gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ben Carson

Context: By ninth grade, the family's financial situation had improved, his mother surprising neighbors by paying cash to buy a new Chrysler car, and the only government assistance they still relied on was food stamps. Carson attended the predominantly black Southwestern High School for ninth through 12th grades, graduating third in his class academically. In high school he played the baritone horn in the band, and participated in forensics (public speaking), chess club, and the U.S. Army Junior Reserve Officers' Training Corps (JROTC) program where he reached its highest rank--cadet colonel. Carson served as a laboratory assistant in the high school's biology, chemistry, physics school laboratories beginning in 10th, 11th, and 12th grade, respectively, and worked as a biology laboratory assistant at Wayne State University the summer between 11th and 12th grades.  In his book Gifted Hands, Carson relates that as a youth he had a violent temper. "As a teenager, I would go after people with rocks, and bricks, and baseball bats, and hammers," Carson told NBC's Meet the Press in October 2015. He said he once tried to hit his mother on the head with a hammer over a clothing dispute, while in the ninth grade he tried to stab a friend who had changed the radio station. Fortunately, the blade broke in his friend's belt buckle. Carson said that the intended victim, whose identity he wants to protect, was a classmate, a friend, or a close relative. After this incident, Carson said that he began reading the Book of Proverbs and applying verses on anger. As a result, he states he "never had another problem with temper". In his various books and at campaign events, he repeated these stories and said he once attacked a schoolmate with a combination lock. Nine friends, classmates, and neighbors who grew up with him told CNN in 2015 they did not remember the anger or violence he has described. In response, Carson posted on Facebook a 1997 Parade Magazine issue, in which his mother verified the stabbing incident. He then questioned the extent of the effort CNN had exerted in the investigation.  He has said that he protected white students in a biology lab after a race riot broke out at his high school in response to the assassination of Martin Luther King Jr. in 1968. The Wall Street Journal confirmed the riot but could not find anyone who remembered Carson sheltering white students. CANNOTANSWER

Question: What other trouble did Ben Carson get into in high school besides the stabbing of a friend?
Answer: CANNOTANSWER
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did Mike Judge try?
Answer: He graduated in 1986 from University of California, San Diego.
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did Judge try and do after graduating from University of California?
Answer: In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara.
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did Judge joining Parallax Graphics mean to Judge?
Answer: The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"),
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did Judge attempt to do after joining Parallax Graphics?
Answer: Judge quit after less than three months and became a bass player with a touring blues band.
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did being a bass player do to Judge?
Answer: In 1991, his short film "Office Space" (also known as the Milton series of shorts)
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did the short film Office Space do for Judge?
Answer: Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did playing blues bass do to Judge?
Answer: In 1991, his short film "Office Space" (also known as the Milton series of shorts)
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What was the 1990s animation showcase into Judge?
Answer: animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV,
Mike Judge

Context: He graduated in 1986 from University of California, San Diego. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara. Disliking the company's culture and his colleagues ("The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was"), Judge quit after less than three months and became a bass player with a touring blues band.  He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release "Rack 'Em Up", while taking graduate math classes at the University of Texas at Dallas. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts. In 1991, his short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. In the early 1990s, he was playing blues bass with Doyle Bramhall.  In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head (both voiced by Judge), who go to High School at Highland High in Albuquerque, New Mexico (the same city where Judge was raised and attended high school). The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.  Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two - Blood Drive/Give Blood and Door to Door - which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.  After two decades, the series aired its new season on October 27, 2011. The premiere was dubbed a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. CANNOTANSWER

Question: What did Beavis and Butt-Head lead Judge too?
Answer: in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes.
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: What was August Strindberg involvement with politics?
Answer: young Strindberg embraced the view, that politics is a conflict between the upper and lower classes.
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: Did August Strindberg publish anything about a conflict between the upper and lower classes?
Answer: Many of his works, however, had at least some politics and sometimes an abundance of it.
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: What are the names of August Strindberg politically oriented works?
Answer: The changing nature of his political positions shows in his changing stance on the women's rights issue.
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: What was August Strindberg thinking on women's rights?
Answer: Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884.
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: How did August Strindberg attitude change?
Answer: during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals."
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: What were some of August Strindberg other political attitudes in addition to women's suffrage?
Answer: Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style -