gaussalgo/Canard_Wiki-augmented huggingface dataset:
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: What else can you tell me about Randy Quaid's performance other than the critics' reactions?
Answer: In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: Why was Quaid banned for life by the Actor's Equity Association?
Answer: all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers"
Randy Quaid

Context: In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West.  In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it.  According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff." CANNOTANSWER

Question: Did Quaid appeal the decision?
Answer: that Quaid had left the union before the musical started, making the ban moot,
Meat Beat Manifesto

Context: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.  In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.  During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels. CANNOTANSWER

Question: What was Nothing Records?
Answer: Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released.
Meat Beat Manifesto

Context: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.  In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.  During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels. CANNOTANSWER

Question: Was the "Subliminal Sandwich" album successful?
Answer: While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases.
Meat Beat Manifesto

Context: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.  In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.  During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels. CANNOTANSWER

Question: Did MBM release more music?
Answer: After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM,
Meat Beat Manifesto

Context: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.  In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.  During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels. CANNOTANSWER

Question: Was the music from "Original Fire" successful?
Answer: Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.
Meat Beat Manifesto

Context: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.  In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.  During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels. CANNOTANSWER

Question: Who else appeared on the "Offbeat" album besides MBM?
Answer: In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (
Meat Beat Manifesto

Context: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.  In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.  During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels. CANNOTANSWER

Question: Did MBM record any music with Lynn Farmer and John Wilson?
Answer: to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently;
Kajol

Context: Kajol was born in Mumbai to the Mukherjee-Samarth film family of Bengali-Marathi descent. Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer. Shomu died in 2008 after suffering cardiac arrest. Kajol's younger sister, Tanishaa Mukherjee is also an actress. Her maternal aunt was actress Nutan and her maternal grandmother, Shobhna Samarth, and great grandmother, Rattan Bai, were both involved in Hindi cinema. Her paternal uncles, Joy Mukherjee and Deb Mukherjee, are film producers, while her paternal and maternal grandfathers, Sashadhar Mukherjee and Kumarsen Samarth, were filmmakers. Kajol's cousins Rani Mukerji, Sharbani Mukherjee and Mohnish Behl are also Bollywood actors; whereas another cousin of hers, Ayan Mukerji is a director.  Kajol describes herself as being "extremely mischievous" as a child. She added that she was very stubborn and impulsive from a very young age. Her parents separated when she was young; but according to Tanuja, Kajol was not affected by the split as "we never argued in front of [her]". In the absence of her mother, Kajol was looked after by her maternal grandmother, who "never let me feel that my mother was away and working". According to Kajol, her mother inculcated a sense of independence in her at a very young age. Growing up between two separate cultures, she inherited her "Maharashtrian pragmatism" from her mother and her "Bengali temperament" from her father.  Kajol studied at the St Joseph Convent boarding school in Panchgani. Apart from her studies, she participated in extra-curricular activities, such as dancing. It was in school that she began to form an active interest in reading fiction, as it helped her "through the bad moments" in her life. At the age of sixteen, she began work on Rahul Rawail's film Bekhudi, which according to her was a "big dose of luck". She initially intended to return to school after shooting for the film during her summer vacations. However, she eventually dropped out of school to pursue a full-time career in film. On not completing her education, she quoted, "I don't think I am any less well-rounded because I didn't complete school". CANNOTANSWER

Question: Where was Kajol born?
Answer: Kajol was born in Mumbai
Kajol

Context: Kajol was born in Mumbai to the Mukherjee-Samarth film family of Bengali-Marathi descent. Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer. Shomu died in 2008 after suffering cardiac arrest. Kajol's younger sister, Tanishaa Mukherjee is also an actress. Her maternal aunt was actress Nutan and her maternal grandmother, Shobhna Samarth, and great grandmother, Rattan Bai, were both involved in Hindi cinema. Her paternal uncles, Joy Mukherjee and Deb Mukherjee, are film producers, while her paternal and maternal grandfathers, Sashadhar Mukherjee and Kumarsen Samarth, were filmmakers. Kajol's cousins Rani Mukerji, Sharbani Mukherjee and Mohnish Behl are also Bollywood actors; whereas another cousin of hers, Ayan Mukerji is a director.  Kajol describes herself as being "extremely mischievous" as a child. She added that she was very stubborn and impulsive from a very young age. Her parents separated when she was young; but according to Tanuja, Kajol was not affected by the split as "we never argued in front of [her]". In the absence of her mother, Kajol was looked after by her maternal grandmother, who "never let me feel that my mother was away and working". According to Kajol, her mother inculcated a sense of independence in her at a very young age. Growing up between two separate cultures, she inherited her "Maharashtrian pragmatism" from her mother and her "Bengali temperament" from her father.  Kajol studied at the St Joseph Convent boarding school in Panchgani. Apart from her studies, she participated in extra-curricular activities, such as dancing. It was in school that she began to form an active interest in reading fiction, as it helped her "through the bad moments" in her life. At the age of sixteen, she began work on Rahul Rawail's film Bekhudi, which according to her was a "big dose of luck". She initially intended to return to school after shooting for the film during her summer vacations. However, she eventually dropped out of school to pursue a full-time career in film. On not completing her education, she quoted, "I don't think I am any less well-rounded because I didn't complete school". CANNOTANSWER

Question: What did Kajol's mom/father do?
Answer: Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer.
Kajol

Context: Kajol was born in Mumbai to the Mukherjee-Samarth film family of Bengali-Marathi descent. Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer. Shomu died in 2008 after suffering cardiac arrest. Kajol's younger sister, Tanishaa Mukherjee is also an actress. Her maternal aunt was actress Nutan and her maternal grandmother, Shobhna Samarth, and great grandmother, Rattan Bai, were both involved in Hindi cinema. Her paternal uncles, Joy Mukherjee and Deb Mukherjee, are film producers, while her paternal and maternal grandfathers, Sashadhar Mukherjee and Kumarsen Samarth, were filmmakers. Kajol's cousins Rani Mukerji, Sharbani Mukherjee and Mohnish Behl are also Bollywood actors; whereas another cousin of hers, Ayan Mukerji is a director.  Kajol describes herself as being "extremely mischievous" as a child. She added that she was very stubborn and impulsive from a very young age. Her parents separated when she was young; but according to Tanuja, Kajol was not affected by the split as "we never argued in front of [her]". In the absence of her mother, Kajol was looked after by her maternal grandmother, who "never let me feel that my mother was away and working". According to Kajol, her mother inculcated a sense of independence in her at a very young age. Growing up between two separate cultures, she inherited her "Maharashtrian pragmatism" from her mother and her "Bengali temperament" from her father.  Kajol studied at the St Joseph Convent boarding school in Panchgani. Apart from her studies, she participated in extra-curricular activities, such as dancing. It was in school that she began to form an active interest in reading fiction, as it helped her "through the bad moments" in her life. At the age of sixteen, she began work on Rahul Rawail's film Bekhudi, which according to her was a "big dose of luck". She initially intended to return to school after shooting for the film during her summer vacations. However, she eventually dropped out of school to pursue a full-time career in film. On not completing her education, she quoted, "I don't think I am any less well-rounded because I didn't complete school". CANNOTANSWER

Question: Does Kajol have any siblings?
Answer: Kajol's younger sister, Tanishaa Mukherjee is also an actress.
Kajol

Context: Kajol was born in Mumbai to the Mukherjee-Samarth film family of Bengali-Marathi descent. Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer. Shomu died in 2008 after suffering cardiac arrest. Kajol's younger sister, Tanishaa Mukherjee is also an actress. Her maternal aunt was actress Nutan and her maternal grandmother, Shobhna Samarth, and great grandmother, Rattan Bai, were both involved in Hindi cinema. Her paternal uncles, Joy Mukherjee and Deb Mukherjee, are film producers, while her paternal and maternal grandfathers, Sashadhar Mukherjee and Kumarsen Samarth, were filmmakers. Kajol's cousins Rani Mukerji, Sharbani Mukherjee and Mohnish Behl are also Bollywood actors; whereas another cousin of hers, Ayan Mukerji is a director.  Kajol describes herself as being "extremely mischievous" as a child. She added that she was very stubborn and impulsive from a very young age. Her parents separated when she was young; but according to Tanuja, Kajol was not affected by the split as "we never argued in front of [her]". In the absence of her mother, Kajol was looked after by her maternal grandmother, who "never let me feel that my mother was away and working". According to Kajol, her mother inculcated a sense of independence in her at a very young age. Growing up between two separate cultures, she inherited her "Maharashtrian pragmatism" from her mother and her "Bengali temperament" from her father.  Kajol studied at the St Joseph Convent boarding school in Panchgani. Apart from her studies, she participated in extra-curricular activities, such as dancing. It was in school that she began to form an active interest in reading fiction, as it helped her "through the bad moments" in her life. At the age of sixteen, she began work on Rahul Rawail's film Bekhudi, which according to her was a "big dose of luck". She initially intended to return to school after shooting for the film during her summer vacations. However, she eventually dropped out of school to pursue a full-time career in film. On not completing her education, she quoted, "I don't think I am any less well-rounded because I didn't complete school". CANNOTANSWER

Question: Does Kajol's family work in the movie/acting field?
Answer: Kajol was born in Mumbai to the Mukherjee-Samarth film family of Bengali-Marathi descent. Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer.
Kajol

Context: Kajol was born in Mumbai to the Mukherjee-Samarth film family of Bengali-Marathi descent. Her mother, Tanuja, is an actress, while her father Shomu Mukherjee was a film director and producer. Shomu died in 2008 after suffering cardiac arrest. Kajol's younger sister, Tanishaa Mukherjee is also an actress. Her maternal aunt was actress Nutan and her maternal grandmother, Shobhna Samarth, and great grandmother, Rattan Bai, were both involved in Hindi cinema. Her paternal uncles, Joy Mukherjee and Deb Mukherjee, are film producers, while her paternal and maternal grandfathers, Sashadhar Mukherjee and Kumarsen Samarth, were filmmakers. Kajol's cousins Rani Mukerji, Sharbani Mukherjee and Mohnish Behl are also Bollywood actors; whereas another cousin of hers, Ayan Mukerji is a director.  Kajol describes herself as being "extremely mischievous" as a child. She added that she was very stubborn and impulsive from a very young age. Her parents separated when she was young; but according to Tanuja, Kajol was not affected by the split as "we never argued in front of [her]". In the absence of her mother, Kajol was looked after by her maternal grandmother, who "never let me feel that my mother was away and working". According to Kajol, her mother inculcated a sense of independence in her at a very young age. Growing up between two separate cultures, she inherited her "Maharashtrian pragmatism" from her mother and her "Bengali temperament" from her father.  Kajol studied at the St Joseph Convent boarding school in Panchgani. Apart from her studies, she participated in extra-curricular activities, such as dancing. It was in school that she began to form an active interest in reading fiction, as it helped her "through the bad moments" in her life. At the age of sixteen, she began work on Rahul Rawail's film Bekhudi, which according to her was a "big dose of luck". She initially intended to return to school after shooting for the film during her summer vacations. However, she eventually dropped out of school to pursue a full-time career in film. On not completing her education, she quoted, "I don't think I am any less well-rounded because I didn't complete school". CANNOTANSWER

Question: Where did Kajol go to school?
Answer: Kajol studied at the St Joseph Convent boarding school in Panchgani.
Kobe Bryant

Context: In the 2002-03 season, Bryant set an NBA record for three-pointers in a game on January 7, 2003, when he made 12 against the Seattle SuperSonics. He averaged 30 points per game and embarked on a historic run, posting 40 or more points in nine consecutive games while averaging 40.6 in the entire month of February. In addition, he averaged 6.9 rebounds, 5.9 assists, and 2.2 steals per game, all career highs to that point. Bryant was once again voted to both the All-NBA and All-Defensive 1st teams, and came in third place in voting for the MVP award. After finishing 50-32 in the regular season, the Lakers floundered in the playoffs and lost in the Western Conference semi-finals in six games to the eventual NBA champions San Antonio Spurs.  In the following 2003-04 season, the Lakers were able to acquire NBA All-Stars Karl Malone, and Gary Payton to make another push at the NBA Championship. Bryant was arrested for sexual assault before the season began. This caused Bryant to miss some games due to court appearances or attend court earlier in the day and travel to play games later in same day. In the final game of the regular season, the Lakers played the Portland Trail Blazers. Bryant made two buzzer beaters to win the game and the Pacific Division title. At the end of the fourth quarter, Bryant made a 3-pointer with 1.1 seconds left to send it into overtime. The game eventually went to a second overtime, in which Bryant made another 3-pointer as time expired to lift the Lakers past the Blazers, 105-104.  With a starting lineup of O'Neal, Malone, Payton, and Bryant, the Lakers were able to reach the NBA Finals. However, they were upset in five games by the Detroit Pistons, who won their first championship since 1990. In that series, Bryant averaged 22.6 points per game and 4.4 assists. He shot 35.1% from the field. Jackson's contract as coach was not renewed, and Rudy Tomjanovich took over. O'Neal was traded to the Miami Heat for Lamar Odom, Caron Butler, and Brian Grant. The following day, Bryant declined an offer to sign with the Los Angeles Clippers and re-signed a seven-year contract with the Lakers. CANNOTANSWER

Question: How did Kobe Bryant come up short?
Answer: CANNOTANSWER
Kobe Bryant

Context: In the 2002-03 season, Bryant set an NBA record for three-pointers in a game on January 7, 2003, when he made 12 against the Seattle SuperSonics. He averaged 30 points per game and embarked on a historic run, posting 40 or more points in nine consecutive games while averaging 40.6 in the entire month of February. In addition, he averaged 6.9 rebounds, 5.9 assists, and 2.2 steals per game, all career highs to that point. Bryant was once again voted to both the All-NBA and All-Defensive 1st teams, and came in third place in voting for the MVP award. After finishing 50-32 in the regular season, the Lakers floundered in the playoffs and lost in the Western Conference semi-finals in six games to the eventual NBA champions San Antonio Spurs.  In the following 2003-04 season, the Lakers were able to acquire NBA All-Stars Karl Malone, and Gary Payton to make another push at the NBA Championship. Bryant was arrested for sexual assault before the season began. This caused Bryant to miss some games due to court appearances or attend court earlier in the day and travel to play games later in same day. In the final game of the regular season, the Lakers played the Portland Trail Blazers. Bryant made two buzzer beaters to win the game and the Pacific Division title. At the end of the fourth quarter, Bryant made a 3-pointer with 1.1 seconds left to send it into overtime. The game eventually went to a second overtime, in which Bryant made another 3-pointer as time expired to lift the Lakers past the Blazers, 105-104.  With a starting lineup of O'Neal, Malone, Payton, and Bryant, the Lakers were able to reach the NBA Finals. However, they were upset in five games by the Detroit Pistons, who won their first championship since 1990. In that series, Bryant averaged 22.6 points per game and 4.4 assists. He shot 35.1% from the field. Jackson's contract as coach was not renewed, and Rudy Tomjanovich took over. O'Neal was traded to the Miami Heat for Lamar Odom, Caron Butler, and Brian Grant. The following day, Bryant declined an offer to sign with the Los Angeles Clippers and re-signed a seven-year contract with the Lakers. CANNOTANSWER

Question: Did Kobe Bryant set any records in 2002-2004?
Answer: In the 2002-03 season, Bryant set an NBA record for three-pointers in a game on January 7, 2003,
Kobe Bryant

Context: In the 2002-03 season, Bryant set an NBA record for three-pointers in a game on January 7, 2003, when he made 12 against the Seattle SuperSonics. He averaged 30 points per game and embarked on a historic run, posting 40 or more points in nine consecutive games while averaging 40.6 in the entire month of February. In addition, he averaged 6.9 rebounds, 5.9 assists, and 2.2 steals per game, all career highs to that point. Bryant was once again voted to both the All-NBA and All-Defensive 1st teams, and came in third place in voting for the MVP award. After finishing 50-32 in the regular season, the Lakers floundered in the playoffs and lost in the Western Conference semi-finals in six games to the eventual NBA champions San Antonio Spurs.  In the following 2003-04 season, the Lakers were able to acquire NBA All-Stars Karl Malone, and Gary Payton to make another push at the NBA Championship. Bryant was arrested for sexual assault before the season began. This caused Bryant to miss some games due to court appearances or attend court earlier in the day and travel to play games later in same day. In the final game of the regular season, the Lakers played the Portland Trail Blazers. Bryant made two buzzer beaters to win the game and the Pacific Division title. At the end of the fourth quarter, Bryant made a 3-pointer with 1.1 seconds left to send it into overtime. The game eventually went to a second overtime, in which Bryant made another 3-pointer as time expired to lift the Lakers past the Blazers, 105-104.  With a starting lineup of O'Neal, Malone, Payton, and Bryant, the Lakers were able to reach the NBA Finals. However, they were upset in five games by the Detroit Pistons, who won their first championship since 1990. In that series, Bryant averaged 22.6 points per game and 4.4 assists. He shot 35.1% from the field. Jackson's contract as coach was not renewed, and Rudy Tomjanovich took over. O'Neal was traded to the Miami Heat for Lamar Odom, Caron Butler, and Brian Grant. The following day, Bryant declined an offer to sign with the Los Angeles Clippers and re-signed a seven-year contract with the Lakers. CANNOTANSWER

Question: Did Kobe Bryant set any other records in 2002-2004, besides setting an NBA record for three-pointers on January 7, 2003?
Answer: After finishing 50-32 in the regular season,
Kobe Bryant

Context: In the 2002-03 season, Bryant set an NBA record for three-pointers in a game on January 7, 2003, when he made 12 against the Seattle SuperSonics. He averaged 30 points per game and embarked on a historic run, posting 40 or more points in nine consecutive games while averaging 40.6 in the entire month of February. In addition, he averaged 6.9 rebounds, 5.9 assists, and 2.2 steals per game, all career highs to that point. Bryant was once again voted to both the All-NBA and All-Defensive 1st teams, and came in third place in voting for the MVP award. After finishing 50-32 in the regular season, the Lakers floundered in the playoffs and lost in the Western Conference semi-finals in six games to the eventual NBA champions San Antonio Spurs.  In the following 2003-04 season, the Lakers were able to acquire NBA All-Stars Karl Malone, and Gary Payton to make another push at the NBA Championship. Bryant was arrested for sexual assault before the season began. This caused Bryant to miss some games due to court appearances or attend court earlier in the day and travel to play games later in same day. In the final game of the regular season, the Lakers played the Portland Trail Blazers. Bryant made two buzzer beaters to win the game and the Pacific Division title. At the end of the fourth quarter, Bryant made a 3-pointer with 1.1 seconds left to send it into overtime. The game eventually went to a second overtime, in which Bryant made another 3-pointer as time expired to lift the Lakers past the Blazers, 105-104.  With a starting lineup of O'Neal, Malone, Payton, and Bryant, the Lakers were able to reach the NBA Finals. However, they were upset in five games by the Detroit Pistons, who won their first championship since 1990. In that series, Bryant averaged 22.6 points per game and 4.4 assists. He shot 35.1% from the field. Jackson's contract as coach was not renewed, and Rudy Tomjanovich took over. O'Neal was traded to the Miami Heat for Lamar Odom, Caron Butler, and Brian Grant. The following day, Bryant declined an offer to sign with the Los Angeles Clippers and re-signed a seven-year contract with the Lakers. CANNOTANSWER

Question: How many points did Kobe Bryant average each game in 2002-2003?
Answer: Bryant averaged 22.6 points per game
Kobe Bryant

Context: In the 2002-03 season, Bryant set an NBA record for three-pointers in a game on January 7, 2003, when he made 12 against the Seattle SuperSonics. He averaged 30 points per game and embarked on a historic run, posting 40 or more points in nine consecutive games while averaging 40.6 in the entire month of February. In addition, he averaged 6.9 rebounds, 5.9 assists, and 2.2 steals per game, all career highs to that point. Bryant was once again voted to both the All-NBA and All-Defensive 1st teams, and came in third place in voting for the MVP award. After finishing 50-32 in the regular season, the Lakers floundered in the playoffs and lost in the Western Conference semi-finals in six games to the eventual NBA champions San Antonio Spurs.  In the following 2003-04 season, the Lakers were able to acquire NBA All-Stars Karl Malone, and Gary Payton to make another push at the NBA Championship. Bryant was arrested for sexual assault before the season began. This caused Bryant to miss some games due to court appearances or attend court earlier in the day and travel to play games later in same day. In the final game of the regular season, the Lakers played the Portland Trail Blazers. Bryant made two buzzer beaters to win the game and the Pacific Division title. At the end of the fourth quarter, Bryant made a 3-pointer with 1.1 seconds left to send it into overtime. The game eventually went to a second overtime, in which Bryant made another 3-pointer as time expired to lift the Lakers past the Blazers, 105-104.  With a starting lineup of O'Neal, Malone, Payton, and Bryant, the Lakers were able to reach the NBA Finals. However, they were upset in five games by the Detroit Pistons, who won their first championship since 1990. In that series, Bryant averaged 22.6 points per game and 4.4 assists. He shot 35.1% from the field. Jackson's contract as coach was not renewed, and Rudy Tomjanovich took over. O'Neal was traded to the Miami Heat for Lamar Odom, Caron Butler, and Brian Grant. The following day, Bryant declined an offer to sign with the Los Angeles Clippers and re-signed a seven-year contract with the Lakers. CANNOTANSWER

Question: What team was Kobe Bryant playing for when he came up short?
Answer: the Lakers
Fibber McGee and Molly

Context: If Smackout proved the Jordan-Quinn union's viability, their next creation proved their most enduring. Amplifying Luke Grey's tall talesmanship to Midwestern braggadocio, Quinn developed Fibber McGee and Molly with Jim as the foible-prone Fibber and Marian playing his patient, common sense, honey-natured wife. The show premiered on NBC April 16, 1935, and though it took three seasons to become an irrevocable hit, it became the country's top-rated radio series. In 1935, Jim Jordan won the Burlington Liars' Club championship with a story about catching an elusive rat.  Existing in a kind of Neverland where money never came in, schemes never stayed out for very long, yet no one living or visiting went wanting, 79 Wistful Vista (the McGees' address from show #20, August 1935 onward) became the home Depression-exhausted Americans visited to remind themselves that they were not the only ones finding cheer in the middle of struggle and doing their best not to make it overt. The McGees won their house in a raffle from Mr. Hagglemeyer's Wistful Vista Development Company, with lottery ticket #131,313, happened upon by chance while on a pleasure drive in their car. With blowhard McGee wavering between mundane tasks and hare-brained schemes (like digging an oil well in the back yard), antagonizing as many people as possible, and patient Molly indulging his foibles and providing loving support, not to mention a tireless parade of neighbors and friends in and out of the quiet home, Fibber McGee and Molly built its audience steadily, but once it found the full volume of that audience in 1940, they rarely let go of it.  Marian Jordan took a protracted absence from the show from November 1937 to April 1939 to deal with a lifelong battle with alcoholism, although this was attributed to "fatigue" in public statements at the time. The show was retitled Fibber McGee and Company during this interregnum, with scripts cleverly working around Molly's absence (Fibber making a speech at a convention, etc.). Comedian ZaSu Pitts appeared on the Fibber McGee and Company show, as did singer Donald Novis.  While his wife was ill, Jim Jordan had been closing his radio shows by saying "Goodnight, Molly." In early 1938, the Federal Communications Commission ordered him to stop, claiming it violated a rule about using public airwaves for personal communications. After a few weeks' deliberation, the Commission found that no regulations had been broken, because Molly was the name of Marian Jordan's radio character. Jordan was then able to resume his "Goodnight, Molly" signoff. In January 1939, the show moved from NBC Chicago to the new NBC West Coast Radio City in Hollywood. CANNOTANSWER

Question: What was Smackout?
Answer: If Smackout proved the Jordan-Quinn union's viability, their next creation proved their most enduring.
Fibber McGee and Molly

Context: If Smackout proved the Jordan-Quinn union's viability, their next creation proved their most enduring. Amplifying Luke Grey's tall talesmanship to Midwestern braggadocio, Quinn developed Fibber McGee and Molly with Jim as the foible-prone Fibber and Marian playing his patient, common sense, honey-natured wife. The show premiered on NBC April 16, 1935, and though it took three seasons to become an irrevocable hit, it became the country's top-rated radio series. In 1935, Jim Jordan won the Burlington Liars' Club championship with a story about catching an elusive rat.  Existing in a kind of Neverland where money never came in, schemes never stayed out for very long, yet no one living or visiting went wanting, 79 Wistful Vista (the McGees' address from show #20, August 1935 onward) became the home Depression-exhausted Americans visited to remind themselves that they were not the only ones finding cheer in the middle of struggle and doing their best not to make it overt. The McGees won their house in a raffle from Mr. Hagglemeyer's Wistful Vista Development Company, with lottery ticket #131,313, happened upon by chance while on a pleasure drive in their car. With blowhard McGee wavering between mundane tasks and hare-brained schemes (like digging an oil well in the back yard), antagonizing as many people as possible, and patient Molly indulging his foibles and providing loving support, not to mention a tireless parade of neighbors and friends in and out of the quiet home, Fibber McGee and Molly built its audience steadily, but once it found the full volume of that audience in 1940, they rarely let go of it.  Marian Jordan took a protracted absence from the show from November 1937 to April 1939 to deal with a lifelong battle with alcoholism, although this was attributed to "fatigue" in public statements at the time. The show was retitled Fibber McGee and Company during this interregnum, with scripts cleverly working around Molly's absence (Fibber making a speech at a convention, etc.). Comedian ZaSu Pitts appeared on the Fibber McGee and Company show, as did singer Donald Novis.  While his wife was ill, Jim Jordan had been closing his radio shows by saying "Goodnight, Molly." In early 1938, the Federal Communications Commission ordered him to stop, claiming it violated a rule about using public airwaves for personal communications. After a few weeks' deliberation, the Commission found that no regulations had been broken, because Molly was the name of Marian Jordan's radio character. Jordan was then able to resume his "Goodnight, Molly" signoff. In January 1939, the show moved from NBC Chicago to the new NBC West Coast Radio City in Hollywood. CANNOTANSWER

Question: What was Jordan-Quinn's next creation?
Answer: Quinn developed Fibber McGee and Molly