gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bill Monroe

Context: In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties.  Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.  After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline.  In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.  While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. CANNOTANSWER

Question: Did Bill Monroe perform in any concerts?
Answer: Monroe successfully auditioned for a regular spot on the Grand Ole Opry,
Bill Monroe

Context: In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties.  Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.  After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline.  In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.  While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. CANNOTANSWER

Question: Did Bill Monroe play an instrument or sing in the Grad Ole Opry?
Answer: He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies
Bill Monroe

Context: In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties.  Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.  After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline.  In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.  While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. CANNOTANSWER

Question: Did Bill Monroe perform in any bands?
Answer: the Blue Grass Boys
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: When did Joe Raposo appear on Sesame Street?
Answer: during the early 1970s.
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: how many times did Joe Raposo appear on Sesame Street?
Answer: 16 mm film.
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: Why did Joe Raposo leave Sesame Street?
Answer: " - various versions of which have opened every episode - as well as many of its most popular songs,
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: Are there any other interesting aspects about Joe Raposo other than the Sesame Street opening?
Answer: Cookie Monster on television for Sesame Street.
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: What did Joe Raposo do with cookie monster?
Answer: Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street.
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: How long did Joe Raposo protray cookie monster?
Answer: 1960s
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: Was Joe Raposo paid to be on Sesame Street?
Answer: reached #3 on the Billboard top singles chart.
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: What song did Joe Raposo release?
Answer: "ABC-DEF-GHI". A version of "Sing"
Joe Raposo

Context: Raposo is best known for the songs he wrote for Sesame Street from its beginning in 1969 through the mid-1970s, and also for a time in the 1980s. He wrote the "Sesame Street Theme" - various versions of which have opened every episode - as well as many of its most popular songs, such as "Bein' Green", "C is for Cookie", "Sing" and "ABC-DEF-GHI". A version of "Sing" recorded by The Carpenters in 1973 reached #3 on the Billboard top singles chart. For many years, most of the music used in Sesame Street's film segments was also written -- and often sung -- by Raposo.  Aside from his musical contributions, Raposo performed several uncredited stock characters on Sesame Street during the early 1970s. According to his son Nicholas in a 2002 telephone conversation, Joe Raposo usually chose to portray anonymous, silly characters in these segments, which were nearly always produced on 16 mm film. He also did voice-overs for a few animated segments.  The Sesame Street character Don Music maintained a framed and autographed glamour photograph of Raposo on the wall of his Muppet atelier.  Raposo was very fond of sweets according to many who knew him. One favorite food of his was cookies. It has been rumored the Wheel-Eating Monster created for commercial advertisers in the 1960s by Jim Henson may have been altered by Henson specifically into a "cookie" monster after Henson observed Raposo's unusual propensity for cookies; this has never been substantiated. Raposo was actually the first puppeteer to operate Cookie Monster on television for Sesame Street. His widow Pat Collins-Sarnoff celebrated his life with a milk and cookies reception.  One of Raposo's Sesame Street compositions, "The Square Song", was used in the film Close Encounters of the Third Kind. CANNOTANSWER

Question: How did the song "ABC-DEF-GHI" do in the Billboard charts?
Answer: reached #3 on the Billboard top singles chart.
The Flaming Lips

Context: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively.  In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox.  Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.  In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. CANNOTANSWER

Question: Why did The Flaming Lips switch to Warner Bros?
Answer: CANNOTANSWER
The Flaming Lips

Context: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively.  In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox.  Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.  In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. CANNOTANSWER

Question: When did The Flaming Lips start work on Hit to Death?
Answer: 1991,
The Flaming Lips

Context: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively.  In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox.  Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.  In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. CANNOTANSWER

Question: How did The Flaming Lips' Hit to Death do?
Answer: The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil
The Flaming Lips

Context: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively.  In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox.  Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.  In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. CANNOTANSWER

Question: What happened as a result of The Flaming Lips delaying the release of Hit to Death?
Answer: required a lengthy clearance process.
The Flaming Lips

Context: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively.  In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox.  Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.  In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. CANNOTANSWER

Question: Did The Flaming Lips do any tours in support of Hit to Death?
Answer: CANNOTANSWER
The Flaming Lips

Context: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively.  In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox.  Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.  In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. CANNOTANSWER

Question: Did the The Flaming Lips album Hit to Death win any awards?
Answer: CANNOTANSWER
Cute (Japanese idol group)

Context: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10.  On December 30, 2007, Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night, so Tsunku accepted the award for them.  The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. They performed a number together with Morning Musume and Berryz Kobo.  At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", which was chosen as one of the best works of the year. Losing to the boyband Exile, that year they had to be content with a Gold Award, which is given to all main prize nominees. The prizewinning song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and said, "I want the girls to sing it as a modern fairytale." So Itsuki let him use the song. For Cute, it was rearranged from enka into boogie and the lyrics were slightly modified. In what was called a collaboration by Tsunku and a rivalry between two performers by Sankei Sports, they both released the song as CD singles, Cute on July 30 and Itsuki as his 132nd single later in the year. CANNOTANSWER

Question: Which label did Cute work with in 2007-08?
Answer: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart.
Cute (Japanese idol group)

Context: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10.  On December 30, 2007, Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night, so Tsunku accepted the award for them.  The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. They performed a number together with Morning Musume and Berryz Kobo.  At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", which was chosen as one of the best works of the year. Losing to the boyband Exile, that year they had to be content with a Gold Award, which is given to all main prize nominees. The prizewinning song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and said, "I want the girls to sing it as a modern fairytale." So Itsuki let him use the song. For Cute, it was rearranged from enka into boogie and the lyrics were slightly modified. In what was called a collaboration by Tsunku and a rivalry between two performers by Sankei Sports, they both released the song as CD singles, Cute on July 30 and Itsuki as his 132nd single later in the year. CANNOTANSWER

Question: What is the 58th Kohaky Uta Gassen?
Answer: The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31.
Cute (Japanese idol group)

Context: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10.  On December 30, 2007, Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night, so Tsunku accepted the award for them.  The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. They performed a number together with Morning Musume and Berryz Kobo.  At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", which was chosen as one of the best works of the year. Losing to the boyband Exile, that year they had to be content with a Gold Award, which is given to all main prize nominees. The prizewinning song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and said, "I want the girls to sing it as a modern fairytale." So Itsuki let him use the song. For Cute, it was rearranged from enka into boogie and the lyrics were slightly modified. In what was called a collaboration by Tsunku and a rivalry between two performers by Sankei Sports, they both released the song as CD singles, Cute on July 30 and Itsuki as his 132nd single later in the year. CANNOTANSWER

Question: What awards did Cute win at the Japan Record Awards?
Answer: They performed a number together with Morning Musume and Berryz Kobo.
Cute (Japanese idol group)

Context: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10.  On December 30, 2007, Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night, so Tsunku accepted the award for them.  The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. They performed a number together with Morning Musume and Berryz Kobo.  At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", which was chosen as one of the best works of the year. Losing to the boyband Exile, that year they had to be content with a Gold Award, which is given to all main prize nominees. The prizewinning song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and said, "I want the girls to sing it as a modern fairytale." So Itsuki let him use the song. For Cute, it was rearranged from enka into boogie and the lyrics were slightly modified. In what was called a collaboration by Tsunku and a rivalry between two performers by Sankei Sports, they both released the song as CD singles, Cute on July 30 and Itsuki as his 132nd single later in the year. CANNOTANSWER

Question: What specific songs did Cute perform?
Answer: Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night,
Cosmo Kramer

Context: In "The Trip", Kramer admits that a man in a park exposed himself to him when he was a young boy. In "The Big Salad" Kramer reveals to Jerry that he grew up in a strict household where he had to be in bed every night by 9:00PM. In "The Letter", Kramer tells two art patrons that he ran away from home at age seventeen and stowed away aboard a steamer bound for Sweden.  Kramer never completed high school; however, it is made clear in "The Barber" that Kramer has a GED.  Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant. Unlike George and Jerry, Kramer's character does not have a well-developed network of family members shown in the sitcom. He is the only main character on the show whose dad never makes an appearance; however, in "The Chinese Woman", Kramer mentions that he is the last male member of his family, implying that his father had died. He also mentions in "The Lip Reader" that he has or had a deaf cousin, from whom he learned fluent American Sign Language, but when Kramer tries to communicate in ASL, he speaks complete gibberish and cannot correctly translate the ASL he sees others using. He also apparently has no biological children, although he adopted mile 114 of the Arthur Burkhardt Expressway in "The Pothole".  During an opening discussion, Kramer reveals to Jerry that in 1979 he was struck on the head by a falling air conditioner while walking on the sidewalk. Jerry asks if that was when Kramer lived in Greenwich Village, to which Kramer replies that he cannot remember. This is discussed in the beginning of "The Little Kicks".  In "The Strong Box", it is revealed that Kramer spent a brief time in the Army, although info about this time is "classified". In episode three of season one he says he lived in Los Angeles for three months. CANNOTANSWER

Question: What does the show tell us about Kramer's family?
Answer: Kramer was estranged for a long period from his mom, Babs Kramer, who works as a restroom matron at an upscale restaurant.