gaussalgo/Canard_Wiki-augmented huggingface dataset:
Sufjan Stevens

Context: In 2011, Dutch concert hall Muziekgebouw Eindhoven commissioned composer Nico Muhly to write a piece. He collaborated with Stevens and Bryce Dessner (of The National) to write a piece about the Solar System, which was first performed in Amsterdam in April 2012. On March 28, 2017, NPR's All Songs Considered reported that Sufjan would team up with Muhly, Dessner, and James McAlister to produce a "Planetarium Project" album. The first single, "Saturn," was released in March 2017 around the announcement that a space-themed Planetarium album would be released June 9, 2017 on 4AD. NPR described the album as "collaboration between four brilliant musicians, with lyrics from Sufjan Stevens revolving around mythology, astrology, science, astronomy and the intricacies of human consciousness." The second single, "Mercury," was released on April 25, 2017.  In January 2017, it was announced that Stevens would feature original songs written and recorded by himself for the movie Call Me by Your Name, directed by Luca Guadagnino and based on Andre Aciman's novel of the same name. The film was released on November 24, 2017, by Sony Pictures Classics. The soundtrack to the film features two new songs by Stevens. In his review of the film, Consequence of Sound writer Dominick Suzanne-Mayer noted Stevens' score "adds to the sensation of the film as an isolated, specific capsule of an unforgettable encounter." One of the original songs is called "Visions of Gideon", and has been described as fluctuating between lush orchestrations, staccato-heavy piano refrains, and the lilting delivery of "I have loved you for the last time" in the composition. The trailer for the film features Stevens' song "Mystery of Love." Stevens has another track featured in the film: an "ethereal piano arrangement" of The Age of Adz track "Futile Devices." The film has received critical acclaim; on Rotten Tomatoes, it has an approval rating of 97%, with an average rating of 8.8/10, based on 200 reviews.. In January 2018, Stevens's track "Mystery of Love" was nominated for an Oscar for Best Original Song.  On December 6, 2017, Stevens released a new song via Asthmatic Kitty Records' YouTube channel. The track, titled "Tonya Harding", plays along a clip of the eponymous skater performing at the 1991 World Figure Skating Championships. Two days later, the single was offered for digital download and streaming, to be followed later by a cassette and vinyl release, in two versions, the one featured in the video (subtitled "in D major") and a slower, piano-only arrangement ("in Eb major"); in a short essay, Stevens revealed his intention to write a song about Harding since 1991. The track was unrelated to the biographical film I, Tonya, which was released in the same period; nevertheless, Stevens offered it to the film's producers, but was rejected. CANNOTANSWER

Question: Was Stevens's new song released in December'2017 successful?
Answer: The track, titled "Tonya Harding", plays along a clip of the eponymous skater performing at the 1991 World Figure Skating Championships.
Sufjan Stevens

Context: In 2011, Dutch concert hall Muziekgebouw Eindhoven commissioned composer Nico Muhly to write a piece. He collaborated with Stevens and Bryce Dessner (of The National) to write a piece about the Solar System, which was first performed in Amsterdam in April 2012. On March 28, 2017, NPR's All Songs Considered reported that Sufjan would team up with Muhly, Dessner, and James McAlister to produce a "Planetarium Project" album. The first single, "Saturn," was released in March 2017 around the announcement that a space-themed Planetarium album would be released June 9, 2017 on 4AD. NPR described the album as "collaboration between four brilliant musicians, with lyrics from Sufjan Stevens revolving around mythology, astrology, science, astronomy and the intricacies of human consciousness." The second single, "Mercury," was released on April 25, 2017.  In January 2017, it was announced that Stevens would feature original songs written and recorded by himself for the movie Call Me by Your Name, directed by Luca Guadagnino and based on Andre Aciman's novel of the same name. The film was released on November 24, 2017, by Sony Pictures Classics. The soundtrack to the film features two new songs by Stevens. In his review of the film, Consequence of Sound writer Dominick Suzanne-Mayer noted Stevens' score "adds to the sensation of the film as an isolated, specific capsule of an unforgettable encounter." One of the original songs is called "Visions of Gideon", and has been described as fluctuating between lush orchestrations, staccato-heavy piano refrains, and the lilting delivery of "I have loved you for the last time" in the composition. The trailer for the film features Stevens' song "Mystery of Love." Stevens has another track featured in the film: an "ethereal piano arrangement" of The Age of Adz track "Futile Devices." The film has received critical acclaim; on Rotten Tomatoes, it has an approval rating of 97%, with an average rating of 8.8/10, based on 200 reviews.. In January 2018, Stevens's track "Mystery of Love" was nominated for an Oscar for Best Original Song.  On December 6, 2017, Stevens released a new song via Asthmatic Kitty Records' YouTube channel. The track, titled "Tonya Harding", plays along a clip of the eponymous skater performing at the 1991 World Figure Skating Championships. Two days later, the single was offered for digital download and streaming, to be followed later by a cassette and vinyl release, in two versions, the one featured in the video (subtitled "in D major") and a slower, piano-only arrangement ("in Eb major"); in a short essay, Stevens revealed his intention to write a song about Harding since 1991. The track was unrelated to the biographical film I, Tonya, which was released in the same period; nevertheless, Stevens offered it to the film's producers, but was rejected. CANNOTANSWER

Question: Were there other famous people aside from  Muhly, Dessner, and James McAlister showcased in the "Planetarium Project" album?
Answer: CANNOTANSWER
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: When was Led Zeppelin IV released?
Answer: CANNOTANSWER
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: How successful was Led Zeppelin IV?
Answer: The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: How didLed Zeppelin IV do after it's first week?
Answer: and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: How were the reviews for Led Zeppelin IV?
Answer: Led Zeppelin IV received overwhelming praise from critics.
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: Were there any bad reviews for Led Zeppelin IV?
Answer: Even though he found their Medieval ideas limiting as usual,
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: What did some of the positive reviews for Led Zeppelin IV say?
Answer: but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting.
Led Zeppelin IV

Context: In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press. The album was a massive instant seller. It entered the UK chart at No. 10, rising to No.1 the following week and stayed on the chart for 90 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). "Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". At one point, it was ranked as one of the top five best-selling albums of all time.  Led Zeppelin IV received overwhelming praise from critics. In a contemporary review for Rolling Stone, Lenny Kaye called it the band's "most consistently good" album yet and praised the diversity of the songs: "out of eight cuts, there isn't one that steps on another's toes, that tries to do too much all at once." Billboard magazine called it a "powerhouse album" that has the commercial potential of the band's previous three albums.  Robert Christgau originally gave Led Zeppelin IV a lukewarm review in The Village Voice, but later called the album a "genre masterpiece", and wrote that it showed the band at the pinnacle of their songwriting. Even though he found their Medieval ideas limiting as usual, he said that it is "the definitive Led Zeppelin and hence heavy metal album". In his review for AllMusic, Stephen Thomas Erlewine credited the album for "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues". In his album guide to heavy metal, Spin magazine's Joe Gross cited Led Zeppelin IV as a "monolithic cornerstone". BBC Music's Daryl Easlea said that the album made the band a global success and effectively combined their third album's folk ideas with their second album's hard rock style, while Katherine Flynn and Julian Ring of Consequence of Sound felt it featured their debut's blues rock, along with the other styles from their second and third albums. Led Zeppelin's Rock Hall biography described the album as "a fully realized hybrid of the folk and hard-rock directions". Music journalist Chuck Eddy named it the number one metal album of all time in his 1991 book Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe. CANNOTANSWER

Question: Besides Led Zeppelin IV receiving overwhelming praise from critics, anything else interesting?
Answer: "defining not only Led Zeppelin but the sound and style of '70s hard rock", while "encompassing heavy metal, folk, pure rock & roll, and blues".
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: When did Bob Fitzsimmons win the middleweight title?
Answer: on 14 January 1891,
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Was winning the fight expected of Bob Fitzsimmons?
Answer: Fitzsimmons knocked Dempsey down at least 13 times
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Had Bob Fitzsimmons won any titles before the Dempsey one?
Answer: he won his first world title from Jack
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Besides Dempsey is there anything else interesting about Bob Fitzsimmons winning the world title?
Answer: Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893.
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Did Hall take the title from Bob Fitzsimmons?
Answer: He retained the crown by a knockout in round four.
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Where was Bob Fitzsimmons when he won the middleweight title?
Answer: in New Orleans,
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Besides the Hall fight are there any other interesting tidbits about the World title?
Answer: Fitzsimmons knocked out sparring partner Con Riordan,
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Besides his sparring partner has Bob Fitzsimmons knocked anyone else out?
Answer: CANNOTANSWER
Bob Fitzsimmons

Context: Moving on to the United States, Fitzsimmons fought four more times in 1890, winning three and drawing one.  Then, on 14 January 1891, in New Orleans, he won his first world title from Jack (Nonpareil) Dempsey. Fitzsimmons knocked out Dempsey (from whom the later Jack Dempsey took his name) in the 13th round to become the World Middleweight Champion. Fitzsimmons knocked Dempsey down at least 13 times and by the finish left him in such a pitiable condition that he begged him to quit. Since Dempsey would not do so, Fitzsimmons knocked him out and then carried him to his corner. On 22 July, police broke off his fight with Jim Hall after he had knocked Hall down several times.  Fitzsimmons spent the next two years fighting non-title bouts and exhibitions until giving Hall a chance at the title in 1893. He retained the crown by a knockout in round four. He spent the rest of that year doing exhibitions, and on 2 June, he had scheduled a two-way exhibition where he would demonstrate in public how to hit the boxing bag and then how to box against a real opponent. Reportedly, two freak accidents happened that day: Fitzsimmons hit the bag so hard that it broke, and then his opponent of that day allegedly slipped, getting hit in the head and the boxing exhibition was cancelled.  At a public sparring performance on 16 November 1894 at Jacob's Opera House, Syracuse, New York, Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later. Two months later Fitzsimmons was charged with manslaughter but was acquitted. CANNOTANSWER

Question: Besides all the fights are there any other interesting aspects about this article?
Answer: Fitzsimmons knocked out sparring partner Con Riordan, who was carried off unconscious and died several hours later.
Taryn Terrell

Context: On August 16, 2012, Terrell made her debut for TNA, being introduced by the Vice President of the Knockouts Division, Brooke Hogan, as the special guest referee for the TNA Women's Knockout Championship match between Madison Rayne and Miss Tessmacher. Terrell later became the official referee for the Knockouts division.  On January 13, 2013, at Genesis, Terrell began a storyline with Gail Kim after making a bad call during a gauntlet match, thus costing Kim's chance to become the number one contender to the Knockouts Championship. On the following episode of Impact Wrestling, Terrell appeared backstage with Kim, who told Terrell not to make another mistake. Later that night, during Kim's match with Velvet Sky, Kim would argue with Terrell, costing herself the match in the process. On the February 21 episode of Impact Wrestling, Terrell helped Sky defeat Tara, Miss Tessmacher and Kim in a fatal four-way elimination match, with Sky lastly eliminating Kim to win the Knockouts Championship after Kim provoked Terrell into getting involved in the match. On March 10 at Lockdown, towards the end of the Knockouts Championship match, Terrell would attack Kim, again costing her the title. After the match, Terrell was attacked by Kim backstage during an interview. On the following episode of Impact Wrestling, Kim revealed that Brooke Hogan put Terrell on probation for attacking Kim. In a tag team match between Mickie James and Velvet Sky against Gail Kim and Tara, Terrell would again cost Kim the match by attacking her.  On the March 21 episode of Impact Wrestling, Terrell was terminated as Knockouts referee by Hogan, and was subsequently signed as a TNA Knockout. On the March 28 episode of Impact Wrestling, Terrell challenged Kim to a match, however the match never started when Kim and Tara attacked Terrell, only to be saved by the Knockouts Champion, Velvet Sky. On the April 4 episode of Impact Wrestling, Terrell and Sky were defeated by Kim and Tara after the special guest referee Joey Ryan made a fast count on Terrell. Terrell finally faced Kim in a match on the April 11 episode of Impact Wrestling, which Terrell won. On the May 2 episode of Impact Wrestling, Terrell and Mickie James defeated Kim and Tara. After the match, Kim attacked Terrell. The rivalry between Terrell and Kim culminated in a Last Knockout Standing match on June 2 at Slammiversary XI, which Terrell would win. On the July 11 episode of Impact Wrestling, Terrell was defeated by Kim in a ladder match to determine the number one contender to the Knockouts Championship. The following month, Terrell was granted time off from TNA due to her real life pregnancy. CANNOTANSWER

Question: What happened with Taryn Terrell in 2012?
Answer: On August 16, 2012, Terrell made her debut for TNA, being introduced by the Vice President of the Knockouts Division,
Taryn Terrell

Context: On August 16, 2012, Terrell made her debut for TNA, being introduced by the Vice President of the Knockouts Division, Brooke Hogan, as the special guest referee for the TNA Women's Knockout Championship match between Madison Rayne and Miss Tessmacher. Terrell later became the official referee for the Knockouts division.  On January 13, 2013, at Genesis, Terrell began a storyline with Gail Kim after making a bad call during a gauntlet match, thus costing Kim's chance to become the number one contender to the Knockouts Championship. On the following episode of Impact Wrestling, Terrell appeared backstage with Kim, who told Terrell not to make another mistake. Later that night, during Kim's match with Velvet Sky, Kim would argue with Terrell, costing herself the match in the process. On the February 21 episode of Impact Wrestling, Terrell helped Sky defeat Tara, Miss Tessmacher and Kim in a fatal four-way elimination match, with Sky lastly eliminating Kim to win the Knockouts Championship after Kim provoked Terrell into getting involved in the match. On March 10 at Lockdown, towards the end of the Knockouts Championship match, Terrell would attack Kim, again costing her the title. After the match, Terrell was attacked by Kim backstage during an interview. On the following episode of Impact Wrestling, Kim revealed that Brooke Hogan put Terrell on probation for attacking Kim. In a tag team match between Mickie James and Velvet Sky against Gail Kim and Tara, Terrell would again cost Kim the match by attacking her.  On the March 21 episode of Impact Wrestling, Terrell was terminated as Knockouts referee by Hogan, and was subsequently signed as a TNA Knockout. On the March 28 episode of Impact Wrestling, Terrell challenged Kim to a match, however the match never started when Kim and Tara attacked Terrell, only to be saved by the Knockouts Champion, Velvet Sky. On the April 4 episode of Impact Wrestling, Terrell and Sky were defeated by Kim and Tara after the special guest referee Joey Ryan made a fast count on Terrell. Terrell finally faced Kim in a match on the April 11 episode of Impact Wrestling, which Terrell won. On the May 2 episode of Impact Wrestling, Terrell and Mickie James defeated Kim and Tara. After the match, Kim attacked Terrell. The rivalry between Terrell and Kim culminated in a Last Knockout Standing match on June 2 at Slammiversary XI, which Terrell would win. On the July 11 episode of Impact Wrestling, Terrell was defeated by Kim in a ladder match to determine the number one contender to the Knockouts Championship. The following month, Terrell was granted time off from TNA due to her real life pregnancy. CANNOTANSWER

Question: What was Taryn Terrell debuting as on August 16, 2012?
Answer: as the special guest referee for the TNA Women's Knockout Championship match between Madison Rayne and Miss Tessmacher.