gaussalgo/Canard_Wiki-augmented huggingface dataset:
Thomas A. Hendricks

Context: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office. An indication of Hendricks's growing national popularity occurred during the presidential election of 1872; the Democrats nominated Horace Greeley, the Liberal Republican candidate. Greeley died soon after the election, but before the Electoral College cast its ballots; 42 of 63 Democratic electors previously pledged to Greeley voted for Hendricks.  Hendricks served as governor of Indiana from January 13, 1873 to January 8, 1877, a difficult period of post-war economic depression following the financial Panic of 1873. Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices. Hendricks twice called out the state militia to end workers' strikes, one by miners in Clay County, and one by railroad workers' in Logansport.  Although Hendricks succeeded in encouraging legislation enacting election and judiciary reform, the Republican-controlled legislature prevented him from achieving many of his other legislative goals. In 1873 Hendricks signed the Baxter bill, a controversial piece of temperance legislation that established a strict form of local option, even though he personally had favored a licensing law. Hendricks signed the legislation because he thought the bill was constitutional and reflected the majority view of the Indiana General Assembly and the will of Indiana's citizens. The law proved to be unenforceable and was repealed in 1875; it was replaced by a licensing system that Hendricks had preferred.  One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse. The existing structure, which had been in use since 1835, had become too small, forcing the growing state government to rent additional buildings around Indianapolis. Besides its size, the dilapidated capitol building was in need of major repair. The roof in the Hall of Representatives had collapsed in 1867 and public inspectors condemned the building in 1873. The cornerstone for the present-day state capital building was laid in 1880, after Hendricks left office, and he delivered the keynote speech at the ceremony. The new statehouse was completed eight years later and remains in use as Indiana's state capitol building. CANNOTANSWER

Question: When did Thomas A. Hendricks become Govenor?
Answer: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office.
Thomas A. Hendricks

Context: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office. An indication of Hendricks's growing national popularity occurred during the presidential election of 1872; the Democrats nominated Horace Greeley, the Liberal Republican candidate. Greeley died soon after the election, but before the Electoral College cast its ballots; 42 of 63 Democratic electors previously pledged to Greeley voted for Hendricks.  Hendricks served as governor of Indiana from January 13, 1873 to January 8, 1877, a difficult period of post-war economic depression following the financial Panic of 1873. Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices. Hendricks twice called out the state militia to end workers' strikes, one by miners in Clay County, and one by railroad workers' in Logansport.  Although Hendricks succeeded in encouraging legislation enacting election and judiciary reform, the Republican-controlled legislature prevented him from achieving many of his other legislative goals. In 1873 Hendricks signed the Baxter bill, a controversial piece of temperance legislation that established a strict form of local option, even though he personally had favored a licensing law. Hendricks signed the legislation because he thought the bill was constitutional and reflected the majority view of the Indiana General Assembly and the will of Indiana's citizens. The law proved to be unenforceable and was repealed in 1875; it was replaced by a licensing system that Hendricks had preferred.  One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse. The existing structure, which had been in use since 1835, had become too small, forcing the growing state government to rent additional buildings around Indianapolis. Besides its size, the dilapidated capitol building was in need of major repair. The roof in the Hall of Representatives had collapsed in 1867 and public inspectors condemned the building in 1873. The cornerstone for the present-day state capital building was laid in 1880, after Hendricks left office, and he delivered the keynote speech at the ceremony. The new statehouse was completed eight years later and remains in use as Indiana's state capitol building. CANNOTANSWER

Question: Had Thomas A. Hendricks ran for governor before?
Answer: CANNOTANSWER
Thomas A. Hendricks

Context: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office. An indication of Hendricks's growing national popularity occurred during the presidential election of 1872; the Democrats nominated Horace Greeley, the Liberal Republican candidate. Greeley died soon after the election, but before the Electoral College cast its ballots; 42 of 63 Democratic electors previously pledged to Greeley voted for Hendricks.  Hendricks served as governor of Indiana from January 13, 1873 to January 8, 1877, a difficult period of post-war economic depression following the financial Panic of 1873. Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices. Hendricks twice called out the state militia to end workers' strikes, one by miners in Clay County, and one by railroad workers' in Logansport.  Although Hendricks succeeded in encouraging legislation enacting election and judiciary reform, the Republican-controlled legislature prevented him from achieving many of his other legislative goals. In 1873 Hendricks signed the Baxter bill, a controversial piece of temperance legislation that established a strict form of local option, even though he personally had favored a licensing law. Hendricks signed the legislation because he thought the bill was constitutional and reflected the majority view of the Indiana General Assembly and the will of Indiana's citizens. The law proved to be unenforceable and was repealed in 1875; it was replaced by a licensing system that Hendricks had preferred.  One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse. The existing structure, which had been in use since 1835, had become too small, forcing the growing state government to rent additional buildings around Indianapolis. Besides its size, the dilapidated capitol building was in need of major repair. The roof in the Hall of Representatives had collapsed in 1867 and public inspectors condemned the building in 1873. The cornerstone for the present-day state capital building was laid in 1880, after Hendricks left office, and he delivered the keynote speech at the ceremony. The new statehouse was completed eight years later and remains in use as Indiana's state capitol building. CANNOTANSWER

Question: Besides running for governor, are there any other interesting aspects about Thomas A. Hendricks?
Answer: Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices.
Thomas A. Hendricks

Context: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office. An indication of Hendricks's growing national popularity occurred during the presidential election of 1872; the Democrats nominated Horace Greeley, the Liberal Republican candidate. Greeley died soon after the election, but before the Electoral College cast its ballots; 42 of 63 Democratic electors previously pledged to Greeley voted for Hendricks.  Hendricks served as governor of Indiana from January 13, 1873 to January 8, 1877, a difficult period of post-war economic depression following the financial Panic of 1873. Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices. Hendricks twice called out the state militia to end workers' strikes, one by miners in Clay County, and one by railroad workers' in Logansport.  Although Hendricks succeeded in encouraging legislation enacting election and judiciary reform, the Republican-controlled legislature prevented him from achieving many of his other legislative goals. In 1873 Hendricks signed the Baxter bill, a controversial piece of temperance legislation that established a strict form of local option, even though he personally had favored a licensing law. Hendricks signed the legislation because he thought the bill was constitutional and reflected the majority view of the Indiana General Assembly and the will of Indiana's citizens. The law proved to be unenforceable and was repealed in 1875; it was replaced by a licensing system that Hendricks had preferred.  One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse. The existing structure, which had been in use since 1835, had become too small, forcing the growing state government to rent additional buildings around Indianapolis. Besides its size, the dilapidated capitol building was in need of major repair. The roof in the Hall of Representatives had collapsed in 1867 and public inspectors condemned the building in 1873. The cornerstone for the present-day state capital building was laid in 1880, after Hendricks left office, and he delivered the keynote speech at the ceremony. The new statehouse was completed eight years later and remains in use as Indiana's state capitol building. CANNOTANSWER

Question: What did Thomas A. Hendricks do to help the economy in Indiana?
Answer: CANNOTANSWER
Thomas A. Hendricks

Context: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office. An indication of Hendricks's growing national popularity occurred during the presidential election of 1872; the Democrats nominated Horace Greeley, the Liberal Republican candidate. Greeley died soon after the election, but before the Electoral College cast its ballots; 42 of 63 Democratic electors previously pledged to Greeley voted for Hendricks.  Hendricks served as governor of Indiana from January 13, 1873 to January 8, 1877, a difficult period of post-war economic depression following the financial Panic of 1873. Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices. Hendricks twice called out the state militia to end workers' strikes, one by miners in Clay County, and one by railroad workers' in Logansport.  Although Hendricks succeeded in encouraging legislation enacting election and judiciary reform, the Republican-controlled legislature prevented him from achieving many of his other legislative goals. In 1873 Hendricks signed the Baxter bill, a controversial piece of temperance legislation that established a strict form of local option, even though he personally had favored a licensing law. Hendricks signed the legislation because he thought the bill was constitutional and reflected the majority view of the Indiana General Assembly and the will of Indiana's citizens. The law proved to be unenforceable and was repealed in 1875; it was replaced by a licensing system that Hendricks had preferred.  One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse. The existing structure, which had been in use since 1835, had become too small, forcing the growing state government to rent additional buildings around Indianapolis. Besides its size, the dilapidated capitol building was in need of major repair. The roof in the Hall of Representatives had collapsed in 1867 and public inspectors condemned the building in 1873. The cornerstone for the present-day state capital building was laid in 1880, after Hendricks left office, and he delivered the keynote speech at the ceremony. The new statehouse was completed eight years later and remains in use as Indiana's state capitol building. CANNOTANSWER

Question: What did Thomas A. Hendricks do as Govenor?
Answer: One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse.
Thomas A. Hendricks

Context: In 1872 Hendricks was elected as the governor of Indiana in his third bid for the office. An indication of Hendricks's growing national popularity occurred during the presidential election of 1872; the Democrats nominated Horace Greeley, the Liberal Republican candidate. Greeley died soon after the election, but before the Electoral College cast its ballots; 42 of 63 Democratic electors previously pledged to Greeley voted for Hendricks.  Hendricks served as governor of Indiana from January 13, 1873 to January 8, 1877, a difficult period of post-war economic depression following the financial Panic of 1873. Indiana experienced high unemployment, business failures, labor strikes, and falling farm prices. Hendricks twice called out the state militia to end workers' strikes, one by miners in Clay County, and one by railroad workers' in Logansport.  Although Hendricks succeeded in encouraging legislation enacting election and judiciary reform, the Republican-controlled legislature prevented him from achieving many of his other legislative goals. In 1873 Hendricks signed the Baxter bill, a controversial piece of temperance legislation that established a strict form of local option, even though he personally had favored a licensing law. Hendricks signed the legislation because he thought the bill was constitutional and reflected the majority view of the Indiana General Assembly and the will of Indiana's citizens. The law proved to be unenforceable and was repealed in 1875; it was replaced by a licensing system that Hendricks had preferred.  One of Hendricks's lasting legacies during his tenure as governor began with discussion to fund construction of a new Indiana Statehouse. The existing structure, which had been in use since 1835, had become too small, forcing the growing state government to rent additional buildings around Indianapolis. Besides its size, the dilapidated capitol building was in need of major repair. The roof in the Hall of Representatives had collapsed in 1867 and public inspectors condemned the building in 1873. The cornerstone for the present-day state capital building was laid in 1880, after Hendricks left office, and he delivered the keynote speech at the ceremony. The new statehouse was completed eight years later and remains in use as Indiana's state capitol building. CANNOTANSWER

Question: Did Thomas A. Hendricks rebuild the Indiana Statehouse?
Answer: The new statehouse was completed eight years later and remains in use as Indiana's state capitol building.
Patsy Cline

Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star. CANNOTANSWER

Question: What is Four Star Records?
Answer: In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with.
Patsy Cline

Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star. CANNOTANSWER

Question: What did Patsy Cline record with Four Star Records?
Answer: Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting.
Patsy Cline

Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star. CANNOTANSWER

Question: Was Patsy Cline's second contract less limiting?
Answer: According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential.
Patsy Cline

Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star. CANNOTANSWER

Question: Did Four Star Records release any of Patsy Cline's music?
Answer: " Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.
Patsy Cline

Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star. CANNOTANSWER

Question: What happened with Patsy Cline's rockabilly experimentation?
Answer: CANNOTANSWER
Patsy Cline

Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star. CANNOTANSWER

Question: What else is interesting about Patsy Cline other than Four Star Records?
Answer: She often rebelled, only wishing to sing country and yodel.
Conan O'Brien

Context: On Thursday, January 7, 2010, NBC executive Jeff Zucker met with Jay Leno and Conan O'Brien to discuss how to get Leno out of prime time, where his ratings were lackluster, and back into late night, where O'Brien's ratings had collapsed before Leno's prime time series began. A proposal was made that would see O'Brien remain as host of The Tonight Show, which would be moved to 12:05 am with Leno hosting a 30-minute show at 11:35 pm On January 10, NBC Universal Television Entertainment chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed end at the start of the Winter Olympics on February 12, 2010, and be moved to 11:35 pm following the Olympics coverage. Sources familiar with the situation told the New York Post that O'Brien was unhappy with NBC's plan.  On January 12, O'Brien released this statement: "I sincerely believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, 2010, it was announced that Conan had reached a deal with NBC that would see him exit The Tonight Show the next day. The deal also granted him $45 million, of which $12 million was designated for distribution to his staff, who had moved with Conan to Los Angeles from New York when he left Late Night.  The final Tonight Show with Conan aired January 22, 2010, and featured guests Tom Hanks, Steve Carell (who did an exit interview and shredded Conan's ID badge), Neil Young (singing "Long May You Run"), and Will Ferrell. For Ferrell's appearance, Conan played guitar with the band and Ferrell sang "Free Bird" while reprising his SNL cowbell. Ferrell's wife, Viveca Paulin, together with Ben Harper, Beck, and ZZ Top guitarist Billy Gibbons, also joined the band for this final performance.  Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games. Under the $45 million deal with NBC, Conan was allowed to start working for another network as soon as September 2010. Conan's rumored next networks ranged anywhere from Fox to Comedy Central. CANNOTANSWER

Question: When was Conan O'Brien's departure from The Tonight Show?
Answer: January 22, 2010,
Conan O'Brien

Context: On Thursday, January 7, 2010, NBC executive Jeff Zucker met with Jay Leno and Conan O'Brien to discuss how to get Leno out of prime time, where his ratings were lackluster, and back into late night, where O'Brien's ratings had collapsed before Leno's prime time series began. A proposal was made that would see O'Brien remain as host of The Tonight Show, which would be moved to 12:05 am with Leno hosting a 30-minute show at 11:35 pm On January 10, NBC Universal Television Entertainment chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed end at the start of the Winter Olympics on February 12, 2010, and be moved to 11:35 pm following the Olympics coverage. Sources familiar with the situation told the New York Post that O'Brien was unhappy with NBC's plan.  On January 12, O'Brien released this statement: "I sincerely believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, 2010, it was announced that Conan had reached a deal with NBC that would see him exit The Tonight Show the next day. The deal also granted him $45 million, of which $12 million was designated for distribution to his staff, who had moved with Conan to Los Angeles from New York when he left Late Night.  The final Tonight Show with Conan aired January 22, 2010, and featured guests Tom Hanks, Steve Carell (who did an exit interview and shredded Conan's ID badge), Neil Young (singing "Long May You Run"), and Will Ferrell. For Ferrell's appearance, Conan played guitar with the band and Ferrell sang "Free Bird" while reprising his SNL cowbell. Ferrell's wife, Viveca Paulin, together with Ben Harper, Beck, and ZZ Top guitarist Billy Gibbons, also joined the band for this final performance.  Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games. Under the $45 million deal with NBC, Conan was allowed to start working for another network as soon as September 2010. Conan's rumored next networks ranged anywhere from Fox to Comedy Central. CANNOTANSWER

Question: Why did Conan O'Brien leave The Tonight Show?
Answer: O'Brien's ratings had collapsed
Conan O'Brien

Context: On Thursday, January 7, 2010, NBC executive Jeff Zucker met with Jay Leno and Conan O'Brien to discuss how to get Leno out of prime time, where his ratings were lackluster, and back into late night, where O'Brien's ratings had collapsed before Leno's prime time series began. A proposal was made that would see O'Brien remain as host of The Tonight Show, which would be moved to 12:05 am with Leno hosting a 30-minute show at 11:35 pm On January 10, NBC Universal Television Entertainment chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed end at the start of the Winter Olympics on February 12, 2010, and be moved to 11:35 pm following the Olympics coverage. Sources familiar with the situation told the New York Post that O'Brien was unhappy with NBC's plan.  On January 12, O'Brien released this statement: "I sincerely believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, 2010, it was announced that Conan had reached a deal with NBC that would see him exit The Tonight Show the next day. The deal also granted him $45 million, of which $12 million was designated for distribution to his staff, who had moved with Conan to Los Angeles from New York when he left Late Night.  The final Tonight Show with Conan aired January 22, 2010, and featured guests Tom Hanks, Steve Carell (who did an exit interview and shredded Conan's ID badge), Neil Young (singing "Long May You Run"), and Will Ferrell. For Ferrell's appearance, Conan played guitar with the band and Ferrell sang "Free Bird" while reprising his SNL cowbell. Ferrell's wife, Viveca Paulin, together with Ben Harper, Beck, and ZZ Top guitarist Billy Gibbons, also joined the band for this final performance.  Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games. Under the $45 million deal with NBC, Conan was allowed to start working for another network as soon as September 2010. Conan's rumored next networks ranged anywhere from Fox to Comedy Central. CANNOTANSWER

Question: Did producers try to keep Conan O'Brien or was he forced to leave The Tonight Show?
Answer: Conan was allowed to start working for another network as soon as September 2010.
Conan O'Brien

Context: On Thursday, January 7, 2010, NBC executive Jeff Zucker met with Jay Leno and Conan O'Brien to discuss how to get Leno out of prime time, where his ratings were lackluster, and back into late night, where O'Brien's ratings had collapsed before Leno's prime time series began. A proposal was made that would see O'Brien remain as host of The Tonight Show, which would be moved to 12:05 am with Leno hosting a 30-minute show at 11:35 pm On January 10, NBC Universal Television Entertainment chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed end at the start of the Winter Olympics on February 12, 2010, and be moved to 11:35 pm following the Olympics coverage. Sources familiar with the situation told the New York Post that O'Brien was unhappy with NBC's plan.  On January 12, O'Brien released this statement: "I sincerely believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, 2010, it was announced that Conan had reached a deal with NBC that would see him exit The Tonight Show the next day. The deal also granted him $45 million, of which $12 million was designated for distribution to his staff, who had moved with Conan to Los Angeles from New York when he left Late Night.  The final Tonight Show with Conan aired January 22, 2010, and featured guests Tom Hanks, Steve Carell (who did an exit interview and shredded Conan's ID badge), Neil Young (singing "Long May You Run"), and Will Ferrell. For Ferrell's appearance, Conan played guitar with the band and Ferrell sang "Free Bird" while reprising his SNL cowbell. Ferrell's wife, Viveca Paulin, together with Ben Harper, Beck, and ZZ Top guitarist Billy Gibbons, also joined the band for this final performance.  Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games. Under the $45 million deal with NBC, Conan was allowed to start working for another network as soon as September 2010. Conan's rumored next networks ranged anywhere from Fox to Comedy Central. CANNOTANSWER

Question: Are there any other interesting aspects about Conan O'Brien's departure from The Tonight Show in this article besides ratings and Conan's next job?
Answer: The deal also granted him $45 million, of which $12 million was designated for distribution to his staff,
Conan O'Brien

Context: On Thursday, January 7, 2010, NBC executive Jeff Zucker met with Jay Leno and Conan O'Brien to discuss how to get Leno out of prime time, where his ratings were lackluster, and back into late night, where O'Brien's ratings had collapsed before Leno's prime time series began. A proposal was made that would see O'Brien remain as host of The Tonight Show, which would be moved to 12:05 am with Leno hosting a 30-minute show at 11:35 pm On January 10, NBC Universal Television Entertainment chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed end at the start of the Winter Olympics on February 12, 2010, and be moved to 11:35 pm following the Olympics coverage. Sources familiar with the situation told the New York Post that O'Brien was unhappy with NBC's plan.  On January 12, O'Brien released this statement: "I sincerely believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, 2010, it was announced that Conan had reached a deal with NBC that would see him exit The Tonight Show the next day. The deal also granted him $45 million, of which $12 million was designated for distribution to his staff, who had moved with Conan to Los Angeles from New York when he left Late Night.  The final Tonight Show with Conan aired January 22, 2010, and featured guests Tom Hanks, Steve Carell (who did an exit interview and shredded Conan's ID badge), Neil Young (singing "Long May You Run"), and Will Ferrell. For Ferrell's appearance, Conan played guitar with the band and Ferrell sang "Free Bird" while reprising his SNL cowbell. Ferrell's wife, Viveca Paulin, together with Ben Harper, Beck, and ZZ Top guitarist Billy Gibbons, also joined the band for this final performance.  Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games. Under the $45 million deal with NBC, Conan was allowed to start working for another network as soon as September 2010. Conan's rumored next networks ranged anywhere from Fox to Comedy Central. CANNOTANSWER

Question: Why did Conan O'Brien's time with The Tonight Show start declining?
Answer: O'Brien's ratings had collapsed before Leno's prime time series began.
Conan O'Brien

Context: On Thursday, January 7, 2010, NBC executive Jeff Zucker met with Jay Leno and Conan O'Brien to discuss how to get Leno out of prime time, where his ratings were lackluster, and back into late night, where O'Brien's ratings had collapsed before Leno's prime time series began. A proposal was made that would see O'Brien remain as host of The Tonight Show, which would be moved to 12:05 am with Leno hosting a 30-minute show at 11:35 pm On January 10, NBC Universal Television Entertainment chairman Jeff Gaspin confirmed that The Jay Leno Show would indeed end at the start of the Winter Olympics on February 12, 2010, and be moved to 11:35 pm following the Olympics coverage. Sources familiar with the situation told the New York Post that O'Brien was unhappy with NBC's plan.  On January 12, O'Brien released this statement: "I sincerely believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, 2010, it was announced that Conan had reached a deal with NBC that would see him exit The Tonight Show the next day. The deal also granted him $45 million, of which $12 million was designated for distribution to his staff, who had moved with Conan to Los Angeles from New York when he left Late Night.  The final Tonight Show with Conan aired January 22, 2010, and featured guests Tom Hanks, Steve Carell (who did an exit interview and shredded Conan's ID badge), Neil Young (singing "Long May You Run"), and Will Ferrell. For Ferrell's appearance, Conan played guitar with the band and Ferrell sang "Free Bird" while reprising his SNL cowbell. Ferrell's wife, Viveca Paulin, together with Ben Harper, Beck, and ZZ Top guitarist Billy Gibbons, also joined the band for this final performance.  Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games. Under the $45 million deal with NBC, Conan was allowed to start working for another network as soon as September 2010. Conan's rumored next networks ranged anywhere from Fox to Comedy Central. CANNOTANSWER

Question: Are there any other interesting aspects about Conan O'Brien's departure from The Tonight Show in this article besides ratings?
Answer: Jay Leno returned to The Tonight Show following NBC's coverage of the 2010 Winter Olympic Games.
Fred Frith

Context: Fred Frith has used a number of different guitars, including homemade instruments, over the years, depending on the type of music he is playing. For the more structured and refined music he has often used a Gibson ES-345, for example on his solo album, Gravity. For the heavier "rock" sound, as in Massacre, he has used an old 1961 solid body Burns guitar, created by the British craftsman Jim Burns. On his landmark Guitar Solos album, Frith used a modified 1936 Gibson K-11 guitar (q.v. for details).  For Frith's early unstructured music, as with Henry Kaiser on With Friends Like These, and his early table-top guitar solo performances, he used a homemade six- and eight-string double-neck guitar created by a friend, Charles Fletcher. Frith told DownBeat magazine in 1983: "It was the one and only guitar that he ever built ... he constructed it mainly out of old pieces from other guitars that I had, and for the body I think he used an old door." The possibilities offered by homemade instruments prompted Frith to start creating his own guitars, basically slabs of wood on which he mounted a pickup, a bridge, and strings stretched over metal screws. "The basic design of the instrument is supposed to be as rudimentary and flexible as possible," Frith said, "so I can use an electric drill to bore holes into the body of it to achieve certain sounds ... ."  Frith uses a variety of implements to play guitar, from traditional guitar picks to violin bows, drum sticks, egg beaters, paint brushes, lengths of metal chain, and other found objects. Frith remarked: "It's more to do with my interest in found objects and the use of certain kinds of textures which have an effect on the string ... the difference between the touch of stone, the touch of glass, the touch of wood, the touch of paper - those kinds of basic elements that you're using against the surface of the strings which produce different sounds."  In a typical solo improvising concert, Frith would lay a couple of his homemade guitars flat on a table and play them with a collection of found objects (varying from concert to concert). He would drop objects, like ball bearings, dried beans, and rice on the strings while stroking, scraping, and hitting them with whatever was on hand. Later he added a live sampler to his on-stage equipment, which he controlled with pedals. The sampler enabled him to dynamically capture and loop guitar sounds, over which he would capture and loop new sounds, and so on, until he had a bed of repeated patterns on top of which he would then begin his solo performance. CANNOTANSWER

Question: What type of guitars did Fred Frith play?
Answer: Fred Frith has used a number of different guitars, including homemade instruments, over the years, depending on the type of music he is playing.
Fred Frith

Context: Fred Frith has used a number of different guitars, including homemade instruments, over the years, depending on the type of music he is playing. For the more structured and refined music he has often used a Gibson ES-345, for example on his solo album, Gravity. For the heavier "rock" sound, as in Massacre, he has used an old 1961 solid body Burns guitar, created by the British craftsman Jim Burns. On his landmark Guitar Solos album, Frith used a modified 1936 Gibson K-11 guitar (q.v. for details).  For Frith's early unstructured music, as with Henry Kaiser on With Friends Like These, and his early table-top guitar solo performances, he used a homemade six- and eight-string double-neck guitar created by a friend, Charles Fletcher. Frith told DownBeat magazine in 1983: "It was the one and only guitar that he ever built ... he constructed it mainly out of old pieces from other guitars that I had, and for the body I think he used an old door." The possibilities offered by homemade instruments prompted Frith to start creating his own guitars, basically slabs of wood on which he mounted a pickup, a bridge, and strings stretched over metal screws. "The basic design of the instrument is supposed to be as rudimentary and flexible as possible," Frith said, "so I can use an electric drill to bore holes into the body of it to achieve certain sounds ... ."  Frith uses a variety of implements to play guitar, from traditional guitar picks to violin bows, drum sticks, egg beaters, paint brushes, lengths of metal chain, and other found objects. Frith remarked: "It's more to do with my interest in found objects and the use of certain kinds of textures which have an effect on the string ... the difference between the touch of stone, the touch of glass, the touch of wood, the touch of paper - those kinds of basic elements that you're using against the surface of the strings which produce different sounds."  In a typical solo improvising concert, Frith would lay a couple of his homemade guitars flat on a table and play them with a collection of found objects (varying from concert to concert). He would drop objects, like ball bearings, dried beans, and rice on the strings while stroking, scraping, and hitting them with whatever was on hand. Later he added a live sampler to his on-stage equipment, which he controlled with pedals. The sampler enabled him to dynamically capture and loop guitar sounds, over which he would capture and loop new sounds, and so on, until he had a bed of repeated patterns on top of which he would then begin his solo performance. CANNOTANSWER

Question: Was there anything interesting about Fred Frith's playing technique?
Answer: Frith uses a variety of implements to play guitar, from traditional guitar picks to violin bows, drum sticks, egg beaters, paint brushes, lengths of metal chain, and other found objects.