gaussalgo/Canard_Wiki-augmented huggingface dataset:
Chris Chelios

Context: Chelios was born in Chicago, Illinois on January 25, 1962, and raised by his parents, Gus and Susan Chelios. They lived in Evergreen Park, Illinois. He attended Mount Carmel High School in Chicago until his family moved to Poway, California, where he attended Mira Mesa High School.  Unable to play high school hockey in southern California, Chelios wasn't recruited by any U.S. colleges. His only scholarship offer came from local San Diego-based United States International University, the only NCAA Division I hockey team west of the Rockies. But when Chelios arrived on campus as a freshman in 1979 he soon realized he was in the wrong environment, facing bigger players with considerably more junior hockey experience. He was eventually cut from the team and considered quitting hockey. Instead, he tried his luck in Canada, where he was twice cut by Junior B teams in Canada and hit a low point when he had to borrow money from strangers to get home to California one year. Chelios said, "I wasn't any bigger or any better than the other guys, so they weren't going to take a kid from the States when they could have a local guy."  He returned home and grew three inches while adding 40 pounds of muscle. He was then drafted by the Montreal Canadiens in the 1981 NHL Entry Draft. Prior to that, he played for the Moose Jaw Canucks of the Saskatchewan Junior Hockey League where he tallied 87 points and 175 penalty minutes in just 54 games in his final season. Chelios enjoyed two strong years playing for the Wisconsin Badgers at the University of Wisconsin-Madison after being drafted. As one of the top collegiate players in the country, he was selected for the United States at the 1981-82 World Junior Ice Hockey Championship. In 1983, he was part of the Badgers' NCAA Men's Ice Hockey Championship team and was named to the all-tournament team and the second WCHA all-star team.  Chelios was a member of the U.S. Olympic team for the 1984 Winter Olympics in Sarajevo, Yugoslavia. After that he made his debut for the Canadiens, playing 12 games in the regular season and 15 in the playoffs. That summer he joined the U.S. team at the 1984 Canada Cup. He wore number 24 in Montreal, Detroit, and Atlanta but number 7 with the Chicago Blackhawks and Wolves. CANNOTANSWER

Question: did Chris Chelios have children?
Answer: CANNOTANSWER
The Replacements (band)

Context: When the band's first album, Sorry Ma, Forgot to Take Out the Trash, was released in August 1981, it received positive reviews in local fanzines. Option's Blake Gumprecht wrote, "Westerberg has the ability to make you feel like you're right in the car with him, alongside him at the door, drinking from the same bottle." The album contained the band's first single, "I'm in Trouble", Westerberg's "first truly good song". Sorry Ma included the song, "Somethin to Du", a homage to another Minneapolis punk band, Husker Du. The Replacements had a friendly rivalry with the band, which started when Twin/Tone chose the Replacements over Husker Du, and Husker Du landed an opening slot at a Johnny Thunders gig that the Replacements had wanted. Husker Du also influenced the band's music. The Replacements began playing faster and became more influenced by hardcore punk. Despite this, the band did not feel part of the hardcore scene. As Mars later stated, "We were confused about what we were."  Sometime in late 1981, the Replacements played a song called "Kids Don't Follow". Jesperson was convinced the song sounded like a hit and pleaded with the Twin/Tone co-owners Stark and Hallman, "I will do anything to get this out. I will hand-stamp jackets if I have to." The partners agreed to fund the recording, but Jesperson and virtually everyone he knew had to hand-stamp ten thousand white record jackets. The band recorded eight tracks within a week, with Jesperson as producer. Their "balls-to-the-wall hardcore punk attempt", their first EP Stink, containing "Kids Don't Follow" and seven other songs, was released in June 1982, six months after the Chicago show.  The Replacements began to distance themselves from the hardcore punk scene after the release of Stink. "We write songs rather than riffs with statements," Westerberg later stated. Inspired by other rock subgenres, he had been writing songs that incorporated a wide range of musical styles. He even wrote an acoustic ballad, "You're Getting Married One Night", but when he played it to the rest of the band, it was met with silence. "Save that for your solo album, Paul," Bob Stinson said. "That ain't the Replacements". The track remained unreleased for years. Westerberg realized his toughest audience was the band itself, later saying, "If it doesn't rock enough, Bob will scoff at it, and if it isn't catchy enough, Chris won't like it, and if it isn't modern enough, Tommy won't like it." CANNOTANSWER

Question: What was one of The Replacements first releases?
Answer: Sorry Ma, Forgot to Take Out the Trash,
The Replacements (band)

Context: When the band's first album, Sorry Ma, Forgot to Take Out the Trash, was released in August 1981, it received positive reviews in local fanzines. Option's Blake Gumprecht wrote, "Westerberg has the ability to make you feel like you're right in the car with him, alongside him at the door, drinking from the same bottle." The album contained the band's first single, "I'm in Trouble", Westerberg's "first truly good song". Sorry Ma included the song, "Somethin to Du", a homage to another Minneapolis punk band, Husker Du. The Replacements had a friendly rivalry with the band, which started when Twin/Tone chose the Replacements over Husker Du, and Husker Du landed an opening slot at a Johnny Thunders gig that the Replacements had wanted. Husker Du also influenced the band's music. The Replacements began playing faster and became more influenced by hardcore punk. Despite this, the band did not feel part of the hardcore scene. As Mars later stated, "We were confused about what we were."  Sometime in late 1981, the Replacements played a song called "Kids Don't Follow". Jesperson was convinced the song sounded like a hit and pleaded with the Twin/Tone co-owners Stark and Hallman, "I will do anything to get this out. I will hand-stamp jackets if I have to." The partners agreed to fund the recording, but Jesperson and virtually everyone he knew had to hand-stamp ten thousand white record jackets. The band recorded eight tracks within a week, with Jesperson as producer. Their "balls-to-the-wall hardcore punk attempt", their first EP Stink, containing "Kids Don't Follow" and seven other songs, was released in June 1982, six months after the Chicago show.  The Replacements began to distance themselves from the hardcore punk scene after the release of Stink. "We write songs rather than riffs with statements," Westerberg later stated. Inspired by other rock subgenres, he had been writing songs that incorporated a wide range of musical styles. He even wrote an acoustic ballad, "You're Getting Married One Night", but when he played it to the rest of the band, it was met with silence. "Save that for your solo album, Paul," Bob Stinson said. "That ain't the Replacements". The track remained unreleased for years. Westerberg realized his toughest audience was the band itself, later saying, "If it doesn't rock enough, Bob will scoff at it, and if it isn't catchy enough, Chris won't like it, and if it isn't modern enough, Tommy won't like it." CANNOTANSWER

Question: What year was Sorry Ma, Forgot to Take Out the Trash released?
Answer: 1981,
The Replacements (band)

Context: When the band's first album, Sorry Ma, Forgot to Take Out the Trash, was released in August 1981, it received positive reviews in local fanzines. Option's Blake Gumprecht wrote, "Westerberg has the ability to make you feel like you're right in the car with him, alongside him at the door, drinking from the same bottle." The album contained the band's first single, "I'm in Trouble", Westerberg's "first truly good song". Sorry Ma included the song, "Somethin to Du", a homage to another Minneapolis punk band, Husker Du. The Replacements had a friendly rivalry with the band, which started when Twin/Tone chose the Replacements over Husker Du, and Husker Du landed an opening slot at a Johnny Thunders gig that the Replacements had wanted. Husker Du also influenced the band's music. The Replacements began playing faster and became more influenced by hardcore punk. Despite this, the band did not feel part of the hardcore scene. As Mars later stated, "We were confused about what we were."  Sometime in late 1981, the Replacements played a song called "Kids Don't Follow". Jesperson was convinced the song sounded like a hit and pleaded with the Twin/Tone co-owners Stark and Hallman, "I will do anything to get this out. I will hand-stamp jackets if I have to." The partners agreed to fund the recording, but Jesperson and virtually everyone he knew had to hand-stamp ten thousand white record jackets. The band recorded eight tracks within a week, with Jesperson as producer. Their "balls-to-the-wall hardcore punk attempt", their first EP Stink, containing "Kids Don't Follow" and seven other songs, was released in June 1982, six months after the Chicago show.  The Replacements began to distance themselves from the hardcore punk scene after the release of Stink. "We write songs rather than riffs with statements," Westerberg later stated. Inspired by other rock subgenres, he had been writing songs that incorporated a wide range of musical styles. He even wrote an acoustic ballad, "You're Getting Married One Night", but when he played it to the rest of the band, it was met with silence. "Save that for your solo album, Paul," Bob Stinson said. "That ain't the Replacements". The track remained unreleased for years. Westerberg realized his toughest audience was the band itself, later saying, "If it doesn't rock enough, Bob will scoff at it, and if it isn't catchy enough, Chris won't like it, and if it isn't modern enough, Tommy won't like it." CANNOTANSWER

Question: Did Sorry Ma, Forgot to Take Out the Trashg do well?
Answer: it received positive reviews in local fanzines.
The Replacements (band)

Context: When the band's first album, Sorry Ma, Forgot to Take Out the Trash, was released in August 1981, it received positive reviews in local fanzines. Option's Blake Gumprecht wrote, "Westerberg has the ability to make you feel like you're right in the car with him, alongside him at the door, drinking from the same bottle." The album contained the band's first single, "I'm in Trouble", Westerberg's "first truly good song". Sorry Ma included the song, "Somethin to Du", a homage to another Minneapolis punk band, Husker Du. The Replacements had a friendly rivalry with the band, which started when Twin/Tone chose the Replacements over Husker Du, and Husker Du landed an opening slot at a Johnny Thunders gig that the Replacements had wanted. Husker Du also influenced the band's music. The Replacements began playing faster and became more influenced by hardcore punk. Despite this, the band did not feel part of the hardcore scene. As Mars later stated, "We were confused about what we were."  Sometime in late 1981, the Replacements played a song called "Kids Don't Follow". Jesperson was convinced the song sounded like a hit and pleaded with the Twin/Tone co-owners Stark and Hallman, "I will do anything to get this out. I will hand-stamp jackets if I have to." The partners agreed to fund the recording, but Jesperson and virtually everyone he knew had to hand-stamp ten thousand white record jackets. The band recorded eight tracks within a week, with Jesperson as producer. Their "balls-to-the-wall hardcore punk attempt", their first EP Stink, containing "Kids Don't Follow" and seven other songs, was released in June 1982, six months after the Chicago show.  The Replacements began to distance themselves from the hardcore punk scene after the release of Stink. "We write songs rather than riffs with statements," Westerberg later stated. Inspired by other rock subgenres, he had been writing songs that incorporated a wide range of musical styles. He even wrote an acoustic ballad, "You're Getting Married One Night", but when he played it to the rest of the band, it was met with silence. "Save that for your solo album, Paul," Bob Stinson said. "That ain't the Replacements". The track remained unreleased for years. Westerberg realized his toughest audience was the band itself, later saying, "If it doesn't rock enough, Bob will scoff at it, and if it isn't catchy enough, Chris won't like it, and if it isn't modern enough, Tommy won't like it." CANNOTANSWER

Question: Did any other albums do well in addition to Sorry Ma, Forgot to Take Out the Trash?
Answer: Their "balls-to-the-wall hardcore punk attempt",
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: What year was Jennifer Capriati best season in several years?
Answer: Throughout the season Capriati set multiple "youngest ever" records.
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: Who did Jennifer Capriati beat in 1999?
Answer: CANNOTANSWER
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: Did Jennifer Capriati make the Australian Open?
Answer: CANNOTANSWER
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: Was Jennifer Capriati injured at any point?
Answer: CANNOTANSWER
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: Was Uncle Earl a nickname of Earl Long?
Answer: "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long)
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: How did Earl Long feel about the nickname "Uncle Earl"?
Answer: once joked that one day the people of Louisiana would elect "good government, and they won't like it!"
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: What is a popular anecdote about Earl Long?
Answer: Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long".
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: Did Earl Long make any public statements regarding the song "The Ballad of Earl K. Long"?
Answer: CANNOTANSWER
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: Are there any anecdotes about Earl Long that relate to his family?
Answer: beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence.
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: Besides being named "Uncle Earl", any other information relating to his nickname?
Answer: Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: Were there any anecdotes regarding Earl Long's affairs?
Answer: CANNOTANSWER
Earl Long

Context: The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries.  Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong.  Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long". CANNOTANSWER

Question: Did the anecdotes embarass Earl Long or his family?
Answer: CANNOTANSWER
Haydn Bunton Jr.

Context: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II. CANNOTANSWER

Question: What is Subiaco?
Answer: CANNOTANSWER
Haydn Bunton Jr.

Context: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II. CANNOTANSWER

Question: Besides Subiaco, are there any other interesting aspects about Haydn Bunton Jr., Subiaco 1984 to 1992?
Answer: Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average
Haydn Bunton Jr.

Context: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II. CANNOTANSWER

Question: When did Haydn Bunton start playing with Subiaco?
Answer: In 1984,
Haydn Bunton Jr.

Context: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II. CANNOTANSWER

Question: How many wins did Subiaco have with Haydn Bunton on the team?
Answer: rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100
Haydn Bunton Jr.

Context: In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points.  However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara.  An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half.  The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II. CANNOTANSWER

Question: Besides having four wins, what else did Haydn Bunton contribute to the team?
Answer: Their team was sufficiently good to be competitive against VFL premiers Hawthorn