gaussalgo/Canard_Wiki-augmented huggingface dataset:
Canadian comics

Context: Canadian cartoonists often found it hard to succeed in the field of comic strips without moving to the US, but in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies to the Toronto Star's Star Weekly. This strip was later retitled Birdseye Center, and became the longest-running strip in English Canadian history. In 1947, Frise brought the strip to the Montreal Standard, where it was renamed Juniper Junction. Nova Scotia-born artist J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.  Two new comic strips appeared on the same day in 1929 in American newspapers and fed the public's desire for escapist entertainment at the dawn of the Great Depression. They were the first non-humorous adventure strips, and both were adaptations. One was Buck Rogers; the other, Tarzan, by Halifax native Hal Foster, who had worked as illustrator for catalogues from Eaton's and the Hudson's Bay Company before moving to the US in his late 20s. Other adventure strips soon followed and paved the way for the genre diversity that was seen in comic strips in the 1930s. In 1937, Foster began his own strip, Prince Valiant, which has become his best-known work for Foster's dextrous, realistic artwork. After struggling to support himself at various Toronto-based publications, Richard Taylor, under the pen name "Ric", became a regular at The New Yorker and relocated to the US, where the pay and opportunities for cartoonists were better.  The Toronto Telegram began to run Men of the Mounted in 1933, the first home-grown adventure strip, written by Ted McCall and drawn by Harry Hall. McCall later penned the strip Robin Hood and Company, which made its appearance in comic books when McCall founded Anglo-American Publishing in 1941. CANNOTANSWER

Question: Where did Richard Taylor re-locate to?
Answer: became a regular at The New Yorker and relocated to the US,
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: What was Gore Vidal's first screenplay?
Answer: In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959),
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: How did Gore Vidal become involved in Ben-Hur?
Answer: Vidal rewrote portions of the script to resolve ambiguities of character motivation,
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Was Gore Vidal's rewrite of Ben-Hur screenplay successful for him?
Answer: In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Where did Gore Vidal go after that early termination of his four-year contract with MGM?
Answer: Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him.
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Were any of Gore Vidal's screenplays notable?
Answer: Two such movies are the cowboy movie Billy the Kid (1989),
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Along with the cowboy movie Billy the Kid (1989) and the other movie?
Answer: the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed,
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Why did Gore Vidal have his credit removed?
Answer: the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Did rewrote of the script cause conflict for Gore Vidal?
Answer: added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41),
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: What did Gore Vidal did after rewrote of the films?
Answer: CANNOTANSWER
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Besides rewrote of the script, are there any other interesting aspects about this article?
Answer: the documentary film The Celluloid Closet (1995),
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Is there any information about Gore Vidal's work on that The Celluloid Closet (1995)?
Answer: motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg,
Gore Vidal

Context: In 1956, Metro-Goldwyn-Mayer hired Gore Vidal as a screenplay writer with a four-year employment contract. In 1958, the director William Wyler required a script doctor to rewrite the screenplay for Ben-Hur (1959), originally written by Karl Tunberg. As one of several script doctors assigned to the project, Vidal rewrote portions of the script to resolve ambiguities of character motivation, specifically to clarify the enmity between the Jewish protagonist, Judah Ben-Hur and the Roman antagonist, Messala, who had been close boyhood friends. In exchange for rewriting the Ben-Hur screenplay, on location in Italy, Vidal negotiated the early termination (at the two-year mark) of his four-year contract with MGM.  Thirty-six years later, in the documentary film The Celluloid Closet (1995), Vidal explained that Messala's failed attempt at resuming their homosexual, boyhood relationship motivated the ostensibly political enmity between Ben-Hur (Charlton Heston) and Messala (Stephen Boyd), that Boyd was aware of the homosexual subtext to the scene and that the director, the producer and the screenplay writer agreed to keep Heston ignorant of the subtext, lest he refuse to play the scene. In turn, on learning of that script-doctor explanation, Charlton Heston said that Gore Vidal had contributed little to the script of Ben Hur. Despite Vidal's script-doctor resolution of the character's motivations, the Screen Writers Guild assigned formal screenwriter-credit to Karl Tunberg, in accordance with the WGA screenwriting credit system, which favored the "original author" of a screenplay, rather than the writer of the filmed screenplay.  Two plays, The Best Man: A Play about Politics (1960, made into a film in 1964) and Visit to a Small Planet (1955) were theatre and movie successes; Vidal occasionally returned to the movie business, and wrote historically accurate teleplays and screenplays about subjects important to him. Two such movies are the cowboy movie Billy the Kid (1989), about William H. Bonney a gunman in the Lincoln County War (1878), occurred in the New Mexico territory and later an outlaw in the Western frontier of the U.S. and the Roman Empire movie Caligula (1979), from which Vidal had his screenwriter credit removed, because the producer, Bob Guccione, the director, Tinto Brass and the leading actor, Malcolm McDowell, rewrote the script and added extra sex and violence to increase the commercial success of a movie based upon the life of the Roman Emperor Caligula (AD 12-41), which is the fourth biography in The Twelve Caesars (AD 121), by Suetonius. CANNOTANSWER

Question: Did Gore Vidal do any TV screenplays?
Answer: CANNOTANSWER
Point of Grace

Context: In July 1995, the girls signed a major book deal with Simon & Schuster. They had been featured in major publications such as the Ladies Home Journal and TIME Magazine. The book was written by the girls along with Davin Seay. In it, each member told her life story, and the other chapters were divided into question-and-answer sections were the girls addressed topics like dating, sex, clothes, family life, and friends.  Along with the book, the girls also began work on their third album. This project was a growing pain of sorts for them. John Mays, the man who had signed them to Word Records, had left his position there as A&R to join Sparrow Records. The girls were left to make all major decisions, and for the first time, were executive producers of their album. They took their time with the record, and the result was Life Love & Other Mysteries, released on September 9, 1996. The book was also released that same day, subtitled "Advice and Inspiration from Christian Music's No. 1 Pop Group."  On the day of the album release, Word Records chartered the Dallas Mavericks' DC-9 jet and the girls flew to five different cities in one day to promote their album. During each stop they performed their current single, "Keep The Candle Burning", which went No. 1 on the day their album released. It became the girls' twelfth consecutive No. 1 single. A music video with footage from their whirlwind promo tour was released a few months later. The girls announced that they would be co-headlining an arena tour with 4Him, who had just released their album The Message. The tour hit major markets and was very successful, leading both groups to add a spring leg, which went into early summer of 1997. In 1996, the girls contributed the song "Follow the Star" to the album Emmanuel: A Musical Celebration of the Life of Christ. They were not able to go on the tour, with Avalon taking their place.  Life Love & Other Mysteries has been one of their most successful albums to date. It was certified gold by the RIAA in 1997 and platinum in 1999. The album debuted at No. 1 and stayed at the top of the charts for 10 weeks. It was one of the Top 5 selling albums throughout 1997 and one of the Top 10 selling albums in 1998. The album was nominated for a Grammy for Best Pop/Contemporary Gospel Album in 1997. The girls were also nominated for the 1997 Group of the Year at the Dove Awards and "Keep The Candle Burning" was nominated for Song of the Year. The girls gave a memorable performance of the song during the live The Nashville Network broadcast from the Sommet Center, with the whole audience swaying little flashlights back and forth. The girls continued touring until September of that year and took some time off when Denise's first child arrived in October. CANNOTANSWER

Question: what is the significance of Growing Up for Point of Grace?
Answer: Along with the book, the girls also began work on their third album.
Point of Grace

Context: In July 1995, the girls signed a major book deal with Simon & Schuster. They had been featured in major publications such as the Ladies Home Journal and TIME Magazine. The book was written by the girls along with Davin Seay. In it, each member told her life story, and the other chapters were divided into question-and-answer sections were the girls addressed topics like dating, sex, clothes, family life, and friends.  Along with the book, the girls also began work on their third album. This project was a growing pain of sorts for them. John Mays, the man who had signed them to Word Records, had left his position there as A&R to join Sparrow Records. The girls were left to make all major decisions, and for the first time, were executive producers of their album. They took their time with the record, and the result was Life Love & Other Mysteries, released on September 9, 1996. The book was also released that same day, subtitled "Advice and Inspiration from Christian Music's No. 1 Pop Group."  On the day of the album release, Word Records chartered the Dallas Mavericks' DC-9 jet and the girls flew to five different cities in one day to promote their album. During each stop they performed their current single, "Keep The Candle Burning", which went No. 1 on the day their album released. It became the girls' twelfth consecutive No. 1 single. A music video with footage from their whirlwind promo tour was released a few months later. The girls announced that they would be co-headlining an arena tour with 4Him, who had just released their album The Message. The tour hit major markets and was very successful, leading both groups to add a spring leg, which went into early summer of 1997. In 1996, the girls contributed the song "Follow the Star" to the album Emmanuel: A Musical Celebration of the Life of Christ. They were not able to go on the tour, with Avalon taking their place.  Life Love & Other Mysteries has been one of their most successful albums to date. It was certified gold by the RIAA in 1997 and platinum in 1999. The album debuted at No. 1 and stayed at the top of the charts for 10 weeks. It was one of the Top 5 selling albums throughout 1997 and one of the Top 10 selling albums in 1998. The album was nominated for a Grammy for Best Pop/Contemporary Gospel Album in 1997. The girls were also nominated for the 1997 Group of the Year at the Dove Awards and "Keep The Candle Burning" was nominated for Song of the Year. The girls gave a memorable performance of the song during the live The Nashville Network broadcast from the Sommet Center, with the whole audience swaying little flashlights back and forth. The girls continued touring until September of that year and took some time off when Denise's first child arrived in October. CANNOTANSWER

Question: what were some songs on the album by Point of Grace?
Answer: "Keep The Candle Burning",
Point of Grace

Context: In July 1995, the girls signed a major book deal with Simon & Schuster. They had been featured in major publications such as the Ladies Home Journal and TIME Magazine. The book was written by the girls along with Davin Seay. In it, each member told her life story, and the other chapters were divided into question-and-answer sections were the girls addressed topics like dating, sex, clothes, family life, and friends.  Along with the book, the girls also began work on their third album. This project was a growing pain of sorts for them. John Mays, the man who had signed them to Word Records, had left his position there as A&R to join Sparrow Records. The girls were left to make all major decisions, and for the first time, were executive producers of their album. They took their time with the record, and the result was Life Love & Other Mysteries, released on September 9, 1996. The book was also released that same day, subtitled "Advice and Inspiration from Christian Music's No. 1 Pop Group."  On the day of the album release, Word Records chartered the Dallas Mavericks' DC-9 jet and the girls flew to five different cities in one day to promote their album. During each stop they performed their current single, "Keep The Candle Burning", which went No. 1 on the day their album released. It became the girls' twelfth consecutive No. 1 single. A music video with footage from their whirlwind promo tour was released a few months later. The girls announced that they would be co-headlining an arena tour with 4Him, who had just released their album The Message. The tour hit major markets and was very successful, leading both groups to add a spring leg, which went into early summer of 1997. In 1996, the girls contributed the song "Follow the Star" to the album Emmanuel: A Musical Celebration of the Life of Christ. They were not able to go on the tour, with Avalon taking their place.  Life Love & Other Mysteries has been one of their most successful albums to date. It was certified gold by the RIAA in 1997 and platinum in 1999. The album debuted at No. 1 and stayed at the top of the charts for 10 weeks. It was one of the Top 5 selling albums throughout 1997 and one of the Top 10 selling albums in 1998. The album was nominated for a Grammy for Best Pop/Contemporary Gospel Album in 1997. The girls were also nominated for the 1997 Group of the Year at the Dove Awards and "Keep The Candle Burning" was nominated for Song of the Year. The girls gave a memorable performance of the song during the live The Nashville Network broadcast from the Sommet Center, with the whole audience swaying little flashlights back and forth. The girls continued touring until September of that year and took some time off when Denise's first child arrived in October. CANNOTANSWER

Question: was the album "Keep The Candle Burning" a hit?
Answer: Keep The Candle Burning", which went No. 1 on the day their album released.
Point of Grace

Context: In July 1995, the girls signed a major book deal with Simon & Schuster. They had been featured in major publications such as the Ladies Home Journal and TIME Magazine. The book was written by the girls along with Davin Seay. In it, each member told her life story, and the other chapters were divided into question-and-answer sections were the girls addressed topics like dating, sex, clothes, family life, and friends.  Along with the book, the girls also began work on their third album. This project was a growing pain of sorts for them. John Mays, the man who had signed them to Word Records, had left his position there as A&R to join Sparrow Records. The girls were left to make all major decisions, and for the first time, were executive producers of their album. They took their time with the record, and the result was Life Love & Other Mysteries, released on September 9, 1996. The book was also released that same day, subtitled "Advice and Inspiration from Christian Music's No. 1 Pop Group."  On the day of the album release, Word Records chartered the Dallas Mavericks' DC-9 jet and the girls flew to five different cities in one day to promote their album. During each stop they performed their current single, "Keep The Candle Burning", which went No. 1 on the day their album released. It became the girls' twelfth consecutive No. 1 single. A music video with footage from their whirlwind promo tour was released a few months later. The girls announced that they would be co-headlining an arena tour with 4Him, who had just released their album The Message. The tour hit major markets and was very successful, leading both groups to add a spring leg, which went into early summer of 1997. In 1996, the girls contributed the song "Follow the Star" to the album Emmanuel: A Musical Celebration of the Life of Christ. They were not able to go on the tour, with Avalon taking their place.  Life Love & Other Mysteries has been one of their most successful albums to date. It was certified gold by the RIAA in 1997 and platinum in 1999. The album debuted at No. 1 and stayed at the top of the charts for 10 weeks. It was one of the Top 5 selling albums throughout 1997 and one of the Top 10 selling albums in 1998. The album was nominated for a Grammy for Best Pop/Contemporary Gospel Album in 1997. The girls were also nominated for the 1997 Group of the Year at the Dove Awards and "Keep The Candle Burning" was nominated for Song of the Year. The girls gave a memorable performance of the song during the live The Nashville Network broadcast from the Sommet Center, with the whole audience swaying little flashlights back and forth. The girls continued touring until September of that year and took some time off when Denise's first child arrived in October. CANNOTANSWER

Question: did the album "Keep The Candle Burning" win awards?
Answer: CANNOTANSWER