gaussalgo/Canard_Wiki-augmented huggingface dataset:
Abbey Road

Context: Side two contains a 16-minute medley of eight short songs, recorded over July and August and blended into a suite by McCartney and Martin. Some songs were written (and originally recorded in demo form) during sessions for the White Album and Get Back / Let It Be, which later appeared on Anthology 3. While the idea for the medley was McCartney's, Martin claims credit for some structure, adding he "wanted to get John and Paul to think more seriously about their music".  The first track recorded for the medley was the opening number, "You Never Give Me Your Money". McCartney has claimed that the band's dispute over Allen Klein and what McCartney viewed as Klein's empty promises were the inspiration for the song's lyrics. However, MacDonald doubts this given that the backing track, recorded on 6 May at Olympic Studios, predated the worst altercations between Klein and McCartney. The track is a suite of varying styles, ranging from a piano-led ballad at the start to arpeggiated guitars at the end. Both Harrison and Lennon provided guitar solos with Lennon playing the solos at the end of the track, which Beatles author Walter Everett considers his favourite Lennon guitar contribution.  This song transitions into Lennon's "Sun King" which, like "Because", showcases Lennon, McCartney and Harrison's triple-tracked harmonies. Following it are Lennon's "Mean Mr. Mustard" (written during the Beatles' 1968 trip to India) and "Polythene Pam". These in turn are followed by four McCartney songs, "She Came in Through the Bathroom Window" (written after a fan entered McCartney's residence via his bathroom window), "Golden Slumbers" (based on Thomas Dekker's 17th-century poem set to new music), "Carry That Weight" (reprising elements from "You Never Give Me Your Money", and featuring chorus vocals from all four Beatles), and closing with "The End".  "The End" features Starr's only drum solo in the Beatles' catalogue (the drums are mixed across two tracks in "true stereo", unlike most releases at that time where they were hard panned left or right). Fifty-four seconds into the song are 18 bars of lead guitar: the first two bars are played by McCartney, the second two by Harrison, and the third two by Lennon, with the sequence repeating. Harrison suggested the idea of a guitar solo in the track, Lennon decided they should trade solos and McCartney elected to go first. The solos were cut live against the existing backing track in one take. Immediately after Lennon's third and final solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". This section was taped separately to the first, and required the piano to be re-recorded by McCartney, which was done on 18 August. An alternative version of the song, with Harrison's lead guitar solo played against McCartney's (with Starr's drum solo heard in the background), appears on the Anthology 3 album and the 2012 digital-only compilation album Tomorrow Never Knows. CANNOTANSWER

Question: Did the song Medley win any awards?
Answer: CANNOTANSWER
Abbey Road

Context: Side two contains a 16-minute medley of eight short songs, recorded over July and August and blended into a suite by McCartney and Martin. Some songs were written (and originally recorded in demo form) during sessions for the White Album and Get Back / Let It Be, which later appeared on Anthology 3. While the idea for the medley was McCartney's, Martin claims credit for some structure, adding he "wanted to get John and Paul to think more seriously about their music".  The first track recorded for the medley was the opening number, "You Never Give Me Your Money". McCartney has claimed that the band's dispute over Allen Klein and what McCartney viewed as Klein's empty promises were the inspiration for the song's lyrics. However, MacDonald doubts this given that the backing track, recorded on 6 May at Olympic Studios, predated the worst altercations between Klein and McCartney. The track is a suite of varying styles, ranging from a piano-led ballad at the start to arpeggiated guitars at the end. Both Harrison and Lennon provided guitar solos with Lennon playing the solos at the end of the track, which Beatles author Walter Everett considers his favourite Lennon guitar contribution.  This song transitions into Lennon's "Sun King" which, like "Because", showcases Lennon, McCartney and Harrison's triple-tracked harmonies. Following it are Lennon's "Mean Mr. Mustard" (written during the Beatles' 1968 trip to India) and "Polythene Pam". These in turn are followed by four McCartney songs, "She Came in Through the Bathroom Window" (written after a fan entered McCartney's residence via his bathroom window), "Golden Slumbers" (based on Thomas Dekker's 17th-century poem set to new music), "Carry That Weight" (reprising elements from "You Never Give Me Your Money", and featuring chorus vocals from all four Beatles), and closing with "The End".  "The End" features Starr's only drum solo in the Beatles' catalogue (the drums are mixed across two tracks in "true stereo", unlike most releases at that time where they were hard panned left or right). Fifty-four seconds into the song are 18 bars of lead guitar: the first two bars are played by McCartney, the second two by Harrison, and the third two by Lennon, with the sequence repeating. Harrison suggested the idea of a guitar solo in the track, Lennon decided they should trade solos and McCartney elected to go first. The solos were cut live against the existing backing track in one take. Immediately after Lennon's third and final solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". This section was taped separately to the first, and required the piano to be re-recorded by McCartney, which was done on 18 August. An alternative version of the song, with Harrison's lead guitar solo played against McCartney's (with Starr's drum solo heard in the background), appears on the Anthology 3 album and the 2012 digital-only compilation album Tomorrow Never Knows. CANNOTANSWER

Question: Who is Allen Klein?
Answer: CANNOTANSWER
Abbey Road

Context: Side two contains a 16-minute medley of eight short songs, recorded over July and August and blended into a suite by McCartney and Martin. Some songs were written (and originally recorded in demo form) during sessions for the White Album and Get Back / Let It Be, which later appeared on Anthology 3. While the idea for the medley was McCartney's, Martin claims credit for some structure, adding he "wanted to get John and Paul to think more seriously about their music".  The first track recorded for the medley was the opening number, "You Never Give Me Your Money". McCartney has claimed that the band's dispute over Allen Klein and what McCartney viewed as Klein's empty promises were the inspiration for the song's lyrics. However, MacDonald doubts this given that the backing track, recorded on 6 May at Olympic Studios, predated the worst altercations between Klein and McCartney. The track is a suite of varying styles, ranging from a piano-led ballad at the start to arpeggiated guitars at the end. Both Harrison and Lennon provided guitar solos with Lennon playing the solos at the end of the track, which Beatles author Walter Everett considers his favourite Lennon guitar contribution.  This song transitions into Lennon's "Sun King" which, like "Because", showcases Lennon, McCartney and Harrison's triple-tracked harmonies. Following it are Lennon's "Mean Mr. Mustard" (written during the Beatles' 1968 trip to India) and "Polythene Pam". These in turn are followed by four McCartney songs, "She Came in Through the Bathroom Window" (written after a fan entered McCartney's residence via his bathroom window), "Golden Slumbers" (based on Thomas Dekker's 17th-century poem set to new music), "Carry That Weight" (reprising elements from "You Never Give Me Your Money", and featuring chorus vocals from all four Beatles), and closing with "The End".  "The End" features Starr's only drum solo in the Beatles' catalogue (the drums are mixed across two tracks in "true stereo", unlike most releases at that time where they were hard panned left or right). Fifty-four seconds into the song are 18 bars of lead guitar: the first two bars are played by McCartney, the second two by Harrison, and the third two by Lennon, with the sequence repeating. Harrison suggested the idea of a guitar solo in the track, Lennon decided they should trade solos and McCartney elected to go first. The solos were cut live against the existing backing track in one take. Immediately after Lennon's third and final solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". This section was taped separately to the first, and required the piano to be re-recorded by McCartney, which was done on 18 August. An alternative version of the song, with Harrison's lead guitar solo played against McCartney's (with Starr's drum solo heard in the background), appears on the Anthology 3 album and the 2012 digital-only compilation album Tomorrow Never Knows. CANNOTANSWER

Question: Was the song Medley popular?
Answer: CANNOTANSWER
Hoodoo Gurus

Context: They followed Kinky with Crank in 1994. The 'Crank' world tour took the Gurus through USA, Canada, Europe and included a one-month tour of Brazil. Faulkner also composed the soundtrack to Laurie McInnes' 1994 feature film Broken Highway. In 1995, the Gurus collaborated with The Masters Apprentices frontman Jim Keays on an updated rendition of "Turn Up Your Radio". The song was included on a new Masters' Best of album, as well as being issued as a single.  In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave. The band then undertook a national tour of Australian tour with US outfit The Posies and local band Drop City. Touring commitments were curtailed when Kingsmill severed tendons and nerves in his arm as a result of an onstage accident. Once Kingsmill recovered, the Gurus completed their 'Circus Maximus' Australian tour by end of 1996. In January 1997, Faulkner announced that the band would be breaking up in December. March was the Gurus undertake another tour of Brazil, where they played a concert in front of 40,000 people. The Gurus commenced their final Australian tour, the three-month 'Spit the Dummy' tour, in October 1997. The tour coincided with the release of the double compilation album Armchair Gurus/Electric Chair, which made No. 29 on the national chart. The band played its final show in Melbourne on 11 January 1998. The show made up for dates missed during December 1997, when Faulkner was ill.  In November 1998 Mushroom had issued the Hoodoo Gurus' live album, Bite the Bullet. The songs had been recorded during the band's 'Spit the Dummy' farewell tour. The standard, single album version was joined by a limited edition, triple CD version subtitled Director's Cut. It included the additional CDs, Doppelganger (a collection of live-to-air Broadcasts from between 1983-1996) and Bubble and Squeak (a collection of outtakes and oddities).  Although Hoodoo Gurus officially split in 1998 they signed with Acadia Records, who released the band's career-spanning compilation Ampology in October 2000. CANNOTANSWER

Question: What happened in 1994 for the band Hoodoo Gurus ?
Answer: The 'Crank' world tour took the Gurus through USA, Canada, Europe and included a one-month tour of Brazil.
Hoodoo Gurus

Context: They followed Kinky with Crank in 1994. The 'Crank' world tour took the Gurus through USA, Canada, Europe and included a one-month tour of Brazil. Faulkner also composed the soundtrack to Laurie McInnes' 1994 feature film Broken Highway. In 1995, the Gurus collaborated with The Masters Apprentices frontman Jim Keays on an updated rendition of "Turn Up Your Radio". The song was included on a new Masters' Best of album, as well as being issued as a single.  In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave. The band then undertook a national tour of Australian tour with US outfit The Posies and local band Drop City. Touring commitments were curtailed when Kingsmill severed tendons and nerves in his arm as a result of an onstage accident. Once Kingsmill recovered, the Gurus completed their 'Circus Maximus' Australian tour by end of 1996. In January 1997, Faulkner announced that the band would be breaking up in December. March was the Gurus undertake another tour of Brazil, where they played a concert in front of 40,000 people. The Gurus commenced their final Australian tour, the three-month 'Spit the Dummy' tour, in October 1997. The tour coincided with the release of the double compilation album Armchair Gurus/Electric Chair, which made No. 29 on the national chart. The band played its final show in Melbourne on 11 January 1998. The show made up for dates missed during December 1997, when Faulkner was ill.  In November 1998 Mushroom had issued the Hoodoo Gurus' live album, Bite the Bullet. The songs had been recorded during the band's 'Spit the Dummy' farewell tour. The standard, single album version was joined by a limited edition, triple CD version subtitled Director's Cut. It included the additional CDs, Doppelganger (a collection of live-to-air Broadcasts from between 1983-1996) and Bubble and Squeak (a collection of outtakes and oddities).  Although Hoodoo Gurus officially split in 1998 they signed with Acadia Records, who released the band's career-spanning compilation Ampology in October 2000. CANNOTANSWER

Question: What songs were on the Crank through to the Bullet album by Hoodoo Gurus ?
Answer: Faulkner also composed the soundtrack to Laurie McInnes' 1994 feature film Broken Highway. In 1995,
Hoodoo Gurus

Context: They followed Kinky with Crank in 1994. The 'Crank' world tour took the Gurus through USA, Canada, Europe and included a one-month tour of Brazil. Faulkner also composed the soundtrack to Laurie McInnes' 1994 feature film Broken Highway. In 1995, the Gurus collaborated with The Masters Apprentices frontman Jim Keays on an updated rendition of "Turn Up Your Radio". The song was included on a new Masters' Best of album, as well as being issued as a single.  In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave. The band then undertook a national tour of Australian tour with US outfit The Posies and local band Drop City. Touring commitments were curtailed when Kingsmill severed tendons and nerves in his arm as a result of an onstage accident. Once Kingsmill recovered, the Gurus completed their 'Circus Maximus' Australian tour by end of 1996. In January 1997, Faulkner announced that the band would be breaking up in December. March was the Gurus undertake another tour of Brazil, where they played a concert in front of 40,000 people. The Gurus commenced their final Australian tour, the three-month 'Spit the Dummy' tour, in October 1997. The tour coincided with the release of the double compilation album Armchair Gurus/Electric Chair, which made No. 29 on the national chart. The band played its final show in Melbourne on 11 January 1998. The show made up for dates missed during December 1997, when Faulkner was ill.  In November 1998 Mushroom had issued the Hoodoo Gurus' live album, Bite the Bullet. The songs had been recorded during the band's 'Spit the Dummy' farewell tour. The standard, single album version was joined by a limited edition, triple CD version subtitled Director's Cut. It included the additional CDs, Doppelganger (a collection of live-to-air Broadcasts from between 1983-1996) and Bubble and Squeak (a collection of outtakes and oddities).  Although Hoodoo Gurus officially split in 1998 they signed with Acadia Records, who released the band's career-spanning compilation Ampology in October 2000. CANNOTANSWER

Question: What happened in 1995 for the band Hoodoo Gurus ?
Answer: In 1995, the Gurus collaborated with The Masters Apprentices frontman Jim Keays on an updated rendition of "Turn Up Your Radio".
Hoodoo Gurus

Context: They followed Kinky with Crank in 1994. The 'Crank' world tour took the Gurus through USA, Canada, Europe and included a one-month tour of Brazil. Faulkner also composed the soundtrack to Laurie McInnes' 1994 feature film Broken Highway. In 1995, the Gurus collaborated with The Masters Apprentices frontman Jim Keays on an updated rendition of "Turn Up Your Radio". The song was included on a new Masters' Best of album, as well as being issued as a single.  In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave. The band then undertook a national tour of Australian tour with US outfit The Posies and local band Drop City. Touring commitments were curtailed when Kingsmill severed tendons and nerves in his arm as a result of an onstage accident. Once Kingsmill recovered, the Gurus completed their 'Circus Maximus' Australian tour by end of 1996. In January 1997, Faulkner announced that the band would be breaking up in December. March was the Gurus undertake another tour of Brazil, where they played a concert in front of 40,000 people. The Gurus commenced their final Australian tour, the three-month 'Spit the Dummy' tour, in October 1997. The tour coincided with the release of the double compilation album Armchair Gurus/Electric Chair, which made No. 29 on the national chart. The band played its final show in Melbourne on 11 January 1998. The show made up for dates missed during December 1997, when Faulkner was ill.  In November 1998 Mushroom had issued the Hoodoo Gurus' live album, Bite the Bullet. The songs had been recorded during the band's 'Spit the Dummy' farewell tour. The standard, single album version was joined by a limited edition, triple CD version subtitled Director's Cut. It included the additional CDs, Doppelganger (a collection of live-to-air Broadcasts from between 1983-1996) and Bubble and Squeak (a collection of outtakes and oddities).  Although Hoodoo Gurus officially split in 1998 they signed with Acadia Records, who released the band's career-spanning compilation Ampology in October 2000. CANNOTANSWER

Question: Did Hoodoo Gurus win any awards?
Answer: In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave.
Hoodoo Gurus

Context: They followed Kinky with Crank in 1994. The 'Crank' world tour took the Gurus through USA, Canada, Europe and included a one-month tour of Brazil. Faulkner also composed the soundtrack to Laurie McInnes' 1994 feature film Broken Highway. In 1995, the Gurus collaborated with The Masters Apprentices frontman Jim Keays on an updated rendition of "Turn Up Your Radio". The song was included on a new Masters' Best of album, as well as being issued as a single.  In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave. The band then undertook a national tour of Australian tour with US outfit The Posies and local band Drop City. Touring commitments were curtailed when Kingsmill severed tendons and nerves in his arm as a result of an onstage accident. Once Kingsmill recovered, the Gurus completed their 'Circus Maximus' Australian tour by end of 1996. In January 1997, Faulkner announced that the band would be breaking up in December. March was the Gurus undertake another tour of Brazil, where they played a concert in front of 40,000 people. The Gurus commenced their final Australian tour, the three-month 'Spit the Dummy' tour, in October 1997. The tour coincided with the release of the double compilation album Armchair Gurus/Electric Chair, which made No. 29 on the national chart. The band played its final show in Melbourne on 11 January 1998. The show made up for dates missed during December 1997, when Faulkner was ill.  In November 1998 Mushroom had issued the Hoodoo Gurus' live album, Bite the Bullet. The songs had been recorded during the band's 'Spit the Dummy' farewell tour. The standard, single album version was joined by a limited edition, triple CD version subtitled Director's Cut. It included the additional CDs, Doppelganger (a collection of live-to-air Broadcasts from between 1983-1996) and Bubble and Squeak (a collection of outtakes and oddities).  Although Hoodoo Gurus officially split in 1998 they signed with Acadia Records, who released the band's career-spanning compilation Ampology in October 2000. CANNOTANSWER

Question: Did Hoodoo Gurus release other albums than Blue Cave through Mushroom Records?
Answer: In 1996 they moved to Mushroom Records for the release of their next album, Blue Cave.
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: Who is McIntyre's favorite band?
Answer: Hypnotic Suggestion,
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: Where did The Apples meet?
Answer: CANNOTANSWER
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: Together with McIntyre, who else was a member of The Apples?
Answer: Parfitt
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: What year did The Apples start?
Answer: early 1994.
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: What year did The Apples release their first album?
Answer: In early 1995, the band finished the album,
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: Which bands are The Apples similar to?
Answer: CANNOTANSWER
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: How did The Apples get their name?
Answer: It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: Did The Apples ever make a record label?
Answer: CANNOTANSWER
Tin Machine

Context: The band's self-titled first album was recorded in late 1988 and early 1989. It produced mixed but generally positive reviews upon release in May 1989, picking up favourable comparisons with Bowie's two more recent solo albums. Commercially, the album initially sold well, reaching No. 3 in the UK Albums Chart, but sales quickly tailed off. Gabrels claimed in 1991 that album sales from the first album were "ten times better" than he had anticipated. At the time of the release of the album, Bowie was enthusiastic about the band and the work they'd done, and felt that band had in them "another two albums at least."  Contrary to common reports, the band's first live performance together wasn't at the International Rock Awards Show on 31 May 1989. Prior to that show, the band played an unannounced show in Nassau. Bowie recalled "We showed up at a club in Nassau where we were recording and did four or five songs. We went down to the club and just did 'em." Added Gabrels, "We just walked up on stage and you could hear all these voices whispering, 'That's David Bowie! No, it can't be David Bowie, he's got a beard!'"  The band recognized that some fans and critics didn't like Bowie's new role in the band. Said Tony Sales, "Mainly, people are pissed off because David's not doing 'David Bowie.'" Bowie confirmed that Tin Machine live shows would be "non-theatrical" in contrast to his most recent tour.  The band undertook a low-key tour in small venues between 14 June and 3 July 1989, before further recording sessions in Sydney, Australia. During these sessions Tin Machine contributed to a surfing compilation album, Beyond the Beach, with a new instrumental song titled "Needles on the Beach". CANNOTANSWER

Question: when was Tin Machine's first album released?
Answer: release in May 1989,
Tin Machine

Context: The band's self-titled first album was recorded in late 1988 and early 1989. It produced mixed but generally positive reviews upon release in May 1989, picking up favourable comparisons with Bowie's two more recent solo albums. Commercially, the album initially sold well, reaching No. 3 in the UK Albums Chart, but sales quickly tailed off. Gabrels claimed in 1991 that album sales from the first album were "ten times better" than he had anticipated. At the time of the release of the album, Bowie was enthusiastic about the band and the work they'd done, and felt that band had in them "another two albums at least."  Contrary to common reports, the band's first live performance together wasn't at the International Rock Awards Show on 31 May 1989. Prior to that show, the band played an unannounced show in Nassau. Bowie recalled "We showed up at a club in Nassau where we were recording and did four or five songs. We went down to the club and just did 'em." Added Gabrels, "We just walked up on stage and you could hear all these voices whispering, 'That's David Bowie! No, it can't be David Bowie, he's got a beard!'"  The band recognized that some fans and critics didn't like Bowie's new role in the band. Said Tony Sales, "Mainly, people are pissed off because David's not doing 'David Bowie.'" Bowie confirmed that Tin Machine live shows would be "non-theatrical" in contrast to his most recent tour.  The band undertook a low-key tour in small venues between 14 June and 3 July 1989, before further recording sessions in Sydney, Australia. During these sessions Tin Machine contributed to a surfing compilation album, Beyond the Beach, with a new instrumental song titled "Needles on the Beach". CANNOTANSWER

Question: what was Tin Machine's first album called?
Answer: self-titled first album
Tin Machine

Context: The band's self-titled first album was recorded in late 1988 and early 1989. It produced mixed but generally positive reviews upon release in May 1989, picking up favourable comparisons with Bowie's two more recent solo albums. Commercially, the album initially sold well, reaching No. 3 in the UK Albums Chart, but sales quickly tailed off. Gabrels claimed in 1991 that album sales from the first album were "ten times better" than he had anticipated. At the time of the release of the album, Bowie was enthusiastic about the band and the work they'd done, and felt that band had in them "another two albums at least."  Contrary to common reports, the band's first live performance together wasn't at the International Rock Awards Show on 31 May 1989. Prior to that show, the band played an unannounced show in Nassau. Bowie recalled "We showed up at a club in Nassau where we were recording and did four or five songs. We went down to the club and just did 'em." Added Gabrels, "We just walked up on stage and you could hear all these voices whispering, 'That's David Bowie! No, it can't be David Bowie, he's got a beard!'"  The band recognized that some fans and critics didn't like Bowie's new role in the band. Said Tony Sales, "Mainly, people are pissed off because David's not doing 'David Bowie.'" Bowie confirmed that Tin Machine live shows would be "non-theatrical" in contrast to his most recent tour.  The band undertook a low-key tour in small venues between 14 June and 3 July 1989, before further recording sessions in Sydney, Australia. During these sessions Tin Machine contributed to a surfing compilation album, Beyond the Beach, with a new instrumental song titled "Needles on the Beach". CANNOTANSWER

Question: did self-titled first album do well on the charts?
Answer: Commercially, the album initially sold well, reaching No. 3 in the UK Albums Chart,