gaussalgo/Canard_Wiki-augmented huggingface dataset:
Roy Keane

Context: Despite the then-record transfer fee, there was no guarantee that Keane would go straight into the first team. Paul Ince and Bryan Robson had established a formidable partnership in the centre of midfield, having just inspired Manchester United to their first league title since 1967. Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992-93 season and into the 1993-94 season. As a result Keane had an extended run in the team, scoring twice on his home debut in a 3-0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2-0 deficit at Maine Road to beat Manchester City 3-2.  Keane had soon established himself as a first choice selection, and by the end of the season he had won his first trophy as a professional as United retained their Premier League title. Two weeks later, Keane broke his Wembley losing streak by helping United to a 4-0 victory over Chelsea in the FA Cup Final, sealing the club's first ever "double".  The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1-0 in the FA Cup final by Everton. He received his first red card as a Manchester United player in a 2-0 FA Cup semi-final replay win against Crystal Palace, after stamping on Gareth Southgate, and was suspended for three matches and fined PS5,000. This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field.  The summer of 1995 saw a period of change at United, with Ince leaving for Internazionale, Mark Hughes moving to Chelsea and Andrei Kanchelskis being sold to Everton. Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield. Despite a slow start to the 1995-96 campaign, United pegged back title challengers Newcastle United, who had built a commanding 12-point championship lead by Christmas, to secure another Premier League title. Keane's second double in three years was confirmed with a 1-0 win over Liverpool to win the FA Cup for a record ninth time.  The next season saw Keane in and out of the side due to a series of knee injuries and frequent suspensions. He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford. United lost both legs 1-0, but this was compensated for by winning another league title a few days later. CANNOTANSWER

Question: Was being suspended for three mathches Roy Keane's only failure?
Answer: frequent suspensions.
Roy Keane

Context: Despite the then-record transfer fee, there was no guarantee that Keane would go straight into the first team. Paul Ince and Bryan Robson had established a formidable partnership in the centre of midfield, having just inspired Manchester United to their first league title since 1967. Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992-93 season and into the 1993-94 season. As a result Keane had an extended run in the team, scoring twice on his home debut in a 3-0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2-0 deficit at Maine Road to beat Manchester City 3-2.  Keane had soon established himself as a first choice selection, and by the end of the season he had won his first trophy as a professional as United retained their Premier League title. Two weeks later, Keane broke his Wembley losing streak by helping United to a 4-0 victory over Chelsea in the FA Cup Final, sealing the club's first ever "double".  The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1-0 in the FA Cup final by Everton. He received his first red card as a Manchester United player in a 2-0 FA Cup semi-final replay win against Crystal Palace, after stamping on Gareth Southgate, and was suspended for three matches and fined PS5,000. This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field.  The summer of 1995 saw a period of change at United, with Ince leaving for Internazionale, Mark Hughes moving to Chelsea and Andrei Kanchelskis being sold to Everton. Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield. Despite a slow start to the 1995-96 campaign, United pegged back title challengers Newcastle United, who had built a commanding 12-point championship lead by Christmas, to secure another Premier League title. Keane's second double in three years was confirmed with a 1-0 win over Liverpool to win the FA Cup for a record ninth time.  The next season saw Keane in and out of the side due to a series of knee injuries and frequent suspensions. He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford. United lost both legs 1-0, but this was compensated for by winning another league title a few days later. CANNOTANSWER

Question: Besides establishing himself as a first choice selection, does Roy Keane have any other accomplishments during 1993-1997?
Answer: Keane's second double in three years was confirmed with a 1-0 win over Liverpool to win the FA Cup for a record ninth time.
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: When did Carroll Baker appear in her first European film?
Answer: 1967
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: What was Carroll Baker's first film called?
Answer: Her Harem
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: Did Carroll Baker star with anyone noteworthy?
Answer: CANNOTANSWER
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: What was the next film Carroll Baker was in?
Answer: This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971).
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: Did Carroll Baker's horror films do well?
Answer: Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970),
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: What can you tell me about Carroll Bakers European success?
Answer: abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying:
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: What did Carroll Baker think of her time in Italy?
Answer: "I think I made more films [there] than I made in Hollywood, but the mentality is different.
Carroll Baker

Context: Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time." As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress". CANNOTANSWER

Question: Besides Hollywood, did Carroll Baker work in other places than Italy?
Answer: CANNOTANSWER
G-Unit

Context: On February 20, 2014, Tony Yayo stated 50 Cent "ain't rocking with [him]" and that G-Unit is over. He also announced his retirement from music stating "Too much stress. I flew the world already. Dropped an album. Time to try new things and the Unit not together. Fuck it." Then after what seemed like condescending comments about Lloyd Banks and Yayo in multiple interviews, on April 25, 2014, 50 Cent said that due to the recent inside-fighting, G-Unit is currently "dismantled." However, on June 1, 2014, G-Unit reunited at the 21st annual hip-hop fest Summer Jam with 50 Cent, Lloyd Banks, Tony Yayo, Young Buck, and G-Unit's newest member, Kidd Kidd. The following day, G-Unit released a song titled "Nah I'm Talkin' Bout", a remix of HS87's "Grindin My Whole Life", making their comeback official. On June 3, 2014, G Unit released a remix to Canadian rapper Drake's "0-100", re-titling the song "Real Quick". On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.  On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary". On June 16, 2014, G-Unit released a song titled "They Talked About Jesus". The song, which only features verses from Banks, Buck and Yayo, heavily samples "Tearz", by East Coast hip hop group Wu-Tang Clan. On June 17, 2014, G-Unit premiered the music video for "Nah I'm Talkin' Bout". On June 25, 2014, 50 Cent announced they would be releasing a mixtape prior to the album. On June 27, 2014, G-Unit released a remix to Jeremih's "Don't Tell 'Em". On August 25, 2014, G-Unit surprised fans with an extended play (EP) titled The Beauty of Independence, which was released at midnight, via digital retailers.  After the first EP, the group released music videos for "Watch Me" and "Changes". G-Unit planned to release album in November, but after releasing The Beauty of Independence was announced that the album was divided into two parts, which first part is The Beauty of Independence and second is The Beast Is G-Unit. The group planned to release The Beast in late October, but the EP was pushed back in 2015. On November 10, 2014, was released deluxe version of The Beauty of Independence contains two new songs "Ease Up" and "Big Body Benz" (music video for "Big Body Benz" was released on November 21, 2014). On November 17, 2014, was released first song from The Beast Is G-Unit titled "Bring My Bottles". The music video for "Bring My Bottles" was released on December 28, 2014. On January 20, 2015, was released the cover art for their second EP The Beast Is G-Unit, via social media. On March 25, 2015 G-Unit appeared on The Tonight Show with Jimmy Fallon, the same day that Jimmy "Henchman" Rosemond was sentenced to life in prison for the murder of G-Unit associate Lowell "Lodi Mack" Fletcher.  In August 2016, they released The Lost Flash Drive with unreleased songs. CANNOTANSWER

Question: Has G-Unit released any music since 2014?
Answer: On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.
G-Unit

Context: On February 20, 2014, Tony Yayo stated 50 Cent "ain't rocking with [him]" and that G-Unit is over. He also announced his retirement from music stating "Too much stress. I flew the world already. Dropped an album. Time to try new things and the Unit not together. Fuck it." Then after what seemed like condescending comments about Lloyd Banks and Yayo in multiple interviews, on April 25, 2014, 50 Cent said that due to the recent inside-fighting, G-Unit is currently "dismantled." However, on June 1, 2014, G-Unit reunited at the 21st annual hip-hop fest Summer Jam with 50 Cent, Lloyd Banks, Tony Yayo, Young Buck, and G-Unit's newest member, Kidd Kidd. The following day, G-Unit released a song titled "Nah I'm Talkin' Bout", a remix of HS87's "Grindin My Whole Life", making their comeback official. On June 3, 2014, G Unit released a remix to Canadian rapper Drake's "0-100", re-titling the song "Real Quick". On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.  On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary". On June 16, 2014, G-Unit released a song titled "They Talked About Jesus". The song, which only features verses from Banks, Buck and Yayo, heavily samples "Tearz", by East Coast hip hop group Wu-Tang Clan. On June 17, 2014, G-Unit premiered the music video for "Nah I'm Talkin' Bout". On June 25, 2014, 50 Cent announced they would be releasing a mixtape prior to the album. On June 27, 2014, G-Unit released a remix to Jeremih's "Don't Tell 'Em". On August 25, 2014, G-Unit surprised fans with an extended play (EP) titled The Beauty of Independence, which was released at midnight, via digital retailers.  After the first EP, the group released music videos for "Watch Me" and "Changes". G-Unit planned to release album in November, but after releasing The Beauty of Independence was announced that the album was divided into two parts, which first part is The Beauty of Independence and second is The Beast Is G-Unit. The group planned to release The Beast in late October, but the EP was pushed back in 2015. On November 10, 2014, was released deluxe version of The Beauty of Independence contains two new songs "Ease Up" and "Big Body Benz" (music video for "Big Body Benz" was released on November 21, 2014). On November 17, 2014, was released first song from The Beast Is G-Unit titled "Bring My Bottles". The music video for "Bring My Bottles" was released on December 28, 2014. On January 20, 2015, was released the cover art for their second EP The Beast Is G-Unit, via social media. On March 25, 2015 G-Unit appeared on The Tonight Show with Jimmy Fallon, the same day that Jimmy "Henchman" Rosemond was sentenced to life in prison for the murder of G-Unit associate Lowell "Lodi Mack" Fletcher.  In August 2016, they released The Lost Flash Drive with unreleased songs. CANNOTANSWER

Question: What was the name of the album G-Unit released in November 2014?
Answer: first part is The Beauty of Independence and second is The Beast Is G-Unit.
G-Unit

Context: On February 20, 2014, Tony Yayo stated 50 Cent "ain't rocking with [him]" and that G-Unit is over. He also announced his retirement from music stating "Too much stress. I flew the world already. Dropped an album. Time to try new things and the Unit not together. Fuck it." Then after what seemed like condescending comments about Lloyd Banks and Yayo in multiple interviews, on April 25, 2014, 50 Cent said that due to the recent inside-fighting, G-Unit is currently "dismantled." However, on June 1, 2014, G-Unit reunited at the 21st annual hip-hop fest Summer Jam with 50 Cent, Lloyd Banks, Tony Yayo, Young Buck, and G-Unit's newest member, Kidd Kidd. The following day, G-Unit released a song titled "Nah I'm Talkin' Bout", a remix of HS87's "Grindin My Whole Life", making their comeback official. On June 3, 2014, G Unit released a remix to Canadian rapper Drake's "0-100", re-titling the song "Real Quick". On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.  On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary". On June 16, 2014, G-Unit released a song titled "They Talked About Jesus". The song, which only features verses from Banks, Buck and Yayo, heavily samples "Tearz", by East Coast hip hop group Wu-Tang Clan. On June 17, 2014, G-Unit premiered the music video for "Nah I'm Talkin' Bout". On June 25, 2014, 50 Cent announced they would be releasing a mixtape prior to the album. On June 27, 2014, G-Unit released a remix to Jeremih's "Don't Tell 'Em". On August 25, 2014, G-Unit surprised fans with an extended play (EP) titled The Beauty of Independence, which was released at midnight, via digital retailers.  After the first EP, the group released music videos for "Watch Me" and "Changes". G-Unit planned to release album in November, but after releasing The Beauty of Independence was announced that the album was divided into two parts, which first part is The Beauty of Independence and second is The Beast Is G-Unit. The group planned to release The Beast in late October, but the EP was pushed back in 2015. On November 10, 2014, was released deluxe version of The Beauty of Independence contains two new songs "Ease Up" and "Big Body Benz" (music video for "Big Body Benz" was released on November 21, 2014). On November 17, 2014, was released first song from The Beast Is G-Unit titled "Bring My Bottles". The music video for "Bring My Bottles" was released on December 28, 2014. On January 20, 2015, was released the cover art for their second EP The Beast Is G-Unit, via social media. On March 25, 2015 G-Unit appeared on The Tonight Show with Jimmy Fallon, the same day that Jimmy "Henchman" Rosemond was sentenced to life in prison for the murder of G-Unit associate Lowell "Lodi Mack" Fletcher.  In August 2016, they released The Lost Flash Drive with unreleased songs. CANNOTANSWER

Question: What songs were on the album The Beauty of Independence?
Answer: On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary
G-Unit

Context: On February 20, 2014, Tony Yayo stated 50 Cent "ain't rocking with [him]" and that G-Unit is over. He also announced his retirement from music stating "Too much stress. I flew the world already. Dropped an album. Time to try new things and the Unit not together. Fuck it." Then after what seemed like condescending comments about Lloyd Banks and Yayo in multiple interviews, on April 25, 2014, 50 Cent said that due to the recent inside-fighting, G-Unit is currently "dismantled." However, on June 1, 2014, G-Unit reunited at the 21st annual hip-hop fest Summer Jam with 50 Cent, Lloyd Banks, Tony Yayo, Young Buck, and G-Unit's newest member, Kidd Kidd. The following day, G-Unit released a song titled "Nah I'm Talkin' Bout", a remix of HS87's "Grindin My Whole Life", making their comeback official. On June 3, 2014, G Unit released a remix to Canadian rapper Drake's "0-100", re-titling the song "Real Quick". On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.  On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary". On June 16, 2014, G-Unit released a song titled "They Talked About Jesus". The song, which only features verses from Banks, Buck and Yayo, heavily samples "Tearz", by East Coast hip hop group Wu-Tang Clan. On June 17, 2014, G-Unit premiered the music video for "Nah I'm Talkin' Bout". On June 25, 2014, 50 Cent announced they would be releasing a mixtape prior to the album. On June 27, 2014, G-Unit released a remix to Jeremih's "Don't Tell 'Em". On August 25, 2014, G-Unit surprised fans with an extended play (EP) titled The Beauty of Independence, which was released at midnight, via digital retailers.  After the first EP, the group released music videos for "Watch Me" and "Changes". G-Unit planned to release album in November, but after releasing The Beauty of Independence was announced that the album was divided into two parts, which first part is The Beauty of Independence and second is The Beast Is G-Unit. The group planned to release The Beast in late October, but the EP was pushed back in 2015. On November 10, 2014, was released deluxe version of The Beauty of Independence contains two new songs "Ease Up" and "Big Body Benz" (music video for "Big Body Benz" was released on November 21, 2014). On November 17, 2014, was released first song from The Beast Is G-Unit titled "Bring My Bottles". The music video for "Bring My Bottles" was released on December 28, 2014. On January 20, 2015, was released the cover art for their second EP The Beast Is G-Unit, via social media. On March 25, 2015 G-Unit appeared on The Tonight Show with Jimmy Fallon, the same day that Jimmy "Henchman" Rosemond was sentenced to life in prison for the murder of G-Unit associate Lowell "Lodi Mack" Fletcher.  In August 2016, they released The Lost Flash Drive with unreleased songs. CANNOTANSWER

Question: In addition to Ordinary what other songs did G-Unit release in 2014?
Answer: On June 16, 2014, G-Unit released a song titled "They Talked About Jesus".
G-Unit

Context: On February 20, 2014, Tony Yayo stated 50 Cent "ain't rocking with [him]" and that G-Unit is over. He also announced his retirement from music stating "Too much stress. I flew the world already. Dropped an album. Time to try new things and the Unit not together. Fuck it." Then after what seemed like condescending comments about Lloyd Banks and Yayo in multiple interviews, on April 25, 2014, 50 Cent said that due to the recent inside-fighting, G-Unit is currently "dismantled." However, on June 1, 2014, G-Unit reunited at the 21st annual hip-hop fest Summer Jam with 50 Cent, Lloyd Banks, Tony Yayo, Young Buck, and G-Unit's newest member, Kidd Kidd. The following day, G-Unit released a song titled "Nah I'm Talkin' Bout", a remix of HS87's "Grindin My Whole Life", making their comeback official. On June 3, 2014, G Unit released a remix to Canadian rapper Drake's "0-100", re-titling the song "Real Quick". On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.  On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary". On June 16, 2014, G-Unit released a song titled "They Talked About Jesus". The song, which only features verses from Banks, Buck and Yayo, heavily samples "Tearz", by East Coast hip hop group Wu-Tang Clan. On June 17, 2014, G-Unit premiered the music video for "Nah I'm Talkin' Bout". On June 25, 2014, 50 Cent announced they would be releasing a mixtape prior to the album. On June 27, 2014, G-Unit released a remix to Jeremih's "Don't Tell 'Em". On August 25, 2014, G-Unit surprised fans with an extended play (EP) titled The Beauty of Independence, which was released at midnight, via digital retailers.  After the first EP, the group released music videos for "Watch Me" and "Changes". G-Unit planned to release album in November, but after releasing The Beauty of Independence was announced that the album was divided into two parts, which first part is The Beauty of Independence and second is The Beast Is G-Unit. The group planned to release The Beast in late October, but the EP was pushed back in 2015. On November 10, 2014, was released deluxe version of The Beauty of Independence contains two new songs "Ease Up" and "Big Body Benz" (music video for "Big Body Benz" was released on November 21, 2014). On November 17, 2014, was released first song from The Beast Is G-Unit titled "Bring My Bottles". The music video for "Bring My Bottles" was released on December 28, 2014. On January 20, 2015, was released the cover art for their second EP The Beast Is G-Unit, via social media. On March 25, 2015 G-Unit appeared on The Tonight Show with Jimmy Fallon, the same day that Jimmy "Henchman" Rosemond was sentenced to life in prison for the murder of G-Unit associate Lowell "Lodi Mack" Fletcher.  In August 2016, they released The Lost Flash Drive with unreleased songs. CANNOTANSWER

Question: What was the latest song G-Unit released in 2016?
Answer: In August 2016, they released The Lost Flash Drive with unreleased songs.
G-Unit

Context: On February 20, 2014, Tony Yayo stated 50 Cent "ain't rocking with [him]" and that G-Unit is over. He also announced his retirement from music stating "Too much stress. I flew the world already. Dropped an album. Time to try new things and the Unit not together. Fuck it." Then after what seemed like condescending comments about Lloyd Banks and Yayo in multiple interviews, on April 25, 2014, 50 Cent said that due to the recent inside-fighting, G-Unit is currently "dismantled." However, on June 1, 2014, G-Unit reunited at the 21st annual hip-hop fest Summer Jam with 50 Cent, Lloyd Banks, Tony Yayo, Young Buck, and G-Unit's newest member, Kidd Kidd. The following day, G-Unit released a song titled "Nah I'm Talkin' Bout", a remix of HS87's "Grindin My Whole Life", making their comeback official. On June 3, 2014, G Unit released a remix to Canadian rapper Drake's "0-100", re-titling the song "Real Quick". On June 4, 2014, 50 Cent announced they were working on a studio album and revealed plans to release it by late November 2014.  On June 12, 2014, G-Unit continued their release of new music with a remix of American singer Trey Songz' "Ordinary". On June 16, 2014, G-Unit released a song titled "They Talked About Jesus". The song, which only features verses from Banks, Buck and Yayo, heavily samples "Tearz", by East Coast hip hop group Wu-Tang Clan. On June 17, 2014, G-Unit premiered the music video for "Nah I'm Talkin' Bout". On June 25, 2014, 50 Cent announced they would be releasing a mixtape prior to the album. On June 27, 2014, G-Unit released a remix to Jeremih's "Don't Tell 'Em". On August 25, 2014, G-Unit surprised fans with an extended play (EP) titled The Beauty of Independence, which was released at midnight, via digital retailers.  After the first EP, the group released music videos for "Watch Me" and "Changes". G-Unit planned to release album in November, but after releasing The Beauty of Independence was announced that the album was divided into two parts, which first part is The Beauty of Independence and second is The Beast Is G-Unit. The group planned to release The Beast in late October, but the EP was pushed back in 2015. On November 10, 2014, was released deluxe version of The Beauty of Independence contains two new songs "Ease Up" and "Big Body Benz" (music video for "Big Body Benz" was released on November 21, 2014). On November 17, 2014, was released first song from The Beast Is G-Unit titled "Bring My Bottles". The music video for "Bring My Bottles" was released on December 28, 2014. On January 20, 2015, was released the cover art for their second EP The Beast Is G-Unit, via social media. On March 25, 2015 G-Unit appeared on The Tonight Show with Jimmy Fallon, the same day that Jimmy "Henchman" Rosemond was sentenced to life in prison for the murder of G-Unit associate Lowell "Lodi Mack" Fletcher.  In August 2016, they released The Lost Flash Drive with unreleased songs. CANNOTANSWER

Question: What songs did G-Unit release in 2016?
Answer: CANNOTANSWER