gaussalgo/Canard_Wiki-augmented huggingface dataset:
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: Who produced the song Free as a Bird ?
Answer: Lynne
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: When was the song  Free as a Bird produced?
Answer: February 1994.
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: Was  Free as a Bird an album or a single?
Answer: the song
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: When was the song  Free as a Bird recorded?
Answer: February 1994.
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: Besides Free as a Bird being a song,Are there any other interesting aspects about this article?
Answer: Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch",
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: Besides Lennon,Which other names were worth mentioning in this article?
Answer: Geoff Emerick and Jon Jacobs
Free as a Bird

Context: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks.  The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.  Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo.  The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now."  McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon. CANNOTANSWER

Question: What were Geoff Emerick and Jon Jacobs roles in the song Free as a Bird?
Answer: chosen to engineer the new tracks.
Dick Enberg

Context: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week beginning with the 1982 World Series (for which he served as pregame host and shared play-by-play duties with Joe Garagiola alongside analyst Tony Kubek) and through subsequent regular seasons. He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes. Then he met with NBC executives in September 1982, and they informed him that Vin Scully was in negotiations to be their lead baseball play-by-play man (teaming with Garagiola while Kubek would team with Bob Costas) and would begin with the network in the spring of 1983.  According to the book, Enberg wasn't pleased about the decision (since he loved being the California Angels' radio and television voice in the 1970s and was eager to return to baseball) but the fact that NBC was bringing in Scully, arguably baseball's best announcer, was understandable. Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man. Enberg would go on to call some cable TV broadcasts for the Angels in 1985, citing a desire to reconnect with the sport, which he has described as having been "in my DNA since I was in diapers".  Enberg hosted NBC's pregame shows of the 1985 National League Championship Series with Joe Morgan. It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4. NBC even aired an interview with one of the few people who actually saw the incident, a Dodger batboy. Enberg was also in Toronto to do the pregame for Games 1 and 7 of the 1985 American League Championship Series alongside Rick Dempsey (who was still active with Baltimore at the time).  NBC planned to use Enberg as one of its announcers for The Baseball Network coverage in 1994, but the players' strike that year ended the season before he had the opportunity to call any games. CANNOTANSWER

Question: Aside from Dick Enberg's career, are there any other interesting aspects about this article?
Answer: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week
Dick Enberg

Context: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week beginning with the 1982 World Series (for which he served as pregame host and shared play-by-play duties with Joe Garagiola alongside analyst Tony Kubek) and through subsequent regular seasons. He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes. Then he met with NBC executives in September 1982, and they informed him that Vin Scully was in negotiations to be their lead baseball play-by-play man (teaming with Garagiola while Kubek would team with Bob Costas) and would begin with the network in the spring of 1983.  According to the book, Enberg wasn't pleased about the decision (since he loved being the California Angels' radio and television voice in the 1970s and was eager to return to baseball) but the fact that NBC was bringing in Scully, arguably baseball's best announcer, was understandable. Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man. Enberg would go on to call some cable TV broadcasts for the Angels in 1985, citing a desire to reconnect with the sport, which he has described as having been "in my DNA since I was in diapers".  Enberg hosted NBC's pregame shows of the 1985 National League Championship Series with Joe Morgan. It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4. NBC even aired an interview with one of the few people who actually saw the incident, a Dodger batboy. Enberg was also in Toronto to do the pregame for Games 1 and 7 of the 1985 American League Championship Series alongside Rick Dempsey (who was still active with Baltimore at the time).  NBC planned to use Enberg as one of its announcers for The Baseball Network coverage in 1994, but the players' strike that year ended the season before he had the opportunity to call any games. CANNOTANSWER

Question: What was some of Dick enberg's best work?
Answer: He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes.
Dick Enberg

Context: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week beginning with the 1982 World Series (for which he served as pregame host and shared play-by-play duties with Joe Garagiola alongside analyst Tony Kubek) and through subsequent regular seasons. He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes. Then he met with NBC executives in September 1982, and they informed him that Vin Scully was in negotiations to be their lead baseball play-by-play man (teaming with Garagiola while Kubek would team with Bob Costas) and would begin with the network in the spring of 1983.  According to the book, Enberg wasn't pleased about the decision (since he loved being the California Angels' radio and television voice in the 1970s and was eager to return to baseball) but the fact that NBC was bringing in Scully, arguably baseball's best announcer, was understandable. Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man. Enberg would go on to call some cable TV broadcasts for the Angels in 1985, citing a desire to reconnect with the sport, which he has described as having been "in my DNA since I was in diapers".  Enberg hosted NBC's pregame shows of the 1985 National League Championship Series with Joe Morgan. It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4. NBC even aired an interview with one of the few people who actually saw the incident, a Dodger batboy. Enberg was also in Toronto to do the pregame for Games 1 and 7 of the 1985 American League Championship Series alongside Rick Dempsey (who was still active with Baltimore at the time).  NBC planned to use Enberg as one of its announcers for The Baseball Network coverage in 1994, but the players' strike that year ended the season before he had the opportunity to call any games. CANNOTANSWER

Question: What was some good news about Dick Enberg's baseball sportscasting career?
Answer: Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man.
Dick Enberg

Context: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week beginning with the 1982 World Series (for which he served as pregame host and shared play-by-play duties with Joe Garagiola alongside analyst Tony Kubek) and through subsequent regular seasons. He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes. Then he met with NBC executives in September 1982, and they informed him that Vin Scully was in negotiations to be their lead baseball play-by-play man (teaming with Garagiola while Kubek would team with Bob Costas) and would begin with the network in the spring of 1983.  According to the book, Enberg wasn't pleased about the decision (since he loved being the California Angels' radio and television voice in the 1970s and was eager to return to baseball) but the fact that NBC was bringing in Scully, arguably baseball's best announcer, was understandable. Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man. Enberg would go on to call some cable TV broadcasts for the Angels in 1985, citing a desire to reconnect with the sport, which he has described as having been "in my DNA since I was in diapers".  Enberg hosted NBC's pregame shows of the 1985 National League Championship Series with Joe Morgan. It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4. NBC even aired an interview with one of the few people who actually saw the incident, a Dodger batboy. Enberg was also in Toronto to do the pregame for Games 1 and 7 of the 1985 American League Championship Series alongside Rick Dempsey (who was still active with Baltimore at the time).  NBC planned to use Enberg as one of its announcers for The Baseball Network coverage in 1994, but the players' strike that year ended the season before he had the opportunity to call any games. CANNOTANSWER

Question: How much was Dick Enberg's pay increase?
Answer: CANNOTANSWER
Dick Enberg

Context: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week beginning with the 1982 World Series (for which he served as pregame host and shared play-by-play duties with Joe Garagiola alongside analyst Tony Kubek) and through subsequent regular seasons. He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes. Then he met with NBC executives in September 1982, and they informed him that Vin Scully was in negotiations to be their lead baseball play-by-play man (teaming with Garagiola while Kubek would team with Bob Costas) and would begin with the network in the spring of 1983.  According to the book, Enberg wasn't pleased about the decision (since he loved being the California Angels' radio and television voice in the 1970s and was eager to return to baseball) but the fact that NBC was bringing in Scully, arguably baseball's best announcer, was understandable. Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man. Enberg would go on to call some cable TV broadcasts for the Angels in 1985, citing a desire to reconnect with the sport, which he has described as having been "in my DNA since I was in diapers".  Enberg hosted NBC's pregame shows of the 1985 National League Championship Series with Joe Morgan. It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4. NBC even aired an interview with one of the few people who actually saw the incident, a Dodger batboy. Enberg was also in Toronto to do the pregame for Games 1 and 7 of the 1985 American League Championship Series alongside Rick Dempsey (who was still active with Baltimore at the time).  NBC planned to use Enberg as one of its announcers for The Baseball Network coverage in 1994, but the players' strike that year ended the season before he had the opportunity to call any games. CANNOTANSWER

Question: Along with Dick Enberg's sportcasting career, what else stood out in this article?
Answer: It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4.
Dick Enberg

Context: According to his autobiography, Oh My!, Enberg was informed by NBC that he would become the lead play-by-play voice of Major League Baseball Game of the Week beginning with the 1982 World Series (for which he served as pregame host and shared play-by-play duties with Joe Garagiola alongside analyst Tony Kubek) and through subsequent regular seasons. He wrote that on his football trips, he would read every Sporting News to make sure he was current with all the baseball news and notes. Then he met with NBC executives in September 1982, and they informed him that Vin Scully was in negotiations to be their lead baseball play-by-play man (teaming with Garagiola while Kubek would team with Bob Costas) and would begin with the network in the spring of 1983.  According to the book, Enberg wasn't pleased about the decision (since he loved being the California Angels' radio and television voice in the 1970s and was eager to return to baseball) but the fact that NBC was bringing in Scully, arguably baseball's best announcer, was understandable. Enberg added that NBC also gave him a significant pay increase as a pseudo-apology for not coming through on the promise to make him the lead baseball play-by-play man. Enberg would go on to call some cable TV broadcasts for the Angels in 1985, citing a desire to reconnect with the sport, which he has described as having been "in my DNA since I was in diapers".  Enberg hosted NBC's pregame shows of the 1985 National League Championship Series with Joe Morgan. It was Enberg who broke the news to most of the nation that Vince Coleman was injured before Game 4. NBC even aired an interview with one of the few people who actually saw the incident, a Dodger batboy. Enberg was also in Toronto to do the pregame for Games 1 and 7 of the 1985 American League Championship Series alongside Rick Dempsey (who was still active with Baltimore at the time).  NBC planned to use Enberg as one of its announcers for The Baseball Network coverage in 1994, but the players' strike that year ended the season before he had the opportunity to call any games. CANNOTANSWER

Question: How was Dick Enberg injured?
Answer: CANNOTANSWER
Jon Stewart

Context: Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed.  Stewart supported the 2007-08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008.  Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman have also indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize.  The Writers Guild Strike of 2007-08 was also responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry in order to garner more viewers during the ratings slump. Colbert made the claim that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien, since Stewart had featured him on The Jon Stewart Show, and in turn the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. CANNOTANSWER

Question: What was Jon Stewart's involvement in the Writers Guild of America strike of 2007-2008?
Answer: On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website,
Jon Stewart

Context: Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed.  Stewart supported the 2007-08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008.  Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman have also indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize.  The Writers Guild Strike of 2007-08 was also responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry in order to garner more viewers during the ratings slump. Colbert made the claim that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien, since Stewart had featured him on The Jon Stewart Show, and in turn the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. CANNOTANSWER

Question: What is significant about Jon Stewart sarcastically commenting about how Comedy Central had made available all episodes for free on their website during the 2007-2008 writers strike?
Answer: The show went on hiatus when the strike began, as did other late night talk shows.
Jon Stewart

Context: Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed.  Stewart supported the 2007-08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008.  Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman have also indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize.  The Writers Guild Strike of 2007-08 was also responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry in order to garner more viewers during the ratings slump. Colbert made the claim that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien, since Stewart had featured him on The Jon Stewart Show, and in turn the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. CANNOTANSWER

Question: How long was The Daily Show on hiatus during the Writers Guild of America strike of 2007-2008?
Answer: the strike ended on February 13, 2008.
Jon Stewart

Context: Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed.  Stewart supported the 2007-08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008.  Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman have also indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize.  The Writers Guild Strike of 2007-08 was also responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry in order to garner more viewers during the ratings slump. Colbert made the claim that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien, since Stewart had featured him on The Jon Stewart Show, and in turn the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. CANNOTANSWER

Question: Along with Jon Stewart's Daily Show going on hiatus when the strike began, is there anything else significant that happened during 2007?
Answer: Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show.
Nickelback

Context: Around 2001, Chad Kroeger started "studying every piece, everything sonically, everything lyrically, everything musically, chord structure. I would dissect every single song that I would hear on the radio or every song that had ever done well on a chart and I would say, 'Why did this do well?'" Kroeger said that Nickelback's single "How You Remind Me" sold so well because it was about romantic relationships, a universal subject, and contained memorable hooks.  To record their third album Silver Side Up, Nickelback collaborated with producer Rick Parashar. The album was written before the release The State and was recorded at the same studio. The album was released on Tuesday, September 11, 2001. The album peaked number 2 on the Billboard 200 with over 177,000 copies sold in its first week and peaked number 1 at the Canadian albums chart making the band's first album to do so. The single "How You Remind Me" was a number one single on the Mainstream and Modern rock charts, as well as the pop chart. It also peaked at number two on Adult Top 40 and became the Billboard Hot 100 number one single of the year for 2002. The next single was "Too Bad", which also reached number one on the Mainstream Rock Chart. The final single from the album was "Never Again", which also one hit on Mainstream Rock.  In 2002, Chad Kroeger collaborated with Josey Scott on the Spider-Man theme song, "Hero". This recording also featured Tyler Connolly, Mike Kroeger, Matt Cameron, and Jeremy Taggart. In 2002, Nickelback released their first DVD Live at Home.  In 2003, Nickelback released The Long Road. The album was certified 3x Platinum by the RIAA in March 2005 and it had sold 3,591,000 copies as of April 2011. It has sold over 5 million copies worldwide and in 2003 only the album sold 2 million copies worldwide. It debuted at No. 6 on the Billboard 200. This was their first album produced by Joey Moi, a former classmate of the band's.  It was ranked No. 157 on Billboard's 200 Albums of the Decade. It spawned five singles. The lead single was "Someday" . The band also released "Feelin' Way Too Damn Good" as a single, which peaked at number 3 on the Mainstream Rock Charts. "Figured You Out" was also released as a single and topped the Mainstream Rock Charts for 13 consecutive weeks. CANNOTANSWER

Question: What hit songs are on the Nickelback albums Silver Side Up and The Long Road?
Answer: The single "How You Remind Me" was a number one single on the Mainstream and Modern rock charts,
Nickelback

Context: Around 2001, Chad Kroeger started "studying every piece, everything sonically, everything lyrically, everything musically, chord structure. I would dissect every single song that I would hear on the radio or every song that had ever done well on a chart and I would say, 'Why did this do well?'" Kroeger said that Nickelback's single "How You Remind Me" sold so well because it was about romantic relationships, a universal subject, and contained memorable hooks.  To record their third album Silver Side Up, Nickelback collaborated with producer Rick Parashar. The album was written before the release The State and was recorded at the same studio. The album was released on Tuesday, September 11, 2001. The album peaked number 2 on the Billboard 200 with over 177,000 copies sold in its first week and peaked number 1 at the Canadian albums chart making the band's first album to do so. The single "How You Remind Me" was a number one single on the Mainstream and Modern rock charts, as well as the pop chart. It also peaked at number two on Adult Top 40 and became the Billboard Hot 100 number one single of the year for 2002. The next single was "Too Bad", which also reached number one on the Mainstream Rock Chart. The final single from the album was "Never Again", which also one hit on Mainstream Rock.  In 2002, Chad Kroeger collaborated with Josey Scott on the Spider-Man theme song, "Hero". This recording also featured Tyler Connolly, Mike Kroeger, Matt Cameron, and Jeremy Taggart. In 2002, Nickelback released their first DVD Live at Home.  In 2003, Nickelback released The Long Road. The album was certified 3x Platinum by the RIAA in March 2005 and it had sold 3,591,000 copies as of April 2011. It has sold over 5 million copies worldwide and in 2003 only the album sold 2 million copies worldwide. It debuted at No. 6 on the Billboard 200. This was their first album produced by Joey Moi, a former classmate of the band's.  It was ranked No. 157 on Billboard's 200 Albums of the Decade. It spawned five singles. The lead single was "Someday" . The band also released "Feelin' Way Too Damn Good" as a single, which peaked at number 3 on the Mainstream Rock Charts. "Figured You Out" was also released as a single and topped the Mainstream Rock Charts for 13 consecutive weeks. CANNOTANSWER

Question: Did "How You Remind Me" by Nickelback receive good reviews?
Answer: It also peaked at number two on Adult Top 40 and became the Billboard Hot 100 number one single of the year for 2002.