gaussalgo/Canard_Wiki-augmented huggingface dataset:
Sinhalese people

Context: The Sinhalese speak Sinhala, also known as "Helabasa"; this language has two varieties, spoken and written. Sinhala is an Indo-Aryan language within the broader group of Indo-European languages. The language was brought to Sri Lanka by the ancestors of the Sinhalese from northern India who settled on the island in the 6th century BCE. Sinhala developed in a way different from the other Indo-Aryan languages because of the geographic separation from its Indo-Aryan sister languages. Sinhala was influenced by many languages, prominently Pali, the sacred language of Southern Buddhism, and Sanskrit. Many early Sinhala texts such as the Hela Atuwa were lost after their translation into Pali. Other significant Sinhala texts include Amavatura, Kavu Silumina, Jathaka Potha and Sala Liheeniya. Sinhala has also adopted many loanwords of foreign origin, including from many Indian languages and colonial languages Portuguese, Dutch, and English.  Sandesha Kavyas written by Buddhist priests of Sri Lanka are regarded as some of the most sophisticated and versatile works of literature in the world. The Sinhala language was mainly inspired by Sanskrit and Pali, and many words of the Sinhala language derive from these languages. Today some English words too have come in as a result of the British occupation during colonial times, and the exposure to foreign cultures through television and Hollywood movies. Additionally many Dutch and Portuguese words can be seen in the coastal areas.  Folk tales like Mahadana Muttha saha Golayo and Kawate Andare continue to entertain children today. Mahadana Muttha tells the tale of a fool cum Pundit who travels around the country with his followers (Golayo) creating mischief through his ignorance. Kawate Andare tells the tale of a witty court jester and his interactions with the royal court and his son.  In the modern period, Sinhala writers such as Martin Wickremasinghe and G. B. Senanayake have drawn widespread acclaim. Other writers of repute include Mahagama Sekera and Madewela S. Ratnayake. Martin Wickramasinghe wrote the immensely popular children's novel Madol Duwa. Munadasa Cumaratunga's Hath Pana is also widely known. CANNOTANSWER

Question: are any of the Sinhalese folks books people today?
Answer: continue to entertain children today.
Sinhalese people

Context: The Sinhalese speak Sinhala, also known as "Helabasa"; this language has two varieties, spoken and written. Sinhala is an Indo-Aryan language within the broader group of Indo-European languages. The language was brought to Sri Lanka by the ancestors of the Sinhalese from northern India who settled on the island in the 6th century BCE. Sinhala developed in a way different from the other Indo-Aryan languages because of the geographic separation from its Indo-Aryan sister languages. Sinhala was influenced by many languages, prominently Pali, the sacred language of Southern Buddhism, and Sanskrit. Many early Sinhala texts such as the Hela Atuwa were lost after their translation into Pali. Other significant Sinhala texts include Amavatura, Kavu Silumina, Jathaka Potha and Sala Liheeniya. Sinhala has also adopted many loanwords of foreign origin, including from many Indian languages and colonial languages Portuguese, Dutch, and English.  Sandesha Kavyas written by Buddhist priests of Sri Lanka are regarded as some of the most sophisticated and versatile works of literature in the world. The Sinhala language was mainly inspired by Sanskrit and Pali, and many words of the Sinhala language derive from these languages. Today some English words too have come in as a result of the British occupation during colonial times, and the exposure to foreign cultures through television and Hollywood movies. Additionally many Dutch and Portuguese words can be seen in the coastal areas.  Folk tales like Mahadana Muttha saha Golayo and Kawate Andare continue to entertain children today. Mahadana Muttha tells the tale of a fool cum Pundit who travels around the country with his followers (Golayo) creating mischief through his ignorance. Kawate Andare tells the tale of a witty court jester and his interactions with the royal court and his son.  In the modern period, Sinhala writers such as Martin Wickremasinghe and G. B. Senanayake have drawn widespread acclaim. Other writers of repute include Mahagama Sekera and Madewela S. Ratnayake. Martin Wickramasinghe wrote the immensely popular children's novel Madol Duwa. Munadasa Cumaratunga's Hath Pana is also widely known. CANNOTANSWER

Question: who created Sinhalese folks?
Answer: CANNOTANSWER
Sinhalese people

Context: The Sinhalese speak Sinhala, also known as "Helabasa"; this language has two varieties, spoken and written. Sinhala is an Indo-Aryan language within the broader group of Indo-European languages. The language was brought to Sri Lanka by the ancestors of the Sinhalese from northern India who settled on the island in the 6th century BCE. Sinhala developed in a way different from the other Indo-Aryan languages because of the geographic separation from its Indo-Aryan sister languages. Sinhala was influenced by many languages, prominently Pali, the sacred language of Southern Buddhism, and Sanskrit. Many early Sinhala texts such as the Hela Atuwa were lost after their translation into Pali. Other significant Sinhala texts include Amavatura, Kavu Silumina, Jathaka Potha and Sala Liheeniya. Sinhala has also adopted many loanwords of foreign origin, including from many Indian languages and colonial languages Portuguese, Dutch, and English.  Sandesha Kavyas written by Buddhist priests of Sri Lanka are regarded as some of the most sophisticated and versatile works of literature in the world. The Sinhala language was mainly inspired by Sanskrit and Pali, and many words of the Sinhala language derive from these languages. Today some English words too have come in as a result of the British occupation during colonial times, and the exposure to foreign cultures through television and Hollywood movies. Additionally many Dutch and Portuguese words can be seen in the coastal areas.  Folk tales like Mahadana Muttha saha Golayo and Kawate Andare continue to entertain children today. Mahadana Muttha tells the tale of a fool cum Pundit who travels around the country with his followers (Golayo) creating mischief through his ignorance. Kawate Andare tells the tale of a witty court jester and his interactions with the royal court and his son.  In the modern period, Sinhala writers such as Martin Wickremasinghe and G. B. Senanayake have drawn widespread acclaim. Other writers of repute include Mahagama Sekera and Madewela S. Ratnayake. Martin Wickramasinghe wrote the immensely popular children's novel Madol Duwa. Munadasa Cumaratunga's Hath Pana is also widely known. CANNOTANSWER

Question: what's the most interesting part of the article on Sinhalese people, to you?
Answer: The Sinhala language was mainly inspired by Sanskrit and Pali,
Sinhalese people

Context: The Sinhalese speak Sinhala, also known as "Helabasa"; this language has two varieties, spoken and written. Sinhala is an Indo-Aryan language within the broader group of Indo-European languages. The language was brought to Sri Lanka by the ancestors of the Sinhalese from northern India who settled on the island in the 6th century BCE. Sinhala developed in a way different from the other Indo-Aryan languages because of the geographic separation from its Indo-Aryan sister languages. Sinhala was influenced by many languages, prominently Pali, the sacred language of Southern Buddhism, and Sanskrit. Many early Sinhala texts such as the Hela Atuwa were lost after their translation into Pali. Other significant Sinhala texts include Amavatura, Kavu Silumina, Jathaka Potha and Sala Liheeniya. Sinhala has also adopted many loanwords of foreign origin, including from many Indian languages and colonial languages Portuguese, Dutch, and English.  Sandesha Kavyas written by Buddhist priests of Sri Lanka are regarded as some of the most sophisticated and versatile works of literature in the world. The Sinhala language was mainly inspired by Sanskrit and Pali, and many words of the Sinhala language derive from these languages. Today some English words too have come in as a result of the British occupation during colonial times, and the exposure to foreign cultures through television and Hollywood movies. Additionally many Dutch and Portuguese words can be seen in the coastal areas.  Folk tales like Mahadana Muttha saha Golayo and Kawate Andare continue to entertain children today. Mahadana Muttha tells the tale of a fool cum Pundit who travels around the country with his followers (Golayo) creating mischief through his ignorance. Kawate Andare tells the tale of a witty court jester and his interactions with the royal court and his son.  In the modern period, Sinhala writers such as Martin Wickremasinghe and G. B. Senanayake have drawn widespread acclaim. Other writers of repute include Mahagama Sekera and Madewela S. Ratnayake. Martin Wickramasinghe wrote the immensely popular children's novel Madol Duwa. Munadasa Cumaratunga's Hath Pana is also widely known. CANNOTANSWER

Question: what was the language of the Sinhalese people like?
Answer: Today some English words too have come in as a result of the British occupation during colonial times,
Count Dracula

Context: Count Dracula is depicted as the "King Vampire", and can control other vampires. To punish Mina and the party for their efforts against him, Dracula bites her on at least three occasions. He also forces her to drink his blood; this act curses her with the effects of vampirism and gives him a telepathic link to her thoughts. However, hypnotism was only able to be done before dawn. Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".  The effects changes Mina' physically and mentally over time. A few moments after Dracula attacks her, Van Helsing takes a wafer of sacramental bread and places it on her forehead to bless her; when the bread touches her skin, it burns her and leaves a scar on her forehead. Her teeth start growing longer but do not grow sharper. She begins to lose her appetite, feeling repulsed by normal food, begins to sleep more and more during the day; cannot wake unless at sunset and stops writing in her diary. When Van Helsing later crumbles the same bread in a circle around her, she is unable to cross or leave the circle, discovering a new form of protection.  Dracula's death can release the curse on any living victim of eventual transformation into vampire. However, Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina further, she would transform into a vampire upon her eventual natural death. CANNOTANSWER

Question: What's important about Vampire's Baptism of Blood?
Answer: Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".
Count Dracula

Context: Count Dracula is depicted as the "King Vampire", and can control other vampires. To punish Mina and the party for their efforts against him, Dracula bites her on at least three occasions. He also forces her to drink his blood; this act curses her with the effects of vampirism and gives him a telepathic link to her thoughts. However, hypnotism was only able to be done before dawn. Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".  The effects changes Mina' physically and mentally over time. A few moments after Dracula attacks her, Van Helsing takes a wafer of sacramental bread and places it on her forehead to bless her; when the bread touches her skin, it burns her and leaves a scar on her forehead. Her teeth start growing longer but do not grow sharper. She begins to lose her appetite, feeling repulsed by normal food, begins to sleep more and more during the day; cannot wake unless at sunset and stops writing in her diary. When Van Helsing later crumbles the same bread in a circle around her, she is unable to cross or leave the circle, discovering a new form of protection.  Dracula's death can release the curse on any living victim of eventual transformation into vampire. However, Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina further, she would transform into a vampire upon her eventual natural death. CANNOTANSWER

Question: Besides Van Helsing's reference, is there anything else important regarding Count Dracula, Vampire's Baptism of Blood?
Answer: Dracula's death can release the curse on any living victim of eventual transformation into vampire.
Count Dracula

Context: Count Dracula is depicted as the "King Vampire", and can control other vampires. To punish Mina and the party for their efforts against him, Dracula bites her on at least three occasions. He also forces her to drink his blood; this act curses her with the effects of vampirism and gives him a telepathic link to her thoughts. However, hypnotism was only able to be done before dawn. Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".  The effects changes Mina' physically and mentally over time. A few moments after Dracula attacks her, Van Helsing takes a wafer of sacramental bread and places it on her forehead to bless her; when the bread touches her skin, it burns her and leaves a scar on her forehead. Her teeth start growing longer but do not grow sharper. She begins to lose her appetite, feeling repulsed by normal food, begins to sleep more and more during the day; cannot wake unless at sunset and stops writing in her diary. When Van Helsing later crumbles the same bread in a circle around her, she is unable to cross or leave the circle, discovering a new form of protection.  Dracula's death can release the curse on any living victim of eventual transformation into vampire. However, Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina further, she would transform into a vampire upon her eventual natural death. CANNOTANSWER

Question: Has there been many deaths involving Count Dracula?
Answer: CANNOTANSWER
Count Dracula

Context: Count Dracula is depicted as the "King Vampire", and can control other vampires. To punish Mina and the party for their efforts against him, Dracula bites her on at least three occasions. He also forces her to drink his blood; this act curses her with the effects of vampirism and gives him a telepathic link to her thoughts. However, hypnotism was only able to be done before dawn. Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".  The effects changes Mina' physically and mentally over time. A few moments after Dracula attacks her, Van Helsing takes a wafer of sacramental bread and places it on her forehead to bless her; when the bread touches her skin, it burns her and leaves a scar on her forehead. Her teeth start growing longer but do not grow sharper. She begins to lose her appetite, feeling repulsed by normal food, begins to sleep more and more during the day; cannot wake unless at sunset and stops writing in her diary. When Van Helsing later crumbles the same bread in a circle around her, she is unable to cross or leave the circle, discovering a new form of protection.  Dracula's death can release the curse on any living victim of eventual transformation into vampire. However, Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina further, she would transform into a vampire upon her eventual natural death. CANNOTANSWER

Question: Besides DraculaWhat else is important about the Vampire's Baptism of Blood?
Answer: The effects changes Mina' physically and mentally over time.
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: What programs was Anton Rubinstein a part of?
Answer: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna,
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: Other than Anton Rubinstein's Programs, are there any other interesting aspects about this article?
Answer: Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music.
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: What was the name of Anton Rubinstein's series of historical piano recitals?
Answer: CANNOTANSWER
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: What were some of Anton Rubinstein's concerts?
Answer: Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: Other than his American tour, did Anton Rubinstein tour again?
Answer: Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility,
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: When was Anton Rubinstein's last concert?
Answer: CANNOTANSWER
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: What was Anton Rubinstein's most famous concert?
Answer: the pianist played more than 20 pieces in one concert in Vienna, including three sonatas
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: Did Anton Rubinstein write the three sonatas?
Answer: the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A
Anton Rubinstein

Context: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge. CANNOTANSWER

Question: Other than Schumann's F sharp minor, Beethoven's D minor and Op. 101 in A, what other pieces did Anton Rubinstein play in Vienna?
Answer: The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111).
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: What was Roberto Mangabeira Unger's career?
Answer: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society,
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Did Roberto Mangabeira Unger author Knowledge and Politics and Law in Modern Society?
Answer: published in 1975 and 1976 respectively.
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: What else did Roberto Mangabeira Unger do in his career besides writing books?
Answer: Unger worked on his magnum opus, Politics:
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: Did Roberto Mangabeira Unger run for government?
Answer: CANNOTANSWER
Roberto Mangabeira Unger

Context: The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars.  Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another.  Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals. CANNOTANSWER

Question: What did Roberto Mangabeira Unger do in or with Politics ?
Answer: Published in 1987, Politics was foremost a critique of contemporary social theory and politics;
JLS

Context: As well as appearing on numerous TV programmes for promotion of their albums/singles, JLS have had two special TV shows of their own broadcast. The first was an hour-long documentary for ITV2, titled JLS Revealed, which first aired on 7 November 2009. The documentary followed them in the year after they had finished second in The X Factor, capturing them as they toured with Lemar, released their singles and attended the MOBO Awards amongst other highlights. The second show was an hour-long entertainment show for ITV titled This Is JLS, which first aired on 11 December 2010 before the first show of that year's X Factor final. Filmed before a live studio audience, the band performed all of their hits, tracks from the Outta This World album and a special duet with Kylie Minogue on her hit song "All the Lovers", as well as partaking in surprise hidden camera stunts for lucky fans who had been invited to be in the audience for the show.  The group have also released their own documentary film titled JLS: Eyes Wide Open 3D, making them the first British music act to release a 3D film. Filmed at The O2 Arena during the tour for their second album Outta This World in December 2010/January 2011, and incorporated with documentary footage shot by Ben Winston and Andy Morahan, it was shown exclusively for three days only from 3 June 2011 in over 300 UK cinemas. Due to many cinemas selling out tickets for the initial weekend, additional screenings were made in cinemas for the following weekend from 10 June 2011, thus, more tickets were available to buy online or on the day of screening. It opened at number 5 in the UK Box Office chart, raking in PS463,914 from three June weekend screenings alone. A DVD of the film was released on 5 December 2011. JLS also created a one-off Christmas special TV programme called A Very JLS Christmas, in which various celebrities appeared such as Alesha Dixon.  On 28 June 2013, JLS appeared on The Million Pound Drop, playing for charity. CANNOTANSWER

Question: What was JLS's first television appearance?
Answer: As well as appearing on numerous TV programmes for promotion of their albums/singles, JLS have had two special TV shows of their own broadcast.
JLS

Context: As well as appearing on numerous TV programmes for promotion of their albums/singles, JLS have had two special TV shows of their own broadcast. The first was an hour-long documentary for ITV2, titled JLS Revealed, which first aired on 7 November 2009. The documentary followed them in the year after they had finished second in The X Factor, capturing them as they toured with Lemar, released their singles and attended the MOBO Awards amongst other highlights. The second show was an hour-long entertainment show for ITV titled This Is JLS, which first aired on 11 December 2010 before the first show of that year's X Factor final. Filmed before a live studio audience, the band performed all of their hits, tracks from the Outta This World album and a special duet with Kylie Minogue on her hit song "All the Lovers", as well as partaking in surprise hidden camera stunts for lucky fans who had been invited to be in the audience for the show.  The group have also released their own documentary film titled JLS: Eyes Wide Open 3D, making them the first British music act to release a 3D film. Filmed at The O2 Arena during the tour for their second album Outta This World in December 2010/January 2011, and incorporated with documentary footage shot by Ben Winston and Andy Morahan, it was shown exclusively for three days only from 3 June 2011 in over 300 UK cinemas. Due to many cinemas selling out tickets for the initial weekend, additional screenings were made in cinemas for the following weekend from 10 June 2011, thus, more tickets were available to buy online or on the day of screening. It opened at number 5 in the UK Box Office chart, raking in PS463,914 from three June weekend screenings alone. A DVD of the film was released on 5 December 2011. JLS also created a one-off Christmas special TV programme called A Very JLS Christmas, in which various celebrities appeared such as Alesha Dixon.  On 28 June 2013, JLS appeared on The Million Pound Drop, playing for charity. CANNOTANSWER

Question: Did the JLS TV specials have good viewership?
Answer: JLS have had two special TV shows of their own broadcast. The first was an hour-long documentary for ITV2, titled JLS Revealed, which first aired on 7 November 2009.