gaussalgo/Canard_Wiki-augmented huggingface dataset:
MC Hammer

Context: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him. CANNOTANSWER

Question: Was Holy Ghost Boys well received?
Answer: This was Contemporary Christian music's first rap hit ever.
MC Hammer

Context: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him. CANNOTANSWER

Question: Besides Holy Ghost Boys, Who else did MC Hammer collaborate with?
Answer: Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent
MC Hammer

Context: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him. CANNOTANSWER

Question: What new talent has MC Hammer introduced?
Answer: Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation,
MC Hammer

Context: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him. CANNOTANSWER

Question: How were Oaktown's 3.5.7, Ho Frat Hoo!, and the vocal quintet Special Generation, received?
Answer: CANNOTANSWER
MC Hammer

Context: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).  With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.  At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him. CANNOTANSWER

Question: What did MC Hammer do in entertainment other than music?
Answer: At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.
The Simpsons Movie

Context: The Simpsons Movie won the award for Best Comedy Film at the British Comedy Awards, Best Animation at the inaugural ITV National Movie Awards, and Best Movie at the UK Nickelodeon Kids Choice Awards, beating Harry Potter and the Order of the Phoenix, Pirates of the Caribbean: At World's End, and Shrek the Third. The film's trailer won a Golden Trailer Award in the category Best Animated/Family Film Trailer at the 8th Annual Golden Trailer Awards. Forbes named the film the third best of the year, based on its box office takings and Metacritic critical response score. The film's website received a Webby Award at the 12th Annual Webby Awards in the category "Best Movie and Film Website".  At the 35th Annie Awards the film was nominated in four categories: Best Animated Feature, Directing in an Animated Feature Production, Writing in an Animated Feature Production, and Voice Acting in an Animated Feature Production for Julie Kavner. All four awards were won by Ratatouille. It was nominated for Best Animated Feature Film at the 65th Golden Globe Awards, the BAFTA for Best Animated Film, and the Producers Guild Award for Animated Theatrical Motion Picture. It also received nominations for the Satellite Award for Best Animated or Mixed Media Feature, the Chicago Film Critics Association Award for Best Animated Feature, and the Broadcast Film Critics Association Award for Best Animated Feature.  Before its release, the film received a nomination at the 2007 MTV Movie Awards for "Best Summer Movie You Haven't Seen Yet", with the award ultimately won by Transformers, and lost the Teen Choice Award for "Choice Summer Movie - Comedy/Musical", which was won by Hairspray. It was also nominated for Favorite Movie Comedy at the People's Choice Awards, losing to Knocked Up. CANNOTANSWER

Question: How many people went on the opening weekend of The Simpsons Movie?
Answer: CANNOTANSWER
The Simpsons Movie

Context: The Simpsons Movie won the award for Best Comedy Film at the British Comedy Awards, Best Animation at the inaugural ITV National Movie Awards, and Best Movie at the UK Nickelodeon Kids Choice Awards, beating Harry Potter and the Order of the Phoenix, Pirates of the Caribbean: At World's End, and Shrek the Third. The film's trailer won a Golden Trailer Award in the category Best Animated/Family Film Trailer at the 8th Annual Golden Trailer Awards. Forbes named the film the third best of the year, based on its box office takings and Metacritic critical response score. The film's website received a Webby Award at the 12th Annual Webby Awards in the category "Best Movie and Film Website".  At the 35th Annie Awards the film was nominated in four categories: Best Animated Feature, Directing in an Animated Feature Production, Writing in an Animated Feature Production, and Voice Acting in an Animated Feature Production for Julie Kavner. All four awards were won by Ratatouille. It was nominated for Best Animated Feature Film at the 65th Golden Globe Awards, the BAFTA for Best Animated Film, and the Producers Guild Award for Animated Theatrical Motion Picture. It also received nominations for the Satellite Award for Best Animated or Mixed Media Feature, the Chicago Film Critics Association Award for Best Animated Feature, and the Broadcast Film Critics Association Award for Best Animated Feature.  Before its release, the film received a nomination at the 2007 MTV Movie Awards for "Best Summer Movie You Haven't Seen Yet", with the award ultimately won by Transformers, and lost the Teen Choice Award for "Choice Summer Movie - Comedy/Musical", which was won by Hairspray. It was also nominated for Favorite Movie Comedy at the People's Choice Awards, losing to Knocked Up. CANNOTANSWER

Question: How was the turnout on the opening weekend of The Simpsons Movie?
Answer: Forbes named the film the third best of the year, based on its box office takings
The Simpsons Movie

Context: The Simpsons Movie won the award for Best Comedy Film at the British Comedy Awards, Best Animation at the inaugural ITV National Movie Awards, and Best Movie at the UK Nickelodeon Kids Choice Awards, beating Harry Potter and the Order of the Phoenix, Pirates of the Caribbean: At World's End, and Shrek the Third. The film's trailer won a Golden Trailer Award in the category Best Animated/Family Film Trailer at the 8th Annual Golden Trailer Awards. Forbes named the film the third best of the year, based on its box office takings and Metacritic critical response score. The film's website received a Webby Award at the 12th Annual Webby Awards in the category "Best Movie and Film Website".  At the 35th Annie Awards the film was nominated in four categories: Best Animated Feature, Directing in an Animated Feature Production, Writing in an Animated Feature Production, and Voice Acting in an Animated Feature Production for Julie Kavner. All four awards were won by Ratatouille. It was nominated for Best Animated Feature Film at the 65th Golden Globe Awards, the BAFTA for Best Animated Film, and the Producers Guild Award for Animated Theatrical Motion Picture. It also received nominations for the Satellite Award for Best Animated or Mixed Media Feature, the Chicago Film Critics Association Award for Best Animated Feature, and the Broadcast Film Critics Association Award for Best Animated Feature.  Before its release, the film received a nomination at the 2007 MTV Movie Awards for "Best Summer Movie You Haven't Seen Yet", with the award ultimately won by Transformers, and lost the Teen Choice Award for "Choice Summer Movie - Comedy/Musical", which was won by Hairspray. It was also nominated for Favorite Movie Comedy at the People's Choice Awards, losing to Knocked Up. CANNOTANSWER

Question: What were the other two best films named by Forbes the year of The Simpsons Movie?
Answer: CANNOTANSWER
The Simpsons Movie

Context: The Simpsons Movie won the award for Best Comedy Film at the British Comedy Awards, Best Animation at the inaugural ITV National Movie Awards, and Best Movie at the UK Nickelodeon Kids Choice Awards, beating Harry Potter and the Order of the Phoenix, Pirates of the Caribbean: At World's End, and Shrek the Third. The film's trailer won a Golden Trailer Award in the category Best Animated/Family Film Trailer at the 8th Annual Golden Trailer Awards. Forbes named the film the third best of the year, based on its box office takings and Metacritic critical response score. The film's website received a Webby Award at the 12th Annual Webby Awards in the category "Best Movie and Film Website".  At the 35th Annie Awards the film was nominated in four categories: Best Animated Feature, Directing in an Animated Feature Production, Writing in an Animated Feature Production, and Voice Acting in an Animated Feature Production for Julie Kavner. All four awards were won by Ratatouille. It was nominated for Best Animated Feature Film at the 65th Golden Globe Awards, the BAFTA for Best Animated Film, and the Producers Guild Award for Animated Theatrical Motion Picture. It also received nominations for the Satellite Award for Best Animated or Mixed Media Feature, the Chicago Film Critics Association Award for Best Animated Feature, and the Broadcast Film Critics Association Award for Best Animated Feature.  Before its release, the film received a nomination at the 2007 MTV Movie Awards for "Best Summer Movie You Haven't Seen Yet", with the award ultimately won by Transformers, and lost the Teen Choice Award for "Choice Summer Movie - Comedy/Musical", which was won by Hairspray. It was also nominated for Favorite Movie Comedy at the People's Choice Awards, losing to Knocked Up. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides ratings and turnout for The Simpsons Movie?
Answer: At the 35th Annie Awards the film was nominated in four categories:
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: Who are the 1970s quartets of whom Keith Jarrett was part of?
Answer: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: What was roles in the 1970s quartets of which Keith Jarrett was part of?
Answer: ). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown.
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: What performances the Keith Jarrett's quartets do in 1970s?
Answer: The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth;
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: After El Juicio what album was released by the 1970s quartets?
Answer: another on Columbia Records called Expectations (that included guitar by Sam Brown,
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: Along with their work, Was Expectations of Keith Jarrett followed by the 1970s quartets performances?
Answer: plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release);
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: Other than the released works, After the termination did Keith Jarrett embark on other projects?
Answer: Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman,
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: Did impulse have followings despite involving members of the 1970 quartet ?
Answer: which dominated the previous albums.
Keith Jarrett

Context: From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM.  Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.  In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time.  Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties. CANNOTANSWER

Question: Did Keith Jarrett receive any awards or accolades?
Answer: CANNOTANSWER
Stacy Keibler

Context: Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade pay-per-view before the television title match, dancing in an NWO Wolfpac t-shirt. In late 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe. In November, she defeated 300 other girls for a spot on the dance troupe and $10,000. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens.  She soon accepted a larger role and became a valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring.  For a brief period, she dated David Flair (both on-screen and off), who was already involved in an on-screen relationship with Daffney. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television.  When she returned, she was known by her real name on-screen. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby." She helped Stasiak defeat Bam Bam Bigelow in the final edition of Nitro two weeks later on March 26. CANNOTANSWER

Question: what happened in World Championship Wrestling in 1999?
Answer: Keibler entered a nationwide contest held by World Championship Wrestling
Stacy Keibler

Context: Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade pay-per-view before the television title match, dancing in an NWO Wolfpac t-shirt. In late 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe. In November, she defeated 300 other girls for a spot on the dance troupe and $10,000. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens.  She soon accepted a larger role and became a valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring.  For a brief period, she dated David Flair (both on-screen and off), who was already involved in an on-screen relationship with Daffney. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television.  When she returned, she was known by her real name on-screen. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby." She helped Stasiak defeat Bam Bam Bigelow in the final edition of Nitro two weeks later on March 26. CANNOTANSWER

Question: Did Keibler win the contest?
Answer: she defeated 300 other girls
Stacy Keibler

Context: Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade pay-per-view before the television title match, dancing in an NWO Wolfpac t-shirt. In late 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe. In November, she defeated 300 other girls for a spot on the dance troupe and $10,000. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens.  She soon accepted a larger role and became a valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring.  For a brief period, she dated David Flair (both on-screen and off), who was already involved in an on-screen relationship with Daffney. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television.  When she returned, she was known by her real name on-screen. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby." She helped Stasiak defeat Bam Bam Bigelow in the final edition of Nitro two weeks later on March 26. CANNOTANSWER

Question: what did Keibler win?
Answer: a spot on the dance troupe and $10,000.