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Although alarmed at first, Cranston is amused by the irony of the situation and agrees. The two men sometimes meet in order to impersonate each other (Crime over Miami, 1940). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).  His other disguises include businessman Henry Arnaud, who first appeared in The Black Master (March 1, 1932), which revealed that like Cranston, there is a real Henry Arnaud; elderly Isaac Twambley, who first appeared in No Time For Murder; and Fritz, who first appeared in The Living Shadow (April 1931); in this last disguise, he sometimes takes the place of the doddering old slow-witted, uncommunicative janitor who works at Police Headquarters in order to listen in on conversations and to look at evidence.  For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous. In The Living Shadow, a thug claims to have seen the Shadow's face, and thought he saw "a piece of white that looked like a bandage." In The Black Master and The Shadow's Shadow, the villains both see The Shadow's true face and remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, The Shadow Unmasks, that The Shadow's real name is revealed.  In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises. CANNOTANSWER

Question: Who is Kent Allard?
Answer: The Shadow's real name is Kent Allard,
The Shadow

Context: In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias the Black Eagle, according to The Shadow's Shadow (1933), although later stories revised this alias as the Dark Eagle, beginning with The Shadow Unmasks (1937). After the war, Allard finds a new challenge in waging war on criminals. Allard falsifies his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.  One of the identities Allard assumes--indeed, the best known--is that of Lamont Cranston, a "wealthy young man-about-town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity (The Shadow Laughs, 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard, as The Shadow, threatens Cranston, saying he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Although alarmed at first, Cranston is amused by the irony of the situation and agrees. The two men sometimes meet in order to impersonate each other (Crime over Miami, 1940). The disguise works well because Allard and Cranston resemble each other (Dictator of Crime, 1941).  His other disguises include businessman Henry Arnaud, who first appeared in The Black Master (March 1, 1932), which revealed that like Cranston, there is a real Henry Arnaud; elderly Isaac Twambley, who first appeared in No Time For Murder; and Fritz, who first appeared in The Living Shadow (April 1931); in this last disguise, he sometimes takes the place of the doddering old slow-witted, uncommunicative janitor who works at Police Headquarters in order to listen in on conversations and to look at evidence.  For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous. In The Living Shadow, a thug claims to have seen the Shadow's face, and thought he saw "a piece of white that looked like a bandage." In The Black Master and The Shadow's Shadow, the villains both see The Shadow's true face and remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, The Shadow Unmasks, that The Shadow's real name is revealed.  In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises. CANNOTANSWER

Question: Is Cranston a villian in The Shadow?
Answer: On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises.
Broadmoor Hospital

Context: From at least 1968 the television presenter and disc jockey Jimmy Savile undertook voluntary work at the hospital and was allocated his own room, supported by the CEO Pat McGrath who thought it would be good publicity.  In 1987 a minister in the Department of Health and Social Security (DHSS), Jean Lady Trumpington, appointed Savile to the management board in charge of Broadmoor. He was now being referred to as 'Dr Savile' by both the DHSS and Broadmoor, despite Savile having no medical qualifications or training. In August 1988, following a recommendation by Cliff Graham, the senior civil servant in charge of mental health at the DHSS, Savile was appointed by the Department's health minister Edwina Currie to chair an interim task force overseeing the management of the hospital following the suspension of its board. Currie privately supported Savile's attempts to 'blackmail' the Prison Officers Association and publicly declared her 'full confidence' in him.  After an ITV1 documentary Exposure: The Other Side of Jimmy Savile in October 2012, allegations of sexual abuse by Savile were made or re-made by former patients and staff. The civil servant who first proposed Savile's appointment to the task force at Broadmoor, Brian McGinnis, who ran the mental health division of the DHSS in 1987 before Cliff Graham, has since been investigated by police and prevented from working with children. A Department of Health investigation led by former barrister Kate Lampard into Savile's activities at Broadmoor and other hospitals and facilities in England, with Bill Kirkup leading the Broadmoor aspects, reported in 2014 that Savile had use of a personal set of keys to Broadmoor from 1968 to 2004 (not formally revoked until 2009), with full unsupervised access to some wards. 11 allegations of sexual abuse were known, thought to be a substantial under-estimate due to how psychiatric patients in particular were disbelieved or put off from coming forward. In five cases the identity of the alleged victim could not be traced, but of the other six it was concluded they had all been abused by Savile, repeatedly in the case of two patients.  The investigation also concluded that 'the institutional culture in Broadmoor was previously inappropriately tolerant of staff-patient sexual relationships,' and that when there were female patients they were required to undress and bathe in front of staff and sometimes visitors. A 'shocking' failure to ensure a safe or therapeutic environment for female patients had already been revealed in a 2002 inquiry prior to Broadmoor becoming male-only.  In 2010 a female charge nurse received a suspended prison sentence for engaging in sexual activity with a patient at the hospital. CANNOTANSWER

Question: What abuse took place at Broadmoor Hospital?
Answer: allegations of sexual abuse
Broadmoor Hospital

Context: From at least 1968 the television presenter and disc jockey Jimmy Savile undertook voluntary work at the hospital and was allocated his own room, supported by the CEO Pat McGrath who thought it would be good publicity.  In 1987 a minister in the Department of Health and Social Security (DHSS), Jean Lady Trumpington, appointed Savile to the management board in charge of Broadmoor. He was now being referred to as 'Dr Savile' by both the DHSS and Broadmoor, despite Savile having no medical qualifications or training. In August 1988, following a recommendation by Cliff Graham, the senior civil servant in charge of mental health at the DHSS, Savile was appointed by the Department's health minister Edwina Currie to chair an interim task force overseeing the management of the hospital following the suspension of its board. Currie privately supported Savile's attempts to 'blackmail' the Prison Officers Association and publicly declared her 'full confidence' in him.  After an ITV1 documentary Exposure: The Other Side of Jimmy Savile in October 2012, allegations of sexual abuse by Savile were made or re-made by former patients and staff. The civil servant who first proposed Savile's appointment to the task force at Broadmoor, Brian McGinnis, who ran the mental health division of the DHSS in 1987 before Cliff Graham, has since been investigated by police and prevented from working with children. A Department of Health investigation led by former barrister Kate Lampard into Savile's activities at Broadmoor and other hospitals and facilities in England, with Bill Kirkup leading the Broadmoor aspects, reported in 2014 that Savile had use of a personal set of keys to Broadmoor from 1968 to 2004 (not formally revoked until 2009), with full unsupervised access to some wards. 11 allegations of sexual abuse were known, thought to be a substantial under-estimate due to how psychiatric patients in particular were disbelieved or put off from coming forward. In five cases the identity of the alleged victim could not be traced, but of the other six it was concluded they had all been abused by Savile, repeatedly in the case of two patients.  The investigation also concluded that 'the institutional culture in Broadmoor was previously inappropriately tolerant of staff-patient sexual relationships,' and that when there were female patients they were required to undress and bathe in front of staff and sometimes visitors. A 'shocking' failure to ensure a safe or therapeutic environment for female patients had already been revealed in a 2002 inquiry prior to Broadmoor becoming male-only.  In 2010 a female charge nurse received a suspended prison sentence for engaging in sexual activity with a patient at the hospital. CANNOTANSWER

Question: Who were the allegations of sexual abuse against Broadmoor Hospital?
Answer: Jimmy Savile
Broadmoor Hospital

Context: From at least 1968 the television presenter and disc jockey Jimmy Savile undertook voluntary work at the hospital and was allocated his own room, supported by the CEO Pat McGrath who thought it would be good publicity.  In 1987 a minister in the Department of Health and Social Security (DHSS), Jean Lady Trumpington, appointed Savile to the management board in charge of Broadmoor. He was now being referred to as 'Dr Savile' by both the DHSS and Broadmoor, despite Savile having no medical qualifications or training. In August 1988, following a recommendation by Cliff Graham, the senior civil servant in charge of mental health at the DHSS, Savile was appointed by the Department's health minister Edwina Currie to chair an interim task force overseeing the management of the hospital following the suspension of its board. Currie privately supported Savile's attempts to 'blackmail' the Prison Officers Association and publicly declared her 'full confidence' in him.  After an ITV1 documentary Exposure: The Other Side of Jimmy Savile in October 2012, allegations of sexual abuse by Savile were made or re-made by former patients and staff. The civil servant who first proposed Savile's appointment to the task force at Broadmoor, Brian McGinnis, who ran the mental health division of the DHSS in 1987 before Cliff Graham, has since been investigated by police and prevented from working with children. A Department of Health investigation led by former barrister Kate Lampard into Savile's activities at Broadmoor and other hospitals and facilities in England, with Bill Kirkup leading the Broadmoor aspects, reported in 2014 that Savile had use of a personal set of keys to Broadmoor from 1968 to 2004 (not formally revoked until 2009), with full unsupervised access to some wards. 11 allegations of sexual abuse were known, thought to be a substantial under-estimate due to how psychiatric patients in particular were disbelieved or put off from coming forward. In five cases the identity of the alleged victim could not be traced, but of the other six it was concluded they had all been abused by Savile, repeatedly in the case of two patients.  The investigation also concluded that 'the institutional culture in Broadmoor was previously inappropriately tolerant of staff-patient sexual relationships,' and that when there were female patients they were required to undress and bathe in front of staff and sometimes visitors. A 'shocking' failure to ensure a safe or therapeutic environment for female patients had already been revealed in a 2002 inquiry prior to Broadmoor becoming male-only.  In 2010 a female charge nurse received a suspended prison sentence for engaging in sexual activity with a patient at the hospital. CANNOTANSWER

Question: How was Jimmy Savile involved with Broadmoor Hospital?
Answer: a minister in the Department of Health and Social Security (DHSS), Jean Lady Trumpington, appointed Savile to the management board in charge of Broadmoor.