gaussalgo/Canard_Wiki-augmented huggingface dataset:
R.E.M.

Context: After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995.  In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie.  R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER

Question: How was the R.E.M. album Monster received by the critics ?
Answer: CANNOTANSWER
R.E.M.

Context: After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995.  In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie.  R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER

Question: Which singles did R.E.M. release from the album Monster?
Answer: "What's the Frequency, Kenneth?" and "Bang and Blame"
R.E.M.

Context: After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995.  In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie.  R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER

Question: How did the  R.E.M. singles "What's the Frequency, Kenneth?" and "Bang and Blame" perform in the charts?
Answer: all the singles from Monster reached the Top 30 on the British charts.
R.E.M.

Context: After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995.  In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie.  R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER

Question: Did R.E.M. go on any tours during 1994-1996?
Answer: In January 1995, R.E.M. set out on its first tour in six years.
R.E.M.

Context: After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995.  In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie.  R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER

Question: Name one of the countries R.E.M. visited on their January 1995 tour?
Answer: Switzerland,
R.E.M.

Context: After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995.  In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie.  R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER

Question: Besides R.E.M. visiting Switzerland during their 1995 tour, are there any other interesting aspects about this article?
Answer: R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (
Melanie C

Context: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat. CANNOTANSWER

Question: What is Reason?
Answer: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs.
Melanie C

Context: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat. CANNOTANSWER

Question: What is the name of Cisholm's second album?
Answer: Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003.
Melanie C

Context: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat. CANNOTANSWER

Question: Why was the release of Chisholm's second album postponed?
Answer: It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight.
Melanie C

Context: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat. CANNOTANSWER

Question: Did Chishlom's second album every get released?
Answer: Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again",
Melanie C

Context: Chisholm began recording her second album in late 2001. She traveled to the United States to record some songs. During this time, she recorded "Independence Day" from the film soundtrack Bend It Like Beckham and wrote "Help Me Help You" for Holly Valance, included in her album Footprints. Chisholm, along with American singer Anastacia made an appearance at the 2002 MTV Europe Music Awards to present the award for "Best Song", which was given to P!nk.  Chisholm's second album was originally planned to be released on 16 September 2002, then postponed to 24 February 2003. It was finally postponed to 10 March 2003. Rumors at the time speculated that Chisholm and Virgin had several conflicts, because they wanted her to lose weight. Chisholm also took time out due to struggles with clinical depression. On 24 February 2003 the first single from her new album was released, "Here It Comes Again", which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003 and it peaked at number 5, received gold certification in the UK. The label sent Chisholm to promote the album, including several pocket shows. On 24 April 2003, she embarked in the Reason Tour, traveling only in Europe. The second single, "On the Horizon", was released on 2 June 2003. After the previous single, the music critics were predicting that this single would redeem Chisholm's chart success, but the song peaked at number 14 and did not help sales.  "Let's Love", was released as a single exclusively in Japan and used for a Toyota Motor Corporation commercial. Originally, "Yeh Yeh Yeh" was planned to be released as the third and final single on 22 September 2003, but shortly before this could happen, Chisholm injured her knee during the television show The Games and couldn't fully promote an upbeat song with an injury. "Melt" was then chosen to be launched along with "Yeh Yeh Yeh" as a double A-side, because she could do a small number of performances. The double single was released on 10 November 2003. The song peaked at number 27. In other countries of Europe, "Melt" wasn't released, only "Yeh Yeh Yeh" as a solo release. After the release of "Melt/Yeh Yeh Yeh", Melanie added some extra dates to the Reason Tour, and the Avo Session Basel concert was broadcast on 3sat. CANNOTANSWER

Question: How did the first single from Chishlom do?
Answer: which reached number 7 in the UK and peaked in the top 20 in Spain and Ireland. She released her second studio album, Reason, on 10 March 2003
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: What event occurred during the last decade with the Philharmonia Orchestra?
Answer: with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings.
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: What album was recorded by the Philharmonia Orchestra?
Answer: Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: Who was the conductor for the album Mercury Living Presence by the Philharmonia Orchestra?
Answer: Antal Dorati
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: Aside from Antal Dorati, were there any other conductors for the Philharmonia Orchestra?
Answer: Esa-Pekka Salonen has conducted several commercial recordings
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: What was recorded during Esa-Pekka Salonen's time with the Philharmonia Orchestra?
Answer: including music of Berlioz and of Schoenberg.
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: Did Esa-Pekka Salonen have a contract with the Philharmonia Orchestra?
Answer: CANNOTANSWER
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: What was something notable that happened with the Philharmonia Orchestra during the recent decades?
Answer: The Philharmonia has also been heard on the soundtracks of many films,
Philharmonia Orchestra

Context: The Philharmonia is one of the most recorded orchestras in the world, with over one thousand recordings on such labels as EMI, CBS, Deutsche Grammophon, and Naxos, and more recently several self-produced recordings. One of its earliest recordings was the last concert ever conducted by Richard Strauss in 1947 in a programme which included his youthful work Burleske.  Antal Dorati conducted the orchestra in recordings for Mercury Living Presence (Tchaikovsky Suites for Orchestra, 1966) and EMI (Bartok Violin Concerto No. 1 featuring Yehudi Menuhin, 1965). Esa-Pekka Salonen has conducted several commercial recordings with the Philharmonia, including music of Berlioz and of Schoenberg. The Philharmonia has a partnership with Signum Records, which releases live recordings of the orchestra's concerts, including Lorin Maazel's cycle of Mahler symphonies, Christoph von Dohnanyi's recordings of Brahms's symphonies, and works by Elgar, Bruckner, Berlioz, Bartok, and others.  The Philharmonia has also been heard on the soundtracks of many films, performing the musical scores of such classics as David Lean's film version of Oliver Twist (1948). The Philharmonia recorded two out of the eight pieces in the Walt Disney film Fantasia 2000 ("Rhapsody in Blue" and "The Sorcerer's Apprentice"). More recently, the Philharmonia has recorded soundtracks for such films as Avengers: Age of Ultron, Fury, Thor: The Dark World, and Iron Man 3.  The Philharmonia has recorded many video game soundtracks, including those for all of EA Games' Harry Potter video games, as well as the Fable and Medal of Honor games, Battlefield, Lord of the Rings: War in the North, Star Wars: The Old Republic, and more. CANNOTANSWER

Question: What is a soundtrack by the Philharmonia Orchestra?
Answer: Oliver Twist
Natalie Maines

Context: Maines had a public feud with fellow country music star Toby Keith over the 2002 chart-topping country hit "Courtesy of the Red, White and Blue", as well as a comment Maines made about U.S. President George W. Bush during a March 2003 Dixie Chicks concert in London.  Maines publicly criticized Keith's song "Courtesy of the Red, White and Blue" by saying, "I hate it. It's ignorant, and it makes country music sound ignorant. It targets an entire culture--and not just the bad people who did bad things. You've got to have some tact. Anybody can write, 'We'll put a boot in your ass.'" Keith responded by belittling Maines's songwriting skills with, "I'll bury her. She has never written anything that has been a hit" and, "That's what I do--I write songs." Keith further stated, "she said anyone can write 'We'll put a boot in your ass', but, you know ... she didn't."  After Maines commented at a March 2003 Dixie Chicks concert at the Shepherd's Bush Empire theatre in London that the Chicks didn't want the Iraq War and were "ashamed" President Bush "was from Texas", Keith's 2003 "Shock'n Y'all" tour began displaying a backdrop showing a doctored photo of Maines with Iraqi dictator Saddam Hussein. Shortly thereafter, on May 21, 2003, Maines wore a T-shirt with the letters "F.U.T.K." written on the front while performing for the Academy of Country Music Awards broadcast. The Dixie Chicks website stated that the letters stood for "Freedom, United, Together in Kindness." Some saw it as a veiled insult directed at Keith.  In August 2003, Keith publicly declared that he was done feuding with Maines, explaining, "You know, a best friend of mine ... lost a two-year-old daughter to cancer. ... [Recently] I saw ... a picture of me and Natalie and it said, 'Fight to the Death' or something. It seemed so insignificant. I said, 'Enough is enough.' ... People try to make everything black and white. I didn't start this battle. They started it with me; they came out and just tore me up. One thing I've never, ever done, out of jealousy or anything else, is to bash another artist and their artistic license."  In the 2006 documentary Dixie Chicks: Shut Up and Sing, backstage footage prior to her appearance wearing the F.U.T.K. shirt recorded the conversation between Maines and Simon Renshaw and confirmed that the original intent of the shirt was, in fact, a shot at Keith in response to his criticism of her: the letters stood for "Fuck You Toby Keith". As of January 2007, Keith continues to refuse to say Maines's name and argues that the doctored photo was intended to express his feeling that Maines's criticism was tyrannical and a dictator-like attempt to squelch Keith's free speech. CANNOTANSWER

Question: What feud with Toby Kieth did Natalie Maines have?
Answer: over the 2002 chart-topping country hit