gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bob Knight

Context: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part.  Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,  Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!'  To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor."  In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962. CANNOTANSWER

Question: Was Bob Knight a star at Ohio state?
Answer: Due in part to the star power of those Ohio State teams, Knight usually received scant playing time,
Bob Knight

Context: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part.  Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,  Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!'  To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor."  In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962. CANNOTANSWER

Question: Did Bob Knight receive any awards?
Answer: lettering in basketball at Ohio State,
Bob Knight

Context: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part.  Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,  Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!'  To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor."  In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962. CANNOTANSWER

Question: Did Bob Knight receive any other awards besides Lettering in Basketball at Ohio State?
Answer: lettered in football and baseball;
Bob Knight

Context: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part.  Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,  Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!'  To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor."  In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962. CANNOTANSWER

Question: What did Bob Knight do after basketball?
Answer: CANNOTANSWER
Bob Knight

Context: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part.  Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,  Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!'  To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor."  In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962. CANNOTANSWER

Question: Did Bob Knight graduate from Ohio State?
Answer: Knight graduated with a degree in history and government in 1962.
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: How did the American rock-and-roll band Exile get their start?
Answer: 1963, a group of high school students started a rock and roll band in Richmond, Kentucky.
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: Did the American band Exile have any influences?
Answer: from the influx of Cubans into the United States after the Fidel Castro takeover
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: How did the influx of Cubans into the United States influence Exile?
Answer: There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society.
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: When did Exile release their first album?
Answer: In the early 1960s
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: Did Exile's first album contain any singles?
Answer: one was named "The Answer to Her Prayers
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: Did Exile win any awards?
Answer: CANNOTANSWER
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: Besides Exile's first album, are there any other interesting aspects about this article?
Answer: In the late 1960s, they recorded for both Date Records and Columbia Records,
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: Why did Exile record for both Date Records and Columbia Records?
Answer: the Exiles developed and polished their sound.
Exile (American band)

Context: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..."  Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over".  When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others.  In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James). CANNOTANSWER

Question: Did Exile leave Date Records due to a conflict?
Answer: CANNOTANSWER
The Living End

Context: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria.  In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases.  On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage. CANNOTANSWER

Question: What is The Longnecks?
Answer: The Living End developed a side project, The Longnecks,
The Living End

Context: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria.  In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases.  On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage. CANNOTANSWER

Question: What was involved with The Longnecks?
Answer: to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention.
The Living End

Context: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria.  In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases.  On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage. CANNOTANSWER

Question: Did Modern ARTillery win any awards or honors?
Answer: CANNOTANSWER
The Living End

Context: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria.  In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases.  On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage. CANNOTANSWER

Question: What else did The Living End do between 2002 and 2005 besides create The Longnecks and Modern ARTillery?
Answer: In mid-2002 The Living End recorded four tracks,
The Living End

Context: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria.  In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases.  On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage. CANNOTANSWER

Question: What were the four songs that The Living End recorded in mid-2002?
Answer: "One Said to the Other",
The Living End

Context: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria.  In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases.  On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage. CANNOTANSWER

Question: What was another song recorded by The Living End in mid-2002 besides "One Said to the Other"?
Answer: "Who's Gonna Save Us?"
Bob Cousy

Context: Cousy took up basketball at the age of 13 as a student at St. Pascal's elementary school, and was "immediately hooked". The following year, he entered Andrew Jackson High School in St Albans. His basketball success was not immediate, and in fact he was cut from the school team in his first year. Later that year, he joined the St. Albans Lindens of the Press League, a basketball league sponsored by the Long Island Press, where he began to develop his basketball skills and gained much-needed experience. The next year, however, he was again cut during the tryouts for the school basketball team.  That same year, he fell out of a tree and broke his right hand. The injury forced him to play left-handed until his hand healed, making him effectively ambidextrous. In retrospect, he described this accident as "a fortunate event" and cited it as a factor in making him more versatile on the court. During a Press League game, the high school basketball coach saw him play. He was impressed by the budding star's two-handed ability and invited Cousy to come to practice the following day to try out for the junior varsity team. He did well enough to become a permanent member of the JV squad. He continued to practice day and night, and by his junior year was sure he was going to be promoted to the varsity; but failing his citizenship course made him ineligible for the first semester. He joined the varsity squad midway through the season, however, scoring 28 points in his first game. He had no intention of attending college, but after he started to make a name for himself on the basketball court he started to focus on improving in both academics and basketball skills to make it easier for him to get into college.  He again excelled in basketball his senior year, leading his team to the Queens divisional championship and amassing more points than any other New York City high school basketball player. He was even named captain of the Journal-American All-Scholastic team. He then began to plan for college. His family had wanted him to attend a Catholic school, and he wanted to go somewhere outside New York City. Boston College recruited him, and he considered accepting the BC offer, but it had no dormitories, and he was not interested in being a commuter student. Soon afterward, he received an offer from the College of the Holy Cross in Worcester, Massachusetts about forty miles (64 kilometers) west of Boston. He was impressed by the school, and accepted the basketball scholarship it offered him. He spent the summer before matriculating working at Tamarack Lodge in the Catskill Mountains and playing in a local basketball league along with a number of established college players. CANNOTANSWER

Question: What did Bob Cousy in Jackson High School?
Answer: His basketball success was not immediate, and in fact he was cut from the school team in his first year.