gaussalgo/Canard_Wiki-augmented huggingface dataset:
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: Did Dan Povenmire win any other awards with Family Guy besides an Emmy?
Answer: Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: Who else worked on Family Guy with Dan Povenmire besides Bob No Answer To This Question?
Answer: Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence.
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: In what year did Dan Povenmire stop working for Family Guy?
Answer: During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: Did Family Guy ever come back?
Answer: CANNOTANSWER
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: What was Seattle Slew heritage?
Answer: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman.
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Did Seattle Slew show signs of his greatness early on?
Answer: CANNOTANSWER
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: When was Seattle Slew first race?
Answer: CANNOTANSWER
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Who were Seattle Slew parents?
Answer: He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971.
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Who was Seattle Slew mom?
Answer: His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Besides Seattle Slew being sired by Bold Reasoning, are there any other interesting aspects about this article?
Answer: In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017).
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Who bought Seattle Slew for $17,500?
Answer: Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman.
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Who was Seattle Slew's trainer while under Karen Taylor and Mickey Taylor?
Answer: Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky.
Day26

Context: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007.  After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies.  On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane. CANNOTANSWER

Question: When was the band Day26 formed?
Answer: August 26, 2007.
Day26

Context: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007.  After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies.  On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane. CANNOTANSWER

Question: What does the band name Day26 mean?
Answer: The name Day 26 was selected from the day that they were picked which was August 26, 2007.
Day26

Context: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007.  After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies.  On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane. CANNOTANSWER

Question: What were some of Day26's popular songs?
Answer: Day 26's debut single "Got Me Going"
Day26

Context: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007.  After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies.  On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane. CANNOTANSWER

Question: Did Day26 have any number one hits?
Answer: the album debuted at #1 on Billboard 200 selling 190,000 copies.
Day26

Context: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007.  After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies.  On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane. CANNOTANSWER

Question: How many copies did Day26's first album sell?
Answer: Overall, the album sold 387,000 copies.
Day26

Context: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007.  After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies.  On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane. CANNOTANSWER

Question: Did the band members of Day26 remain the same?
Answer: Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane.
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: What happened at the early stage of Billie Jean King's career?
Answer: at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam."
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: How did Billie Jean King's career end?
Answer: CANNOTANSWER
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: Did Billie Jean King win any award or recognition?
Answer: King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: Which of Billie Jean King's awards is the most notable?
Answer: King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: Which other names beside WTA and singles were mentioned in the course of Billie Jean King's career?
Answer: In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979.
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: What was the United States team's contribution to the career?
Answer: Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles.
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides the early career of Billie Jean King??
Answer: In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches.
Billie Jean King

Context: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.  King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.  King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved.  King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487.  In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. CANNOTANSWER

Question: Did Billie Jean King ever lose to anyone?
Answer: In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.