gaussalgo/Canard_Wiki-augmented huggingface dataset:
Aesop Rock

Context: As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture. Bavitz began rapping in the early 1990s. He cites Public Enemy, BDP, KMD, and Run DMC as early influences. Bavitz also listened to rock acts such as Dead Kennedys, Fugazi, and Ministry; he was introduced to these groups by his older brother Chris. Bavitz started to play instruments such as the piano and bass at an early age. He then eventually acquired a sampler.  While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.com. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit. His early records were mostly produced by long-time friend Blockhead, and underground producer Dub-L.  After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles. CANNOTANSWER

Question: How did commuting to New York City impact Bavitz?
Answer: Bavitz began rapping in the early 1990s.
Aesop Rock

Context: As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture. Bavitz began rapping in the early 1990s. He cites Public Enemy, BDP, KMD, and Run DMC as early influences. Bavitz also listened to rock acts such as Dead Kennedys, Fugazi, and Ministry; he was introduced to these groups by his older brother Chris. Bavitz started to play instruments such as the piano and bass at an early age. He then eventually acquired a sampler.  While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.com. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit. His early records were mostly produced by long-time friend Blockhead, and underground producer Dub-L.  After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles. CANNOTANSWER

Question: What music did Bavitz produce?
Answer: CANNOTANSWER
Aesop Rock

Context: As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture. Bavitz began rapping in the early 1990s. He cites Public Enemy, BDP, KMD, and Run DMC as early influences. Bavitz also listened to rock acts such as Dead Kennedys, Fugazi, and Ministry; he was introduced to these groups by his older brother Chris. Bavitz started to play instruments such as the piano and bass at an early age. He then eventually acquired a sampler.  While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.com. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit. His early records were mostly produced by long-time friend Blockhead, and underground producer Dub-L.  After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles. CANNOTANSWER

Question: What was special about the New York City underground music scene?
Answer: released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.
Aesop Rock

Context: As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture. Bavitz began rapping in the early 1990s. He cites Public Enemy, BDP, KMD, and Run DMC as early influences. Bavitz also listened to rock acts such as Dead Kennedys, Fugazi, and Ministry; he was introduced to these groups by his older brother Chris. Bavitz started to play instruments such as the piano and bass at an early age. He then eventually acquired a sampler.  While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.com. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit. His early records were mostly produced by long-time friend Blockhead, and underground producer Dub-L.  After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles. CANNOTANSWER

Question: Besides Appleseed EP, did Bavitz release any other albums?
Answer: first major album, Float (2000
William Hogarth

Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist. CANNOTANSWER

Question: When did William Hogarth paint Harlot's and Rake's Progresses?
Answer: ) before being published as engravings.
William Hogarth

Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist. CANNOTANSWER

Question: What are Harlot's and Rake's Progresses?
Answer: A Harlot's Progress depicts the fate of a country girl who begins prostituting
William Hogarth

Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist. CANNOTANSWER

Question: What is a Rake's Progress?
Answer: the sequel
William Hogarth

Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist. CANNOTANSWER

Question: What happens to the country girl in Harlot's and Rake's Progresses?
Answer: ending with a funeral ceremony that follows the character's death from venereal disease.
William Hogarth

Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist. CANNOTANSWER

Question: Besides the funeral ceremony, are there any other interesting aspects about Harlot's and Rake's Progresses?
Answer: The inaugural series was an immediate success
William Hogarth

Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.  The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.  When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist. CANNOTANSWER

Question: Did William Hogarth have more series?
Answer: was followed in 1733-1735 by the sequel A Rake's Progress.
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: How did Steve Smith play with the Hawks?
Answer: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs,
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: How many seasons was Steve Smith with the Hawks?
Answer: 1998-99
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: How many points did Steve Smith score with the Hawks?
Answer: He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock.
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: Besides playing with the Hawks, what else can you tell me about Steve Smith's time in Atlanta?
Answer: The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: What happened with the Magic and Steve Smith?
Answer: before falling to the Orlando Magic in the conference semifinals in 6 games.
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: Did Steve Smith make the NBA play offs with the Hawks?
Answer: The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals
Steve Smith (basketball)

Context: Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs, as the Hawks lost in a first round sweep to the Indiana Pacers. He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock. The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic in the conference semifinals in 6 games. Smith averaged 21.7 points in 10 playoff games, including a 35-point performance in a game 4 win against the Magic.  The following season would feature another career high scoring average (20.1) for Smith, as he continued to serve as the Hawks' main option on offense. The team also featured players such as Christian Laettner and Dikembe Mutombo, and would go on to win 56 games before meeting and defeating the Detroit Pistons in a 5-game first round series. Smith played well against Detroit and held his own against Michael Jordan and the defending champion Chicago Bulls, who defeated the Hawks in 5 games in the semifinals. The following season would be similar to Smith as he once again averaged 20.1 points a game, but this time managed to be named an NBA All-Star as he scored 14 points in 16 minutes of action in the 1998 NBA All-Star Game. The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals despite a 24.8 ppg scoring average by Smith for the series.  The 1998-99 season would be limited to 50 games as a result of a league wide lockout, and in 36 games Smith averaged 18.7 points a game and led the Hawks to another 5 game first round victory over Detroit. The Hawks had no answer, however, for the New York Knicks, and again the Hawks were eliminated in the semifinals. Smith averaged 17.3 points a game in the 1999 playoffs. In the offseason, the Hawks traded Smith in a 4 player trade to the Portland Trail Blazers which included Isaiah Rider, who had served as Portland's starting shooting guard and who Smith would now replace. CANNOTANSWER

Question: What year was the Hawks in the playoffs with the Hornets?
Answer: 1998
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: When did Exposé come to light?
Answer: In March 1987, the new lineup of Expose released its debut album
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: How did Exposé fair starting out?
Answer: "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart.
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: Did Exposé have any hit ?
Answer: "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: Were Exposé influenced by anyone?
Answer: CANNOTANSWER
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Exposé having hits?
Answer: During Expose's peak, the group endured legal issues behind the scenes.
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: were there any other notable hits released besides "Let Me Be the One" ?
Answer: "Point of No Return"
Exposé (group)

Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Question: How did "Point of No Return" do?
Answer: it too topped out at #5 on the US Hot 100.