gaussalgo/Canard_Wiki-augmented huggingface dataset:
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: How did the Butte Miners do?
Answer: CANNOTANSWER
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: How much did Joe McGinnity  buy the Butte Miners for?
Answer: CANNOTANSWER
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: Besides buying the Butte Miners,Are there any other interesting aspects about this article?
Answer: McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: Was the Danville Veterans team successful?
Answer: McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes.
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: Besides winning 15 games at age 52,Did Joe McGinnity do anything else in his later career?
Answer: He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.
Joe McGinnity

Context: McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912.  McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914.  McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team.  McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day.  McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season. CANNOTANSWER

Question: What did Joe McGinnity  do after playing professionally?
Answer: McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season.
Shakira

Context: In early 2008, Forbes named Shakira the fourth top-earning female artist in music industry. Then, in July of that year, Shakira signed a $300 million contract with Live Nation, an international touring giant, which contract was to remain in effect for ten years. The touring group also doubles as a record label which promotes, but does not control, the music its artists release. Shakira's contract with Epic Records called for three more albums as well - one in English, one in Spanish, and a compilation, but the touring and other rights of the Live Nation deal were confirmed to begin immediately.  In January 2009, Shakira performed at the Lincoln Memorial "We Are One" festivities in honor of the inauguration of President Barack Obama. She performed "Higher Ground" with Stevie Wonder and Usher. She Wolf, was released in October 2009 internationally and on 23 November 2009 in the U.S. The album received mainly positive reviews from critics, and was included in AllMusic's year-end "Favorite Albums," "Favorite Latin Albums," and "Favorite Pop Albums" lists. She Wolf reached number one on the charts of Argentina, Ireland, Italy, Mexico and Switzerland. It also charted inside the top five in Spain, Germany and the United Kingdom. It debuted at number fifteen on the Billboard 200. She Wolf was certified double-platinum in Colombia and Mexico, platinum in Italy and Spain, and gold in numerous countries including France and the United Kingdom. To date the album has sold 2 million copies worldwide, becoming one of Shakira's least successful studio album to date in terms of sales.  In May, Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa. "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers's Fang song titled "Zangalewa" by the group Zangalewa or Golden Sounds. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S. and was performed by Shakira at the World Cup kick-off and closing. It became the biggest-selling World Cup song of all time. CANNOTANSWER

Question: What is shewolfedit
Answer: She Wolf, was released in October 2009 internationally and on 23 November 2009 in the U.S.
Shakira

Context: In early 2008, Forbes named Shakira the fourth top-earning female artist in music industry. Then, in July of that year, Shakira signed a $300 million contract with Live Nation, an international touring giant, which contract was to remain in effect for ten years. The touring group also doubles as a record label which promotes, but does not control, the music its artists release. Shakira's contract with Epic Records called for three more albums as well - one in English, one in Spanish, and a compilation, but the touring and other rights of the Live Nation deal were confirmed to begin immediately.  In January 2009, Shakira performed at the Lincoln Memorial "We Are One" festivities in honor of the inauguration of President Barack Obama. She performed "Higher Ground" with Stevie Wonder and Usher. She Wolf, was released in October 2009 internationally and on 23 November 2009 in the U.S. The album received mainly positive reviews from critics, and was included in AllMusic's year-end "Favorite Albums," "Favorite Latin Albums," and "Favorite Pop Albums" lists. She Wolf reached number one on the charts of Argentina, Ireland, Italy, Mexico and Switzerland. It also charted inside the top five in Spain, Germany and the United Kingdom. It debuted at number fifteen on the Billboard 200. She Wolf was certified double-platinum in Colombia and Mexico, platinum in Italy and Spain, and gold in numerous countries including France and the United Kingdom. To date the album has sold 2 million copies worldwide, becoming one of Shakira's least successful studio album to date in terms of sales.  In May, Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa. "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers's Fang song titled "Zangalewa" by the group Zangalewa or Golden Sounds. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S. and was performed by Shakira at the World Cup kick-off and closing. It became the biggest-selling World Cup song of all time. CANNOTANSWER

Question: What songs are on shewolf
Answer: CANNOTANSWER
Shakira

Context: In early 2008, Forbes named Shakira the fourth top-earning female artist in music industry. Then, in July of that year, Shakira signed a $300 million contract with Live Nation, an international touring giant, which contract was to remain in effect for ten years. The touring group also doubles as a record label which promotes, but does not control, the music its artists release. Shakira's contract with Epic Records called for three more albums as well - one in English, one in Spanish, and a compilation, but the touring and other rights of the Live Nation deal were confirmed to begin immediately.  In January 2009, Shakira performed at the Lincoln Memorial "We Are One" festivities in honor of the inauguration of President Barack Obama. She performed "Higher Ground" with Stevie Wonder and Usher. She Wolf, was released in October 2009 internationally and on 23 November 2009 in the U.S. The album received mainly positive reviews from critics, and was included in AllMusic's year-end "Favorite Albums," "Favorite Latin Albums," and "Favorite Pop Albums" lists. She Wolf reached number one on the charts of Argentina, Ireland, Italy, Mexico and Switzerland. It also charted inside the top five in Spain, Germany and the United Kingdom. It debuted at number fifteen on the Billboard 200. She Wolf was certified double-platinum in Colombia and Mexico, platinum in Italy and Spain, and gold in numerous countries including France and the United Kingdom. To date the album has sold 2 million copies worldwide, becoming one of Shakira's least successful studio album to date in terms of sales.  In May, Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa. "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers's Fang song titled "Zangalewa" by the group Zangalewa or Golden Sounds. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S. and was performed by Shakira at the World Cup kick-off and closing. It became the biggest-selling World Cup song of all time. CANNOTANSWER

Question: Is shewolf a song or an album
Answer: The album received mainly positive reviews from critics,
Shakira

Context: In early 2008, Forbes named Shakira the fourth top-earning female artist in music industry. Then, in July of that year, Shakira signed a $300 million contract with Live Nation, an international touring giant, which contract was to remain in effect for ten years. The touring group also doubles as a record label which promotes, but does not control, the music its artists release. Shakira's contract with Epic Records called for three more albums as well - one in English, one in Spanish, and a compilation, but the touring and other rights of the Live Nation deal were confirmed to begin immediately.  In January 2009, Shakira performed at the Lincoln Memorial "We Are One" festivities in honor of the inauguration of President Barack Obama. She performed "Higher Ground" with Stevie Wonder and Usher. She Wolf, was released in October 2009 internationally and on 23 November 2009 in the U.S. The album received mainly positive reviews from critics, and was included in AllMusic's year-end "Favorite Albums," "Favorite Latin Albums," and "Favorite Pop Albums" lists. She Wolf reached number one on the charts of Argentina, Ireland, Italy, Mexico and Switzerland. It also charted inside the top five in Spain, Germany and the United Kingdom. It debuted at number fifteen on the Billboard 200. She Wolf was certified double-platinum in Colombia and Mexico, platinum in Italy and Spain, and gold in numerous countries including France and the United Kingdom. To date the album has sold 2 million copies worldwide, becoming one of Shakira's least successful studio album to date in terms of sales.  In May, Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa. "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers's Fang song titled "Zangalewa" by the group Zangalewa or Golden Sounds. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S. and was performed by Shakira at the World Cup kick-off and closing. It became the biggest-selling World Cup song of all time. CANNOTANSWER

Question: Did Shakira do the album sheWolfEdit all by herself
Answer: CANNOTANSWER
Shakira

Context: In early 2008, Forbes named Shakira the fourth top-earning female artist in music industry. Then, in July of that year, Shakira signed a $300 million contract with Live Nation, an international touring giant, which contract was to remain in effect for ten years. The touring group also doubles as a record label which promotes, but does not control, the music its artists release. Shakira's contract with Epic Records called for three more albums as well - one in English, one in Spanish, and a compilation, but the touring and other rights of the Live Nation deal were confirmed to begin immediately.  In January 2009, Shakira performed at the Lincoln Memorial "We Are One" festivities in honor of the inauguration of President Barack Obama. She performed "Higher Ground" with Stevie Wonder and Usher. She Wolf, was released in October 2009 internationally and on 23 November 2009 in the U.S. The album received mainly positive reviews from critics, and was included in AllMusic's year-end "Favorite Albums," "Favorite Latin Albums," and "Favorite Pop Albums" lists. She Wolf reached number one on the charts of Argentina, Ireland, Italy, Mexico and Switzerland. It also charted inside the top five in Spain, Germany and the United Kingdom. It debuted at number fifteen on the Billboard 200. She Wolf was certified double-platinum in Colombia and Mexico, platinum in Italy and Spain, and gold in numerous countries including France and the United Kingdom. To date the album has sold 2 million copies worldwide, becoming one of Shakira's least successful studio album to date in terms of sales.  In May, Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa. "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers's Fang song titled "Zangalewa" by the group Zangalewa or Golden Sounds. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S. and was performed by Shakira at the World Cup kick-off and closing. It became the biggest-selling World Cup song of all time. CANNOTANSWER

Question: did Shakira tour
Answer: CANNOTANSWER
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: Who wrote the screenplay for "The Blues Brothers" film?
Answer: Aykroyd had never written a screenplay before,
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: When was "The Blues Brothers" released?
Answer: 1978
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: What music stars made an appearance in "The Blues Brothers"?
Answer: CANNOTANSWER
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: What kind of music was used in the "The Blues Brothers?
Answer: CANNOTANSWER
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: Besides the screenplay writer, the release date, the music stars appearances and the kind of music used in the film, are there any other details about the "The Blues Brothers" available?
Answer: The overriding plot premise was unrealistic:
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: Who directed the "The Blues Brothers"?
Answer: John Landis, who had directed Belushi in Animal House, was aboard as director.
The Blues Brothers (film)

Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James.  Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director.  However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own.  Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks.  The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time. CANNOTANSWER

Question: What location did "The Blues Brothers" claim as the film's location?
Answer: Illinois