gaussalgo/Canard_Wiki-augmented huggingface dataset:
Gustave Courbet

Context: In 1855, Courbet submitted fourteen paintings for exhibition at the Exposition Universelle. Three were rejected for lack of space, including A Burial at Ornans and his other monumental canvas The Artist's Studio. Refusing to be denied, Courbet took matters into his own hands. He displayed forty of his paintings, including The Artist's Studio, in his own gallery called The Pavilion of Realism (Pavillon du Realisme) which was a temporary structure that he erected next door to the official Salon-like Exposition Universelle.  The work is an allegory of Courbet's life as a painter, seen as an heroic venture, in which he is flanked by friends and admirers on the right, and challenges and opposition to the left. Friends on the right include the art critics Champfleury, and Charles Baudelaire, and art collector Alfred Bruyas. On the left are figures (priest, prostitute, grave digger, merchant and others) who represent what Courbet described in a letter to Champfleury as "the other world of trivial life, the people, misery, poverty, wealth, the exploited and the exploiters, the people who live off death."  In the foreground of the left-hand side is a man with dogs, who was not mentioned in Courbet's letter to Champfleury. X-rays show he was painted in later, but his role in the painting is important: he is an allegory of the then current French Emperor, Napoleon III, identified by his famous hunting dogs and iconic twirled moustache. By placing him on the left, Courbet publicly shows his disdain for the emperor and depicts him as a criminal, suggesting that his "ownership" of France is an illegal one.  Although artists like Eugene Delacroix were ardent champions of his effort, the public went to the show mostly out of curiosity and to deride him. Attendance and sales were disappointing, but Courbet's status as a hero to the French avant-garde became assured. He was admired by the American James McNeill Whistler, and he became an inspiration to the younger generation of French artists including Edouard Manet and the Impressionist painters. The Artist's Studio was recognized as a masterpiece by Delacroix, Baudelaire, and Champfleury, if not by the public. CANNOTANSWER

Question: Did The Artist's Studio win any awards?
Answer: CANNOTANSWER
Gustave Courbet

Context: In 1855, Courbet submitted fourteen paintings for exhibition at the Exposition Universelle. Three were rejected for lack of space, including A Burial at Ornans and his other monumental canvas The Artist's Studio. Refusing to be denied, Courbet took matters into his own hands. He displayed forty of his paintings, including The Artist's Studio, in his own gallery called The Pavilion of Realism (Pavillon du Realisme) which was a temporary structure that he erected next door to the official Salon-like Exposition Universelle.  The work is an allegory of Courbet's life as a painter, seen as an heroic venture, in which he is flanked by friends and admirers on the right, and challenges and opposition to the left. Friends on the right include the art critics Champfleury, and Charles Baudelaire, and art collector Alfred Bruyas. On the left are figures (priest, prostitute, grave digger, merchant and others) who represent what Courbet described in a letter to Champfleury as "the other world of trivial life, the people, misery, poverty, wealth, the exploited and the exploiters, the people who live off death."  In the foreground of the left-hand side is a man with dogs, who was not mentioned in Courbet's letter to Champfleury. X-rays show he was painted in later, but his role in the painting is important: he is an allegory of the then current French Emperor, Napoleon III, identified by his famous hunting dogs and iconic twirled moustache. By placing him on the left, Courbet publicly shows his disdain for the emperor and depicts him as a criminal, suggesting that his "ownership" of France is an illegal one.  Although artists like Eugene Delacroix were ardent champions of his effort, the public went to the show mostly out of curiosity and to deride him. Attendance and sales were disappointing, but Courbet's status as a hero to the French avant-garde became assured. He was admired by the American James McNeill Whistler, and he became an inspiration to the younger generation of French artists including Edouard Manet and the Impressionist painters. The Artist's Studio was recognized as a masterpiece by Delacroix, Baudelaire, and Champfleury, if not by the public. CANNOTANSWER

Question: In addition to being a heroic venture, what else was interesting about The Artist's Studio?
Answer: Courbet described in a letter to Champfleury
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: What was the Cult?
Answer: the band released The Cult in October 1994, produced by Bob Rock.
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: How did The Cult do in the charts?
Answer: The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK.
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: Were there any hit songs released on The Cult album that reached no. 69 in the US?
Answer: The single "Coming Down (Drug Tongue)"
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: Are there any other interesting aspects about The Cult besides their song "Coming Down (Drug Tongue)"?
Answer: When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar.
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: Did The Cult win any awards?
Answer: none of the songs gained much commercial success.
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: Did The Cult split up?
Answer: CANNOTANSWER
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: Was there any tension between the band mates in The Cult?
Answer: the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston,
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: How was The Cult tied up into the sexual abuse and the death of Nigel Preston?
Answer: in 1994
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: What affect did the death of Nigel Preston have on The Cult?
Answer: no other official singles were released, but several other songs were released on a strictly limited basis:
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: what other songs were released by The Cult in addition to the ones released on a strictly limited basis?
Answer: "Saints Are Down" was issued in Greece,
The Cult

Context: With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.  The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star".  When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway. CANNOTANSWER

Question: Did "Saints Are Down" release world wide?
Answer: During this tour, the Cult made their first ever appearance in Norway.
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: what are silent sentenials by Alice Paul?
Answer: The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: did silent sentenials gain the right to vote?
Answer: CANNOTANSWER
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: what was Alice Paul biggest accomplishment?
Answer: After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal.
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: why did many view the picketing Silent Sentinels as disloyal?
Answer: In June 1917, picketers were arrested on charges of "obstructing traffic."
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: what is the most important fact in this article of Alice Paul, Silent Sentinels?
Answer: public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting.
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: what happened after the arrests in In June 1917 of Alice Paul?
Answer: President Wilson received bad publicity from this event, and was livid with the position he was forced into.
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: did President Wilson release everyone?
Answer: He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued.
Alice Paul

Context: In the US presidential election of 1916, Paul and the NWP campaigned in western states where women could already vote against the continuing refusal of President Woodrow Wilson and other incumbent Democrats to actively support the Suffrage Amendment. In January 1917, the NWP staged the first political protest and picketing at the White House. The pickets, participating in a nonviolent civil disobedience campaign known as the "Silent Sentinels," held banners demanding the right to vote.  After the United States entered World War I in April 1917, many people viewed the picketing Silent Sentinels as disloyal. In June 1917, picketers were arrested on charges of "obstructing traffic." Over the next six months, many, including Alice, were convicted and incarcerated at the Occoquan Workhouse in Virginia (which later became the Lorton Correctional Complex) and the District of Columbia Jail.  When the public heard the news of the first arrests some were surprised that leading suffragists and very well-connected women were going to prison for peacefully protesting. President Wilson received bad publicity from this event, and was livid with the position he was forced into. He quickly pardoned the first women arrested on July 19, two days after they had been sentenced, but reporting on the arrests and abuses continued. The Boston Journal, for example, stated, "The little band representing the NWP has been abused and bruised by government clerks, soldiers and sailors until its efforts to attract the President's attention has sunk into the conscience of the whole nation."  Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I. Their banners contained such slogans as "Mr. President, How Long Must Women Wait For Liberty?". Although the suffragists protested peacefully, their protests were sometimes violently opposed. While protesting, young men would harass and beat the women, with the police never intervening on behalf of the protesters. Police would even arrest other men who tried to help the women who were getting beaten. Even though they were protesting during wartime, they maintained public support by agitating peacefully. Throughout this time, more protesters were arrested and sent to Occoquan or the District Jail. Pardons were no longer offered. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides from the arrests?
Answer: Suffragists continued picketing outside the White House after the Wilson pardon, and throughout World War I.