gaussalgo/Canard_Wiki-augmented huggingface dataset:
Mohammad Hafeez

Context: In 2011 he won an amazing 10 Man-of-the-Match awards in all forms of international cricket and became only the third player (after Sanath Jayasuriya and Jacques Kallis) to score 1000 runs and take 30 wickets in ODI matches within a calendar year.  Against India on 18 March 2012 in Bangladesh at Shere Bangla National Stadium, Mirpur at the 2012 Asia Cup, he scored 105 off 113 balls and was involved in a 224 run partnership with Nasir Jamshed, which is the best opening partnership for Pakistan against India in one day internationals. They eclipsed Aamer Sohail and Saeed Anwar's record of 144 runs which was made in 1996. He made his 4th ODI century in March 2012 against Bangladesh at Dhaka. He also made his highest test score of 196 against Sri Lanka in the second Test at Colombo in June 2012. He is currently (2012) ranked number two in the ICC ODI rankings for both bowlers and all-rounders.  In December 2012, during the tour of Pakistani cricket team in India in 2012-13, he came across as a very different and aggressive batsman and scored so brilliantly and briskely and helped Pakistan to win the first T20I and 2nd ODI with his heroics of brilliant batting and nearly chasing a mountain high target of 191 in the second T20I. His scores were 61 and 55 in first and second T20I respectively and scored 76 runs in the 2nd ODI and sharing an opening stand of 141 with Nasir Jamshed and also bowled brilliantly as always economically to help Pakistan win their first ODI series in India since 7 years. He is now considered to be the main allrounder of Pakistan Cricket team. He had a great series against Sri Lanka in Dec 2013, where he scored 122 in the first match, 140* in the third and 113* in the fourth match. Thus he became, the second batsman after Zaheer Abbas to score 3 centuries in an ODI series. Hafeez was initially selected in the Pakistan squad for the 2015 World Cup but was ruled out 6 days before the World Cup due to a calf injury. He was replaced by Nasir Jamshed. CANNOTANSWER

Question: In what way was Mohammad Hafeez's rising through the ranks manifested?
Answer: he scored 105 off 113 balls and was involved in a 224 run partnership with Nasir Jamshed, which is the best opening partnership for Pakistan
Mohammad Hafeez

Context: In 2011 he won an amazing 10 Man-of-the-Match awards in all forms of international cricket and became only the third player (after Sanath Jayasuriya and Jacques Kallis) to score 1000 runs and take 30 wickets in ODI matches within a calendar year.  Against India on 18 March 2012 in Bangladesh at Shere Bangla National Stadium, Mirpur at the 2012 Asia Cup, he scored 105 off 113 balls and was involved in a 224 run partnership with Nasir Jamshed, which is the best opening partnership for Pakistan against India in one day internationals. They eclipsed Aamer Sohail and Saeed Anwar's record of 144 runs which was made in 1996. He made his 4th ODI century in March 2012 against Bangladesh at Dhaka. He also made his highest test score of 196 against Sri Lanka in the second Test at Colombo in June 2012. He is currently (2012) ranked number two in the ICC ODI rankings for both bowlers and all-rounders.  In December 2012, during the tour of Pakistani cricket team in India in 2012-13, he came across as a very different and aggressive batsman and scored so brilliantly and briskely and helped Pakistan to win the first T20I and 2nd ODI with his heroics of brilliant batting and nearly chasing a mountain high target of 191 in the second T20I. His scores were 61 and 55 in first and second T20I respectively and scored 76 runs in the 2nd ODI and sharing an opening stand of 141 with Nasir Jamshed and also bowled brilliantly as always economically to help Pakistan win their first ODI series in India since 7 years. He is now considered to be the main allrounder of Pakistan Cricket team. He had a great series against Sri Lanka in Dec 2013, where he scored 122 in the first match, 140* in the third and 113* in the fourth match. Thus he became, the second batsman after Zaheer Abbas to score 3 centuries in an ODI series. Hafeez was initially selected in the Pakistan squad for the 2015 World Cup but was ruled out 6 days before the World Cup due to a calf injury. He was replaced by Nasir Jamshed. CANNOTANSWER

Question: Did Mohammad Hafeez become the first batsman in Pakistan's matches?
Answer: CANNOTANSWER
Mohammad Hafeez

Context: In 2011 he won an amazing 10 Man-of-the-Match awards in all forms of international cricket and became only the third player (after Sanath Jayasuriya and Jacques Kallis) to score 1000 runs and take 30 wickets in ODI matches within a calendar year.  Against India on 18 March 2012 in Bangladesh at Shere Bangla National Stadium, Mirpur at the 2012 Asia Cup, he scored 105 off 113 balls and was involved in a 224 run partnership with Nasir Jamshed, which is the best opening partnership for Pakistan against India in one day internationals. They eclipsed Aamer Sohail and Saeed Anwar's record of 144 runs which was made in 1996. He made his 4th ODI century in March 2012 against Bangladesh at Dhaka. He also made his highest test score of 196 against Sri Lanka in the second Test at Colombo in June 2012. He is currently (2012) ranked number two in the ICC ODI rankings for both bowlers and all-rounders.  In December 2012, during the tour of Pakistani cricket team in India in 2012-13, he came across as a very different and aggressive batsman and scored so brilliantly and briskely and helped Pakistan to win the first T20I and 2nd ODI with his heroics of brilliant batting and nearly chasing a mountain high target of 191 in the second T20I. His scores were 61 and 55 in first and second T20I respectively and scored 76 runs in the 2nd ODI and sharing an opening stand of 141 with Nasir Jamshed and also bowled brilliantly as always economically to help Pakistan win their first ODI series in India since 7 years. He is now considered to be the main allrounder of Pakistan Cricket team. He had a great series against Sri Lanka in Dec 2013, where he scored 122 in the first match, 140* in the third and 113* in the fourth match. Thus he became, the second batsman after Zaheer Abbas to score 3 centuries in an ODI series. Hafeez was initially selected in the Pakistan squad for the 2015 World Cup but was ruled out 6 days before the World Cup due to a calf injury. He was replaced by Nasir Jamshed. CANNOTANSWER

Question: Has Mohammad Hafeez been written about in the press?
Answer: CANNOTANSWER
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What was the first screenplay Roberto Orci was involved in?
Answer: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What happened during television series Hercules?
Answer: After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: Did Orci and Kurtzman come up with inventive idea to minimize Kevin Sorbo appearances on television series Hercules After actor Kevin Sorbo suffered a stroke
Answer: Due to this work, they became show runners at the age of 24.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What did Orci and Kurtzman do next?
Answer: They were also involved in the sister-series to Hercules, Xena: Warrior Princess.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What did Orci and Kurtzman do on sister-series to Hercules Xena;Warrior Princess?
Answer: CANNOTANSWER
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What project were Orci and Kurtzman involved in next?
Answer: After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: Did Orci and Kurtzman work on Alias?
Answer: The meeting went well, and resulted in them working on the series.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: How did things go for Orci and Kurtzman on Alias?
Answer: CANNOTANSWER
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What project came after Orci and Kurtzman's Alias?
Answer: They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What was Amerika?
Answer: a publication of the U.S. State Department.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Did Jacobs work for Amerika?
Answer: She became a feature writer for the Office of War Information, and then a reporter for Amerika,
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What kind of information did Amerika write/produce?
Answer: CANNOTANSWER
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Did Jacobs have any interesting experiences while working at Amerika?
Answer: she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What was Jane Jacobs under suspicion for?
Answer: Jacobs was anti-communist,
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Did Jane Jacobs work with anyone important at Amerika?
Answer: While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Robert Hyde Jacobs Jr., has the same last name, were Robert Hyde Jacobs Jr. and Jane Jacobs married?
Answer: They married in 1944.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Did Jane Jacobs meet Robert Hyde Jacobs Jr while working at Amerika or were Jane Jacobs and Robert already married?
Answer: While working there she met Robert Hyde Jacobs Jr.,
The Platters

Context: The Platters formed in Los Angeles in 1952 and were initially managed by Federal Records A&R man, Ralph Bass. The original group consisted of Alex Hodge, Cornell Gunter, David Lynch, Joe Jefferson, Gaynel Hodge and Herb Reed, who joined the group after he was discharged from the Army in December 1952. Reed created the group's name.  In June 1953, Gunter left to join the Flaires and was replaced by lead vocalist Tony Williams. The band then released two singles with Federal Records, under the management of Bass, but found little success. Bass then asked his friend music entrepreneur and songwriter Buck Ram to coach the group in hope of getting a hit record. Ram made some changes to the lineup, most notably the addition of female vocalist Zola Taylor; later, at Reed's urging, Hodge was replaced by Paul Robi. Under Ram's guidance, the Platters recorded eight songs for Federal in the R&B/gospel style, scoring a few minor regional hits on the West Coast, and backed Williams' sister, Linda Hayes. One song recorded during their Federal tenure, "Only You (And You Alone)", originally written by Ram for the Ink Spots, was deemed unreleasable by the label, though copies of this early version do exist.  Despite their lack of chart success, the Platters were a profitable touring group, successful enough that the Penguins, coming off their #8 single "Earth Angel", asked Ram to manage them as well. With the Penguins in hand, Ram was able to parlay Mercury Records' interest into a 2-for-1 deal. To sign the Penguins, Ram insisted, Mercury also had to take the Platters. The Penguins would never have a hit for the label. CANNOTANSWER

Question: How did The Platters start?
Answer: The Platters formed in Los Angeles in 1952 and were initially managed by Federal Records A&R man, Ralph Bass.