gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bert Bell

Context: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.  Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception.  In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader." CANNOTANSWER

Question: What branch of the army was Bert Bell enlisted in?
Answer: US Army
Bert Bell

Context: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.  Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception.  In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader." CANNOTANSWER

Question: Anything interesting about Bert Bell's time at Penn, besides being an English major?
Answer: Prior to Penn's 1916 season, his mother died while he was en route to her bedside.
Bert Bell

Context: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.  Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception.  In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader." CANNOTANSWER

Question: how did Bert Bell's mother dying while he was en route to her bedside affect him?
Answer: but mixed results left him platooned for the rest of the season.
Bert Bell

Context: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.  Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception.  In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader." CANNOTANSWER

Question: How were Bert Bell's seasons while he was at Penn?
Answer: Penn finished with a record of 7-2-1.
Bert Bell

Context: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.  Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception.  In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader." CANNOTANSWER

Question: Besides Penn finishing with a record of 7-2-1, are there any other interesting aspects about this article?
Answer: In the 1917 season, Bell led Penn to a 9-2 record.
Bert Bell

Context: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.  Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception.  In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader." CANNOTANSWER

Question: Was 1917 Bert Bell's best season?
Answer: In the 1917 season, Bell led Penn to a 9-2 record.
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: When was Donnie Yen's first fight?
Answer: As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: Was Yen charged for fighting the gang?
Answer: CANNOTANSWER
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: What style of fighter was Donnie Yen?
Answer: both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat.
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: What person claimed that Donnie Yen was an incredible martial artist and would do well in authentic combat?
Answer: World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson,
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: Did Donnie Yen fight Mike Tyson?
Answer: However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches.
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: When did Donnie Yen fight Mike Tyson?
Answer: While filming Ip Man 3,
Donnie Yen

Context: Donnie Yen was a rebel when he was young due to the huge expectations and pressures from his parents, as his mother is the founder of the Chinese Wushu Research Institute in Boston, and his father was a scholar and a musician. Yen joined a Chinatown gang in Boston, MA, in his early years. He was a very curious teenager who sought to exchange martial arts knowledge with people from different martial arts backgrounds, which led to him gaining profound knowledge in practical martial arts and having a reputation as a street brawler.  One reported occasion confirms Yen as being an efficient martial artist. According to news reports by Hong Kong news channels in the late 1990s, Yen was at a nightclub with his then girlfriend, Joey Meng. Inside the nightclub, Joey was harassed by a troublesome gang that had taken an interest in her. Yen warned them to leave her alone, but they persisted to cause trouble. As Yen and Joey left the club, the gang followed and attacked Yen. Yen beat up eight members of the gang who were later hospitalized.  Malaysian Martial Arts Star Michelle Yeoh has said that Donnie Yen is the fastest guy she has worked with. Other martial arts stars such as Jackie Chan and Jet Li have also stated that Yen may be the best fighter in terms of practical combat in the Asian cinematic universe.  World class fighters, such as former Strikeforce Middleweight Champion Cung Le and former World Boxing Heavyweight Champion Mike Tyson, who have worked with Donnie Yen in the films Bodyguards and Assassins and Ip Man 3, respectively, have both claimed that Donnie Yen is an incredible martial artist and would do well in authentic combat. While filming Ip Man 3, crew members were afraid that Mike Tyson, who had been a professional boxer, would forget the choreography and throw real punches to injure Yen. However, it was ultimately Yen who fractured Tyson's finger while using his elbow to block Tyson's punches. CANNOTANSWER

Question: When was Ip Man 3 filmed?
Answer: CANNOTANSWER
Tod Browning

Context: Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.  Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge.  In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade.  The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.  Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929). CANNOTANSWER

Question: What was Browning's first silent film?
Answer: 1917.
Tod Browning

Context: Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.  Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge.  In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade.  The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.  Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929). CANNOTANSWER

Question: What was Browning's most successful film?
Answer: The Unholy Three (1925),
Tod Browning

Context: Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.  Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge.  In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade.  The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.  Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929). CANNOTANSWER

Question: What movie spoofed Browning's Dracula movie?
Answer: CANNOTANSWER
Tod Browning

Context: Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.  Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge.  In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade.  The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.  Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929). CANNOTANSWER

Question: Who starred in Jim Bludso (1917)?
Answer: riverboat captain
Tod Browning

Context: Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.  Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge.  In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade.  The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.  Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929). CANNOTANSWER

Question: What was Browning's last silent film?
Answer: Thirteenth Chair (1929),
Widespread Panic

Context: John Bell and Michael Houser met in 1981 in their dorm at the University of Georgia. Bell had been playing guitar as a solo act, and invited his new friend Houser, also a guitarist, to join him. They began living together and collaborating on music in that year, writing still-popular songs such as "Driving Song" and "Chilly Water" together. Bassist Dave Schools met Bell and Houser in 1984 and first played with them on February 24, 1985, at the A-Frame house on Weymanda Court in Athens. On February 6, 1986, Houser called childhood friend and drummer Todd Nance to sit in with Houser, Bell, and Schools for a charity event in Athens; it was their first show as "Widespread Panic." The band was named for Houser's once-frequent panic attacks. Texan percussionist Domingo S. Ortiz ("Sunny") began sitting in with the band regularly later that year.  The band played in fraternities and bars regularly before Panic signed a contract with Landslide Records in 1987. In February 1987 the band played the now-legendary series of one dollar Monday night shows at the Uptown Lounge in Athens and the crucial local press began to take notice--FLAGPOLE & Athens Observer art columnist Shan Clark emphasized Widespread Panic's musical virtuosity, songwriting and professionalism. In September of the same year, they recorded their first album, Space Wrangler, at John Keane's studio in Athens. Col. Bruce Hampton is rumored to have delivered the first pressing to the band. Songs on the album included "Chilly Water," "Travelin' Light," "Space Wrangler," "Coconut," "The Take Out," "Porch Song," "Stop-Go" and "Driving Song." After Space Wrangler, touring expanded to include additional northeastern dates, along with Texas, Colorado, the west coast, and internationally to Vancouver, Canada. It was also around this time (late 1988 or early 1989) that Domingo Ortiz joined the band full-time. They played their first show in Colorado in March 1990, opening for Jerry Joseph's band Little Women.  Widespread Panic signed with Capricorn Records in January 1991. Later that year, they released their major label debut, Widespread Panic (a.k.a. Mom's Kitchen). That same year Billy Bob Thornton directed the movie Widespread Panic: Live from the Georgia Theatre which was recorded over two nights in Athens, Georgia.  As the band began to tour more, John Hermann ("JoJo") joined the band as a keyboardist in March 1992 replacing Dixie Dregs keyboardist T. Lavitz who joined the band a year earlier. The band continued to tour throughout the entire US in 1992 joining the famous HORDE tour with Blues Traveler, Phish, and the Aquarium Rescue Unit, among others. They released "Everyday" in March 1993 and "Ain't Life Grand" in September 1994. Panic marked their rise by playing on network television for the first time in November 1994. CANNOTANSWER

Question: What year did the Widespread Panic end?
Answer: CANNOTANSWER
Widespread Panic

Context: John Bell and Michael Houser met in 1981 in their dorm at the University of Georgia. Bell had been playing guitar as a solo act, and invited his new friend Houser, also a guitarist, to join him. They began living together and collaborating on music in that year, writing still-popular songs such as "Driving Song" and "Chilly Water" together. Bassist Dave Schools met Bell and Houser in 1984 and first played with them on February 24, 1985, at the A-Frame house on Weymanda Court in Athens. On February 6, 1986, Houser called childhood friend and drummer Todd Nance to sit in with Houser, Bell, and Schools for a charity event in Athens; it was their first show as "Widespread Panic." The band was named for Houser's once-frequent panic attacks. Texan percussionist Domingo S. Ortiz ("Sunny") began sitting in with the band regularly later that year.  The band played in fraternities and bars regularly before Panic signed a contract with Landslide Records in 1987. In February 1987 the band played the now-legendary series of one dollar Monday night shows at the Uptown Lounge in Athens and the crucial local press began to take notice--FLAGPOLE & Athens Observer art columnist Shan Clark emphasized Widespread Panic's musical virtuosity, songwriting and professionalism. In September of the same year, they recorded their first album, Space Wrangler, at John Keane's studio in Athens. Col. Bruce Hampton is rumored to have delivered the first pressing to the band. Songs on the album included "Chilly Water," "Travelin' Light," "Space Wrangler," "Coconut," "The Take Out," "Porch Song," "Stop-Go" and "Driving Song." After Space Wrangler, touring expanded to include additional northeastern dates, along with Texas, Colorado, the west coast, and internationally to Vancouver, Canada. It was also around this time (late 1988 or early 1989) that Domingo Ortiz joined the band full-time. They played their first show in Colorado in March 1990, opening for Jerry Joseph's band Little Women.  Widespread Panic signed with Capricorn Records in January 1991. Later that year, they released their major label debut, Widespread Panic (a.k.a. Mom's Kitchen). That same year Billy Bob Thornton directed the movie Widespread Panic: Live from the Georgia Theatre which was recorded over two nights in Athens, Georgia.  As the band began to tour more, John Hermann ("JoJo") joined the band as a keyboardist in March 1992 replacing Dixie Dregs keyboardist T. Lavitz who joined the band a year earlier. The band continued to tour throughout the entire US in 1992 joining the famous HORDE tour with Blues Traveler, Phish, and the Aquarium Rescue Unit, among others. They released "Everyday" in March 1993 and "Ain't Life Grand" in September 1994. Panic marked their rise by playing on network television for the first time in November 1994. CANNOTANSWER

Question: What is subject of Widespread Panic, 1981-1995: Early years and rise to national attention?
Answer: John Bell and Michael Houser met in 1981 in their dorm at the University of Georgia.