gaussalgo/Canard_Wiki-augmented huggingface dataset:
Thomas Eakins

Context: Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists.  In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector.  After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some device like a magic lantern, which Eakins then took pains to cover up with oil paint. Eakins' methods appear to be meticulously applied, and rather than shortcuts, were likely used in a quest for accuracy and realism.  An excellent example of Eakins' use of this new technology is his painting A May Morning in the Park, which relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers. But in typical fashion, Eakins also employed wax figures and oil sketches to get the final effect he desired.  The so-called "Naked Series", which began in 1883, were nude photos of students and professional models which were taken to show real human anatomy from several specific angles, and were often hung and displayed for study at the school. Later, less regimented poses were taken indoors and out, of men, women, and children, including his wife. The most provocative, and the only ones combining males and females, were nude photos of Eakins and a female model (see below). Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature, the sheer quantity of the photos and Eakins' overt display of them may have undermined his standing at the Academy. In all, about eight hundred photographs are now attributed to Eakins and his circle, most of which are figure studies, both clothed and nude, and portraits. No other American artist of his time matched Eakins' interest in photography, nor produced a comparable body of photographic works. CANNOTANSWER

Question: What was some of Thomas Eakins' work?
Answer: Mending the Net (1881) and Arcadia (1883),
Thomas Eakins

Context: Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists.  In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector.  After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some device like a magic lantern, which Eakins then took pains to cover up with oil paint. Eakins' methods appear to be meticulously applied, and rather than shortcuts, were likely used in a quest for accuracy and realism.  An excellent example of Eakins' use of this new technology is his painting A May Morning in the Park, which relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers. But in typical fashion, Eakins also employed wax figures and oil sketches to get the final effect he desired.  The so-called "Naked Series", which began in 1883, were nude photos of students and professional models which were taken to show real human anatomy from several specific angles, and were often hung and displayed for study at the school. Later, less regimented poses were taken indoors and out, of men, women, and children, including his wife. The most provocative, and the only ones combining males and females, were nude photos of Eakins and a female model (see below). Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature, the sheer quantity of the photos and Eakins' overt display of them may have undermined his standing at the Academy. In all, about eight hundred photographs are now attributed to Eakins and his circle, most of which are figure studies, both clothed and nude, and portraits. No other American artist of his time matched Eakins' interest in photography, nor produced a comparable body of photographic works. CANNOTANSWER

Question: Did Thomas Eakins win any rewards?
Answer: CANNOTANSWER
The Wiggles

Context: In mid-2012, The Wiggles announced that Page, Fatt, and Cook would be retiring from touring with the group; Emma Watkins, the first female member of The Wiggles, replaced Page, Lachlan Gillespie replaced Fatt, and Simon Pryce replaced Cook. Anthony Field remained in the group because he found it too difficult to give up and because he still had a passion for educating children. According to Paul Field, his brother staying in the band "was a vital decision to placate American, British and Canadian business partners". Page, Fatt, and Cook remained involved with the creative and production aspects of the group. Fatt and Cook had been talking about quitting touring for many years; Cook announced his intention to retire first, citing a desire to spend more time with his family, and then Fatt announced his own retirement shortly thereafter. Page, who was still struggling with his health issues and had stated that his interest was in working with the group's original line-up, was subsequently asked to extend his stay until the end of the year so he would leave alongside Cook and Fatt, to which he agreed. Cook reported that the original members were confident that the new group would be accepted by the fans because they passed on their founding concepts of early childhood education to Watkins, Gillespie, and Pryce. The new members, like Moran, who was not approached to return, were salaried employees.  The group, for their farewell tour, visited 8 countries and 141 cities, for a total of almost 250 shows in over 200 days for 640,000 people. Watkins, Gillespie, and Pryce wore "In Training" T-shirts, and debuted the song "Do the Propeller!" during these concerts. The final televised performance of the original band members, along with the new members, was on 22 December 2012, during the annual Carols in the Domain in Sydney. Their final performance, after over 7000 shows over the years, was on 23 December at the Sydney Entertainment Centre.  Also by 2012, The Wiggles performed to audiences whose parents attended their shows in their early years, and they were hiring performers who were part of their audience as young children. The Wiggles began airing a show on Sirius XM satellite radio in late 2012, featuring the original members and their replacements, and stories and games for young listeners. In December, the group auctioned their famous "Big Red Car" (called the "iconic Volkswagen Beetle Cabriolet") for charity for almost A$36,000 on the auction site eBay. The money was donated to the Melbourne-based charity SIDS and Kids. CANNOTANSWER

Question: Why did Page, Cook, and Fatt depart the Wiggles?
Answer: In mid-2012, The Wiggles announced that Page, Fatt, and Cook would be retiring from touring with the group;
The Wiggles

Context: In mid-2012, The Wiggles announced that Page, Fatt, and Cook would be retiring from touring with the group; Emma Watkins, the first female member of The Wiggles, replaced Page, Lachlan Gillespie replaced Fatt, and Simon Pryce replaced Cook. Anthony Field remained in the group because he found it too difficult to give up and because he still had a passion for educating children. According to Paul Field, his brother staying in the band "was a vital decision to placate American, British and Canadian business partners". Page, Fatt, and Cook remained involved with the creative and production aspects of the group. Fatt and Cook had been talking about quitting touring for many years; Cook announced his intention to retire first, citing a desire to spend more time with his family, and then Fatt announced his own retirement shortly thereafter. Page, who was still struggling with his health issues and had stated that his interest was in working with the group's original line-up, was subsequently asked to extend his stay until the end of the year so he would leave alongside Cook and Fatt, to which he agreed. Cook reported that the original members were confident that the new group would be accepted by the fans because they passed on their founding concepts of early childhood education to Watkins, Gillespie, and Pryce. The new members, like Moran, who was not approached to return, were salaried employees.  The group, for their farewell tour, visited 8 countries and 141 cities, for a total of almost 250 shows in over 200 days for 640,000 people. Watkins, Gillespie, and Pryce wore "In Training" T-shirts, and debuted the song "Do the Propeller!" during these concerts. The final televised performance of the original band members, along with the new members, was on 22 December 2012, during the annual Carols in the Domain in Sydney. Their final performance, after over 7000 shows over the years, was on 23 December at the Sydney Entertainment Centre.  Also by 2012, The Wiggles performed to audiences whose parents attended their shows in their early years, and they were hiring performers who were part of their audience as young children. The Wiggles began airing a show on Sirius XM satellite radio in late 2012, featuring the original members and their replacements, and stories and games for young listeners. In December, the group auctioned their famous "Big Red Car" (called the "iconic Volkswagen Beetle Cabriolet") for charity for almost A$36,000 on the auction site eBay. The money was donated to the Melbourne-based charity SIDS and Kids. CANNOTANSWER

Question: Did Page, Cook, and Fatt have specific reasons for leaving the Wiggles?
Answer: because he found it too difficult to give up and because he still had a passion for educating children.
The Wiggles

Context: In mid-2012, The Wiggles announced that Page, Fatt, and Cook would be retiring from touring with the group; Emma Watkins, the first female member of The Wiggles, replaced Page, Lachlan Gillespie replaced Fatt, and Simon Pryce replaced Cook. Anthony Field remained in the group because he found it too difficult to give up and because he still had a passion for educating children. According to Paul Field, his brother staying in the band "was a vital decision to placate American, British and Canadian business partners". Page, Fatt, and Cook remained involved with the creative and production aspects of the group. Fatt and Cook had been talking about quitting touring for many years; Cook announced his intention to retire first, citing a desire to spend more time with his family, and then Fatt announced his own retirement shortly thereafter. Page, who was still struggling with his health issues and had stated that his interest was in working with the group's original line-up, was subsequently asked to extend his stay until the end of the year so he would leave alongside Cook and Fatt, to which he agreed. Cook reported that the original members were confident that the new group would be accepted by the fans because they passed on their founding concepts of early childhood education to Watkins, Gillespie, and Pryce. The new members, like Moran, who was not approached to return, were salaried employees.  The group, for their farewell tour, visited 8 countries and 141 cities, for a total of almost 250 shows in over 200 days for 640,000 people. Watkins, Gillespie, and Pryce wore "In Training" T-shirts, and debuted the song "Do the Propeller!" during these concerts. The final televised performance of the original band members, along with the new members, was on 22 December 2012, during the annual Carols in the Domain in Sydney. Their final performance, after over 7000 shows over the years, was on 23 December at the Sydney Entertainment Centre.  Also by 2012, The Wiggles performed to audiences whose parents attended their shows in their early years, and they were hiring performers who were part of their audience as young children. The Wiggles began airing a show on Sirius XM satellite radio in late 2012, featuring the original members and their replacements, and stories and games for young listeners. In December, the group auctioned their famous "Big Red Car" (called the "iconic Volkswagen Beetle Cabriolet") for charity for almost A$36,000 on the auction site eBay. The money was donated to the Melbourne-based charity SIDS and Kids. CANNOTANSWER

Question: who among Page, Cook, and Fatt left the Wiggles first?
Answer: Fatt and Cook had been talking about quitting touring for many years; Cook announced his intention to retire first,
The Wiggles

Context: In mid-2012, The Wiggles announced that Page, Fatt, and Cook would be retiring from touring with the group; Emma Watkins, the first female member of The Wiggles, replaced Page, Lachlan Gillespie replaced Fatt, and Simon Pryce replaced Cook. Anthony Field remained in the group because he found it too difficult to give up and because he still had a passion for educating children. According to Paul Field, his brother staying in the band "was a vital decision to placate American, British and Canadian business partners". Page, Fatt, and Cook remained involved with the creative and production aspects of the group. Fatt and Cook had been talking about quitting touring for many years; Cook announced his intention to retire first, citing a desire to spend more time with his family, and then Fatt announced his own retirement shortly thereafter. Page, who was still struggling with his health issues and had stated that his interest was in working with the group's original line-up, was subsequently asked to extend his stay until the end of the year so he would leave alongside Cook and Fatt, to which he agreed. Cook reported that the original members were confident that the new group would be accepted by the fans because they passed on their founding concepts of early childhood education to Watkins, Gillespie, and Pryce. The new members, like Moran, who was not approached to return, were salaried employees.  The group, for their farewell tour, visited 8 countries and 141 cities, for a total of almost 250 shows in over 200 days for 640,000 people. Watkins, Gillespie, and Pryce wore "In Training" T-shirts, and debuted the song "Do the Propeller!" during these concerts. The final televised performance of the original band members, along with the new members, was on 22 December 2012, during the annual Carols in the Domain in Sydney. Their final performance, after over 7000 shows over the years, was on 23 December at the Sydney Entertainment Centre.  Also by 2012, The Wiggles performed to audiences whose parents attended their shows in their early years, and they were hiring performers who were part of their audience as young children. The Wiggles began airing a show on Sirius XM satellite radio in late 2012, featuring the original members and their replacements, and stories and games for young listeners. In December, the group auctioned their famous "Big Red Car" (called the "iconic Volkswagen Beetle Cabriolet") for charity for almost A$36,000 on the auction site eBay. The money was donated to the Melbourne-based charity SIDS and Kids. CANNOTANSWER

Question: when is the last time the Wiggles performed together?
Answer: The final televised performance of the original band members, along with the new members, was on 22 December 2012,
Moondog

Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of". CANNOTANSWER

Question: Where was Moondog born?
Answer: Episcopalian family in Marysville, Kansas,
Moondog

Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of". CANNOTANSWER

Question: Who were Moondog's parents?
Answer: CANNOTANSWER
Moondog

Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of". CANNOTANSWER

Question: What was Moondog's career path like?
Answer: losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap.
Moondog

Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of". CANNOTANSWER

Question: When did Moondog start playing music?
Answer: Hardin started playing a set of drums that he made from a cardboard box at the age of five.
Moondog

Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of". CANNOTANSWER

Question: When did Moondog gain recognition?
Answer: In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini,
Moondog

Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin.  Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind.  He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there.  In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of". CANNOTANSWER

Question: Did Moondog play any other instruments besides drums?
Answer: After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition.
Simon Cowell

Context: In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons.  Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006.  On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. CANNOTANSWER

Question: what year did idol franchise of Simon Cowell begin
Answer: 2002.
Simon Cowell

Context: In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons.  Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006.  On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. CANNOTANSWER

Question: is the show idol franchise of Simon Cowel still on or did the Idol franchise end
Answer: CANNOTANSWER
Simon Cowell

Context: In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons.  Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006.  On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. CANNOTANSWER

Question: did the idol franchise of Simon Cowell do good
Answer: longest winning streak in the US overall viewership and demographics in the Nielsen ratings.
Simon Cowell

Context: In 2001, Cowell was given the role of judge on the first series of Pop Idol, a show that he and the show creator Simon Fuller successfully pitched to ITV Controller of Entertainment Claudia Rosencrantz. Cowell's S Records signed the top two finishers of the first season of Pop Idol, Will Young and Gareth Gates, both of whom went on to have No 1 UK hits, which were the top 2 best-selling singles of 2002, as well as that of top 2 of the decade of 2000s. He also became a judge on the first season of American Idol in 2002. With his notoriously critical reputation, Cowell has been likened to TV personalities such as Judith Sheindlin, and Anne Robinson of her show. Cowell's prominence grew, fed by his signature phrase, "I don't mean to be rude, but ...", inevitably followed by an unsparingly blunt appraisal of the contestant's talents, personality, or even physical appearance. A lot of these one-liners were the product of coaching that Cowell received from noted publicist Max Clifford (who was sacked by Cowell after being convicted of sex offences as of May 2014). Cowell also appeared on the one-off World Idol programme in 2003, where it became clear that each country's version of the Idol had attempted to come up with its own "Simon Cowell" type personality. In 2003, Cowell placed No 33 on Channel 4's list of the all-time 100 Worst Britons.  Cowell formed a new company Syco, which is divided into three units - Syco Music, Syco TV and Syco Film. Cowell returned to music with his latest brainchild signed to Syco, the internationally successful operatic pop group Il Divo, consisting of three opera singers and one pop singer of four different nationalities. Inspired by the success of Il Divo, Simon created a child version, Angelis, beating competition from similar groups emerging at Christmas 2006.  On 11 January 2010, Cowell's exit from American Idol was made official. By the time Cowell left American Idol, the show was on its seventh consecutive season in its leadership among all primetime programmes in the United States, even lasting up to 2011 in the longest winning streak in the US overall viewership and demographics in the Nielsen ratings. The 2010 season was Cowell's last on the show. He was replaced by Steven Tyler. It was also announced that FOX had acquired the rights to The X Factor USA, an American version of Cowell's British show, The X Factor, which began in September 2011. CANNOTANSWER

Question: Together with him, who else has Simone Cowell worked with within the idol franchise
Answer: CANNOTANSWER
Jin Akanishi

Context: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success.  Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21.  Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN). CANNOTANSWER

Question: What was Jin Akanishi's first band?
Answer: After he was made a Johnny's Jr. member in 2000,
Jin Akanishi

Context: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success.  Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21.  Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN). CANNOTANSWER

Question: Did Jin Akanishi have any notable songs with Johnny's Jr?
Answer: CANNOTANSWER
Jin Akanishi

Context: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success.  Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21.  Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN). CANNOTANSWER

Question: After Jin Akanishi joined, what happened next with Johnny's Jr?
Answer: CANNOTANSWER
Jin Akanishi

Context: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success.  Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21.  Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN). CANNOTANSWER

Question: Other than Johnny's Jr., was Jin Akanishi with any other bands?
Answer: Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D.,
Jin Akanishi

Context: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success.  Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21.  Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN). CANNOTANSWER

Question: Was Johnny's Jr. successful?
Answer: the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN,