gaussalgo/Canard_Wiki-augmented huggingface dataset:
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: When was Dance Stance by Dexys Midnight Runners released?
Answer: was released on the independent Oddball Records,
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: Did Dexys Midnight Runners recruit others?
Answer: " "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band),
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: Did any of Dexys Midnight Runners members ever leave?
Answer: By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums.
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: Where did the Dexys Midnight Runners get its name from?
Answer: The band's name was derived from Dexedrine,
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: what is Dexedrine?
Answer: a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: Besides Bobby Ward, who else left Dexys Midnight Runners?
Answer: Dexys fired Rhodes
Dexys Midnight Runners

Context: Dexys Midnight Runners were founded in 1978 in Birmingham, England by Kevin Rowland (vocals, guitar, at the time using the pseudonym Carlo Rolan) and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song". The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul fans to give them energy to dance all night. While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything." "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.  By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums. Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance". In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board, as well as the theatricality of Bryan Ferry.  After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look. Borrowing from an outfit that Paterson had worn to rehearsals, Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets". Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement". A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."  "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI. Although it was named "single of the week" by Sounds, it stalled at number 40 in the British charts, which EMI and Rowland believed was due to Rhodes' poor production. Rowland said, "We learned that early on, that the wrong producer can totally screw your record up." As a result, Dexys fired Rhodes and signed directly to EMI, and EMI immediately put Pete Wingfield in charge of their production. Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums). CANNOTANSWER

Question: When did Dexys Midnight Runners first play live?
Answer: CANNOTANSWER
Greg Gutfeld

Context: After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing.  He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure.  Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut.  Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. CANNOTANSWER

Question: What happened in Greg Gutfeld's career?
Answer: He then worked as a staff writer at Prevention magazine
Greg Gutfeld

Context: After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing.  He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure.  Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut.  Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. CANNOTANSWER

Question: Which of Gred Gutfeld work was noteworthy?
Answer: Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure.
Greg Gutfeld

Context: After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing.  He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure.  Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut.  Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. CANNOTANSWER

Question: Beside Editor in chief, Which other names were mentioned in Greg Gutfeld's career?
Answer: Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008;
Greg Gutfeld

Context: After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing.  He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure.  Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut.  Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. CANNOTANSWER

Question: What was Greg Gutfeld's contribution in his career?
Answer: Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five.
Greg Gutfeld

Context: After college he had an internship at The American Spectator, as an assistant to conservative writer R. Emmett Tyrrell. He then worked as a staff writer at Prevention magazine and in Emmaus, Pennsylvania, as an editor at various Rodale Press magazines. In 1995 he became a staff writer at Men's Health. He was promoted to editor in chief of Men's Health in 1999. A year later, he was replaced by David Zinczenko. Gutfeld then became editor in chief of Stuff, increasing circulation from 750,000 to 1.2 million during his tenure. In 2003 he hired several dwarfs to attend a conference of the "Magazine Publishers of America" on the topic of "buzz", with instructions to be as loud and annoying as possible. The stunt generated publicity but led to Gutfeld's being fired soon afterward; he was then made head of "brain development" at Dennis Publishing.  He edited Maxim magazine in the UK from 2004 to 2006. Gutfeld's contract expired without renewal after losses in readership under his tenure.  Gutfeld was one of the first posting contributors to The Huffington Post from its launch in 2005 until October 2008; frequent targets of his sarcasm included his colleagues Deepak Chopra, Cenk Uygur, Arianna Huffington, and Huffington Post bloggers. Many of his Huffington Post commentaries/blogs are available on its website. Gutfeld has his own blog site, The Daily Gut.  Beginning on February 5, 2007, Gutfeld hosted the hour-long Fox News Channel late-night program, Red Eye w/ Greg Gutfeld. From 2007 to 2013, Bill Schulz served as Gutfeld's "sidekick" and Andy Levy as the show's ombudsman. Schulz was Gutfeld's colleague at Stuff magazine and Levy was a fellow blogger at The Huffington Post. On July 11, 2011, Gutfeld became a co-host/panelist on the Fox News political opinion discussion program The Five. The program airs weekdays at 5 p.m. ET. Gutfeld left Red Eye in February 2015, to host a new weekend show on Fox News. He was replaced on Red Eye by Tom Shillue. In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31, at 10 p.m. ET. CANNOTANSWER

Question: Which of Greg Gutfeld's work has a notable recognition?
Answer: In May 2015, it was announced that Gutfeld would be getting his own late-night show called The Greg Gutfeld Show, which debuted on May 31,
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: How old was Stan Kenton when he started his career?
Answer: In April 1936
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: Was Stan Kenton immediately successful?
Answer: CANNOTANSWER
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: Where did Stan Kenton begin his career?
Answer: CANNOTANSWER
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: What did Stan Kenton start out doing in his career?
Answer: Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair.
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: How long did Stan Kenton stay with Gus Arnheim?
Answer: 1937.