gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: Who was the lead guitarist of The Ink Spots?
Answer: CANNOTANSWER
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: Who else was in the The Ink Spots besides Hoppy Jones ?
Answer: Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: Did Charlie Fuqua  come back to the Ink Spots after he left the army ?
Answer: Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: Who else was in the Ink Spots besides Hoppy Jones and Charlie Fuqua ?
Answer: Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: Who replaced Herb Kenny after he left the Ink Spots ?
Answer: The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954.
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: Do you know of any other member of the Ink spots besides  Hoppy Jones and Charlie Fuqua andHerb kenny??
Answer: Billy "Butterball" Bowen
The Ink Spots

Context: In 1943, Ink Spots baritone singer and guitarist Charlie Fuqua was drafted into the US Army. He chose his friend Bernie Mackey to be his temporary replacement until he returned to the group. After being with the group for two years, Mackey was replaced by Huey Long in March 1945. Long completed the role as a "fill in" until Fuqua finally returned in October 1945.  Hoppy Jones, an important personality to the group, died in October 1944, after collapsing on stage at the Cafe Zanzibar in New York City, near the height of their popularity. Hoppy Jones had been having cerebral hemorrhages for a year, and had fallen ill from it in June 1944. Jones was temporarily replaced by Cliff Givens who filled in for five months, from October 1944 to March 1945. Jones' permanent replacement was to be Bill Kenny's brother (and fraternal twin) Herb Kenny. Herb Kenny sang with the group from 1945 to 1951 when he went out for a career as a solo artist. The last bass singer for the Ink Spots was Adriel McDonald who was with the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given to him by Herb Kenny with whom he had sung in a group called "The Cabineers" in the early 40's.  Due to personality clashes between Bill Kenny and Deek Watson after Hoppy Jones' death, Kenny decided he'd rather carry on as the leader of the group and bought Watson's share of the group for $10,000, which in turn gave Kenny the power to kick Watson out of the group. Watson went on to form a group similar in style to the Ink Spots called the Brown Dots (which later became the Four Tunes). Watson's place was filled by Billy "Butterball" Bowen who sang with the group from 1943 to 1952. CANNOTANSWER

Question: How lond did Billy "Butterball" Bowen stay with the Ink Spots?
Answer: sang with the group from 1943 to 1952.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What was the Pine Tar incident?
Answer: The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: Was the length of 24 inches of pine tar illegal?
Answer: Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What happened to George Brett after the Pine Tar Incident?
Answer: an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: Was George Brett kicked out of the game after charging out of the dugout during the Pine Tar Incident?
Answer: The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What team was George Brett playing for at the time of the Pine Tar Incident?
Answer: the Royals
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: How did the band Ministry start?
Answer: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois.
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: What did Al Jourgensen do after going to Chicago?
Answer: Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect,
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: Who did Al Jourgensen and Shannon Rose Riley try next after joining the band Special Affect?
Answer: Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: What did Al Jourgensen forming The Carmichaels equal too?
Answer: and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: What did Al Jourgensen doing numerous shows with the Carmichaels mean?
Answer: In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: What did Al Jourgensen meeting Wax Trax owners JIm Nash and Danny Flesher do?
Answer: Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American
Ministry (band)

Context: Ministry's origins date to 1978, when Al Jourgensen went from Denver to Chicago, in order to study in University of Illinois. Jourgensen was introduced to the local underground scene by his then-girlfriend Shannon Rose Riley, and soon after joined a post-punk/new wave band Special Affect, replacing Tom Hoffman on a guitar and accompanying to vocalist Frank Nardiello (Groovie Mann of My Life With the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split, Jourgensen formed The Carmichaels, the short-lived band which featured Ben Krug, Tom Krug and Tom Wall (all of The Imports), and did numerous shows, including the one performed on April 30, 1981 with the local experimental band ONO as an opening act.  In this time Jourgensen had also met Jim Nash and Danny Flesher, the co-founders and the co-owners of the indie record label Wax Trax! Records who recommended him as a touring guitarist for a drag performer Divine. After playing a few concerts with the latter, Jourgensen--then living within an African-American neighborhood--had begun to write and record the songs in his apartment, using a newly-bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single, as well as to form a touring band, certainly titled Ministry.  The first line-up of Ministry, assembled by Jourgensen, consisted of keyboardists Robert Roberts and John Davis, bassist Sorenson, and drummer Stephen George; initially, Jourgensen didn't want to perform vocals, but embarked on after he had auditioned twelve singers "who all sucked." Nash had paid a recording session for the band at Hedden West studios, with the help of an English-born sound engineer Iain Burgess. According to former Dead Kennedys singer and Alternative Tentacles owner Jello Biafra, Ministry's debut record was intended to be seven-inch single featuring the song "Overkill" with B-side "I'm Falling"; eventually, a twelve-inch single with "I'm Falling" and instrumental track "Primental" on A-side, backed with song "Cold Life" on B-side, came out in late 1981 on Wax Trax! in the US. In March of the following year, the single was licensed by a British label Situation Two, with "Cold Life" as A-side.  Ministry had performed their debut concert on the New Year Eve of 1982 in a Chicago-based club Misfits, and commenced a tour through the East Coast and the mid-West, supporting on occasions for the English bands Medium Medium, A Flock of Seagulls, Culture Club, and Depeche Mode. Meanwhile, "I'm Falling / Cold Life" single had found success in the UK and the US, reaching No. 45 in the Billboard Hot Dance/Disco chart with approximately 10,000 copies as of September 1982, and thus scoring Wax Trax!' first hit. CANNOTANSWER

Question: What does Al Jourgensen touring with Divine equal to?
Answer: At one point, he had presented a demo to Jim Nash, who had favored it and offered Jourgensen to record a single,