gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bobby Fischer

Context: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field. CANNOTANSWER

Question: What was Bobby Fischer interested in as a child?
Answer: CANNOTANSWER
Bobby Fischer

Context: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field. CANNOTANSWER

Question: Where did Bobby Fischer go to school?
Answer: At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family.
Bobby Fischer

Context: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field. CANNOTANSWER

Question: What struggles did Bobby Fischer go through in his childhood?
Answer: She engaged in political activism, and raised both Bobby and Joan as a single parent.
Bobby Fischer

Context: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field. CANNOTANSWER

Question: Aside from Bobby Fisher's youth are there other interesting aspects about this article?
Answer: Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.
Bobby Fischer

Context: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field. CANNOTANSWER

Question: Did Regina Gerhardt remarry?
Answer: In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field.
Bobby Fischer

Context: Bobby Fischer was born at Michael Reese Hospital in Chicago, Illinois, on March 9, 1943. His birth certificate listed his father as Hans-Gerhardt Fischer, also known as Gerardo Liebscher, a German biophysicist. His mother, Regina Wender Fischer, was a US citizen, born in Switzerland; her parents were Polish Jews. Raised in St. Louis, Missouri, Regina became a teacher, registered nurse, and later a physician.  After graduating from college in her teens, Regina traveled to Germany to visit her brother. It was there she met geneticist and future Nobel Prize winner Hermann Joseph Muller, who persuaded her to move to Moscow to study medicine. She enrolled at I.M. Sechenov First Moscow State Medical University, where she met Hans-Gerhardt, whom she married in November 1933. In 1938, Hans-Gerhardt and Regina had a daughter, Joan Fischer. The reemergence of anti-Semitism under Stalin prompted Regina to go with Joan to Paris, where Regina became an English teacher. The threat of a German invasion led her and Joan to go to the United States in 1939. Hans-Gerhardt attempted to follow the pair but, at that time, his German citizenship barred him from entering the United States. Regina and Hans-Gerhardt had separated in Moscow, although they did not officially divorce until 1945.  At the time of her son's birth, Regina was "homeless" and shuttled to different jobs and schools around the country to support her family. She engaged in political activism, and raised both Bobby and Joan as a single parent.  In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field. CANNOTANSWER

Question: Did Regina Gerhardt  get her degree?
Answer: In 1949, the family moved to Brooklyn, New York City, where she studied for her master's degree in nursing and subsequently began working in that field.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: What did Ai Weiwei release?
Answer: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: What did Ai Weiwei do after his release?
Answer: After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture:
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: What kind of psychological torture was Ai Weiwei subjected to?
Answer: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: How did the press respond after the release of Ai Weiwei?
Answer: Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: Was Ai Weiwei found guilty?
Answer: released after several hours though the exact charges remain unclear.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: Other than for tax evasion and for spreading pornography, was Ai Weiwei investigated for anything else?
Answer: he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: What happened after Ai Weiwei released for the last time?
Answer: he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad.
Ai Weiwei

Context: On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER

Question: Did Ai Weiwei travel anywhere?
Answer: travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist"
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: Who put together the Rhapsody in Blue album, Orchestration?
Answer: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra:
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: What instruments are in the Rhapsody in Blue album Orchestration?
Answer: this recording includes the original clarinetist, Ross Gorman, playing the glissando
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: Where did Whitman's orchestra play?
Answer: Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz
Rhapsody in Blue

Context: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).  In 1973, the piece was recorded by jazz-rock artist Eumir Deodato on his album Deodato 2. The single reached Billboard peak positions number 41 Pop, number 10 Easy Listening. A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.  In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the 1920s: Kenneth Kiesler secured needed permissions and led with work with pianist Paul Verrette on his U. of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. Andre Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the uncut original short score. Meanwhile, such two-piano teams as Jose Iturbi and Amparo Iturbi, France Veri and Michael Jamanis and Katia and Marielle Labeque, also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy award. CANNOTANSWER

Question: Is there only one version of the song Orchestration?
Answer: Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement.