gaussalgo/Canard_Wiki-augmented huggingface dataset:
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: What did Irving Thalberg do after taking charge at Universal Studios?
Answer: Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: Was Irving Thalberg successful at the job?
Answer: CANNOTANSWER
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: What else happened in Irving Thalberg's new position aside from overseeing film productions?
Answer: Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast,
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: What albums did Sergio Mendes do?
Answer: self-titled album and several follow-up albums,
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Did Sergio Mendes have any hit songs
Answer: "Never Gonna Let You Go
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Bssides "Never Gonna Let You Go", what other Sergio Mendes songs were popular
Answer: CANNOTANSWER
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Aside from Sergio Mendes hit song, "Never Gonna Let You Go" what else did he do in his middle career?
Answer: had the hit songs "Olympia", which was also used as a theme song for the Olympic games
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Did Sergio Mendes tour
Answer: CANNOTANSWER
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Other than Sergio Mendes' hit songs, are there any other interesting aspects about this article?
Answer: he was the undisputed master of pop-inflected Brazilian jazz.
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Did Sergio Mendes win any awards
Answer: Grammy-winning Elektra album Brasileiro in 1992,
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: What were Sergio Mendes' most famous songs
Answer: The Look of Love
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Are there any more famous songs by Sergio Mendes
Answer: Never Gonna Let You Go
Sérgio Mendes

Context: Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."  In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the Confetti album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.  By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. CANNOTANSWER

Question: Besides Never Gonna Let You Go, are there any other popular songs that Sergio Mendes did
Answer: Alibis
Slash (musician)

Context: In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour.  Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers.  Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart.  In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival. CANNOTANSWER

Question: Is the name referring to a group or an album?
Answer: with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators".
Slash (musician)

Context: In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour.  Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers.  Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart.  In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival. CANNOTANSWER

Question: When was "Slash featuring Myles Kennedy and The Conspirators" released?
Answer: Slash began working on his second solo album in June 2011.
Slash (musician)

Context: In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour.  Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers.  Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart.  In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival. CANNOTANSWER

Question: How did Slash and Miles Kennedy become involved with each other?
Answer: Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals,
Slash (musician)

Context: In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour.  Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers.  Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart.  In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival. CANNOTANSWER

Question: What about the vocals on the album?
Answer: Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals,
Slash (musician)

Context: In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour.  Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers.  Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart.  In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival. CANNOTANSWER

Question: Are there any other interesting aspects about Miles Kennedy and Slash in addition to The Conspirators?
Answer: In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018.
Slash (musician)

Context: In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour.  Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers.  Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart.  In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival. CANNOTANSWER

Question: Did "Slash featuring Myles Kennedy and The Conspirators" do well?
Answer: CANNOTANSWER
J. Paul Getty

Context: On July 10, 1973, in Rome, 'Ndrangheta kidnappers abducted Getty's 16-year-old grandson, John Paul Getty III, and demanded by telephone a $17 million payment (approximately $93.7 million in 2017) for the young man's safe return. However, "the family suspected a ploy by the rebellious teenager to extract money from his miserly grandfather." John Paul Getty Jr. asked his father for the money, but was refused.  In November 1973, an envelope containing a lock of hair and a human ear arrived at a daily newspaper. The second demand had been delayed three weeks by an Italian postal strike. The demand threatened that Paul would be further mutilated unless the victims paid $3.2 million (approximately $17.6 million in 2017): "This is Paul's ear. If we don't get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits."  When the kidnappers finally reduced their demands to $3 million (approximately $16.5 million in 2017), Getty senior agreed to pay no more than $2.2 million (approximately $12.1 million in 2017) - the maximum that would be tax-deductible. He lent his son the remaining $800,000 (approximately $4.4 million in 2017) at 4% interest. Paul III was found alive in a Lauria filling station, in the province of Potenza, shortly after the ransom was paid. After his release Paul III called his grandfather to thank him for paying the ransom but, it is claimed, Getty refused to come to the phone. Nine people associated with 'Ndrangheta were later arrested for the kidnapping, but only two were convicted. Paul III was permanently affected by the trauma and became a drug addict. After a stroke brought on by a cocktail of drugs and alcohol in 1981, Paul III was rendered speechless, nearly blind and partially paralyzed for the rest of his life. He died 30 years later on February 5, 2011, at the age of 54.  Getty defended his initial refusal to pay the ransom on two points. First, he argued that to submit to the kidnappers' demands would immediately place his other fourteen grandchildren at the risk of copy-cat kidnappers. He added:  The second reason for my refusal was much broader-based. I contend that acceding to the demands of criminals and terrorists merely guarantees the continuing increase and spread of lawlessness, violence and such outrages as terror-bombings, "skyjackings" and the slaughter of hostages that plague our present-day world. (Getty, 1976, p. 139). CANNOTANSWER

Question: when was j. paul getty III kidnapped?
Answer: On July 10, 1973,
J. Paul Getty

Context: On July 10, 1973, in Rome, 'Ndrangheta kidnappers abducted Getty's 16-year-old grandson, John Paul Getty III, and demanded by telephone a $17 million payment (approximately $93.7 million in 2017) for the young man's safe return. However, "the family suspected a ploy by the rebellious teenager to extract money from his miserly grandfather." John Paul Getty Jr. asked his father for the money, but was refused.  In November 1973, an envelope containing a lock of hair and a human ear arrived at a daily newspaper. The second demand had been delayed three weeks by an Italian postal strike. The demand threatened that Paul would be further mutilated unless the victims paid $3.2 million (approximately $17.6 million in 2017): "This is Paul's ear. If we don't get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits."  When the kidnappers finally reduced their demands to $3 million (approximately $16.5 million in 2017), Getty senior agreed to pay no more than $2.2 million (approximately $12.1 million in 2017) - the maximum that would be tax-deductible. He lent his son the remaining $800,000 (approximately $4.4 million in 2017) at 4% interest. Paul III was found alive in a Lauria filling station, in the province of Potenza, shortly after the ransom was paid. After his release Paul III called his grandfather to thank him for paying the ransom but, it is claimed, Getty refused to come to the phone. Nine people associated with 'Ndrangheta were later arrested for the kidnapping, but only two were convicted. Paul III was permanently affected by the trauma and became a drug addict. After a stroke brought on by a cocktail of drugs and alcohol in 1981, Paul III was rendered speechless, nearly blind and partially paralyzed for the rest of his life. He died 30 years later on February 5, 2011, at the age of 54.  Getty defended his initial refusal to pay the ransom on two points. First, he argued that to submit to the kidnappers' demands would immediately place his other fourteen grandchildren at the risk of copy-cat kidnappers. He added:  The second reason for my refusal was much broader-based. I contend that acceding to the demands of criminals and terrorists merely guarantees the continuing increase and spread of lawlessness, violence and such outrages as terror-bombings, "skyjackings" and the slaughter of hostages that plague our present-day world. (Getty, 1976, p. 139). CANNOTANSWER

Question: Besides the kidnapping itself was anything else interesting in the article about John Paul Getty III
Answer: demanded by telephone a $17 million payment
J. Paul Getty

Context: On July 10, 1973, in Rome, 'Ndrangheta kidnappers abducted Getty's 16-year-old grandson, John Paul Getty III, and demanded by telephone a $17 million payment (approximately $93.7 million in 2017) for the young man's safe return. However, "the family suspected a ploy by the rebellious teenager to extract money from his miserly grandfather." John Paul Getty Jr. asked his father for the money, but was refused.  In November 1973, an envelope containing a lock of hair and a human ear arrived at a daily newspaper. The second demand had been delayed three weeks by an Italian postal strike. The demand threatened that Paul would be further mutilated unless the victims paid $3.2 million (approximately $17.6 million in 2017): "This is Paul's ear. If we don't get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits."  When the kidnappers finally reduced their demands to $3 million (approximately $16.5 million in 2017), Getty senior agreed to pay no more than $2.2 million (approximately $12.1 million in 2017) - the maximum that would be tax-deductible. He lent his son the remaining $800,000 (approximately $4.4 million in 2017) at 4% interest. Paul III was found alive in a Lauria filling station, in the province of Potenza, shortly after the ransom was paid. After his release Paul III called his grandfather to thank him for paying the ransom but, it is claimed, Getty refused to come to the phone. Nine people associated with 'Ndrangheta were later arrested for the kidnapping, but only two were convicted. Paul III was permanently affected by the trauma and became a drug addict. After a stroke brought on by a cocktail of drugs and alcohol in 1981, Paul III was rendered speechless, nearly blind and partially paralyzed for the rest of his life. He died 30 years later on February 5, 2011, at the age of 54.  Getty defended his initial refusal to pay the ransom on two points. First, he argued that to submit to the kidnappers' demands would immediately place his other fourteen grandchildren at the risk of copy-cat kidnappers. He added:  The second reason for my refusal was much broader-based. I contend that acceding to the demands of criminals and terrorists merely guarantees the continuing increase and spread of lawlessness, violence and such outrages as terror-bombings, "skyjackings" and the slaughter of hostages that plague our present-day world. (Getty, 1976, p. 139). CANNOTANSWER

Question: Where was John Paul Getty III at when he was  kidnapped?
Answer: in Rome, 'Ndrangheta