gaussalgo/Canard_Wiki-augmented huggingface dataset:
King Crimson

Context: After their first US tour, King Crimson was in a state of flux with various line-up changes, thwarted tour plans, and difficulties in finding a satisfactory musical direction. This period has subsequently been referred to as the "interregnum" - a nickname implying that the "King" (King Crimson) was not properly in place during this time. Fripp became the only remaining musician in the band, with Sinfield expanding his creative role to playing synthesizers.  Fripp and Sinfield recorded the second King Crimson album, In the Wake of Poseidon, in 1970 with the Giles brothers hired back as the session rhythm section, and with jazz pianist Keith Tippett and Circus saxophonist Mel Collins as guest musicians. The group considered hiring Elton John to be the singer, but decided against the idea. Lake then agreed to sing on the album in exchange for receiving King Crimson's PA equipment, except on "Cadence and Cascade", which is sung by Fripp's friend Gordon Haskell. Though Tippett was offered band membership, he preferred to remain as a studio collaborator, performing with the band for a single gig. Upon its release in May 1970, In the Wake of Poseidon reached No. 4 in the UK and No. 31 in the US. It received some criticism from those who thought it sounded too similar to their first album. With no musicians to perform material from their new album, Fripp and Sinfield persuaded Haskell to join as singer and bassist and recruited Andy McCulloch as drummer, retaining Collins as saxophonist, flautist and occasional keyboard player.  During the writing sessions for the third album, Lizard, Haskell and McCulloch had no say in the direction of the material, since Fripp and Sinfield wrote the album themselves, bringing in Tippett, Mark Charig on cornet, Nick Evans on trombone, and Robin Miller on oboe and cor anglais as additional musicians. Haskell sang and played bass. Jon Anderson of Yes was also brought in to sing the first part of the album's title track, "Prince Rupert Awakes", which Fripp and Sinfield considered to be outside Haskell's range and style. Lizard featured stronger avant-garde jazz and chamber-classical influences than previous albums, as well as Sinfield's upfront experiments with processing and distorting sound through the EMS VCS 3 synthesiser. It also featured complex lyrics from Sinfield, including a coded song about the break-up of the Beatles, with almost the entire second side taken up by a predominantly instrumental chamber suite describing a medieval battle and its outcome. Released in December 1970, Lizard reached No. 29 in the UK and No. 113 in the US. Described retrospectively as an "acquired taste"., Lizard was certainly not to the taste of the more rhythm-and-blues-oriented Haskell and McCulloch, both of whom found the music difficult to relate to. As a result, Haskell quit the band acrimoniously after refusing to sing live with distortion and electronic effects. McCulloch also departed, leaving Fripp and Sinfield to recruit new members once more. CANNOTANSWER

Question: Was Lizard another album besides "In the Wake of Poseidon"?
Answer: the third album, Lizard,
King Crimson

Context: After their first US tour, King Crimson was in a state of flux with various line-up changes, thwarted tour plans, and difficulties in finding a satisfactory musical direction. This period has subsequently been referred to as the "interregnum" - a nickname implying that the "King" (King Crimson) was not properly in place during this time. Fripp became the only remaining musician in the band, with Sinfield expanding his creative role to playing synthesizers.  Fripp and Sinfield recorded the second King Crimson album, In the Wake of Poseidon, in 1970 with the Giles brothers hired back as the session rhythm section, and with jazz pianist Keith Tippett and Circus saxophonist Mel Collins as guest musicians. The group considered hiring Elton John to be the singer, but decided against the idea. Lake then agreed to sing on the album in exchange for receiving King Crimson's PA equipment, except on "Cadence and Cascade", which is sung by Fripp's friend Gordon Haskell. Though Tippett was offered band membership, he preferred to remain as a studio collaborator, performing with the band for a single gig. Upon its release in May 1970, In the Wake of Poseidon reached No. 4 in the UK and No. 31 in the US. It received some criticism from those who thought it sounded too similar to their first album. With no musicians to perform material from their new album, Fripp and Sinfield persuaded Haskell to join as singer and bassist and recruited Andy McCulloch as drummer, retaining Collins as saxophonist, flautist and occasional keyboard player.  During the writing sessions for the third album, Lizard, Haskell and McCulloch had no say in the direction of the material, since Fripp and Sinfield wrote the album themselves, bringing in Tippett, Mark Charig on cornet, Nick Evans on trombone, and Robin Miller on oboe and cor anglais as additional musicians. Haskell sang and played bass. Jon Anderson of Yes was also brought in to sing the first part of the album's title track, "Prince Rupert Awakes", which Fripp and Sinfield considered to be outside Haskell's range and style. Lizard featured stronger avant-garde jazz and chamber-classical influences than previous albums, as well as Sinfield's upfront experiments with processing and distorting sound through the EMS VCS 3 synthesiser. It also featured complex lyrics from Sinfield, including a coded song about the break-up of the Beatles, with almost the entire second side taken up by a predominantly instrumental chamber suite describing a medieval battle and its outcome. Released in December 1970, Lizard reached No. 29 in the UK and No. 113 in the US. Described retrospectively as an "acquired taste"., Lizard was certainly not to the taste of the more rhythm-and-blues-oriented Haskell and McCulloch, both of whom found the music difficult to relate to. As a result, Haskell quit the band acrimoniously after refusing to sing live with distortion and electronic effects. McCulloch also departed, leaving Fripp and Sinfield to recruit new members once more. CANNOTANSWER

Question: Was Lizard successful?
Answer: Lizard reached No. 29 in the UK and No. 113 in the US.
King Crimson

Context: After their first US tour, King Crimson was in a state of flux with various line-up changes, thwarted tour plans, and difficulties in finding a satisfactory musical direction. This period has subsequently been referred to as the "interregnum" - a nickname implying that the "King" (King Crimson) was not properly in place during this time. Fripp became the only remaining musician in the band, with Sinfield expanding his creative role to playing synthesizers.  Fripp and Sinfield recorded the second King Crimson album, In the Wake of Poseidon, in 1970 with the Giles brothers hired back as the session rhythm section, and with jazz pianist Keith Tippett and Circus saxophonist Mel Collins as guest musicians. The group considered hiring Elton John to be the singer, but decided against the idea. Lake then agreed to sing on the album in exchange for receiving King Crimson's PA equipment, except on "Cadence and Cascade", which is sung by Fripp's friend Gordon Haskell. Though Tippett was offered band membership, he preferred to remain as a studio collaborator, performing with the band for a single gig. Upon its release in May 1970, In the Wake of Poseidon reached No. 4 in the UK and No. 31 in the US. It received some criticism from those who thought it sounded too similar to their first album. With no musicians to perform material from their new album, Fripp and Sinfield persuaded Haskell to join as singer and bassist and recruited Andy McCulloch as drummer, retaining Collins as saxophonist, flautist and occasional keyboard player.  During the writing sessions for the third album, Lizard, Haskell and McCulloch had no say in the direction of the material, since Fripp and Sinfield wrote the album themselves, bringing in Tippett, Mark Charig on cornet, Nick Evans on trombone, and Robin Miller on oboe and cor anglais as additional musicians. Haskell sang and played bass. Jon Anderson of Yes was also brought in to sing the first part of the album's title track, "Prince Rupert Awakes", which Fripp and Sinfield considered to be outside Haskell's range and style. Lizard featured stronger avant-garde jazz and chamber-classical influences than previous albums, as well as Sinfield's upfront experiments with processing and distorting sound through the EMS VCS 3 synthesiser. It also featured complex lyrics from Sinfield, including a coded song about the break-up of the Beatles, with almost the entire second side taken up by a predominantly instrumental chamber suite describing a medieval battle and its outcome. Released in December 1970, Lizard reached No. 29 in the UK and No. 113 in the US. Described retrospectively as an "acquired taste"., Lizard was certainly not to the taste of the more rhythm-and-blues-oriented Haskell and McCulloch, both of whom found the music difficult to relate to. As a result, Haskell quit the band acrimoniously after refusing to sing live with distortion and electronic effects. McCulloch also departed, leaving Fripp and Sinfield to recruit new members once more. CANNOTANSWER

Question: Why did King Crimson decide against hiring Elton John?
Answer: CANNOTANSWER
Weather Report

Context: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects. CANNOTANSWER

Question: What Weather Report event took place in 1982?
Answer: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim,
Weather Report

Context: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects. CANNOTANSWER

Question: Was 1982 when the new band with Michal Urbaniak, Zawinul Shorter and Omar Hakim formed?
Answer: The music developed on tour was later recorded for the 1983 album Procession,
Weather Report

Context: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects. CANNOTANSWER

Question: What can you tell me about the formation of the new band Weather Report?
Answer: Hakim was immediately entrusted with recruiting the rest of the new rhythm section.
Weather Report

Context: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects. CANNOTANSWER

Question: When was the rest of the rhythm selected for the new band Weather Report?
Answer: Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984,
Weather Report

Context: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects. CANNOTANSWER

Question: Did the new band Weather Report tour?
Answer: By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material.
Weather Report

Context: On the recommendation of Michal Urbaniak, Zawinul and Shorter recruited the 23-year-old drummer Omar Hakim, a talented session player and multi-instrumentalist, who had played with a variety of musicians (including Mike Mainieri, David Bowie, and Carly Simon). Hakim was immediately entrusted with recruiting the rest of the new rhythm section. Having failed to secure Marcus Miller as bass guitarist, he selected Victor Bailey (a recent graduate from the Berklee College of Music, with whom Hakim had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player Jose Rossy, with whom he had worked in Labelle.  The new Weather Report went straight onto tour. The music developed on tour was later recorded for the 1983 album Procession, which showed the band beginning to make something of a return to the "world music", which it had pioneered in the mid-1970s, and featured a cameo appearance from The Manhattan Transfer.  Continuing with the same lineup, Weather Report recorded the Domino Theory album in 1984, with Hakim stepping into Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), furthering developing the band's involvement with technology, and also featured a guest vocal from Carl Anderson. The band was beginning to suffer from the revival of more traditionally styled jazz at the time, which made it harder to market jazz fusion.  Percussionist and singer Mino Cinelu replaced Rossy in the spring of 1984 and appeared on the band's video release Live in Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included a cover of Marvin Gaye's "What's Going On" and appearances by Bobby McFerrin and Carl Anderson. In keeping with Zawinul's technological curiosity, the album heralded the arrival of MIDI, which allowed him to rapidly and inexpensively write, demonstrate, and record music via a set of synthesizers.  By the time of the release of Sportin' Life Shorter and Zawinul had opted not to tour the material. Instead, they took a break for long-delayed solo projects. CANNOTANSWER

Question: Did Weather Report sell any new albums as the new band?
Answer: Weather Report recorded the Domino Theory album in 1984,
Pankaj Advani

Context: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards.  He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format).  Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title.  In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season.  In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final). CANNOTANSWER

Question: When did Pankaj Advani begin playing billiards?
Answer: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore,
Pankaj Advani

Context: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards.  He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format).  Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title.  In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season.  In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final). CANNOTANSWER

Question: How long did Pankaj Advani play billiards?
Answer: 2012,
Pankaj Advani

Context: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards.  He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format).  Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title.  In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season.  In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final). CANNOTANSWER

Question: Did Pankaj Advani win any tournaments?
Answer: World Billiards Championship in 2005 at Qawra,
Pankaj Advani

Context: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards.  He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format).  Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title.  In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season.  In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final). CANNOTANSWER

Question: How old was Pankaj Advani when he started competing?
Answer: 17
Pankaj Advani

Context: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards.  He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format).  Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title.  In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season.  In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final). CANNOTANSWER

Question: What if any challenges did Pankaj Advani face during his career?
Answer: In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title,
Pankaj Advani

Context: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards.  He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format).  Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title.  In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season.  In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final). CANNOTANSWER

Question: Any additional interesting information in addition to Pankaj Advani's early career?
Answer: eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final).
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: When did Quaid do Theater?
Answer: 2004,
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: What did Randy Quaid do in 2004?
Answer: Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell,
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: Where did the premiere of The God of Hell take place?
Answer: the Actors Studio Drama School in New York. In
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: Who did Quaid perform with?
Answer: CANNOTANSWER
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: How did the critics react to Randy Quaid's perfomance?
Answer: CANNOTANSWER