gaussalgo/Canard_Wiki-augmented huggingface dataset:
Nightcrawler (comics)

Context: In the 2008 miniseries X-Infernus, Pixie summons her Souldagger and stabs Kurt in the chest, knocking him out. When Pixie removes her Souldagger, Magik's Soulsword emerges from his chest.  Magik teleports away after taking out Pixie, Mercury, Rockslide, and Beast. Kurt wakes up and stops Pixie from going after her and Pixie breaks down and apologizes for stabbing him. Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik.  Upon entering Limbo, Kurt, Mercury, Colossus, Rockslide, Pixie, and Wolverine fight their way through many demons. Pixie, Mercury, and Rockslide are horrified at how brutal the older X-Men are towards the demons. An octopus type creature attacks Kurt until Pixie jumps in and kills it with her Souldagger.  Hearing the screams from the castle, Kurt teleports the X-Men into the throne room. Once there, Witchfire turns Colossus and Wolverine against Mercury and Rockslide. Kurt notices Illyana chained to a pillar and she asks him to stab her with Pixie's Souldagger, as it's the only way and he is the only one to do it because he is attuned to magic.He apologizes and he stabs her; at that moment Colossus punches Kurt, and Witchfire finishes making her fifth and final Bloodstone from the now demonic Pixie.  The fact however that Colossus and Wolverine have not killed him, makes Kurt realize they are not fully under her control. Using Pixie's Dagger, Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control. Unfortunately, the demon manages to use the Bloodstones to summon the Elder Gods. Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones. Furious at losing another part of her soul, Pixie flees. Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth. Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men. CANNOTANSWER

Question: Did X-Men and Kurt save Majik in Nightcrawler (comics), X-Infernus?
Answer: Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones.
Nightcrawler (comics)

Context: In the 2008 miniseries X-Infernus, Pixie summons her Souldagger and stabs Kurt in the chest, knocking him out. When Pixie removes her Souldagger, Magik's Soulsword emerges from his chest.  Magik teleports away after taking out Pixie, Mercury, Rockslide, and Beast. Kurt wakes up and stops Pixie from going after her and Pixie breaks down and apologizes for stabbing him. Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik.  Upon entering Limbo, Kurt, Mercury, Colossus, Rockslide, Pixie, and Wolverine fight their way through many demons. Pixie, Mercury, and Rockslide are horrified at how brutal the older X-Men are towards the demons. An octopus type creature attacks Kurt until Pixie jumps in and kills it with her Souldagger.  Hearing the screams from the castle, Kurt teleports the X-Men into the throne room. Once there, Witchfire turns Colossus and Wolverine against Mercury and Rockslide. Kurt notices Illyana chained to a pillar and she asks him to stab her with Pixie's Souldagger, as it's the only way and he is the only one to do it because he is attuned to magic.He apologizes and he stabs her; at that moment Colossus punches Kurt, and Witchfire finishes making her fifth and final Bloodstone from the now demonic Pixie.  The fact however that Colossus and Wolverine have not killed him, makes Kurt realize they are not fully under her control. Using Pixie's Dagger, Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control. Unfortunately, the demon manages to use the Bloodstones to summon the Elder Gods. Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones. Furious at losing another part of her soul, Pixie flees. Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth. Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men. CANNOTANSWER

Question: In addition to X-Men and Magik managed to banish both Witchfire and the Elder Gods, what other efforts were made?
Answer: Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth.
Nightcrawler (comics)

Context: In the 2008 miniseries X-Infernus, Pixie summons her Souldagger and stabs Kurt in the chest, knocking him out. When Pixie removes her Souldagger, Magik's Soulsword emerges from his chest.  Magik teleports away after taking out Pixie, Mercury, Rockslide, and Beast. Kurt wakes up and stops Pixie from going after her and Pixie breaks down and apologizes for stabbing him. Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik.  Upon entering Limbo, Kurt, Mercury, Colossus, Rockslide, Pixie, and Wolverine fight their way through many demons. Pixie, Mercury, and Rockslide are horrified at how brutal the older X-Men are towards the demons. An octopus type creature attacks Kurt until Pixie jumps in and kills it with her Souldagger.  Hearing the screams from the castle, Kurt teleports the X-Men into the throne room. Once there, Witchfire turns Colossus and Wolverine against Mercury and Rockslide. Kurt notices Illyana chained to a pillar and she asks him to stab her with Pixie's Souldagger, as it's the only way and he is the only one to do it because he is attuned to magic.He apologizes and he stabs her; at that moment Colossus punches Kurt, and Witchfire finishes making her fifth and final Bloodstone from the now demonic Pixie.  The fact however that Colossus and Wolverine have not killed him, makes Kurt realize they are not fully under her control. Using Pixie's Dagger, Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control. Unfortunately, the demon manages to use the Bloodstones to summon the Elder Gods. Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones. Furious at losing another part of her soul, Pixie flees. Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth. Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men. CANNOTANSWER

Question: What do Kurt and X-men do once back on Earth?
Answer: Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men.
Nightcrawler (comics)

Context: In the 2008 miniseries X-Infernus, Pixie summons her Souldagger and stabs Kurt in the chest, knocking him out. When Pixie removes her Souldagger, Magik's Soulsword emerges from his chest.  Magik teleports away after taking out Pixie, Mercury, Rockslide, and Beast. Kurt wakes up and stops Pixie from going after her and Pixie breaks down and apologizes for stabbing him. Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik.  Upon entering Limbo, Kurt, Mercury, Colossus, Rockslide, Pixie, and Wolverine fight their way through many demons. Pixie, Mercury, and Rockslide are horrified at how brutal the older X-Men are towards the demons. An octopus type creature attacks Kurt until Pixie jumps in and kills it with her Souldagger.  Hearing the screams from the castle, Kurt teleports the X-Men into the throne room. Once there, Witchfire turns Colossus and Wolverine against Mercury and Rockslide. Kurt notices Illyana chained to a pillar and she asks him to stab her with Pixie's Souldagger, as it's the only way and he is the only one to do it because he is attuned to magic.He apologizes and he stabs her; at that moment Colossus punches Kurt, and Witchfire finishes making her fifth and final Bloodstone from the now demonic Pixie.  The fact however that Colossus and Wolverine have not killed him, makes Kurt realize they are not fully under her control. Using Pixie's Dagger, Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control. Unfortunately, the demon manages to use the Bloodstones to summon the Elder Gods. Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones. Furious at losing another part of her soul, Pixie flees. Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth. Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men. CANNOTANSWER

Question: DId Kurt join X-men?
Answer: convinces her to stay with them and join the X-Men.
Celine Dion

Context: Dion was born in Charlemagne, Quebec, the youngest of 14 children of Therese (nee Tanguay), a homemaker, and Adhemar Dion, a butcher, both of French-Canadian descent. Dion was raised a Roman Catholic in a poor, but, by her own account, happy home in Charlemagne. Music had always been a major part of the Dion family; indeed, Dion herself was named after the song "Celine," which French singer Hugues Aufray had recorded two years before her own birth. On 13 August 1973, at the age of five, the young Celine made her first public appearance at her brother Michel's wedding, where she performed Christine Charbonneau's song "Du fil des aiguilles et du coton". She continued to perform with her siblings in her parents' small piano bar called Le Vieux Baril, "The Old Barrel." From an early age, Dion had dreamed of being a performer. In a 1994 interview with People magazine, she recalled, "I missed my family and my home, but I don't regret having lost my adolescence. I had one dream: I wanted to be a singer."  At age 12, Dion collaborated with her mother and her brother Jacques to write and compose her first song, "Ce n'etait qu'un reve," whose title translates as "It Was Only a Dream" or "Nothing But A Dream." Her brother Michel sent the recording to music manager Rene Angelil, whose name he discovered on the back of a Ginette Reno album. Angelil was moved to tears by Dion's voice and decided to make her a star. In 1981, he mortgaged his home to fund her first record, La voix du bon Dieu, which later became a local No. 1 hit and made Dion an instant star in Quebec. Her popularity spread to other parts of the world when she competed in the 1982 Yamaha World Popular Song Festival in Tokyo, Japan, and won the musician's award for "Top Performer" as well as the gold medal for "Best Song" with "Tellement j'ai d'amour pour toi".  By 1983, in addition to becoming the first Canadian artist to receive a gold record in France for the single "D'amour ou d'amitie" ("Of Love or of Friendship"), Dion had also won several Felix Awards, including "Best Female performer" and "Discovery of the Year". Further success came when Dion represented Switzerland in the 1988 Eurovision Song Contest with the song "Ne partez pas sans moi" and won the contest by a close margin in Dublin, Ireland.  At age eighteen, after seeing a Michael Jackson performance, Dion told Angelil that she wanted to be a star like Jackson. Though confident in her talent, Angelil realized that her image needed to be changed in order for her to be marketed worldwide. Dion receded from the spotlight for a number of months, during which she underwent dental surgery to improve her appearance, and was sent to the Ecole Berlitz in 1989 to polish her English.  In 1989, during a concert on the Incognito Tour, Dion injured her voice. She consulted the otorhinolaryngologist William Gould, who gave her an ultimatum: have immediate surgery on her vocal cords or do not utilize them at all for three weeks. Dion chose the latter and underwent vocal training with William Riley. CANNOTANSWER

Question: Where was Celine Dion born?
Answer: Dion was born in Charlemagne, Quebec,
Celine Dion

Context: Dion was born in Charlemagne, Quebec, the youngest of 14 children of Therese (nee Tanguay), a homemaker, and Adhemar Dion, a butcher, both of French-Canadian descent. Dion was raised a Roman Catholic in a poor, but, by her own account, happy home in Charlemagne. Music had always been a major part of the Dion family; indeed, Dion herself was named after the song "Celine," which French singer Hugues Aufray had recorded two years before her own birth. On 13 August 1973, at the age of five, the young Celine made her first public appearance at her brother Michel's wedding, where she performed Christine Charbonneau's song "Du fil des aiguilles et du coton". She continued to perform with her siblings in her parents' small piano bar called Le Vieux Baril, "The Old Barrel." From an early age, Dion had dreamed of being a performer. In a 1994 interview with People magazine, she recalled, "I missed my family and my home, but I don't regret having lost my adolescence. I had one dream: I wanted to be a singer."  At age 12, Dion collaborated with her mother and her brother Jacques to write and compose her first song, "Ce n'etait qu'un reve," whose title translates as "It Was Only a Dream" or "Nothing But A Dream." Her brother Michel sent the recording to music manager Rene Angelil, whose name he discovered on the back of a Ginette Reno album. Angelil was moved to tears by Dion's voice and decided to make her a star. In 1981, he mortgaged his home to fund her first record, La voix du bon Dieu, which later became a local No. 1 hit and made Dion an instant star in Quebec. Her popularity spread to other parts of the world when she competed in the 1982 Yamaha World Popular Song Festival in Tokyo, Japan, and won the musician's award for "Top Performer" as well as the gold medal for "Best Song" with "Tellement j'ai d'amour pour toi".  By 1983, in addition to becoming the first Canadian artist to receive a gold record in France for the single "D'amour ou d'amitie" ("Of Love or of Friendship"), Dion had also won several Felix Awards, including "Best Female performer" and "Discovery of the Year". Further success came when Dion represented Switzerland in the 1988 Eurovision Song Contest with the song "Ne partez pas sans moi" and won the contest by a close margin in Dublin, Ireland.  At age eighteen, after seeing a Michael Jackson performance, Dion told Angelil that she wanted to be a star like Jackson. Though confident in her talent, Angelil realized that her image needed to be changed in order for her to be marketed worldwide. Dion receded from the spotlight for a number of months, during which she underwent dental surgery to improve her appearance, and was sent to the Ecole Berlitz in 1989 to polish her English.  In 1989, during a concert on the Incognito Tour, Dion injured her voice. She consulted the otorhinolaryngologist William Gould, who gave her an ultimatum: have immediate surgery on her vocal cords or do not utilize them at all for three weeks. Dion chose the latter and underwent vocal training with William Riley. CANNOTANSWER

Question: Was Celine Dion bullied?
Answer: CANNOTANSWER
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: What was the inspiration for the character Cosmo Kramer?
Answer: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York.
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: Was Cosmo Kramer always known as Kramer?
Answer: Kramer's character was originally known as "Kessler."
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: Why was the name Kessler changed to Cosmo Kramer?
Answer: At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name,
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: Did Kenny Kramer do anything significant in response to using his name for "The Seinfeld Chronicles"?
Answer: Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld.
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: Was Kenny Kramer's "Kramer Reality Tour" successful?
Answer: CANNOTANSWER
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: Aside from the inspiration for the name Cosmo Kramer, are there any other interesting aspects about this article?
Answer: Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him.
Cosmo Kramer

Context: The character of Kramer was originally based on the real-life Kenny Kramer, a neighbor of co-creator Larry David from New York. However, Michael Richards did not in any way base his performance on the real Kramer, to the point of refusing to meet him. This was later parodied in "The Pilot" when the actor that is cast to play him in Jerry and George's sitcom refuses to base the character on the real Cosmo Kramer. At the time of the shooting of the original Seinfeld pilot, "The Seinfeld Chronicles," Kenny Kramer had not yet given consent to use his name, and so Kramer's character was originally known as "Kessler."  Larry David was hesitant to use Kenny Kramer's real name because he suspected that Kramer would take advantage of this. David's suspicion turned out to be correct; Kenny Kramer created the "Kramer Reality Tour", a New York City bus tour that points out actual locations of events or places featured in Seinfeld. The "Kramer Reality Tour" is itself spoofed on Seinfeld in "The Muffin Tops." In the episode, when Kramer's real-life stories are used by Elaine to pad the biography of J. Peterman she was ghostwriting, he develops a reality bus tour called "The Peterman Reality Tour" and touts himself as "The Real J. Peterman," even though, as Jerry notes, reality is the last thing Kramer is qualified to give a tour on.  Richards' physicality can be seen in his early 1980s appearances on The Tonight Show, the early 1980s ABC sketch comedy show "Fridays", and his appearance in the film "Young Doctors in Love" where he plays a hit man; a nod to this appears in the "Air Conditioner" episode. CANNOTANSWER

Question: Why did Michael Richards refuse to meet Kenny Kramer?
Answer: CANNOTANSWER
Hermann Göring

Context: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class.  After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely.  On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron.  In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands.  Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy. CANNOTANSWER

Question: What did Hitler award Hermann Goring?
Answer: CANNOTANSWER
Hermann Göring

Context: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class.  After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely.  On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron.  In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands.  Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy. CANNOTANSWER

Question: What was Hermann Goring position in Germany?
Answer: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen,
Hermann Göring

Context: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class.  After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely.  On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron.  In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands.  Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy. CANNOTANSWER

Question: How good of a soldier was Hermann Goring?
Answer: Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26,
Hermann Göring

Context: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class.  After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely.  On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron.  In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands.  Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy. CANNOTANSWER

Question: Where was Hermann Goring first enlisted as a soldier?
Answer: the area of Mulhausen,
Hermann Göring

Context: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class.  After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely.  On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron.  In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands.  Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy. CANNOTANSWER

Question: How many victories did Hermann Goring have in World War I?
Answer: CANNOTANSWER
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: What did Paul Bowles do in 1974?
Answer: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier.
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: What did Paul Bowles do in Tangier?
Answer: He wrote regularly