gaussalgo/Canard_Wiki-augmented huggingface dataset:
Riddler

Context: The Riddler makes his first true appearance in the new DC continuity relaunch, DC Rebirth, in Batman #19. An inmate of Arkham once again, he rather cooperatively assists Bane in unlocking a high tech door, allowing Bane access to confront Batman.  In the eight-part story-arc "War of Jokes and Riddles", commencing with Batman Vol. 3 #25, flashbacks to a year after the events of "Zero Year" have Batman recounting the details of a war between Riddler and Joker. He is first seen in custody at the GCPD, assisting them in solving a variety of crimes, including locating Joker's whereabouts, before stabbing a police officer to death 26 times. Blackmailing the approaching guards with details of their children and families, Riddler walks out freely before intruding into Joker's office. Riddler seemingly offers the Joker a partnership, acknowledging that if either of the two men individually kill Batman, the other will be left forever unsatisfied. However the Joker shoots Riddler in the stomach and quickly departs, Batman appearing through the window and giving chase. Left in a pool of his own blood, Riddler rose to his feet and limped out of the office, seemingly unfazed.  Edward quickly healed from the wound, carving a question marked shaped scar over the wound, before murdering Dr. Jaime Knowles. Riddler is then seen meeting with Poison Ivy, discussing the Joker's need to rid anyone who could potentially kill Batman before him. The duo are then ambushed by gunmen working for Carmine Falcone under the orders of the Joker to kill Riddler within the hour. However Poison Ivy attacks the gunmen with her vines, allowing Edward and herself to leave.  Riddler eventually formed his team, consisting on himself, Poison Ivy, Scarecrow, Deathstroke, Clayface, Killer Croc, Two-Face, Firefly, and Victor Zsasz. Waging war on Joker's team across Gotham, Riddler is responsible for poisoning Charles Brown's son, resulting in his transformation into Kite Man who joins up with Joker's team consisting of Cluemaster, Deadshot, Mad Hatter, Man-Bat, Mr. Freeze, Penguin, Solomon Grundy, and Ventriloquist. The war continues, with Riddler and Joker claiming territories across Gotham, before Riddler, who'd convinced Batman to side with him during the conflict, blackmails and interrogates Kite Man into giving up Joker's location. However Batman, after a brief fight between him, Riddler and Joker, becomes disgusted by Riddler's actions and quickly grabs a blade, breaking his one rule of No Killing in order to stab Riddler. However Joker, who finally begins to laugh again, prevents Batman from doing so.  The present day Riddler shows up next in 'Deathstroke #25' as a member of The Society who have placed Deathstroke on trial for appearing to have reformed. Riddler, using Hector Hammond's abilities, convinces the Society that Deathstroke is indeed evil by showcasing a simulation of Deathstroke killing them all right before Deathstroke himself is kidnapped. CANNOTANSWER

Question: Does riddler survive being shot in the stomach by Joker?
Answer: Left in a pool of his own blood, Riddler rose to his feet and limped out of the office, seemingly unfazed.
Riddler

Context: The Riddler makes his first true appearance in the new DC continuity relaunch, DC Rebirth, in Batman #19. An inmate of Arkham once again, he rather cooperatively assists Bane in unlocking a high tech door, allowing Bane access to confront Batman.  In the eight-part story-arc "War of Jokes and Riddles", commencing with Batman Vol. 3 #25, flashbacks to a year after the events of "Zero Year" have Batman recounting the details of a war between Riddler and Joker. He is first seen in custody at the GCPD, assisting them in solving a variety of crimes, including locating Joker's whereabouts, before stabbing a police officer to death 26 times. Blackmailing the approaching guards with details of their children and families, Riddler walks out freely before intruding into Joker's office. Riddler seemingly offers the Joker a partnership, acknowledging that if either of the two men individually kill Batman, the other will be left forever unsatisfied. However the Joker shoots Riddler in the stomach and quickly departs, Batman appearing through the window and giving chase. Left in a pool of his own blood, Riddler rose to his feet and limped out of the office, seemingly unfazed.  Edward quickly healed from the wound, carving a question marked shaped scar over the wound, before murdering Dr. Jaime Knowles. Riddler is then seen meeting with Poison Ivy, discussing the Joker's need to rid anyone who could potentially kill Batman before him. The duo are then ambushed by gunmen working for Carmine Falcone under the orders of the Joker to kill Riddler within the hour. However Poison Ivy attacks the gunmen with her vines, allowing Edward and herself to leave.  Riddler eventually formed his team, consisting on himself, Poison Ivy, Scarecrow, Deathstroke, Clayface, Killer Croc, Two-Face, Firefly, and Victor Zsasz. Waging war on Joker's team across Gotham, Riddler is responsible for poisoning Charles Brown's son, resulting in his transformation into Kite Man who joins up with Joker's team consisting of Cluemaster, Deadshot, Mad Hatter, Man-Bat, Mr. Freeze, Penguin, Solomon Grundy, and Ventriloquist. The war continues, with Riddler and Joker claiming territories across Gotham, before Riddler, who'd convinced Batman to side with him during the conflict, blackmails and interrogates Kite Man into giving up Joker's location. However Batman, after a brief fight between him, Riddler and Joker, becomes disgusted by Riddler's actions and quickly grabs a blade, breaking his one rule of No Killing in order to stab Riddler. However Joker, who finally begins to laugh again, prevents Batman from doing so.  The present day Riddler shows up next in 'Deathstroke #25' as a member of The Society who have placed Deathstroke on trial for appearing to have reformed. Riddler, using Hector Hammond's abilities, convinces the Society that Deathstroke is indeed evil by showcasing a simulation of Deathstroke killing them all right before Deathstroke himself is kidnapped. CANNOTANSWER

Question: What happened after Riddler limped out of the office?
Answer: healed from the wound, carving a question marked shaped scar over the wound, before murdering Dr. Jaime Knowles.
Riddler

Context: The Riddler makes his first true appearance in the new DC continuity relaunch, DC Rebirth, in Batman #19. An inmate of Arkham once again, he rather cooperatively assists Bane in unlocking a high tech door, allowing Bane access to confront Batman.  In the eight-part story-arc "War of Jokes and Riddles", commencing with Batman Vol. 3 #25, flashbacks to a year after the events of "Zero Year" have Batman recounting the details of a war between Riddler and Joker. He is first seen in custody at the GCPD, assisting them in solving a variety of crimes, including locating Joker's whereabouts, before stabbing a police officer to death 26 times. Blackmailing the approaching guards with details of their children and families, Riddler walks out freely before intruding into Joker's office. Riddler seemingly offers the Joker a partnership, acknowledging that if either of the two men individually kill Batman, the other will be left forever unsatisfied. However the Joker shoots Riddler in the stomach and quickly departs, Batman appearing through the window and giving chase. Left in a pool of his own blood, Riddler rose to his feet and limped out of the office, seemingly unfazed.  Edward quickly healed from the wound, carving a question marked shaped scar over the wound, before murdering Dr. Jaime Knowles. Riddler is then seen meeting with Poison Ivy, discussing the Joker's need to rid anyone who could potentially kill Batman before him. The duo are then ambushed by gunmen working for Carmine Falcone under the orders of the Joker to kill Riddler within the hour. However Poison Ivy attacks the gunmen with her vines, allowing Edward and herself to leave.  Riddler eventually formed his team, consisting on himself, Poison Ivy, Scarecrow, Deathstroke, Clayface, Killer Croc, Two-Face, Firefly, and Victor Zsasz. Waging war on Joker's team across Gotham, Riddler is responsible for poisoning Charles Brown's son, resulting in his transformation into Kite Man who joins up with Joker's team consisting of Cluemaster, Deadshot, Mad Hatter, Man-Bat, Mr. Freeze, Penguin, Solomon Grundy, and Ventriloquist. The war continues, with Riddler and Joker claiming territories across Gotham, before Riddler, who'd convinced Batman to side with him during the conflict, blackmails and interrogates Kite Man into giving up Joker's location. However Batman, after a brief fight between him, Riddler and Joker, becomes disgusted by Riddler's actions and quickly grabs a blade, breaking his one rule of No Killing in order to stab Riddler. However Joker, who finally begins to laugh again, prevents Batman from doing so.  The present day Riddler shows up next in 'Deathstroke #25' as a member of The Society who have placed Deathstroke on trial for appearing to have reformed. Riddler, using Hector Hammond's abilities, convinces the Society that Deathstroke is indeed evil by showcasing a simulation of Deathstroke killing them all right before Deathstroke himself is kidnapped. CANNOTANSWER

Question: Who saw Riddler?
Answer: CANNOTANSWER
Riddler

Context: The Riddler makes his first true appearance in the new DC continuity relaunch, DC Rebirth, in Batman #19. An inmate of Arkham once again, he rather cooperatively assists Bane in unlocking a high tech door, allowing Bane access to confront Batman.  In the eight-part story-arc "War of Jokes and Riddles", commencing with Batman Vol. 3 #25, flashbacks to a year after the events of "Zero Year" have Batman recounting the details of a war between Riddler and Joker. He is first seen in custody at the GCPD, assisting them in solving a variety of crimes, including locating Joker's whereabouts, before stabbing a police officer to death 26 times. Blackmailing the approaching guards with details of their children and families, Riddler walks out freely before intruding into Joker's office. Riddler seemingly offers the Joker a partnership, acknowledging that if either of the two men individually kill Batman, the other will be left forever unsatisfied. However the Joker shoots Riddler in the stomach and quickly departs, Batman appearing through the window and giving chase. Left in a pool of his own blood, Riddler rose to his feet and limped out of the office, seemingly unfazed.  Edward quickly healed from the wound, carving a question marked shaped scar over the wound, before murdering Dr. Jaime Knowles. Riddler is then seen meeting with Poison Ivy, discussing the Joker's need to rid anyone who could potentially kill Batman before him. The duo are then ambushed by gunmen working for Carmine Falcone under the orders of the Joker to kill Riddler within the hour. However Poison Ivy attacks the gunmen with her vines, allowing Edward and herself to leave.  Riddler eventually formed his team, consisting on himself, Poison Ivy, Scarecrow, Deathstroke, Clayface, Killer Croc, Two-Face, Firefly, and Victor Zsasz. Waging war on Joker's team across Gotham, Riddler is responsible for poisoning Charles Brown's son, resulting in his transformation into Kite Man who joins up with Joker's team consisting of Cluemaster, Deadshot, Mad Hatter, Man-Bat, Mr. Freeze, Penguin, Solomon Grundy, and Ventriloquist. The war continues, with Riddler and Joker claiming territories across Gotham, before Riddler, who'd convinced Batman to side with him during the conflict, blackmails and interrogates Kite Man into giving up Joker's location. However Batman, after a brief fight between him, Riddler and Joker, becomes disgusted by Riddler's actions and quickly grabs a blade, breaking his one rule of No Killing in order to stab Riddler. However Joker, who finally begins to laugh again, prevents Batman from doing so.  The present day Riddler shows up next in 'Deathstroke #25' as a member of The Society who have placed Deathstroke on trial for appearing to have reformed. Riddler, using Hector Hammond's abilities, convinces the Society that Deathstroke is indeed evil by showcasing a simulation of Deathstroke killing them all right before Deathstroke himself is kidnapped. CANNOTANSWER

Question: who is Poison Ivy?
Answer: Riddler eventually formed his team, consisting on himself, Poison Ivy,
Glenn Danzig

Context: Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." Danzig has started work on a third Black Aria album, and a covers album is set for release by the end of 2013. Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. He is currently working on new Danzig material with Tommy Victor and Johnny Kelly.  In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit.  On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last.  On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. He later noted that he would be "open to possibly doing some more shows". Danzig returned to the 2017 Riotfest with his band, Danzig.  The newest Danzig album Black Laden Crown was released on May 26, 2017. CANNOTANSWER

Question: What are some highlights from Glenn Danzig's recent activity?
Answer: On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years
Glenn Danzig

Context: Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." Danzig has started work on a third Black Aria album, and a covers album is set for release by the end of 2013. Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. He is currently working on new Danzig material with Tommy Victor and Johnny Kelly.  In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit.  On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last.  On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. He later noted that he would be "open to possibly doing some more shows". Danzig returned to the 2017 Riotfest with his band, Danzig.  The newest Danzig album Black Laden Crown was released on May 26, 2017. CANNOTANSWER

Question: What was the performance as the Misfits in 2016?
Answer: two headlining shows at the September 2016 Riot Fest in Chicago and Denver.
Glenn Danzig

Context: Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." Danzig has started work on a third Black Aria album, and a covers album is set for release by the end of 2013. Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. He is currently working on new Danzig material with Tommy Victor and Johnny Kelly.  In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit.  On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last.  On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. He later noted that he would be "open to possibly doing some more shows". Danzig returned to the 2017 Riotfest with his band, Danzig.  The newest Danzig album Black Laden Crown was released on May 26, 2017. CANNOTANSWER

Question: Were the shows by the Misfits in 2016 a success?
Answer: CANNOTANSWER
Glenn Danzig

Context: Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." Danzig has started work on a third Black Aria album, and a covers album is set for release by the end of 2013. Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. He is currently working on new Danzig material with Tommy Victor and Johnny Kelly.  In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit.  On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last.  On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. He later noted that he would be "open to possibly doing some more shows". Danzig returned to the 2017 Riotfest with his band, Danzig.  The newest Danzig album Black Laden Crown was released on May 26, 2017. CANNOTANSWER

Question: Besides the performance in 2016, did the Misfits do any other performances?
Answer: CANNOTANSWER
Glenn Danzig

Context: Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." Danzig has started work on a third Black Aria album, and a covers album is set for release by the end of 2013. Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. He is currently working on new Danzig material with Tommy Victor and Johnny Kelly.  In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit.  On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last.  On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. He later noted that he would be "open to possibly doing some more shows". Danzig returned to the 2017 Riotfest with his band, Danzig.  The newest Danzig album Black Laden Crown was released on May 26, 2017. CANNOTANSWER

Question: What is the Misfits' most recent activity?
Answer: CANNOTANSWER
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: What kind of work was Willie Dixon doing at the height of his career?
Answer: Dixon is considered one of the key figures in the creation of Chicago blues.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: What songs did Willie Dixon perform?
Answer: He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: In addition to Peace, did Willie Dixon have other albums?
Answer: he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout,
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Did Willie Dixon find any new talent?
Answer: During this time Dixon's output and influence were prodigious.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Who did Willie Dixon influence?
Answer: Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: What did Willie Dixon record for Bluesville Records?
Answer: the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster".
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: In addition to The Rolling Stones, did anyone else use Willie Dixon's music?
Answer: In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Is there anything about Willie Dixon that is fascinating?
Answer: He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker,
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Besides The Rolling Stones, did Willie Dixon work with anyone else?
Answer: Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson,
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Other than the Rolling Stones, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, and Lowell Fulson, who else did Willie Dixon work with?
Answer: Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.
Memoirs of a Geisha (film)

Context: The film received some hostile responses in Mainland China, including its banning by the People's Republic of China. Relations between Japan and Mainland China were particularly tense due to two main factors: Japan's Prime Minister Junichiro Koizumi made a number of visits to Yasukuni Shrine, which honors all Japan's war dead, including some who were convicted war criminals, which was denounced by China's foreign ministry as honoring them; and China helped to ensure Japan did not receive a seat on the UN Security Council. Writer Hong Ying argued that "Art should be above national politics". Nevertheless, the release of Memoirs of a Geisha into this politically charged situation added to cultural conflict within and between China and Japan.  The film was originally scheduled to be shown in cinemas in the People's Republic of China on February 9, 2006. The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006, considering the film as "too sensitive". In doing so, it overturned a November decision to approve the film for screening.  The film is set in Japan during World War II, when the Second Sino-Japanese War was taking place. During this time, Japan captured and forced Chinese women to serve as "comfort women" for their military personnel. Controversy arose in China from an apparent confusion of equating geisha with prostitution, and thus the connection with, and reminder of, comfort women being used in Japan at that time.  Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film might be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers. CANNOTANSWER

Question: How much money did the movie Memoirs of a Geisha make in China?
Answer: CANNOTANSWER
Memoirs of a Geisha (film)

Context: The film received some hostile responses in Mainland China, including its banning by the People's Republic of China. Relations between Japan and Mainland China were particularly tense due to two main factors: Japan's Prime Minister Junichiro Koizumi made a number of visits to Yasukuni Shrine, which honors all Japan's war dead, including some who were convicted war criminals, which was denounced by China's foreign ministry as honoring them; and China helped to ensure Japan did not receive a seat on the UN Security Council. Writer Hong Ying argued that "Art should be above national politics". Nevertheless, the release of Memoirs of a Geisha into this politically charged situation added to cultural conflict within and between China and Japan.  The film was originally scheduled to be shown in cinemas in the People's Republic of China on February 9, 2006. The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006, considering the film as "too sensitive". In doing so, it overturned a November decision to approve the film for screening.  The film is set in Japan during World War II, when the Second Sino-Japanese War was taking place. During this time, Japan captured and forced Chinese women to serve as "comfort women" for their military personnel. Controversy arose in China from an apparent confusion of equating geisha with prostitution, and thus the connection with, and reminder of, comfort women being used in Japan at that time.  Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film might be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers. CANNOTANSWER

Question: How was the movie Memoirs of a Geisha  received by critics in China?
Answer: fears that the film might be banned by censors;
Memoirs of a Geisha (film)

Context: The film received some hostile responses in Mainland China, including its banning by the People's Republic of China. Relations between Japan and Mainland China were particularly tense due to two main factors: Japan's Prime Minister Junichiro Koizumi made a number of visits to Yasukuni Shrine, which honors all Japan's war dead, including some who were convicted war criminals, which was denounced by China's foreign ministry as honoring them; and China helped to ensure Japan did not receive a seat on the UN Security Council. Writer Hong Ying argued that "Art should be above national politics". Nevertheless, the release of Memoirs of a Geisha into this politically charged situation added to cultural conflict within and between China and Japan.  The film was originally scheduled to be shown in cinemas in the People's Republic of China on February 9, 2006. The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006, considering the film as "too sensitive". In doing so, it overturned a November decision to approve the film for screening.  The film is set in Japan during World War II, when the Second Sino-Japanese War was taking place. During this time, Japan captured and forced Chinese women to serve as "comfort women" for their military personnel. Controversy arose in China from an apparent confusion of equating geisha with prostitution, and thus the connection with, and reminder of, comfort women being used in Japan at that time.  Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film might be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers. CANNOTANSWER

Question: Were the fears about Memoirs of a Geisha correct? Did censors ban any parts of the movie in China?
Answer: The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006,
Memoirs of a Geisha (film)

Context: The film received some hostile responses in Mainland China, including its banning by the People's Republic of China. Relations between Japan and Mainland China were particularly tense due to two main factors: Japan's Prime Minister Junichiro Koizumi made a number of visits to Yasukuni Shrine, which honors all Japan's war dead, including some who were convicted war criminals, which was denounced by China's foreign ministry as honoring them; and China helped to ensure Japan did not receive a seat on the UN Security Council. Writer Hong Ying argued that "Art should be above national politics". Nevertheless, the release of Memoirs of a Geisha into this politically charged situation added to cultural conflict within and between China and Japan.  The film was originally scheduled to be shown in cinemas in the People's Republic of China on February 9, 2006. The Chinese State Administration of Radio, Film, and Television decided to ban the film on February 1, 2006, considering the film as "too sensitive". In doing so, it overturned a November decision to approve the film for screening.  The film is set in Japan during World War II, when the Second Sino-Japanese War was taking place. During this time, Japan captured and forced Chinese women to serve as "comfort women" for their military personnel. Controversy arose in China from an apparent confusion of equating geisha with prostitution, and thus the connection with, and reminder of, comfort women being used in Japan at that time.  Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film might be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers. CANNOTANSWER

Question: Why was the movie Memoirs of a Geisha so controversial in China?
Answer: the use of Chinese women as forced sex workers.