gaussalgo/Canard_Wiki-augmented huggingface dataset:
Billy Taylor

Context: Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.  Taylor attended Dunbar High School, the U.S.'s first high school for African-American students. He went to Virginia State College and majored in sociology. During his time he joined Kappa Alpha Psi fraternity. Pianist Undine Smith Moore noticed young Taylor's talent in piano and he changed his major to music, graduating with a degree in music in 1942.  Taylor moved to New York City after graduation and started playing piano professionally from 1944, first with Ben Webster's Quartet on New York's 52nd Street. The same night he joined Webster's Quartet, he met Art Tatum, who became his mentor. Among the other musicians Taylor worked with was Machito and his mambo band, from whom he developed a love for Latin music. After an eight-month tour with the Don Redman Orchestra in Europe, Taylor stayed there with his wife, Theodora, and worked in Paris and the Netherlands.  Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, J.J. Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at Birdland longer than any other pianist in the history of the club. In 1949, Taylor published his first book, a textbook about bebop piano styles. CANNOTANSWER

Question: Did Billy Taylor play in a band in High School?
Answer: CANNOTANSWER
Can (band)

Context: The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."  In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon".  Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood."  It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting."  Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days. CANNOTANSWER

Question: What did the band Can do in 1971 ?
Answer: The double album Tago Mago (1971)
Can (band)

Context: The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."  In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon".  Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood."  It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting."  Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days. CANNOTANSWER

Question: Who produced the Tago Mago album in 1971?
Answer: CANNOTANSWER
Can (band)

Context: The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."  In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon".  Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood."  It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting."  Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days. CANNOTANSWER

Question: What are some of songs in the Tago Mago album?
Answer: CANNOTANSWER
Can (band)

Context: The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."  In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon".  Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood."  It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting."  Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days. CANNOTANSWER

Question: Did Can have any album between 1972 -1973 aside from Tago Mago?
Answer: Ege Bamyasi, a more accessible but still avant-garde record
Can (band)

Context: The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return."  In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon".  Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood."  It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting."  Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days. CANNOTANSWER

Question: What else did Can do between 1971 -1973 aside from Tago Mago and Ege Bamyasi?
Answer: Future Days in 1973, which represents an early example of ambient music,
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: Who did Chick Corea work with on his duets?
Answer: In the 1970s Corea started working with vibraphonist Gary Burton,
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: What did Chick Corea put out in the 1970s with vibraphonist Gary Burton?
Answer: several duet albums for ECM, including 1972's Crystal Silence.
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: Were Chick Corea and Gary Burton successful?
Answer: A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009.
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: Did Chick Corea and Gary Burton win any other awards, besides a Grammy in 2009?
Answer: CANNOTANSWER
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: Did Chick Corea have duets with anyone else, aside from Gary Burton?
Answer: Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock.
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: What albums did Chick Corea put out with Hancock?
Answer: CANNOTANSWER
Chick Corea

Context: In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.  Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.  In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".  In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.  In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers. CANNOTANSWER

Question: Did Chick Corea do duets with any more people, besides Hancock?
Answer: In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck.
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Besides the Private life of  Gore Vidal, are there any other interesting aspects about this article?
Answer: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995).
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Who was Anais Nin for Gore Vidal?
Answer: regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin,
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Besides Gore Vidal´s unpublished love letter, what else is notable about Vidal's private life?
Answer: Vidal also said that he had an intermittent romance with the actress Diana Lynn,
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: How did Gore Vidal´s romance with  Diana Lynn fare?
Answer: Lynn, and alluded to possibly having fathered a daughter.
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Besides the Are there any other interesting aspects about this article?
Answer: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995).
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Who was Howard Austen for Gore Vidal?
Answer: He said that the secret to his long relationship with Austen was that they did not have sex with each other, "
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Besides Diana Lynn, who else was Vidal romantically involved with at the time?
Answer: CANNOTANSWER
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: Besides the relationship with Austen, what else did Gore Vidal say about his private life?
Answer: he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have
Gore Vidal

Context: In the multi-volume memoir The Diary of Anais Nin (1931-74), Anais Nin said she had a love affair with Vidal, who denied her claim in his memoir Palimpsest (1995). Vidal also said that he had an intermittent romance with the actress Diana Lynn, and alluded to possibly having fathered a daughter. Yet, regarding Nin, in the online article "Gore Vidal's Secret, Unpublished Love Letter to Anais Nin" (2013), author Kim Krizan said she found an unpublished love letter from Vidal to Nin, which contradicts his denial of a love affair with Nin. Krizan said she found the love letter while researching Mirages, the latest volume of Nin's uncensored diary, to which Krizan wrote the foreword. Moreover, he was briefly engaged to the actress Joanne Woodward before she married the actor Paul Newman; after marrying, they briefly shared a house with Vidal in Los Angeles.  In 1950, Gore Vidal met Howard Austen, who became his partner for the next 53 years. He said that the secret to his long relationship with Austen was that they did not have sex with each other, "It's easy to sustain a relationship when sex plays no part, and impossible, I have observed, when it does." In Celebrity: The Advocate Interviews (1995), by Judy Wiedner, Vidal said that he refused to call himself "gay" because he was not an adjective, adding "to be categorized is, simply, to be enslaved. Watch out. I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".  In an interview with Esquire in 1969, Gore said "Homosexuality is as natural as heterosexuality. Notice I use the word natural, not normal." Commenting his life's work and his life, he described his style as "Knowing who you are, what you want to say, and not giving a damn."  In the course of his life, Vidal lived at various times in Italy and in the United States. In 2003, as his health began to fail with age, he sold his Italian villa La Rondinaia (The Swallow's Nest) on the Amalfi Coast in the province of Salerno and he and Austen returned to Los Angeles. Howard Austen died in November 2003 and in February 2005 his mortal remains were re-buried at Rock Creek Cemetery, in Washington, D.C., in a joint grave plot that Vidal had purchased for himself and Austen. CANNOTANSWER

Question: How did Gore Vidal refer to his sexuality?
Answer: I have never thought of myself as a victim... . I've said - a thousand times? - in print and on TV, that everyone is bisexual".