gaussalgo/Canard_Wiki-augmented huggingface dataset:
Al-Maʿarri

Context: Abu al-'Ala` was born in Ma'arra, modern Maarrat al-Nu'man, Syria, near the city of Aleppo, in December 973. At his time, the city was part of the Abbasid Caliphate, the third Islamic caliphate, and was during the Golden Age of Islam. He was a member of the Banu Sulayman, a notable family of Ma'arra, belonging to the larger Tanukh tribe. One of his ancestors was probably the first qadi of Ma'arra. The Tanukh tribe had formed part of the aristocracy in Syria for hundreds of years and some members of the Banu Sulayman had also been noted as good poets.  He lost his eyesight at the age of four due to smallpox. His later pessimism may be explained by his virtual blindness. Later in his life, he regarded himself as "a double prisoner" which referred to both this blindness and the general isolation that he felt during his life.  He started his career as a poet at an early age, at about 11 or 12 years old. He was educated at first in Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh. This grammarian and Islamic scholar had died in 980 CE when al-Ma'arri was still a child. Al-Ma'arri nevertheless laments the loss of Ibn Khalawayh in strong terms in a poem of his Risalat al-ghufran. Al-Qifti reports that when on his way to Tripoli, al-Ma'arri visited a Christian monastery near Latakia where he listened to debates about Hellenistic philosophy, which planted in him the seeds of his later scepticism and irreligiosity; but other historians such as Ibn al-Adim deny that he had been exposed to any theology other than Islamic doctrine.  In 1004-5 al-Ma'arri learned that his father had died and, in reaction, wrote an elegy where he praised his father. Years later he would travel to Baghdad where he became well received in the literary salons of the time, though he was a controversial figure. After the eighteen months in Baghdad, al-Ma'arri returned home for unknown reasons. He may have returned because his mother was ill, or he may have run out of money in Baghdad, as he refused to sell his works. He returned to his native town of Ma'arra in about 1010 and learned that his mother had died before his arrival.  He remained in Ma'arra for the rest of his life, where he opted for an ascetic lifestyle, refusing to sell his poems, living in seclusion and observing a strict vegetarian diet. His personal confinement to his house was only broken one time when violence had struck his town. Though he was confined, he lived out his later years continuing his work and collaborating with others. He enjoyed great respect and attracted many students locally, as well as actively holding correspondence with scholars abroad. Despite his intentions of living a secluded lifestyle, in his seventies, he became rich and was the most revered person in his area. Al-Ma'arri never married and died in May 1057 in his home town. CANNOTANSWER

Question: How old was Al-Ma'arri in Life?
Answer: He started his career as a poet at an early age, at about 11 or 12 years old.
Al-Maʿarri

Context: Abu al-'Ala` was born in Ma'arra, modern Maarrat al-Nu'man, Syria, near the city of Aleppo, in December 973. At his time, the city was part of the Abbasid Caliphate, the third Islamic caliphate, and was during the Golden Age of Islam. He was a member of the Banu Sulayman, a notable family of Ma'arra, belonging to the larger Tanukh tribe. One of his ancestors was probably the first qadi of Ma'arra. The Tanukh tribe had formed part of the aristocracy in Syria for hundreds of years and some members of the Banu Sulayman had also been noted as good poets.  He lost his eyesight at the age of four due to smallpox. His later pessimism may be explained by his virtual blindness. Later in his life, he regarded himself as "a double prisoner" which referred to both this blindness and the general isolation that he felt during his life.  He started his career as a poet at an early age, at about 11 or 12 years old. He was educated at first in Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh. This grammarian and Islamic scholar had died in 980 CE when al-Ma'arri was still a child. Al-Ma'arri nevertheless laments the loss of Ibn Khalawayh in strong terms in a poem of his Risalat al-ghufran. Al-Qifti reports that when on his way to Tripoli, al-Ma'arri visited a Christian monastery near Latakia where he listened to debates about Hellenistic philosophy, which planted in him the seeds of his later scepticism and irreligiosity; but other historians such as Ibn al-Adim deny that he had been exposed to any theology other than Islamic doctrine.  In 1004-5 al-Ma'arri learned that his father had died and, in reaction, wrote an elegy where he praised his father. Years later he would travel to Baghdad where he became well received in the literary salons of the time, though he was a controversial figure. After the eighteen months in Baghdad, al-Ma'arri returned home for unknown reasons. He may have returned because his mother was ill, or he may have run out of money in Baghdad, as he refused to sell his works. He returned to his native town of Ma'arra in about 1010 and learned that his mother had died before his arrival.  He remained in Ma'arra for the rest of his life, where he opted for an ascetic lifestyle, refusing to sell his poems, living in seclusion and observing a strict vegetarian diet. His personal confinement to his house was only broken one time when violence had struck his town. Though he was confined, he lived out his later years continuing his work and collaborating with others. He enjoyed great respect and attracted many students locally, as well as actively holding correspondence with scholars abroad. Despite his intentions of living a secluded lifestyle, in his seventies, he became rich and was the most revered person in his area. Al-Ma'arri never married and died in May 1057 in his home town. CANNOTANSWER

Question: Who supported Al-Ma'arri's work in Life?
Answer: Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh.
Al-Maʿarri

Context: Abu al-'Ala` was born in Ma'arra, modern Maarrat al-Nu'man, Syria, near the city of Aleppo, in December 973. At his time, the city was part of the Abbasid Caliphate, the third Islamic caliphate, and was during the Golden Age of Islam. He was a member of the Banu Sulayman, a notable family of Ma'arra, belonging to the larger Tanukh tribe. One of his ancestors was probably the first qadi of Ma'arra. The Tanukh tribe had formed part of the aristocracy in Syria for hundreds of years and some members of the Banu Sulayman had also been noted as good poets.  He lost his eyesight at the age of four due to smallpox. His later pessimism may be explained by his virtual blindness. Later in his life, he regarded himself as "a double prisoner" which referred to both this blindness and the general isolation that he felt during his life.  He started his career as a poet at an early age, at about 11 or 12 years old. He was educated at first in Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh. This grammarian and Islamic scholar had died in 980 CE when al-Ma'arri was still a child. Al-Ma'arri nevertheless laments the loss of Ibn Khalawayh in strong terms in a poem of his Risalat al-ghufran. Al-Qifti reports that when on his way to Tripoli, al-Ma'arri visited a Christian monastery near Latakia where he listened to debates about Hellenistic philosophy, which planted in him the seeds of his later scepticism and irreligiosity; but other historians such as Ibn al-Adim deny that he had been exposed to any theology other than Islamic doctrine.  In 1004-5 al-Ma'arri learned that his father had died and, in reaction, wrote an elegy where he praised his father. Years later he would travel to Baghdad where he became well received in the literary salons of the time, though he was a controversial figure. After the eighteen months in Baghdad, al-Ma'arri returned home for unknown reasons. He may have returned because his mother was ill, or he may have run out of money in Baghdad, as he refused to sell his works. He returned to his native town of Ma'arra in about 1010 and learned that his mother had died before his arrival.  He remained in Ma'arra for the rest of his life, where he opted for an ascetic lifestyle, refusing to sell his poems, living in seclusion and observing a strict vegetarian diet. His personal confinement to his house was only broken one time when violence had struck his town. Though he was confined, he lived out his later years continuing his work and collaborating with others. He enjoyed great respect and attracted many students locally, as well as actively holding correspondence with scholars abroad. Despite his intentions of living a secluded lifestyle, in his seventies, he became rich and was the most revered person in his area. Al-Ma'arri never married and died in May 1057 in his home town. CANNOTANSWER

Question: What religion were the people in Life?
Answer: third Islamic caliphate,
Al-Maʿarri

Context: Abu al-'Ala` was born in Ma'arra, modern Maarrat al-Nu'man, Syria, near the city of Aleppo, in December 973. At his time, the city was part of the Abbasid Caliphate, the third Islamic caliphate, and was during the Golden Age of Islam. He was a member of the Banu Sulayman, a notable family of Ma'arra, belonging to the larger Tanukh tribe. One of his ancestors was probably the first qadi of Ma'arra. The Tanukh tribe had formed part of the aristocracy in Syria for hundreds of years and some members of the Banu Sulayman had also been noted as good poets.  He lost his eyesight at the age of four due to smallpox. His later pessimism may be explained by his virtual blindness. Later in his life, he regarded himself as "a double prisoner" which referred to both this blindness and the general isolation that he felt during his life.  He started his career as a poet at an early age, at about 11 or 12 years old. He was educated at first in Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh. This grammarian and Islamic scholar had died in 980 CE when al-Ma'arri was still a child. Al-Ma'arri nevertheless laments the loss of Ibn Khalawayh in strong terms in a poem of his Risalat al-ghufran. Al-Qifti reports that when on his way to Tripoli, al-Ma'arri visited a Christian monastery near Latakia where he listened to debates about Hellenistic philosophy, which planted in him the seeds of his later scepticism and irreligiosity; but other historians such as Ibn al-Adim deny that he had been exposed to any theology other than Islamic doctrine.  In 1004-5 al-Ma'arri learned that his father had died and, in reaction, wrote an elegy where he praised his father. Years later he would travel to Baghdad where he became well received in the literary salons of the time, though he was a controversial figure. After the eighteen months in Baghdad, al-Ma'arri returned home for unknown reasons. He may have returned because his mother was ill, or he may have run out of money in Baghdad, as he refused to sell his works. He returned to his native town of Ma'arra in about 1010 and learned that his mother had died before his arrival.  He remained in Ma'arra for the rest of his life, where he opted for an ascetic lifestyle, refusing to sell his poems, living in seclusion and observing a strict vegetarian diet. His personal confinement to his house was only broken one time when violence had struck his town. Though he was confined, he lived out his later years continuing his work and collaborating with others. He enjoyed great respect and attracted many students locally, as well as actively holding correspondence with scholars abroad. Despite his intentions of living a secluded lifestyle, in his seventies, he became rich and was the most revered person in his area. Al-Ma'arri never married and died in May 1057 in his home town. CANNOTANSWER

Question: What else is interesting other than Al-Ma'arri in Life?
Answer: He lost his eyesight at the age of four due to smallpox.
Al-Maʿarri

Context: Abu al-'Ala` was born in Ma'arra, modern Maarrat al-Nu'man, Syria, near the city of Aleppo, in December 973. At his time, the city was part of the Abbasid Caliphate, the third Islamic caliphate, and was during the Golden Age of Islam. He was a member of the Banu Sulayman, a notable family of Ma'arra, belonging to the larger Tanukh tribe. One of his ancestors was probably the first qadi of Ma'arra. The Tanukh tribe had formed part of the aristocracy in Syria for hundreds of years and some members of the Banu Sulayman had also been noted as good poets.  He lost his eyesight at the age of four due to smallpox. His later pessimism may be explained by his virtual blindness. Later in his life, he regarded himself as "a double prisoner" which referred to both this blindness and the general isolation that he felt during his life.  He started his career as a poet at an early age, at about 11 or 12 years old. He was educated at first in Ma'arra and Aleppo, later also in Antioch and other Syrian cities. Among his teachers in Aleppo were companions from the circle of Ibn Khalawayh. This grammarian and Islamic scholar had died in 980 CE when al-Ma'arri was still a child. Al-Ma'arri nevertheless laments the loss of Ibn Khalawayh in strong terms in a poem of his Risalat al-ghufran. Al-Qifti reports that when on his way to Tripoli, al-Ma'arri visited a Christian monastery near Latakia where he listened to debates about Hellenistic philosophy, which planted in him the seeds of his later scepticism and irreligiosity; but other historians such as Ibn al-Adim deny that he had been exposed to any theology other than Islamic doctrine.  In 1004-5 al-Ma'arri learned that his father had died and, in reaction, wrote an elegy where he praised his father. Years later he would travel to Baghdad where he became well received in the literary salons of the time, though he was a controversial figure. After the eighteen months in Baghdad, al-Ma'arri returned home for unknown reasons. He may have returned because his mother was ill, or he may have run out of money in Baghdad, as he refused to sell his works. He returned to his native town of Ma'arra in about 1010 and learned that his mother had died before his arrival.  He remained in Ma'arra for the rest of his life, where he opted for an ascetic lifestyle, refusing to sell his poems, living in seclusion and observing a strict vegetarian diet. His personal confinement to his house was only broken one time when violence had struck his town. Though he was confined, he lived out his later years continuing his work and collaborating with others. He enjoyed great respect and attracted many students locally, as well as actively holding correspondence with scholars abroad. Despite his intentions of living a secluded lifestyle, in his seventies, he became rich and was the most revered person in his area. Al-Ma'arri never married and died in May 1057 in his home town. CANNOTANSWER

Question: How did Al-Ma'arri feel about losing his vision in Life?
Answer: blindness. Later in his life, he regarded himself as "a double prisoner" which referred to both this blindness and the general
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: What was Cameron Crowe's first film?
Answer: Crowe wrote the screenplay for 1984's The Wild Life,
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: Did The Wild Life get made into a movie?
Answer: the screenplay
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: What was Cameron Crowe's next screenplay after The Wild Life?
Answer: Brooks executive produced Crowe's first directing effort, 1989's Say Anything...,
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: Was Say Anything... popular?
Answer: Say Anything... was positively received by critics.
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: Besides The Wild Life and Say Anything..., are there any other interesting aspects about this article?
Answer: His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle.
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: How did Cameron Crowe come up with the Say Anything... story?
Answer: Singles successfully rode on the heels of Seattle's grunge music boom.
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: Did Say Anything... receive any awards?
Answer: CANNOTANSWER
Cameron Crowe

Context: Following this success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics.  By this point, Crowe was ready to leave teen angst behind and focus on his peers. His next project, 1992's Singles, centered on the romantic tangles among a group of six friends in their twenties in Seattle. The film starred Bridget Fonda and Matt Dillon, where Fonda played a coffee-bar waitress fawning over an aspiring musician, played by Dillon. Kyra Sedgwick and Campbell Scott co-starred as a couple wavering on whether to commit to each other. Music forms an integral backbone for the script, and the soundtrack became a best seller three months before the release of the film. Much of this was due to repeated delays while studio executives debated how to market it.  Singles successfully rode on the heels of Seattle's grunge music boom. During production, bands like Nirvana were not yet national stars, but by the time the soundtrack was released, their song "Smells Like Teen Spirit" had to be cut because it was too costly to buy the rights. Crowe had signed members of Pearl Jam, shortly before their burgeoning, nationwide success, to portray Dillon's fictional band 'Citizen Dick'. Crowe also appeared in this project, as a rock journalist at a club. Tim Appelo wrote in Entertainment Weekly, "With ... an ambling, naturalistic style, Crowe captures the eccentric appeal of a town where espresso carts sprout on every corner and kids in ratty flannel shirts can cut records that make them millionaires." CANNOTANSWER

Question: Besides The Wild Life and Say Anything..., did Cameron Crowe have any other films?
Answer: CANNOTANSWER
Sarah Geronimo

Context: Still managed by VIVA, Geronimo signed a TV contract with ABS-CBN network in 2004. She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present). Geronimo again had supporting roles in the films Masikip sa Dibdib (2004), Annie B. (2004) and Lastikman: Unang Banat (2004). Geronimo sang the Philippine National Anthem at the pre-inaugural ceremonies of President Gloria Macapagal-Arroyo on June 30, 2004. In November 2004, Geronimo released her second album, Sweet Sixteen that included the single "How Could You Say You Love Me". Geronimo performed in the Night of the Champions concert at the Araneta Coliseum with other singing competition winners Rachelle Ann Go and Erik Santos.  In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007). On September 30, 2005, Geronimo staged a solo concert at Araneta Coliseum entitled The Other Side.  In 2006, Geronimo starred in ABS-CBN's primetime soap opera, Bituing Walang Ningning, a remake of the 1985 movie. She played the role of an aspiring singer named Dorina Pineda, originally played by Sharon Cuneta in the movie, and released a soundtrack of the series. In July 2006, Geronimo release her third studio album, Becoming, produced by Christian De Walden. The album yielded three singles: "I Still Believe In Loving You", "Carry My Love" and "Iingatan Ko Ang Pag-ibig Mo". On November 18, 2006, Manny Pacquiao chose Geronimo to sing Lupang Hinirang, the Philippine national anthem, before his match against Mexico's Erik Morales at the Thomas and Mack Center in Las Vegas.  Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum. Unlike her first solo concert, this concert went off with no technical glitches. She spent the rest of 2007 performing concerts in the Philippines and the U.S. and recording her fourth studio album, Taking Flight, which sold more than 60,000 units and achieved double platinum status. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin. CANNOTANSWER

Question: What occurred in 2004 with Sarah Geronimo?
Answer: Geronimo signed a TV contract with ABS-CBN network in 2004.
Sarah Geronimo

Context: Still managed by VIVA, Geronimo signed a TV contract with ABS-CBN network in 2004. She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present). Geronimo again had supporting roles in the films Masikip sa Dibdib (2004), Annie B. (2004) and Lastikman: Unang Banat (2004). Geronimo sang the Philippine National Anthem at the pre-inaugural ceremonies of President Gloria Macapagal-Arroyo on June 30, 2004. In November 2004, Geronimo released her second album, Sweet Sixteen that included the single "How Could You Say You Love Me". Geronimo performed in the Night of the Champions concert at the Araneta Coliseum with other singing competition winners Rachelle Ann Go and Erik Santos.  In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007). On September 30, 2005, Geronimo staged a solo concert at Araneta Coliseum entitled The Other Side.  In 2006, Geronimo starred in ABS-CBN's primetime soap opera, Bituing Walang Ningning, a remake of the 1985 movie. She played the role of an aspiring singer named Dorina Pineda, originally played by Sharon Cuneta in the movie, and released a soundtrack of the series. In July 2006, Geronimo release her third studio album, Becoming, produced by Christian De Walden. The album yielded three singles: "I Still Believe In Loving You", "Carry My Love" and "Iingatan Ko Ang Pag-ibig Mo". On November 18, 2006, Manny Pacquiao chose Geronimo to sing Lupang Hinirang, the Philippine national anthem, before his match against Mexico's Erik Morales at the Thomas and Mack Center in Las Vegas.  Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum. Unlike her first solo concert, this concert went off with no technical glitches. She spent the rest of 2007 performing concerts in the Philippines and the U.S. and recording her fourth studio album, Taking Flight, which sold more than 60,000 units and achieved double platinum status. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin. CANNOTANSWER

Question: What was Geronimo's TV contract with ABS-CBN network for?
Answer: She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present).
Sarah Geronimo

Context: Still managed by VIVA, Geronimo signed a TV contract with ABS-CBN network in 2004. She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present). Geronimo again had supporting roles in the films Masikip sa Dibdib (2004), Annie B. (2004) and Lastikman: Unang Banat (2004). Geronimo sang the Philippine National Anthem at the pre-inaugural ceremonies of President Gloria Macapagal-Arroyo on June 30, 2004. In November 2004, Geronimo released her second album, Sweet Sixteen that included the single "How Could You Say You Love Me". Geronimo performed in the Night of the Champions concert at the Araneta Coliseum with other singing competition winners Rachelle Ann Go and Erik Santos.  In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007). On September 30, 2005, Geronimo staged a solo concert at Araneta Coliseum entitled The Other Side.  In 2006, Geronimo starred in ABS-CBN's primetime soap opera, Bituing Walang Ningning, a remake of the 1985 movie. She played the role of an aspiring singer named Dorina Pineda, originally played by Sharon Cuneta in the movie, and released a soundtrack of the series. In July 2006, Geronimo release her third studio album, Becoming, produced by Christian De Walden. The album yielded three singles: "I Still Believe In Loving You", "Carry My Love" and "Iingatan Ko Ang Pag-ibig Mo". On November 18, 2006, Manny Pacquiao chose Geronimo to sing Lupang Hinirang, the Philippine national anthem, before his match against Mexico's Erik Morales at the Thomas and Mack Center in Las Vegas.  Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum. Unlike her first solo concert, this concert went off with no technical glitches. She spent the rest of 2007 performing concerts in the Philippines and the U.S. and recording her fourth studio album, Taking Flight, which sold more than 60,000 units and achieved double platinum status. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin. CANNOTANSWER

Question: What is Sarah Geronimo's 'In Motion'?
Answer: Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum.
Sarah Geronimo

Context: Still managed by VIVA, Geronimo signed a TV contract with ABS-CBN network in 2004. She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present). Geronimo again had supporting roles in the films Masikip sa Dibdib (2004), Annie B. (2004) and Lastikman: Unang Banat (2004). Geronimo sang the Philippine National Anthem at the pre-inaugural ceremonies of President Gloria Macapagal-Arroyo on June 30, 2004. In November 2004, Geronimo released her second album, Sweet Sixteen that included the single "How Could You Say You Love Me". Geronimo performed in the Night of the Champions concert at the Araneta Coliseum with other singing competition winners Rachelle Ann Go and Erik Santos.  In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007). On September 30, 2005, Geronimo staged a solo concert at Araneta Coliseum entitled The Other Side.  In 2006, Geronimo starred in ABS-CBN's primetime soap opera, Bituing Walang Ningning, a remake of the 1985 movie. She played the role of an aspiring singer named Dorina Pineda, originally played by Sharon Cuneta in the movie, and released a soundtrack of the series. In July 2006, Geronimo release her third studio album, Becoming, produced by Christian De Walden. The album yielded three singles: "I Still Believe In Loving You", "Carry My Love" and "Iingatan Ko Ang Pag-ibig Mo". On November 18, 2006, Manny Pacquiao chose Geronimo to sing Lupang Hinirang, the Philippine national anthem, before his match against Mexico's Erik Morales at the Thomas and Mack Center in Las Vegas.  Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum. Unlike her first solo concert, this concert went off with no technical glitches. She spent the rest of 2007 performing concerts in the Philippines and the U.S. and recording her fourth studio album, Taking Flight, which sold more than 60,000 units and achieved double platinum status. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin. CANNOTANSWER

Question: When did Geronimo's solo concert ''In Motion" begin?
Answer: July 14, 2007
Sarah Geronimo

Context: Still managed by VIVA, Geronimo signed a TV contract with ABS-CBN network in 2004. She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present). Geronimo again had supporting roles in the films Masikip sa Dibdib (2004), Annie B. (2004) and Lastikman: Unang Banat (2004). Geronimo sang the Philippine National Anthem at the pre-inaugural ceremonies of President Gloria Macapagal-Arroyo on June 30, 2004. In November 2004, Geronimo released her second album, Sweet Sixteen that included the single "How Could You Say You Love Me". Geronimo performed in the Night of the Champions concert at the Araneta Coliseum with other singing competition winners Rachelle Ann Go and Erik Santos.  In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007). On September 30, 2005, Geronimo staged a solo concert at Araneta Coliseum entitled The Other Side.  In 2006, Geronimo starred in ABS-CBN's primetime soap opera, Bituing Walang Ningning, a remake of the 1985 movie. She played the role of an aspiring singer named Dorina Pineda, originally played by Sharon Cuneta in the movie, and released a soundtrack of the series. In July 2006, Geronimo release her third studio album, Becoming, produced by Christian De Walden. The album yielded three singles: "I Still Believe In Loving You", "Carry My Love" and "Iingatan Ko Ang Pag-ibig Mo". On November 18, 2006, Manny Pacquiao chose Geronimo to sing Lupang Hinirang, the Philippine national anthem, before his match against Mexico's Erik Morales at the Thomas and Mack Center in Las Vegas.  Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum. Unlike her first solo concert, this concert went off with no technical glitches. She spent the rest of 2007 performing concerts in the Philippines and the U.S. and recording her fourth studio album, Taking Flight, which sold more than 60,000 units and achieved double platinum status. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin. CANNOTANSWER

Question: Did Sarah Geronimo star in any TV shows?
Answer: In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007).
Sarah Geronimo

Context: Still managed by VIVA, Geronimo signed a TV contract with ABS-CBN network in 2004. She starred in her first television series, Sarah the Teen Princess (2004) and became a regular host and performer on the variety show ASAP (2004-present). Geronimo again had supporting roles in the films Masikip sa Dibdib (2004), Annie B. (2004) and Lastikman: Unang Banat (2004). Geronimo sang the Philippine National Anthem at the pre-inaugural ceremonies of President Gloria Macapagal-Arroyo on June 30, 2004. In November 2004, Geronimo released her second album, Sweet Sixteen that included the single "How Could You Say You Love Me". Geronimo performed in the Night of the Champions concert at the Araneta Coliseum with other singing competition winners Rachelle Ann Go and Erik Santos.  In 2005, Geronimo joined the cast of the teen-oriented television program SCQ Reload: Kilig Ako and hosted two seasons of the singing competition show Little Big Star (2005-2007). On September 30, 2005, Geronimo staged a solo concert at Araneta Coliseum entitled The Other Side.  In 2006, Geronimo starred in ABS-CBN's primetime soap opera, Bituing Walang Ningning, a remake of the 1985 movie. She played the role of an aspiring singer named Dorina Pineda, originally played by Sharon Cuneta in the movie, and released a soundtrack of the series. In July 2006, Geronimo release her third studio album, Becoming, produced by Christian De Walden. The album yielded three singles: "I Still Believe In Loving You", "Carry My Love" and "Iingatan Ko Ang Pag-ibig Mo". On November 18, 2006, Manny Pacquiao chose Geronimo to sing Lupang Hinirang, the Philippine national anthem, before his match against Mexico's Erik Morales at the Thomas and Mack Center in Las Vegas.  Geronimo staged her second major solo concert "In Motion" on July 14, 2007 at the Araneta Coliseum. Unlike her first solo concert, this concert went off with no technical glitches. She spent the rest of 2007 performing concerts in the Philippines and the U.S. and recording her fourth studio album, Taking Flight, which sold more than 60,000 units and achieved double platinum status. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin. CANNOTANSWER

Question: In addition to 'The Other Side and In Motion', what other album did Sarah Geronimo have?
Answer: In November 2004, Geronimo released her second album, Sweet Sixteen