gaussalgo/Canard_Wiki-augmented huggingface dataset:
Hall & Oates

Context: Hall and Oates have almost always toured extensively for each album release. But in 1985, the duo took a break after the release of their Live at the Apollo album with David Ruffin and Eddie Kendricks--voices of The Temptations and two of their heroes. This was RCA's second attempt at a live Hall and Oates album, following the 1978 release Livetime. Live at the Apollo was released primarily to fulfill the duo's contract with RCA, and contained a top-20 hit with a medley of "The Way You Do the Things You Do" and "My Girl", both hits Ruffin and Kendrick had recorded with the Temptations in 1964.  Hall and Oates had collaborated on the USA for Africa "We Are the World" project, with the former as one of the soloists and the latter as a chorus member, and performed at the Live Aid concert in Philadelphia, with Ruffin and Kendrick. The Hall and Oates band also backed up Mick Jagger's performance at this show.  Hall, Oates, Ruffin and Kendrick performed again at the MTV Video Music Awards in New York later that year, complete with an Apollo Theater-style marquee descending on the stage during their performance.  In May, 1985, Hall and Oates performed at the Nashville Municipal Auditorium. Just prior to Live Aid, on July 4, they participated in Liberty Concert, an outdoor benefit concert at Liberty State Park in Jersey City, New Jersey for the restoration of the Statue of Liberty. It became a major music event, drawing an estimated crowd of over 60,000 people.  In 1986, Daryl Hall scored a Top 5 US hit with "Dreamtime", from the album "Three Hearts in the Happy Ending Machine". That album also included the Top 40 hit "Foolish Pride" and the Top 100 hit "Somebody Like You," later performed by the duo live on their "Behind the Music" set. Although John Oates did not have a solo hit as a singer, he did receive credit as co-songwriter (with Iva Davies) of the 1988 Icehouse top 10 US hit "Electric Blue." Oates also worked as producer, co-songwriter and co-lead vocalist of the single "Love Is Fire" by The Parachute Club, which was a top 40 hit in Canada in 1987. CANNOTANSWER

Question: did Hall & Oates fulfill their contract with RCA?
Answer: Live at the Apollo was released primarily to fulfill the duo's contract with RCA,
Hall & Oates

Context: Hall and Oates have almost always toured extensively for each album release. But in 1985, the duo took a break after the release of their Live at the Apollo album with David Ruffin and Eddie Kendricks--voices of The Temptations and two of their heroes. This was RCA's second attempt at a live Hall and Oates album, following the 1978 release Livetime. Live at the Apollo was released primarily to fulfill the duo's contract with RCA, and contained a top-20 hit with a medley of "The Way You Do the Things You Do" and "My Girl", both hits Ruffin and Kendrick had recorded with the Temptations in 1964.  Hall and Oates had collaborated on the USA for Africa "We Are the World" project, with the former as one of the soloists and the latter as a chorus member, and performed at the Live Aid concert in Philadelphia, with Ruffin and Kendrick. The Hall and Oates band also backed up Mick Jagger's performance at this show.  Hall, Oates, Ruffin and Kendrick performed again at the MTV Video Music Awards in New York later that year, complete with an Apollo Theater-style marquee descending on the stage during their performance.  In May, 1985, Hall and Oates performed at the Nashville Municipal Auditorium. Just prior to Live Aid, on July 4, they participated in Liberty Concert, an outdoor benefit concert at Liberty State Park in Jersey City, New Jersey for the restoration of the Statue of Liberty. It became a major music event, drawing an estimated crowd of over 60,000 people.  In 1986, Daryl Hall scored a Top 5 US hit with "Dreamtime", from the album "Three Hearts in the Happy Ending Machine". That album also included the Top 40 hit "Foolish Pride" and the Top 100 hit "Somebody Like You," later performed by the duo live on their "Behind the Music" set. Although John Oates did not have a solo hit as a singer, he did receive credit as co-songwriter (with Iva Davies) of the 1988 Icehouse top 10 US hit "Electric Blue." Oates also worked as producer, co-songwriter and co-lead vocalist of the single "Love Is Fire" by The Parachute Club, which was a top 40 hit in Canada in 1987. CANNOTANSWER

Question: was the album Live at the Apollo a hit?
Answer: CANNOTANSWER
Hall & Oates

Context: Hall and Oates have almost always toured extensively for each album release. But in 1985, the duo took a break after the release of their Live at the Apollo album with David Ruffin and Eddie Kendricks--voices of The Temptations and two of their heroes. This was RCA's second attempt at a live Hall and Oates album, following the 1978 release Livetime. Live at the Apollo was released primarily to fulfill the duo's contract with RCA, and contained a top-20 hit with a medley of "The Way You Do the Things You Do" and "My Girl", both hits Ruffin and Kendrick had recorded with the Temptations in 1964.  Hall and Oates had collaborated on the USA for Africa "We Are the World" project, with the former as one of the soloists and the latter as a chorus member, and performed at the Live Aid concert in Philadelphia, with Ruffin and Kendrick. The Hall and Oates band also backed up Mick Jagger's performance at this show.  Hall, Oates, Ruffin and Kendrick performed again at the MTV Video Music Awards in New York later that year, complete with an Apollo Theater-style marquee descending on the stage during their performance.  In May, 1985, Hall and Oates performed at the Nashville Municipal Auditorium. Just prior to Live Aid, on July 4, they participated in Liberty Concert, an outdoor benefit concert at Liberty State Park in Jersey City, New Jersey for the restoration of the Statue of Liberty. It became a major music event, drawing an estimated crowd of over 60,000 people.  In 1986, Daryl Hall scored a Top 5 US hit with "Dreamtime", from the album "Three Hearts in the Happy Ending Machine". That album also included the Top 40 hit "Foolish Pride" and the Top 100 hit "Somebody Like You," later performed by the duo live on their "Behind the Music" set. Although John Oates did not have a solo hit as a singer, he did receive credit as co-songwriter (with Iva Davies) of the 1988 Icehouse top 10 US hit "Electric Blue." Oates also worked as producer, co-songwriter and co-lead vocalist of the single "Love Is Fire" by The Parachute Club, which was a top 40 hit in Canada in 1987. CANNOTANSWER

Question: did Live at the Apollo have any hit songs?
Answer: In 1986, Daryl Hall scored a Top 5 US hit with "Dreamtime", from the album "Three Hearts in the Happy Ending Machine".
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: What is the relation between Roger Clemens and Boston?
Answer: pitched a strong Game 7 to wrap up the series for Boston.
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: What was the first game Roger Clemens played for Boston?
Answer: CANNOTANSWER
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: Did Roger Clemens win any games?
Answer: Clemens' overall postseason record with Boston was 1-2
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: When did Roger Clemens play his first game?
Answer: CANNOTANSWER
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: Did Roger Clemens win any award or recognition?
Answer: CANNOTANSWER
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Did Art of Noise have any albums come out during 1987-1990?
Answer: Below the Waste,
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Was Below the Waste popular?
Answer: failed to achieve much success upon its release
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: What were some of the songs from the album Below the Waste?
Answer: "Yebo!" (
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Were there other songs from the album Below the Waste besides "Yebo!"?
Answer: Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: What else is there to know about the  album Below the Waste besides the songs and the bonus tracks?
Answer: While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens).
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Did Art of Noise release any other albums during the time 1987-1990 besides "Below the Waste"?
Answer: Sense? Nonsense!
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Was "Sense? Nonsense" popular?
Answer: failed to achieve much success upon its release
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Was dragnets a song on the album "Sense? Nonsense"?
Answer: made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Who was in the band during 1987-1990 for Art of Noise?
Answer: the band's membership was down to just Jeczalik and Dudley.
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: What else did Art of Noise do during 1987-1990 besides the release of albums "Sense? Nonsense" and "Below the Waste"?
Answer: In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Was the one-off collaboration of Art of Noise with singer Tom Jones success?
Answer: renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream.
Art of Noise

Context: By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense!  The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts.  In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out.  In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT.  The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".  In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded. CANNOTANSWER

Question: Did Art of Noise break up at all during 1987-1990?
Answer: In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded.
Richard Glücks

Context: When Eicke became field commander of the SS Division Totenkopf during the summer of 1939, Glucks was promoted by Himmler on 15 November 1939 as Eicke's successor to the post of Concentration Camps Inspector. As the Concentration Camps Inspector, Glucks was directly subordinate to Himmler--as Eicke had been--but, in contrast with the warm relation between Himmler and the older Eicke, Glucks only rarely met with Himmler, who promoted him not for his leadership competencies but for his ability to "provide the administrative continuity" with Eicke's policies. Glucks made few changes, leaving the organizational structure intact as Eicke had set it up. Because Glucks never served inside a concentration camp, some senior camp members were suspicious and considered him nothing more than a desk-side bureaucrat. In terms of his leadership style, he preferred men of action and allowed them some autonomy in operating their respective camps.  Glucks's responsibilities at first mainly covered the use of concentration camp inmates for forced labour. In this phase, he urged camp commandants to lower the death rate in the camps, as it went counter to the economic objectives his department was to fulfill. Other orders of his were to ask for the inmates to be made to work continuously. At the same time, it was Glucks who recommended on 21 February 1940, Auschwitz, a former Austrian cavalry barracks, as a suitable site for a new concentration camp to Himmler and Reinhard Heydrich. Glucks accompanied Himmler and several chief directors of I.G. Farben on 1 March 1941 for a visit to Auschwitz, where it was decided that the camp would be expanded to accommodate up to 30,000 prisoners, an additional camp would be established at nearby Birkenau capable of housing 100,000 POWs, and that a factory would be constructed in proximity with the camp prisoners placed at I.G. Farben's disposal.  On 20 April 1941 Glucks was promoted to the rank of an SS-Brigadefuhrer and in November 1943, Glucks was made SS-Gruppenfuhrer and a Generalleutnant of the Waffen-SS. From 1942 on, Glucks was increasingly involved in the implementation of the "Final Solution", along with Oswald Pohl. To oversee the coordination of camp related activities, which varied from the medical concerns of personnel and prisoners, the status of construction projects, and the progress of extermination operations, Glucks, along with other senior SS camp managers, attended weekly meetings conducted by Pohl. Glucks never attempted to outshine his superior and was quite aware of his subordination to Pohl. CANNOTANSWER

Question: Which concentration camps did Richard Glücks inspect
Answer: it was Glucks who recommended on 21 February 1940, Auschwitz,
Richard Glücks

Context: When Eicke became field commander of the SS Division Totenkopf during the summer of 1939, Glucks was promoted by Himmler on 15 November 1939 as Eicke's successor to the post of Concentration Camps Inspector. As the Concentration Camps Inspector, Glucks was directly subordinate to Himmler--as Eicke had been--but, in contrast with the warm relation between Himmler and the older Eicke, Glucks only rarely met with Himmler, who promoted him not for his leadership competencies but for his ability to "provide the administrative continuity" with Eicke's policies. Glucks made few changes, leaving the organizational structure intact as Eicke had set it up. Because Glucks never served inside a concentration camp, some senior camp members were suspicious and considered him nothing more than a desk-side bureaucrat. In terms of his leadership style, he preferred men of action and allowed them some autonomy in operating their respective camps.  Glucks's responsibilities at first mainly covered the use of concentration camp inmates for forced labour. In this phase, he urged camp commandants to lower the death rate in the camps, as it went counter to the economic objectives his department was to fulfill. Other orders of his were to ask for the inmates to be made to work continuously. At the same time, it was Glucks who recommended on 21 February 1940, Auschwitz, a former Austrian cavalry barracks, as a suitable site for a new concentration camp to Himmler and Reinhard Heydrich. Glucks accompanied Himmler and several chief directors of I.G. Farben on 1 March 1941 for a visit to Auschwitz, where it was decided that the camp would be expanded to accommodate up to 30,000 prisoners, an additional camp would be established at nearby Birkenau capable of housing 100,000 POWs, and that a factory would be constructed in proximity with the camp prisoners placed at I.G. Farben's disposal.  On 20 April 1941 Glucks was promoted to the rank of an SS-Brigadefuhrer and in November 1943, Glucks was made SS-Gruppenfuhrer and a Generalleutnant of the Waffen-SS. From 1942 on, Glucks was increasingly involved in the implementation of the "Final Solution", along with Oswald Pohl. To oversee the coordination of camp related activities, which varied from the medical concerns of personnel and prisoners, the status of construction projects, and the progress of extermination operations, Glucks, along with other senior SS camp managers, attended weekly meetings conducted by Pohl. Glucks never attempted to outshine his superior and was quite aware of his subordination to Pohl. CANNOTANSWER

Question: What did Richard Glücks do in Auschwitz concentration camps
Answer: where it was decided that the camp would be expanded to accommodate up to 30,000 prisoners,
Richard Glücks

Context: When Eicke became field commander of the SS Division Totenkopf during the summer of 1939, Glucks was promoted by Himmler on 15 November 1939 as Eicke's successor to the post of Concentration Camps Inspector. As the Concentration Camps Inspector, Glucks was directly subordinate to Himmler--as Eicke had been--but, in contrast with the warm relation between Himmler and the older Eicke, Glucks only rarely met with Himmler, who promoted him not for his leadership competencies but for his ability to "provide the administrative continuity" with Eicke's policies. Glucks made few changes, leaving the organizational structure intact as Eicke had set it up. Because Glucks never served inside a concentration camp, some senior camp members were suspicious and considered him nothing more than a desk-side bureaucrat. In terms of his leadership style, he preferred men of action and allowed them some autonomy in operating their respective camps.  Glucks's responsibilities at first mainly covered the use of concentration camp inmates for forced labour. In this phase, he urged camp commandants to lower the death rate in the camps, as it went counter to the economic objectives his department was to fulfill. Other orders of his were to ask for the inmates to be made to work continuously. At the same time, it was Glucks who recommended on 21 February 1940, Auschwitz, a former Austrian cavalry barracks, as a suitable site for a new concentration camp to Himmler and Reinhard Heydrich. Glucks accompanied Himmler and several chief directors of I.G. Farben on 1 March 1941 for a visit to Auschwitz, where it was decided that the camp would be expanded to accommodate up to 30,000 prisoners, an additional camp would be established at nearby Birkenau capable of housing 100,000 POWs, and that a factory would be constructed in proximity with the camp prisoners placed at I.G. Farben's disposal.  On 20 April 1941 Glucks was promoted to the rank of an SS-Brigadefuhrer and in November 1943, Glucks was made SS-Gruppenfuhrer and a Generalleutnant of the Waffen-SS. From 1942 on, Glucks was increasingly involved in the implementation of the "Final Solution", along with Oswald Pohl. To oversee the coordination of camp related activities, which varied from the medical concerns of personnel and prisoners, the status of construction projects, and the progress of extermination operations, Glucks, along with other senior SS camp managers, attended weekly meetings conducted by Pohl. Glucks never attempted to outshine his superior and was quite aware of his subordination to Pohl. CANNOTANSWER

Question: Did Richard Glücks run any other concentration camps along with Auschwitz concentration camps
Answer: an additional camp would be established at nearby Birkenau capable of housing 100,000 POWs,
Richard Glücks

Context: When Eicke became field commander of the SS Division Totenkopf during the summer of 1939, Glucks was promoted by Himmler on 15 November 1939 as Eicke's successor to the post of Concentration Camps Inspector. As the Concentration Camps Inspector, Glucks was directly subordinate to Himmler--as Eicke had been--but, in contrast with the warm relation between Himmler and the older Eicke, Glucks only rarely met with Himmler, who promoted him not for his leadership competencies but for his ability to "provide the administrative continuity" with Eicke's policies. Glucks made few changes, leaving the organizational structure intact as Eicke had set it up. Because Glucks never served inside a concentration camp, some senior camp members were suspicious and considered him nothing more than a desk-side bureaucrat. In terms of his leadership style, he preferred men of action and allowed them some autonomy in operating their respective camps.  Glucks's responsibilities at first mainly covered the use of concentration camp inmates for forced labour. In this phase, he urged camp commandants to lower the death rate in the camps, as it went counter to the economic objectives his department was to fulfill. Other orders of his were to ask for the inmates to be made to work continuously. At the same time, it was Glucks who recommended on 21 February 1940, Auschwitz, a former Austrian cavalry barracks, as a suitable site for a new concentration camp to Himmler and Reinhard Heydrich. Glucks accompanied Himmler and several chief directors of I.G. Farben on 1 March 1941 for a visit to Auschwitz, where it was decided that the camp would be expanded to accommodate up to 30,000 prisoners, an additional camp would be established at nearby Birkenau capable of housing 100,000 POWs, and that a factory would be constructed in proximity with the camp prisoners placed at I.G. Farben's disposal.  On 20 April 1941 Glucks was promoted to the rank of an SS-Brigadefuhrer and in November 1943, Glucks was made SS-Gruppenfuhrer and a Generalleutnant of the Waffen-SS. From 1942 on, Glucks was increasingly involved in the implementation of the "Final Solution", along with Oswald Pohl. To oversee the coordination of camp related activities, which varied from the medical concerns of personnel and prisoners, the status of construction projects, and the progress of extermination operations, Glucks, along with other senior SS camp managers, attended weekly meetings conducted by Pohl. Glucks never attempted to outshine his superior and was quite aware of his subordination to Pohl. CANNOTANSWER

Question: Were people murdered in Auschwitz concentration camps
Answer: Glucks was increasingly involved in the implementation of the "Final Solution",