gaussalgo/Canard_Wiki-augmented huggingface dataset:
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: Is there only an orchestra version of the song Orchestration?
Answer: A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: Is there anything else interesting about the song Orchestration other than a disco arrangement of the song?
Answer: In the late 1970s, interest in the original arrangement was revived.
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: What did reviews of the disco version of the song Orchestration say?
Answer: Michel Camilo recorded the piece in 2006, winning a Latin Grammy award.
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: Did Michel Camilo's recorded version of the song Orchestration inspire anybody?
Answer: Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976,
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: who is pete mavarich
Answer: CANNOTANSWER
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: Did Pete Maravich have a wife?
Answer: his wife Jackie
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: Did Pete Maravich have kids?
Answer: his two sons Jaeson, who was 8 years old, and Josh, aged 5.
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: What school did Pete Maravich attend?
Answer: LSU.
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: Did Pete Maravich's kids follow in his footsteps?
Answer: both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: How is Pete Maravich remembered?
Answer: In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus.
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: How do Pete Maravich's kids remember him?
Answer: some setbacks coping with their father's death
Pete Maravich

Context: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWER

Question: What is Pete Maravich's legacy?
Answer: statue of Maravich outside the Assembly Center which already bears the basketball star's name.
Will Rogers

Context: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson. CANNOTANSWER

Question: what was Will Rogers first movie?
Answer: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde.
Will Rogers

Context: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson. CANNOTANSWER

Question: was Laughing Bill Hyde successfull?
Answer: CANNOTANSWER
Will Rogers

Context: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson. CANNOTANSWER

Question: what was Laughing Bill Hyde about?
Answer: CANNOTANSWER
Will Rogers

Context: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson. CANNOTANSWER

Question: what's another movie other than Laughing Bill Hyde
Answer: While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence,
Will Rogers

Context: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson. CANNOTANSWER

Question: did Will Rogers ever make movies with sound?
Answer: His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit.
Will Rogers

Context: Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Pacific Palisades and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence, as he had gained his fame as a commentator on stage. He wrote many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress, and Our Congressman. He made two other feature silents and a travelogue series in 1927. After that, he did not return to the screen until beginning work in the 'talkies' in 1929.  Rogers made 48 silent movies, but with the arrival of sound in 1929, he became a top star in that medium. His first sound film, They Had to See Paris (1929), gave him the chance to exercise his verbal wit. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.  Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).  With his voice becoming increasingly familiar to audiences, Rogers essentially played himself in each film, without film makeup, managing to ad-lib and sometimes work in his familiar commentaries on politics. The clean moral tone of his films resulted in various public schools taking their classes to attend special showings during the school day. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40, with Richard Cromwell and Rochelle Hudson. CANNOTANSWER

Question: did Had to See Paris (1929) win awards?
Answer: CANNOTANSWER
Reba McEntire

Context: After her split from ex-husband, Narvel Blackstock, Reba took control of her career as her own manager. She recruited Justin McIntosh of Starstruck Entertainment, Leslie Matthews serving as Brand Manager, and Carolyn Snell who has been with McEntire for nine years. They formed Reba's Business Inc. (RBI). She moved out of the building she and Blackstock had worked in, and moved her company to Green Hills, Nashville.  On December 15, 2016, McEntire announced that she was releasing her first Gospel album titled Sing It Now: Songs of Faith & Hope. It was released by Nash Icon/Rockin' R Records on February 3, 2017, and consists of two discs. Disc one contains traditional hymns while disc two contains original tracks. "Softly and Tenderly", featuring Kelly Clarkson and Trisha Yearwood, was the first track off the album released. Another track on the album, "In the Garden/Wonderful Peace", features The Isaacs. Jay DeMarcus of the Rascal Flatts produced the album. The first single off the album is "Back to God". In January 2018, McEntire won the Grammy Award for Best Roots Gospel Album, her first nomination since 2007, and her first Grammy Award win in more than twenty years, since 1994. She also headlined the C2C: Country to Country festival in the UK alongside Brad Paisley and Zac Brown Band in March.  Because of its limited release in 2016, on October 13, 2017 My Kind of Christmas was re-released - this time including songs with Vince Gill, Amy Grant, Darius Rucker and Lauren Daigle - on her website and through iTunes. CANNOTANSWER

Question: What happened in 2017?
Answer: ex-husband, Narvel Blackstock, Reba took control of her career as her own manager.
Reba McEntire

Context: After her split from ex-husband, Narvel Blackstock, Reba took control of her career as her own manager. She recruited Justin McIntosh of Starstruck Entertainment, Leslie Matthews serving as Brand Manager, and Carolyn Snell who has been with McEntire for nine years. They formed Reba's Business Inc. (RBI). She moved out of the building she and Blackstock had worked in, and moved her company to Green Hills, Nashville.  On December 15, 2016, McEntire announced that she was releasing her first Gospel album titled Sing It Now: Songs of Faith & Hope. It was released by Nash Icon/Rockin' R Records on February 3, 2017, and consists of two discs. Disc one contains traditional hymns while disc two contains original tracks. "Softly and Tenderly", featuring Kelly Clarkson and Trisha Yearwood, was the first track off the album released. Another track on the album, "In the Garden/Wonderful Peace", features The Isaacs. Jay DeMarcus of the Rascal Flatts produced the album. The first single off the album is "Back to God". In January 2018, McEntire won the Grammy Award for Best Roots Gospel Album, her first nomination since 2007, and her first Grammy Award win in more than twenty years, since 1994. She also headlined the C2C: Country to Country festival in the UK alongside Brad Paisley and Zac Brown Band in March.  Because of its limited release in 2016, on October 13, 2017 My Kind of Christmas was re-released - this time including songs with Vince Gill, Amy Grant, Darius Rucker and Lauren Daigle - on her website and through iTunes. CANNOTANSWER

Question: Who did Reba McEntire recruit?
Answer: She recruited Justin McIntosh of Starstruck Entertainment,
Reba McEntire

Context: After her split from ex-husband, Narvel Blackstock, Reba took control of her career as her own manager. She recruited Justin McIntosh of Starstruck Entertainment, Leslie Matthews serving as Brand Manager, and Carolyn Snell who has been with McEntire for nine years. They formed Reba's Business Inc. (RBI). She moved out of the building she and Blackstock had worked in, and moved her company to Green Hills, Nashville.  On December 15, 2016, McEntire announced that she was releasing her first Gospel album titled Sing It Now: Songs of Faith & Hope. It was released by Nash Icon/Rockin' R Records on February 3, 2017, and consists of two discs. Disc one contains traditional hymns while disc two contains original tracks. "Softly and Tenderly", featuring Kelly Clarkson and Trisha Yearwood, was the first track off the album released. Another track on the album, "In the Garden/Wonderful Peace", features The Isaacs. Jay DeMarcus of the Rascal Flatts produced the album. The first single off the album is "Back to God". In January 2018, McEntire won the Grammy Award for Best Roots Gospel Album, her first nomination since 2007, and her first Grammy Award win in more than twenty years, since 1994. She also headlined the C2C: Country to Country festival in the UK alongside Brad Paisley and Zac Brown Band in March.  Because of its limited release in 2016, on October 13, 2017 My Kind of Christmas was re-released - this time including songs with Vince Gill, Amy Grant, Darius Rucker and Lauren Daigle - on her website and through iTunes. CANNOTANSWER

Question: Who else did Reba McEntire recruit besides Justin McIntosh?
Answer: Leslie Matthews serving as Brand Manager, and Carolyn Snell who has been with McEntire for nine years.