gaussalgo/Canard_Wiki-augmented huggingface dataset:
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: How did the Beatles contribute to progressiveness?
Answer: is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: What instrument did the Beatles spark a musical craze for?
Answer: droning guitars
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: When did the Beatles start using droning guitars?
Answer: a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock.
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: Besides the Beatles contribution to progressiveness and their use of droning guitars, is there anything else interesting in the article?
Answer: For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form.
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: When was Sgt. Pepper's released?
Answer: 1966,
Cultural impact of the Beatles

Context: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a trend which would later be associated with the growth of raga rock, Indian rock, and the essence of psychedelic rock. In terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the most pivotal. Revolver ensured that psychedelic pop emerged from its underground roots and into the mainstream.  Author Carys Wyn Jones locates Sgt. Pepper's, along with Pet Sounds, to the beginning of art rock. Both albums are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms. For several years following Sgt. Pepper's release, straightforward rock and roll was supplanted by a growing interest in extended form. Several of the English psychedelic bands who followed in the wake of the Beatles' Sgt. Pepper's developed characteristics of the Beatles' music (specifically their classical influence) further than either the Beatles or contemporaneous West Coast psychedelic bands. AllMusic states that the first wave of art rock musicians were inspired by Sgt. Pepper's and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre. CANNOTANSWER

Question: Along with the release of Sgt. Pepper, did the Beatles influence any other bands with their styles?
Answer: the Beach Boys and the Byrds
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: what was Edmund Hillary's personal life like?
Answer: Hillary married Louise Mary Rose on 3 September 1953,
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: and how was Edmund Hillary's married life with louise?
Answer: CANNOTANSWER
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: what more is known about Edmund Hillary's personal life?
Answer: They had three children:
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: what more is known about Edmund Hillary's children?
Answer: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975).
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: did Edmund Hillary's children also take to expedition and help hillary?
Answer: His son Peter Hillary also became a climber, summiting Everest in 1990.
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: what about the other children besides Peter Hillary?
Answer: Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off.
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: what were Louise and Belinda doing in Kathmandu?
Answer: he was helping to build a hospital,
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: was the hospital Louise and Belinda helping with built?
Answer: CANNOTANSWER
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: any interesting information regarding in the newspaper section?
Answer: The Hillary family has had a connection with the west coast of Auckland since 1925,
Edmund Hillary

Context: Hillary married Louise Mary Rose on 3 September 1953, soon after the ascent of Everest; he admitted he was terrified of proposing to her and relied on her mother to propose on his behalf. They had three children: Peter (born 1954), Sarah (born 1955) and Belinda (1959-1975). In 1975 while en route to join Hillary in the village of Phaphlu, where he was helping to build a hospital, Louise and Belinda were killed in a plane crash near Kathmandu airport shortly after take-off. In 1989 he married June Mulgrew, the widow of his close friend Peter Mulgrew, who died on Air New Zealand Flight 901 in 1979.  His son Peter Hillary also became a climber, summiting Everest in 1990. In May 2002 Peter climbed Everest as part of a 50th anniversary celebration; Jamling Tenzing Norgay (son of Tenzing who had died in 1986) was also part of the expedition.  Hillary's home for most of his life was a property on Remuera Road in Auckland City, where he enjoyed reading adventure and science fiction novels in his retirement. He also built a bach at Whites Beach, one of Auckland's west coast beaches in the former Waitakere City, between Anawhata and North Piha; a friend called it Hillary's place of solace, where he could escape media attention.  The Hillary family has had a connection with the west coast of Auckland since 1925, when Louise's father built a bach at Anawhata. The family donated land at Whites Beach that is now crossed by trampers on the Hillary Trail, named for Edmund. Hillary said of the area: "That is the thing that international travel brings home to me - it's always good to be going home. This is the only place I want to live in; this is the place I want to see out my days." CANNOTANSWER

Question: what was the Auckland connection?
Answer: Louise's father built a bach at Anawhata.
Pinky and the Brain

Context: As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard. CANNOTANSWER

Question: Who made the music for Pinky and the Brain?
Answer: scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone.
Pinky and the Brain

Context: As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard. CANNOTANSWER

Question: Did Richard Stone create the music for the show Pinky and the Brain?
Answer: This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra.
Pinky and the Brain

Context: As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard. CANNOTANSWER

Question: What instruments are playing in the theme for the TV show PInky and the Brain?
Answer: CANNOTANSWER
Pinky and the Brain

Context: As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard. CANNOTANSWER

Question: Other than Richard Stone writing music for the show Pinky and the Brain, are there any other interesting aspects about this article?
Answer: The score sometimes includes references to classical music.
Pinky and the Brain

Context: As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard. CANNOTANSWER

Question: Are there any notable classical pieces in the music for Pinky and the Brain?
Answer: music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony'
Pinky and the Brain

Context: As with Animaniacs, Pinky and the Brain was scored by a team of talented composers, led by Emmy-Award-winning composer Richard Stone. This team included Steven Bernstein and Julie Bernstein, who also orchestrated and sometimes conducted the 40-piece orchestra. The recordings were done on Stage A on the Warner Bros lot, the same stage (and with the same piano) where Carl Stalling recorded his Looney Tunes music. The theme music for Pinky and the Brain was composed by Richard Stone with lyrics by Tom Ruegger.  Two versions of the opening sequence and theme, with slightly different lyrics, were used during Animaniacs shorts. In the first version, Yakko, Wakko, and Dot (voiced respectively by Paulsen, Harnell, and MacNeille) popped up in the lab and sang the theme while letting the two mice out of their cage. The second, later version had the singers off-camera as the Brain picked the lock on the cage door with a small needle to free himself and Pinky. On the Pinky and the Brain show, the theme gained an additional two verses and was sung by Harnell, Dorian Harewood, Jim Cummings, and Paulsen.  The score sometimes includes references to classical music. For example, in the episode where the Brain builds a new Papier-mache Earth, the theme from the 2nd and 4th movements of Dvorak's 'New World Symphony' can be heard throughout the episode. The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition can be heard. CANNOTANSWER

Question: In addition to using Dvorak's 'New World Symphony' in Pinky and the Brain, are there additional references?
Answer: The episode Napoleon Brainaparte makes frequent reference to the French anthem, La Marseillaise, while in the episode in which Pinky becomes the artist "Pinkasso" Mussorgsky's Pictures at an Exhibition