gaussalgo/Canard_Wiki-augmented huggingface dataset:
Rosalynn Carter

Context: When her husband's gubernatorial term ended in January 1975, Rosalynn, Jimmy and Amy Carter returned to Plains. Jimmy had already announced his plans to run for President of the United States. Rosalynn returned to the campaign trail, this time on a national quest to gather support for her husband. She campaigned alone on his behalf in 41 states. Because of her husband's obscurity at the time, she often had to answer the question, "Jimmy who?" She promoted the establishment of additional daycare facilities and adjustments to "Social Security and so many other things to help the elderly."  During the months when she was campaigning across the country, she was elected to the board of directors of the National Association of Mental Health, honored by the National Organization for Women with an Award of Merit for her vigorous support for the Equal Rights Amendment, and received the Volunteer of the Year Award from the Southwestern Association of Volunteer Services.  Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter. She had "butterflies in her stomach," until the Ohio delegation announced its votes were for her husband. Rosalynn wished she could have been with him at that time. The Carters met with all the potential running mates, and instantly gained affinity for Walter Mondale after meeting with him and his wife Joan. Following the election, the Carters traveled to the White House and met with President Ford and First Lady Betty Ford, the latter becoming a role model for Rosalynn. CANNOTANSWER

Question: who was the current president at the time Rosalynn Carter was campaigning?
Answer: the Carters traveled to the White House and met with President Ford and First Lady Betty Ford,
Rosalynn Carter

Context: When her husband's gubernatorial term ended in January 1975, Rosalynn, Jimmy and Amy Carter returned to Plains. Jimmy had already announced his plans to run for President of the United States. Rosalynn returned to the campaign trail, this time on a national quest to gather support for her husband. She campaigned alone on his behalf in 41 states. Because of her husband's obscurity at the time, she often had to answer the question, "Jimmy who?" She promoted the establishment of additional daycare facilities and adjustments to "Social Security and so many other things to help the elderly."  During the months when she was campaigning across the country, she was elected to the board of directors of the National Association of Mental Health, honored by the National Organization for Women with an Award of Merit for her vigorous support for the Equal Rights Amendment, and received the Volunteer of the Year Award from the Southwestern Association of Volunteer Services.  Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter. She had "butterflies in her stomach," until the Ohio delegation announced its votes were for her husband. Rosalynn wished she could have been with him at that time. The Carters met with all the potential running mates, and instantly gained affinity for Walter Mondale after meeting with him and his wife Joan. Following the election, the Carters traveled to the White House and met with President Ford and First Lady Betty Ford, the latter becoming a role model for Rosalynn. CANNOTANSWER

Question: what is an interesting fact regarding Rosalynn Carter's campaiging?
Answer: Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter.
Rosalynn Carter

Context: When her husband's gubernatorial term ended in January 1975, Rosalynn, Jimmy and Amy Carter returned to Plains. Jimmy had already announced his plans to run for President of the United States. Rosalynn returned to the campaign trail, this time on a national quest to gather support for her husband. She campaigned alone on his behalf in 41 states. Because of her husband's obscurity at the time, she often had to answer the question, "Jimmy who?" She promoted the establishment of additional daycare facilities and adjustments to "Social Security and so many other things to help the elderly."  During the months when she was campaigning across the country, she was elected to the board of directors of the National Association of Mental Health, honored by the National Organization for Women with an Award of Merit for her vigorous support for the Equal Rights Amendment, and received the Volunteer of the Year Award from the Southwestern Association of Volunteer Services.  Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter. She had "butterflies in her stomach," until the Ohio delegation announced its votes were for her husband. Rosalynn wished she could have been with him at that time. The Carters met with all the potential running mates, and instantly gained affinity for Walter Mondale after meeting with him and his wife Joan. Following the election, the Carters traveled to the White House and met with President Ford and First Lady Betty Ford, the latter becoming a role model for Rosalynn. CANNOTANSWER

Question: was the president at Madison Square Garden on the night of the nomination?
Answer: CANNOTANSWER
Rosalynn Carter

Context: When her husband's gubernatorial term ended in January 1975, Rosalynn, Jimmy and Amy Carter returned to Plains. Jimmy had already announced his plans to run for President of the United States. Rosalynn returned to the campaign trail, this time on a national quest to gather support for her husband. She campaigned alone on his behalf in 41 states. Because of her husband's obscurity at the time, she often had to answer the question, "Jimmy who?" She promoted the establishment of additional daycare facilities and adjustments to "Social Security and so many other things to help the elderly."  During the months when she was campaigning across the country, she was elected to the board of directors of the National Association of Mental Health, honored by the National Organization for Women with an Award of Merit for her vigorous support for the Equal Rights Amendment, and received the Volunteer of the Year Award from the Southwestern Association of Volunteer Services.  Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter. She had "butterflies in her stomach," until the Ohio delegation announced its votes were for her husband. Rosalynn wished she could have been with him at that time. The Carters met with all the potential running mates, and instantly gained affinity for Walter Mondale after meeting with him and his wife Joan. Following the election, the Carters traveled to the White House and met with President Ford and First Lady Betty Ford, the latter becoming a role model for Rosalynn. CANNOTANSWER

Question: did Rosalynn Carter's daughter travel with her while campaigning?
Answer: husband was with his mother and daughter.
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What happened to Artistic inspiration Marc Chagall?
Answer: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world:
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What lead Marc Chagall to join the art world?
Answer: other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What lead Marc Chagall "to cherish and publicly express one's Jewish Roots?"
Answer: For Chagall, this was also his means of "self-assertion and an expression of principle.
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What happened to Marc Chagall and the Jewish people?
Answer: "  Chagall biographer Franz Meyer, explains that with the connections between his art and early life
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What was wrong with Marc Chagall's art and early life?
Answer: To My City Vitebsk
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: How old was Marc Chagall when "My City Vitebsk" happened?
Answer: Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What did "To My City Vitebsk" lead Marc Chagall to do?
Answer: Why? Why did I leave you many years ago? ... You thought, the boy seeks something,
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What was wrong with Marc Chagall's dream?
Answer: Where did he get it? How would it come to a boy like him
Marc Chagall

Context: Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative--the one that Chagall chose--was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."  Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art." Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "  Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":  Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city--in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection. CANNOTANSWER

Question: What did the boy lead Marc Chagall to do?
Answer: For Chagall, this was also his means of "self-assertion and an expression of principle.
Faye White

Context: Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town. After three years of playing with her brother and his teammates Faye decided to go to an all-girls coaching session and it was here that her path to the Arsenal Ladies team began, as she met Jim Muir, the coach of a local girls' side Horsham Ladies. Faye very quickly worked her way into the reserves and became a first-team player aged just 14. It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team by Ted Copeland  In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies, it didn't take her long to make another big impact, earning her first international cap vs Scotland. White broke into the first team, cementing a position at the heart of Arsenal's central defence. She collected her first trophy that year, the FA Women's Premier League.  In 1997-98, due to White's performances in north London she was named the Premier League Player of the Year. Arsenal won the FA Women's Cup and Premier League Cup.  Faye achieved major success despite suffering numerous injuries including two cruciate ligament injuries, which kept her out of the game she loved for 9 months each time. During her prolific career White amassed a collection of 31 major trophies at club competition level, winning the inaugural FA Women's Super League in 2011, the FA Women's Premier League 10 times (including seven consecutive years from 2003-04 to 2009-10), the FA Women's Cup nine times and the League Cup six times. Remarkably, all these trophies were achieved with one club.  Whilst club captain, Arsenal won "The Quadruple" (UEFA Women's Cup, Premier League, FA Cup, League Cup), two "trebles" (all three major domestic competitions) and four "doubles" (League title & FA Cup). The UEFA Women's Cup victory in 2007 remains the only victory by an English team since the tournament's inception. CANNOTANSWER

Question: What can you tell me about Faye White's Club career?
Answer: During her prolific career White amassed a collection of 31 major trophies at club competition level,
Faye White

Context: Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town. After three years of playing with her brother and his teammates Faye decided to go to an all-girls coaching session and it was here that her path to the Arsenal Ladies team began, as she met Jim Muir, the coach of a local girls' side Horsham Ladies. Faye very quickly worked her way into the reserves and became a first-team player aged just 14. It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team by Ted Copeland  In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies, it didn't take her long to make another big impact, earning her first international cap vs Scotland. White broke into the first team, cementing a position at the heart of Arsenal's central defence. She collected her first trophy that year, the FA Women's Premier League.  In 1997-98, due to White's performances in north London she was named the Premier League Player of the Year. Arsenal won the FA Women's Cup and Premier League Cup.  Faye achieved major success despite suffering numerous injuries including two cruciate ligament injuries, which kept her out of the game she loved for 9 months each time. During her prolific career White amassed a collection of 31 major trophies at club competition level, winning the inaugural FA Women's Super League in 2011, the FA Women's Premier League 10 times (including seven consecutive years from 2003-04 to 2009-10), the FA Women's Cup nine times and the League Cup six times. Remarkably, all these trophies were achieved with one club.  Whilst club captain, Arsenal won "The Quadruple" (UEFA Women's Cup, Premier League, FA Cup, League Cup), two "trebles" (all three major domestic competitions) and four "doubles" (League title & FA Cup). The UEFA Women's Cup victory in 2007 remains the only victory by an English team since the tournament's inception. CANNOTANSWER

Question: What games did Faye White play?
Answer: FA Women's Super League in 2011, the FA Women's Premier League
Faye White

Context: Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town. After three years of playing with her brother and his teammates Faye decided to go to an all-girls coaching session and it was here that her path to the Arsenal Ladies team began, as she met Jim Muir, the coach of a local girls' side Horsham Ladies. Faye very quickly worked her way into the reserves and became a first-team player aged just 14. It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team by Ted Copeland  In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies, it didn't take her long to make another big impact, earning her first international cap vs Scotland. White broke into the first team, cementing a position at the heart of Arsenal's central defence. She collected her first trophy that year, the FA Women's Premier League.  In 1997-98, due to White's performances in north London she was named the Premier League Player of the Year. Arsenal won the FA Women's Cup and Premier League Cup.  Faye achieved major success despite suffering numerous injuries including two cruciate ligament injuries, which kept her out of the game she loved for 9 months each time. During her prolific career White amassed a collection of 31 major trophies at club competition level, winning the inaugural FA Women's Super League in 2011, the FA Women's Premier League 10 times (including seven consecutive years from 2003-04 to 2009-10), the FA Women's Cup nine times and the League Cup six times. Remarkably, all these trophies were achieved with one club.  Whilst club captain, Arsenal won "The Quadruple" (UEFA Women's Cup, Premier League, FA Cup, League Cup), two "trebles" (all three major domestic competitions) and four "doubles" (League title & FA Cup). The UEFA Women's Cup victory in 2007 remains the only victory by an English team since the tournament's inception. CANNOTANSWER

Question: When did Faye White start her club career?
Answer: In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies,
Faye White

Context: Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town. After three years of playing with her brother and his teammates Faye decided to go to an all-girls coaching session and it was here that her path to the Arsenal Ladies team began, as she met Jim Muir, the coach of a local girls' side Horsham Ladies. Faye very quickly worked her way into the reserves and became a first-team player aged just 14. It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team by Ted Copeland  In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies, it didn't take her long to make another big impact, earning her first international cap vs Scotland. White broke into the first team, cementing a position at the heart of Arsenal's central defence. She collected her first trophy that year, the FA Women's Premier League.  In 1997-98, due to White's performances in north London she was named the Premier League Player of the Year. Arsenal won the FA Women's Cup and Premier League Cup.  Faye achieved major success despite suffering numerous injuries including two cruciate ligament injuries, which kept her out of the game she loved for 9 months each time. During her prolific career White amassed a collection of 31 major trophies at club competition level, winning the inaugural FA Women's Super League in 2011, the FA Women's Premier League 10 times (including seven consecutive years from 2003-04 to 2009-10), the FA Women's Cup nine times and the League Cup six times. Remarkably, all these trophies were achieved with one club.  Whilst club captain, Arsenal won "The Quadruple" (UEFA Women's Cup, Premier League, FA Cup, League Cup), two "trebles" (all three major domestic competitions) and four "doubles" (League title & FA Cup). The UEFA Women's Cup victory in 2007 remains the only victory by an English team since the tournament's inception. CANNOTANSWER

Question: Besides Vic Akers and Arsenal Ladies, did Faye White play for any other teams during her career?
Answer: It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team
Faye White

Context: Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town. After three years of playing with her brother and his teammates Faye decided to go to an all-girls coaching session and it was here that her path to the Arsenal Ladies team began, as she met Jim Muir, the coach of a local girls' side Horsham Ladies. Faye very quickly worked her way into the reserves and became a first-team player aged just 14. It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team by Ted Copeland  In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies, it didn't take her long to make another big impact, earning her first international cap vs Scotland. White broke into the first team, cementing a position at the heart of Arsenal's central defence. She collected her first trophy that year, the FA Women's Premier League.  In 1997-98, due to White's performances in north London she was named the Premier League Player of the Year. Arsenal won the FA Women's Cup and Premier League Cup.  Faye achieved major success despite suffering numerous injuries including two cruciate ligament injuries, which kept her out of the game she loved for 9 months each time. During her prolific career White amassed a collection of 31 major trophies at club competition level, winning the inaugural FA Women's Super League in 2011, the FA Women's Premier League 10 times (including seven consecutive years from 2003-04 to 2009-10), the FA Women's Cup nine times and the League Cup six times. Remarkably, all these trophies were achieved with one club.  Whilst club captain, Arsenal won "The Quadruple" (UEFA Women's Cup, Premier League, FA Cup, League Cup), two "trebles" (all three major domestic competitions) and four "doubles" (League title & FA Cup). The UEFA Women's Cup victory in 2007 remains the only victory by an English team since the tournament's inception. CANNOTANSWER

Question: Besides Vic Akers and Arsenal Ladies, what else can you tell me about Faye White's club career?
Answer: Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town.
Jim Steranko

Context: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko". CANNOTANSWER

Question: how did Steranko learn about illusion?
Answer: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act,
Jim Steranko

Context: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko". CANNOTANSWER

Question: where did Jim Steranko perform his illusions?
Answer: Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs,
Jim Steranko

Context: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko". CANNOTANSWER

Question: When did Jim Steranko get into music?
Answer: Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name,
Jim Steranko

Context: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko". CANNOTANSWER

Question: what name did Jim Steranko use if not his own name?
Answer: he used pseudonyms to help protect himself from enemies.
Jim Steranko

Context: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko". CANNOTANSWER

Question: Did Jim Steranko get into trouble?
Answer: At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.
Jim Steranko

Context: By his account, Steranko learned stage magic using paraphernalia from his father's stage magician act, and in his teens spent several summers working with circuses and carnivals, working his way up to sideshow performer as a fire-eater and in acts involving a bed of nails and sleight-of-hand. At school, he competed on the gymnastics team, on the rings and parallel bars, and later took up boxing and, under swordmaster Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.  Up through his early 20s, Steranko performed as an illusionist, escape artist, close-up magician in nightclubs, and musician, having played in drum and bugle corps in his teens before forming his own bands during the early days of rock and roll. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used pseudonyms to help protect himself from enemies. He also claims to have put the first go-go girls onstage. The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist Frank Beecher, who became a musical influence. By the late 1960s, Steranko was a member of a New York City magicians' group, the Witchdoctor's Club.  Comics historian Mark Evanier notes that the influential comic-book creator Jack Kirby, who "based some of his characters ... on people in his life or in the news", was "inspired" to create the escape artist character Mister Miracle "by an earlier career of writer-artist Jim Steranko". CANNOTANSWER

Question: what kind of music did Jim Steranko play?
Answer: The seminal rock and roll group Bill Haley and his Comets was based in nearby Philadelphia and Steranko, who played a Jazzmaster guitar,