gaussalgo/Canard_Wiki-augmented huggingface dataset:
Hedy Lamarr

Context: On August 10, 1933, Lamarr married Mandl, an Austrian military arms merchant and munitions manufacturer who was reputedly the third-richest man in Austria. She was 18 years old and he was 33. In her autobiography Ecstasy and Me, she described Mandl as an extremely controlling husband who strongly objected to her simulated orgasm scene in Ecstasy and prevented her from pursuing her acting career. She claimed she was kept a virtual prisoner in their castle home, Schloss Schwarzenau.  Mandl had close social and business ties to the fascist government of Italy, selling munitions to Mussolini, and although like Hedy, his own father was Jewish, had ties to the Nazi government of Germany, as well. Lamarr wrote that Mussolini and Hitler attended lavish parties at the Mandl home. Lamarr accompanied Mandl to business meetings, where he conferred with scientists and other professionals involved in military technology. These conferences were her introduction to the field of applied science and nurtured her latent talent in science.  Lamarr's marriage to Mandl eventually became unbearable, and she decided to separate herself from both him and her country. In her autobiography, she wrote that she disguised herself as her maid and fled to Paris, but by other accounts, she persuaded Mandl to let her wear all of her jewelry for a dinner party, then disappeared afterward. She writes about her marriage:  I knew very soon that I could never be an actress while I was his wife.... He was the absolute monarch in his marriage.... I was like a doll. I was like a thing, some object of art which had to be guarded--and imprisoned--having no mind, no life of its own. CANNOTANSWER

Question: What did Hedy Lamarr do to control Mandl?
Answer: She claimed she was kept a virtual prisoner in their castle home,
Hedy Lamarr

Context: On August 10, 1933, Lamarr married Mandl, an Austrian military arms merchant and munitions manufacturer who was reputedly the third-richest man in Austria. She was 18 years old and he was 33. In her autobiography Ecstasy and Me, she described Mandl as an extremely controlling husband who strongly objected to her simulated orgasm scene in Ecstasy and prevented her from pursuing her acting career. She claimed she was kept a virtual prisoner in their castle home, Schloss Schwarzenau.  Mandl had close social and business ties to the fascist government of Italy, selling munitions to Mussolini, and although like Hedy, his own father was Jewish, had ties to the Nazi government of Germany, as well. Lamarr wrote that Mussolini and Hitler attended lavish parties at the Mandl home. Lamarr accompanied Mandl to business meetings, where he conferred with scientists and other professionals involved in military technology. These conferences were her introduction to the field of applied science and nurtured her latent talent in science.  Lamarr's marriage to Mandl eventually became unbearable, and she decided to separate herself from both him and her country. In her autobiography, she wrote that she disguised herself as her maid and fled to Paris, but by other accounts, she persuaded Mandl to let her wear all of her jewelry for a dinner party, then disappeared afterward. She writes about her marriage:  I knew very soon that I could never be an actress while I was his wife.... He was the absolute monarch in his marriage.... I was like a doll. I was like a thing, some object of art which had to be guarded--and imprisoned--having no mind, no life of its own. CANNOTANSWER

Question: Besides Hedy Lamarr, what else did Mandl endure?
Answer: I was like a doll. I was like a thing, some object of art which had to be guarded--and imprisoned--having no mind, no life of its own.
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: Did Carl Nielsen have a hard time in his early years?
Answer: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen.
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: When did Carl Nielsen's interest begin in playing violin?
Answer: when in bed with the measles, I had tried myself out on the little violin
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: What happened after Carl Nielsen tried the violin?
Answer: He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine:
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: When did Carl Nielsen begin to get recognition for his talent?
Answer: As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: DId Carl Nielsen continue with the violin and composing after becoming a shopkeeper?
Answer: Nielsen did not give up the violin during his time with the battalion,
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: Are there any other interesting aspects about this article aside from Nielsen not giving up violin during his time with the battalion?
Answer: After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.
Carl Nielsen

Context: Nielsen was born the seventh of twelve children to a poor peasant family in 1865 at Sortelung near Norre Lyndelse, south of Odense on the island of Funen. His father, Niels Jorgensen, was a house painter and traditional musician who, with his abilities as a fiddler and cornet player, was in strong demand for local celebrations. Nielsen described his childhood in his autobiography Min Fynske Barndom (My Childhood on Funen). His mother, whom he recalls singing folk songs during his childhood, came from a well-to-do family of sea captains while one of his half-uncles, Hans Andersen (1837-1881), was a talented musician.  Nielsen gave an account of his introduction to music: "I had heard music before, heard father play the violin and cornet, heard mother singing, and, when in bed with the measles, I had tried myself out on the little violin". He had received the instrument from his mother when he was six. He learned the violin and piano as a child and wrote his earliest compositions at the age of eight or nine: a lullaby, now lost, and a polka which the composer mentioned in his autobiography. As his parents did not believe he had any future as a musician, they apprenticed him to a shopkeeper from a nearby village when he was fourteen; the shopkeeper went bankrupt by midsummer and Nielsen had to return home. After learning to play brass instruments, on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion at nearby Odense.  Nielsen did not give up the violin during his time with the battalion, continuing to play it when he went home to perform at dances with his father. The army paid him three kroner and 45 ore and a loaf of bread every five days for two and a half years, after which his salary was raised slightly, enabling him to buy the civilian clothes he needed to perform at barn dances. CANNOTANSWER

Question: How did Carl Nielsen end up in the army?
Answer: on 1 November 1879 he became a bugler and alto trombonist in the band of the army's 16th Battalion
Taking Back Sunday

Context: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.  On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across.  Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?".  In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands.  On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. CANNOTANSWER

Question: What happened in 2005 for Taking Back Sunday?
Answer: On June 10, 2005, it was announced that the band had signed with major label Warner Bros.
Taking Back Sunday

Context: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.  On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across.  Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?".  In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands.  On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. CANNOTANSWER

Question: What happened to Taking Back Sunday after signing with Warner Bros.?
Answer: Records and would begin recording their third album later in 2005.
Taking Back Sunday

Context: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.  On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across.  Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?".  In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands.  On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. CANNOTANSWER

Question: What was the name of the album that Taking Back Sunday released in 2005?
Answer: That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.
Taking Back Sunday

Context: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.  On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across.  Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?".  In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands.  On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. CANNOTANSWER

Question: Was Error: Operator a hit single for Taking Back Sunday?
Answer: CANNOTANSWER
Taking Back Sunday

Context: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.  On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across.  Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?".  In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands.  On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. CANNOTANSWER

Question: What did Taking Back Sunday do in 2006?
Answer: On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records.
Taking Back Sunday

Context: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well.  On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across.  Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?".  In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands.  On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. CANNOTANSWER

Question: How did Taking Back Sunday's Louder Now do?
Answer: CANNOTANSWER
Katherine Harris

Context: As Secretary of State for the State of Florida (and co-chair of George W. Bush's election efforts in Florida), Harris was a central figure in the 2000 US presidential election in Florida. The election between Al Gore and George W. Bush was so close in Florida, separated by 537 votes, that a recount of the votes was called for.  After several recounts were inconclusive and the laws governing recounts were unclear, Harris halted the recounting process. She certified that the Republican candidate, Texas Governor George W. Bush, had defeated the Democratic candidate, Vice President Al Gore, in the popular vote of Florida and thus certified the Republican slate of electors. This victory in Florida allowed Bush to win the election. Her ruling was upheld in the state circuit court, but was subsequently overturned on appeal by the Florida Supreme Court.  The Florida Supreme Court decision was reversed by the U.S. Supreme Court in Bush v. Gore. (2000) In a per curiam decision, by a 7-2 vote, the Court in Bush v. Gore held that the Florida Supreme Court's method for recounting ballots was a violation of the Equal Protection Clause of the Fourteenth Amendment. By a 5-4 vote, the US Supreme Court held that no alternative method for a recount could be established within the time limits set by the State of Florida.  The decision allowed Harris' previous certification of Bush as the winner of Florida's electoral votes to stand. Florida's 25 electoral votes gave Bush, the Republican candidate, 271 electoral votes, defeating Gore, who ended up with 266 electoral votes (with one D.C. elector abstaining).  Harris later published Center of the Storm, her memoir of the 2000 election controversy. CANNOTANSWER

Question: What was Katherine Harris's role in the 2000 US Presidential election?
Answer: Harris was a central figure in the 2000 US presidential election in Florida.
Katherine Harris

Context: As Secretary of State for the State of Florida (and co-chair of George W. Bush's election efforts in Florida), Harris was a central figure in the 2000 US presidential election in Florida. The election between Al Gore and George W. Bush was so close in Florida, separated by 537 votes, that a recount of the votes was called for.  After several recounts were inconclusive and the laws governing recounts were unclear, Harris halted the recounting process. She certified that the Republican candidate, Texas Governor George W. Bush, had defeated the Democratic candidate, Vice President Al Gore, in the popular vote of Florida and thus certified the Republican slate of electors. This victory in Florida allowed Bush to win the election. Her ruling was upheld in the state circuit court, but was subsequently overturned on appeal by the Florida Supreme Court.  The Florida Supreme Court decision was reversed by the U.S. Supreme Court in Bush v. Gore. (2000) In a per curiam decision, by a 7-2 vote, the Court in Bush v. Gore held that the Florida Supreme Court's method for recounting ballots was a violation of the Equal Protection Clause of the Fourteenth Amendment. By a 5-4 vote, the US Supreme Court held that no alternative method for a recount could be established within the time limits set by the State of Florida.  The decision allowed Harris' previous certification of Bush as the winner of Florida's electoral votes to stand. Florida's 25 electoral votes gave Bush, the Republican candidate, 271 electoral votes, defeating Gore, who ended up with 266 electoral votes (with one D.C. elector abstaining).  Harris later published Center of the Storm, her memoir of the 2000 election controversy. CANNOTANSWER

Question: What was Katherine Harris's occupation during the election?
Answer: Harris halted the recounting process.
Katherine Harris

Context: As Secretary of State for the State of Florida (and co-chair of George W. Bush's election efforts in Florida), Harris was a central figure in the 2000 US presidential election in Florida. The election between Al Gore and George W. Bush was so close in Florida, separated by 537 votes, that a recount of the votes was called for.  After several recounts were inconclusive and the laws governing recounts were unclear, Harris halted the recounting process. She certified that the Republican candidate, Texas Governor George W. Bush, had defeated the Democratic candidate, Vice President Al Gore, in the popular vote of Florida and thus certified the Republican slate of electors. This victory in Florida allowed Bush to win the election. Her ruling was upheld in the state circuit court, but was subsequently overturned on appeal by the Florida Supreme Court.  The Florida Supreme Court decision was reversed by the U.S. Supreme Court in Bush v. Gore. (2000) In a per curiam decision, by a 7-2 vote, the Court in Bush v. Gore held that the Florida Supreme Court's method for recounting ballots was a violation of the Equal Protection Clause of the Fourteenth Amendment. By a 5-4 vote, the US Supreme Court held that no alternative method for a recount could be established within the time limits set by the State of Florida.  The decision allowed Harris' previous certification of Bush as the winner of Florida's electoral votes to stand. Florida's 25 electoral votes gave Bush, the Republican candidate, 271 electoral votes, defeating Gore, who ended up with 266 electoral votes (with one D.C. elector abstaining).  Harris later published Center of the Storm, her memoir of the 2000 election controversy. CANNOTANSWER

Question: Why did Katherine Harris stop the recounting process in the 2000 election?
Answer: several recounts were inconclusive and the laws governing recounts were unclear,
Katherine Harris

Context: As Secretary of State for the State of Florida (and co-chair of George W. Bush's election efforts in Florida), Harris was a central figure in the 2000 US presidential election in Florida. The election between Al Gore and George W. Bush was so close in Florida, separated by 537 votes, that a recount of the votes was called for.  After several recounts were inconclusive and the laws governing recounts were unclear, Harris halted the recounting process. She certified that the Republican candidate, Texas Governor George W. Bush, had defeated the Democratic candidate, Vice President Al Gore, in the popular vote of Florida and thus certified the Republican slate of electors. This victory in Florida allowed Bush to win the election. Her ruling was upheld in the state circuit court, but was subsequently overturned on appeal by the Florida Supreme Court.  The Florida Supreme Court decision was reversed by the U.S. Supreme Court in Bush v. Gore. (2000) In a per curiam decision, by a 7-2 vote, the Court in Bush v. Gore held that the Florida Supreme Court's method for recounting ballots was a violation of the Equal Protection Clause of the Fourteenth Amendment. By a 5-4 vote, the US Supreme Court held that no alternative method for a recount could be established within the time limits set by the State of Florida.  The decision allowed Harris' previous certification of Bush as the winner of Florida's electoral votes to stand. Florida's 25 electoral votes gave Bush, the Republican candidate, 271 electoral votes, defeating Gore, who ended up with 266 electoral votes (with one D.C. elector abstaining).  Harris later published Center of the Storm, her memoir of the 2000 election controversy. CANNOTANSWER

Question: Besides Katherine Harris stopping the recount in the 2000 election, are there any other interesting aspects about this article?
Answer: This victory in Florida allowed Bush to win the election. Her ruling was upheld in the state circuit court,
Katherine Harris

Context: As Secretary of State for the State of Florida (and co-chair of George W. Bush's election efforts in Florida), Harris was a central figure in the 2000 US presidential election in Florida. The election between Al Gore and George W. Bush was so close in Florida, separated by 537 votes, that a recount of the votes was called for.  After several recounts were inconclusive and the laws governing recounts were unclear, Harris halted the recounting process. She certified that the Republican candidate, Texas Governor George W. Bush, had defeated the Democratic candidate, Vice President Al Gore, in the popular vote of Florida and thus certified the Republican slate of electors. This victory in Florida allowed Bush to win the election. Her ruling was upheld in the state circuit court, but was subsequently overturned on appeal by the Florida Supreme Court.  The Florida Supreme Court decision was reversed by the U.S. Supreme Court in Bush v. Gore. (2000) In a per curiam decision, by a 7-2 vote, the Court in Bush v. Gore held that the Florida Supreme Court's method for recounting ballots was a violation of the Equal Protection Clause of the Fourteenth Amendment. By a 5-4 vote, the US Supreme Court held that no alternative method for a recount could be established within the time limits set by the State of Florida.  The decision allowed Harris' previous certification of Bush as the winner of Florida's electoral votes to stand. Florida's 25 electoral votes gave Bush, the Republican candidate, 271 electoral votes, defeating Gore, who ended up with 266 electoral votes (with one D.C. elector abstaining).  Harris later published Center of the Storm, her memoir of the 2000 election controversy. CANNOTANSWER

Question: Was Katherine Harris known for anything else, besides stopping the recount process in the 2000 election?
Answer: CANNOTANSWER
Take That

Context: On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records in a deal reportedly worth PS3 million. The band's comeback album, Beautiful World, entered the UK album chart at no. 1 and, as of June 2009, had sold over 2.8 million copies in the UK. It is the 35th best selling album in UK music history.  In the album Beautiful World all four members of the band had the opportunity to sing lead vocals. Unlike the band's earlier works, where the majority of their material was written by Gary Barlow who received a sole credit, all four band members are credited as co-writers, along with John Shanks, regardless of whether they contributed to the writing process or not. The comeback single, "Patience", was released on 20 November 2006, with a special event launching it on 5 November. On 26 November "Patience" hit number 1 in the UK in its second week of chart entry making it the group's ninth No. 1 and stayed there for 4 weeks. Take That also accompanied eventual winner Leona Lewis in a live version of "A Million Love Songs" in the final of The X Factor on 16 December 2006.  The week after Take That's comeback album Beautiful World was released it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.  The video for the number 1 hit single "Shine", the follow-up to "Patience", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007. The band's success continued on 14 February 2007 when Take That performed live at the BRIT Awards ceremony at Earl's Court. Their single "Patience" won the Best British Single category. The third single taken from Beautiful World was "I'd Wait For Life", released on 18 June 2007 in the UK. The single reached 17 in the UK Singles Chart. This was due to lack of promotion, as the band decided to take a pre-tour break rather than do any promotion for the single. Beautiful World was the fourth biggest-selling album of 2007. It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada. Starting on 11 October 2007, Take That began their Beautiful World Tour 2007 in Belfast. The tour included 49 shows throughout Europe and the UK and ended in Manchester on 23 December 2007. The band received four nominations at the 2008 BRIT Awards. Nominated for Best British Group, Best British Single ("Shine"), Best British Album (Beautiful World) and Best Live Act, they took home the Best Live Act and the Best British Single awards. CANNOTANSWER

Question: What singles were released from Take That's Beautiful World?
Answer: "Patience",