gaussalgo/Canard_Wiki-augmented huggingface dataset:
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: When did Irving Thalberg get involved with films?
Answer: At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: What were some of the films Irving Thalberg oversaw during his employment at Universal Studios?
Answer: CANNOTANSWER
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: Did Irving Thalberg produce any films himself?
Answer: CANNOTANSWER
Irving Thalberg

Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world."  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before." CANNOTANSWER

Question: Besides secretary for the studio's founder and oversee films, what else did Irving Thalberg do at Universal?
Answer: nearly thirty scenarios then under development.
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: Who produced Me and Orson Welles
Answer: CANNOTANSWER
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: Tell me about Me and Orson Welles production
Answer: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: When was Me and Orson Welles produced
Answer: from February to April 2008.
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: Where was production held
Answer: the Isle of Man,
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: Besides, who else worked with the Me and Orson Welles production team
Answer: CinemaNX,
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: What happened during Me and Orson Welles production
Answer: During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.
Me and Orson Welles

Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.  In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.  Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.  Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time. CANNOTANSWER

Question: What happened when Me and Orson Welles saw the ghost
Answer: CANNOTANSWER
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: What year was "Zheng He" born?
Answer: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China.
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: How big was Zheng He's family?
Answer: He had an older brother and four sisters.
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: What did Zheng He's siblings do?
Answer: CANNOTANSWER
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: Where were Zheng He's parents?
Answer: CANNOTANSWER
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: What else can you tell me about Zheng He's family besides being born to a Muslim family?
Answer: His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan.
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: Was anyone else captured in Zheng He's family besides Bayan?
Answer: father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle.
Zheng He

Context: Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China. He had an older brother and four sisters.  Ma He's religious beliefs became all-embracing and eclectic in his adulthood. According to Dreyer (2007), the Liujiagang and Changle inscriptions suggest that Zheng He's devotion to Tianfei (Princess of Heaven, the patron goddess of sailors and seafarers) was the dominant faith to which he adhered, reflecting the goddess' central role to the treasure fleet. John Guy mentions, "When Zheng He, the Muslim eunuch leader of the great expeditions to the 'Western Ocean' (Indian Ocean) in the early fifteenth century, embarked on his voyages, it was from the Divine Woman that he sought protection, as well as at the tombs of the Muslim saints on Lingshan Hill, above the city of Quanzhou."  Zheng He was a great-great-great-grandson of Sayyid Ajjal Shams al-Din Omar, who served in the administration of the Mongol Empire and was the governor of Yunnan during the early Yuan dynasty. His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan. Zheng He's grandfather carried the title hajji, while his father had the sinicized surname Ma and also the title hajji, which suggests that they had made the pilgrimage to Mecca. It also suggests that Zheng He may have had Mongol and Arab ancestry and that he could speak Arabic.  In the autumn of 1381, a Ming army invaded and conquered Yunnan, which was then ruled by the Mongol prince Basalawarmi, Prince of Liang. In 1381, Ma Haji (Zheng He's father) died in the fighting between the Ming armies and Mongol forces. Dreyer (2007) states that Zheng He's father died at age 39 while resisting the Ming conquest. Levathes (1996) states Zheng He's father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle. Wenming, the oldest son, buried their father outside of Kunming. In his capacity as Admiral, Zheng He had an epitaph engraved in honor of his father, composed by the Minister of Rites Li Zhigang on the Duanwu Festival of the 3rd year in the Yongle era (1 June 1405). CANNOTANSWER

Question: Was Zheng He's mother caught?
Answer: CANNOTANSWER
Lisa Simpson

Context: The Simpsons uses a floating timeline in which the characters do not have physical ages; as such, Lisa is always depicted as 7-8 years old. The show itself is perpetually set in the year of broadcast (except for occasional flashbacks and flashforwards). In several episodes, events have been linked to specific time periods, although this timeline has been contradicted in subsequent episodes. Lisa's year of birth is given in "Lisa's First Word" (season 4, 1992) as 1984, during the Summer Olympics. The episode "That '90s Show" (season 19, 2008), however, contradicts much of the established backstory; for example, it presents Homer and Marge as being childless in the late 1990s. Lisa is a lover of music, with jazz as her favorite genre. She enjoys and excels at playing the saxophone and became friends with jazz musician Bleeding Gums Murphy, whom she regards as an idol. Murphy helps pull Lisa out of her depression in "Moaning Lisa" (season 1, 1990). She is later deeply saddened by Murphy's death in "'Round Springfield" (season 6, 1995).  Lisa has been friendly with several boys, including Ralph Wiggum in "I Love Lisa" (season 4, 1993), Nelson Muntz in "Lisa's Date with Density" (season 8, 1996) and Colin in The Simpsons Movie (2007). Bart's best friend Milhouse Van Houten has a crush on her, but despite dropping unsubtle hints about his feelings, he has been unsuccessful in winning her affection.  Lisa is the most intellectual member of the Simpson family (she has an IQ of 159), and many episodes of the series focus on her fighting for various causes. Lisa is often the focus of episodes with "a real moral or philosophical point", which according to former writer David S. Cohen is because "you really buy her as caring about it." Lisa's political convictions are generally liberal and she often contests other's views. She is a vegetarian, feminist, environmentalist and a supporter of gay rights and the Free Tibet movement. In a special Christmas message for the UK in 2004 Lisa showed her support for Cornish nationalism, even speaking the Cornish language to get her message across. While supportive of the general ideals of the Christian church in which she was raised, Lisa became a practicing Buddhist in the episode "She of Little Faith" (season 13, 2001) after she learned about the Noble Eightfold Path. An "End Apartheid Now" poster can be seen on her bedroom door during earlier seasons. CANNOTANSWER

Question: what is Lisa Simpson's role in the Simpsons?
Answer: Lisa is always depicted as 7-8 years old.