gaussalgo/Canard_Wiki-augmented huggingface dataset:
Adam West

Context: After his high-profile role, West, along with Burt Ward and Yvonne Craig (who played crime-fighting sidekicks Robin and Batgirl), was severely typecast. West's first post-Caped Crusader role was in the film The Girl Who Knew Too Much (1969). His lead performance against type as cynical tough guy Johnny Cain did not erode his Batman image; the movie was a box office disappointment.  For a time, West made a living from personal appearances as Batman. In 1974, when Ward and Craig reprised their Batman roles for a TV public-service announcement about equal pay for women, West was absent. Instead, Dick Gautier filled in as Batman. One of West's more memorable Batman appearances, after the series had ended, was with the Memphis-based United States Wrestling Association, where he engaged in a war of words with Jerry "The King" Lawler while wearing the cowl and a tracksuit, and even name-dropping Spider-Man.  West subsequently appeared in the theatrical films The Marriage of a Young Stockbrocker (1971), The Curse of the Moon Child (1972), The Specialist (1975), Hooper (as himself; 1978), The Happy Hooker Goes Hollywood (1980), One Dark Night (1983) and Young Lady Chatterley II (1985). West also appeared in such television films as The Eyes of Charles Sand (1972), Poor Devil (1973), Nevada Smith (1975), For the Love of It (1980) and I Take These Men (1983).  West split his time between residences in Palm Springs, California and Ketchum, Idaho.  He did guest shots on the television series; Maverick, Diagnosis: Murder, Love, American Style, Bonanza, The Big Valley, Night Gallery, Alias Smith and Jones, Mannix, Emergency!, Alice, Police Woman, Operation Petticoat, The American Girls, Vega$, Big Shamus, Little Shamus, Laverne & Shirley, Bewitched, Fantasy Island, The Love Boat, Hart to Hart, Zorro, The King of Queens, and George Lopez. West was also in an episode of Bonanza that supposedly never aired until reruns were shown and he made several guest appearances as himself on Family Feud. In 1986, he starred in the comedy police series titled The Last Precinct. CANNOTANSWER

Question: What did Adam West do in his post Batman career?
Answer: West's first post-Caped Crusader role was in the film The Girl Who Knew Too Much (1969).
Adam West

Context: After his high-profile role, West, along with Burt Ward and Yvonne Craig (who played crime-fighting sidekicks Robin and Batgirl), was severely typecast. West's first post-Caped Crusader role was in the film The Girl Who Knew Too Much (1969). His lead performance against type as cynical tough guy Johnny Cain did not erode his Batman image; the movie was a box office disappointment.  For a time, West made a living from personal appearances as Batman. In 1974, when Ward and Craig reprised their Batman roles for a TV public-service announcement about equal pay for women, West was absent. Instead, Dick Gautier filled in as Batman. One of West's more memorable Batman appearances, after the series had ended, was with the Memphis-based United States Wrestling Association, where he engaged in a war of words with Jerry "The King" Lawler while wearing the cowl and a tracksuit, and even name-dropping Spider-Man.  West subsequently appeared in the theatrical films The Marriage of a Young Stockbrocker (1971), The Curse of the Moon Child (1972), The Specialist (1975), Hooper (as himself; 1978), The Happy Hooker Goes Hollywood (1980), One Dark Night (1983) and Young Lady Chatterley II (1985). West also appeared in such television films as The Eyes of Charles Sand (1972), Poor Devil (1973), Nevada Smith (1975), For the Love of It (1980) and I Take These Men (1983).  West split his time between residences in Palm Springs, California and Ketchum, Idaho.  He did guest shots on the television series; Maverick, Diagnosis: Murder, Love, American Style, Bonanza, The Big Valley, Night Gallery, Alias Smith and Jones, Mannix, Emergency!, Alice, Police Woman, Operation Petticoat, The American Girls, Vega$, Big Shamus, Little Shamus, Laverne & Shirley, Bewitched, Fantasy Island, The Love Boat, Hart to Hart, Zorro, The King of Queens, and George Lopez. West was also in an episode of Bonanza that supposedly never aired until reruns were shown and he made several guest appearances as himself on Family Feud. In 1986, he starred in the comedy police series titled The Last Precinct. CANNOTANSWER

Question: Who did Adam West star with in The Girl Who Knew Too Much?
Answer: CANNOTANSWER
Adam West

Context: After his high-profile role, West, along with Burt Ward and Yvonne Craig (who played crime-fighting sidekicks Robin and Batgirl), was severely typecast. West's first post-Caped Crusader role was in the film The Girl Who Knew Too Much (1969). His lead performance against type as cynical tough guy Johnny Cain did not erode his Batman image; the movie was a box office disappointment.  For a time, West made a living from personal appearances as Batman. In 1974, when Ward and Craig reprised their Batman roles for a TV public-service announcement about equal pay for women, West was absent. Instead, Dick Gautier filled in as Batman. One of West's more memorable Batman appearances, after the series had ended, was with the Memphis-based United States Wrestling Association, where he engaged in a war of words with Jerry "The King" Lawler while wearing the cowl and a tracksuit, and even name-dropping Spider-Man.  West subsequently appeared in the theatrical films The Marriage of a Young Stockbrocker (1971), The Curse of the Moon Child (1972), The Specialist (1975), Hooper (as himself; 1978), The Happy Hooker Goes Hollywood (1980), One Dark Night (1983) and Young Lady Chatterley II (1985). West also appeared in such television films as The Eyes of Charles Sand (1972), Poor Devil (1973), Nevada Smith (1975), For the Love of It (1980) and I Take These Men (1983).  West split his time between residences in Palm Springs, California and Ketchum, Idaho.  He did guest shots on the television series; Maverick, Diagnosis: Murder, Love, American Style, Bonanza, The Big Valley, Night Gallery, Alias Smith and Jones, Mannix, Emergency!, Alice, Police Woman, Operation Petticoat, The American Girls, Vega$, Big Shamus, Little Shamus, Laverne & Shirley, Bewitched, Fantasy Island, The Love Boat, Hart to Hart, Zorro, The King of Queens, and George Lopez. West was also in an episode of Bonanza that supposedly never aired until reruns were shown and he made several guest appearances as himself on Family Feud. In 1986, he starred in the comedy police series titled The Last Precinct. CANNOTANSWER

Question: Did the movie The Girl Who Knew Too Much do well?
Answer: the movie was a box office disappointment.
Adam West

Context: After his high-profile role, West, along with Burt Ward and Yvonne Craig (who played crime-fighting sidekicks Robin and Batgirl), was severely typecast. West's first post-Caped Crusader role was in the film The Girl Who Knew Too Much (1969). His lead performance against type as cynical tough guy Johnny Cain did not erode his Batman image; the movie was a box office disappointment.  For a time, West made a living from personal appearances as Batman. In 1974, when Ward and Craig reprised their Batman roles for a TV public-service announcement about equal pay for women, West was absent. Instead, Dick Gautier filled in as Batman. One of West's more memorable Batman appearances, after the series had ended, was with the Memphis-based United States Wrestling Association, where he engaged in a war of words with Jerry "The King" Lawler while wearing the cowl and a tracksuit, and even name-dropping Spider-Man.  West subsequently appeared in the theatrical films The Marriage of a Young Stockbrocker (1971), The Curse of the Moon Child (1972), The Specialist (1975), Hooper (as himself; 1978), The Happy Hooker Goes Hollywood (1980), One Dark Night (1983) and Young Lady Chatterley II (1985). West also appeared in such television films as The Eyes of Charles Sand (1972), Poor Devil (1973), Nevada Smith (1975), For the Love of It (1980) and I Take These Men (1983).  West split his time between residences in Palm Springs, California and Ketchum, Idaho.  He did guest shots on the television series; Maverick, Diagnosis: Murder, Love, American Style, Bonanza, The Big Valley, Night Gallery, Alias Smith and Jones, Mannix, Emergency!, Alice, Police Woman, Operation Petticoat, The American Girls, Vega$, Big Shamus, Little Shamus, Laverne & Shirley, Bewitched, Fantasy Island, The Love Boat, Hart to Hart, Zorro, The King of Queens, and George Lopez. West was also in an episode of Bonanza that supposedly never aired until reruns were shown and he made several guest appearances as himself on Family Feud. In 1986, he starred in the comedy police series titled The Last Precinct. CANNOTANSWER

Question: What did West do next after The Girl Who Knew Too Much?
Answer: West made a living from personal appearances as Batman.
Adam West

Context: After his high-profile role, West, along with Burt Ward and Yvonne Craig (who played crime-fighting sidekicks Robin and Batgirl), was severely typecast. West's first post-Caped Crusader role was in the film The Girl Who Knew Too Much (1969). His lead performance against type as cynical tough guy Johnny Cain did not erode his Batman image; the movie was a box office disappointment.  For a time, West made a living from personal appearances as Batman. In 1974, when Ward and Craig reprised their Batman roles for a TV public-service announcement about equal pay for women, West was absent. Instead, Dick Gautier filled in as Batman. One of West's more memorable Batman appearances, after the series had ended, was with the Memphis-based United States Wrestling Association, where he engaged in a war of words with Jerry "The King" Lawler while wearing the cowl and a tracksuit, and even name-dropping Spider-Man.  West subsequently appeared in the theatrical films The Marriage of a Young Stockbrocker (1971), The Curse of the Moon Child (1972), The Specialist (1975), Hooper (as himself; 1978), The Happy Hooker Goes Hollywood (1980), One Dark Night (1983) and Young Lady Chatterley II (1985). West also appeared in such television films as The Eyes of Charles Sand (1972), Poor Devil (1973), Nevada Smith (1975), For the Love of It (1980) and I Take These Men (1983).  West split his time between residences in Palm Springs, California and Ketchum, Idaho.  He did guest shots on the television series; Maverick, Diagnosis: Murder, Love, American Style, Bonanza, The Big Valley, Night Gallery, Alias Smith and Jones, Mannix, Emergency!, Alice, Police Woman, Operation Petticoat, The American Girls, Vega$, Big Shamus, Little Shamus, Laverne & Shirley, Bewitched, Fantasy Island, The Love Boat, Hart to Hart, Zorro, The King of Queens, and George Lopez. West was also in an episode of Bonanza that supposedly never aired until reruns were shown and he made several guest appearances as himself on Family Feud. In 1986, he starred in the comedy police series titled The Last Precinct. CANNOTANSWER

Question: Did Adam West do many appearances in his post Batman career?
Answer: One of West's more memorable Batman appearances, after the series had ended, was with the Memphis-based United States Wrestling Association,
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: What happened in 1998?
Answer: In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: Why did Robinson Leave En Vogue?
Answer: Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate.
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: What did Robinson want on the contract with En Vogue?
Answer: CANNOTANSWER
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: What was the effect of Robinson leaving En Vogue?
Answer: Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: What is EV3 in relation to En Vogue?
Answer: forthcoming album EV3, which was released in June 1997.
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: Was the EV3 album a hit for En Vogue?
Answer: album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart
En Vogue

Context: In 1995, En Vogue was amongst numerous African-American female vocalists featured on the song "Freedom" for the soundtrack to Mario Van Peebles' drama film Panther (1995). Also in 1995, while band members Cindy Herron and Maxine Jones went on maternity leave, Ellis recorded and released a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are." The same year, the band also made a cameo appearance in Joel Schumachers superhero film Batman Forever. In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off, directed by F. Gary Gray. Released as the soundtrack's lead single in the fall 1996, it became the group's biggest hit yet, selling over 1.8 million copies worldwide and becoming certified platinum by the RIAA. In response to the large commercial success of "Don't Let Go (Love)," the group steadfastly went to work on their third studio album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, Ellis, Herron, and Jones resolved to continue on as a trio.  Robinson's abrupt departure from En Vogue forced the remaining trio to re-record several of her original lead vocals on their forthcoming album EV3, which was released in June 1997. A breakaway from previous projects, it marked En Vogue's first project to include a diverse roster of collaborators including credits from Babyface, David Foster, Diane Warren, Andrea Martin, and Ivan Matias along with regular contributors Foster & McElroy. Upon its release, EV3 received mixed reviews from critics, many of whom praised the band's vocal performances but were critical with overall production of the album. In the US, it reached the top ten in Germany, Switzerland, and the United Kingdom and debuted at number eight on both Billboard's Top R&B/Hip-Hop Albums chart and the Billboard 200 with sales of 76,500 units, the band's highest first-week numbers. Two further singles released from the album, "Whatever" and "Too Gone, Too Long", entered the top twenty and top forty the Billboard Hot 100, respectively.  In 1998, En Vogue recorded the song "No Fool No More" for the soundtrack to Gregory Nava's romantic drama film Why Do Fools Fall In Love (1998). A top forty entry on the New Zealand Singles Chart, it was later included on the band's first compilation album Best of En Vogue, released in June 1999. A moderate success, the album reached the top forty in Austria and the United Kingdom. CANNOTANSWER

Question: Did En Vogue go on any tours between 1994 - 1998?
Answer: CANNOTANSWER
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: What happened in England?
Answer: Keegan was named as the new England manager on 18 February 1999,
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: Was Kevin Keegan well received as manager?
Answer: He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign,
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: Did England set any records?
Answer: they entered the qualification playoff with Scotland.
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: How did Kevin Keegan get the position with England?
Answer: succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: According to Glenn Hoddle, disabled people were Punished how?
Answer: being punished for their sins in a previous life.
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: What else did you find interesting besides Kevin Keegan getting into position of manager for England?
Answer: After an initial popular period as manager, he began to come under fire for his perceived tactical naivety.
Kevin Keegan

Context: After weeks of speculation, Keegan was named as the new England manager on 18 February 1999, succeeding Glenn Hoddle, who had been sacked two weeks earlier following a newspaper interview in which he suggested that disabled people were being punished for their sins in a previous life. He led the team to a winning start with 3-1 victory over Poland to reignite England's Euro 2000 qualifying campaign, and they entered the qualification playoff with Scotland. Two goals from Paul Scholes gave them a 2-0 win in the first leg, and despite a 1-0 defeat in the second leg, they qualified for the championships for the fourth tournament in succession (though on the third occasion, they had qualified automatically as hosts).  After an initial popular period as manager, he began to come under fire for his perceived tactical naivety. This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal, despite England having taken a 2-0 lead after 17 minutes. A 1-0 win in the next game over Germany, the first English victory over Germany in a competitive match since 1966, cost their opposition (the defending champions) progression to the quarter-finals, but in the final group game against Romania, England once again lost 3-2, this time after taking a 2-1 lead, and their hopes of reaching the quarter-finals were over.  Keegan resigned as England manager on 7 October 2000, after England lost to a Dietmar Hamann goal for Germany in their first 2002 World Cup qualifier, in the last game to be played at Wembley Stadium, before the old stadium was rebuilt. Keegan won only 38.9% of his games in charge, the lowest such percentage of any permanent England manager - although unlike Don Revie (1974-1977) or Steve McClaren (2006-2007), Keegan achieved qualification to a major tournament for England.  When Sven-Goran Eriksson became England manager, Eriksson appointed the 64-year-old Tord Grip as his assistant. This caused Keegan to complain that when he was England manager, the FA had told him that he could not have Arthur Cox as his assistant because at 60, Cox was too old. Keegan went on, "I wasn't allowed to bring in the people I wanted and that was wrong. Mr Eriksson was and I'm delighted for him because that's the way it should be." CANNOTANSWER

Question: How was Kevin Keegan's perceived tactical naivety handled?
Answer: This came to a head during the unsuccessful Euro 2000 campaign, which began with a 3-2 defeat against Portugal,