gaussalgo/Canard_Wiki-augmented huggingface dataset:
Brotherhood of Man

Context: Brotherhood of Man were formed by record producer/composer Tony Hiller in 1969, and originally featured his co-writer John Goodison with Tony Burrows, Roger Greenaway, Sue Glover and Sunny Leslie. Greenaway was also a songwriter and had co-written hits such as "Something's Gotten Hold of My Heart" and "Melting Pot". Burrows was a well-known session singer, performing in various line-ups on hit singles such as the No.1 hit "Love Grows (Where My Rosemary Goes)" by Edison Lighthouse. The two female members, Glover and Leslie were an act in their own right, releasing singles as Sue and Sunny.  The group came together in 1969 and began recording some songs with Hiller. Their first single "Love One Another" failed to chart, but the follow-up "United We Stand" (released in January 1970) was a worldwide hit. "United We Stand" was heavily played on British radio, and broke into the American market. The single became a Top 20 hit in the UK, Canada, and US. The song has since been used as the closing theme for television's Brady Bunch Hour and as an anthem for various causes. Burrows left the group soon after and as a four-piece, The Brotherhood of Man followed "United We Stand" with another hit, "Where Are You Going to My Love". The song charted in the UK, Canada, and US and has since been covered by Olivia Newton-John and The Osmonds among others. A debut album United We Stand followed soon after.  Over the next two years, the group continued in varied line-ups. Goodison left the group at the beginning of 1971 and was replaced by American singer Hal Atkinson, Greenaway left soon after and was replaced by Russell Stone. They had one more minor hit in the US (1971's "Reach Out Your Hand"), but experienced no further success in the UK and split after being dropped by their record company. CANNOTANSWER

Question: What albums did the Brotherhood of Man have?
Answer: CANNOTANSWER
Brotherhood of Man

Context: Brotherhood of Man were formed by record producer/composer Tony Hiller in 1969, and originally featured his co-writer John Goodison with Tony Burrows, Roger Greenaway, Sue Glover and Sunny Leslie. Greenaway was also a songwriter and had co-written hits such as "Something's Gotten Hold of My Heart" and "Melting Pot". Burrows was a well-known session singer, performing in various line-ups on hit singles such as the No.1 hit "Love Grows (Where My Rosemary Goes)" by Edison Lighthouse. The two female members, Glover and Leslie were an act in their own right, releasing singles as Sue and Sunny.  The group came together in 1969 and began recording some songs with Hiller. Their first single "Love One Another" failed to chart, but the follow-up "United We Stand" (released in January 1970) was a worldwide hit. "United We Stand" was heavily played on British radio, and broke into the American market. The single became a Top 20 hit in the UK, Canada, and US. The song has since been used as the closing theme for television's Brady Bunch Hour and as an anthem for various causes. Burrows left the group soon after and as a four-piece, The Brotherhood of Man followed "United We Stand" with another hit, "Where Are You Going to My Love". The song charted in the UK, Canada, and US and has since been covered by Olivia Newton-John and The Osmonds among others. A debut album United We Stand followed soon after.  Over the next two years, the group continued in varied line-ups. Goodison left the group at the beginning of 1971 and was replaced by American singer Hal Atkinson, Greenaway left soon after and was replaced by Russell Stone. They had one more minor hit in the US (1971's "Reach Out Your Hand"), but experienced no further success in the UK and split after being dropped by their record company. CANNOTANSWER

Question: Did Brotherhood of Man do any tours?
Answer: CANNOTANSWER
Brotherhood of Man

Context: Brotherhood of Man were formed by record producer/composer Tony Hiller in 1969, and originally featured his co-writer John Goodison with Tony Burrows, Roger Greenaway, Sue Glover and Sunny Leslie. Greenaway was also a songwriter and had co-written hits such as "Something's Gotten Hold of My Heart" and "Melting Pot". Burrows was a well-known session singer, performing in various line-ups on hit singles such as the No.1 hit "Love Grows (Where My Rosemary Goes)" by Edison Lighthouse. The two female members, Glover and Leslie were an act in their own right, releasing singles as Sue and Sunny.  The group came together in 1969 and began recording some songs with Hiller. Their first single "Love One Another" failed to chart, but the follow-up "United We Stand" (released in January 1970) was a worldwide hit. "United We Stand" was heavily played on British radio, and broke into the American market. The single became a Top 20 hit in the UK, Canada, and US. The song has since been used as the closing theme for television's Brady Bunch Hour and as an anthem for various causes. Burrows left the group soon after and as a four-piece, The Brotherhood of Man followed "United We Stand" with another hit, "Where Are You Going to My Love". The song charted in the UK, Canada, and US and has since been covered by Olivia Newton-John and The Osmonds among others. A debut album United We Stand followed soon after.  Over the next two years, the group continued in varied line-ups. Goodison left the group at the beginning of 1971 and was replaced by American singer Hal Atkinson, Greenaway left soon after and was replaced by Russell Stone. They had one more minor hit in the US (1971's "Reach Out Your Hand"), but experienced no further success in the UK and split after being dropped by their record company. CANNOTANSWER

Question: Who left the Brotherhood of Man's original lineup?
Answer: Burrows left the group soon after
Brotherhood of Man

Context: Brotherhood of Man were formed by record producer/composer Tony Hiller in 1969, and originally featured his co-writer John Goodison with Tony Burrows, Roger Greenaway, Sue Glover and Sunny Leslie. Greenaway was also a songwriter and had co-written hits such as "Something's Gotten Hold of My Heart" and "Melting Pot". Burrows was a well-known session singer, performing in various line-ups on hit singles such as the No.1 hit "Love Grows (Where My Rosemary Goes)" by Edison Lighthouse. The two female members, Glover and Leslie were an act in their own right, releasing singles as Sue and Sunny.  The group came together in 1969 and began recording some songs with Hiller. Their first single "Love One Another" failed to chart, but the follow-up "United We Stand" (released in January 1970) was a worldwide hit. "United We Stand" was heavily played on British radio, and broke into the American market. The single became a Top 20 hit in the UK, Canada, and US. The song has since been used as the closing theme for television's Brady Bunch Hour and as an anthem for various causes. Burrows left the group soon after and as a four-piece, The Brotherhood of Man followed "United We Stand" with another hit, "Where Are You Going to My Love". The song charted in the UK, Canada, and US and has since been covered by Olivia Newton-John and The Osmonds among others. A debut album United We Stand followed soon after.  Over the next two years, the group continued in varied line-ups. Goodison left the group at the beginning of 1971 and was replaced by American singer Hal Atkinson, Greenaway left soon after and was replaced by Russell Stone. They had one more minor hit in the US (1971's "Reach Out Your Hand"), but experienced no further success in the UK and split after being dropped by their record company. CANNOTANSWER

Question: Why did Burrows leave the Brotherhood of Man?
Answer: CANNOTANSWER
Peter Sutcliffe

Context: West Yorkshire Police were criticised for being inadequately prepared for an investigation on this scale. It was one of the largest investigations by a British police force and predated the use of computers. Information on suspects was stored on handwritten index cards. Aside from difficulties in storing and accessing the paperwork (the floor of the incident room was reinforced to cope with the weight of the paper), it was difficult for officers to overcome the information overload of such a large manual system. Sutcliffe was interviewed nine times, but all information the police had about the case was stored in paper form, making cross-referencing difficult, compounded by television appeals for information which generated thousands more documents.  Assistant Chief Constable George Oldfield was criticised for being too focused on a hoax confessional tape that seemed to indicate a perpetrator with a Wearside background, and for ignoring advice from survivors of Sutcliffe's attacks, and several eminent specialists including the FBI, plus dialect analysts such as Stanley Ellis and Jack Windsor Lewis, whom he had also consulted throughout the manhunt, that "Wearside Jack" was a blatant hoaxer. The investigation used it as a point of elimination rather than a line of enquiry and allowed Sutcliffe to avoid scrutiny, as he did not fit the profile of the sender of the tape or letters. The "Wearside Jack" hoaxer was given unusual credibility when analysis of saliva on the envelopes he sent showed he had the same blood group as the Yorkshire Ripper had left at crime scenes, a type shared by only 6% of the population. The hoaxer appeared to know details of the murders which had not been released to the press, but which in fact he had acquired from his local newspaper and pub gossip. The official response to the criticisms led to the implementation of the forerunner of the Home Office Large Major Enquiry System, the development of the Major Incident Computer Application (MICA), developed between West Yorkshire Police and ISIS Computer Services.  In response to the police reaction to the murders, the Leeds Revolutionary Feminist Group organised a number of 'Reclaim the Night' marches. The group and other feminists had criticised the police for victim-blaming, especially the suggestion that women should remain indoors at night. Eleven marches in various towns across the United Kingdom took place on the night of 12 November 1977. They made the point that women should be able to walk anywhere without restriction and that they should not be blamed for men's violence.  In 1988, the mother of Sutcliffe's last victim, Jacqueline Hill, during action for damages on behalf of her daughter's estate, argued in the High Court that the police had failed to use reasonable care in apprehending the murderer of her daughter in Hill v Chief Constable of West Yorkshire. The House of Lords held that the Chief Constable of West Yorkshire did not owe a duty of care to the victim due to the lack of proximity and therefore failing on the second limb of the Caparo test. CANNOTANSWER

Question: Did anyone represent Peter Sutcliffe?
Answer: CANNOTANSWER
Peter Sutcliffe

Context: West Yorkshire Police were criticised for being inadequately prepared for an investigation on this scale. It was one of the largest investigations by a British police force and predated the use of computers. Information on suspects was stored on handwritten index cards. Aside from difficulties in storing and accessing the paperwork (the floor of the incident room was reinforced to cope with the weight of the paper), it was difficult for officers to overcome the information overload of such a large manual system. Sutcliffe was interviewed nine times, but all information the police had about the case was stored in paper form, making cross-referencing difficult, compounded by television appeals for information which generated thousands more documents.  Assistant Chief Constable George Oldfield was criticised for being too focused on a hoax confessional tape that seemed to indicate a perpetrator with a Wearside background, and for ignoring advice from survivors of Sutcliffe's attacks, and several eminent specialists including the FBI, plus dialect analysts such as Stanley Ellis and Jack Windsor Lewis, whom he had also consulted throughout the manhunt, that "Wearside Jack" was a blatant hoaxer. The investigation used it as a point of elimination rather than a line of enquiry and allowed Sutcliffe to avoid scrutiny, as he did not fit the profile of the sender of the tape or letters. The "Wearside Jack" hoaxer was given unusual credibility when analysis of saliva on the envelopes he sent showed he had the same blood group as the Yorkshire Ripper had left at crime scenes, a type shared by only 6% of the population. The hoaxer appeared to know details of the murders which had not been released to the press, but which in fact he had acquired from his local newspaper and pub gossip. The official response to the criticisms led to the implementation of the forerunner of the Home Office Large Major Enquiry System, the development of the Major Incident Computer Application (MICA), developed between West Yorkshire Police and ISIS Computer Services.  In response to the police reaction to the murders, the Leeds Revolutionary Feminist Group organised a number of 'Reclaim the Night' marches. The group and other feminists had criticised the police for victim-blaming, especially the suggestion that women should remain indoors at night. Eleven marches in various towns across the United Kingdom took place on the night of 12 November 1977. They made the point that women should be able to walk anywhere without restriction and that they should not be blamed for men's violence.  In 1988, the mother of Sutcliffe's last victim, Jacqueline Hill, during action for damages on behalf of her daughter's estate, argued in the High Court that the police had failed to use reasonable care in apprehending the murderer of her daughter in Hill v Chief Constable of West Yorkshire. The House of Lords held that the Chief Constable of West Yorkshire did not owe a duty of care to the victim due to the lack of proximity and therefore failing on the second limb of the Caparo test. CANNOTANSWER

Question: What did Peter Sutcliffe do?
Answer: murders,
Peter Sutcliffe

Context: West Yorkshire Police were criticised for being inadequately prepared for an investigation on this scale. It was one of the largest investigations by a British police force and predated the use of computers. Information on suspects was stored on handwritten index cards. Aside from difficulties in storing and accessing the paperwork (the floor of the incident room was reinforced to cope with the weight of the paper), it was difficult for officers to overcome the information overload of such a large manual system. Sutcliffe was interviewed nine times, but all information the police had about the case was stored in paper form, making cross-referencing difficult, compounded by television appeals for information which generated thousands more documents.  Assistant Chief Constable George Oldfield was criticised for being too focused on a hoax confessional tape that seemed to indicate a perpetrator with a Wearside background, and for ignoring advice from survivors of Sutcliffe's attacks, and several eminent specialists including the FBI, plus dialect analysts such as Stanley Ellis and Jack Windsor Lewis, whom he had also consulted throughout the manhunt, that "Wearside Jack" was a blatant hoaxer. The investigation used it as a point of elimination rather than a line of enquiry and allowed Sutcliffe to avoid scrutiny, as he did not fit the profile of the sender of the tape or letters. The "Wearside Jack" hoaxer was given unusual credibility when analysis of saliva on the envelopes he sent showed he had the same blood group as the Yorkshire Ripper had left at crime scenes, a type shared by only 6% of the population. The hoaxer appeared to know details of the murders which had not been released to the press, but which in fact he had acquired from his local newspaper and pub gossip. The official response to the criticisms led to the implementation of the forerunner of the Home Office Large Major Enquiry System, the development of the Major Incident Computer Application (MICA), developed between West Yorkshire Police and ISIS Computer Services.  In response to the police reaction to the murders, the Leeds Revolutionary Feminist Group organised a number of 'Reclaim the Night' marches. The group and other feminists had criticised the police for victim-blaming, especially the suggestion that women should remain indoors at night. Eleven marches in various towns across the United Kingdom took place on the night of 12 November 1977. They made the point that women should be able to walk anywhere without restriction and that they should not be blamed for men's violence.  In 1988, the mother of Sutcliffe's last victim, Jacqueline Hill, during action for damages on behalf of her daughter's estate, argued in the High Court that the police had failed to use reasonable care in apprehending the murderer of her daughter in Hill v Chief Constable of West Yorkshire. The House of Lords held that the Chief Constable of West Yorkshire did not owe a duty of care to the victim due to the lack of proximity and therefore failing on the second limb of the Caparo test. CANNOTANSWER

Question: Who did Peter Sutcliffe murder?
Answer: CANNOTANSWER
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: When did the Guttermouth lineup change?
Answer: The following year found the band returning home to California and experiencing a lineup change.
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: How did the Guttermouth lineup change?
Answer: Clint Weinrich married in the spring of 1995,
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: Besides Clint Weinrich, what else changed in the lineup?
Answer: to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: What did Rapp do in Guttermouth?
Answer: he soon became the band's permanent bass player.
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: Besides Steve, did the lineup change in any other way?
Answer: The new lineup entered the studio and recorded their third album Teri Yakimoto.
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: Were Guttermouth successful during their third album?
Answer: By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped
Guttermouth

Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP.  In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file.  Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro. CANNOTANSWER

Question: What did Guttermouth do?
Answer: at one point most of the recordings were scrapped and re-recorded with a new producer.
Namie Amuro

Context: In March 2010, Amuro won the "Best Asian Artist" award at the World Music Awards in Monaco; there, she performed her track "Hide & Seek" from her album Play. On July 28, she released her double A-side singles "Break It" and "Get Myself Back", which performed well on several record charts in Japan. Furthermore, she released the live DVD for her Past < Future tour on December 15, which reached the top spot on the Oricon DVD charts and shifted over 100,000 copies.  On April 27, 2011, Amuro published her second collaboration effort Checkmate!. Her first musical release of the year, the record featured nine collaborative tracks that she had participated with throughout her career, and also released four new recordings to promote it; "Wonder Woman", "Make It Happen", "Unusual" and "#1's". The album was a commercial success, reaching the top spot on Oricon and distributed over 500,000 units in Japan. Three months later, she released her first ever triple A-side singles, "Naked/Fight Together/Tempest". Although it reached number two on the Oricon Singles Chart, "Fight Together" was used as the official theme song for the Japanese anime series One Piece, and achieved better sales through digital stores; it was certified Platinum by RIAJ.  At the end of July that same year, Amuro conducted her first arena tour titled Live Style, which commemorated her 20th anniversary in the music business; additionally, the tour was to promote her Checkmate! album and some new material taken from her then-upcoming studio record. "Sit! Stay! Wait! Down!" and "Love Story" were the next A-side singles from her studio album, and both premiered on December 7, 2011. Though the physical release exceeded 100,000 units in Japan, the latter track shifted over three million digital copies throughout Japan, one of her highest-selling singles to date. The single also featured two unreleased tracks; "Higher" and "Airigatou". The former track made an appearance on her Live Style tour, whereas the latter recording was made available as a free download on her Facebook page.  The final singles, "Go Round/Yeah-Oh!", were released in late March 2012, and continued the 100,000 sales streak in Japan. In April, the singer confirmed the release of her studio album Uncontrolled, which was scheduled for June 27, 2012. The album proved to be commercially successful, reaching the top spot on the Oricon Albums Chart and shifted 500,000 units throughout Japan. Uncontrolled also gave her the highest first-week sales of the year, and her 10th overall number one in the region. On September 16, Amuro was scheduled to host a special concert in her hometown Okinawa, commemorating her 20th anniversary in the music business. However, due to a typhoon warning in the region, this was cancelled and never re-scheduled. After debuting her first digital single "Damage" on October 31, she finished the year by starting her 5 Major Dome tours in Japan, which resulted in being the highest-attended dome tour by a female Japanese artist. CANNOTANSWER

Question: Where did Namie Amuro tour from 2010-2012?
Answer: Japan,
Namie Amuro

Context: In March 2010, Amuro won the "Best Asian Artist" award at the World Music Awards in Monaco; there, she performed her track "Hide & Seek" from her album Play. On July 28, she released her double A-side singles "Break It" and "Get Myself Back", which performed well on several record charts in Japan. Furthermore, she released the live DVD for her Past < Future tour on December 15, which reached the top spot on the Oricon DVD charts and shifted over 100,000 copies.  On April 27, 2011, Amuro published her second collaboration effort Checkmate!. Her first musical release of the year, the record featured nine collaborative tracks that she had participated with throughout her career, and also released four new recordings to promote it; "Wonder Woman", "Make It Happen", "Unusual" and "#1's". The album was a commercial success, reaching the top spot on Oricon and distributed over 500,000 units in Japan. Three months later, she released her first ever triple A-side singles, "Naked/Fight Together/Tempest". Although it reached number two on the Oricon Singles Chart, "Fight Together" was used as the official theme song for the Japanese anime series One Piece, and achieved better sales through digital stores; it was certified Platinum by RIAJ.  At the end of July that same year, Amuro conducted her first arena tour titled Live Style, which commemorated her 20th anniversary in the music business; additionally, the tour was to promote her Checkmate! album and some new material taken from her then-upcoming studio record. "Sit! Stay! Wait! Down!" and "Love Story" were the next A-side singles from her studio album, and both premiered on December 7, 2011. Though the physical release exceeded 100,000 units in Japan, the latter track shifted over three million digital copies throughout Japan, one of her highest-selling singles to date. The single also featured two unreleased tracks; "Higher" and "Airigatou". The former track made an appearance on her Live Style tour, whereas the latter recording was made available as a free download on her Facebook page.  The final singles, "Go Round/Yeah-Oh!", were released in late March 2012, and continued the 100,000 sales streak in Japan. In April, the singer confirmed the release of her studio album Uncontrolled, which was scheduled for June 27, 2012. The album proved to be commercially successful, reaching the top spot on the Oricon Albums Chart and shifted 500,000 units throughout Japan. Uncontrolled also gave her the highest first-week sales of the year, and her 10th overall number one in the region. On September 16, Amuro was scheduled to host a special concert in her hometown Okinawa, commemorating her 20th anniversary in the music business. However, due to a typhoon warning in the region, this was cancelled and never re-scheduled. After debuting her first digital single "Damage" on October 31, she finished the year by starting her 5 Major Dome tours in Japan, which resulted in being the highest-attended dome tour by a female Japanese artist. CANNOTANSWER

Question: In what year did Namie Amuro toured in Japan?
Answer: 2011,
Namie Amuro

Context: In March 2010, Amuro won the "Best Asian Artist" award at the World Music Awards in Monaco; there, she performed her track "Hide & Seek" from her album Play. On July 28, she released her double A-side singles "Break It" and "Get Myself Back", which performed well on several record charts in Japan. Furthermore, she released the live DVD for her Past < Future tour on December 15, which reached the top spot on the Oricon DVD charts and shifted over 100,000 copies.  On April 27, 2011, Amuro published her second collaboration effort Checkmate!. Her first musical release of the year, the record featured nine collaborative tracks that she had participated with throughout her career, and also released four new recordings to promote it; "Wonder Woman", "Make It Happen", "Unusual" and "#1's". The album was a commercial success, reaching the top spot on Oricon and distributed over 500,000 units in Japan. Three months later, she released her first ever triple A-side singles, "Naked/Fight Together/Tempest". Although it reached number two on the Oricon Singles Chart, "Fight Together" was used as the official theme song for the Japanese anime series One Piece, and achieved better sales through digital stores; it was certified Platinum by RIAJ.  At the end of July that same year, Amuro conducted her first arena tour titled Live Style, which commemorated her 20th anniversary in the music business; additionally, the tour was to promote her Checkmate! album and some new material taken from her then-upcoming studio record. "Sit! Stay! Wait! Down!" and "Love Story" were the next A-side singles from her studio album, and both premiered on December 7, 2011. Though the physical release exceeded 100,000 units in Japan, the latter track shifted over three million digital copies throughout Japan, one of her highest-selling singles to date. The single also featured two unreleased tracks; "Higher" and "Airigatou". The former track made an appearance on her Live Style tour, whereas the latter recording was made available as a free download on her Facebook page.  The final singles, "Go Round/Yeah-Oh!", were released in late March 2012, and continued the 100,000 sales streak in Japan. In April, the singer confirmed the release of her studio album Uncontrolled, which was scheduled for June 27, 2012. The album proved to be commercially successful, reaching the top spot on the Oricon Albums Chart and shifted 500,000 units throughout Japan. Uncontrolled also gave her the highest first-week sales of the year, and her 10th overall number one in the region. On September 16, Amuro was scheduled to host a special concert in her hometown Okinawa, commemorating her 20th anniversary in the music business. However, due to a typhoon warning in the region, this was cancelled and never re-scheduled. After debuting her first digital single "Damage" on October 31, she finished the year by starting her 5 Major Dome tours in Japan, which resulted in being the highest-attended dome tour by a female Japanese artist. CANNOTANSWER

Question: What is the name of one of Namie Amuro songs?
Answer: "Wonder Woman", "