gaussalgo/Canard_Wiki-augmented huggingface dataset:
Alfred Russel Wallace

Context: In the early 1880s, Wallace was drawn into the debate over mandatory smallpox vaccination. Wallace originally saw the issue as a matter of personal liberty; but, after studying some of the statistics provided by anti-vaccination activists, he began to question the efficacy of vaccination. At the time, the germ theory of disease was very new and far from universally accepted. Moreover, no one knew enough about the human immune system to understand why vaccination worked. When Wallace did some research, he discovered instances where supporters of vaccination had used questionable, in a few cases completely phony, statistics to support their arguments. Always suspicious of authority, Wallace suspected that physicians had a vested interest in promoting vaccination, and became convinced that reductions in the incidence of smallpox that had been attributed to vaccination were, in fact, due to better hygiene and improvements in public sanitation.  Another factor in Wallace's thinking was his belief that, because of the action of natural selection, organisms were in a state of balance with their environment, and that everything in nature, even disease-causing organisms, served a useful purpose in the natural order of things; he feared vaccination might upset that natural balance with unfortunate results. Wallace and other anti-vaccinationists pointed out that vaccination, which at the time was often done in a sloppy and unsanitary manner, could be dangerous.  In 1890, Wallace gave evidence before a Royal Commission investigating the controversy. When the commission examined the material he had submitted to support his testimony, they found errors, including some questionable statistics. The Lancet averred that Wallace and the other anti-vaccination activists were being selective in their choice of statistics, ignoring large quantities of data inconsistent with their position. The commission found that smallpox vaccination was effective and should remain compulsory, though they did recommend some changes in procedures to improve safety, and that the penalties for people who refused to comply be made less severe. Years later, in 1898, Wallace wrote a pamphlet, Vaccination a Delusion; Its Penal Enforcement a Crime, attacking the commission's findings. It, in turn, was attacked by The Lancet, which stated that it contained many of the same errors as his evidence given to the commission. CANNOTANSWER

Question: Did Alfred Russel Wallace suggest the use of vaccinations?
Answer: vaccination, which at the time was often done in a sloppy and unsanitary manner, could be dangerous.
Alfred Russel Wallace

Context: In the early 1880s, Wallace was drawn into the debate over mandatory smallpox vaccination. Wallace originally saw the issue as a matter of personal liberty; but, after studying some of the statistics provided by anti-vaccination activists, he began to question the efficacy of vaccination. At the time, the germ theory of disease was very new and far from universally accepted. Moreover, no one knew enough about the human immune system to understand why vaccination worked. When Wallace did some research, he discovered instances where supporters of vaccination had used questionable, in a few cases completely phony, statistics to support their arguments. Always suspicious of authority, Wallace suspected that physicians had a vested interest in promoting vaccination, and became convinced that reductions in the incidence of smallpox that had been attributed to vaccination were, in fact, due to better hygiene and improvements in public sanitation.  Another factor in Wallace's thinking was his belief that, because of the action of natural selection, organisms were in a state of balance with their environment, and that everything in nature, even disease-causing organisms, served a useful purpose in the natural order of things; he feared vaccination might upset that natural balance with unfortunate results. Wallace and other anti-vaccinationists pointed out that vaccination, which at the time was often done in a sloppy and unsanitary manner, could be dangerous.  In 1890, Wallace gave evidence before a Royal Commission investigating the controversy. When the commission examined the material he had submitted to support his testimony, they found errors, including some questionable statistics. The Lancet averred that Wallace and the other anti-vaccination activists were being selective in their choice of statistics, ignoring large quantities of data inconsistent with their position. The commission found that smallpox vaccination was effective and should remain compulsory, though they did recommend some changes in procedures to improve safety, and that the penalties for people who refused to comply be made less severe. Years later, in 1898, Wallace wrote a pamphlet, Vaccination a Delusion; Its Penal Enforcement a Crime, attacking the commission's findings. It, in turn, was attacked by The Lancet, which stated that it contained many of the same errors as his evidence given to the commission. CANNOTANSWER

Question: How were vaccinations done during Alfred Russel Wallace's time?
Answer: vaccination, which at the time was often done in a sloppy and unsanitary manner, could be dangerous.
Alfred Russel Wallace

Context: In the early 1880s, Wallace was drawn into the debate over mandatory smallpox vaccination. Wallace originally saw the issue as a matter of personal liberty; but, after studying some of the statistics provided by anti-vaccination activists, he began to question the efficacy of vaccination. At the time, the germ theory of disease was very new and far from universally accepted. Moreover, no one knew enough about the human immune system to understand why vaccination worked. When Wallace did some research, he discovered instances where supporters of vaccination had used questionable, in a few cases completely phony, statistics to support their arguments. Always suspicious of authority, Wallace suspected that physicians had a vested interest in promoting vaccination, and became convinced that reductions in the incidence of smallpox that had been attributed to vaccination were, in fact, due to better hygiene and improvements in public sanitation.  Another factor in Wallace's thinking was his belief that, because of the action of natural selection, organisms were in a state of balance with their environment, and that everything in nature, even disease-causing organisms, served a useful purpose in the natural order of things; he feared vaccination might upset that natural balance with unfortunate results. Wallace and other anti-vaccinationists pointed out that vaccination, which at the time was often done in a sloppy and unsanitary manner, could be dangerous.  In 1890, Wallace gave evidence before a Royal Commission investigating the controversy. When the commission examined the material he had submitted to support his testimony, they found errors, including some questionable statistics. The Lancet averred that Wallace and the other anti-vaccination activists were being selective in their choice of statistics, ignoring large quantities of data inconsistent with their position. The commission found that smallpox vaccination was effective and should remain compulsory, though they did recommend some changes in procedures to improve safety, and that the penalties for people who refused to comply be made less severe. Years later, in 1898, Wallace wrote a pamphlet, Vaccination a Delusion; Its Penal Enforcement a Crime, attacking the commission's findings. It, in turn, was attacked by The Lancet, which stated that it contained many of the same errors as his evidence given to the commission. CANNOTANSWER

Question: Aside from smallpox did Alfred Russel Wallace question any other vaccine?
Answer: Wallace was drawn into the debate over mandatory smallpox vaccination.
Mae West

Context: Mae West was a shrewd investor, produced her own stage acts, and invested her money in large tracts of land in Van Nuys, a thriving suburb of Los Angeles. With her considerable fortune, she could afford to do as she liked. In 1976, she appeared on Back Lot U.S.A. on CBS, where she was interviewed by Dick Cavett and sang "Frankie and Johnny" along with "After You've Gone." That same year, she began work on her final film, Sextette (1978). Adapted from a 1959 script written by West, the film's daily revisions and production disagreements hampered production from the beginning. Due to the near-endless last-minute script changes and tiring production schedule, West agreed to have her lines signaled to her through a speaker concealed in her hair piece. Despite the daily problems, West was, according to Sextette director Ken Hughes, determined to see the film through. At 84, her now-failing eyesight made navigating around the set difficult, but she made it through the filming, a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut in 1911 at the age of 18. Time wrote an article on the indomitable star entitled "At 84, Mae West Is Still Mae West".  Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast, and because none of West's contemporaries such as Dietrich, Garbo, etc., were still making films. The cast included some of West's first co-stars such George Raft (Night After Night, 1932), silver screen stars such as Walter Pigeon and Tony Curtis, and more contemporary pop stars such as The Beatles' Ringo Starr and Alice Cooper, and television favorites such as Dom DeLuise and gossip queen Rona Barrett. It also included cameos of some of her famed musclemen from her 1950s Las Vegas show, such as the still remarkably fit Reg Lewis. Sextette also reunited Mae West with Edith Head, her costume designer from 1933 in She Done Him Wrong. The film was a last hurrah and a Valentine from Mae West to her fans.  In August 1980, West tripped while getting out of bed. After the fall, West was unable to speak and was taken to Good Samaritan Hospital in Los Angeles, where tests revealed that she had suffered a stroke. She died on November 22, 1980, at the age of 87.  A private service was held in the Old North Church replica, in Forest Lawn, Hollywood Hills, on November 25, 1980. Bishop Andre Penachio, a friend, officiated at the entombment in the family mausoleum at Cypress Hills Abbey, Brooklyn, purchased in 1930 when her mother died. Her father and brother were also entombed there before her, and her younger sister, Beverly, was laid to rest in the last of the five crypts less than 18 months after West's death.  For her contribution to the film industry, Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame. CANNOTANSWER

Question: What happened after  Mae West had a stroke?
Answer: She died on November 22, 1980, at the age of 87.
Mae West

Context: Mae West was a shrewd investor, produced her own stage acts, and invested her money in large tracts of land in Van Nuys, a thriving suburb of Los Angeles. With her considerable fortune, she could afford to do as she liked. In 1976, she appeared on Back Lot U.S.A. on CBS, where she was interviewed by Dick Cavett and sang "Frankie and Johnny" along with "After You've Gone." That same year, she began work on her final film, Sextette (1978). Adapted from a 1959 script written by West, the film's daily revisions and production disagreements hampered production from the beginning. Due to the near-endless last-minute script changes and tiring production schedule, West agreed to have her lines signaled to her through a speaker concealed in her hair piece. Despite the daily problems, West was, according to Sextette director Ken Hughes, determined to see the film through. At 84, her now-failing eyesight made navigating around the set difficult, but she made it through the filming, a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut in 1911 at the age of 18. Time wrote an article on the indomitable star entitled "At 84, Mae West Is Still Mae West".  Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast, and because none of West's contemporaries such as Dietrich, Garbo, etc., were still making films. The cast included some of West's first co-stars such George Raft (Night After Night, 1932), silver screen stars such as Walter Pigeon and Tony Curtis, and more contemporary pop stars such as The Beatles' Ringo Starr and Alice Cooper, and television favorites such as Dom DeLuise and gossip queen Rona Barrett. It also included cameos of some of her famed musclemen from her 1950s Las Vegas show, such as the still remarkably fit Reg Lewis. Sextette also reunited Mae West with Edith Head, her costume designer from 1933 in She Done Him Wrong. The film was a last hurrah and a Valentine from Mae West to her fans.  In August 1980, West tripped while getting out of bed. After the fall, West was unable to speak and was taken to Good Samaritan Hospital in Los Angeles, where tests revealed that she had suffered a stroke. She died on November 22, 1980, at the age of 87.  A private service was held in the Old North Church replica, in Forest Lawn, Hollywood Hills, on November 25, 1980. Bishop Andre Penachio, a friend, officiated at the entombment in the family mausoleum at Cypress Hills Abbey, Brooklyn, purchased in 1930 when her mother died. Her father and brother were also entombed there before her, and her younger sister, Beverly, was laid to rest in the last of the five crypts less than 18 months after West's death.  For her contribution to the film industry, Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame. CANNOTANSWER

Question: Did Mae West do anything significant before she got sick?
Answer: That same year, she began work on her final film, Sextette (1978).
Mae West

Context: Mae West was a shrewd investor, produced her own stage acts, and invested her money in large tracts of land in Van Nuys, a thriving suburb of Los Angeles. With her considerable fortune, she could afford to do as she liked. In 1976, she appeared on Back Lot U.S.A. on CBS, where she was interviewed by Dick Cavett and sang "Frankie and Johnny" along with "After You've Gone." That same year, she began work on her final film, Sextette (1978). Adapted from a 1959 script written by West, the film's daily revisions and production disagreements hampered production from the beginning. Due to the near-endless last-minute script changes and tiring production schedule, West agreed to have her lines signaled to her through a speaker concealed in her hair piece. Despite the daily problems, West was, according to Sextette director Ken Hughes, determined to see the film through. At 84, her now-failing eyesight made navigating around the set difficult, but she made it through the filming, a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut in 1911 at the age of 18. Time wrote an article on the indomitable star entitled "At 84, Mae West Is Still Mae West".  Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast, and because none of West's contemporaries such as Dietrich, Garbo, etc., were still making films. The cast included some of West's first co-stars such George Raft (Night After Night, 1932), silver screen stars such as Walter Pigeon and Tony Curtis, and more contemporary pop stars such as The Beatles' Ringo Starr and Alice Cooper, and television favorites such as Dom DeLuise and gossip queen Rona Barrett. It also included cameos of some of her famed musclemen from her 1950s Las Vegas show, such as the still remarkably fit Reg Lewis. Sextette also reunited Mae West with Edith Head, her costume designer from 1933 in She Done Him Wrong. The film was a last hurrah and a Valentine from Mae West to her fans.  In August 1980, West tripped while getting out of bed. After the fall, West was unable to speak and was taken to Good Samaritan Hospital in Los Angeles, where tests revealed that she had suffered a stroke. She died on November 22, 1980, at the age of 87.  A private service was held in the Old North Church replica, in Forest Lawn, Hollywood Hills, on November 25, 1980. Bishop Andre Penachio, a friend, officiated at the entombment in the family mausoleum at Cypress Hills Abbey, Brooklyn, purchased in 1930 when her mother died. Her father and brother were also entombed there before her, and her younger sister, Beverly, was laid to rest in the last of the five crypts less than 18 months after West's death.  For her contribution to the film industry, Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame. CANNOTANSWER

Question: Was Sextette popular?
Answer: Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast,
Mae West

Context: Mae West was a shrewd investor, produced her own stage acts, and invested her money in large tracts of land in Van Nuys, a thriving suburb of Los Angeles. With her considerable fortune, she could afford to do as she liked. In 1976, she appeared on Back Lot U.S.A. on CBS, where she was interviewed by Dick Cavett and sang "Frankie and Johnny" along with "After You've Gone." That same year, she began work on her final film, Sextette (1978). Adapted from a 1959 script written by West, the film's daily revisions and production disagreements hampered production from the beginning. Due to the near-endless last-minute script changes and tiring production schedule, West agreed to have her lines signaled to her through a speaker concealed in her hair piece. Despite the daily problems, West was, according to Sextette director Ken Hughes, determined to see the film through. At 84, her now-failing eyesight made navigating around the set difficult, but she made it through the filming, a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut in 1911 at the age of 18. Time wrote an article on the indomitable star entitled "At 84, Mae West Is Still Mae West".  Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast, and because none of West's contemporaries such as Dietrich, Garbo, etc., were still making films. The cast included some of West's first co-stars such George Raft (Night After Night, 1932), silver screen stars such as Walter Pigeon and Tony Curtis, and more contemporary pop stars such as The Beatles' Ringo Starr and Alice Cooper, and television favorites such as Dom DeLuise and gossip queen Rona Barrett. It also included cameos of some of her famed musclemen from her 1950s Las Vegas show, such as the still remarkably fit Reg Lewis. Sextette also reunited Mae West with Edith Head, her costume designer from 1933 in She Done Him Wrong. The film was a last hurrah and a Valentine from Mae West to her fans.  In August 1980, West tripped while getting out of bed. After the fall, West was unable to speak and was taken to Good Samaritan Hospital in Los Angeles, where tests revealed that she had suffered a stroke. She died on November 22, 1980, at the age of 87.  A private service was held in the Old North Church replica, in Forest Lawn, Hollywood Hills, on November 25, 1980. Bishop Andre Penachio, a friend, officiated at the entombment in the family mausoleum at Cypress Hills Abbey, Brooklyn, purchased in 1930 when her mother died. Her father and brother were also entombed there before her, and her younger sister, Beverly, was laid to rest in the last of the five crypts less than 18 months after West's death.  For her contribution to the film industry, Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame. CANNOTANSWER

Question: Besides Sextette, was Mae West in any other films?
Answer: CANNOTANSWER
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: What is the film A Few Good Men?
Answer: a courtroom drama
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: How did Aaron Sorkin start writing the film A Few Good Men?
Answer: a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: How did the process of writing the film A Few Good Men go for Sorkin?
Answer: Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre.
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: When did the film A Few Good Men premiere?
Answer: After opening in late 1989, it ran for 497 performances.
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: Who was the director of the film A Few Good Men?
Answer: Don Scardino.
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: Where did the film A Few Good Men premiere?
Answer: on Broadway at the Music Box Theatre.
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: Besides premiering at the Music Box Theater, are there any other interesting aspects about the film A Few Good Men?
Answer: In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: Did David Brown ever use the film rights to make the movie A Few Good Men?
Answer: Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film.
Aaron Sorkin

Context: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.  In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.  Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it. CANNOTANSWER

Question: Which actors appeared in the film A Few Good Men?
Answer: CANNOTANSWER
Good Charlotte

Context: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. The album received mixed reactions from both the music press and Good Charlotte's fan base. The album sold 2.2 million copies. The album has been widely considered a departure from the band's previous two albums, mixing new elements such as lyrical topics into Good Charlotte's youthful sound. Singles released from the album include the two hits "Predictable" and "I Just Wanna Live", as well as "The Chronicles of Life and Death" and "We Believe". The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". All of the singles released from the album went top 30 in the UK, except for "We Believe". The band would then go on tour with Sum 41.  In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band citing personal health reasons. Benji also told Kerrang! magazine that, for him, "Chris leaving the band was the worst part of 2005." Chris then joined the pop/punk band The Summer Obsession until 2011. He currently plays drums for JMSN.  On Good Charlotte's "Noise to the World" Tour, performing with Simple Plan and Relient K, the band recruited Dean Butterworth (who had previously played for Morrissey) as the band's temporary drummer. Later, in March 2007, Butterworth was confirmed as the band's permanent drummer.  Benji Madden has claimed in interviews that he feels this record was not as successful as the previous record due to it being "too selfish." CANNOTANSWER

Question: What is Good Charlotte's The Chronicles of Life and Death?
Answer: ". The only single from The Chronicles of Life and Death
Good Charlotte

Context: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. The album received mixed reactions from both the music press and Good Charlotte's fan base. The album sold 2.2 million copies. The album has been widely considered a departure from the band's previous two albums, mixing new elements such as lyrical topics into Good Charlotte's youthful sound. Singles released from the album include the two hits "Predictable" and "I Just Wanna Live", as well as "The Chronicles of Life and Death" and "We Believe". The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". All of the singles released from the album went top 30 in the UK, except for "We Believe". The band would then go on tour with Sum 41.  In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band citing personal health reasons. Benji also told Kerrang! magazine that, for him, "Chris leaving the band was the worst part of 2005." Chris then joined the pop/punk band The Summer Obsession until 2011. He currently plays drums for JMSN.  On Good Charlotte's "Noise to the World" Tour, performing with Simple Plan and Relient K, the band recruited Dean Butterworth (who had previously played for Morrissey) as the band's temporary drummer. Later, in March 2007, Butterworth was confirmed as the band's permanent drummer.  Benji Madden has claimed in interviews that he feels this record was not as successful as the previous record due to it being "too selfish." CANNOTANSWER

Question: How well did Good Charlotte's album The Chronicles of Life and Death sell?
Answer: The album sold 2.2 million copies.
Good Charlotte

Context: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. The album received mixed reactions from both the music press and Good Charlotte's fan base. The album sold 2.2 million copies. The album has been widely considered a departure from the band's previous two albums, mixing new elements such as lyrical topics into Good Charlotte's youthful sound. Singles released from the album include the two hits "Predictable" and "I Just Wanna Live", as well as "The Chronicles of Life and Death" and "We Believe". The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". All of the singles released from the album went top 30 in the UK, except for "We Believe". The band would then go on tour with Sum 41.  In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band citing personal health reasons. Benji also told Kerrang! magazine that, for him, "Chris leaving the band was the worst part of 2005." Chris then joined the pop/punk band The Summer Obsession until 2011. He currently plays drums for JMSN.  On Good Charlotte's "Noise to the World" Tour, performing with Simple Plan and Relient K, the band recruited Dean Butterworth (who had previously played for Morrissey) as the band's temporary drummer. Later, in March 2007, Butterworth was confirmed as the band's permanent drummer.  Benji Madden has claimed in interviews that he feels this record was not as successful as the previous record due to it being "too selfish." CANNOTANSWER

Question: What kind of music is on Good Charlotte's album The Chronicles of Life and Death?
Answer: CANNOTANSWER
Good Charlotte

Context: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. The album received mixed reactions from both the music press and Good Charlotte's fan base. The album sold 2.2 million copies. The album has been widely considered a departure from the band's previous two albums, mixing new elements such as lyrical topics into Good Charlotte's youthful sound. Singles released from the album include the two hits "Predictable" and "I Just Wanna Live", as well as "The Chronicles of Life and Death" and "We Believe". The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". All of the singles released from the album went top 30 in the UK, except for "We Believe". The band would then go on tour with Sum 41.  In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band citing personal health reasons. Benji also told Kerrang! magazine that, for him, "Chris leaving the band was the worst part of 2005." Chris then joined the pop/punk band The Summer Obsession until 2011. He currently plays drums for JMSN.  On Good Charlotte's "Noise to the World" Tour, performing with Simple Plan and Relient K, the band recruited Dean Butterworth (who had previously played for Morrissey) as the band's temporary drummer. Later, in March 2007, Butterworth was confirmed as the band's permanent drummer.  Benji Madden has claimed in interviews that he feels this record was not as successful as the previous record due to it being "too selfish." CANNOTANSWER

Question: What did the band Good Charlotte do after the album The Chronicles of Life and Death was released?
Answer: In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band
Good Charlotte

Context: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. The album received mixed reactions from both the music press and Good Charlotte's fan base. The album sold 2.2 million copies. The album has been widely considered a departure from the band's previous two albums, mixing new elements such as lyrical topics into Good Charlotte's youthful sound. Singles released from the album include the two hits "Predictable" and "I Just Wanna Live", as well as "The Chronicles of Life and Death" and "We Believe". The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". All of the singles released from the album went top 30 in the UK, except for "We Believe". The band would then go on tour with Sum 41.  In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band citing personal health reasons. Benji also told Kerrang! magazine that, for him, "Chris leaving the band was the worst part of 2005." Chris then joined the pop/punk band The Summer Obsession until 2011. He currently plays drums for JMSN.  On Good Charlotte's "Noise to the World" Tour, performing with Simple Plan and Relient K, the band recruited Dean Butterworth (who had previously played for Morrissey) as the band's temporary drummer. Later, in March 2007, Butterworth was confirmed as the band's permanent drummer.  Benji Madden has claimed in interviews that he feels this record was not as successful as the previous record due to it being "too selfish." CANNOTANSWER

Question: Why did Chris Wilson leave the band Good Charlotte?
Answer: citing personal health reasons.