gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ruth Etting

Context: The couple moved to New York in 1927, where Etting made her Broadway debut in the Ziegfeld Follies of 1927. Irving Berlin had recommended her to showman Florenz Ziegfeld. Etting nervously prepared to sing for Ziegfeld at the audition. However, he did not ask her to sing at all; only to walk up and down the room. She was hired on that basis because Ziegfeld did not hire women with big ankles. While the original plan for the show was for Etting to do a tap dance after singing "Shaking the Blues Away", she later remembered she was not a very good dancer. At the show's final rehearsal, Flo Ziegfeld told her, "Ruth, when you get through singing, just walk off the stage". Etting also appeared in Ziegfeld's last "Follies" in 1931.  She went on to appear in a number of other hit shows in rapid succession, including Ziegfeld's Simple Simon and Whoopee!. Etting was not originally signed to perform in Simple Simon; she became part of the cast at the last minute when vocalist Lee Morse was too intoxicated to perform. Ziegfeld asked Etting to replace Morse; she hurried to Boston, where the show was being tried out prior to Broadway. When Etting arrived, songwriters Rodgers and Hart discovered that the song "Ten Cents a Dance" was not written for Etting's voice range. The three spent the night rewriting the song so Etting could perform it.  Toward the end of Simple Simon's Broadway run, Etting persuaded Ziegfeld to add "Love Me Or Leave Me" to the show though the song was originally written for Whoopee!. She had recorded the song in 1928, but Etting's new version of it was impressive enough to earn her a Vitaphone contract to make film shorts.  In Hollywood, Etting made a long series of movie shorts between 1929 and 1936, and three feature movies in 1933 and 1934. She described the short films as either having a simple plot to allow for her to sing two songs or with no plot at all. The idea was to have Etting sing at least two songs in the film. While she received a marquee billing for Roman Scandals, Etting had only two lines in the film and sang just one song. Etting believed she might have had more success in full-length films if she had been given some acting lessons. Her perception was that the studios viewed her only as a vocalist. She later recalled, "I was no actress, and I knew it. But I could sell a song". In 1936, she appeared in London in Ray Henderson's Transatlantic Rhythm. Etting quit the show because she and the other performers had not been paid.  Etting was first heard on radio station WLS when she was living in Chicago. Her appearance drew so much fan mail, the station signed her to a year's contract for twice weekly performances. She had her own twice weekly 15 minute radio show on CBS in the 1930s. By 1934, she was on NBC with sports announcer Ted Husing doing the announcing and Oldsmobile sponsoring her program. CANNOTANSWER

Question: Was Ruth Etting an actress or a singer in the Roman Scandals?
Answer: Etting had only two lines in the film and sang just one song.
Ruth Etting

Context: The couple moved to New York in 1927, where Etting made her Broadway debut in the Ziegfeld Follies of 1927. Irving Berlin had recommended her to showman Florenz Ziegfeld. Etting nervously prepared to sing for Ziegfeld at the audition. However, he did not ask her to sing at all; only to walk up and down the room. She was hired on that basis because Ziegfeld did not hire women with big ankles. While the original plan for the show was for Etting to do a tap dance after singing "Shaking the Blues Away", she later remembered she was not a very good dancer. At the show's final rehearsal, Flo Ziegfeld told her, "Ruth, when you get through singing, just walk off the stage". Etting also appeared in Ziegfeld's last "Follies" in 1931.  She went on to appear in a number of other hit shows in rapid succession, including Ziegfeld's Simple Simon and Whoopee!. Etting was not originally signed to perform in Simple Simon; she became part of the cast at the last minute when vocalist Lee Morse was too intoxicated to perform. Ziegfeld asked Etting to replace Morse; she hurried to Boston, where the show was being tried out prior to Broadway. When Etting arrived, songwriters Rodgers and Hart discovered that the song "Ten Cents a Dance" was not written for Etting's voice range. The three spent the night rewriting the song so Etting could perform it.  Toward the end of Simple Simon's Broadway run, Etting persuaded Ziegfeld to add "Love Me Or Leave Me" to the show though the song was originally written for Whoopee!. She had recorded the song in 1928, but Etting's new version of it was impressive enough to earn her a Vitaphone contract to make film shorts.  In Hollywood, Etting made a long series of movie shorts between 1929 and 1936, and three feature movies in 1933 and 1934. She described the short films as either having a simple plot to allow for her to sing two songs or with no plot at all. The idea was to have Etting sing at least two songs in the film. While she received a marquee billing for Roman Scandals, Etting had only two lines in the film and sang just one song. Etting believed she might have had more success in full-length films if she had been given some acting lessons. Her perception was that the studios viewed her only as a vocalist. She later recalled, "I was no actress, and I knew it. But I could sell a song". In 1936, she appeared in London in Ray Henderson's Transatlantic Rhythm. Etting quit the show because she and the other performers had not been paid.  Etting was first heard on radio station WLS when she was living in Chicago. Her appearance drew so much fan mail, the station signed her to a year's contract for twice weekly performances. She had her own twice weekly 15 minute radio show on CBS in the 1930s. By 1934, she was on NBC with sports announcer Ted Husing doing the announcing and Oldsmobile sponsoring her program. CANNOTANSWER

Question: What did Ruth Etting perform on the radio ?
Answer: Etting was first heard on radio station WLS when she was living in Chicago.
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: When did Corey Taylor join slipknot?
Answer: Taylor's first gig with Slipknot was on August 22, 1997,
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: Besides Corey Taylor first gig, are there any other interesting aspects about this article?
Answer: Taylor has recorded with Slipknot since the release of their second demo album,
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: When was Slipknot second demo album released?
Answer: 2006
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: How did Slipknot second demo album do in the charts?
Answer: the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: Besides the  second demo album, did Corey Taylor release any other albums with Slipknot?
Answer: Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles.
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: Did Corey Taylor tour with Slipknot?
Answer: CANNOTANSWER
Corey Taylor

Context: In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.  Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer."  Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200. CANNOTANSWER

Question: When did Corey Taylor leave the Slipknot band?
Answer: CANNOTANSWER
Harry Connick Jr.

Context: With Connick's reputation growing, director Rob Reiner asked him to provide a soundtrack for his romantic comedy, When Harry Met Sally... (1989), starring Meg Ryan and Billy Crystal. The soundtrack consisted of several standards, including "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore", and achieved double-platinum status in the United States. He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack.  Connick made his screen debut in Memphis Belle (1990), a fictional story about a B-17 Flying Fortress bomber crew in World War II. In that year he began a two-year world tour. In addition, he released two albums in July 1990: the instrumental jazz trio album Lofty's Roach Souffle and a big-band album of mostly original songs titled We Are in Love, which also went double platinum. We Are in Love earned him his second consecutive Grammy for Best Jazz Male Vocal.  "Promise Me You'll Remember", his contribution to the Godfather III soundtrack, was nominated for both an Academy Award and a Golden Globe Award in 1991. In a year of recognition, he was also nominated for an Emmy Award for Best Performance in a Variety Special for his PBS special Swingin' Out Live, which was also released as a video. In October 1991, he released his third consecutive multi-platinum album, Blue Light, Red Light, on which he wrote and arranged the songs. Also in October 1991, he starred in Little Man Tate, directed by Jodie Foster, playing the friend of a child prodigy who goes to college.  In November 1992, Connick released 25, a solo piano collection of standards that again went platinum. He also re-released the album Eleven. Connick contributed "A Wink and a Smile" to the Sleepless in Seattle soundtrack, released in 1993. His multi-platinum album of holiday songs, When My Heart Finds Christmas, was the best-selling Christmas album in 1993. CANNOTANSWER

Question: Did Harry Connick Jr. contribute music to When Harry Met Sally...?
Answer: He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack.
Harry Connick Jr.

Context: With Connick's reputation growing, director Rob Reiner asked him to provide a soundtrack for his romantic comedy, When Harry Met Sally... (1989), starring Meg Ryan and Billy Crystal. The soundtrack consisted of several standards, including "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore", and achieved double-platinum status in the United States. He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack.  Connick made his screen debut in Memphis Belle (1990), a fictional story about a B-17 Flying Fortress bomber crew in World War II. In that year he began a two-year world tour. In addition, he released two albums in July 1990: the instrumental jazz trio album Lofty's Roach Souffle and a big-band album of mostly original songs titled We Are in Love, which also went double platinum. We Are in Love earned him his second consecutive Grammy for Best Jazz Male Vocal.  "Promise Me You'll Remember", his contribution to the Godfather III soundtrack, was nominated for both an Academy Award and a Golden Globe Award in 1991. In a year of recognition, he was also nominated for an Emmy Award for Best Performance in a Variety Special for his PBS special Swingin' Out Live, which was also released as a video. In October 1991, he released his third consecutive multi-platinum album, Blue Light, Red Light, on which he wrote and arranged the songs. Also in October 1991, he starred in Little Man Tate, directed by Jodie Foster, playing the friend of a child prodigy who goes to college.  In November 1992, Connick released 25, a solo piano collection of standards that again went platinum. He also re-released the album Eleven. Connick contributed "A Wink and a Smile" to the Sleepless in Seattle soundtrack, released in 1993. His multi-platinum album of holiday songs, When My Heart Finds Christmas, was the best-selling Christmas album in 1993. CANNOTANSWER

Question: What notable songs are on the soundtrack for When Harry Met Sally?
Answer: "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore",
Harry Connick Jr.

Context: With Connick's reputation growing, director Rob Reiner asked him to provide a soundtrack for his romantic comedy, When Harry Met Sally... (1989), starring Meg Ryan and Billy Crystal. The soundtrack consisted of several standards, including "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore", and achieved double-platinum status in the United States. He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack.  Connick made his screen debut in Memphis Belle (1990), a fictional story about a B-17 Flying Fortress bomber crew in World War II. In that year he began a two-year world tour. In addition, he released two albums in July 1990: the instrumental jazz trio album Lofty's Roach Souffle and a big-band album of mostly original songs titled We Are in Love, which also went double platinum. We Are in Love earned him his second consecutive Grammy for Best Jazz Male Vocal.  "Promise Me You'll Remember", his contribution to the Godfather III soundtrack, was nominated for both an Academy Award and a Golden Globe Award in 1991. In a year of recognition, he was also nominated for an Emmy Award for Best Performance in a Variety Special for his PBS special Swingin' Out Live, which was also released as a video. In October 1991, he released his third consecutive multi-platinum album, Blue Light, Red Light, on which he wrote and arranged the songs. Also in October 1991, he starred in Little Man Tate, directed by Jodie Foster, playing the friend of a child prodigy who goes to college.  In November 1992, Connick released 25, a solo piano collection of standards that again went platinum. He also re-released the album Eleven. Connick contributed "A Wink and a Smile" to the Sleepless in Seattle soundtrack, released in 1993. His multi-platinum album of holiday songs, When My Heart Finds Christmas, was the best-selling Christmas album in 1993. CANNOTANSWER

Question: Were the songs from When Harry Met Sally released as singles?
Answer: CANNOTANSWER
Harry Connick Jr.

Context: With Connick's reputation growing, director Rob Reiner asked him to provide a soundtrack for his romantic comedy, When Harry Met Sally... (1989), starring Meg Ryan and Billy Crystal. The soundtrack consisted of several standards, including "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore", and achieved double-platinum status in the United States. He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack.  Connick made his screen debut in Memphis Belle (1990), a fictional story about a B-17 Flying Fortress bomber crew in World War II. In that year he began a two-year world tour. In addition, he released two albums in July 1990: the instrumental jazz trio album Lofty's Roach Souffle and a big-band album of mostly original songs titled We Are in Love, which also went double platinum. We Are in Love earned him his second consecutive Grammy for Best Jazz Male Vocal.  "Promise Me You'll Remember", his contribution to the Godfather III soundtrack, was nominated for both an Academy Award and a Golden Globe Award in 1991. In a year of recognition, he was also nominated for an Emmy Award for Best Performance in a Variety Special for his PBS special Swingin' Out Live, which was also released as a video. In October 1991, he released his third consecutive multi-platinum album, Blue Light, Red Light, on which he wrote and arranged the songs. Also in October 1991, he starred in Little Man Tate, directed by Jodie Foster, playing the friend of a child prodigy who goes to college.  In November 1992, Connick released 25, a solo piano collection of standards that again went platinum. He also re-released the album Eleven. Connick contributed "A Wink and a Smile" to the Sleepless in Seattle soundtrack, released in 1993. His multi-platinum album of holiday songs, When My Heart Finds Christmas, was the best-selling Christmas album in 1993. CANNOTANSWER

Question: What song gave Harry Connick Jr. chart success?
Answer: "Promise Me You'll Remember", his contribution to the Godfather III soundtrack,
Ernie Kovacs

Context: Kovacs's father Andrew emigrated from Hungary at age 13. He worked as a policeman, restaurateur, and bootlegger; the last so successfully that he moved his wife Mary, and sons Tom and Ernie, into a 20-room mansion in the better part of Trenton.  Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later.  A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Like any aspiring actor, Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont during 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released, his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong cigar-smoking habit.  Kovacs's first paid entertainment work was during 1941, as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of Special Events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". CANNOTANSWER

Question: when was Ernie Kovacs born?
Answer: in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth
Ernie Kovacs

Context: Kovacs's father Andrew emigrated from Hungary at age 13. He worked as a policeman, restaurateur, and bootlegger; the last so successfully that he moved his wife Mary, and sons Tom and Ernie, into a 20-room mansion in the better part of Trenton.  Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later.  A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Like any aspiring actor, Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont during 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released, his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong cigar-smoking habit.  Kovacs's first paid entertainment work was during 1941, as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of Special Events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". CANNOTANSWER

Question: Did Ernie Kovacs finish drama school?
Answer: Academy of Dramatic Arts in 1937
Ernie Kovacs

Context: Kovacs's father Andrew emigrated from Hungary at age 13. He worked as a policeman, restaurateur, and bootlegger; the last so successfully that he moved his wife Mary, and sons Tom and Ernie, into a 20-room mansion in the better part of Trenton.  Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later.  A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Like any aspiring actor, Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont during 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released, his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong cigar-smoking habit.  Kovacs's first paid entertainment work was during 1941, as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of Special Events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". CANNOTANSWER

Question: Are there any other interesting aspects about Ernie Kovacs other than his drama school?
Answer: 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache.
Ernie Kovacs

Context: Kovacs's father Andrew emigrated from Hungary at age 13. He worked as a policeman, restaurateur, and bootlegger; the last so successfully that he moved his wife Mary, and sons Tom and Ernie, into a 20-room mansion in the better part of Trenton.  Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later.  A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Like any aspiring actor, Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont during 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released, his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong cigar-smoking habit.  Kovacs's first paid entertainment work was during 1941, as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of Special Events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". CANNOTANSWER

Question: When did Ernie Kovacs start wearing a trademark mustache?
Answer: A 1938
Ernie Kovacs

Context: Kovacs's father Andrew emigrated from Hungary at age 13. He worked as a policeman, restaurateur, and bootlegger; the last so successfully that he moved his wife Mary, and sons Tom and Ernie, into a 20-room mansion in the better part of Trenton.  Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later.  A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Like any aspiring actor, Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont during 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released, his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong cigar-smoking habit.  Kovacs's first paid entertainment work was during 1941, as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of Special Events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". CANNOTANSWER

Question: What was Ernie Kovacs's biggest accomplishment?
Answer: Kovacs's first paid entertainment work was during 1941,
Ernie Kovacs

Context: Kovacs's father Andrew emigrated from Hungary at age 13. He worked as a policeman, restaurateur, and bootlegger; the last so successfully that he moved his wife Mary, and sons Tom and Ernie, into a 20-room mansion in the better part of Trenton.  Though a poor student, Kovacs was influenced by his Trenton Central High School drama teacher, Harold Van Kirk, and received an acting scholarship to the American Academy of Dramatic Arts in 1937 with Van Kirk's help. The end of Prohibition and the Depression resulted in difficult financial times for the family. When Kovacs began drama school, all he could afford was a fifth floor walk-up apartment on West 74th Street in New York City. During this time, he watched many "Grade B" movies; admission was only ten cents. Many of these movies influenced his comedy routines later.  A 1938 local newspaper photograph shows Kovacs as a member of the Prospect Players, not yet wearing his trademark mustache. Like any aspiring actor, Kovacs used his class vacation time to pursue roles in summer stock companies. While working in Vermont during 1939, he became so seriously ill with pneumonia and pleurisy that his doctors didn't expect him to survive. During the next year and a half, his comedic talents developed as he entertained both doctors and patients with his antics during stays at several hospitals. While hospitalized, Kovacs developed a lifelong love of classical music by the gift of a radio, which he kept tuned to WQXR. By the time he was released, his parents had separated, and Kovacs went back to Trenton, living with his mother in a two-room apartment over a store. He began work as a cigar salesman, which resulted in a lifelong cigar-smoking habit.  Kovacs's first paid entertainment work was during 1941, as an announcer for Trenton's radio station WTTM. He spent the next nine years with WTTM, becoming the station's director of Special Events; in this job he did things like trying to see what it was like to be run over by a train (leaving the tracks at the last minute) and broadcasting from the cockpit of a plane for which he took flying lessons. Kovacs was also involved with local theater; a local newspaper published a photograph of him and the news that he was doing some directing for the Trenton Players Guild in early 1941. The Trentonian, a local weekly newspaper, offered Kovacs a column in June 1945; he named it "Kovacs Unlimited". CANNOTANSWER

Question: How much did Ernie Kovacs get paid in 1941?
Answer: named it "Kovacs Unlimited".