gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Stooges

Context: With the band having broken up, Pop met David Bowie on 7 September 1971 at Max's Kansas City, and the pair instantly became good friends. The next day, on the advice of Bowie, Pop signed a recording contract with pop music manager Tony DeFries' company, MainMan. A few months later, Tony DeFries and Pop met Clive Davis from CBS/Columbia Records and got a two-album recording deal. In March 1972, DeFries brought Pop and Williamson to the UK, and the pair attempted to reconstitute the Stooges with British musicians, but finding no suitable additions, brought the Asheton brothers back into the band (this "second choice" decision rankled Ron Asheton, as did his change from guitar to bass). This line-up, billed as Iggy & the Stooges, recorded their third album, the influential Raw Power, which was released in 1973.  At the time, the album (which showcased Williamson's intensely melodic solos and chromatic riffs, in contrast to Asheton's minimalistic, groove-oriented approach) was criticized by diehard fans who said that Bowie had mixed it poorly (in subsequent years, various unofficial fan recordings were assembled and released as the album Rough Power; in 1997, the album was re-mixed by Iggy Pop and re-released). Although the album sold rather poorly and was regarded as a commercial failure at the time of its release, Raw Power would go on to become one of the cornerstones of early punk rock.  With the addition of a piano player (briefly Bob Sheff and then Scott Thurston), the Stooges toured for several months, starting in February 1973. Around this time they also made a number of recordings that became known as the Detroit Rehearsal Tapes, including a number of new songs that might have been included on a fourth studio album had the band not been dropped by Columbia soon after the release of Raw Power. In 1973, James Williamson was briefly dismissed due to criticism from the band's management company (likely pertaining to his tempestuous relationship with Cyrinda Foxe, a close friend of road manager Leee Black Childers); guitarist Tornado Turner replaced him for a single gig (on 15 June 1973 at the Aragon Ballroom, Chicago, Illinois), but Williamson soon returned to the group.  The Stooges disbanded in February 1974 as a result of dwindling professional opportunities; this factor was compounded by Pop's ever-present heroin addiction and erratic off-stage behavior. The last half of the band's last performance of this era (on 9 February 1974 in Detroit, Michigan) was captured and was released later (in 1976) as the live album Metallic K.O. (along with the first half of an earlier show on 6 October 1973 at the same venue). A 1988 expanded release of the album with the title Metallic 2X K.O. included the two halves of each show. In 1998, the album was re-released under the original title with the order of the shows reversed, (mostly) expanded tracks and more complete set-lists. CANNOTANSWER

Question: What was The Stooges, Raw Power?
Answer: album sold rather poorly and was regarded as a commercial failure at the time of its release, Raw Power would go on to become one of the cornerstones
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: What happened to John Hiatt in 1987?
Answer: Hiatt finally came into success in 1987, when he released his first big hit,
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: What was John Hiatt hit?
Answer: Bring the Family.
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: Which John Hiatt album was Bring the Family from?
Answer: Bring the Family. For the album, Hiatt had a backing band
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: Did John Hiatt tour to promote Bring the Family album?
Answer: CANNOTANSWER
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: What recording did John Hiatt do next?
Answer: In 1988, he returned to the studio to record Slow Turning,
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: Were there any singles from Slow Turning?
Answer: Tennessee Plates",
John Hiatt

Context: Hiatt finally came into success in 1987, when he released his first big hit, Bring the Family. For the album, Hiatt had a backing band consisting of Ry Cooder, Nick Lowe, and Jim Keltner. Most of the songs on the album have since been extensively covered, especially "Have a Little Faith in Me," which has been covered by a number of artists, including Joe Cocker, Delbert McClinton, Jewel, Bill Frisell, Mandy Moore and Bon Jovi; and "Memphis in the Meantime", which has been covered by Carl Perkins and Gregg Allman. "Thank You Girl" was a moderate radio hit, but nothing that would garner Hiatt national attention, although the B-side of the single featured a non-album duet with Loudon Wainwright III on a cover of the Temptations' hit "My Girl" (Hiatt returned the favor on the B-side of Wainwright's single "Your Mother and I"). Most notably, Bonnie Raitt would bring "Thing Called Love" to No. 11 on the US charts with her 1989 release, Nick of Time.  Following Bring the Family, Hiatt had a string of nine straight studio albums hit the Billboard 200.  In 1988, he returned to the studio to record Slow Turning, which would be his first album to hit the upper half of the Billboard 200. It also featured his only top ten chart single, the title track, which hit No. 8 on the Mainstream Rock Tracks chart, and "Tennessee Plates", which was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991. In 1989, The Jeff Healey Band covered the Hiatt-penned song "Angel Eyes" and took it to the Top 5 of the Billboard Hot 100. CANNOTANSWER

Question: Was Slow Turning successful?
Answer: was used in the soundtrack of the Ridley Scott directed and Academy Award winning film Thelma and Louise in 1991.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: What is the new curved air
Answer: This new band played a much more conventional brand of rock than the former Curved Air,
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: Were new Curved Air more popular than the former Curved Air
Answer: the new band's sole album, Air Cut, failed to even chart.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: Did the band dissolve after new band's sole album 'Air Cut' failed ?
Answer: Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: Is stretch the new name for the "new curved air"?
Answer: they continued using the name Curved Air so as to give them a commercial leg up.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: What did the critics have to say about failure of "new curved air"?
Answer: Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: How did the demo recorded by Warner Brothers do?
Answer: The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: Was Lovechild record a hit
Answer: With no contract and only half a lineup, in summer 1973 Curved Air broke up.
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: Have Warner Brothersbeen broken up since 1973 ?
Answer: CANNOTANSWER
Curved Air

Context: Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up.  Kristina later commented:  What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in.  The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than "new curved air" and warner brothers failure?
Answer: Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan.
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: What did Art Donovan do when Donovan left the NFL?
Answer: He published an autobiography, Fatso,
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: Was Art Donovan's autobiography Fatso a hit?
Answer: CANNOTANSWER
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: What did Art Donovan do after his autobiography was published
Answer: He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: Did Art Donovan ever become a sports announcer?
Answer: He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994.
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: What kind of television and speaking appearances did Art Donovan make?
Answer: Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: When did Art Donovan retire?
Answer: CANNOTANSWER
Art Donovan

Context: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno.  Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage.  He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN. CANNOTANSWER

Question: What shows did Art Donovan do besides Letterman and WWF?
Answer: Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete