gaussalgo/Canard_Wiki-augmented huggingface dataset:
Maya Angelou

Context: In 1961, Angelou performed in Jean Genet's play The Blacks, along with Abbey Lincoln, Roscoe Lee Brown, James Earl Jones, Louis Gossett, Godfrey Cambridge, and Cicely Tyson. Also in 1961, she met South African freedom fighter Vusumzi Make; they never officially married. She and her son Guy moved with Make to Cairo, where Angelou worked as an associate editor at the weekly English-language newspaper The Arab Observer. In 1962, her relationship with Make ended, and she and Guy moved to Accra, Ghana so he could attend college, but he was seriously injured in an automobile accident. Angelou remained in Accra for his recovery and ended up staying there until 1965. She became an administrator at the University of Ghana, and was active in the African-American expatriate community. She was a feature editor for The African Review, a freelance writer for the Ghanaian Times, wrote and broadcast for Radio Ghana, and worked and performed for Ghana's National Theatre. She performed in a revival of The Blacks in Geneva and Berlin.  In Accra, she became close friends with Malcolm X during his visit in the early 1960s. Angelou returned to the U.S. in 1965 to help him build a new civil rights organization, the Organization of Afro-American Unity; he was assassinated shortly afterward. Devastated and adrift, she joined her brother in Hawaii, where she resumed her singing career, and then moved back to Los Angeles to focus on her writing career. She worked as a market researcher in Watts and witnessed the riots in the summer of 1965. She acted in and wrote plays, and returned to New York in 1967. She met her lifelong friend Rosa Guy and renewed her friendship with James Baldwin, whom she had met in Paris in the 1950s and called "my brother", during this time. Her friend Jerry Purcell provided Angelou with a stipend to support her writing.  In 1968, Martin Luther King Jr. asked Angelou to organize a march. She agreed, but "postpones again", and in what Gillespie calls "a macabre twist of fate", he was assassinated on her 40th birthday (April 4). Devastated again, she was encouraged out of her depression by her friend James Baldwin. As Gillespie states, "If 1968 was a year of great pain, loss, and sadness, it was also the year when America first witnessed the breadth and depth of Maya Angelou's spirit and creative genius". Despite having almost no experience, she wrote, produced, and narrated Blacks, Blues, Black!, a ten-part series of documentaries about the connection between blues music and black Americans' African heritage, and what Angelou called the "Africanisms still current in the U.S." for National Educational Television, the precursor of PBS. Also in 1968, inspired at a dinner party she attended with Baldwin, cartoonist Jules Feiffer, and his wife Judy, and challenged by Random House editor Robert Loomis, she wrote her first autobiography, I Know Why the Caged Bird Sings, published in 1969, which brought her international recognition and acclaim. CANNOTANSWER

Question: Did Maya Angelou spend any time in Africa?
Answer: Angelou remained in Accra for his recovery and ended up staying there until 1965.
Maya Angelou

Context: In 1961, Angelou performed in Jean Genet's play The Blacks, along with Abbey Lincoln, Roscoe Lee Brown, James Earl Jones, Louis Gossett, Godfrey Cambridge, and Cicely Tyson. Also in 1961, she met South African freedom fighter Vusumzi Make; they never officially married. She and her son Guy moved with Make to Cairo, where Angelou worked as an associate editor at the weekly English-language newspaper The Arab Observer. In 1962, her relationship with Make ended, and she and Guy moved to Accra, Ghana so he could attend college, but he was seriously injured in an automobile accident. Angelou remained in Accra for his recovery and ended up staying there until 1965. She became an administrator at the University of Ghana, and was active in the African-American expatriate community. She was a feature editor for The African Review, a freelance writer for the Ghanaian Times, wrote and broadcast for Radio Ghana, and worked and performed for Ghana's National Theatre. She performed in a revival of The Blacks in Geneva and Berlin.  In Accra, she became close friends with Malcolm X during his visit in the early 1960s. Angelou returned to the U.S. in 1965 to help him build a new civil rights organization, the Organization of Afro-American Unity; he was assassinated shortly afterward. Devastated and adrift, she joined her brother in Hawaii, where she resumed her singing career, and then moved back to Los Angeles to focus on her writing career. She worked as a market researcher in Watts and witnessed the riots in the summer of 1965. She acted in and wrote plays, and returned to New York in 1967. She met her lifelong friend Rosa Guy and renewed her friendship with James Baldwin, whom she had met in Paris in the 1950s and called "my brother", during this time. Her friend Jerry Purcell provided Angelou with a stipend to support her writing.  In 1968, Martin Luther King Jr. asked Angelou to organize a march. She agreed, but "postpones again", and in what Gillespie calls "a macabre twist of fate", he was assassinated on her 40th birthday (April 4). Devastated again, she was encouraged out of her depression by her friend James Baldwin. As Gillespie states, "If 1968 was a year of great pain, loss, and sadness, it was also the year when America first witnessed the breadth and depth of Maya Angelou's spirit and creative genius". Despite having almost no experience, she wrote, produced, and narrated Blacks, Blues, Black!, a ten-part series of documentaries about the connection between blues music and black Americans' African heritage, and what Angelou called the "Africanisms still current in the U.S." for National Educational Television, the precursor of PBS. Also in 1968, inspired at a dinner party she attended with Baldwin, cartoonist Jules Feiffer, and his wife Judy, and challenged by Random House editor Robert Loomis, she wrote her first autobiography, I Know Why the Caged Bird Sings, published in 1969, which brought her international recognition and acclaim. CANNOTANSWER

Question: What did Maya Angelou do while in Africa?
Answer: CANNOTANSWER
Pete Wentz

Context: Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his  Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013.  In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009. CANNOTANSWER

Question: What did Pete Wentz write?
Answer: Wentz has written a book entitled The Boy With the Thorn in His Side,
Pete Wentz

Context: Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his  Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013.  In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Pete Wentz writing a book entitled The Boy With the Thorn in His Side?
Answer: In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works,
Pete Wentz

Context: Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his  Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013.  In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009. CANNOTANSWER

Question: How did the public take Pete Wentz's book The Boy with the thorn in his side?
Answer: CANNOTANSWER
Pete Wentz

Context: Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his  Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013.  In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009. CANNOTANSWER

Question: Did Pete Wentz write anything else aside from the boy with the thorn in his side?
Answer: With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009.
Pete Wentz

Context: Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his  Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013.  In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009. CANNOTANSWER

Question: What was released by Pete Wentz on September 2, 2009?
Answer: five-issue comic book mini-series called Fall Out Toy Works,
James O'Keefe

Context: In September 2009, O'Keefe and his associate, Hannah Giles, published edited hidden camera recordings in which Giles posed as a prostitute and O'Keefe as her boyfriend, a law student, in an attempt to elicit damaging responses from employees of the Association of Community Organizations for Reform Now (ACORN), an advocacy organization for 40 years for persons of low and moderate income.  A Washington Post correspondent reported that O'Keefe "said he targeted ACORN for the same reasons that the political right does: its massive voter registration drives", and "Politicians are getting elected single-handedly due to this organization." ACORN mostly registered people from the Latino and African American communities.  The videos were recorded during the summer of 2009 and appeared to show low-level ACORN employees in six cities providing advice to Giles and O'Keefe on how to avoid detection by authorities of tax evasion, human smuggling and child prostitution. He framed the undercover recordings with a preface of him dressed in a "pimp" outfit, which he also wore in TV media interviews. This gave viewers, including the media, the impression that he had dressed that way when speaking to ACORN workers. However, he actually entered the ACORN offices in conservative street clothes (the sleeve of his dress shirt is visible on camera). Furthermore, the ACORN employees involved reported his activities to the police after he left. O'Keefe selectively edited and manipulated his recordings of ACORN employees, as well as distorted the chronologies. Several journalists and media outlets have expressed regret for not properly scrutinizing and vetting his work.  On April 10, 2012, the political gossip site Wonkette reported that Andrew Breitbart had signed a $120,000 contract for "life rights" by O'Keefe and Giles based on the ACORN videos. The contract was paid in monthly increments of $5,000. Giles ultimately received $32,000 before parting ways with Breitbart over what she described in legal depositions as "a conflict of visions". O'Keefe ultimately received $65,000. CANNOTANSWER

Question: What are the ACORN videos?
Answer: Association of Community Organizations for Reform Now (ACORN),
James O'Keefe

Context: In September 2009, O'Keefe and his associate, Hannah Giles, published edited hidden camera recordings in which Giles posed as a prostitute and O'Keefe as her boyfriend, a law student, in an attempt to elicit damaging responses from employees of the Association of Community Organizations for Reform Now (ACORN), an advocacy organization for 40 years for persons of low and moderate income.  A Washington Post correspondent reported that O'Keefe "said he targeted ACORN for the same reasons that the political right does: its massive voter registration drives", and "Politicians are getting elected single-handedly due to this organization." ACORN mostly registered people from the Latino and African American communities.  The videos were recorded during the summer of 2009 and appeared to show low-level ACORN employees in six cities providing advice to Giles and O'Keefe on how to avoid detection by authorities of tax evasion, human smuggling and child prostitution. He framed the undercover recordings with a preface of him dressed in a "pimp" outfit, which he also wore in TV media interviews. This gave viewers, including the media, the impression that he had dressed that way when speaking to ACORN workers. However, he actually entered the ACORN offices in conservative street clothes (the sleeve of his dress shirt is visible on camera). Furthermore, the ACORN employees involved reported his activities to the police after he left. O'Keefe selectively edited and manipulated his recordings of ACORN employees, as well as distorted the chronologies. Several journalists and media outlets have expressed regret for not properly scrutinizing and vetting his work.  On April 10, 2012, the political gossip site Wonkette reported that Andrew Breitbart had signed a $120,000 contract for "life rights" by O'Keefe and Giles based on the ACORN videos. The contract was paid in monthly increments of $5,000. Giles ultimately received $32,000 before parting ways with Breitbart over what she described in legal depositions as "a conflict of visions". O'Keefe ultimately received $65,000. CANNOTANSWER

Question: What is James O'Keefe's connection to the ACORN videos?
Answer: O'Keefe and his associate, Hannah Giles, published edited hidden camera recordings
James O'Keefe

Context: In September 2009, O'Keefe and his associate, Hannah Giles, published edited hidden camera recordings in which Giles posed as a prostitute and O'Keefe as her boyfriend, a law student, in an attempt to elicit damaging responses from employees of the Association of Community Organizations for Reform Now (ACORN), an advocacy organization for 40 years for persons of low and moderate income.  A Washington Post correspondent reported that O'Keefe "said he targeted ACORN for the same reasons that the political right does: its massive voter registration drives", and "Politicians are getting elected single-handedly due to this organization." ACORN mostly registered people from the Latino and African American communities.  The videos were recorded during the summer of 2009 and appeared to show low-level ACORN employees in six cities providing advice to Giles and O'Keefe on how to avoid detection by authorities of tax evasion, human smuggling and child prostitution. He framed the undercover recordings with a preface of him dressed in a "pimp" outfit, which he also wore in TV media interviews. This gave viewers, including the media, the impression that he had dressed that way when speaking to ACORN workers. However, he actually entered the ACORN offices in conservative street clothes (the sleeve of his dress shirt is visible on camera). Furthermore, the ACORN employees involved reported his activities to the police after he left. O'Keefe selectively edited and manipulated his recordings of ACORN employees, as well as distorted the chronologies. Several journalists and media outlets have expressed regret for not properly scrutinizing and vetting his work.  On April 10, 2012, the political gossip site Wonkette reported that Andrew Breitbart had signed a $120,000 contract for "life rights" by O'Keefe and Giles based on the ACORN videos. The contract was paid in monthly increments of $5,000. Giles ultimately received $32,000 before parting ways with Breitbart over what she described in legal depositions as "a conflict of visions". O'Keefe ultimately received $65,000. CANNOTANSWER

Question: What is the significance of the hidden camera recordings for the ACORN videos published and edited by James O'Keefe and his associate Hannah Giles?
Answer: he targeted ACORN for the same reasons that the political right does: its massive voter registration drives",
James O'Keefe

Context: In September 2009, O'Keefe and his associate, Hannah Giles, published edited hidden camera recordings in which Giles posed as a prostitute and O'Keefe as her boyfriend, a law student, in an attempt to elicit damaging responses from employees of the Association of Community Organizations for Reform Now (ACORN), an advocacy organization for 40 years for persons of low and moderate income.  A Washington Post correspondent reported that O'Keefe "said he targeted ACORN for the same reasons that the political right does: its massive voter registration drives", and "Politicians are getting elected single-handedly due to this organization." ACORN mostly registered people from the Latino and African American communities.  The videos were recorded during the summer of 2009 and appeared to show low-level ACORN employees in six cities providing advice to Giles and O'Keefe on how to avoid detection by authorities of tax evasion, human smuggling and child prostitution. He framed the undercover recordings with a preface of him dressed in a "pimp" outfit, which he also wore in TV media interviews. This gave viewers, including the media, the impression that he had dressed that way when speaking to ACORN workers. However, he actually entered the ACORN offices in conservative street clothes (the sleeve of his dress shirt is visible on camera). Furthermore, the ACORN employees involved reported his activities to the police after he left. O'Keefe selectively edited and manipulated his recordings of ACORN employees, as well as distorted the chronologies. Several journalists and media outlets have expressed regret for not properly scrutinizing and vetting his work.  On April 10, 2012, the political gossip site Wonkette reported that Andrew Breitbart had signed a $120,000 contract for "life rights" by O'Keefe and Giles based on the ACORN videos. The contract was paid in monthly increments of $5,000. Giles ultimately received $32,000 before parting ways with Breitbart over what she described in legal depositions as "a conflict of visions". O'Keefe ultimately received $65,000. CANNOTANSWER

Question: What was the result of the hidden camera recordings of the massive voter registration drives for the ACORN videos published and edited by James O'Keefe and his associate Hannah Giles?
Answer: to show low-level ACORN employees in six cities providing advice to Giles and O'Keefe on how to avoid detection by authorities of tax evasion,
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: Why did August Strindberg die?
Answer: He died on 14 May 1912 at the age of 63.
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: What did August Strindberg die from in 1912?
Answer: pneumonia and he never recovered completely. He also started to suffer from a stomach cancer.
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: What kind of funeral did August Strindberg have after dying of pneumonia and cancer in 1912?
Answer: He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body,
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: What kind of instructions did August Strindberg give concerning his funeral?
Answer: there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: Why did August Strindberg not want anyone else aside from family coming to his funeral?
Answer: CANNOTANSWER
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: Anything else interesting about August Strindberg's funeral other than who attended?
Answer: A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper,
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: Where was August Strindberg's wife at the funeral?
Answer: CANNOTANSWER
August Strindberg

Context: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted by Nathan Soderblom by the bier in Strindberg's home, in the presence of three of Strindberg's children and his housekeeper, after which the coffin was taken outside for the funeral procession. The procession was followed by groups of students, workers, and members of Parliament, and it was estimated that up to 60,000 people lined the streets. King Gustaf V sent a wreath for the bier. CANNOTANSWER

Question: What was the reaction of August Strindberg's foes when he died in 1912?
Answer: CANNOTANSWER
Talking Heads

Context: 1978's More Songs About Buildings and Food brought about the band's long-term collaboration with producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp; the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed well with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from post-punk to psychedelic funk to African music. This recording also established the band's long-term recording studio relationship with the famous Compass Point Studios in Nassau, Bahamas. More Songs... cover of Al Green's "Take Me to the River" broke Talking Heads into general public consciousness and gave the band their first Billboard Top 30 hit.  The Eno-Talking Heads experimentation continued with 1979's Fear of Music, which flirted with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s. Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable". The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco." The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time.  1980's Remain in Light was heavily influenced by the afrobeat of Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices. These combinations foreshadowed Byrne's later interest in world music. In order to perform these more complex arrangements, the band toured with an expanded group that included Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August, and later in their concert film Stop Making Sense. During this period, Tina Weymouth and Chris Frantz also formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop, and Harrison released his first solo album, The Red and the Black. Likewise, Byrne--in collaboration with Eno--released My Life in the Bush of Ghosts, which incorporated world music and found sounds, as well as including a number of other prominent international and post-punk musicians. All were released by Sire.  Remain in Light's lead single, "Once in a Lifetime", became a Top 20 hit in the UK, but initially failed to make an impression upon its release in the band's own country. But it grew into a popular standard over the next few years on the strength of its music video, which was named one of Time magazine's All-TIME Best Music Videos. CANNOTANSWER

Question: Did the Talking Heads make any albums with ENo?
Answer: in collaboration with Eno--released My Life in the Bush of Ghosts, which incorporated world music and found sounds,
Talking Heads

Context: 1978's More Songs About Buildings and Food brought about the band's long-term collaboration with producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp; the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed well with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from post-punk to psychedelic funk to African music. This recording also established the band's long-term recording studio relationship with the famous Compass Point Studios in Nassau, Bahamas. More Songs... cover of Al Green's "Take Me to the River" broke Talking Heads into general public consciousness and gave the band their first Billboard Top 30 hit.  The Eno-Talking Heads experimentation continued with 1979's Fear of Music, which flirted with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s. Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable". The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco." The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time.  1980's Remain in Light was heavily influenced by the afrobeat of Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices. These combinations foreshadowed Byrne's later interest in world music. In order to perform these more complex arrangements, the band toured with an expanded group that included Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August, and later in their concert film Stop Making Sense. During this period, Tina Weymouth and Chris Frantz also formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop, and Harrison released his first solo album, The Red and the Black. Likewise, Byrne--in collaboration with Eno--released My Life in the Bush of Ghosts, which incorporated world music and found sounds, as well as including a number of other prominent international and post-punk musicians. All were released by Sire.  Remain in Light's lead single, "Once in a Lifetime", became a Top 20 hit in the UK, but initially failed to make an impression upon its release in the band's own country. But it grew into a popular standard over the next few years on the strength of its music video, which was named one of Time magazine's All-TIME Best Music Videos. CANNOTANSWER

Question: Did the Talking Heads tour at all with Eno?
Answer: CANNOTANSWER