gaussalgo/Canard_Wiki-augmented huggingface dataset:
Kenesaw Mountain Landis

Context: Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled:  The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.  If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause."  Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER

Question: Where did Kenesaw Mountain Landis live when he became a judge?
Answer: Chicago
Kenesaw Mountain Landis

Context: Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled:  The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.  If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause."  Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER

Question: Was Kenesaw Mountain Landis a judge on a federal or state level?
Answer: Landis's courtroom, room 627 in the Chicago Federal Building,
Kenesaw Mountain Landis

Context: Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled:  The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.  If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause."  Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER

Question: How long did Kenesaw Mountain Landis remain a judge?
Answer: CANNOTANSWER
Kenesaw Mountain Landis

Context: Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled:  The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.  If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause."  Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER

Question: Did Kenesaw Mountain Landis have a reputation of being fair while he served as a judge?
Answer: CANNOTANSWER
Jon Stewart

Context: Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw".  Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring".  During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error.  In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER

Question: What happened with Jon Stewart's the criticism of fox news?
Answer: Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda,
Jon Stewart

Context: Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw".  Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring".  During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error.  In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER

Question: Did Stewart's accusation of Fox News distorting the news become a major controversy?
Answer: the meanest sorority in the world.
Jon Stewart

Context: Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw".  Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring".  During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error.  In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER

Question: Was Jon Stewart's accusations true that Fox News was actually distorting the news?
Answer: Sean Hannity, apologized for the footage use the following night.
Jon Stewart

Context: Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw".  Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring".  During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error.  In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER

Question: What happened after Sean Hannity apologized?
Answer: A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson -
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: Who was El Mariel?
Answer: CANNOTANSWER
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: What was The Boatlift? Is The Boatlift one of Pitbull's albums?
Answer: album, titled The Boatlift,
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: How well did El Mariel and The Boatlift albums sell?
Answer: No. 2 on the rap chart.
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: Besides El Mariel and The Boatlift, did Pitbull work with any other artists in 2006-2007?
Answer: DJ Laz' "
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: What was the most interesting aspect of the article regarding Pitbull?
Answer: Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It".
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: What additional artists played with Pitbull?
Answer: DJ Laz
Pitbull (rapper)

Context: In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers.  He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart.  Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks.  His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network.  Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER

Question: Did Pitbull stay away from controversy?
Answer: debuted May 2007 and ran through 2009
Phil Hartman

Context: In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER

Question: what shows did Phil Hartman act in?
Answer: SNL
Phil Hartman

Context: In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER

Question: did Phil Hartman act in movies?
Answer: CANNOTANSWER
Phil Hartman

Context: In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER

Question: did audiences like Phil Hartman's work?
Answer: CANNOTANSWER
Phil Hartman

Context: In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see."  He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."  Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be".  Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER

Question: who were some of Phil Hartman's co-stars?
Answer: Writer and acting coach Paul Ryan