gaussalgo/Canard_Wiki-augmented huggingface dataset:
Greg LeMond

Context: LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with Z-Tomasso of France. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats.  The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. LeMond closed in on race leader Claudio Chiappucci, finally overtaking him in the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey.  In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. CANNOTANSWER

Question: Were Greg LeMond and Claudio Chiappucci from the same country?
Answer: CANNOTANSWER
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: What is Hypnotic Suggestion?
Answer: The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP.
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: Was the album Hypnotic Suggestion successul?
Answer: CANNOTANSWER
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: What is Fun Trick Noisemaker?
Answer: In early 1995, the band finished the album, Fun Trick Noisemaker,
The Apples in Stereo

Context: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.  In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).  Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.  A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER

Question: What were the single hits of the album, Fun Trick Noisemaker?
Answer: CANNOTANSWER
Aimee Semple McPherson

Context: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles." CANNOTANSWER

Question: What influenced Mcphersons career?
Answer: McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial,
Aimee Semple McPherson

Context: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles." CANNOTANSWER

Question: how did Mcpherson's faith guide her in helping people?
Answer: evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven.
Aimee Semple McPherson

Context: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles." CANNOTANSWER

Question: where there any conflicts in Mcpherson's faith healing or ministry?
Answer: CANNOTANSWER
Aimee Semple McPherson

Context: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles." CANNOTANSWER

Question: Did Mcpherson have any children?
Answer: CANNOTANSWER
Aimee Semple McPherson

Context: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles." CANNOTANSWER

Question: Aside from Mcpherson's ministry Are there any other interesting aspects about this article about Mcpherson?
Answer: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time.
Aimee Semple McPherson

Context: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls."  According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools.  McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles." CANNOTANSWER

Question: did Mcpherson practice faith healing until she passed away?
Answer: CANNOTANSWER
Red Skelton

Context: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.  On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.  Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER

Question: Was Red Skelton on the radio?
Answer: A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.
Red Skelton

Context: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.  On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.  Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER

Question: Did Red Skelton do ads on radio or shows?
Answer: Skelton went on the air with his own radio show, The Raleigh Cigarette Program,
Red Skelton

Context: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.  On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.  Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER

Question: Was the show The Raleigh Cigarette Program popular?
Answer: The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard,
Red Skelton

Context: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.  On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.  Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER

Question: How was Red Skelton's personal life?
Answer: Skelton's work in films led to a new regular radio show offer; between films, he promoted himself
Red Skelton

Context: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.  On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.  Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER

Question: Was Red Skelton married?
Answer: CANNOTANSWER
Red Skelton

Context: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.  On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.  Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER

Question: Did Red Skelton get divorced?
Answer: CANNOTANSWER
Ruben Studdard

Context: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER

Question: what happened in 2006?
Answer: Studdard's third album, The Return was released in October 2006;
Ruben Studdard

Context: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER

Question: how did Ruben Studdard's album "The Return" do?
Answer: The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that,
Ruben Studdard

Context: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER

Question: why did sales of Ruben Studdard's album "The Return" decline rapidly?
Answer: it goes back to his R&B roots, but is different from his previous efforts.
Ruben Studdard

Context: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER

Question: what was Ruben Studdard's greatest accomplishment?
Answer: However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful".
Ruben Studdard

Context: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER

Question: how did Ruden Studdard's "Make Ya Feel Beautiful" do?
Answer: CANNOTANSWER
Ruben Studdard

Context: Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening."  Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY.  In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.  Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER

Question: what is the most important fact in this article on Ruben Studdard?
Answer: In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations".