gaussalgo/Canard_Wiki-augmented huggingface dataset:
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: What happened to Paul Bowles in 1974?
Answer: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: What did Paul Bowles write?
Answer: In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories.
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: Did Paul Bowles publish anything else other than Points in Time?
Answer: In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins".
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: Were Paul Bowles' books Points in Time and "The Circular Ruins" well received?
Answer: CANNOTANSWER
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: What happened to Paul Bowles in 1995?
Answer: CANNOTANSWER
Paul Bowles

Context: After Jane Bowles' death, on 4 May 1973 in Malaga, Spain, Bowles continued to live in Tangier. He wrote regularly and received many visitors to his modest apartment.  In the summers of 1980 and 1982, Bowles conducted writing workshops in Morocco, at the American School of Tangier (under the auspices of the School of Visual Arts in New York). These were considered successful. Among several students who have become successful authors are Rodrigo Rey Rosa, the 2004 Winner of the Miguel Angel Asturias National Prize in Literature, and Mark Terrill. In addition, Bowles designated Rey Rosa as the literary heir of his and Jane Bowles' estates. In 1982 Bowles published Points in Time, subtitled Tales From Morocco, a collection of stories. Divided into eleven parts, the work consists of untitled story fragments, anecdotes, and travel narratives. These stories are not included in either The Stories of Paul Bowles (Ecco Press) or Collected Stories and Later Writings (The Library of America).  In 1985, Bowles published his translation of Jorge Luis Borges' short story, "The Circular Ruins". It was collected in a book of 16 stories, all translated by Bowles, called She Woke Me Up So I Killed Her. This Borges story had previously been published in translations by the three main Borges translators: Anthony Kerrigan, Anthony Bonner, and James E. Irby. Critics have noted the differences amongst these four translations. Bowles' version is in his typical prose style; it is readily distinguishable from the other three, which have a more conservative idiomatic form of translation.  In 1988, when Bowles was asked in an interview what his social life was like, he replied, "I don't know what a social life is... My social life is restricted to those who serve me and give me meals, and those who want to interview me." When asked in the same interview how he would summarize his achievement, he said, "I've written some books and some music. That's what I've achieved."  Bowles had a cameo appearance at the beginning and end of the film version of The Sheltering Sky (1990), directed by Bernardo Bertolucci. Bowles' music was overlooked and mostly forgotten for more than a generation, but in the 1990s, a new generation of American musicians and singers became interested in his work again. Art song enthusiasts savor what are described as "charming, witty pieces."  In 1994, Bowles was visited and interviewed by writer Paul Theroux, who featured him in his last chapter of his travel book, The Pillars of Hercules. CANNOTANSWER

Question: Did Paul Bowles get sick in 1995?
Answer: CANNOTANSWER
Eric Bischoff

Context: When WWF rebranded their product as "WWF Attitude" and began to focus on new superstars such as Stone Cold Steve Austin, Mick Foley, and The Rock, and made longtime announcer Vince McMahon into a character, this eventually resulted in a ratings turnaround for WWF. On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war. Despite losing in the ratings to WWF, WCW continued to post strong ratings, attendance, and PPV buyrates throughout 1998. In 1998 WCW built one of its first homegrown superstars in Bill Goldberg, and gave him the WCW World Heavyweight Championship on July 6, 1998 at the Georgia Dome in front of 39,919 people on Nitro.  In early 1999, Eric Bischoff promoted Kevin Nash to head booker. Despite Bill Goldberg drawing at the box office and doing three shows in December/January that did nearly a $1,000,000 gate, the decision was made to end Bill Goldberg's undefeated streak and put the belt on Kevin Nash. On the January 4 Nitro, at the Georgia Dome, Kevin Nash dropped the title to Hollywood Hogan in a match that became known as the Fingerpoke of Doom, and the nWo was rebranded. By March ratings began dropping, and WCW began experiencing an endless streak of ratings losses.  Throughout 1999, Eric Bischoff reverted to focusing back completely around aging WCW stars in their 40's such as Hollywood Hogan, Diamond Dallas Page, Randy Savage, Sting, Rowdy Roddy Piper, Kevin Nash, Ric Flair, and Sid Vicious. In an effort to improve ratings, WCW also began to focus heavily on several celebrities such as Master P., Chad Brock, Megadeth, Dennis Rodman, and Kiss. One of the last deals Eric Bischoff structured was a deal with the members of the rock band Kiss to have their own wrestling character known as The Kiss Demon.  By late 1999, WCW began losing around five million dollars a month. Attendance, PPV buys and ratings were down significantly. On September 10, 1999, the decision was made to relieve Eric Bischoff of power. CANNOTANSWER

Question: what was the downlfall of WCW
Answer: By late 1999, WCW began losing around five million dollars a month. Attendance, PPV buys and ratings were down significantly.
Eric Bischoff

Context: When WWF rebranded their product as "WWF Attitude" and began to focus on new superstars such as Stone Cold Steve Austin, Mick Foley, and The Rock, and made longtime announcer Vince McMahon into a character, this eventually resulted in a ratings turnaround for WWF. On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war. Despite losing in the ratings to WWF, WCW continued to post strong ratings, attendance, and PPV buyrates throughout 1998. In 1998 WCW built one of its first homegrown superstars in Bill Goldberg, and gave him the WCW World Heavyweight Championship on July 6, 1998 at the Georgia Dome in front of 39,919 people on Nitro.  In early 1999, Eric Bischoff promoted Kevin Nash to head booker. Despite Bill Goldberg drawing at the box office and doing three shows in December/January that did nearly a $1,000,000 gate, the decision was made to end Bill Goldberg's undefeated streak and put the belt on Kevin Nash. On the January 4 Nitro, at the Georgia Dome, Kevin Nash dropped the title to Hollywood Hogan in a match that became known as the Fingerpoke of Doom, and the nWo was rebranded. By March ratings began dropping, and WCW began experiencing an endless streak of ratings losses.  Throughout 1999, Eric Bischoff reverted to focusing back completely around aging WCW stars in their 40's such as Hollywood Hogan, Diamond Dallas Page, Randy Savage, Sting, Rowdy Roddy Piper, Kevin Nash, Ric Flair, and Sid Vicious. In an effort to improve ratings, WCW also began to focus heavily on several celebrities such as Master P., Chad Brock, Megadeth, Dennis Rodman, and Kiss. One of the last deals Eric Bischoff structured was a deal with the members of the rock band Kiss to have their own wrestling character known as The Kiss Demon.  By late 1999, WCW began losing around five million dollars a month. Attendance, PPV buys and ratings were down significantly. On September 10, 1999, the decision was made to relieve Eric Bischoff of power. CANNOTANSWER

Question: Why was WCW loosing money
Answer: On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war.
Eric Bischoff

Context: When WWF rebranded their product as "WWF Attitude" and began to focus on new superstars such as Stone Cold Steve Austin, Mick Foley, and The Rock, and made longtime announcer Vince McMahon into a character, this eventually resulted in a ratings turnaround for WWF. On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war. Despite losing in the ratings to WWF, WCW continued to post strong ratings, attendance, and PPV buyrates throughout 1998. In 1998 WCW built one of its first homegrown superstars in Bill Goldberg, and gave him the WCW World Heavyweight Championship on July 6, 1998 at the Georgia Dome in front of 39,919 people on Nitro.  In early 1999, Eric Bischoff promoted Kevin Nash to head booker. Despite Bill Goldberg drawing at the box office and doing three shows in December/January that did nearly a $1,000,000 gate, the decision was made to end Bill Goldberg's undefeated streak and put the belt on Kevin Nash. On the January 4 Nitro, at the Georgia Dome, Kevin Nash dropped the title to Hollywood Hogan in a match that became known as the Fingerpoke of Doom, and the nWo was rebranded. By March ratings began dropping, and WCW began experiencing an endless streak of ratings losses.  Throughout 1999, Eric Bischoff reverted to focusing back completely around aging WCW stars in their 40's such as Hollywood Hogan, Diamond Dallas Page, Randy Savage, Sting, Rowdy Roddy Piper, Kevin Nash, Ric Flair, and Sid Vicious. In an effort to improve ratings, WCW also began to focus heavily on several celebrities such as Master P., Chad Brock, Megadeth, Dennis Rodman, and Kiss. One of the last deals Eric Bischoff structured was a deal with the members of the rock band Kiss to have their own wrestling character known as The Kiss Demon.  By late 1999, WCW began losing around five million dollars a month. Attendance, PPV buys and ratings were down significantly. On September 10, 1999, the decision was made to relieve Eric Bischoff of power. CANNOTANSWER

Question: Who took over for WCW
Answer: CANNOTANSWER
Eric Bischoff

Context: When WWF rebranded their product as "WWF Attitude" and began to focus on new superstars such as Stone Cold Steve Austin, Mick Foley, and The Rock, and made longtime announcer Vince McMahon into a character, this eventually resulted in a ratings turnaround for WWF. On April 13, 1998, WWF finally ended WCW's year and a half run on top of the ratings war. Despite losing in the ratings to WWF, WCW continued to post strong ratings, attendance, and PPV buyrates throughout 1998. In 1998 WCW built one of its first homegrown superstars in Bill Goldberg, and gave him the WCW World Heavyweight Championship on July 6, 1998 at the Georgia Dome in front of 39,919 people on Nitro.  In early 1999, Eric Bischoff promoted Kevin Nash to head booker. Despite Bill Goldberg drawing at the box office and doing three shows in December/January that did nearly a $1,000,000 gate, the decision was made to end Bill Goldberg's undefeated streak and put the belt on Kevin Nash. On the January 4 Nitro, at the Georgia Dome, Kevin Nash dropped the title to Hollywood Hogan in a match that became known as the Fingerpoke of Doom, and the nWo was rebranded. By March ratings began dropping, and WCW began experiencing an endless streak of ratings losses.  Throughout 1999, Eric Bischoff reverted to focusing back completely around aging WCW stars in their 40's such as Hollywood Hogan, Diamond Dallas Page, Randy Savage, Sting, Rowdy Roddy Piper, Kevin Nash, Ric Flair, and Sid Vicious. In an effort to improve ratings, WCW also began to focus heavily on several celebrities such as Master P., Chad Brock, Megadeth, Dennis Rodman, and Kiss. One of the last deals Eric Bischoff structured was a deal with the members of the rock band Kiss to have their own wrestling character known as The Kiss Demon.  By late 1999, WCW began losing around five million dollars a month. Attendance, PPV buys and ratings were down significantly. On September 10, 1999, the decision was made to relieve Eric Bischoff of power. CANNOTANSWER

Question: did bischoff run the wcw
Answer: On September 10, 1999, the decision was made to relieve Eric Bischoff of power.
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Was Michael Stipe married?
Answer: revealed that he had been in a relationship with "an amazing man" for three years
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Did Michael Stipe have any children?
Answer: CANNOTANSWER
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: What was Michael Stipe's personal life like?
Answer: described himself as a "queer
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Did Michael Stipe have problems with being gay?
Answer: When asked if he ever declares himself as gay, Stipe stated, "I don't.
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Did Michael Stipe have anything else interesting about his personal life besides being queer?
Answer: In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Why did Michael Stipe describe himself as "an equal opportunity lech?"
Answer: said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women.
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Are there any other interesting aspects about Michael Stipe's personal life besides his sexuality?
Answer: Around 1992, rumors that Stipe had contracted HIV began to circulate.
Michael Stipe

Context: In 1983, Stipe met fellow musician Natalie Merchant of the band 10,000 Maniacs; the two started a friendship, and eventually became "lovers" for a period of time.  With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:  Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly.  In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."  In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman a clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph). CANNOTANSWER

Question: Was the rumor that Michael Stipe had contracted HIV true?
Answer: CANNOTANSWER
Enrique Iglesias

Context: In 2002, Iglesias decided to release a fourth Spanish-language album titled Quizas (Perhaps). A more polished musical production than his previous Spanish albums and containing more introspective songs, the album's title track is a song about the strained relationship Iglesias has with his famous father.  The album debuted at number twelve on the Billboard 200 albums chart, the highest placement of a Spanish language album on the chart at that period. Quizas sold a million copies in a week, making it the fastest-selling album in Spanish in five years. The three singles released from the album all ended up topping the Latin chart, giving Iglesias a total of sixteen number ones on the chart. He currently holds the record for the most number one singles on Billboard's Latin Chart. His last single from the album, "Para Que La Vida", reached a million spins on U.S. radio, the only Spanish language song to do so.  The video to the song "Quizas" was the first Spanish language music video to be added to the selection on one of MTV's popular shows, Total Request Live. Iglesias performed the song on The Tonight Show with Jay Leno, becoming the first to sing a Spanish song on the show, and opening doors for other artists such as Ricky Martin, Juanes and Jorge Drexler to perform their Spanish material. Iglesias included songs from Quizas in his "Don't Turn Off the Lights Tour", and the album went on to win the Latin Grammy Award for Best Pop Vocal Album.  By 2003 Iglesias released his seventh album, which he called 7, the second to be co-written by Iglesias. Among its more 1980s-inspired material, it features the song "Roamer", which he wrote with his friend and longtime guitarist, Tony Bruno. The CD also contained the song "Be Yourself", a song about independence (the chorus talks about how Iglesias' own parents did not believe he'd ever succeed in his singing career). The first single was the song "Addicted", and was followed closely by a remix of the song "Not in Love", featuring Kelis.  With this album, Iglesias went on his biggest world tour to date. The highly publicised tour started with twelve shows in the United States ending with Iglesias playing at Houston Rodeo and continued on to several countries, most of which he'd never previously visited playing to sold-out arenas and stadiums in Australia, India, Egypt and Singapore before ending his tour in South Africa. CANNOTANSWER

Question: What was Enrique Iglesias doing between 2002 and 04?
Answer: In 2002, Iglesias decided to release a fourth Spanish-language album titled Quizas