gaussalgo/Canard_Wiki-augmented huggingface dataset:
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: Who did Joy Division influence?
Answer: contemporaries U2 and the Cure
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: Did Joy Division tour with u2?
Answer: CANNOTANSWER
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: What is something big that really helped Joy Division's career?
Answer: The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre.
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: Was there anything really negative that happen to Joy Division?
Answer: CANNOTANSWER
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: What is someting that really sticks out in Joy Division story?
Answer: Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition",
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: What type of music was Joy Division main legacy?
Answer: The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre.
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: Did Joy Division rise to fame?
Answer: Despite their short career, Joy Division have exerted a wide-reaching influence.
Joy Division

Context: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."  Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame.  The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis."  Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division. CANNOTANSWER

Question: When did Joy Division career end?
Answer: CANNOTANSWER
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: What is the Manhattan Project?
Answer: atomic bomb project.
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: When did atomic bomb project began?
Answer: In February 1944,
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: Did Joseph Rotblat work on atomic bomb project with other people?
Answer: Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project.
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: What kind of things did Chadwick's British Mission do on atomic bomb project?
Answer: investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process,
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: Besides investigating, are there any other interesting aspects about Manhattan Project?
Answer: By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project.
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: What did Joseph Rotblat do after he left?
Answer: Rotblat was accused of being a Soviet spy
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: Was Joseph Rotblat convicted and sent to prison?
Answer: Rotblat was able to show that much of the information within the dossier had been fabricated.
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: Besides being a Soviet spy, was Joseph Rotblat involved in any other controversies during Manhattan Project?
Answer: Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country,
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: What was the end result of the Manhattan Project?
Answer: ". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964.