gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Other than sneaking into Uptown Theater, what else did Ray Bradbury do in Hollywood?
Answer: He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars.
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Did Ray Bradbury meet any stars in particular while rollerskating all over Hollywood?
Answer: Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman.
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Other than Norma Shearer, Laurel and Hardy, and Ronald Colman, were there any other stars Bradbury met?
Answer: Bradbury relates the following meeting with Sergei Bondarchuk,
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: What happened at Bradbury's meeting with Sergei Bondarchuk?
Answer: Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside,
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Where did Sergei Bondarchuk drag Ray Bradbury inside?
Answer: a Hollywood award ceremony in Bondarchuk's honor:
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Besides being dragged into an award ceremony in Bondarchuk's honor, what else happened when Bradbury met Bondarchuk?
Answer: They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk...
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Who stared at Bradbury when Bradbury was taken into the Hollywood award ceremony with Bondarchuk?
Answer: All the famous Hollywood directors in the queue
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Other than being dragged into a Hollywood award ceremony, are there any other interesting aspects about this article?
Answer: He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night,
Ray Bradbury

Context: The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and then skated to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich, and Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.  Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor:  They formed a long queue and as Bondarchuk was walking along it he recognized several people: "Oh Mr. Ford, I like your film." He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; "Ray Bradbury, is that you?" He rushed up to me, embraced me, dragged me inside, grabbed a bottle of Stolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other "Who is this Bradbury?" And, swearing, they left, leaving me alone with Bondarchuk... CANNOTANSWER

Question: Did Bradbury make any movies in Hollywood?
Answer: CANNOTANSWER
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: What was Jello Biafra, Obscenity prosecution about?
Answer: distributing "harmful material to minors"
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Other than Jello Biafra, Obscenity prosecution are there any other interesting aspects about this article?
Answer: but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album.
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: What the result of the prosecution?
Answer: The jury deadlocked 5 to 7 in favor of acquittal,
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: How did the Obscenity prosecution effect Jello Biafra's life afterwards?
Answer: The Dead Kennedys disbanded during the trial,
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Did the Dead Kennedys get back together after the trial?
Answer: CANNOTANSWER
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: When did the Jello Biafra, Obscenity prosecution trial happen?
Answer: June 1986,
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Other than the Obscenity prosecution did The Dead Kennedys face any other charges?
Answer: CANNOTANSWER
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Why were The Dead Kennedys charged?
Answer: the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album.
Bruce Dickinson

Context: After a six-month break, which Dickinson mostly spent practising fencing, Iron Maiden began writing their next album, Somewhere in Time. Dickinson was disappointed with the effort as he felt that the band needed a more dramatic stylistic departure from past records to remain relevant, despite its introduction of synthesised bass and guitars. He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-focused, was rejected by the rest of the band. Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour".  After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which featured more progressive rock elements than the band's previous records. Although it became their second release to top the UK charts, it was also Dickinson's first album with the band that did not achieve platinum status in the US. Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits. After the following tour in 1988, the band decided to take a year off.  During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts, as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones. The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK Singles Chart. By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there, resulting in a better overall sound than No Prayer for the Dying, although Dickinson still claims it had limitations due to its size.  After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career. At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his bandmates, with Steve Harris in particular saying, "I really wanted to kill him." According to Harris, Dickinson would only perform when the press was there, whereas at other concerts he would only mumble his way through songs. Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere. His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell. CANNOTANSWER

Question: did Bruce Dickinson come back?
Answer: His last performance with the band was filmed by the BBC
Bruce Dickinson

Context: After a six-month break, which Dickinson mostly spent practising fencing, Iron Maiden began writing their next album, Somewhere in Time. Dickinson was disappointed with the effort as he felt that the band needed a more dramatic stylistic departure from past records to remain relevant, despite its introduction of synthesised bass and guitars. He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-focused, was rejected by the rest of the band. Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour".  After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which featured more progressive rock elements than the band's previous records. Although it became their second release to top the UK charts, it was also Dickinson's first album with the band that did not achieve platinum status in the US. Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits. After the following tour in 1988, the band decided to take a year off.  During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts, as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones. The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK Singles Chart. By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there, resulting in a better overall sound than No Prayer for the Dying, although Dickinson still claims it had limitations due to its size.  After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career. At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his bandmates, with Steve Harris in particular saying, "I really wanted to kill him." According to Harris, Dickinson would only perform when the press was there, whereas at other concerts he would only mumble his way through songs. Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere. His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell. CANNOTANSWER

Question: What songs were produce prior to breaking up by Bruce Dickinson .
Answer: Bring Your Daughter... to the Slaughter",
Bruce Dickinson

Context: After a six-month break, which Dickinson mostly spent practising fencing, Iron Maiden began writing their next album, Somewhere in Time. Dickinson was disappointed with the effort as he felt that the band needed a more dramatic stylistic departure from past records to remain relevant, despite its introduction of synthesised bass and guitars. He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-focused, was rejected by the rest of the band. Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour".  After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which featured more progressive rock elements than the band's previous records. Although it became their second release to top the UK charts, it was also Dickinson's first album with the band that did not achieve platinum status in the US. Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits. After the following tour in 1988, the band decided to take a year off.  During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts, as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones. The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK Singles Chart. By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there, resulting in a better overall sound than No Prayer for the Dying, although Dickinson still claims it had limitations due to its size.  After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career. At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his bandmates, with Steve Harris in particular saying, "I really wanted to kill him." According to Harris, Dickinson would only perform when the press was there, whereas at other concerts he would only mumble his way through songs. Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere. His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell. CANNOTANSWER

Question: any others songs by Bruce Dickinson?
Answer: No Prayer for the Dying,
Bruce Dickinson

Context: After a six-month break, which Dickinson mostly spent practising fencing, Iron Maiden began writing their next album, Somewhere in Time. Dickinson was disappointed with the effort as he felt that the band needed a more dramatic stylistic departure from past records to remain relevant, despite its introduction of synthesised bass and guitars. He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-focused, was rejected by the rest of the band. Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour".  After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which featured more progressive rock elements than the band's previous records. Although it became their second release to top the UK charts, it was also Dickinson's first album with the band that did not achieve platinum status in the US. Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits. After the following tour in 1988, the band decided to take a year off.  During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts, as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones. The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK Singles Chart. By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there, resulting in a better overall sound than No Prayer for the Dying, although Dickinson still claims it had limitations due to its size.  After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career. At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his bandmates, with Steve Harris in particular saying, "I really wanted to kill him." According to Harris, Dickinson would only perform when the press was there, whereas at other concerts he would only mumble his way through songs. Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere. His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell. CANNOTANSWER

Question: What was the last song by Bruce Dickinson ?
Answer: CANNOTANSWER