gaussalgo/Canard_Wiki-augmented huggingface dataset:
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: who directed Arthur Miller's plays?
Answer: Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan,
Fats Domino

Context: Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.  Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna".  Domino appeared in the Monkees' television special 33 1/3  Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll. CANNOTANSWER

Question: What did Fats Domino do after leaving Imperial?
Answer: Domino moved to ABC-Paramount Records in 1963.
Fats Domino

Context: Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.  Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna".  Domino appeared in the Monkees' television special 33 1/3  Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll. CANNOTANSWER

Question: What recordings did Fats Domino do after moving to ABC-Paramount?
Answer: He released 11 singles for ABC-Paramount,
Fats Domino

Context: Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.  Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna".  Domino appeared in the Monkees' television special 33 1/3  Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll. CANNOTANSWER

Question: Besides recording singles, what else did Fats Domino do for ABC-Paramount?
Answer: Jarvis and Justis changed the Domino sound somewhat,
Fats Domino

Context: Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.  Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna".  Domino appeared in the Monkees' television special 33 1/3  Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll. CANNOTANSWER

Question: What happened after Jarvis and Justis changed the Domino sound?
Answer: ). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.
Fats Domino

Context: Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.  Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna".  Domino appeared in the Monkees' television special 33 1/3  Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll. CANNOTANSWER

Question: What did Fats Domino do in the 70s?
Answer: Domino continued to record steadily until about 1970,
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: Where did Miriam Makeba grow up?
Answer: black township of Prospect, near Johannesburg.
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: Besides the childhood and family of Miriam Makeba, are there any other interesting aspects about this article?
Answer: Miriam spent the first six months of her life in jail.
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: Why was Miriam Makeba in jail for the first six months of her life?
Answer: her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal.
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: When was Miriam Makeba born?
Answer: Zenzile Miriam Makeba was born on 4 March 1932
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: Does Miriam Makeba have siblings?
Answer: Her mother worked for white families in Johannesburg, and had to live away from her six children.
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: Where did Miriam Makeba go to school?
Answer: Kilnerton Training Institute in Pretoria, an all-black Methodist primary school
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: Did Miriam Makeba go to college?
Answer: CANNOTANSWER
Miriam Makeba

Context: Zenzile Miriam Makeba was born on 4 March 1932 in the black township of Prospect, near Johannesburg. Her Swazi mother, Christina Makeba, was a sangoma, or traditional healer, and a domestic worker. Her Xhosa father, Caswell Makeba, was a teacher; he died when she was six years old. Makeba later said that before she was conceived, her mother had been warned that any future pregnancy could be fatal. Neither Miriam nor her mother seemed likely to survive after a difficult labour and delivery. Miriam's grandmother, who attended the birth, often muttered "uzenzile", a Xhosa word that means "you brought this on yourself", to Miriam's mother during her recovery, which inspired her to give her daughter the name "Zenzile".  When Makeba was eighteen days old, her mother was arrested and sentenced to a six-month prison term for selling umqombothi, a homemade beer brewed from malt and cornmeal. The family could not afford the small fine required to avoid a jail term, and Miriam spent the first six months of her life in jail. As a child, Makeba sang in the choir of the Kilnerton Training Institute in Pretoria, an all-black Methodist primary school that she attended for eight years. Her talent for singing earned her praise at school. Makeba was baptised a Protestant, and sang in church choirs, in English, Xhosa, Sotho, and Zulu; she later said that she learned to sing in English before she could speak the language.  The family moved to the Transvaal when Makeba was a child. After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny. She described herself as a shy person at the time. Her mother worked for white families in Johannesburg, and had to live away from her six children. Makeba lived for a while with her grandmother and a large number of cousins in Pretoria. Makeba was influenced by her family's musical tastes; her mother played several traditional instruments, and her elder brother collected records, including those of Duke Ellington and Ella Fitzgerald, and taught Makeba songs. Her father played the piano, and his musical inclination was later a factor in Makeba's family accepting what was seen as a risque choice of career.  In 1949, Makeba married James Kubay, a policeman in training, with whom she had her only child, Bongi Makeba, in 1950. Makeba was then diagnosed with breast cancer, and her husband, who was said to have beaten her, left her shortly afterwards, after a two-year marriage. A decade later she overcame cervical cancer via a hysterectomy. CANNOTANSWER

Question: What was Miriam Makeba’s childhood like?
Answer: After her father's death, she was forced to find employment; she did domestic work, and worked as a nanny.
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: What happened to Henry Kissinger during the Bangladesh war?
Answer: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971.
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: Are there any other interesting aspects about this article about Henry Kissinger during the Bangladesh war other than his guidance of the United States government?
Answer: Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR,
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: Why was Henry Kissinger concerned about the expansion of Soviet influence in the Indian Subcontinent?
Answer: sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: Was Henry Kissinger successful in demonstrating to the People's Republic of China the value of a tacit alliance with the United States?
Answer: Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan,
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: What did the telegram sent by the United States consul general in East Pakistan to Henry Kissinger say?
Answer: informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide".
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: What did the second telegram sent to Henry Kissinger by the United States consul general in East Pakistan say?
Answer: the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy".
Henry Kissinger

Context: Under Kissinger's guidance, the United States government supported Pakistan in the Bangladesh Liberation War in 1971. Kissinger was particularly concerned about the expansion of Soviet influence in the Indian Subcontinent as a result of a treaty of friendship recently signed by India and the USSR, and sought to demonstrate to the People's Republic of China (Pakistan's ally and an enemy of both India and the USSR) the value of a tacit alliance with the United States.  Kissinger sneered at people who "bleed" for "the dying Bengalis" and ignored the first telegram from the United States consul general in East Pakistan, Archer K. Blood, and 20 members of his staff, which informed the US that their allies West Pakistan were undertaking, in Blood's words, "a selective genocide". In the second, more famous, Blood Telegram the word genocide was again used to describe the events, and further that with its continuing support for West Pakistan the US government had "evidenced [...] moral bankruptcy". As a direct response to the dissent against US policy Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.  Henry Kissinger had also come under fire for private comments he made to Nixon during the Bangladesh-Pakistan War in which he described Indian Prime Minister Indira Gandhi as a "bitch" and a "witch". He also said "The Indians are bastards", shortly before the war. Kissinger has since expressed his regret over the comments. CANNOTANSWER

Question: How did Henry Kissinger respond to the second telegram from the United States consul general in East Pakistan?
Answer: Kissinger and Nixon ended Archer Blood's tenure as United States consul general in East Pakistan and put him to work in the State Department's Personnel Office.