gaussalgo/Canard_Wiki-augmented huggingface dataset:
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Is there a reason behind Emilie Autumn's album Fight Like a Girl?  Cancer maybe?
Answer: the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage".
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Was Emilie Autumn's album Fight Like a Girl a big success?
Answer: CANNOTANSWER
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: What were some songs on Emilie Autumn's album Fight Like a Girl?
Answer: Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Besides the album Fight Like a Girl, are there any other interesting aspects about this article?
Answer: Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: What was the name of Emilie Autumn's autobiographical novel?
Answer: The Asylum for Wayward Victorian Girls,
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: What is Emilie Autumn presently doing?
Answer: In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Has Emilie Autumn won any awards?
Answer: CANNOTANSWER
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Besides Emilie Autumn's autobiographical novel, is there anything else you can share?
Answer: She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival,
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Did Emilie Autumn do any tours?
Answer: Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl
Emilie Autumn

Context: In June 2010, Autumn released the acronym of her upcoming album, F.L.A.G., on her Twitter account, before revealing the full title as Fight Like a Girl. In her words, the meaning behind the title is "about taking all these things that make women the underdogs and using them to your advantage". Based on her novel, The Asylum for Wayward Victorian Girls, the album has been described as "an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers". On August 30, 2010, she announced that she would be undergoing jaw surgery, and recovered from it. In September 2011, she posted the full lyrics to the album's title track, "Fight Like a Girl", on her Twitter account. Autumn appeared at the 2011 Harvest Festival in Australia, and had planned to debut two songs from Fight Like a Girl during those performances. On April 11, 2012, Autumn released the single "Fight Like a Girl", with the song "Time for Tea" appearing as a B-side.  On April 16, 2012, Autumn announced her plans to debut a three-hour musical adaptation of her autobiographical novel on London's West End theatre in 2014. According to her interview with Mulatschag, she has plans to play the roles of both protagonists, Emilie and Emily.  She also appeared in the twelve-minute teaser for Darren Lynn Bousman and Terrance Zdunich's project The Devil's Carnival, and for which she played the role of The Painted Doll. Bloody Crumpets members The Blessed Contessa and Captain Maggot also appear in the film as Woe-Maidens.  On June 13, 2012, Emilie Autumn announced on her blog the release date of Fight Like a Girl, which was on July 24 of the same year and included a new addition; a song called "The Key". Autumn released an instrumental snippet of the song on a forum post, which is hidden in the last line of the lyrics, in which she posted.  In 2014, it was announced that she would be appearing at a handful of dates on the 2014 Vans Warped Tour with an installation called "The Asylum Experience", which will include music, burlesque, circus sideshow attractions and theater. CANNOTANSWER

Question: Has Emilie Autumn won any awards for her performances?
Answer: CANNOTANSWER
Migration Period art

Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques. CANNOTANSWER

Question: Where did Migration Period art originate?
Answer: found in Scandinavia, north Germany and England.
Migration Period art

Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques. CANNOTANSWER

Question: Did the style of Migration Period art migrate at all?
Answer: so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there.
Migration Period art

Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques. CANNOTANSWER

Question: Did the Migration Period artwork travel with the Huns in the 4th century?
Answer: Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area.
Migration Period art

Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques. CANNOTANSWER

Question: What did the poychrome style of art that originated with the Goths look like?
Answer: CANNOTANSWER
Migration Period art

Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques. CANNOTANSWER

Question: What were the styles other than polychrome that dominated Germanic Art?
Answer: The animal style was found in Scandinavia,
Migration Period art

Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.  Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.  Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques. CANNOTANSWER

Question: Did anything happen to the art styles in 1904?
Answer: CANNOTANSWER
Norman Rockwell

Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER

Question: what was Norman Rockwell's most famous painting
Answer: His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song.
Norman Rockwell

Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER

Question: what was the theme of most of Norman Rockwell's paintings?
Answer: cartoonist
Norman Rockwell

Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER

Question: for how many years was Norman Rockwell actively painting?
Answer: Rockwell published 323 original covers for The Saturday Evening Post over 47 years.
Norman Rockwell

Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER

Question: why did Norman Rockwell stop painting?
Answer: During World War I, he tried to enlist into the U.S. Navy but was refused entry
Norman Rockwell

Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER

Question: what else was Norman Rockwell known for besides painting?
Answer: He was given the role of a military artist, however, and did not see any action during his tour of duty.
Norman Rockwell

Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER

Question: what year was Norman Rockwell's last painting?
Answer: CANNOTANSWER