gaussalgo/Canard_Wiki-augmented huggingface dataset:
Koda Kumi

Context: Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.  After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run.  From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos.  During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi". CANNOTANSWER

Question: Was Koda Kumi in a band in 2000?
Answer: Koda debuted on December 6, 2000, with the single "Take Back
Koda Kumi

Context: Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.  After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run.  From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos.  During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi". CANNOTANSWER

Question: Are there any other interesting aspects about this article other than Koda Kumi's single Take Back?
Answer: After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as
Koda Kumi

Context: Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.  After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run.  From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos.  During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi". CANNOTANSWER

Question: What did the single The Meaning of Peace raise money for?
Answer: CANNOTANSWER
Koda Kumi

Context: Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.  After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run.  From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos.  During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi". CANNOTANSWER

Question: What did Koda Kumi record after the single The Meaning of Peace?
Answer: In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.
Koda Kumi

Context: Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.  After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run.  From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos.  During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi". CANNOTANSWER

Question: Were there singles released from Koda Kumi's debut album Affection under Rhythm Zone?
Answer: "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "
Koda Kumi

Context: Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart.  After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run.  From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos.  During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi". CANNOTANSWER

Question: How did the singles "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003)." do on the charts?
Answer: which debuted at number 7.
Richard I of England

Context: In September 1190 Richard and Philip arrived in Sicily. After the death of King William II of Sicily his cousin Tancred had seized power and had been crowned early in 1190 as King Tancred I of Sicily, although the legal heir was William's aunt Constance, wife of the new Emperor Henry VI. Tancred had imprisoned William's widow, Queen Joan, who was Richard's sister, and did not give her the money she had inherited in William's will. When Richard arrived he demanded that his sister be released and given her inheritance; she was freed on 28 September, but without the inheritance. The presence of foreign troops also caused unrest: in October, the people of Messina revolted, demanding that the foreigners leave. Richard attacked Messina, capturing it on 4 October 1190. After looting and burning the city Richard established his base there, but this created tension between Richard and Philip Augustus. He remained there until Tancred finally agreed to sign a treaty on 4 March 1191. The treaty was signed by Richard, Philip and Tancred. Its main terms were:  Joan was to receive 20,000 ounces (570 kg) of gold as compensation for her inheritance, which Tancred kept.  Richard officially proclaimed his nephew, Arthur of Brittany, son of Geoffrey, as his heir, and Tancred promised to marry one of his daughters to Arthur when he came of age, giving a further 20,000 ounces (570 kg) of gold that would be returned by Richard if Arthur did not marry Tancred's daughter.  The two kings stayed on in Sicily for a while, but this resulted in increasing tensions between them and their men, with Philip Augustus plotting with Tancred against Richard. The two kings finally met to clear the air and reached an agreement, including the end of Richard's betrothal to Philip's sister Alys (who had supposedly been the mistress of Richard's father Henry II). CANNOTANSWER

Question: What was the occupation of Sicily by Richard I of england?
Answer: When Richard arrived he demanded that his sister be released and given her inheritance;
Richard I of England

Context: In September 1190 Richard and Philip arrived in Sicily. After the death of King William II of Sicily his cousin Tancred had seized power and had been crowned early in 1190 as King Tancred I of Sicily, although the legal heir was William's aunt Constance, wife of the new Emperor Henry VI. Tancred had imprisoned William's widow, Queen Joan, who was Richard's sister, and did not give her the money she had inherited in William's will. When Richard arrived he demanded that his sister be released and given her inheritance; she was freed on 28 September, but without the inheritance. The presence of foreign troops also caused unrest: in October, the people of Messina revolted, demanding that the foreigners leave. Richard attacked Messina, capturing it on 4 October 1190. After looting and burning the city Richard established his base there, but this created tension between Richard and Philip Augustus. He remained there until Tancred finally agreed to sign a treaty on 4 March 1191. The treaty was signed by Richard, Philip and Tancred. Its main terms were:  Joan was to receive 20,000 ounces (570 kg) of gold as compensation for her inheritance, which Tancred kept.  Richard officially proclaimed his nephew, Arthur of Brittany, son of Geoffrey, as his heir, and Tancred promised to marry one of his daughters to Arthur when he came of age, giving a further 20,000 ounces (570 kg) of gold that would be returned by Richard if Arthur did not marry Tancred's daughter.  The two kings stayed on in Sicily for a while, but this resulted in increasing tensions between them and their men, with Philip Augustus plotting with Tancred against Richard. The two kings finally met to clear the air and reached an agreement, including the end of Richard's betrothal to Philip's sister Alys (who had supposedly been the mistress of Richard's father Henry II). CANNOTANSWER

Question: How much was the inheritance of richard I's sister?
Answer: CANNOTANSWER
Richard I of England

Context: In September 1190 Richard and Philip arrived in Sicily. After the death of King William II of Sicily his cousin Tancred had seized power and had been crowned early in 1190 as King Tancred I of Sicily, although the legal heir was William's aunt Constance, wife of the new Emperor Henry VI. Tancred had imprisoned William's widow, Queen Joan, who was Richard's sister, and did not give her the money she had inherited in William's will. When Richard arrived he demanded that his sister be released and given her inheritance; she was freed on 28 September, but without the inheritance. The presence of foreign troops also caused unrest: in October, the people of Messina revolted, demanding that the foreigners leave. Richard attacked Messina, capturing it on 4 October 1190. After looting and burning the city Richard established his base there, but this created tension between Richard and Philip Augustus. He remained there until Tancred finally agreed to sign a treaty on 4 March 1191. The treaty was signed by Richard, Philip and Tancred. Its main terms were:  Joan was to receive 20,000 ounces (570 kg) of gold as compensation for her inheritance, which Tancred kept.  Richard officially proclaimed his nephew, Arthur of Brittany, son of Geoffrey, as his heir, and Tancred promised to marry one of his daughters to Arthur when he came of age, giving a further 20,000 ounces (570 kg) of gold that would be returned by Richard if Arthur did not marry Tancred's daughter.  The two kings stayed on in Sicily for a while, but this resulted in increasing tensions between them and their men, with Philip Augustus plotting with Tancred against Richard. The two kings finally met to clear the air and reached an agreement, including the end of Richard's betrothal to Philip's sister Alys (who had supposedly been the mistress of Richard's father Henry II). CANNOTANSWER

Question: where was Richard I's sister imprisoned?
Answer: in Sicily.
Richard I of England

Context: In September 1190 Richard and Philip arrived in Sicily. After the death of King William II of Sicily his cousin Tancred had seized power and had been crowned early in 1190 as King Tancred I of Sicily, although the legal heir was William's aunt Constance, wife of the new Emperor Henry VI. Tancred had imprisoned William's widow, Queen Joan, who was Richard's sister, and did not give her the money she had inherited in William's will. When Richard arrived he demanded that his sister be released and given her inheritance; she was freed on 28 September, but without the inheritance. The presence of foreign troops also caused unrest: in October, the people of Messina revolted, demanding that the foreigners leave. Richard attacked Messina, capturing it on 4 October 1190. After looting and burning the city Richard established his base there, but this created tension between Richard and Philip Augustus. He remained there until Tancred finally agreed to sign a treaty on 4 March 1191. The treaty was signed by Richard, Philip and Tancred. Its main terms were:  Joan was to receive 20,000 ounces (570 kg) of gold as compensation for her inheritance, which Tancred kept.  Richard officially proclaimed his nephew, Arthur of Brittany, son of Geoffrey, as his heir, and Tancred promised to marry one of his daughters to Arthur when he came of age, giving a further 20,000 ounces (570 kg) of gold that would be returned by Richard if Arthur did not marry Tancred's daughter.  The two kings stayed on in Sicily for a while, but this resulted in increasing tensions between them and their men, with Philip Augustus plotting with Tancred against Richard. The two kings finally met to clear the air and reached an agreement, including the end of Richard's betrothal to Philip's sister Alys (who had supposedly been the mistress of Richard's father Henry II). CANNOTANSWER

Question: Who imprisoned Richard I's sister?
Answer: King Tancred I of Sicily,
Modern Sounds in Country and Western Music

Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians. CANNOTANSWER

Question: When was the recording of "Modern Sounds of Country and Western Music"?
Answer: The first two sessions were set on February 5 and 7 at Capitol Studios in New York,
Modern Sounds in Country and Western Music

Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians. CANNOTANSWER

Question: When were the later sessions of recording "Modern Sounds of Country and Western Music"?
Answer: February 15 of that same year at United Recording Studios in Hollywood,
Modern Sounds in Country and Western Music

Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians. CANNOTANSWER

Question: Why were the studios changed when recording "Modern Sounds of the Country and Western Music"?
Answer: CANNOTANSWER
Modern Sounds in Country and Western Music

Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians. CANNOTANSWER

Question: Who was involved in the recording of "Modern Sounds of the Country and Western Music"?
Answer: Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller,
Modern Sounds in Country and Western Music

Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians. CANNOTANSWER

Question: Who produced "Modern Sounds of the Country and Western Music?"
Answer: the title of the album was conceived by producer Sid Feller
Joe Nieuwendyk

Context: The Stars immediately signed Nieuwendyk to a new deal worth US$11.3 million over five years. Bob Gainey, the team's general manager, hoped that the acquisition of Nieuwendyk would help the franchise, which had relocated from Minnesota three years previous, establish its place in Dallas. Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars to finish the 1995-96 season.  Nieuwendyk improved to 30 goals in 1996-97 despite missing the first month of the season with fractured rib cartilage. A 39-goal season followed, but he was again sidelined by injury after appearing in only one game of the 1998 Stanley Cup playoffs. In the opening game of the Stars' first-round series against the San Jose Sharks, he suffered a torn ACL as a result of a check by Bryan Marchment. The injury required two knee surgeries to repair and six months to heal, which caused him to miss the beginning of the 1998-99 NHL season.  He finished the regular season with 28 goals and 55 points in 67 games, and added 11 goals and 10 assists in the 1999 Stanley Cup playoffs to help the Stars win the first Stanley Cup in their franchise history. Six of his playoff goals were game winners, and he was voted the winner of the Conn Smythe Trophy as most valuable player of the playoffs. Injuries again limited Nieuwendyk in 1999-2000. He missed ten games due to a bruised chest then suffered a separated shoulder a week after his return that kept him out of the lineup for several weeks. He played only 47 regular season games, but added 23 more in the playoffs as the Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however.  Nieuwendyk played in his 1,000th career game on January 20, 2002, against the Chicago Blackhawks. Two months later, on March 19, 2002, he was traded to the Devils, along with Jamie Langenbrunner, in exchange for Jason Arnott, Randy McKay and a first round selection in the 2002 NHL Entry Draft. CANNOTANSWER

Question: When did Joe Nieuwendyk play with the Dallas Stars?
Answer: Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars to finish the 1995-96 season.
Joe Nieuwendyk

Context: The Stars immediately signed Nieuwendyk to a new deal worth US$11.3 million over five years. Bob Gainey, the team's general manager, hoped that the acquisition of Nieuwendyk would help the franchise, which had relocated from Minnesota three years previous, establish its place in Dallas. Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars to finish the 1995-96 season.  Nieuwendyk improved to 30 goals in 1996-97 despite missing the first month of the season with fractured rib cartilage. A 39-goal season followed, but he was again sidelined by injury after appearing in only one game of the 1998 Stanley Cup playoffs. In the opening game of the Stars' first-round series against the San Jose Sharks, he suffered a torn ACL as a result of a check by Bryan Marchment. The injury required two knee surgeries to repair and six months to heal, which caused him to miss the beginning of the 1998-99 NHL season.  He finished the regular season with 28 goals and 55 points in 67 games, and added 11 goals and 10 assists in the 1999 Stanley Cup playoffs to help the Stars win the first Stanley Cup in their franchise history. Six of his playoff goals were game winners, and he was voted the winner of the Conn Smythe Trophy as most valuable player of the playoffs. Injuries again limited Nieuwendyk in 1999-2000. He missed ten games due to a bruised chest then suffered a separated shoulder a week after his return that kept him out of the lineup for several weeks. He played only 47 regular season games, but added 23 more in the playoffs as the Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however.  Nieuwendyk played in his 1,000th career game on January 20, 2002, against the Chicago Blackhawks. Two months later, on March 19, 2002, he was traded to the Devils, along with Jamie Langenbrunner, in exchange for Jason Arnott, Randy McKay and a first round selection in the 2002 NHL Entry Draft. CANNOTANSWER

Question: Did Joe Nieuwendyk start his career with the Dallas Stars?
Answer: The Stars immediately signed Nieuwendyk to a new deal worth US$11.3 million over five years.
Joe Nieuwendyk

Context: The Stars immediately signed Nieuwendyk to a new deal worth US$11.3 million over five years. Bob Gainey, the team's general manager, hoped that the acquisition of Nieuwendyk would help the franchise, which had relocated from Minnesota three years previous, establish its place in Dallas. Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars to finish the 1995-96 season.  Nieuwendyk improved to 30 goals in 1996-97 despite missing the first month of the season with fractured rib cartilage. A 39-goal season followed, but he was again sidelined by injury after appearing in only one game of the 1998 Stanley Cup playoffs. In the opening game of the Stars' first-round series against the San Jose Sharks, he suffered a torn ACL as a result of a check by Bryan Marchment. The injury required two knee surgeries to repair and six months to heal, which caused him to miss the beginning of the 1998-99 NHL season.  He finished the regular season with 28 goals and 55 points in 67 games, and added 11 goals and 10 assists in the 1999 Stanley Cup playoffs to help the Stars win the first Stanley Cup in their franchise history. Six of his playoff goals were game winners, and he was voted the winner of the Conn Smythe Trophy as most valuable player of the playoffs. Injuries again limited Nieuwendyk in 1999-2000. He missed ten games due to a bruised chest then suffered a separated shoulder a week after his return that kept him out of the lineup for several weeks. He played only 47 regular season games, but added 23 more in the playoffs as the Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however.  Nieuwendyk played in his 1,000th career game on January 20, 2002, against the Chicago Blackhawks. Two months later, on March 19, 2002, he was traded to the Devils, along with Jamie Langenbrunner, in exchange for Jason Arnott, Randy McKay and a first round selection in the 2002 NHL Entry Draft. CANNOTANSWER

Question: Did Joe Nieuwendyk set any records with the Dallas Stars?
Answer: CANNOTANSWER
Joe Nieuwendyk

Context: The Stars immediately signed Nieuwendyk to a new deal worth US$11.3 million over five years. Bob Gainey, the team's general manager, hoped that the acquisition of Nieuwendyk would help the franchise, which had relocated from Minnesota three years previous, establish its place in Dallas. Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars to finish the 1995-96 season.  Nieuwendyk improved to 30 goals in 1996-97 despite missing the first month of the season with fractured rib cartilage. A 39-goal season followed, but he was again sidelined by injury after appearing in only one game of the 1998 Stanley Cup playoffs. In the opening game of the Stars' first-round series against the San Jose Sharks, he suffered a torn ACL as a result of a check by Bryan Marchment. The injury required two knee surgeries to repair and six months to heal, which caused him to miss the beginning of the 1998-99 NHL season.  He finished the regular season with 28 goals and 55 points in 67 games, and added 11 goals and 10 assists in the 1999 Stanley Cup playoffs to help the Stars win the first Stanley Cup in their franchise history. Six of his playoff goals were game winners, and he was voted the winner of the Conn Smythe Trophy as most valuable player of the playoffs. Injuries again limited Nieuwendyk in 1999-2000. He missed ten games due to a bruised chest then suffered a separated shoulder a week after his return that kept him out of the lineup for several weeks. He played only 47 regular season games, but added 23 more in the playoffs as the Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however.  Nieuwendyk played in his 1,000th career game on January 20, 2002, against the Chicago Blackhawks. Two months later, on March 19, 2002, he was traded to the Devils, along with Jamie Langenbrunner, in exchange for Jason Arnott, Randy McKay and a first round selection in the 2002 NHL Entry Draft. CANNOTANSWER

Question: Did the Dallas Stars win many games when Joe Nieuwendyk was with them?
Answer: Six of his playoff goals were game winners, and he was voted the winner of the Conn Smythe Trophy as most valuable player of the playoffs.