gaussalgo/Canard_Wiki-augmented huggingface dataset:
Paul Bowles

Context: Paul Bowles is considered one of the artists to have shaped 20th-century literature and music. In his "Introduction" to Bowles' Collected Stories (1979,) Gore Vidal ranked the short stories as "among the best ever written by an American", writing: "the floor to this ramshackle civilization that we have built cannot bear much longer our weight. It was Bowles's genius to suggest the horrors which lie beneath that floor, as fragile, in its way, as the sky that shelters us from a devouring vastness".  Critics have described his music, in contrast, "as full of light as the fiction [is] of dark...almost as if the composer were a totally different person from the writer." During the early 1930s, Bowles studied composition (intermittently) with Aaron Copland; his music from this period "is reminiscent of Satie and Poulenc." Returning to New York in the mid-30s, Bowles became one of the preeminent composers of American theater music, producing works for William Saroyan, Tennessee Williams, and others, "show[ing] exceptional skill and imagination in capturing the mood, emotion, and ambience of each play to which he was assigned." Bowles said that such incidental music allowed him to present "climaxless music, hypnotic music in one of the exact senses of the word, in that it makes its effect without the spectator being made aware of it." At the same time he continued to write concert music, assimilating some of the melodic, rhythmic, and other stylistic elements of African, Mexican, and Central American music.  In 1991 Paul Bowles was awarded the annual Rea Award for the Short Story. The jury gave the following citation: "Paul Bowles is a storyteller of the utmost purity and integrity. He writes of a world before God became man; a world in which men and women in extremis are seen as components in a larger, more elemental drama. His prose is crystalline and his voice unique. Among living American masters of the short story, Paul Bowles is sui generis."  The Library of America published Bowles' works in 2002. (It prepares scholarly editions of American literary classics and keeps them permanently in print.) CANNOTANSWER

Question: Was Paul Bowles style followed by others?
Answer: CANNOTANSWER
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: What blog did Yoani Sanchez start?
Answer: Generation Y,
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: When did Yoani Sanchez start the Generation Y blog?
Answer: 2007.
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: What happened after Yoani Sanchez started the Generation Y blog?
Answer: In January three more Desdecuba blogs were launched:
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: What is desdecuba?
Answer: the number of blogs on the DesdeCuba site grew quickly.
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: What did Yoani Sanchez blog about?
Answer: CANNOTANSWER
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: How did Desdecuba grow?
Answer: three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments).
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: What impact did the Desdecuba blogs have?
Answer: When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website,
Yoani Sánchez

Context: Given the challenges of blogging in Cuba, the number of blogs on the DesdeCuba site grew quickly. Eight months after she started Generation Y, she was joined on the Desdecuba website by her husband Reinaldo Escobar's blog, Desde Aqui (From Here), in December 2007. In January three more Desdecuba blogs were launched: Sin EVAsion (Without Evasion); El Blog de Dimas (The Blog of Dimas); and Retazos (Fragments). In March 2008, Potro Salvaje (Wild Pony) was launched, joined by La Colmena (The Beehive) in May 2008.  When the Cuban government blocked access to Sanchez's blog from the island, it also blocked access to the DesdeCuba website, where these other blogs were housed. The other bloggers faced the same challenges Sanchez had in maintaining their blogs, and also needed to find ways around the censorship--either relying on friends with access inside Cuba from their government offices, using complex and time-consuming workarounds to find 'back doors' into their blogs, or reaching out to friends and strangers abroad who volunteered to help, and who posted email blog entries they would never be able to see. With their blogs targeted to Cuban readers on the island, the discouragement was compounded by knowing that even if they could post, their readers could not read the posts. This limitation was circumvented by making copies of the blogs on CDs, either from computers on the island with access to the website, or sent from friends abroad. Although this method of disseminating the blogs was slow and delayed, and readers could not comment directly on the website, it was quite effective and continues to this day [March 2009]. Sanchez said to a known Venezuelan blogger that visited her in Havana: "In any case we are trying to educate others so blogging would become in Cuba a permanent feature, a means of democratizing citizen expression, as in the free world."  On January 28, Sanchez launched Voces Cubanas. This citizen journalism project seeks to provide a multimedia platform to independent bloggers in Cuba to express the realities and hardships of everyday life there. During an interview published by Global Voices, Sanchez said this was a website "where all those who want to express ideas, put their projects online, can do so." An article in El Nuevo Herald by Ivette Leyva Martinez, speaks to the role played by Sanchez and other young people, outside the Cuban opposition and dissidence movements, in working towards a free and democratic Cuba today. On March 29, 2009, at a performance by Tania Bruguera, a podium with an open microphone was staged for those wishing to have one minute of uncensored, public speech. Sanchez was among speakers who publicly criticized censorship and said that "the time has come to jump over the wall of control". The Communist regime dismissed the event and Sanchez without using her name. CANNOTANSWER

Question: How many readers did the Generation Y blog have?
Answer: CANNOTANSWER
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: What kind of horse was Seattle Slew?
Answer: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Other than the description of Seattle Slew's coloring, is there any other interesting aspects about this article?
Answer: Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew,
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: How much did Seattle Slew cost?
Answer: Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017).
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: Was there a service or memorial for Seattle Slew?
Answer: CANNOTANSWER
Seattle Slew

Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer.  Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships.  Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden.  At maturity, he reached 16 hands (64 inches, 163 cm) high. CANNOTANSWER

Question: What is something notable about Seattle Slew's early career?
Answer: Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s.
Bernie Leadon

Context: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. CANNOTANSWER

Question: Did Bernie Leadon go to school?
Answer: Leadon attended Gainesville High School,
Bernie Leadon

Context: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. CANNOTANSWER

Question: Did Bernie Leadon have professional vocal training?
Answer: CANNOTANSWER
Bernie Leadon

Context: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. CANNOTANSWER

Question: What did Bernie Leadon study on school?
Answer: CANNOTANSWER
Bernie Leadon

Context: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. CANNOTANSWER

Question: What kicked off Bernie Leadon's musical beginnings?
Answer: The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.
Bernie Leadon

Context: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. CANNOTANSWER

Question: What did Bernie Leadon prefer to play?
Answer: He eventually mastered the 5-string banjo, mandolin and acoustic guitar.