gaussalgo/Canard_Wiki-augmented huggingface dataset:
Sean Combs

Context: Combs changed his stage name from "Puff Daddy" to "P. Diddy" in 2001. The gospel album, Thank You, which had been completed just before the beginning of the weapons trial, was released that March. He appeared as a drug dealer in the film Made and starred with Halle Berry and Billy Bob Thornton in Monster's Ball (both in 2001). He was arrested for driving on a suspended license in Florida. Combs began working with a series of unusual (for him) artists. For a short period of time, he was the manager of Kelis; they have a collaboration titled "Let's Get Ill". He was an opening act for 'N Sync on their Spring 2002 Celebrity Tour, and he signed California-based pop girl group Dream to his record label. Combs was a producer of the soundtrack album for the film Training Day (2001).  In June 2001, Combs ended Bad Boy Entertainment's joint venture with Arista Records, gaining full control of Bad Boy, its catalogue, and its roster of artists. The Saga Continues..., released on July 10 in North America, was the last studio album released by the joint venture. The album reached number 2 on the Billboard 200 and the Top R&B/Hip-Hop Albums charts, and was eventually certified Platinum. It is the only studio album under the P. Diddy name, and the first album by Sean Combs not to feature any guest appearances by Jay-Z or Lil Kim. Combs was executive producer of the reality TV show Making the Band, which appeared on MTV from 2002 to 2009. The show involved interviewing candidates and creating musical acts that would then enter the music business. Acts that got their start this way include Da Band, Danity Kane, Day26, and Donnie Klang.  In 2003 Combs ran in the New York City Marathon, raising $2 million for the educational system of the city of New York. On March 10, 2004 he appeared on The Oprah Winfrey Show to discuss the marathon, which he finished in four hours and eighteen minutes. In 2004 Combs headed the campaign "Vote or Die" for the 2004 presidential election. On February 1, 2004, Combs (as P. Diddy) performed at the Super Bowl XXXVIII halftime show. CANNOTANSWER

Question: Did P. Diddy have a solo tour during 2001-04?
Answer: CANNOTANSWER
José Raúl Capablanca

Context: After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch. From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second. His competitors included rising stars such as Max Euwe and Isaac Kashdan, as well as players who had been established in the 1920s, but Capablanca and Alekhine never played in the same tournament during this period, and would next meet only at the Nottingham, 1936 tournament, after Alekhine had lost the world title to Euwe the preceding year. In late 1931, Capablanca also won a match (+2-0=8) against Euwe, whom Chessmetrics ranks sixth in the world at the time.  Despite these excellent results, Capablanca's play showed signs of decline: his play slowed from the speed of his youth, with occasional time trouble; although he continued to produce many superb games, he also made some gross blunders. Chessmetrics nonetheless ranks Capablanca as the second strongest player in the world (after Alekhine) from his loss of the title through to autumn 1932, except for a brief appearance in the top place.  Alekhine's offer to play Capablanca in a rematch if $10,000 could be raised came to naught thanks to the Great Depression. After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine, and played only less serious games at the Manhattan Chess Club and simultaneous displays. On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments, finishing 2 points ahead of Samuel Reshevsky, Reuben Fine and Milton Hanauer.  It is from this period that the only surviving voiced film footage survives. He is with Max Euwe and Dutch radio sports journalist Han Hollander. Hollander asks Capablanca for his views on the upcoming world Championship match between Euwe and Alekhine in October of that year (1935). Capablanca replies: "Dr. Alekhine's game is 20% bluff. Dr. Euwe's game is clear and straightforward. Dr. Euwe's game--not so strong as Alekhine's in some respects--is more evenly balanced." Then Euwe gives his assessment in Dutch, explaining that his feelings alternated from optimism to pessimism, but in the previous ten years, their score had been evenly matched at 7-7. CANNOTANSWER

Question: What did José Raúl Capablanca do after the championship?
Answer: After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch.
José Raúl Capablanca

Context: After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch. From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second. His competitors included rising stars such as Max Euwe and Isaac Kashdan, as well as players who had been established in the 1920s, but Capablanca and Alekhine never played in the same tournament during this period, and would next meet only at the Nottingham, 1936 tournament, after Alekhine had lost the world title to Euwe the preceding year. In late 1931, Capablanca also won a match (+2-0=8) against Euwe, whom Chessmetrics ranks sixth in the world at the time.  Despite these excellent results, Capablanca's play showed signs of decline: his play slowed from the speed of his youth, with occasional time trouble; although he continued to produce many superb games, he also made some gross blunders. Chessmetrics nonetheless ranks Capablanca as the second strongest player in the world (after Alekhine) from his loss of the title through to autumn 1932, except for a brief appearance in the top place.  Alekhine's offer to play Capablanca in a rematch if $10,000 could be raised came to naught thanks to the Great Depression. After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine, and played only less serious games at the Manhattan Chess Club and simultaneous displays. On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments, finishing 2 points ahead of Samuel Reshevsky, Reuben Fine and Milton Hanauer.  It is from this period that the only surviving voiced film footage survives. He is with Max Euwe and Dutch radio sports journalist Han Hollander. Hollander asks Capablanca for his views on the upcoming world Championship match between Euwe and Alekhine in October of that year (1935). Capablanca replies: "Dr. Alekhine's game is 20% bluff. Dr. Euwe's game is clear and straightforward. Dr. Euwe's game--not so strong as Alekhine's in some respects--is more evenly balanced." Then Euwe gives his assessment in Dutch, explaining that his feelings alternated from optimism to pessimism, but in the previous ten years, their score had been evenly matched at 7-7. CANNOTANSWER

Question: Was José Raúl Capablanca able to do a rematch after losing the World Championship in late 1927?
Answer: From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second.
José Raúl Capablanca

Context: After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch. From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second. His competitors included rising stars such as Max Euwe and Isaac Kashdan, as well as players who had been established in the 1920s, but Capablanca and Alekhine never played in the same tournament during this period, and would next meet only at the Nottingham, 1936 tournament, after Alekhine had lost the world title to Euwe the preceding year. In late 1931, Capablanca also won a match (+2-0=8) against Euwe, whom Chessmetrics ranks sixth in the world at the time.  Despite these excellent results, Capablanca's play showed signs of decline: his play slowed from the speed of his youth, with occasional time trouble; although he continued to produce many superb games, he also made some gross blunders. Chessmetrics nonetheless ranks Capablanca as the second strongest player in the world (after Alekhine) from his loss of the title through to autumn 1932, except for a brief appearance in the top place.  Alekhine's offer to play Capablanca in a rematch if $10,000 could be raised came to naught thanks to the Great Depression. After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine, and played only less serious games at the Manhattan Chess Club and simultaneous displays. On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments, finishing 2 points ahead of Samuel Reshevsky, Reuben Fine and Milton Hanauer.  It is from this period that the only surviving voiced film footage survives. He is with Max Euwe and Dutch radio sports journalist Han Hollander. Hollander asks Capablanca for his views on the upcoming world Championship match between Euwe and Alekhine in October of that year (1935). Capablanca replies: "Dr. Alekhine's game is 20% bluff. Dr. Euwe's game is clear and straightforward. Dr. Euwe's game--not so strong as Alekhine's in some respects--is more evenly balanced." Then Euwe gives his assessment in Dutch, explaining that his feelings alternated from optimism to pessimism, but in the previous ten years, their score had been evenly matched at 7-7. CANNOTANSWER

Question: When did José Raúl Capablanca go into partial retirement?
Answer: After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine,
José Raúl Capablanca

Context: After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch. From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second. His competitors included rising stars such as Max Euwe and Isaac Kashdan, as well as players who had been established in the 1920s, but Capablanca and Alekhine never played in the same tournament during this period, and would next meet only at the Nottingham, 1936 tournament, after Alekhine had lost the world title to Euwe the preceding year. In late 1931, Capablanca also won a match (+2-0=8) against Euwe, whom Chessmetrics ranks sixth in the world at the time.  Despite these excellent results, Capablanca's play showed signs of decline: his play slowed from the speed of his youth, with occasional time trouble; although he continued to produce many superb games, he also made some gross blunders. Chessmetrics nonetheless ranks Capablanca as the second strongest player in the world (after Alekhine) from his loss of the title through to autumn 1932, except for a brief appearance in the top place.  Alekhine's offer to play Capablanca in a rematch if $10,000 could be raised came to naught thanks to the Great Depression. After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine, and played only less serious games at the Manhattan Chess Club and simultaneous displays. On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments, finishing 2 points ahead of Samuel Reshevsky, Reuben Fine and Milton Hanauer.  It is from this period that the only surviving voiced film footage survives. He is with Max Euwe and Dutch radio sports journalist Han Hollander. Hollander asks Capablanca for his views on the upcoming world Championship match between Euwe and Alekhine in October of that year (1935). Capablanca replies: "Dr. Alekhine's game is 20% bluff. Dr. Euwe's game is clear and straightforward. Dr. Euwe's game--not so strong as Alekhine's in some respects--is more evenly balanced." Then Euwe gives his assessment in Dutch, explaining that his feelings alternated from optimism to pessimism, but in the previous ten years, their score had been evenly matched at 7-7. CANNOTANSWER

Question: Did José Raúl Capablanca do anything while in retirement?
Answer: played only less serious games at the Manhattan Chess Club and simultaneous displays.
José Raúl Capablanca

Context: After losing the World Championship in late 1927, Capablanca played more often in tournaments, hoping to strengthen his claim for a rematch. From 1928 through 1931, he won six first prizes, also finishing second twice and one joint second. His competitors included rising stars such as Max Euwe and Isaac Kashdan, as well as players who had been established in the 1920s, but Capablanca and Alekhine never played in the same tournament during this period, and would next meet only at the Nottingham, 1936 tournament, after Alekhine had lost the world title to Euwe the preceding year. In late 1931, Capablanca also won a match (+2-0=8) against Euwe, whom Chessmetrics ranks sixth in the world at the time.  Despite these excellent results, Capablanca's play showed signs of decline: his play slowed from the speed of his youth, with occasional time trouble; although he continued to produce many superb games, he also made some gross blunders. Chessmetrics nonetheless ranks Capablanca as the second strongest player in the world (after Alekhine) from his loss of the title through to autumn 1932, except for a brief appearance in the top place.  Alekhine's offer to play Capablanca in a rematch if $10,000 could be raised came to naught thanks to the Great Depression. After winning an event at New York in 1931, he withdrew from serious chess, perhaps disheartened by his inability to secure a return match against Alekhine, and played only less serious games at the Manhattan Chess Club and simultaneous displays. On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments, finishing 2 points ahead of Samuel Reshevsky, Reuben Fine and Milton Hanauer.  It is from this period that the only surviving voiced film footage survives. He is with Max Euwe and Dutch radio sports journalist Han Hollander. Hollander asks Capablanca for his views on the upcoming world Championship match between Euwe and Alekhine in October of that year (1935). Capablanca replies: "Dr. Alekhine's game is 20% bluff. Dr. Euwe's game is clear and straightforward. Dr. Euwe's game--not so strong as Alekhine's in some respects--is more evenly balanced." Then Euwe gives his assessment in Dutch, explaining that his feelings alternated from optimism to pessimism, but in the previous ten years, their score had been evenly matched at 7-7. CANNOTANSWER

Question: Are there any other interesting aspects about José Raúl Capablanca other than what Jose did after the championship, whether Jose was able to do a rematch, when Jose went into partial retirement, and if Jose did anything while in retirement?
Answer: On 6 December 1933, Capablanca won all 9 of his games in one of the club's weekly rapid chess tournaments,
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: Where was Joseph Arthur born?
Answer: CANNOTANSWER
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: Where did Joseph Arthur grow up?
Answer: In the early 1990s, Arthur relocated to Atlanta, Georgia,
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: What were Joseph Arthur's hobbies?
Answer: writing and playing music
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: Did Joseph Arthur do any gigs?
Answer: playing local clubs and working as a guitar
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: What was Joseph Arthur's Big City Secrets?
Answer: The debut album
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: When was Joseph Arthur's Big City Secrets released?
Answer: released worldwide in spring 1997,
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: What was one of the singles on Joseph Arthur's Big City Secrets?
Answer: CANNOTANSWER
Joseph Arthur

Context: Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK - I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines."  Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.  In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Bjork, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. CANNOTANSWER

Question: Did Joseph Arthur's Big City Secrets reach the charts?
Answer: went virtually unnoticed by the mainstream.
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: What did Ken Kavanaugh  do Post-war?
Answer: After the war, he continued his career with the Bears.
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: DId Ken Kavanaugh play well with the Bears?
Answer: In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns.
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: Did Ken Kavanaugh win a lot of games?
Answer: His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: What other career highlights did Ken Kavanaugh make in addition to his 13 touchdowns??
Answer: He had career highs with 32 receptions, 881 yards, and 13 touchdowns.
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: Did Ken Kavanaugh receive any awards or accolades?
Answer: In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team.
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: Was Ken Kavanaugh  recognized in any other ways other than awards or accolades?
Answer: The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009
Ken Kavanaugh

Context: After the war, he continued his career with the Bears. In 1945 he had 543 yards and six touchdowns, and in 1946 had 337 yards and five touchdowns. Three of his touchdowns in 1946 came in a 27-21 win over the Los Angeles Rams in week seven. The Bears defeated the New York Giants 24-14 in the 1946 NFL Championship Game, which gave Kavanaugh his third league championship with the team. The first touchdown of the game was a 21-yard pass from Luckman to Kavanaugh. After the season, he was named to the United Press All-NFL first team. Kavanaugh had his most productive season statistically in 1947. He had career highs with 32 receptions, 881 yards, and 13 touchdowns. He set a Bears record by recording a receiving touchdown in seven straight games, a streak that began with a three-touchdown game against the Boston Yanks in week six. His 13 receiving touchdowns led the league, and he earned his second straight first-team All-NFL selection from the United Press.  Kavanaugh was named to his third straight All-NFL first team in 1948, and he again led the league in receiving touchdowns in 1949, with nine. His most productive single-game yardage performance came in his final season, in 1950 against the Yanks, as he caught eight passes for 177 yards and a touchdown.  Kavanaugh spent a total of eight seasons in Chicago. He spent the majority of his career catching passes from quarterbacks Sid Luckman and Johnny Lujack. He remains the Bears' career leader in touchdown receptions, with 50. He also holds franchise records for highest career and single season yards-per-reception. His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.  In 1969, Kavanaugh was voted by sportswriters to the NFL 1940s All-Decade Team. The Professional Football Researchers Association named Kavanaugh to the PRFA Hall of Very Good Class of 2009 CANNOTANSWER

Question: Is there anything else interesting other than Ken Kavanaugh's awards and accolades??
Answer: His 13 touchdown receptions in 1947 is a single season Bears record he shares with Dick Gordon, who tied it in 1970.