gaussalgo/Canard_Wiki-augmented huggingface dataset:
Daniel Barenboim

Context: In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, and Mozart's piano concertos (in the latter, taking part as both soloist and conductor). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's nocturnes. Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pre, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pre), Beethoven's and Tchaikovsky's piano trios (with du Pre and Zukerman), and Schubert's Trout Quintet (with du Pre, Perlman, Zukerman, and Zubin Mehta).  Notable recordings as a conductor include: the complete symphonies of Beethoven, Brahms, Bruckner, Schubert and Schumann, the Da Ponte operas of Mozart, numerous operas by Wagner, including the complete Ring Cycle, and various concertos. Barenboim has written about his changing attitude to the music of Mahler; he has recorded Mahler's Fifth, Seventh and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.  By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J.S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Preludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played.  Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.  To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim - A Retrospective. CANNOTANSWER

Question: What was Daniel Barenboim's first recording?
Answer: Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, and Mozart's piano concertos
Daniel Barenboim

Context: In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, and Mozart's piano concertos (in the latter, taking part as both soloist and conductor). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's nocturnes. Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pre, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pre), Beethoven's and Tchaikovsky's piano trios (with du Pre and Zukerman), and Schubert's Trout Quintet (with du Pre, Perlman, Zukerman, and Zubin Mehta).  Notable recordings as a conductor include: the complete symphonies of Beethoven, Brahms, Bruckner, Schubert and Schumann, the Da Ponte operas of Mozart, numerous operas by Wagner, including the complete Ring Cycle, and various concertos. Barenboim has written about his changing attitude to the music of Mahler; he has recorded Mahler's Fifth, Seventh and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.  By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J.S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Preludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played.  Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.  To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim - A Retrospective. CANNOTANSWER

Question: Besides Daniel Barenboim's works, any interesting information?
Answer: To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings,
Daniel Barenboim

Context: In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, and Mozart's piano concertos (in the latter, taking part as both soloist and conductor). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's nocturnes. Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pre, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pre), Beethoven's and Tchaikovsky's piano trios (with du Pre and Zukerman), and Schubert's Trout Quintet (with du Pre, Perlman, Zukerman, and Zubin Mehta).  Notable recordings as a conductor include: the complete symphonies of Beethoven, Brahms, Bruckner, Schubert and Schumann, the Da Ponte operas of Mozart, numerous operas by Wagner, including the complete Ring Cycle, and various concertos. Barenboim has written about his changing attitude to the music of Mahler; he has recorded Mahler's Fifth, Seventh and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.  By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J.S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Preludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played.  Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.  To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim - A Retrospective. CANNOTANSWER

Question: Anything else other than Daniel Barenboim's works and the 75th birthday anniversary CD box set?
Answer: Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017,
Daniel Barenboim

Context: In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, and Mozart's piano concertos (in the latter, taking part as both soloist and conductor). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's nocturnes. Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pre, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pre), Beethoven's and Tchaikovsky's piano trios (with du Pre and Zukerman), and Schubert's Trout Quintet (with du Pre, Perlman, Zukerman, and Zubin Mehta).  Notable recordings as a conductor include: the complete symphonies of Beethoven, Brahms, Bruckner, Schubert and Schumann, the Da Ponte operas of Mozart, numerous operas by Wagner, including the complete Ring Cycle, and various concertos. Barenboim has written about his changing attitude to the music of Mahler; he has recorded Mahler's Fifth, Seventh and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.  By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J.S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Preludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played.  Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.  To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim - A Retrospective. CANNOTANSWER

Question: How long was Daniel Barenboim's career?
Answer: Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led.
Daniel Barenboim

Context: In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, and Mozart's piano concertos (in the latter, taking part as both soloist and conductor). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's nocturnes. Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pre, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pre), Beethoven's and Tchaikovsky's piano trios (with du Pre and Zukerman), and Schubert's Trout Quintet (with du Pre, Perlman, Zukerman, and Zubin Mehta).  Notable recordings as a conductor include: the complete symphonies of Beethoven, Brahms, Bruckner, Schubert and Schumann, the Da Ponte operas of Mozart, numerous operas by Wagner, including the complete Ring Cycle, and various concertos. Barenboim has written about his changing attitude to the music of Mahler; he has recorded Mahler's Fifth, Seventh and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.  By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J.S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Preludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played.  Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.  To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim - A Retrospective. CANNOTANSWER

Question: Is Daniel Barenboim still conducting today?
Answer: CANNOTANSWER
Grace Hopper

Context: Following her retirement from the Navy, she was hired as a senior consultant to Digital Equipment Corporation (DEC). Hopper was initially offered the job position by Rita Yavinsky, but she insisted on applying for the position at DEC, and going through the typical formal interview process. She also sent a letter to Yavinsky's boss explaining that she would be available on alternating Thursdays, receiving a high salary, and have access to an unlimited expense account if she were to be exhibited at their museum of computing as a pioneer. After the proposal from Hopper, she was hired as a full-time senior consultant. As part of her position, she would report to Yavinsky. In this position, Hopper represented the company at industry forums, serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.  Hopper was a goodwill ambassador in her primary activity in this capacity. She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users. She visited most of Digital's engineering facilities, where she generally received a standing ovation at the conclusion of her remarks.  She often recounted that during her service she was frequently asked by admirals and generals why satellite communication would take so long. So during many of her lectures, she illustrated a nanosecond using salvaged obsolete Bell System 25 pair telephone cable, cut it to 11.8  inch (30  cm) lengths, the distance that light travels in one nanosecond, and handed out the individual wires to her listeners. Although no longer a serving officer, she always wore her Navy full dress uniform to these lectures, which is allowed by US Navy uniform regulations.  The most important thing I've accomplished, other than building the compiler, is training young people. They come to me, you know, and say, 'Do you think we can do this?' I say, "Try it." And I back 'em up. They need that. I keep track of them as they get older and I stir 'em up at intervals so they don't forget to take chances. CANNOTANSWER

Question: What year did Grace Hopper retire?
Answer: CANNOTANSWER
Grace Hopper

Context: Following her retirement from the Navy, she was hired as a senior consultant to Digital Equipment Corporation (DEC). Hopper was initially offered the job position by Rita Yavinsky, but she insisted on applying for the position at DEC, and going through the typical formal interview process. She also sent a letter to Yavinsky's boss explaining that she would be available on alternating Thursdays, receiving a high salary, and have access to an unlimited expense account if she were to be exhibited at their museum of computing as a pioneer. After the proposal from Hopper, she was hired as a full-time senior consultant. As part of her position, she would report to Yavinsky. In this position, Hopper represented the company at industry forums, serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.  Hopper was a goodwill ambassador in her primary activity in this capacity. She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users. She visited most of Digital's engineering facilities, where she generally received a standing ovation at the conclusion of her remarks.  She often recounted that during her service she was frequently asked by admirals and generals why satellite communication would take so long. So during many of her lectures, she illustrated a nanosecond using salvaged obsolete Bell System 25 pair telephone cable, cut it to 11.8  inch (30  cm) lengths, the distance that light travels in one nanosecond, and handed out the individual wires to her listeners. Although no longer a serving officer, she always wore her Navy full dress uniform to these lectures, which is allowed by US Navy uniform regulations.  The most important thing I've accomplished, other than building the compiler, is training young people. They come to me, you know, and say, 'Do you think we can do this?' I say, "Try it." And I back 'em up. They need that. I keep track of them as they get older and I stir 'em up at intervals so they don't forget to take chances. CANNOTANSWER

Question: What did Grace Hopper do after retiring?
Answer: she was hired as a senior consultant to Digital Equipment Corporation (DEC).
Grace Hopper

Context: Following her retirement from the Navy, she was hired as a senior consultant to Digital Equipment Corporation (DEC). Hopper was initially offered the job position by Rita Yavinsky, but she insisted on applying for the position at DEC, and going through the typical formal interview process. She also sent a letter to Yavinsky's boss explaining that she would be available on alternating Thursdays, receiving a high salary, and have access to an unlimited expense account if she were to be exhibited at their museum of computing as a pioneer. After the proposal from Hopper, she was hired as a full-time senior consultant. As part of her position, she would report to Yavinsky. In this position, Hopper represented the company at industry forums, serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.  Hopper was a goodwill ambassador in her primary activity in this capacity. She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users. She visited most of Digital's engineering facilities, where she generally received a standing ovation at the conclusion of her remarks.  She often recounted that during her service she was frequently asked by admirals and generals why satellite communication would take so long. So during many of her lectures, she illustrated a nanosecond using salvaged obsolete Bell System 25 pair telephone cable, cut it to 11.8  inch (30  cm) lengths, the distance that light travels in one nanosecond, and handed out the individual wires to her listeners. Although no longer a serving officer, she always wore her Navy full dress uniform to these lectures, which is allowed by US Navy uniform regulations.  The most important thing I've accomplished, other than building the compiler, is training young people. They come to me, you know, and say, 'Do you think we can do this?' I say, "Try it." And I back 'em up. They need that. I keep track of them as they get older and I stir 'em up at intervals so they don't forget to take chances. CANNOTANSWER

Question: Besides working at Digital Equipment Corporation, did Grace Hopper work anywhere else?
Answer: serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.
Grace Hopper

Context: Following her retirement from the Navy, she was hired as a senior consultant to Digital Equipment Corporation (DEC). Hopper was initially offered the job position by Rita Yavinsky, but she insisted on applying for the position at DEC, and going through the typical formal interview process. She also sent a letter to Yavinsky's boss explaining that she would be available on alternating Thursdays, receiving a high salary, and have access to an unlimited expense account if she were to be exhibited at their museum of computing as a pioneer. After the proposal from Hopper, she was hired as a full-time senior consultant. As part of her position, she would report to Yavinsky. In this position, Hopper represented the company at industry forums, serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.  Hopper was a goodwill ambassador in her primary activity in this capacity. She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users. She visited most of Digital's engineering facilities, where she generally received a standing ovation at the conclusion of her remarks.  She often recounted that during her service she was frequently asked by admirals and generals why satellite communication would take so long. So during many of her lectures, she illustrated a nanosecond using salvaged obsolete Bell System 25 pair telephone cable, cut it to 11.8  inch (30  cm) lengths, the distance that light travels in one nanosecond, and handed out the individual wires to her listeners. Although no longer a serving officer, she always wore her Navy full dress uniform to these lectures, which is allowed by US Navy uniform regulations.  The most important thing I've accomplished, other than building the compiler, is training young people. They come to me, you know, and say, 'Do you think we can do this?' I say, "Try it." And I back 'em up. They need that. I keep track of them as they get older and I stir 'em up at intervals so they don't forget to take chances. CANNOTANSWER

Question: Did Grace Hopper receive any awards for her work?
Answer: CANNOTANSWER
Grace Hopper

Context: Following her retirement from the Navy, she was hired as a senior consultant to Digital Equipment Corporation (DEC). Hopper was initially offered the job position by Rita Yavinsky, but she insisted on applying for the position at DEC, and going through the typical formal interview process. She also sent a letter to Yavinsky's boss explaining that she would be available on alternating Thursdays, receiving a high salary, and have access to an unlimited expense account if she were to be exhibited at their museum of computing as a pioneer. After the proposal from Hopper, she was hired as a full-time senior consultant. As part of her position, she would report to Yavinsky. In this position, Hopper represented the company at industry forums, serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.  Hopper was a goodwill ambassador in her primary activity in this capacity. She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users. She visited most of Digital's engineering facilities, where she generally received a standing ovation at the conclusion of her remarks.  She often recounted that during her service she was frequently asked by admirals and generals why satellite communication would take so long. So during many of her lectures, she illustrated a nanosecond using salvaged obsolete Bell System 25 pair telephone cable, cut it to 11.8  inch (30  cm) lengths, the distance that light travels in one nanosecond, and handed out the individual wires to her listeners. Although no longer a serving officer, she always wore her Navy full dress uniform to these lectures, which is allowed by US Navy uniform regulations.  The most important thing I've accomplished, other than building the compiler, is training young people. They come to me, you know, and say, 'Do you think we can do this?' I say, "Try it." And I back 'em up. They need that. I keep track of them as they get older and I stir 'em up at intervals so they don't forget to take chances. CANNOTANSWER

Question: Did Grace Hopper continue teaching?
Answer: She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users.
Grace Hopper

Context: Following her retirement from the Navy, she was hired as a senior consultant to Digital Equipment Corporation (DEC). Hopper was initially offered the job position by Rita Yavinsky, but she insisted on applying for the position at DEC, and going through the typical formal interview process. She also sent a letter to Yavinsky's boss explaining that she would be available on alternating Thursdays, receiving a high salary, and have access to an unlimited expense account if she were to be exhibited at their museum of computing as a pioneer. After the proposal from Hopper, she was hired as a full-time senior consultant. As part of her position, she would report to Yavinsky. In this position, Hopper represented the company at industry forums, serving on various industry committees, along with other obligations. She retained that position until her death at age 85 in 1992.  Hopper was a goodwill ambassador in her primary activity in this capacity. She lectured widely about the early days of computing, her career, and on efforts that computer vendors could take to make life easier for their users. She visited most of Digital's engineering facilities, where she generally received a standing ovation at the conclusion of her remarks.  She often recounted that during her service she was frequently asked by admirals and generals why satellite communication would take so long. So during many of her lectures, she illustrated a nanosecond using salvaged obsolete Bell System 25 pair telephone cable, cut it to 11.8  inch (30  cm) lengths, the distance that light travels in one nanosecond, and handed out the individual wires to her listeners. Although no longer a serving officer, she always wore her Navy full dress uniform to these lectures, which is allowed by US Navy uniform regulations.  The most important thing I've accomplished, other than building the compiler, is training young people. They come to me, you know, and say, 'Do you think we can do this?' I say, "Try it." And I back 'em up. They need that. I keep track of them as they get older and I stir 'em up at intervals so they don't forget to take chances. CANNOTANSWER

Question: What was Grace Hopper's biggest accomplishment?
Answer: The most important thing I've accomplished, other than building the compiler, is training young people.
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: What can you tell me about Nina Tucker's character?
Answer: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem,
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: How did the writers change Nina Tucker's character?
Answer: the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop.
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: Can you tell me more about Nina Tucker's character besides rewriting of "bad girl"?
Answer: The Age described Nina as the "quintessential girl next door".
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: Is there anything else you can tell me about Nina Tucker's character besides being the "quintessential girl next door"?
Answer: "a quiet, unassuming type of girl", who did not think anything of her amazing gift.
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: Did Goodrem have an opinion about her character?
Answer: "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: Is Nina being very shy all Goodrem had to say ?
Answer: she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay
Nina Tucker

Context: Nina was initially meant to be a "bad girl", but the writers rewrote the part for Goodrem, and the character became a "painfully shy schoolgirl" who gets a job in the Coffee Shop. The Age described Nina as the "quintessential girl next door". Goodrem described her character as "a quiet, unassuming type of girl", who did not think anything of her amazing gift. When Goodrem was asked if she was similar to Nina, she replied "I think I am in some ways and in some ways I'm not. Nina's very shy, I really like the character Nina but I think she'd probably walk out of a room and I'd probably chat all day I think that's probably the difference, she'd sneak out of a room and I'd stay!" The BBC agreed with Goodrem and said that Nina would not say "boo to a goose" and would flee if anyone looked her way.  In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship. Nina was upset to learn about her parents split and went into denial. She believed that they would get back together. Trixie was a professional singer and, during a set at Lou's Place, started to lose confidence, so Nina helped her out and saved the night. Stapleton stated that Nina and Trixie's relationship was complicated, and there were issues between them. Nina saw Trixie as an embarrassment, but she helped her out because she saw how sad her mother was. Stapleton explained more about Nina's early life saying, "Nina's life has been almost a gypsy one - living out of a suitcase while her parents toured. She's learned to be independent from an early age, though Trixie idolises her." Nina retreated into books and her imagination instead of being worldly from the travelling she has done. Stapleton and Goodrem did not get a chance to explore their respective character's relationship much further, as Goodrem was diagnosed with Hodgkin's lymphoma three weeks into the storyline. Scripts were changed so Nina was not directly involved and she was only mentioned by other characters.  When she returned in 2004, Nina was no longer shy and vulnerable. She had taken control of her life and became more assured. Goodrem welcomed her character's development and said Nina came back strong and confident. She also said: "I think she had to grow up. If she didn't come back a little bit older and wiser, then she wouldn't have learnt and grown from what's gone on in the year that she's been missing." CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Goodrem talking about Nina sneaking out of her room?
Answer: In 2003, Nina's mother, Trixie (Wendy Stapleton), arrived in Erinsborough after Nina's father, Nick, ended their relationship.