gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: What did the Bee Gees relocation lead to?
Answer: After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs,
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: Did the Bee Gees receive any awards or special recognition after moving to Miami?
Answer: This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: After the Main Course album charted, what happened next?
Answer: On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy.
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: What do you find interesting about the Bee Gees?
Answer: Barry used falsetto, something that would later become a trademark of the band.
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: What was next for the Bee Gees?
Answer: On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course,
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: How was the Bee Gees appearance received?
Answer: Around the same time, the Bee Gees recorded three Beatles covers--"
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: Did the Bee Gees singles make the charts?
Answer: Main Course also became their first charting R&B album.
Bee Gees

Context: At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album.  On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II.  The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.  The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US.  A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972. CANNOTANSWER

Question: Aside from Main Course, what else hit the charts?
Answer: This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea.
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: When did Hack Wilson start playing for the New York Giants?
Answer: September 29, 1923
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: In addition to Hack Wilson playing for New York Giants, are there any other interesting aspects about this article?
Answer: became the starting left fielder the following season.
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: In addition to becoming the starting left fielder, did Hack Wilson play any other position?
Answer: left field
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: Are there any notable games during Hack Wilson career?
Answer: Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins,
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: In addition to the Hack Wilson hitting the longest home run on record against the Brooklyn Robins, does Hack Wilson have any other records?
Answer: He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs)
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: When did Hack Wilson retire?
Answer: CANNOTANSWER
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: Were any championships won by Hack Wilson?
Answer: During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born.
Hack Wilson

Context: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league affiliate, the Toledo Mud Hens of the American Association. At season's end, a front office oversight--or possibly, deliberate inaction--left him unprotected on the Toledo roster, and the last-place Chicago Cubs acquired him on waivers. "They let go the best outfielder I ever played alongside", said Giants right fielder Ross Youngs, "and they're going to regret it."  During the 1925 World Series -- between the Senators and the Pittsburgh Pirates -- Wilson's son, Robert, was born. CANNOTANSWER

Question: Did Hack Wilson have any notable losses?
Answer: CANNOTANSWER
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: Were Black Sails in the Sunset, All Hallow's E.P. and The Art of Drowning, albums or singles?
Answer: The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound,
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: did any of the albums earn an award ?
Answer: CANNOTANSWER
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: What style of music were the AFI (band) albums ?
Answer: band's original hardcore roots with dark romantic influences
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: Did the AFI  band members stay the same throughout the years?
Answer: Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend.