gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What did Bill Laswell do in the late 1990s?
Answer: Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa.
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What more is known of the late 1900's in Laswell's life in addition to the release of two remix albums?
Answer: The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records.
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What was the other late 1900's change in addition to Blackwell leaving Island Records?
Answer: The other change came in the form of studio space.
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What happened to the Island Records studio space?
Answer: Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: Where did Laswell move the studio to?
Answer: West Orange, New Jersey, calling it
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What happened after Laswell and Island Records moved?
Answer: calling it Orange Music Sound Studios.
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What other significant things happened during the early 1900's period in addition to moving and renaming the studio?
Answer: Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: By whom did Blackwell request the album series of remixes by?
Answer: various producers who were rooted in the reggae/dub tradition.
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: What is the most interesting information about Laswell in the late 1990s?
Answer: For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them,
Bill Laswell

Context: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums.  For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media.  The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios. CANNOTANSWER

Question: How were the tapes from Miles' "electric period" re-imagined received by the audience?
Answer: critic and fan responses varied wildly,
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: When was Duane Allman born?
Answer: Duane Allman was born on November 20, 1946, in Nashville, Tennessee.
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: Other than Duane Allman's birthdate and place of birth, are there any other interesting aspects about this article?
Answer: On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered.
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: Was Duane Allman married?
Answer: CANNOTANSWER
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: Did Duane Allman have children?
Answer: CANNOTANSWER
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: What is the most interesting part of Duane Allman's early years?
Answer: The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor.
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: Did Gregg start playing guitar after learning basics from a neighbor?
Answer: he had saved enough money to buy his first guitar,
Duane Allman

Context: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947.  On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School.  The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior.  It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two. CANNOTANSWER

Question: Did Gregg write songs?
Answer: CANNOTANSWER
The Oak Ridge Boys

Context: In 1987 Where The Fast Lane Ends was released. It was the first with new producer Jimmy Bowen, and was the group's last album before the 1987 departure of William Lee Golden. Golden's departure was preceded by much discussion--both by the public and other members of the group--about his "mountain man" appearance after he stopped cutting his hair and beard altogether, as well as his cutting solo material for MCA Records, releasing the critically acclaimed American Vagabond in 1986. Golden complained that he felt like the "odd man out". He was replaced by the band's guitarist, Steve Sanders.  The group released four more albums for MCA, including a third Greatest Hits album that contained a previously unreleased single they had recorded for the Take Pride In America campaign. They moved to RCA Nashville and made three albums there, including Best Of The Oak Ridge Boys which included a single they had made for the My Heroes Have Always Been Cowboys movie soundtrack. The move to RCA did not work out because the person who had signed them there moved to another label shortly thereafter, and his replacement wanted to promote Alabama more than the Oak Ridge Boys. They switched again and signed with Liberty Records, (Capitol's Nashville-based label), for whom they made their third Christmas album.  Baritone Steve Sanders had been dealing with personal problems (including serious issues with his ex-wife) for some time, and they were increasingly becoming problems for the rest of the group as well. He gave notice in late 1995, but then walked out mere hours before a concert. The group called Duane Allen's son, Dee, to fly there and fill in; he did so for the remainder of the year, with occasional help from his brother-in-law Paul Martin. (Martin had previously replaced J.P. Pennington as lead singer of Exile in the early 1990s until that band's disbanding.) At midnight on New Year's Day 1996, at the Star Plaza Theatre in Merrillville, Indiana, Golden returned to the group. That year they made a two disc gospel set, "Revival" (their first full gospel album since 1976) with Leon Russell producing. This was sold on TV and later by the Oak Ridge Boys themselves at concerts and through the mail. In 1998 Sanders committed suicide.  Over the next few years, the group collaborated on an album with polka instrumentalist Jimmy Sturr and then made an album for Platinum Records called Voices. CANNOTANSWER

Question: What happen in 1987 to the Oak Ridge Boys ?
Answer: In 1987 Where The Fast Lane Ends was released.
The Oak Ridge Boys

Context: In 1987 Where The Fast Lane Ends was released. It was the first with new producer Jimmy Bowen, and was the group's last album before the 1987 departure of William Lee Golden. Golden's departure was preceded by much discussion--both by the public and other members of the group--about his "mountain man" appearance after he stopped cutting his hair and beard altogether, as well as his cutting solo material for MCA Records, releasing the critically acclaimed American Vagabond in 1986. Golden complained that he felt like the "odd man out". He was replaced by the band's guitarist, Steve Sanders.  The group released four more albums for MCA, including a third Greatest Hits album that contained a previously unreleased single they had recorded for the Take Pride In America campaign. They moved to RCA Nashville and made three albums there, including Best Of The Oak Ridge Boys which included a single they had made for the My Heroes Have Always Been Cowboys movie soundtrack. The move to RCA did not work out because the person who had signed them there moved to another label shortly thereafter, and his replacement wanted to promote Alabama more than the Oak Ridge Boys. They switched again and signed with Liberty Records, (Capitol's Nashville-based label), for whom they made their third Christmas album.  Baritone Steve Sanders had been dealing with personal problems (including serious issues with his ex-wife) for some time, and they were increasingly becoming problems for the rest of the group as well. He gave notice in late 1995, but then walked out mere hours before a concert. The group called Duane Allen's son, Dee, to fly there and fill in; he did so for the remainder of the year, with occasional help from his brother-in-law Paul Martin. (Martin had previously replaced J.P. Pennington as lead singer of Exile in the early 1990s until that band's disbanding.) At midnight on New Year's Day 1996, at the Star Plaza Theatre in Merrillville, Indiana, Golden returned to the group. That year they made a two disc gospel set, "Revival" (their first full gospel album since 1976) with Leon Russell producing. This was sold on TV and later by the Oak Ridge Boys themselves at concerts and through the mail. In 1998 Sanders committed suicide.  Over the next few years, the group collaborated on an album with polka instrumentalist Jimmy Sturr and then made an album for Platinum Records called Voices. CANNOTANSWER

Question: How did The Fast Lane Ends album do?
Answer: CANNOTANSWER
The Oak Ridge Boys

Context: In 1987 Where The Fast Lane Ends was released. It was the first with new producer Jimmy Bowen, and was the group's last album before the 1987 departure of William Lee Golden. Golden's departure was preceded by much discussion--both by the public and other members of the group--about his "mountain man" appearance after he stopped cutting his hair and beard altogether, as well as his cutting solo material for MCA Records, releasing the critically acclaimed American Vagabond in 1986. Golden complained that he felt like the "odd man out". He was replaced by the band's guitarist, Steve Sanders.  The group released four more albums for MCA, including a third Greatest Hits album that contained a previously unreleased single they had recorded for the Take Pride In America campaign. They moved to RCA Nashville and made three albums there, including Best Of The Oak Ridge Boys which included a single they had made for the My Heroes Have Always Been Cowboys movie soundtrack. The move to RCA did not work out because the person who had signed them there moved to another label shortly thereafter, and his replacement wanted to promote Alabama more than the Oak Ridge Boys. They switched again and signed with Liberty Records, (Capitol's Nashville-based label), for whom they made their third Christmas album.  Baritone Steve Sanders had been dealing with personal problems (including serious issues with his ex-wife) for some time, and they were increasingly becoming problems for the rest of the group as well. He gave notice in late 1995, but then walked out mere hours before a concert. The group called Duane Allen's son, Dee, to fly there and fill in; he did so for the remainder of the year, with occasional help from his brother-in-law Paul Martin. (Martin had previously replaced J.P. Pennington as lead singer of Exile in the early 1990s until that band's disbanding.) At midnight on New Year's Day 1996, at the Star Plaza Theatre in Merrillville, Indiana, Golden returned to the group. That year they made a two disc gospel set, "Revival" (their first full gospel album since 1976) with Leon Russell producing. This was sold on TV and later by the Oak Ridge Boys themselves at concerts and through the mail. In 1998 Sanders committed suicide.  Over the next few years, the group collaborated on an album with polka instrumentalist Jimmy Sturr and then made an album for Platinum Records called Voices. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than the Album 'Fast Lane Ends'?
Answer: The group released four more albums for MCA,
The Oak Ridge Boys

Context: In 1987 Where The Fast Lane Ends was released. It was the first with new producer Jimmy Bowen, and was the group's last album before the 1987 departure of William Lee Golden. Golden's departure was preceded by much discussion--both by the public and other members of the group--about his "mountain man" appearance after he stopped cutting his hair and beard altogether, as well as his cutting solo material for MCA Records, releasing the critically acclaimed American Vagabond in 1986. Golden complained that he felt like the "odd man out". He was replaced by the band's guitarist, Steve Sanders.  The group released four more albums for MCA, including a third Greatest Hits album that contained a previously unreleased single they had recorded for the Take Pride In America campaign. They moved to RCA Nashville and made three albums there, including Best Of The Oak Ridge Boys which included a single they had made for the My Heroes Have Always Been Cowboys movie soundtrack. The move to RCA did not work out because the person who had signed them there moved to another label shortly thereafter, and his replacement wanted to promote Alabama more than the Oak Ridge Boys. They switched again and signed with Liberty Records, (Capitol's Nashville-based label), for whom they made their third Christmas album.  Baritone Steve Sanders had been dealing with personal problems (including serious issues with his ex-wife) for some time, and they were increasingly becoming problems for the rest of the group as well. He gave notice in late 1995, but then walked out mere hours before a concert. The group called Duane Allen's son, Dee, to fly there and fill in; he did so for the remainder of the year, with occasional help from his brother-in-law Paul Martin. (Martin had previously replaced J.P. Pennington as lead singer of Exile in the early 1990s until that band's disbanding.) At midnight on New Year's Day 1996, at the Star Plaza Theatre in Merrillville, Indiana, Golden returned to the group. That year they made a two disc gospel set, "Revival" (their first full gospel album since 1976) with Leon Russell producing. This was sold on TV and later by the Oak Ridge Boys themselves at concerts and through the mail. In 1998 Sanders committed suicide.  Over the next few years, the group collaborated on an album with polka instrumentalist Jimmy Sturr and then made an album for Platinum Records called Voices. CANNOTANSWER

Question: What was the name of the albums that rhe Oak Ridge Boys released?
Answer: CANNOTANSWER
The Oak Ridge Boys

Context: In 1987 Where The Fast Lane Ends was released. It was the first with new producer Jimmy Bowen, and was the group's last album before the 1987 departure of William Lee Golden. Golden's departure was preceded by much discussion--both by the public and other members of the group--about his "mountain man" appearance after he stopped cutting his hair and beard altogether, as well as his cutting solo material for MCA Records, releasing the critically acclaimed American Vagabond in 1986. Golden complained that he felt like the "odd man out". He was replaced by the band's guitarist, Steve Sanders.  The group released four more albums for MCA, including a third Greatest Hits album that contained a previously unreleased single they had recorded for the Take Pride In America campaign. They moved to RCA Nashville and made three albums there, including Best Of The Oak Ridge Boys which included a single they had made for the My Heroes Have Always Been Cowboys movie soundtrack. The move to RCA did not work out because the person who had signed them there moved to another label shortly thereafter, and his replacement wanted to promote Alabama more than the Oak Ridge Boys. They switched again and signed with Liberty Records, (Capitol's Nashville-based label), for whom they made their third Christmas album.  Baritone Steve Sanders had been dealing with personal problems (including serious issues with his ex-wife) for some time, and they were increasingly becoming problems for the rest of the group as well. He gave notice in late 1995, but then walked out mere hours before a concert. The group called Duane Allen's son, Dee, to fly there and fill in; he did so for the remainder of the year, with occasional help from his brother-in-law Paul Martin. (Martin had previously replaced J.P. Pennington as lead singer of Exile in the early 1990s until that band's disbanding.) At midnight on New Year's Day 1996, at the Star Plaza Theatre in Merrillville, Indiana, Golden returned to the group. That year they made a two disc gospel set, "Revival" (their first full gospel album since 1976) with Leon Russell producing. This was sold on TV and later by the Oak Ridge Boys themselves at concerts and through the mail. In 1998 Sanders committed suicide.  Over the next few years, the group collaborated on an album with polka instrumentalist Jimmy Sturr and then made an album for Platinum Records called Voices. CANNOTANSWER

Question: What else did you read that was important other than 5 albums that Oak Ridge Boys released?
Answer: They moved to RCA Nashville and made three albums there,
The Oak Ridge Boys

Context: In 1987 Where The Fast Lane Ends was released. It was the first with new producer Jimmy Bowen, and was the group's last album before the 1987 departure of William Lee Golden. Golden's departure was preceded by much discussion--both by the public and other members of the group--about his "mountain man" appearance after he stopped cutting his hair and beard altogether, as well as his cutting solo material for MCA Records, releasing the critically acclaimed American Vagabond in 1986. Golden complained that he felt like the "odd man out". He was replaced by the band's guitarist, Steve Sanders.  The group released four more albums for MCA, including a third Greatest Hits album that contained a previously unreleased single they had recorded for the Take Pride In America campaign. They moved to RCA Nashville and made three albums there, including Best Of The Oak Ridge Boys which included a single they had made for the My Heroes Have Always Been Cowboys movie soundtrack. The move to RCA did not work out because the person who had signed them there moved to another label shortly thereafter, and his replacement wanted to promote Alabama more than the Oak Ridge Boys. They switched again and signed with Liberty Records, (Capitol's Nashville-based label), for whom they made their third Christmas album.  Baritone Steve Sanders had been dealing with personal problems (including serious issues with his ex-wife) for some time, and they were increasingly becoming problems for the rest of the group as well. He gave notice in late 1995, but then walked out mere hours before a concert. The group called Duane Allen's son, Dee, to fly there and fill in; he did so for the remainder of the year, with occasional help from his brother-in-law Paul Martin. (Martin had previously replaced J.P. Pennington as lead singer of Exile in the early 1990s until that band's disbanding.) At midnight on New Year's Day 1996, at the Star Plaza Theatre in Merrillville, Indiana, Golden returned to the group. That year they made a two disc gospel set, "Revival" (their first full gospel album since 1976) with Leon Russell producing. This was sold on TV and later by the Oak Ridge Boys themselves at concerts and through the mail. In 1998 Sanders committed suicide.  Over the next few years, the group collaborated on an album with polka instrumentalist Jimmy Sturr and then made an album for Platinum Records called Voices. CANNOTANSWER

Question: When did Oak Ridge Boys move ?
Answer: CANNOTANSWER
Bushido (rapper)

Context: On 14 June 2012, Bushido announced in an interview with the Bild newspaper that he would found a political party with the aim of becoming mayor of Berlin. The same month he completed an internship for CDU deputy Christian von Stetten in the Paul-Lobe-Haus in Berlin, which led to a lot of criticism due to Bushido's controversial song lyrics and his criminal past.  Bushido announced his eleventh album AMYF via Facebook, which was also available for pre-sale on Amazon. Later the track list and the iTunes version were published. The first announcement video was put online on 22 August 2012, via YouTube on his channel. Bushido confirmed that the deluxe version features a DVD which shows footage of the recording period and also announced Sido, Eko Fresh, Julian Williams (aka J-Luv), MoTrip and Joka as guest performers. On 19 September 2012, Bushido released the second announcement video, in which he announced several producers, including Beatzarre, Djorkaeff, X-Plosive Beats and Phat Cripsy, and represented the other guest performers King Orgasmus One (who is only featured on the Premium edition) and Brutos Brutaloz. The third and last video released on 26 September 2012, where Bushido introduced Frauenarzt and Elmo as last guest features, and announced the premiere of his music video for "Kleine Bushidos" (released via YouTube on 4 October) and the next day the song was available for any digital platform. On 12 October, released AMYF and ranked No. 1 in the album chart position in Germany and Switzerland.  The second single "Theorie & Praxis" (featuring Joka) was released on 9 November 2012, but failed reaching the charts. The third and final single release of the album, "Panamera Flow" (featuring Shindy), released on 15 March 2013, and ranked no. 51 in Germany and Austria.  On 12 July 2013, released Shindy's debut single "Stress ohne Grund", which features Bushido, of his debut album NWA. After its release, the single caused controversy among the media and politicians. In the song, Bushido verbally attacked the politicians Serkan Toren, Claudia Roth and Klaus Wowereit. Toren and Wowereit filed charge against Bushido. The attorney of Berlin also filed charge against him for hate speech, libel, and depiction of violence in his lyrics. The Federal Department for Media Harmful to Young Persons indexed NWA and confirmed it on 5 September 2013. Bushido explained in several television broadcaster and online portals, including ARD and N24, that he didn't want to hurt anyone. His lyrics in the song were just a response to the insults, that Claudia Roth and Serkan Toren had made previously towards him. On 22 November, the district court dismissed the indictment as with regard to artistic freedom. CANNOTANSWER

Question: What is Bushido's AMYF?
Answer: his eleventh album