gaussalgo/Canard_Wiki-augmented huggingface dataset:
Walter Scott

Context: Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. In 1818, Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room in the depths of Edinburgh Castle. A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.  After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland. With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.  In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.  Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply. He eventually acknowledged in 1827 that he was the author of the Waverley Novels. CANNOTANSWER

Question: Where did Walter Scott find the Crown Jewels?
Answer: large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed.
Walter Scott

Context: Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. In 1818, Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room in the depths of Edinburgh Castle. A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.  After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland. With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.  In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.  Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply. He eventually acknowledged in 1827 that he was the author of the Waverley Novels. CANNOTANSWER

Question: How was Walter Scott rewarded for recovering the Crown Jewels?
Answer: A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.
Walter Scott

Context: Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. In 1818, Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room in the depths of Edinburgh Castle. A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.  After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland. With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.  In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.  Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply. He eventually acknowledged in 1827 that he was the author of the Waverley Novels. CANNOTANSWER

Question: What kind of ceremonial pageantry is associated with Walter Scott?
Answer: spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society.
Walter Scott

Context: Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. In 1818, Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room in the depths of Edinburgh Castle. A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.  After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland. With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.  In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.  Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply. He eventually acknowledged in 1827 that he was the author of the Waverley Novels. CANNOTANSWER

Question: What rifts had destabilised Walter Scott society?
Answer: This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.
Walter Scott

Context: Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. In 1818, Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room in the depths of Edinburgh Castle. A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.  After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland. With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.  In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.  Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply. He eventually acknowledged in 1827 that he was the author of the Waverley Novels. CANNOTANSWER

Question: What form of dress became one of the seminal, potent and ubiquitous symbols of Scottish identity?
Answer: the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress.
Walter Scott

Context: Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. In 1818, Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room in the depths of Edinburgh Castle. A grateful Prince Regent granted Scott the title of baronet, and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.  After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland. With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.  In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.  Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply. He eventually acknowledged in 1827 that he was the author of the Waverley Novels. CANNOTANSWER

Question: Who held the baronetcy before Scott Walter?
Answer: CANNOTANSWER
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: When did Reggie Jackson join the minor leagues?
Answer: In the 1966 Major League Baseball draft on June 7,
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: who did Reggie Jackson play for?
Answer: Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League,
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: did Reggie Jackson set any records?
Answer: CANNOTANSWER
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: Was Reggie Jackson ever injured?
Answer: CANNOTANSWER
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: When did Reggie Jackson leave the minor league?
Answer: He made his professional debut as a center fielder in the season opener on June 24
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: Who did Reggie Jackson play for?
Answer: the A's
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: IN addition to Reggie Jackson playing for the Minor Leagues, are there any other interesting aspects about this article?
Answer: Mets did not select him because he had a white girlfriend.
Reggie Jackson

Context: In the 1966 Major League Baseball draft on June 7, Jackson was selected by the Kansas City Athletics. He was the second overall pick, behind 17-year-old catcher Steve Chilcott, who was taken by the New York Mets. According to Jackson, Winkles told him that the Mets did not select him because he had a white girlfriend. Winkles later denied the story, stating that he did not know the reason why Jackson was not drafted by the Mets. It was later confirmed by Joe McDonald that the Mets drafted Chilcott because of need, the person running the Mets at the time was George Weiss, so the true motive may never be known.  Jackson, age 20, signed with the A's for $95,000 on June 13 and reported for his first training camp with the Lewis-Clark Broncs of the short season Single-A Northwest League in Lewiston, Idaho, managed by Grady Wilson. He made his professional debut as a center fielder in the season opener on June 24 at Bethel Park in Eugene, Oregon, but was hitless in five at-bats. In the next game, Jackson singled in the first inning and homered in the ninth. In the home opener at Bengal Field in Lewiston on June 30, he hit a double and a triple. In his final game as a Bronc on July 6, Jackson was hit in the head by a pitch in the first inning, but stayed in the game and drove in runs with two sacrifice flies. Complaining of a headache, he left the game in the ninth inning, was admitted to St. Joseph's Hospital in Lewiston, and remained overnight for observation.  Jackson played for two Class A teams in 1966, with the Broncs for just 12 games, and then 56 games with Modesto in the California League, where he hit 21 homers. He began 1967 with the Birmingham A's in the Double-A Southern League in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team. He credits the team's manager at the time, John McNamara, for helping him through that difficult season. CANNOTANSWER

Question: In addition to Reggie Jackson not being selected by Mets since he had a white girlfriend, did Reggie Jackson have any other issues with his race?
Answer: in Birmingham, Alabama, where Jackson got his first taste of racism, being one of only a few blacks on the team.
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: What did George M. Cohan do in his early career?
Answer: Cohan began writing original skits (over 150 of them)
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: What were some of George M. Cohan's skits?
Answer: CANNOTANSWER
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: Who did George M. Cohan write for?
Answer: Soon he was writing professionally, selling his first songs to a national publisher in 1893.
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: What was were some of George M. Cohan's first songs?
Answer: In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans.
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: Was George Cohan's Broadway musical "The Governor's Son" successful?
Answer: CANNOTANSWER
Chuck Yeager

Context: Yeager was foremost a fighter pilot and held several squadron and wing commands. From May 1955 to July 1957 he commanded the F-86H Sabre-equipped 417th Fighter-Bomber Squadron (50th Fighter-Bomber Wing) at Hahn AB, Germany, and Toul-Rosieres Air Base, France; and from 1957 to 1960 the F-100D Super Sabre-equipped 1st Fighter Day Squadron (later, while still under Yeager's command, re-designated the 306th Tactical Fighter Squadron) at George Air Force Base, California, and Moron Air Base, Spain.  Now a full colonel in 1962, after completion of a year's studies at the Air War College, Yeager became the first commandant of the USAF Aerospace Research Pilot School, which produced astronauts for NASA and the USAF, after its redesignation from the USAF Flight Test Pilot School. (Yeager himself had only a high school education, so he was not eligible to become an astronaut like those he trained.) Between December 1963 and January 1964, Yeager completed five flights in the NASA M2-F1 lifting body. An accident during a December 1963 test flight in one of the school's NF-104s eventually put an end to his record attempts.  In 1966 Yeager took command of the 405th Tactical Fighter Wing at Clark Air Base, the Philippines, whose squadrons were deployed on rotational temporary duty (TDY) in South Vietnam and elsewhere in Southeast Asia. There he accrued another 414 hours of combat time in 127 missions, mostly in a Martin B-57 Canberra light bomber. In February 1968, Yeager was assigned command of the 4th Tactical Fighter Wing at Seymour Johnson Air Force Base, North Carolina, and led the McDonnell Douglas F-4 Phantom II wing in South Korea during the Pueblo crisis.  On June 22, 1969, Yeager was promoted to brigadier general and was assigned in July as the vice-commander of the Seventeenth Air Force.  From 1971 to 1973, at the behest of Ambassador Joe Farland, Yeager was assigned to Pakistan to advise the Pakistan Air Force. In one of the numerous raids carried out by Indian pilots against Pakistani airfields, Yeager's plane was destroyed while it was parked at Islamabad airport. Edward C. Ingraham, a U.S diplomat who had served as political counselor to Ambassador Farland in Islamabad recalled this incident in the Washington Monthly of October, 1985: "After Yeager's Beechcraft was destroyed during an Indian air raid, he raged to his cowering colleagues that the Indian pilot had been specifically instructed by Indira Gandhi to blast his plane. 'It was,' he later wrote, 'the Indian way of giving Uncle Sam the finger.'" CANNOTANSWER

Question: What kind of military command was Chuck Yeager involved with?
Answer: On June 22, 1969, Yeager was promoted to brigadier general and was assigned in July as the vice-commander of the Seventeenth Air Force.