gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: Besides Love no theme, did Ai Otsuka have a other releases?
Answer: Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007,
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: Besides Ai Otsuka's Ai an Best tour, are there any other interesting aspects about Ai Otsuka?
Answer: On September 26, 2007, Otsuka released two CDs and a DVD.
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: What dvd did Ai Otsuka release?
Answer: a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: How well did Ai Otsuka's Ai and Best DVD do?
Answer: The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour.
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: What CD's were released by Ai Otsuka?
Answer: The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook.
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: How many copies did Ai Otsuka's Ai am Best sell?
Answer: The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: Besides her DVD, is there anything else interesting about Ai Otsuka?
Answer: ". "Love no Theme" was sung on her Jam Punch Tour 2005.
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: Besides, Jam Punch, where did Ai Otsuka tour?
Answer: CANNOTANSWER
Ai Otsuka

Context: On April 11, 2007 Otsuka released a new single, "Love no Theme," as the self-created bunny rabbit character "Love-chan". "Love no Theme" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to "Love no Theme". The "Love no Theme" single included a preview of a new single featuring Love, titled "White Choco." This song could only be found previously on the promotional CD released before "Momo no Hanabira". "Love no Theme" unfortunately did not sell as well as Otsuka's normal singles.  Otsuka released her first single after Ai am Best, "Peach/Heart" on July 25, 2007. The first A-side "Peach" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second "Heart" is a mid-tempo track. The single also includes a rearranged version of "Renai Shashin", titled "Renai Shashin -Haru-" (Lian Ai Xie Zhen  -Chun -, Love Photograph -Spring-).  On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from "Frienger" to "Peach/Heart", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of "Heart" and "Kumuriuta" (kumuriuta), a song from the album. The first-press of the DVD also includes the PV of "U-Boat," while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album "Ai am Best" in CD-only format.  Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.  Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. CANNOTANSWER

Question: How did Ai Otsuka's tour do?
Answer: Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka.
Les Paul

Context: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage. CANNOTANSWER

Question: What was Les Paul's first radio show?
Answer: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC
Les Paul

Context: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage. CANNOTANSWER

Question: What was Les Paul's next show, after The Les Paul Show on NBC?
Answer: The Les Paul & Mary Ford Show
Les Paul

Context: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage. CANNOTANSWER

Question: What did Les Paul do on TV?
Answer: therefore was used as a brief interlude or fill-in in programming schedules.
Les Paul

Context: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage. CANNOTANSWER

Question: Were Les Paul's shows popular?
Answer: CANNOTANSWER
Les Paul

Context: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage. CANNOTANSWER

Question: Are there any other interesting aspects about this article, besides that Paul had hosted a 15-minute radio program called The Les Paul Show?
Answer: he maintained the original recordings and was in the process of restoring them to current quality standards until his death.
Les Paul

Context: Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC Radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil", and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.  The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (also known as Les Paul & Mary Ford at Home) with "Vaya Con Dios" as the theme song. Sponsored by Warner-Lambert's Listerine mouthwash, it was aired on NBC television during 1954-1955, and then syndicated until 1960. The show aired five times a day, five days a week for only five minutes (one or two songs) long, and therefore was used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards until his death.  During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, such as a guitar sound or a voice. It was Paul's way of explaining how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later, Paul created a real Les Paulverizer that he attached to his guitar. The invention allowed Paul to access pre-recorded layers of songs during live performances so he could replicate his recorded sound on stage. CANNOTANSWER

Question: How did Les Paul try to restore the original recordings?
Answer: CANNOTANSWER
Rufus Thomas

Context: In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. The song, "Cause I Love You", featuring a rhythm borrowed from Jesse Hill's "Ooh Poo Pa Doo", was a regional hit; the musicians included Thomas' son Marvell on keyboards, Steinberg, and the 16-year-old Booker T. Jones. The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records.  Rufus Thomas continued to record for the label after Carla's record "Gee Whiz" reached the national R&B chart in 1961. He had his own hit with "The Dog", a song he had originally improvised in performance based on a Willie Mitchell bass line, complete with imitations of a barking dog. The 1963 follow-up, "Walking the Dog", engineered by Tom Dowd of Atlantic, became one of his most successful records, reaching #10 on the Billboard pop chart. He became the first, and still the only, father to debut in the Top 10 after his daughter had first appeared there. The song was recorded in early 1964 by the Rolling Stones on their debut album, and was a minor UK chart hit for Merseybeat group the Dennisons later that year.  As well as recording and appearing on radio and in clubs, Thomas continued to work as a boiler operator in the textile plant, where he claimed the noises sometimes suggested musical rhythms and lyrics to him, before he finally gave up the job in 1963, to focus on his role as a singer and entertainer. He recorded a series of novelty dance tracks, including "Can Your Monkey Do the Dog'" and '"Somebody Stole My Dog" for Stax, where he was often backed by Booker T. & the MGs or the Bar-Kays. He also became a mentor to younger Stax stars, giving advice on stage moves to performers like Otis Redding, who partnered daughter Carla on record.  After "Jump Back" in 1964, the hits dried up for several years, as Stax gave more attention to younger artists and musicians. However, in 1970 he had another big hit with "Do the Funky Chicken", which reached #5 on the R&B chart, #28 on the pop chart, and #18 in Britain where it was his only chart hit. Thomas improvised the song while performing with Willie Mitchell's band at a club in Covington, Tennessee, including a spoken word section that he regularly used as a shtick as a radio DJ: "Oh I feel so unnecessary - this is the kind of stuff that makes you feel like you wanna do something nasty, like waste some chicken gravy on your white shirt right down front." The recording was produced by Al Bell and Tom Nixon, and used the Bar-Kays, featuring guitarist Michael Toles. Thomas continued to work with Bell and Nixon as producers, and later in 1970 had his only number 1 R&B hit, and his highest pop charting record, with another dance song, "Do the Push and Pull". A further dance-oriented release in 1971, "The Breakdown", climbed to number 2 R&B and number 31 Pop. In 1972, he featured in the Wattstax concert, and he had several further, less successful, hits before Stax collapsed in 1976. CANNOTANSWER

Question: Did Rufus Thomas went on tour when he recorded at Stax ?
Answer: CANNOTANSWER
Bill Veeck

Context: Veeck had been a fan of the Negro Leagues since his early teens. He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago. Saperstein saved Veeck from financial disaster early on in Milwaukee by giving him the right to promote the Globetrotters in the upper Midwest in the winter of 1941-42.  In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying the struggling National League team. He later wrote in his memoirs that he intended to buy the Phillies and stock the team's roster with stars from the Negro Leagues. Veeck quickly secured financing to buy the Phillies, and agreed in principle to buy the team from Nugent. While on his way to Philadelphia to close on the purchase, Veeck decided to alert MLB Commissioner Kenesaw Mountain Landis of his intentions. Although Veeck knew Landis was an ardent segregationist, he did not believe Landis would dare say black players were unwelcome while blacks were fighting in World War II. By the time he arrived in Philadelphia, Veeck discovered the Phillies had been officially taken over by the National League and that a new owner was being sought (the Phillies were ultimately sold to lumber baron William D. Cox).  The authors of a controversial article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies and filling their roster with Negro leaguers, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. Subsequently, the article was strongly challenged by the late historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line." CANNOTANSWER

Question: Was Bill Veeck a sportsfan?
Answer: He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago.
Bill Veeck

Context: Veeck had been a fan of the Negro Leagues since his early teens. He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago. Saperstein saved Veeck from financial disaster early on in Milwaukee by giving him the right to promote the Globetrotters in the upper Midwest in the winter of 1941-42.  In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying the struggling National League team. He later wrote in his memoirs that he intended to buy the Phillies and stock the team's roster with stars from the Negro Leagues. Veeck quickly secured financing to buy the Phillies, and agreed in principle to buy the team from Nugent. While on his way to Philadelphia to close on the purchase, Veeck decided to alert MLB Commissioner Kenesaw Mountain Landis of his intentions. Although Veeck knew Landis was an ardent segregationist, he did not believe Landis would dare say black players were unwelcome while blacks were fighting in World War II. By the time he arrived in Philadelphia, Veeck discovered the Phillies had been officially taken over by the National League and that a new owner was being sought (the Phillies were ultimately sold to lumber baron William D. Cox).  The authors of a controversial article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies and filling their roster with Negro leaguers, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. Subsequently, the article was strongly challenged by the late historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line." CANNOTANSWER

Question: When did Bill Veeck get involved with the Phillies?
Answer: In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying
Bill Veeck

Context: Veeck had been a fan of the Negro Leagues since his early teens. He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago. Saperstein saved Veeck from financial disaster early on in Milwaukee by giving him the right to promote the Globetrotters in the upper Midwest in the winter of 1941-42.  In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying the struggling National League team. He later wrote in his memoirs that he intended to buy the Phillies and stock the team's roster with stars from the Negro Leagues. Veeck quickly secured financing to buy the Phillies, and agreed in principle to buy the team from Nugent. While on his way to Philadelphia to close on the purchase, Veeck decided to alert MLB Commissioner Kenesaw Mountain Landis of his intentions. Although Veeck knew Landis was an ardent segregationist, he did not believe Landis would dare say black players were unwelcome while blacks were fighting in World War II. By the time he arrived in Philadelphia, Veeck discovered the Phillies had been officially taken over by the National League and that a new owner was being sought (the Phillies were ultimately sold to lumber baron William D. Cox).  The authors of a controversial article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies and filling their roster with Negro leaguers, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. Subsequently, the article was strongly challenged by the late historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line." CANNOTANSWER

Question: Why did Bill Veeck want to buy the team?
Answer: stock the team's roster with stars from the Negro Leagues.
Bill Veeck

Context: Veeck had been a fan of the Negro Leagues since his early teens. He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago. Saperstein saved Veeck from financial disaster early on in Milwaukee by giving him the right to promote the Globetrotters in the upper Midwest in the winter of 1941-42.  In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying the struggling National League team. He later wrote in his memoirs that he intended to buy the Phillies and stock the team's roster with stars from the Negro Leagues. Veeck quickly secured financing to buy the Phillies, and agreed in principle to buy the team from Nugent. While on his way to Philadelphia to close on the purchase, Veeck decided to alert MLB Commissioner Kenesaw Mountain Landis of his intentions. Although Veeck knew Landis was an ardent segregationist, he did not believe Landis would dare say black players were unwelcome while blacks were fighting in World War II. By the time he arrived in Philadelphia, Veeck discovered the Phillies had been officially taken over by the National League and that a new owner was being sought (the Phillies were ultimately sold to lumber baron William D. Cox).  The authors of a controversial article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies and filling their roster with Negro leaguers, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. Subsequently, the article was strongly challenged by the late historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line." CANNOTANSWER

Question: Did Bill Veeck have enough money to buy the team?
Answer: The National Pastime argued that Veeck invented the story of buying the Phillies
Bill Veeck

Context: Veeck had been a fan of the Negro Leagues since his early teens. He had also admired Abe Saperstein's Harlem Globetrotters basketball team, which was based in Chicago. Saperstein saved Veeck from financial disaster early on in Milwaukee by giving him the right to promote the Globetrotters in the upper Midwest in the winter of 1941-42.  In the fall of 1942, Veeck met with Gerry Nugent, president of the Philadelphia Phillies, to discuss the possibility of buying the struggling National League team. He later wrote in his memoirs that he intended to buy the Phillies and stock the team's roster with stars from the Negro Leagues. Veeck quickly secured financing to buy the Phillies, and agreed in principle to buy the team from Nugent. While on his way to Philadelphia to close on the purchase, Veeck decided to alert MLB Commissioner Kenesaw Mountain Landis of his intentions. Although Veeck knew Landis was an ardent segregationist, he did not believe Landis would dare say black players were unwelcome while blacks were fighting in World War II. By the time he arrived in Philadelphia, Veeck discovered the Phillies had been officially taken over by the National League and that a new owner was being sought (the Phillies were ultimately sold to lumber baron William D. Cox).  The authors of a controversial article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies and filling their roster with Negro leaguers, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. Subsequently, the article was strongly challenged by the late historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line." CANNOTANSWER

Question: Besides Bill Veeck what other controversy was going on?
Answer: The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?",