gaussalgo/Canard_Wiki-augmented huggingface dataset:
Pierrot

Context: In 1842, Deburau was inadvertently responsible for translating Pierrot into the realm of tragic myth, heralding the isolated and doomed figure--often the fin-de-siecle artist's alter-ego--of Decadent, Symbolist, and early Modernist art and literature. In that year, Gautier, drawing upon Deburau's newly acquired audacity as a Pierrot, as well as upon the Romantics' store of Shakespearean plots and of Don-Juanesque legend, published a "review" of a pantomime he claimed to have seen at the Funambules.  He entitled it "Shakespeare at the Funambules", and in it he summarized and analyzed an unnamed pantomime of unusually somber events: Pierrot murders an old-clothes man for garments to court a duchess, then is skewered in turn by the sword with which he stabbed the peddler when the latter's ghost lures him into a dance at his wedding. The pantomime under "review" was a fabrication (though it inspired a hack to turn it into an actual pantomime, The Ol' Clo's Man [1842], in which Deburau probably appeared--and also inspired Barrault's wonderful recreation of it in Children of Paradise). But it importantly marked a turning-point in Pierrot's career: henceforth Pierrot could bear comparisons with the serious over-reachers of high literature, like Don Juan or Macbeth; he could be a victim--even unto death--of his own cruelty and daring.  When Gustave Courbet drew a crayon illustration for The Black Arm (1856), a pantomime by Fernand Desnoyers written for another mime, Paul Legrand (see next section), the Pierrot who quakes with fear as a black arm snakes up from the ground before him is clearly a child of the Pierrot in The Ol' Clo's Man. So, too, are Honore Daumier's Pierrots: creatures often suffering a harrowing anguish. In 1860, Deburau was directly credited with inspiring such anguish, when, in a novella called Pierrot by Henri Riviere, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality--usually by love of a fickle Columbine--and so inevitably marked for destruction (Paul Margueritte's Pierrot, Murderer of His Wife [1881]; the mime Severin's Poor Pierrot [1891]; Catulle Mendes' Ol' Clo's Man [1896], modeled on Gautier's "review"). CANNOTANSWER

Question: Is Pierrot punished for the murder of the old-clothes man in Shakespeare at the Funambules?
Answer: the latter's ghost lures him into a dance at his wedding.
Pierrot

Context: In 1842, Deburau was inadvertently responsible for translating Pierrot into the realm of tragic myth, heralding the isolated and doomed figure--often the fin-de-siecle artist's alter-ego--of Decadent, Symbolist, and early Modernist art and literature. In that year, Gautier, drawing upon Deburau's newly acquired audacity as a Pierrot, as well as upon the Romantics' store of Shakespearean plots and of Don-Juanesque legend, published a "review" of a pantomime he claimed to have seen at the Funambules.  He entitled it "Shakespeare at the Funambules", and in it he summarized and analyzed an unnamed pantomime of unusually somber events: Pierrot murders an old-clothes man for garments to court a duchess, then is skewered in turn by the sword with which he stabbed the peddler when the latter's ghost lures him into a dance at his wedding. The pantomime under "review" was a fabrication (though it inspired a hack to turn it into an actual pantomime, The Ol' Clo's Man [1842], in which Deburau probably appeared--and also inspired Barrault's wonderful recreation of it in Children of Paradise). But it importantly marked a turning-point in Pierrot's career: henceforth Pierrot could bear comparisons with the serious over-reachers of high literature, like Don Juan or Macbeth; he could be a victim--even unto death--of his own cruelty and daring.  When Gustave Courbet drew a crayon illustration for The Black Arm (1856), a pantomime by Fernand Desnoyers written for another mime, Paul Legrand (see next section), the Pierrot who quakes with fear as a black arm snakes up from the ground before him is clearly a child of the Pierrot in The Ol' Clo's Man. So, too, are Honore Daumier's Pierrots: creatures often suffering a harrowing anguish. In 1860, Deburau was directly credited with inspiring such anguish, when, in a novella called Pierrot by Henri Riviere, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality--usually by love of a fickle Columbine--and so inevitably marked for destruction (Paul Margueritte's Pierrot, Murderer of His Wife [1881]; the mime Severin's Poor Pierrot [1891]; Catulle Mendes' Ol' Clo's Man [1896], modeled on Gautier's "review"). CANNOTANSWER

Question: Why did Pierrot commit the murder in Shakespeare at the Funambules?
Answer: for garments to court a duchess,
Pierrot

Context: In 1842, Deburau was inadvertently responsible for translating Pierrot into the realm of tragic myth, heralding the isolated and doomed figure--often the fin-de-siecle artist's alter-ego--of Decadent, Symbolist, and early Modernist art and literature. In that year, Gautier, drawing upon Deburau's newly acquired audacity as a Pierrot, as well as upon the Romantics' store of Shakespearean plots and of Don-Juanesque legend, published a "review" of a pantomime he claimed to have seen at the Funambules.  He entitled it "Shakespeare at the Funambules", and in it he summarized and analyzed an unnamed pantomime of unusually somber events: Pierrot murders an old-clothes man for garments to court a duchess, then is skewered in turn by the sword with which he stabbed the peddler when the latter's ghost lures him into a dance at his wedding. The pantomime under "review" was a fabrication (though it inspired a hack to turn it into an actual pantomime, The Ol' Clo's Man [1842], in which Deburau probably appeared--and also inspired Barrault's wonderful recreation of it in Children of Paradise). But it importantly marked a turning-point in Pierrot's career: henceforth Pierrot could bear comparisons with the serious over-reachers of high literature, like Don Juan or Macbeth; he could be a victim--even unto death--of his own cruelty and daring.  When Gustave Courbet drew a crayon illustration for The Black Arm (1856), a pantomime by Fernand Desnoyers written for another mime, Paul Legrand (see next section), the Pierrot who quakes with fear as a black arm snakes up from the ground before him is clearly a child of the Pierrot in The Ol' Clo's Man. So, too, are Honore Daumier's Pierrots: creatures often suffering a harrowing anguish. In 1860, Deburau was directly credited with inspiring such anguish, when, in a novella called Pierrot by Henri Riviere, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality--usually by love of a fickle Columbine--and so inevitably marked for destruction (Paul Margueritte's Pierrot, Murderer of His Wife [1881]; the mime Severin's Poor Pierrot [1891]; Catulle Mendes' Ol' Clo's Man [1896], modeled on Gautier's "review"). CANNOTANSWER

Question: What happens once Pierrot's lured into a dance at the wedding in Shakespeare at the Funambules?
Answer: CANNOTANSWER
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: What is the origin of Neutral Milk Hotel?
Answer: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control,
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: What was Neutral Milk Hotel's first release?
Answer: Mangum appearing on their first release, the California Demise 7".
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: Did Neutral Milk Hotel have a different name when they started?
Answer: Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk;
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: What were some of Neural Milk Hotel's early cassettes called?
Answer: 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack,
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: Did Neutral Milk Hotel produce any hits?
Answer: CANNOTANSWER
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: Aside from them, what songs by Neutral Milk Hotel were on the cassettes?
Answer: Another track, "Digestion Machine",
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: What genre of music did Neutral Milk Hotel play?
Answer: various sound collages and tape experiments,
Neutral Milk Hotel

Context: Jeff Mangum, along with high-school friends Will Cullen Hart and Bill Doss, formed The Olivia Tremor Control, with Mangum appearing on their first release, the California Demise 7".  Prior to recording for friends under the Neutral Milk Hotel moniker, Mangum recorded a few cassettes under the name Milk; the most well-known of these tapes was called Pygmie Barn in E Minor. These are the earliest known recordings that Mangum initiated and executed himself. There were only an estimated dozen or so copies ever made of this tape, none of which has been made public. It was revealed c. 2006 on the Elephant 6 online forums that another tape under said name, entitled Beauty, was released, along with several recordings under the name Ruby Bulbs (also a song dating from that era, perhaps the only Milk song to be played by Neutral Milk Hotel).  Neutral Milk Hotel began simply as a recording project for Mangum, in the late 1980s. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty (not to be confused with the earlier cassette), and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the Internet, these demos capture the project at a very embryonic stage: songs are played in between various sound collages and tape experiments, one of which consists only of a six-minute conversation between Mangum and Hart. Another track, "Digestion Machine", features a varied collage of voices answering the question asked by Mangum, "What does the digestion machine mean to you?". The more accessible "Synthetic Flying Machine", also titled "Up and Over", later became "The King of Carrot Flowers Pt. 3" on In the Aeroplane Over the Sea.  During this period, Mangum was wandering the country, staying with friends, and in a state of perpetual unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" record entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1993. CANNOTANSWER

Question: Was the band Neutral Milk Hotel successful?
Answer: CANNOTANSWER
Glen Campbell

Context: After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976's Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976 to 1978 and headlined the 1979 NBC special Glen Campbell: Back to Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including: Donny & Marie and The Tonight Show Starring Johnny Carson, where he performed "Rhinestone Cowboy". He has also appeared on Cher, the Redd Foxx Comedy Hour, The Merv Griffin Show, The Midnight Special with Wolfman Jack, DINAH!, Evening at Pops with Arthur Fiedler and The Mike Douglas Show. From 1982 to 1983, he hosted a 30-minute syndicated music show, The Glen Campbell Music Show.  In the mid-1970s, he had more hits with "Rhinestone Cowboy", "Southern Nights" (both U.S. number one hits), "Sunflower" (U.S. number 39) (written by Neil Diamond), and "Country Boy (You Got Your Feet in L.A.)" (U.S. number 11).  "Rhinestone Cowboy" was Campbell's largest-selling single and one of his best-known recordings, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss' version while on tour of Australia in 1974. Both songs were in the October 4, 1975, Hot 100 top 10. "Rhinestone Cowboy" continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. The main phrase of Campbell's recording was included in Dickie Goodman's Jaws movie parody song "Mr. Jaws". Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.  "Southern Nights", by Allen Toussaint, his other number one pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.  From 1971 to 1983, Campbell was the celebrity host of the Los Angeles Open, an annual professional golf tournament on the PGA Tour. CANNOTANSWER

Question: what happened to Glen Campbell in 1973?
Answer: After the cancellation of his CBS series in 1972, Campbell remained a regular on network television.
Glen Campbell

Context: After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976's Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976 to 1978 and headlined the 1979 NBC special Glen Campbell: Back to Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including: Donny & Marie and The Tonight Show Starring Johnny Carson, where he performed "Rhinestone Cowboy". He has also appeared on Cher, the Redd Foxx Comedy Hour, The Merv Griffin Show, The Midnight Special with Wolfman Jack, DINAH!, Evening at Pops with Arthur Fiedler and The Mike Douglas Show. From 1982 to 1983, he hosted a 30-minute syndicated music show, The Glen Campbell Music Show.  In the mid-1970s, he had more hits with "Rhinestone Cowboy", "Southern Nights" (both U.S. number one hits), "Sunflower" (U.S. number 39) (written by Neil Diamond), and "Country Boy (You Got Your Feet in L.A.)" (U.S. number 11).  "Rhinestone Cowboy" was Campbell's largest-selling single and one of his best-known recordings, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss' version while on tour of Australia in 1974. Both songs were in the October 4, 1975, Hot 100 top 10. "Rhinestone Cowboy" continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. The main phrase of Campbell's recording was included in Dickie Goodman's Jaws movie parody song "Mr. Jaws". Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.  "Southern Nights", by Allen Toussaint, his other number one pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.  From 1971 to 1983, Campbell was the celebrity host of the Los Angeles Open, an annual professional golf tournament on the PGA Tour. CANNOTANSWER

Question: what tv series was canceled in 1972 that starred Glen Campbell?
Answer: CANNOTANSWER
Glen Campbell

Context: After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976's Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976 to 1978 and headlined the 1979 NBC special Glen Campbell: Back to Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including: Donny & Marie and The Tonight Show Starring Johnny Carson, where he performed "Rhinestone Cowboy". He has also appeared on Cher, the Redd Foxx Comedy Hour, The Merv Griffin Show, The Midnight Special with Wolfman Jack, DINAH!, Evening at Pops with Arthur Fiedler and The Mike Douglas Show. From 1982 to 1983, he hosted a 30-minute syndicated music show, The Glen Campbell Music Show.  In the mid-1970s, he had more hits with "Rhinestone Cowboy", "Southern Nights" (both U.S. number one hits), "Sunflower" (U.S. number 39) (written by Neil Diamond), and "Country Boy (You Got Your Feet in L.A.)" (U.S. number 11).  "Rhinestone Cowboy" was Campbell's largest-selling single and one of his best-known recordings, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss' version while on tour of Australia in 1974. Both songs were in the October 4, 1975, Hot 100 top 10. "Rhinestone Cowboy" continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. The main phrase of Campbell's recording was included in Dickie Goodman's Jaws movie parody song "Mr. Jaws". Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.  "Southern Nights", by Allen Toussaint, his other number one pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.  From 1971 to 1983, Campbell was the celebrity host of the Los Angeles Open, an annual professional golf tournament on the PGA Tour. CANNOTANSWER

Question: what tv series did Glen Campbell become a part of after 1972?
Answer: He hosted a number of television specials, including 1976's Down Home,
Glen Campbell

Context: After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976's Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976 to 1978 and headlined the 1979 NBC special Glen Campbell: Back to Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including: Donny & Marie and The Tonight Show Starring Johnny Carson, where he performed "Rhinestone Cowboy". He has also appeared on Cher, the Redd Foxx Comedy Hour, The Merv Griffin Show, The Midnight Special with Wolfman Jack, DINAH!, Evening at Pops with Arthur Fiedler and The Mike Douglas Show. From 1982 to 1983, he hosted a 30-minute syndicated music show, The Glen Campbell Music Show.  In the mid-1970s, he had more hits with "Rhinestone Cowboy", "Southern Nights" (both U.S. number one hits), "Sunflower" (U.S. number 39) (written by Neil Diamond), and "Country Boy (You Got Your Feet in L.A.)" (U.S. number 11).  "Rhinestone Cowboy" was Campbell's largest-selling single and one of his best-known recordings, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss' version while on tour of Australia in 1974. Both songs were in the October 4, 1975, Hot 100 top 10. "Rhinestone Cowboy" continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. The main phrase of Campbell's recording was included in Dickie Goodman's Jaws movie parody song "Mr. Jaws". Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.  "Southern Nights", by Allen Toussaint, his other number one pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.  From 1971 to 1983, Campbell was the celebrity host of the Los Angeles Open, an annual professional golf tournament on the PGA Tour. CANNOTANSWER

Question: what other tv specials did Glen Campbell do besides Down Home?
Answer: He co-hosted the American Music Awards from 1976 to 1978
Rita Hayworth

Context: When Hayworth and Dick Haymes first met, he was still married and his singing career was waning. When she showed up at the clubs, he got a larger audience. Haymes was desperate for money, because two of his former wives were taking legal action against him for unpaid child support. His financial problems were so bad, he could not return to California without being arrested. On July 7, 1954, his ex-wife Nora Eddington got a bench warrant for his arrest, because he owed her $3,800 in alimony. Less than a week earlier, his other ex-wife, Joanne Dru, also got a bench warrant because she said he owed $4,800 in support payments for their three children. Hayworth ended up paying most of Haymes's debts.  Haymes was born in Argentina, and did not have solid proof of American citizenship. Not long after he met Hayworth, U.S. officials initiated proceedings to have him deported to Argentina for being an illegal alien. He hoped Hayworth could influence the government and keep him in the United States. When she assumed responsibility for his citizenship, a bond was formed that led to marriage. The two were married on September 24, 1953, at the Sands Hotel, Las Vegas, and their wedding procession went through the casino.  From the start of their marriage, Haymes was deeply indebted to the Internal Revenue Service (IRS). When Hayworth took time off from attending his comeback performances in Philadelphia, the audiences sharply declined. Haymes's $5000 weekly salary was attached by the IRS to pay a $100,000 bill, and he was unable to pay his pianist. Haymes' ex-wives demanded money while Hayworth publicly bemoaned her own lack of alimony from Aly Khan. At one point, the couple was effectively imprisoned in a hotel room for 24 hours in Manhattan at the Hotel Madison as sheriff's deputies waited outside threatening to arrest Haymes for outstanding debts. At the same time, Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children. While living in New York, Hayworth sent the children to live with their nanny in Westchester County. They were found and photographed by a reporter from Confidential magazine.  After a tumultuous two years together, Haymes struck Hayworth in the face in 1955 in public at the Cocoanut Grove nightclub in Los Angeles. Hayworth packed her bags, walked out, and never returned. The assault and crisis shook her, and her doctor ordered her to remain in bed for several days.  Hayworth was short of money after her marriage to Haymes. She had failed to gain child support from Aly Khan. She sued Orson Welles for back payment of child support which she claimed had never been paid. This effort was unsuccessful and added to her stress. CANNOTANSWER

Question: Was Rita Hayworth married to a movie star?
Answer: When Hayworth and Dick Haymes first met, he was still married and his singing career was waning.
Rita Hayworth

Context: When Hayworth and Dick Haymes first met, he was still married and his singing career was waning. When she showed up at the clubs, he got a larger audience. Haymes was desperate for money, because two of his former wives were taking legal action against him for unpaid child support. His financial problems were so bad, he could not return to California without being arrested. On July 7, 1954, his ex-wife Nora Eddington got a bench warrant for his arrest, because he owed her $3,800 in alimony. Less than a week earlier, his other ex-wife, Joanne Dru, also got a bench warrant because she said he owed $4,800 in support payments for their three children. Hayworth ended up paying most of Haymes's debts.  Haymes was born in Argentina, and did not have solid proof of American citizenship. Not long after he met Hayworth, U.S. officials initiated proceedings to have him deported to Argentina for being an illegal alien. He hoped Hayworth could influence the government and keep him in the United States. When she assumed responsibility for his citizenship, a bond was formed that led to marriage. The two were married on September 24, 1953, at the Sands Hotel, Las Vegas, and their wedding procession went through the casino.  From the start of their marriage, Haymes was deeply indebted to the Internal Revenue Service (IRS). When Hayworth took time off from attending his comeback performances in Philadelphia, the audiences sharply declined. Haymes's $5000 weekly salary was attached by the IRS to pay a $100,000 bill, and he was unable to pay his pianist. Haymes' ex-wives demanded money while Hayworth publicly bemoaned her own lack of alimony from Aly Khan. At one point, the couple was effectively imprisoned in a hotel room for 24 hours in Manhattan at the Hotel Madison as sheriff's deputies waited outside threatening to arrest Haymes for outstanding debts. At the same time, Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children. While living in New York, Hayworth sent the children to live with their nanny in Westchester County. They were found and photographed by a reporter from Confidential magazine.  After a tumultuous two years together, Haymes struck Hayworth in the face in 1955 in public at the Cocoanut Grove nightclub in Los Angeles. Hayworth packed her bags, walked out, and never returned. The assault and crisis shook her, and her doctor ordered her to remain in bed for several days.  Hayworth was short of money after her marriage to Haymes. She had failed to gain child support from Aly Khan. She sued Orson Welles for back payment of child support which she claimed had never been paid. This effort was unsuccessful and added to her stress. CANNOTANSWER

Question: What was Rita Hayworth's most notable film?
Answer: CANNOTANSWER
Rita Hayworth

Context: When Hayworth and Dick Haymes first met, he was still married and his singing career was waning. When she showed up at the clubs, he got a larger audience. Haymes was desperate for money, because two of his former wives were taking legal action against him for unpaid child support. His financial problems were so bad, he could not return to California without being arrested. On July 7, 1954, his ex-wife Nora Eddington got a bench warrant for his arrest, because he owed her $3,800 in alimony. Less than a week earlier, his other ex-wife, Joanne Dru, also got a bench warrant because she said he owed $4,800 in support payments for their three children. Hayworth ended up paying most of Haymes's debts.  Haymes was born in Argentina, and did not have solid proof of American citizenship. Not long after he met Hayworth, U.S. officials initiated proceedings to have him deported to Argentina for being an illegal alien. He hoped Hayworth could influence the government and keep him in the United States. When she assumed responsibility for his citizenship, a bond was formed that led to marriage. The two were married on September 24, 1953, at the Sands Hotel, Las Vegas, and their wedding procession went through the casino.  From the start of their marriage, Haymes was deeply indebted to the Internal Revenue Service (IRS). When Hayworth took time off from attending his comeback performances in Philadelphia, the audiences sharply declined. Haymes's $5000 weekly salary was attached by the IRS to pay a $100,000 bill, and he was unable to pay his pianist. Haymes' ex-wives demanded money while Hayworth publicly bemoaned her own lack of alimony from Aly Khan. At one point, the couple was effectively imprisoned in a hotel room for 24 hours in Manhattan at the Hotel Madison as sheriff's deputies waited outside threatening to arrest Haymes for outstanding debts. At the same time, Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children. While living in New York, Hayworth sent the children to live with their nanny in Westchester County. They were found and photographed by a reporter from Confidential magazine.  After a tumultuous two years together, Haymes struck Hayworth in the face in 1955 in public at the Cocoanut Grove nightclub in Los Angeles. Hayworth packed her bags, walked out, and never returned. The assault and crisis shook her, and her doctor ordered her to remain in bed for several days.  Hayworth was short of money after her marriage to Haymes. She had failed to gain child support from Aly Khan. She sued Orson Welles for back payment of child support which she claimed had never been paid. This effort was unsuccessful and added to her stress. CANNOTANSWER

Question: What film genres did Rita Hayworth perform in?
Answer: CANNOTANSWER
Rita Hayworth

Context: When Hayworth and Dick Haymes first met, he was still married and his singing career was waning. When she showed up at the clubs, he got a larger audience. Haymes was desperate for money, because two of his former wives were taking legal action against him for unpaid child support. His financial problems were so bad, he could not return to California without being arrested. On July 7, 1954, his ex-wife Nora Eddington got a bench warrant for his arrest, because he owed her $3,800 in alimony. Less than a week earlier, his other ex-wife, Joanne Dru, also got a bench warrant because she said he owed $4,800 in support payments for their three children. Hayworth ended up paying most of Haymes's debts.  Haymes was born in Argentina, and did not have solid proof of American citizenship. Not long after he met Hayworth, U.S. officials initiated proceedings to have him deported to Argentina for being an illegal alien. He hoped Hayworth could influence the government and keep him in the United States. When she assumed responsibility for his citizenship, a bond was formed that led to marriage. The two were married on September 24, 1953, at the Sands Hotel, Las Vegas, and their wedding procession went through the casino.  From the start of their marriage, Haymes was deeply indebted to the Internal Revenue Service (IRS). When Hayworth took time off from attending his comeback performances in Philadelphia, the audiences sharply declined. Haymes's $5000 weekly salary was attached by the IRS to pay a $100,000 bill, and he was unable to pay his pianist. Haymes' ex-wives demanded money while Hayworth publicly bemoaned her own lack of alimony from Aly Khan. At one point, the couple was effectively imprisoned in a hotel room for 24 hours in Manhattan at the Hotel Madison as sheriff's deputies waited outside threatening to arrest Haymes for outstanding debts. At the same time, Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children. While living in New York, Hayworth sent the children to live with their nanny in Westchester County. They were found and photographed by a reporter from Confidential magazine.  After a tumultuous two years together, Haymes struck Hayworth in the face in 1955 in public at the Cocoanut Grove nightclub in Los Angeles. Hayworth packed her bags, walked out, and never returned. The assault and crisis shook her, and her doctor ordered her to remain in bed for several days.  Hayworth was short of money after her marriage to Haymes. She had failed to gain child support from Aly Khan. She sued Orson Welles for back payment of child support which she claimed had never been paid. This effort was unsuccessful and added to her stress. CANNOTANSWER

Question: Did Rita Hayworth have any children?
Answer: Hayworth was fighting a severe custody battle with Khan, during which she reported death threats against their children.