gaussalgo/Canard_Wiki-augmented huggingface dataset:
Tammy Duckworth

Context: On November 21, 2006, several weeks after losing her first congressional campaign, Duckworth was appointed Director of the Illinois Department of Veterans Affairs by Governor Rod Blagojevich. Duckworth served in that position until February 8, 2009. While she was Director, she was credited with starting a program to help veterans with post-traumatic stress disorder (PTSD), and veterans with brain injury.  On September 17, 2008, Duckworth attended a campaign event for Dan Seals, the Democratic candidate for Illinois's 10th congressional district. Duckworth used vacation time, but violated Illinois law by going to the event in a state-owned van which was equipped for a person with physical disabilities. She acknowledged the mistake and repaid the state for the use of the van.  In 2009, two Illinois Department of Veterans Affairs employees at the Anna Veteran's Home in Union County filed a lawsuit against Duckworth. The lawsuit alleged that Duckworth wrongfully terminated one employee and threatened and intimidated another for bringing reports of abuse and misconduct of veterans when she was head of the Illinois Department of Veterans Affairs. Duckworth is represented in the suit by the Illinois Attorney General's office. The case was dismissed twice but refilings were allowed. The court set a tentative trial date of August 2016 and rejected the final motion to dismiss. The state announced that it had settled the case in June 2016 for $26,000 with no admission of wrongdoing. Although the plaintiffs later indicated they did not want the settlement, the judge vacated the trial.  Also in 2009, the Illinois Auditor General released an audit of the Veteran's Affairs department. Some issues noted by the audit predated Duckworth's tenure, while the majority of the audit covered Duckworth's tenure. Findings of the audit included a fiscal year 2007 report that was not completed on time, failure to conduct annual reviews of benefits received by Illinois veterans, and failure to establish a task force to study the possible health effects of exposure to hazardous materials. The routine audit covered a two-year period, June 2006 to June 2008, and the findings were described by the auditor's department as "typical" in its audits.  On February 3, 2009, Duckworth was nominated to be the Assistant Secretary of Public and Intergovernmental Affairs for the United States Department of Veterans Affairs. The United States Senate confirmed her for the position on April 22. Duckworth resigned from her position in June 2011 in order to launch her campaign for the U.S. House of Representatives in Illinois' 8th Congressional District. CANNOTANSWER

Question: Did Tammy Duckworth run into any trouble while being involved in politics?
Answer: In 2009, two Illinois Department of Veterans Affairs employees at the Anna Veteran's Home in Union County filed a lawsuit against Duckworth.
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: How was Burgess Meredith involved in theatre?
Answer: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City.
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: Did Burgess Meredith star in any major productions?
Answer: He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell.
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: Which production was Burgess Meredith most successful at in theatre?
Answer: A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown,
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: Did Burgess Meredith have anymore Tony nominations in his lifetime in addition to Ulysses in Nighttown?
Answer: Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960).
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: What did Burgess Meredith take part in in addition to A Thurber Carnival?
Answer: ). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years.
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: Are there any other interesting facts about Burgess Meredith in theatre, aside from the awards he has won?
Answer: His early life and theatre work were the subject of a New Yorker profile.
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: Did Burgess Meredith ever leave New York?
Answer: CANNOTANSWER
Burgess Meredith

Context: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.  He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play.  A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years. CANNOTANSWER

Question: Did Burgess Meredith win any other awards while participating in theatre in addition to the Tony??
Answer: CANNOTANSWER
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: Where was Nelson Piquet born?
Answer: Piquet was born in Rio de Janeiro, then the capital of Brazil,
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: Was Nelson Piquet interested in racing or races as a child?
Answer: Piquet started kart racing at the age of 14,
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: Did Nelson Piquet race with friends or was there a race for kids?
Answer: Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: How long did Nelson Piquet race with the 20 hp cart?
Answer: CANNOTANSWER
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: What did Nelson Piquet do after the 1972 national championship?
Answer: and in the local Formula Super Vee 1976 championship,
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: What did Nelson Piquet drive after the 20 hp cart?
Answer: the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother,
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: Did Nelson Piquet perform well with the Brazilian Formula Vee champion car?
Answer: In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season.
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: Other than breaking the record for most wins in a season, did Nelson Piquet break any other records?
Answer: CANNOTANSWER
Nelson Piquet

Context: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children.  Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity.  His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing.  Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family  Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season. CANNOTANSWER

Question: What followed the 1978 British Formula 3 season for Nelson Piquet?
Answer: CANNOTANSWER
Linda Ronstadt

Context: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.  Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.  Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams.  She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing".  A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming. CANNOTANSWER

Question: What was Linda Ronstadt's earliest influence ?
Answer: Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.
Linda Ronstadt

Context: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.  Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.  Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams.  She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing".  A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming. CANNOTANSWER

Question: Did Linda Ronstadt stick with the sound of her early influences?
Answer: is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10.
Linda Ronstadt

Context: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.  Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.  Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams.  She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing".  A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming. CANNOTANSWER

Question: Was Linda Ronstadt's family supportive of her career choice as a singer?
Answer: She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire
Linda Ronstadt

Context: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.  Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.  Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams.  She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing".  A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming. CANNOTANSWER

Question: Did Linda Ronstadt favor any style of music over others, such as pop or Mexican?
Answer: Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music
Linda Ronstadt

Context: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.  Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.  Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams.  She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing".  A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming. CANNOTANSWER

Question: What singers were Linda Ronstadt's country music influences?
Answer: Hank Williams.
James Taylor

Context: Taylor spent most of 1973 enjoying his new life as a married man and did not return to the recording studio until January 1974, when sessions for his fifth album began. Walking Man was released in June and featured appearances of Paul and Linda McCartney and guitarist David Spinozza. The album was a critical and commercial disaster and was his first album to miss the Top 5 since his contract with Warner. It received poor reviews and sold only 300,000 copies in the United States. The title track failed to appear on the Top 100.  However, James Taylor's artistic fortunes spiked again in 1975 when the Gold album Gorilla reached #6 and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)", featuring wife Carly on backing vocals and reached #5 in America and #1 in Canada. On the Billboard Adult Contemporary chart, the track also reached the top, and the follow-up single, the feelgood "Mexico" also reached the Top 5 of that list. A well-received album, Gorilla showcased Taylor's electric, lighter side that was evident on Walking Man. However, it was arguably a more consistent and fresher-sounding Taylor, with classics such as "Mexico", "Wandering" and "Angry Blues". It also featured a song about his daughter Sally, "Sarah Maria".  Gorilla was followed in 1976 by In the Pocket, Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed a harmonica solo). A melodic album, it was highlighted with the single "Shower the People", an enduring classic that hit #1 on the Adult Contemporary chart and almost hit the Top 20 of the Pop Charts. However, the album was not well received, reaching #16 and being criticized, particularly by Rolling Stone. Still, In The Pocket went on to be certified gold.  With the close of Taylor's contract with Warner, in November, the label released Greatest Hits, the album that comprised most of his best work between 1970 and 1976. With time, it became his best-selling album ever. It was certified 11x Platinum in the US, earned a Diamond certification by the RIAA, and eventually sold close to 20 million copies worldwide. CANNOTANSWER

Question: what were some of ups and downs in James Taylor career?
Answer: Taylor spent most of 1973 enjoying his new life as a married man and did not return to the recording studio until January 1974,