gaussalgo/Canard_Wiki-augmented huggingface dataset:
Joseph Rotblat

Context: While still in Poland, Rotblat had realised that nuclear fission might possibly be used to produce an atomic bomb. He first thought that he should "put the whole thing out of my mind", but he continued because he thought the only way to prevent Nazi Germany from using a nuclear bomb was if Britain had one to act as a deterrent. He worked with Chadwick on Tube Alloys, the British atomic bomb project.  In February 1944, Rotblat joined the Los Alamos Laboratory as part of Chadwick's British Mission to the Manhattan Project. The usual condition for people to work on the Manhattan Project was that they had to become US citizens or British subjects. Rotblat declined, and the condition was waived. At Los Alamos, he was befriended by Stan Ulam, a fellow Polish-Jewish scientist, with whom he was able to converse in Polish. Rotblat worked in Egon Bretscher's group, investigating whether high-energy gamma rays produced by nuclear fission would interfere with the nuclear chain reaction process, and then with Robert R. Wilson's cyclotron group.  Rotblat continued to have strong reservations about the use of science to develop such a devastating weapon. In 1985 he related that at a private dinner at the Chadwicks' house at Los Alamos in March 1944, he was shocked to hear the director of the Manhattan Project, Major General Leslie R. Groves, Jr., say words to the effect that the real purpose in making the bomb was to subdue the Soviets. Historians, notably Barton Bernstein, have cast doubt on this story.  By the end of 1944 it was also apparent that Germany had abandoned the development of its own bomb and Rotblat asked to leave the project. Chadwick was then shown a security dossier in which Rotblat was accused of being a Soviet spy and that, having learned to fly at Los Alamos, he was suspected of wanting to join the Royal Air Force so that he could fly to Poland and defect to the Soviet Union. In addition, he was accused of visiting someone in Santa Fe and leaving them a blank cheque to finance the formation of a communist cell.  Rotblat was able to show that much of the information within the dossier had been fabricated. In addition, FBI records show that in 1950, Rotblat's friend in Santa Fe was tracked down in California, and she flatly denied the story; the cheque had never been cashed and had been left to pay for items not available in the UK during the war. In 1985, Rotblat recounted how a box containing "all my documents" went missing on a train ride from Washington D.C. to New York as he was leaving the country, but the presence of large numbers of Rotblat's personal papers from Los Alamos now archived at the Churchill Archives Centre "is totally at odds with Rotblat's account of events". Due to suspicions that he was a Soviet spy, Rotblat was not permitted to re-enter the United States until 1964. CANNOTANSWER

Question: Where did Manhattan Project take place?
Answer: Los Alamos
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: What was Joe McGinnity's first career?
Answer: CANNOTANSWER
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: What career did Joe McGinnity have?
Answer: McGinnity sold his interests in the Indians to Ebbets and Ed McKeever
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: Was Joe McGinnity married?
Answer: CANNOTANSWER
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: Did Joe McGinnity have kids?
Answer: CANNOTANSWER
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: What Non-Hindi film did Riya Sen act in?
Answer: Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal,
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: What other movies has Riya Sen acted in besides Taj Mahal?
Answer: Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat,
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: What did the critics think of Riya Sen's acting?
Answer: In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi.
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: Did Sen star in any other Non-Hindi films besides Noukadubi?
Answer: Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005).
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: Was Ananthabhadram a commercial success?
Answer: The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success.
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: Did Riya and Sivan do any more films together besides Ananthabhadram?
Answer: CANNOTANSWER
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: Are there any more successful Non-Hindi films that Riya Sen starred in besides Ananthabhadram and Noukadubi?
Answer: CANNOTANSWER
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Riya Sen's Non-Hindi films?
Answer: The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well,
Riya Sen

Context: Riya has, in addition to Hindi films, appeared in Bengali, Tamil, Telugu, Malayalam and English films. Her film career began in the earnest with Tamil films such as Bharathi Raja's Taj Mahal, co-starring Manjoj Bharatiraja in the male lead, and Manoj Bhatnaghar's Good Luck, opposite Prasanth. Both of the films failed commercially, and she had a brief reappearance in Tamil cinema only to perform in a dance number for N. Maharajan's Arasatchi.  Her first English language movie was It Was Raining That Night, a remake of the Bengali film Hei Brishtir Raat, scripted by Sudeshna Roy and directed by Mahesh Manjrekar. In the film, she collaborated with mother Moon Moon Sen. Riya was slated to appear in Anjan Dutt's Bengali-English bilingual film The Bong Connection with her sister, but she was eventually dropped from the project and replaced by Peeya Rai Chaudhary. The two sisters were later cast together in director Ajai Sinha's The Bachelor, a Bengali film that, as of 2008, is yet to be finished.  Her most successful non-Hindi film has been director Santhosh Sivan's Ananthabhadram (2005). The first Malayalam venture for both Riya and Sivan, was both a critical and commercial success. It won five Kerala State Film Awards and surfaced as one of the biggest Malayalam successes that year. She played the role of Bhama in the film, a village girl who is lured by Digambaran, the evil magician portrayed by Manoj K. Jayan. In a song-and-dance sequence showing Digambaran turning Bhama into a medium for demonic rituals, the choreographer Aparna Sindoor made abundant use Kathakali movements. The use of Kathakali has been a high point in the resurgence of the classical dance form in other major Indian films as well, including Shaji Karun's Vanaprastham (1999) and Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005). She made her Telugu Debut with Nenu Meeku Telusa...?, in which she was paired opposite Manoj Manchu.  In 2012 Sen won the Star Guide Award as best actress for her performance in Noukadubi. CANNOTANSWER

Question: Which film used Kathakali that Riya Sen starred in?
Answer: Santhosh Sivan's Ananthabhadram (2005).
Joe E. Brown

Context: In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures. CANNOTANSWER

Question: Did Joe E Brown make any movies?
Answer: Sally (1929), Hold Everything (
Joe E. Brown

Context: In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures. CANNOTANSWER

Question: Besides Sally and Hold Everything, did Joe E Brown make other films?
Answer: Fireman, Save My Child (1932),
Joe E. Brown

Context: In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures. CANNOTANSWER

Question: What actors did Joe E. Brown work with?
Answer: CANNOTANSWER
Joe E. Brown

Context: In late 1928, Brown began making films, starting the next year with Warner Bros.. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Joe E. Brown had become such a star that his name was billed above the title in the films in which he appeared.  He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.  In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.  Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.  He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose film adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures. CANNOTANSWER

Question: Did Joe E. Brown win any awards for his movies?
Answer: CANNOTANSWER
Andrew Sullivan

Context: Sullivan, like Marshall Kirk, Hunter Madsen, and Bruce Bawer, has been described by Urvashi Vaid as a proponent of "legitimation", seeing the objective of the gay rights movement as being "mainstreaming gay and lesbian people" rather than "radical social change". Sullivan wrote the first major article in the United States advocating for gay people to be given the right to marry, published in The New Republic in 1989. Many gay rights organisations attacked him for the stance at the time. Many on "the gay left" believed that he was promoting "assimilation" into "straight culture", when the aim of most at that time was to alter codes of sexuality and society as a whole, rather than fitting gays into it. However, his arguments eventually became widely accepted and formed the basis of the modern movement to allow same-sex marriage. In the wake of the United States Supreme Court rulings on same-sex marriage in 2013 (Hollingsworth v. Perry and United States v. Windsor), New York Times op-ed columnist Ross Douthat suggested that Sullivan might be the most influential political writer of his generation, writing, "No intellectual that I can think of, writing on a fraught and controversial topic, has seen their once-crankish, outlandish-seeming idea become the conventional wisdom so quickly, and be instantantiated so rapidly in law and custom."  Sullivan opposes hate crime laws, arguing that they undermine freedom of speech and equal protection. He also opposes the Employment Non-Discrimination Act, arguing that it would "not make much of a difference" and that the "gay rights establishment" was wrong to oppose a version of the bill that did not include protections for gender identity. Sullivan opposed calls to remove Brendan Eich as CEO of Mozilla and argued that "old-fashioned liberalism brought gay equality to America far, far faster than identity politics leftism."  In 2006, Sullivan was named as an LGBT History Month icon. CANNOTANSWER

Question: What was Andrew Sullivan's involvement in LGBT issues?
Answer: movement as being "mainstreaming gay and lesbian people" rather than "radical social change".
Andrew Sullivan

Context: Sullivan, like Marshall Kirk, Hunter Madsen, and Bruce Bawer, has been described by Urvashi Vaid as a proponent of "legitimation", seeing the objective of the gay rights movement as being "mainstreaming gay and lesbian people" rather than "radical social change". Sullivan wrote the first major article in the United States advocating for gay people to be given the right to marry, published in The New Republic in 1989. Many gay rights organisations attacked him for the stance at the time. Many on "the gay left" believed that he was promoting "assimilation" into "straight culture", when the aim of most at that time was to alter codes of sexuality and society as a whole, rather than fitting gays into it. However, his arguments eventually became widely accepted and formed the basis of the modern movement to allow same-sex marriage. In the wake of the United States Supreme Court rulings on same-sex marriage in 2013 (Hollingsworth v. Perry and United States v. Windsor), New York Times op-ed columnist Ross Douthat suggested that Sullivan might be the most influential political writer of his generation, writing, "No intellectual that I can think of, writing on a fraught and controversial topic, has seen their once-crankish, outlandish-seeming idea become the conventional wisdom so quickly, and be instantantiated so rapidly in law and custom."  Sullivan opposes hate crime laws, arguing that they undermine freedom of speech and equal protection. He also opposes the Employment Non-Discrimination Act, arguing that it would "not make much of a difference" and that the "gay rights establishment" was wrong to oppose a version of the bill that did not include protections for gender identity. Sullivan opposed calls to remove Brendan Eich as CEO of Mozilla and argued that "old-fashioned liberalism brought gay equality to America far, far faster than identity politics leftism."  In 2006, Sullivan was named as an LGBT History Month icon. CANNOTANSWER

Question: How exactly did Andrew Sullivan get involved in LGBT issues?
Answer: Sullivan wrote the first major article in the United States advocating for gay people to be given the right to marry,
Andrew Sullivan

Context: Sullivan, like Marshall Kirk, Hunter Madsen, and Bruce Bawer, has been described by Urvashi Vaid as a proponent of "legitimation", seeing the objective of the gay rights movement as being "mainstreaming gay and lesbian people" rather than "radical social change". Sullivan wrote the first major article in the United States advocating for gay people to be given the right to marry, published in The New Republic in 1989. Many gay rights organisations attacked him for the stance at the time. Many on "the gay left" believed that he was promoting "assimilation" into "straight culture", when the aim of most at that time was to alter codes of sexuality and society as a whole, rather than fitting gays into it. However, his arguments eventually became widely accepted and formed the basis of the modern movement to allow same-sex marriage. In the wake of the United States Supreme Court rulings on same-sex marriage in 2013 (Hollingsworth v. Perry and United States v. Windsor), New York Times op-ed columnist Ross Douthat suggested that Sullivan might be the most influential political writer of his generation, writing, "No intellectual that I can think of, writing on a fraught and controversial topic, has seen their once-crankish, outlandish-seeming idea become the conventional wisdom so quickly, and be instantantiated so rapidly in law and custom."  Sullivan opposes hate crime laws, arguing that they undermine freedom of speech and equal protection. He also opposes the Employment Non-Discrimination Act, arguing that it would "not make much of a difference" and that the "gay rights establishment" was wrong to oppose a version of the bill that did not include protections for gender identity. Sullivan opposed calls to remove Brendan Eich as CEO of Mozilla and argued that "old-fashioned liberalism brought gay equality to America far, far faster than identity politics leftism."  In 2006, Sullivan was named as an LGBT History Month icon. CANNOTANSWER

Question: Was Andrew Sullivan's LGBT article published?
Answer: published in The New Republic in 1989.