gaussalgo/Canard_Wiki-augmented huggingface dataset:
Luke Skywalker

Context: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations".  An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns".  During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes.  Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone." CANNOTANSWER

Question: Besides the multiple design changes, are there any other interesting aspects about this article?
Answer: Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt
Luke Skywalker

Context: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations".  An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns".  During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes.  Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone." CANNOTANSWER

Question: Who played Luke Skywalker?
Answer: Hamill
Luke Skywalker

Context: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations".  An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns".  During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes.  Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone." CANNOTANSWER

Question: What was the concept of Luke Skywalker?
Answer: Luke Skywalker was initially called "Luke Starkiller
Luke Skywalker

Context: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations".  An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns".  During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes.  Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone." CANNOTANSWER

Question: What led to changing Luke's name from Starkiller to Starwalker?
Answer: Starkiller" was dropped due to what Lucas called "unpleasant connotations".
Luke Skywalker

Context: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations".  An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns".  During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes.  Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone." CANNOTANSWER

Question: Was Skywalker in other Star Wars movies besides The Force Awakens?
Answer: CANNOTANSWER
Maurice Merleau-Ponty

Context: From the time of writing Structure of Behavior and Phenomenology of Perception, Merleau-Ponty wanted to show, in opposition to the idea that drove the tradition beginning with John Locke, that perception was not the causal product of atomic sensations. This atomist-causal conception was being perpetuated in certain psychological currents of the time, particularly in behaviourism. According to Merleau-Ponty, perception has an active dimension, in that it is a primordial openness to the lifeworld (the "Lebenswelt").  This primordial openness is at the heart of his thesis of the primacy of perception. The slogan of Husserl's phenomenology is "all consciousness is consciousness of something", which implies a distinction between "acts of thought" (the noesis) and "intentional objects of thought" (the noema). Thus, the correlation between noesis and noema becomes the first step in the constitution of analyses of consciousness. However, in studying the posthumous manuscripts of Husserl, who remained one of his major influences, Merleau-Ponty remarked that, in their evolution, Husserl's work brings to light phenomena which are not assimilable to noesis-noema correlation. This is particularly the case when one attends to the phenomena of the body (which is at once body-subject and body-object), subjective time (the consciousness of time is neither an act of consciousness nor an object of thought) and the other (the first considerations of the other in Husserl led to solipsism).  The distinction between "acts of thought" (noesis) and "intentional objects of thought" (noema) does not seem, therefore, to constitute an irreducible ground. It appears rather at a higher level of analysis. Thus, Merleau-Ponty does not postulate that "all consciousness is consciousness of something", which supposes at the outset a noetic-noematic ground. Instead, he develops the thesis according to which "all consciousness is perceptual consciousness". In doing so, he establishes a significant turn in the development of phenomenology, indicating that its conceptualisations should be re-examined in the light of the primacy of perception, in weighing up the philosophical consequences of this thesis. CANNOTANSWER

Question: What is the Primacy of Perception?
Answer: The slogan of Husserl's phenomenology is "all consciousness is consciousness of something",
Maurice Merleau-Ponty

Context: From the time of writing Structure of Behavior and Phenomenology of Perception, Merleau-Ponty wanted to show, in opposition to the idea that drove the tradition beginning with John Locke, that perception was not the causal product of atomic sensations. This atomist-causal conception was being perpetuated in certain psychological currents of the time, particularly in behaviourism. According to Merleau-Ponty, perception has an active dimension, in that it is a primordial openness to the lifeworld (the "Lebenswelt").  This primordial openness is at the heart of his thesis of the primacy of perception. The slogan of Husserl's phenomenology is "all consciousness is consciousness of something", which implies a distinction between "acts of thought" (the noesis) and "intentional objects of thought" (the noema). Thus, the correlation between noesis and noema becomes the first step in the constitution of analyses of consciousness. However, in studying the posthumous manuscripts of Husserl, who remained one of his major influences, Merleau-Ponty remarked that, in their evolution, Husserl's work brings to light phenomena which are not assimilable to noesis-noema correlation. This is particularly the case when one attends to the phenomena of the body (which is at once body-subject and body-object), subjective time (the consciousness of time is neither an act of consciousness nor an object of thought) and the other (the first considerations of the other in Husserl led to solipsism).  The distinction between "acts of thought" (noesis) and "intentional objects of thought" (noema) does not seem, therefore, to constitute an irreducible ground. It appears rather at a higher level of analysis. Thus, Merleau-Ponty does not postulate that "all consciousness is consciousness of something", which supposes at the outset a noetic-noematic ground. Instead, he develops the thesis according to which "all consciousness is perceptual consciousness". In doing so, he establishes a significant turn in the development of phenomenology, indicating that its conceptualisations should be re-examined in the light of the primacy of perception, in weighing up the philosophical consequences of this thesis. CANNOTANSWER

Question: When did Maurice Merleau-Ponty write Primacy of Perception?
Answer: CANNOTANSWER
Maurice Merleau-Ponty

Context: From the time of writing Structure of Behavior and Phenomenology of Perception, Merleau-Ponty wanted to show, in opposition to the idea that drove the tradition beginning with John Locke, that perception was not the causal product of atomic sensations. This atomist-causal conception was being perpetuated in certain psychological currents of the time, particularly in behaviourism. According to Merleau-Ponty, perception has an active dimension, in that it is a primordial openness to the lifeworld (the "Lebenswelt").  This primordial openness is at the heart of his thesis of the primacy of perception. The slogan of Husserl's phenomenology is "all consciousness is consciousness of something", which implies a distinction between "acts of thought" (the noesis) and "intentional objects of thought" (the noema). Thus, the correlation between noesis and noema becomes the first step in the constitution of analyses of consciousness. However, in studying the posthumous manuscripts of Husserl, who remained one of his major influences, Merleau-Ponty remarked that, in their evolution, Husserl's work brings to light phenomena which are not assimilable to noesis-noema correlation. This is particularly the case when one attends to the phenomena of the body (which is at once body-subject and body-object), subjective time (the consciousness of time is neither an act of consciousness nor an object of thought) and the other (the first considerations of the other in Husserl led to solipsism).  The distinction between "acts of thought" (noesis) and "intentional objects of thought" (noema) does not seem, therefore, to constitute an irreducible ground. It appears rather at a higher level of analysis. Thus, Merleau-Ponty does not postulate that "all consciousness is consciousness of something", which supposes at the outset a noetic-noematic ground. Instead, he develops the thesis according to which "all consciousness is perceptual consciousness". In doing so, he establishes a significant turn in the development of phenomenology, indicating that its conceptualisations should be re-examined in the light of the primacy of perception, in weighing up the philosophical consequences of this thesis. CANNOTANSWER

Question: Where did Merleau-Ponty develop or introduce The primacy of perception?
Answer: Merleau-Ponty wanted to show, in opposition to the idea that drove the tradition beginning with John Locke,
Maurice Merleau-Ponty

Context: From the time of writing Structure of Behavior and Phenomenology of Perception, Merleau-Ponty wanted to show, in opposition to the idea that drove the tradition beginning with John Locke, that perception was not the causal product of atomic sensations. This atomist-causal conception was being perpetuated in certain psychological currents of the time, particularly in behaviourism. According to Merleau-Ponty, perception has an active dimension, in that it is a primordial openness to the lifeworld (the "Lebenswelt").  This primordial openness is at the heart of his thesis of the primacy of perception. The slogan of Husserl's phenomenology is "all consciousness is consciousness of something", which implies a distinction between "acts of thought" (the noesis) and "intentional objects of thought" (the noema). Thus, the correlation between noesis and noema becomes the first step in the constitution of analyses of consciousness. However, in studying the posthumous manuscripts of Husserl, who remained one of his major influences, Merleau-Ponty remarked that, in their evolution, Husserl's work brings to light phenomena which are not assimilable to noesis-noema correlation. This is particularly the case when one attends to the phenomena of the body (which is at once body-subject and body-object), subjective time (the consciousness of time is neither an act of consciousness nor an object of thought) and the other (the first considerations of the other in Husserl led to solipsism).  The distinction between "acts of thought" (noesis) and "intentional objects of thought" (noema) does not seem, therefore, to constitute an irreducible ground. It appears rather at a higher level of analysis. Thus, Merleau-Ponty does not postulate that "all consciousness is consciousness of something", which supposes at the outset a noetic-noematic ground. Instead, he develops the thesis according to which "all consciousness is perceptual consciousness". In doing so, he establishes a significant turn in the development of phenomenology, indicating that its conceptualisations should be re-examined in the light of the primacy of perception, in weighing up the philosophical consequences of this thesis. CANNOTANSWER

Question: What does Maurice Merleau-Ponty think about consciousness?
Answer: The slogan of Husserl's phenomenology is "all consciousness is consciousness of something",
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Was Jack Youngblood in any movies?
Answer: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988.
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Did Jack Youngblood appear on any television series?
Answer: Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986,
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Was Jack Youngblood in the NFL ?
Answer: CANNOTANSWER
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Was Jack Youngblood ever on the radio?
Answer: Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992,
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Besides Los Angeles Rams and Sacramento Surge, did Jack Youngblood work with any other famous ball players?
Answer: Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Was Jack Youngblood a success on the great outdoors show?
Answer: drawing impressive ratings throughout its 10-year history.
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: What sort of role did Jack Youngblood play in the movies?
Answer: Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business"
Jack Youngblood

Context: Youngblood appeared in two television movies: C.A.T. Squad in 1986 and C.A.T. Squad: Python Wolf in 1988. In the telefilms, Youngblood played a Secret Service agent in the "Counter Assault Technical Squad" named John Sommers who was the "best weapons and munitions man in the business" and who was a fine secret service agent but hated big cities like Washington D.C. and New York and was thus banished to Alaska. In the plot-line of the movies "John Sommers" was a member of the Air Force Reserve who piloted SR-71 spyplane. In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh. For "Python Wolf" he was nominated for an Emmy for Best Supporting Actor.  Both films were directed by William Friedkin who is most noted for directing The Exorcist, The French Connection, and The Boys in the Band.  Youngblood was a reporter and co-host for ESPN's NFL GameDay show in 1985 and 1986, alongside Chris Berman and was succeeded by current co-host, Tom Jackson in 1987. In 1988, he auditioned for the NFL on CBS's NFL Today along with Dick Butkus, Lyle Alzado, and Gary Fencik, with Butkus being hired to fill the co-host slot. Youngblood was also a regular guest on ESPN programs Star-Shot (1988), Sportslook (1984, 1986, 1988) and Great Outdoors (1989) programs.  Youngblood was a radio analyst for the Los Angeles Rams from 1987-1991, the Sacramento Surge in 1992, and a television analyst for the Sacramento Gold Miners in 1993.  In 2000, Youngblood was hired as the co-host for Wal-Mart's Great Outdoors (with Bert Jones) and served in that capacity through 2003. Wal-Mart's Great Outdoors was telecast 52 weeks a year and was a mainstay on ESPN's popular Saturday morning outdoors programming block, drawing impressive ratings throughout its 10-year history. CANNOTANSWER

Question: Any famous co-stars in the "Counter Assault Technical Squad"?
Answer: In these films, Youngblood starred along with Joe Cortese, Steve James, and Deborah Van Valkenburgh.
Manic Street Preachers

Context: In late 2005, both Bradfield and Wire announced that they intended to release solo material prior to a new album by the band. A free download of Nicky Wire's debut solo offering I Killed the Zeitgeist was posted on the band's website for just one day, Christmas Day 2005, while "The Shining Path" was released exclusively on iTunes for download. In addition, a promotional album sampler had been sent out to the press and certain other people which included "I Killed the Zeitgeist", "Goodbye Suicide", "Sehnsucht", and "Everything Fades".  The album was officially released in September 2006. It charted at No. 130 in the UK. The sound of the album, which Nicky referred to as his "nihilistic anti-everything album", was inspired by, among others, Neu!, the Plastic Ono Band, Einsturzende Neubauten, the Modern Lovers, Richard Thompson and Lou Reed. Only one official single was released, "Break My Heart Slowly", which charted at No. 74. Nicky toured small intimate venues across the UK with his band the Secret Society.  Bradfield's solo album, The Great Western, was released in July 2006, to positive reviews from critics. It reached No. 22 in the UK. The sound of the album was inspired by, among others, Jeff Beck, Badfinger, Simple Minds and McCarthy. Two singles were released: "That's No Way to Tell a Lie" (No. 18) in July, which was also the background music to the BBC's Match of the Day's 'Goal of the Month' competition, and then "An English Gentleman" (No. 31) in September. The latter is in remembrance of the first Manics manager Philip Hall, to whom The Holy Bible had been dedicated. The initial pressings of the red 7" single were actually made with black vinyl, some of which were sent out to distributors by mistake. James toured the album with a band that included Wayne Murray, who would subsequently play second guitar for Manics live performances. James' solo gigs featured covers of the Clash songs "Clampdown" and "The Card Cheat", both from the album London Calling.  In a later interview, when the band were collectively asked what they had learned from making a solo album, Sean Moore dryly quipped "Not to do one". CANNOTANSWER

Question: What albums were produced in Manic Street Preachers' solo years?
Answer: "The Shining Path
Manic Street Preachers

Context: In late 2005, both Bradfield and Wire announced that they intended to release solo material prior to a new album by the band. A free download of Nicky Wire's debut solo offering I Killed the Zeitgeist was posted on the band's website for just one day, Christmas Day 2005, while "The Shining Path" was released exclusively on iTunes for download. In addition, a promotional album sampler had been sent out to the press and certain other people which included "I Killed the Zeitgeist", "Goodbye Suicide", "Sehnsucht", and "Everything Fades".  The album was officially released in September 2006. It charted at No. 130 in the UK. The sound of the album, which Nicky referred to as his "nihilistic anti-everything album", was inspired by, among others, Neu!, the Plastic Ono Band, Einsturzende Neubauten, the Modern Lovers, Richard Thompson and Lou Reed. Only one official single was released, "Break My Heart Slowly", which charted at No. 74. Nicky toured small intimate venues across the UK with his band the Secret Society.  Bradfield's solo album, The Great Western, was released in July 2006, to positive reviews from critics. It reached No. 22 in the UK. The sound of the album was inspired by, among others, Jeff Beck, Badfinger, Simple Minds and McCarthy. Two singles were released: "That's No Way to Tell a Lie" (No. 18) in July, which was also the background music to the BBC's Match of the Day's 'Goal of the Month' competition, and then "An English Gentleman" (No. 31) in September. The latter is in remembrance of the first Manics manager Philip Hall, to whom The Holy Bible had been dedicated. The initial pressings of the red 7" single were actually made with black vinyl, some of which were sent out to distributors by mistake. James toured the album with a band that included Wayne Murray, who would subsequently play second guitar for Manics live performances. James' solo gigs featured covers of the Clash songs "Clampdown" and "The Card Cheat", both from the album London Calling.  In a later interview, when the band were collectively asked what they had learned from making a solo album, Sean Moore dryly quipped "Not to do one". CANNOTANSWER

Question: How did "The Shining Path," by Manic Street Preachers, do with fans?
Answer: It charted at No. 130 in the UK.
Manic Street Preachers

Context: In late 2005, both Bradfield and Wire announced that they intended to release solo material prior to a new album by the band. A free download of Nicky Wire's debut solo offering I Killed the Zeitgeist was posted on the band's website for just one day, Christmas Day 2005, while "The Shining Path" was released exclusively on iTunes for download. In addition, a promotional album sampler had been sent out to the press and certain other people which included "I Killed the Zeitgeist", "Goodbye Suicide", "Sehnsucht", and "Everything Fades".  The album was officially released in September 2006. It charted at No. 130 in the UK. The sound of the album, which Nicky referred to as his "nihilistic anti-everything album", was inspired by, among others, Neu!, the Plastic Ono Band, Einsturzende Neubauten, the Modern Lovers, Richard Thompson and Lou Reed. Only one official single was released, "Break My Heart Slowly", which charted at No. 74. Nicky toured small intimate venues across the UK with his band the Secret Society.  Bradfield's solo album, The Great Western, was released in July 2006, to positive reviews from critics. It reached No. 22 in the UK. The sound of the album was inspired by, among others, Jeff Beck, Badfinger, Simple Minds and McCarthy. Two singles were released: "That's No Way to Tell a Lie" (No. 18) in July, which was also the background music to the BBC's Match of the Day's 'Goal of the Month' competition, and then "An English Gentleman" (No. 31) in September. The latter is in remembrance of the first Manics manager Philip Hall, to whom The Holy Bible had been dedicated. The initial pressings of the red 7" single were actually made with black vinyl, some of which were sent out to distributors by mistake. James toured the album with a band that included Wayne Murray, who would subsequently play second guitar for Manics live performances. James' solo gigs featured covers of the Clash songs "Clampdown" and "The Card Cheat", both from the album London Calling.  In a later interview, when the band were collectively asked what they had learned from making a solo album, Sean Moore dryly quipped "Not to do one". CANNOTANSWER

Question: When did  "The Shining Path" by Manic Street Preachers chart at No. 130 in the UK?
Answer: 2006.
Manic Street Preachers

Context: In late 2005, both Bradfield and Wire announced that they intended to release solo material prior to a new album by the band. A free download of Nicky Wire's debut solo offering I Killed the Zeitgeist was posted on the band's website for just one day, Christmas Day 2005, while "The Shining Path" was released exclusively on iTunes for download. In addition, a promotional album sampler had been sent out to the press and certain other people which included "I Killed the Zeitgeist", "Goodbye Suicide", "Sehnsucht", and "Everything Fades".  The album was officially released in September 2006. It charted at No. 130 in the UK. The sound of the album, which Nicky referred to as his "nihilistic anti-everything album", was inspired by, among others, Neu!, the Plastic Ono Band, Einsturzende Neubauten, the Modern Lovers, Richard Thompson and Lou Reed. Only one official single was released, "Break My Heart Slowly", which charted at No. 74. Nicky toured small intimate venues across the UK with his band the Secret Society.  Bradfield's solo album, The Great Western, was released in July 2006, to positive reviews from critics. It reached No. 22 in the UK. The sound of the album was inspired by, among others, Jeff Beck, Badfinger, Simple Minds and McCarthy. Two singles were released: "That's No Way to Tell a Lie" (No. 18) in July, which was also the background music to the BBC's Match of the Day's 'Goal of the Month' competition, and then "An English Gentleman" (No. 31) in September. The latter is in remembrance of the first Manics manager Philip Hall, to whom The Holy Bible had been dedicated. The initial pressings of the red 7" single were actually made with black vinyl, some of which were sent out to distributors by mistake. James toured the album with a band that included Wayne Murray, who would subsequently play second guitar for Manics live performances. James' solo gigs featured covers of the Clash songs "Clampdown" and "The Card Cheat", both from the album London Calling.  In a later interview, when the band were collectively asked what they had learned from making a solo album, Sean Moore dryly quipped "Not to do one". CANNOTANSWER

Question: Are there any other interesting aspects about this article aside from Manic Street Preachers' "The Shining Path" charting at No. 130 in the UK in 2006?
Answer: Nicky toured small intimate venues across the UK with his band the Secret Society.