gaussalgo/Canard_Wiki-augmented huggingface dataset:
Journey (band)

Context: With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans.  Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600.  This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time.  Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance. CANNOTANSWER

Question: What were Journey's top 3 hits?
Answer: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms".
Journey (band)

Context: With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans.  Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600.  This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time.  Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance. CANNOTANSWER

Question: Did Journey ever go on tour?
Answer: By this time, Journey had become one of the top touring and recording bands in the world.
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: where did bonnie raitt go to school?
Answer: CANNOTANSWER
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: what was bonnie raitt a student of?
Answer: CANNOTANSWER
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: who was bonnie raitt playing with during 1977-1988?
Answer: Bruce Springsteen,
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: What are some albums Bonnie Raitt released during 1977-1988?
Answer: The Glow,
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: Was The Glow by Bonnie Raitt well received?
Answer: it was released to poor reviews as well as modest sales.
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: Besides The Glow, were there any other notable albums by Bonnie Raitt during 1977-1988?
Answer: Green Light,
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: Was the album Green light by Bonnie Raitt well received?
Answer: The album received her strongest reviews in years, but her sales did not improve
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: Besides releasing The Glow and Green light, did anything else interesting happen to Bonnie Raitt during 1977-1988?
Answer: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough
Bonnie Raitt

Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers. CANNOTANSWER

Question: Was the album Sweet Forgiveness by Bonnie Raitt successful in sales?
Answer: CANNOTANSWER
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Who said  "Kenneth, what is the frequency?"
Answer: William Tager,
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Who is william tager?
Answer: the man who attacked Mr. Rather
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Why did William Tager attack Dan Rather?
Answer: Tager claimed he thought television networks were beaming signals into his brain.
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Why did William Tager say kenneth, what is the frequency
Answer: to find out the frequency the networks were using to attack him, so that he could block it.
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Was Dan Rather hurt by William Tager?
Answer: punched from behind
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Did William Tager serve time for the attack on Dan Rather?
Answer: Tager was paroled in October 2010
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: why did William Tager think tvs were beaming signal into his brain.
Answer: CANNOTANSWER
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: How long did it take to find William tager after the attack on Dan Rather?
Answer: In 1997, a TV critic writing in the New York Daily News solved the mystery,
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: Aside from the attack on Dan Rather Is there any other relevance to kenneth what is the frequency?
Answer: What's the frequency, Kenneth?" became a popular-culture reference over the years,
Dan Rather

Context: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events.  The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner".  In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City. CANNOTANSWER

Question: What is the popular-culture reference of what's the frequency Kenneth?
Answer: such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes.