gaussalgo/Canard_Wiki-augmented huggingface dataset:
Miyavi

Context: In 2012, Miyavi performed on February 19 at the second EMI Rocks event in Saitama Super Arena. On June 29, he performed at the EHZ Festival in Helette, while on June 30, he was the only Asian representative at the Main Square Festival in Arras, France. On July 11, his thirteenth major single, "Day 1," was released in collaboration with the French electronic producer and DJ, Yuksek. In August, he performed at the Kubana Festival in Russia. On September 8, Miyavi performed at the 908 Festival, organized by Kreva, in Saitama Super Arena. In October two concerts were held in Indonesia. On November 14, Samurai Sessions vol.1, his second EP, was released, which featured collaboration with various artists, and it was followed by a short nationwide tour. It reached 21 on the Oricon charts.  On February 28, 2013, "Ahead of the Light", Miyavi's fourteenth single, was released; a promotional tour of the same name followed. On June 19, his seventh studio album, Miyavi, was released in Japan. It is his best-selling album so far, reaching number eight on the Oricon charts.  On October 12, 2013, it was announced that Miyavi would venture into professional acting with his international debut in the film Unbroken. He played the role of Imperial Japanese Army sergeant Mutsuhiro Watanabe, nicknamed "The Bird", in what was Angelina Jolie's second feature film as director. It was released in December 2014. Miyavi commented that as the movie was somewhat sensitive to the Japanese people, he had hesitated as to whether he should take this role. However, after meeting with Jolie, and given that the underlying theme of this story is forgiveness, he wholeheartedly decided to accept it. Miyavi was featured in the same month's edition of Vogue Italia.  In 2013 Miyavi was nominated for the MTV Europe Music Award for Best Japanese Act, and at the MTV Video Music Awards Japan he won the Best Collaboration category with Yuksek. In 2014, the music video of "Horizon" was nominated for the Best Male Video at the MTV Video Music Awards Japan.  In 2014, Miyavi went on his fourth world tour, "Slap the World", which started on February 22 in Malaysia. He continued throughout Europe, followed by the European release of his latest studio album, and visited Mexico City and Los Angeles, with United States release of the album, before returning to Japan for his longest nationwide tour so far. Miyavi composed the music for the single "Top Of The World" by SMAP, which topped the Oricon singles charts. On August 25, he performed for the first time at Fuji Rock Festival. On September 9, his new single "Real?" was released, on which Miyavi collaborated with Jam and Lewis and Jeff Blue, and also the live video recording from the world tour. CANNOTANSWER

Question: What else did Miyavi accomplish other than being in Unbroken?
Answer: On June 19, his seventh studio album, Miyavi, was released in Japan.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: What happened to the Fleet Foxes in 2005?
Answer: Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: What happen to the Fleet Foxes in 2006
Answer: Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: What was the title of Fleet Foxes's 2006 album?
Answer: the self-released Fleet Foxes EP.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Besides Fleet Foxes's 2006 album, are there any other interesting aspects about this article?
Answer: Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes",
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Did Fleet Foxes go on tour?
Answer: CANNOTANSWER
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: What happen in formation of Fleet Foxes?
Answer: Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Besides forming Fleet Foxes, what else happened to Fleet Foxes in 2005
Answer: The original lineup was filled out by Casey Wescott on keyboards and backing vocals,
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Besides Casey Wescott in the original lineup, what else stood out to you?
Answer: Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Besides Fleet Foxes's music, what else made Fleet Foxes popular?
Answer: Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Besides Fleet Foxes EP, did Fleet Foxes have any other albums
Answer: CANNOTANSWER
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: When did Fred Hampton first go to Chicago?
Answer: Hampton joined the Party and relocated to downtown Chicago, and in November 1968
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: What party did Fred Hampton join?
Answer: Black Panthers
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: What was Fred Hampton's position in the Black Panthers?
Answer: Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs.
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: Was the nonaggression pact between Chicago's street gangs honored?
Answer: Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: What part of Chicago did Fred Hampton live in?
Answer: in the Chicago Lincoln Park
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: Did Fred Hampton's family move to Chicago as well?
Answer: unrelated,
Fred Hampton

Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez.  Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH.  Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969. CANNOTANSWER

Question: How long did Fred Hampton live in Chicago?
Answer: Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death