gaussalgo/Canard_Wiki-augmented huggingface dataset:
Cass Sunstein

Context: Sunstein co-authored a 2008 paper with Adrian Vermeule, titled "Conspiracy Theories," dealing with the risks and possible government responses to conspiracy theories resulting from "cascades" of faulty information within groups that may ultimately lead to violence. In this article they wrote, "The existence of both domestic and foreign conspiracy theories, we suggest, is no trivial matter, posing real risks to the government's antiterrorism policies, whatever the latter may be." They go on to propose that, "the best response consists in cognitive infiltration of extremist groups", where they suggest, among other tactics, "Government agents (and their allies) might enter chat rooms, online social networks, or even real-space groups and attempt to undermine percolating conspiracy theories by raising doubts about their factual premises, causal logic or implications for political action." They refer, several times, to groups that promote the view that the US Government was responsible or complicit in the September 11 attacks as "extremist groups."  The authors declare that there are five hypothetical responses a government can take toward conspiracy theories: "We can readily imagine a series of possible responses. (1) Government might ban conspiracy theorizing. (2) Government might impose some kind of tax, financial or otherwise, on those who disseminate such theories. (3) Government might itself engage in counterspeech, marshaling arguments to discredit conspiracy theories. (4) Government might formally hire credible private parties to engage in counterspeech. (5) Government might engage in informal communication with such parties, encouraging them to help." However, the authors advocate that each "instrument has a distinctive set of potential effects, or costs and benefits, and each will have a place under imaginable conditions. However, our main policy idea is that government should engage in cognitive infiltration of the groups that produce conspiracy theories, which involves a mix of (3), (4) and (5)."  Sunstein and Vermeule also analyze the practice of recruiting "nongovernmental officials"; they suggest that "government can supply these independent experts with information and perhaps prod them into action from behind the scenes," further warning that "too close a connection will be self-defeating if it is exposed." Sunstein and Vermeule argue that the practice of enlisting non-government officials, "might ensure that credible independent experts offer the rebuttal, rather than government officials themselves. There is a tradeoff between credibility and control, however. The price of credibility is that government cannot be seen to control the independent experts." This position has been criticized by some commentators who argue that it would violate prohibitions on government propaganda aimed at domestic citizens. Sunstein and Vermeule's proposed infiltrations have also been met by sharply critical scholarly critiques. CANNOTANSWER

Question: What is "Conspiracy Theories" about?
Answer: Government agents (and their allies) might enter chat rooms, online social networks, or even real-space groups
Woody Guthrie

Context: Guthrie was born 14 July 1912 in Okemah, a small town in Okfuskee County, Oklahoma, the son of Nora Belle (nee Sherman) and Charles Edward Guthrie. His parents named him after Woodrow Wilson, then Governor of New Jersey and the Democratic candidate soon to be elected President of the United States. Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county. Charles Guthrie was involved in the 1911 lynching of Laura and L. D. Nelson. Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan.  There were three significant fires during Guthrie's early life, including one that caused the loss of his family's home in Okemah. His sister Clara died after setting her clothes on fire during an argument with her mother when Guthrie was seven, and Guthrie's father was severely burned in a fire at home. Guthrie's mother, Nora, was afflicted with Huntington's disease, although the family did not know this at the time. It leads to dementia as well as muscular degeneration. She was committed to the Oklahoma Hospital for the Insane. When Nora Guthrie was institutionalized, Woody Guthrie was 14. His father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma; they relied on their eldest brother Roy for support. The 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends.  Guthrie had a natural affinity for music, learning old ballads and traditional English and Scottish songs from the parents of friends. Guthrie befriended an African-American harmonica playing shoeshine boy named "George". After listening to him play the blues, Guthrie bought his own harmonica and began playing along with him. He used to busk for money and food. Although he did not excel as a student (he dropped out of high school in his fourth year and did not graduate), his teachers described him as bright. He was an avid reader on a wide range of topics. Friends recall his reading constantly.  In 1929, Guthrie's father sent for his son to come to Texas, but little changed for the aspiring musician. Guthrie, then 18, was reluctant to attend high school classes in Pampa and spent much time learning songs by busking on the streets and reading in the library at Pampa's city hall. He was able to gain experience by regularly playing at dances with his father's half-brother Jeff Guthrie, a fiddle player. At age 19, Guthrie met and married his first wife, Mary Jennings, with whom he had three children, Gwendolyn, Sue, and Bill. His mother died in 1930 while in the Oklahoma Hospital for the Insane. CANNOTANSWER

Question: who is woody guthrie?
Answer: Guthrie was born 14 July 1912
Woody Guthrie

Context: Guthrie was born 14 July 1912 in Okemah, a small town in Okfuskee County, Oklahoma, the son of Nora Belle (nee Sherman) and Charles Edward Guthrie. His parents named him after Woodrow Wilson, then Governor of New Jersey and the Democratic candidate soon to be elected President of the United States. Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county. Charles Guthrie was involved in the 1911 lynching of Laura and L. D. Nelson. Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan.  There were three significant fires during Guthrie's early life, including one that caused the loss of his family's home in Okemah. His sister Clara died after setting her clothes on fire during an argument with her mother when Guthrie was seven, and Guthrie's father was severely burned in a fire at home. Guthrie's mother, Nora, was afflicted with Huntington's disease, although the family did not know this at the time. It leads to dementia as well as muscular degeneration. She was committed to the Oklahoma Hospital for the Insane. When Nora Guthrie was institutionalized, Woody Guthrie was 14. His father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma; they relied on their eldest brother Roy for support. The 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends.  Guthrie had a natural affinity for music, learning old ballads and traditional English and Scottish songs from the parents of friends. Guthrie befriended an African-American harmonica playing shoeshine boy named "George". After listening to him play the blues, Guthrie bought his own harmonica and began playing along with him. He used to busk for money and food. Although he did not excel as a student (he dropped out of high school in his fourth year and did not graduate), his teachers described him as bright. He was an avid reader on a wide range of topics. Friends recall his reading constantly.  In 1929, Guthrie's father sent for his son to come to Texas, but little changed for the aspiring musician. Guthrie, then 18, was reluctant to attend high school classes in Pampa and spent much time learning songs by busking on the streets and reading in the library at Pampa's city hall. He was able to gain experience by regularly playing at dances with his father's half-brother Jeff Guthrie, a fiddle player. At age 19, Guthrie met and married his first wife, Mary Jennings, with whom he had three children, Gwendolyn, Sue, and Bill. His mother died in 1930 while in the Oklahoma Hospital for the Insane. CANNOTANSWER

Question: where did Woody Guthrie live before cali?
Answer: Okemah, a small town in Okfuskee County, Oklahoma,
Woody Guthrie

Context: Guthrie was born 14 July 1912 in Okemah, a small town in Okfuskee County, Oklahoma, the son of Nora Belle (nee Sherman) and Charles Edward Guthrie. His parents named him after Woodrow Wilson, then Governor of New Jersey and the Democratic candidate soon to be elected President of the United States. Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county. Charles Guthrie was involved in the 1911 lynching of Laura and L. D. Nelson. Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan.  There were three significant fires during Guthrie's early life, including one that caused the loss of his family's home in Okemah. His sister Clara died after setting her clothes on fire during an argument with her mother when Guthrie was seven, and Guthrie's father was severely burned in a fire at home. Guthrie's mother, Nora, was afflicted with Huntington's disease, although the family did not know this at the time. It leads to dementia as well as muscular degeneration. She was committed to the Oklahoma Hospital for the Insane. When Nora Guthrie was institutionalized, Woody Guthrie was 14. His father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma; they relied on their eldest brother Roy for support. The 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends.  Guthrie had a natural affinity for music, learning old ballads and traditional English and Scottish songs from the parents of friends. Guthrie befriended an African-American harmonica playing shoeshine boy named "George". After listening to him play the blues, Guthrie bought his own harmonica and began playing along with him. He used to busk for money and food. Although he did not excel as a student (he dropped out of high school in his fourth year and did not graduate), his teachers described him as bright. He was an avid reader on a wide range of topics. Friends recall his reading constantly.  In 1929, Guthrie's father sent for his son to come to Texas, but little changed for the aspiring musician. Guthrie, then 18, was reluctant to attend high school classes in Pampa and spent much time learning songs by busking on the streets and reading in the library at Pampa's city hall. He was able to gain experience by regularly playing at dances with his father's half-brother Jeff Guthrie, a fiddle player. At age 19, Guthrie met and married his first wife, Mary Jennings, with whom he had three children, Gwendolyn, Sue, and Bill. His mother died in 1930 while in the Oklahoma Hospital for the Insane. CANNOTANSWER

Question: did Woody Guthrie find work in Okfuskee County, Oklahoma?
Answer: He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county.
Woody Guthrie

Context: Guthrie was born 14 July 1912 in Okemah, a small town in Okfuskee County, Oklahoma, the son of Nora Belle (nee Sherman) and Charles Edward Guthrie. His parents named him after Woodrow Wilson, then Governor of New Jersey and the Democratic candidate soon to be elected President of the United States. Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county. Charles Guthrie was involved in the 1911 lynching of Laura and L. D. Nelson. Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan.  There were three significant fires during Guthrie's early life, including one that caused the loss of his family's home in Okemah. His sister Clara died after setting her clothes on fire during an argument with her mother when Guthrie was seven, and Guthrie's father was severely burned in a fire at home. Guthrie's mother, Nora, was afflicted with Huntington's disease, although the family did not know this at the time. It leads to dementia as well as muscular degeneration. She was committed to the Oklahoma Hospital for the Insane. When Nora Guthrie was institutionalized, Woody Guthrie was 14. His father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma; they relied on their eldest brother Roy for support. The 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends.  Guthrie had a natural affinity for music, learning old ballads and traditional English and Scottish songs from the parents of friends. Guthrie befriended an African-American harmonica playing shoeshine boy named "George". After listening to him play the blues, Guthrie bought his own harmonica and began playing along with him. He used to busk for money and food. Although he did not excel as a student (he dropped out of high school in his fourth year and did not graduate), his teachers described him as bright. He was an avid reader on a wide range of topics. Friends recall his reading constantly.  In 1929, Guthrie's father sent for his son to come to Texas, but little changed for the aspiring musician. Guthrie, then 18, was reluctant to attend high school classes in Pampa and spent much time learning songs by busking on the streets and reading in the library at Pampa's city hall. He was able to gain experience by regularly playing at dances with his father's half-brother Jeff Guthrie, a fiddle player. At age 19, Guthrie met and married his first wife, Mary Jennings, with whom he had three children, Gwendolyn, Sue, and Bill. His mother died in 1930 while in the Oklahoma Hospital for the Insane. CANNOTANSWER

Question: who did Woody Guthrie work for in Okfuskee County, Oklahoma?
Answer: Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He
Woody Guthrie

Context: Guthrie was born 14 July 1912 in Okemah, a small town in Okfuskee County, Oklahoma, the son of Nora Belle (nee Sherman) and Charles Edward Guthrie. His parents named him after Woodrow Wilson, then Governor of New Jersey and the Democratic candidate soon to be elected President of the United States. Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county. Charles Guthrie was involved in the 1911 lynching of Laura and L. D. Nelson. Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan.  There were three significant fires during Guthrie's early life, including one that caused the loss of his family's home in Okemah. His sister Clara died after setting her clothes on fire during an argument with her mother when Guthrie was seven, and Guthrie's father was severely burned in a fire at home. Guthrie's mother, Nora, was afflicted with Huntington's disease, although the family did not know this at the time. It leads to dementia as well as muscular degeneration. She was committed to the Oklahoma Hospital for the Insane. When Nora Guthrie was institutionalized, Woody Guthrie was 14. His father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma; they relied on their eldest brother Roy for support. The 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends.  Guthrie had a natural affinity for music, learning old ballads and traditional English and Scottish songs from the parents of friends. Guthrie befriended an African-American harmonica playing shoeshine boy named "George". After listening to him play the blues, Guthrie bought his own harmonica and began playing along with him. He used to busk for money and food. Although he did not excel as a student (he dropped out of high school in his fourth year and did not graduate), his teachers described him as bright. He was an avid reader on a wide range of topics. Friends recall his reading constantly.  In 1929, Guthrie's father sent for his son to come to Texas, but little changed for the aspiring musician. Guthrie, then 18, was reluctant to attend high school classes in Pampa and spent much time learning songs by busking on the streets and reading in the library at Pampa's city hall. He was able to gain experience by regularly playing at dances with his father's half-brother Jeff Guthrie, a fiddle player. At age 19, Guthrie met and married his first wife, Mary Jennings, with whom he had three children, Gwendolyn, Sue, and Bill. His mother died in 1930 while in the Oklahoma Hospital for the Insane. CANNOTANSWER

Question: who hosted the daily radio show in Okfuskee County, Oklahoma?
Answer: CANNOTANSWER
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: What can you tell me about Broken Social Scene that is interesting to you?
Answer: The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles.
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: Does Broken Social Scene have a hit single?
Answer: CANNOTANSWER
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: What does Broken Social Scene present?
Answer: Although billed as a solo project, most Broken Social Scene members make cameo appearances.
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: Did Broken Social Scene go on tour with Broken Social Scene Presents...?
Answer: a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: Besides Broken Social Scene's tour, is there a fact about Broken Social Scene that you thought was interesting?
Answer: The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008.
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: Is there a third record by Broken Social Scene?
Answer: CANNOTANSWER
Broken Social Scene

Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007.  The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn.  On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands.  In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology. CANNOTANSWER

Question: Did Broken Social Scene do well with Broken Social Scene Presents?
Answer: CANNOTANSWER
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Was Camille Pissarro  from France?
Answer: Pissarro returned to his home in France after the war,
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Was was the impressionism in regards to Camille Pissarro?
Answer: Impressionist style he was then developing,
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Did Camille Pissarro do a lot of paintings?
Answer: 1,500 paintings he had done over 20 years,
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Did Camille Pissarro do a specific type of impressionism of paintings?
Answer: CANNOTANSWER
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Did Camille Pissarro have any dealings with other french impressionist, besides himself?
Answer: He soon reestablished his friendships with the other Impressionist artists of his earlier group,
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Aside from reestablishing friendships, Who were some of the other impressionist Camille Pissarro had dealings with?
Answer: Cezanne, Monet, Manet, Renoir, and Degas.
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Did Camille Pissarro, Cezanne, Money, Manet, Renoir and Degas ever do any drawings together?
Answer: CANNOTANSWER
Camille Pissarro

Context: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force."  He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.  To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". CANNOTANSWER

Question: Aside from Camille Pissarro establishing a friendship with Cezanna, Is there anything else important that you can share about this article?
Answer: Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles.