gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Incredible String Band

Context: In 1963, acoustic musicians Robin Williamson and Clive Palmer began performing together as a traditional folk duo in Edinburgh, particularly at a weekly club run by Archie Fisher in the Crown Bar which also regularly featured Bert Jansch. There they were seen in August 1965 by Joe Boyd, then working as a talent scout for the influential folk-based label Elektra Records. Later in the year, the duo decided to fill out their sound by adding a third member, initially to play rhythm guitar. After an audition, local rock musician Mike Heron won the slot. The trio took the name "the Incredible String Band". Early in 1966 Palmer began running an all-night folk club, Clive's Incredible Folk Club, on the fourth floor of a building in Sauchiehall Street in Glasgow, where they became the house band. When Boyd returned in his new role as head of Elektra's London office, he signed them up for an album, beating off a rival bid from Transatlantic Records.  They recorded their first album, entitled The Incredible String Band, at the Sound Techniques studio in London in May 1966. It was released in Britain and the United States and consisted mostly of self-penned material in solo, duo and trio formats, showcasing their playing on a variety of instruments. It won the title of "Folk Album of the Year" in Melody Maker's annual poll, and in a 1968 Sing Out! magazine interview Bob Dylan praised the album's "October Song" as one of his favourite songs of that period, stating it was "quite good".  The trio broke up after recording the album. Palmer left via the hippie trail for Afghanistan and India, and Williamson and his girlfriend Licorice McKechnie went to Morocco with no firm plans to return. Heron stayed in Edinburgh, playing with a band called Rock Bottom and the Deadbeats. However, when Williamson returned after running out of money, laden with Moroccan instruments (including a gimbri, which was much later eaten by rats), he and Heron reformed the band as a duo. CANNOTANSWER

Question: Did The Incredible String Band win any awards?
Answer: It won the title of "Folk Album of the Year"
Sufjan Stevens

Context: In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010.  The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.  Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."  On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City.  Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York. CANNOTANSWER

Question: What was The Age of Adz?
Answer: On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz,
Sufjan Stevens

Context: In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010.  The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.  Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."  On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City.  Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York. CANNOTANSWER

Question: When was The Age of Adz by Sufjan Stevens released?
Answer: NPR streamed the album until it was released on October 12, 2010.
Sufjan Stevens

Context: In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010.  The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.  Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."  On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City.  Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York. CANNOTANSWER

Question: Was The Age of Adz by  Sufjan Stevens well received by critics?
Answer: CANNOTANSWER
Sufjan Stevens

Context: In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010.  The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.  Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."  On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City.  Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York. CANNOTANSWER

Question: Did The Age of Adz by  Sufjan Stevens win any awards?
Answer: CANNOTANSWER
Sufjan Stevens

Context: In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010.  The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.  Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."  On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City.  Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York. CANNOTANSWER

Question: What did  Sufjan Stevens do following the release of The Age of Adz?
Answer: On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material.
Sufjan Stevens

Context: In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010.  The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.  Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."  On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City.  Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York. CANNOTANSWER

Question: Was  Sufjan Stevens' 2010 tour successful?
Answer: CANNOTANSWER
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: What was the critical response to Augusta Evans?
Answer: Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist.
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: what was Augusta Jane Evans's most important female character?
Answer: Edna Earl, became the namesake of Eudora Welty's heroine
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: what Augusta Jane Evans's book was Edna Earl in?
Answer: St. Elmo
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: what other books did Augusta Jane Evans write besides St. Elmo?
Answer: Altars of Sacrifice,
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: what else did the critics have to say about Augusta Jane Evans besides praising the intellectual competence of female characters and seeing Wilson as an antifeminist?
Answer: Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist.
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: who did the critics praising the intellectual competence of Augusta Jane Evans' female characters write for?
Answer: CANNOTANSWER
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: Did Evans have a response for being called antifeminist?
Answer: CANNOTANSWER
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: what else is interesting about this article besides criticism of Augusta Jane Evans ?
Answer: " Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.
Augusta Jane Evans

Context: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed.  Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. CANNOTANSWER

Question: was Augusta Jane Evans' work appreciated in other countries besides USA?
Answer: CANNOTANSWER
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: What was popular about stirling Moss
Answer: Moss was one of the most recognised celebrities in Britain, leading to many media appearances.
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: What was Stirling Moss recogonized for?
Answer: In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg).
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: What appearances did Stirling Moss make?
Answer: In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: What was said by Stirling Moss in the interview with John Freeman?
Answer: Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement...