gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ahmed Yassin

Context: Yassin was a founder and prominent leader of Hamas, which is regarded as a terrorist organization by a number of national governments. Israeli Prime Minister Ariel Sharon characterized Yassin as the "mastermind of Palestinian terror" and a "mass murderer." The Israeli government repeatedly asserted that Yassin was responsible for a number of terrorist attacks, which targeted and killed a number of civilians. They accused him of being behind all the attacks perpetrated by Hamas against Israel. Israel said the targeted killing was in response to dozens of suicide attacks by Hamas against Israeli civilians. According to an Israeli government website:  Yassin was the dominant authority of the Hamas leadership, which was directly involved in planning, orchestrating and launching terror attacks carried out by the organization. In this capacity, Yassin personally gave his approval for the launching of Qassam rockets against Israeli cities, as well as for the numerous Hamas terrorist bombings and suicide operations. In his public appearances and interviews, Yassin called repeatedly for a continuation of the 'armed struggle' against Israel, and for an intensification of the terrorist campaign against its citizens. The successful operation against Yassin constitutes a significant blow to a central pillar of the Hamas terrorist organization, and a major setback to its terrorist infrastructure.  In his statement Yassin declared that Hamas did target Israeli civilians, but only in direct retaliation for the death of Palestinian civilians. In his thinking this was a necessary tactic to "show the Israelis they could not get away without a price for killing our people." CANNOTANSWER

Question: In addition to declaring that Hamas did target Israeli civilians, are there any other interesting aspects about this article?
Answer: was a necessary tactic to "show the Israelis they could not get away without a price for killing our people."
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: What is Stark Naked?
Answer: CANNOTANSWER
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: Can you tell me the significance of the Car Thieves?
Answer: Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland.
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: Besides bringing in guitarist Mick Jacques and drummer Stewart Copeland, are there any other interesting aspects about Car Theives?
Answer: The band kicked off with a European tour, which started poorly.
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: How did Curved Air's European tour start poorly?
Answer: Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland.
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: What did Way do when he got impatient with bandmates?
Answer: CANNOTANSWER
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: Besides impatience with bandmates, did Curved Air have any other issues?
Answer: Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire,
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: What did Curved Air do when they were unable to replace Phil Kohn?
Answer: relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood).
Curved Air

Context: However, Darryl Way and Sonja Kristina remained interested in working together, and so Way brought in two more "Car Thieves", guitarist Mick Jacques and drummer Stewart Copeland. Though more members of this new lineup came from Stark Naked and the Car Thieves than Curved Air (Kristina being the only member not from the former band), they decided to adopt the Curved Air name for the same reasons that the Kristina/Wedgwood-led band had. With Darryl Way at the helm, this new band often employed the same classical and folk influences as the original band (and even played some of the original band's songs at their shows), but their core sound was rooted in pop, rhythm and blues, and hard rock. Miles Copeland III, still serving as Curved Air's manager, put the group on his own label, BTM.  The band kicked off with a European tour, which started poorly. Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.  Their studio efforts were another story, however. Phil Kohn left and the band, unable to replace him in time for the sessions for Midnight Wire, relied on guest musicians to play both bass (John G Perry) and keyboards (Peter Wood). Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves, formerly of Colosseum and Greenslade, but the recording sessions for both Midnight Wire and 1976's Airborne were expensive and highly stressful for everyone involved. Both albums - as well as "Desiree", a single drawn from Airborne - failed to break the charts.  Citing dissatisfaction with BTM Records' inability to support Curved Air financially, Way departed. Though Alex Richman from the Butts Band stepped in on keyboards, the loss of the band's de facto leader was a blow. This line-up's last-ditch attempt at a hit single, a cover version of "Baby Please Don't Go", was another flop. After months of gradually losing steam, Curved Air broke up so quietly that, by Sonja Kristina's recollections, most of the music press wrote off the band's absence as a "sabbatical". Copeland formed The Police, Reeves returned to work as a producer and played in semi-pro band Big Chief along with Jacques, and Kristina and Way both pursued solo careers. Kristina and Copeland maintained the close personal relationship they'd formed while bandmates and were married in 1982. CANNOTANSWER

Question: Besides John Perry and Peter Wood, did Curved Air ever have any other guest musicians?
Answer: Norma Tager, a friend of Kristina's, penned the lyrics to the "Midnight Wire" songs. Kohn was later replaced by Tony Reeves,
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: What was Shia LaBeouf accused of plagiarizing?
Answer: LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston,
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: What were the Shia LaBeouf's plagiarism accusations?
Answer: Wired journalist Graeme McMillan noted at least three similarities in their article,
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: Which article were Shia Lebeouf's plagiarism accusations on?
Answer: LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M.
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: Did Shia LaBeouf get taken to court?
Answer: CANNOTANSWER
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: What was the outcome of Shia LaBeouf's plagiarism accusation?
Answer: LaBeouf's other work has come under scrutiny.
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: Did LaBeouf have an excuse for the similarities between his and other people's works?
Answer: he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely.
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: So Shia LaBeouf basically admitted to plagiarizing?
Answer: " He followed this up with several apologies via Twitter writing,
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: What did Shia LaBeouf say on Twitter?
Answer: "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation",
Shia LaBeouf

Context: On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers.  Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault.  In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter. CANNOTANSWER

Question: Besides Shia LaBeouf's plagiarism accusation, what else was interesting about this article?
Answer: LaBeouf would later remove the film and claim that he did not intend to copy Clowes
Jennifer Capriati

Context: 1999 was Capriati's best season in several years. She won her first title in six years at Strasbourg, defeating ninth ranked Nathalie Tauziat in a quarterfinal for her first win over a top 10 player in two years. She defeated Russian Elena Likhovtseva in the final. She won her second title of the year at Quebec City, defeating American Chanda Rubin in the final. She also reached the round of 16 at both Roland Garros and US Open. She finished the year at No. 23.  At the 2000 Australian Open, Capriati reached her first Grand Slam semifinal in nine years before losing to eventual champion Lindsay Davenport in straight sets.  At the Miami Masters, Capriati defeated World No. 6 Serena Williams for her first win over a player ranked in the top six in four years en route to a quarterfinal finish. Shortly after, Capriati was sidelined with right Achilles tendonitis in April and an elbow injury in June.  Capriati had a strong fall season, winning her ninth career title at Luxembourg, defeating Magdalena Maleeva. She also finished runner up in Quebec City to Chanda Rubin and was a semifinalist in Zurich. These results propelled Capriati back into the top 20 for the first time since April 1994. She qualified for the season-ending championships for the first time in seven years. Her year-end ranking was 14, her highest in seven years. Capriati was also a member of the US Fed Cup Team, winning a singles and doubles rubber in the US's victory over Spain in the final. CANNOTANSWER

Question: What was Jennifer Capriati's most significant achievement in 1999?
Answer: 1999 was Capriati's best season in several years. She won her first title in six years at Strasbourg,
Jennifer Capriati

Context: 1999 was Capriati's best season in several years. She won her first title in six years at Strasbourg, defeating ninth ranked Nathalie Tauziat in a quarterfinal for her first win over a top 10 player in two years. She defeated Russian Elena Likhovtseva in the final. She won her second title of the year at Quebec City, defeating American Chanda Rubin in the final. She also reached the round of 16 at both Roland Garros and US Open. She finished the year at No. 23.  At the 2000 Australian Open, Capriati reached her first Grand Slam semifinal in nine years before losing to eventual champion Lindsay Davenport in straight sets.  At the Miami Masters, Capriati defeated World No. 6 Serena Williams for her first win over a player ranked in the top six in four years en route to a quarterfinal finish. Shortly after, Capriati was sidelined with right Achilles tendonitis in April and an elbow injury in June.  Capriati had a strong fall season, winning her ninth career title at Luxembourg, defeating Magdalena Maleeva. She also finished runner up in Quebec City to Chanda Rubin and was a semifinalist in Zurich. These results propelled Capriati back into the top 20 for the first time since April 1994. She qualified for the season-ending championships for the first time in seven years. Her year-end ranking was 14, her highest in seven years. Capriati was also a member of the US Fed Cup Team, winning a singles and doubles rubber in the US's victory over Spain in the final. CANNOTANSWER

Question: Did Jennifer Capriati have any other 1999 wins besides her title win in Strasbourg?
Answer: She defeated Russian Elena Likhovtseva in the final.