gaussalgo/Canard_Wiki-augmented huggingface dataset:
D.O.A. (band)

Context: On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk".  Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.  1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement. CANNOTANSWER

Question: Besides Randy Rampage who else was in D.O.A.?
Answer: Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member.
D.O.A. (band)

Context: On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk".  Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.  1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement. CANNOTANSWER

Question: Other than hiring Wimpy Roy were there other changes to D.O.A's members?
Answer: the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks
D.O.A. (band)

Context: On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk".  Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.  1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement. CANNOTANSWER

Question: Why was Belliveau in D.O.A. for only 3 weeks?
Answer: CANNOTANSWER
D.O.A. (band)

Context: On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk".  Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.  1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement. CANNOTANSWER

Question: Aside from Belliveau leaving were there any other notable changes to D.O.A.?
Answer: Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close.
D.O.A. (band)

Context: On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk".  Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.  1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement. CANNOTANSWER

Question: Who replaced Dave Gregg in D.O.A.?
Answer: The band hired Chris Prohom from the Dayglo Abortions as a replacement.
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: What is Spirit (rover), Columbia Hills?
Answer: Spirit reached the first of many targets at the base of the Columbia Hills called West Spur.
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: What happened after Spirit reached the first of many targets?
Answer: Hank's Hollow was studied for 23 sols.
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: Why is Hank's Hollow significant?
Answer: it contains hematite. This kind of rock can be built in connection with water.
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: What did the Spirit do after reaching West Spur and Hank's Hollow?
Answer: a detailed analysis with the AXPS-and the Mossbauer instrument
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: Besides finding hematite, is there anything else significant about a detailed analysis with the AXPS-and the Mossbauer instrument?
Answer: the rover was shut down completely during the night in order to save energy,
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: What was the result of detailed analysis with the AXPS-and the Mossbauer instrument?
Answer: The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.
Spirit (rover)

Context: Spirit drove from Bonneville crater in a direct line to the Columbia Hills. The route was only directly controlled by the engineers when the terrain was difficult to navigate; otherwise, the rover drove in an autonomous mode. On sol 159, Spirit reached the first of many targets at the base of the Columbia Hills called West Spur. Hank's Hollow was studied for 23 sols. Within Hank's Hollow was the strange-looking rock dubbed "Pot of Gold". Analysing this rock was difficult for Spirit, because it lay in a slippery area. After a detailed analysis with the AXPS-and the Mossbauer instrument it was detected that it contains hematite. This kind of rock can be built in connection with water.  As the produced energy from the solar panels was lowering due to the setting sun and dust the Deep Sleep Mode was introduced. In this mode the rover was shut down completely during the night in order to save energy, even if the instruments would fail. The route was selected so that the rover's panels were tilted as much as possible towards the winter sun.  From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199. By sol 203, Spirit had driven southward up the hill and arrived at the rock dubbed "Clovis". Clovis was ground and analyzed from sol 210 to sol 225. Following Clovis came the targets of Ebenezer (Sols 226-235), Tetl (sol 270), Uchben and Palinque (Sols 281-295), and Lutefisk (Sols 296-303). From Sols 239 to 262, Spirit powered down for solar conjunction, when communications with the Earth are blocked. Slowly, Spirit made its way around the summit of Husband Hill, and at sol 344 was ready to climb over the newly designated "Cumberland Ridge" and into "Larry's Lookout" and "Tennessee Valley". Spirit also did some communication tests with the ESA orbiter Mars Express though most of the communication was usually done with the NASA orbiters Mars Odyssey and Mars Global Surveyor. CANNOTANSWER

Question: Did tilting the panels as much as possible towards the winter sun help?
Answer: From here, Spirit took a northerly path along the base of the hill towards the target Wooly Patch, which was studied from sol 192 to sol 199.
The Apples in Stereo

Context: In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. CANNOTANSWER

Question: How did The Apples come about?
Answer: Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company).
The Apples in Stereo

Context: In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. CANNOTANSWER

Question: Who did Mangum discuss the idea with?
Answer: Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum.
The Apples in Stereo

Context: In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. CANNOTANSWER

Question: Where did the band get the name The Apples?
Answer: It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".
The Apples in Stereo

Context: In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. CANNOTANSWER

Question: When did the band "The Apples" start working together?
Answer: The earliest incarnation of the band began to form in 1992
The Apples in Stereo

Context: In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys -- a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who was also already in a band at the time that Schneider unsuccessfully auditioned for on bass. Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.  Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges".  The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. CANNOTANSWER

Question: Who were the band members of The Apples?
Answer: first between Schneider and Parfitt,
Gustave Courbet

Context: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855) CANNOTANSWER

Question: What is the Realist Manifesto?
Answer: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition,
Gustave Courbet

Context: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855) CANNOTANSWER

Question: Who did Gustave Courbet send the Realist Manifesto to?
Answer: CANNOTANSWER
Gustave Courbet

Context: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855) CANNOTANSWER

Question: What was included in Gustave Courbet's Realist Manifesto?
Answer: translate the customs, the ideas, the appearance of my time, according to my own estimation;
Gustave Courbet

Context: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855) CANNOTANSWER

Question: What happened to Gustave Courbet's Manifesto?
Answer: CANNOTANSWER
Gustave Courbet

Context: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855) CANNOTANSWER

Question: What can you tell me about Gustave Courbet's Realist Manifesto?
Answer: The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830.
Jack Abramoff

Context: At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation. Many would later hold key roles in state and national politics and business, and some would later interact with Abramoff in his role as a lobbyist. Some of those relationships were at the core of the federal investigation.  At the CRNC, Abramoff, Norquist and Reed formed what was known as the "Abramoff-Norquist-Reed triumvirate". After Abramoff's election, the trio purged "dissidents" and re-wrote the CRNC's bylaws to consolidate their control over the organization. According to Easton's Gang of Five, Reed was the "hatchet man" and "carried out Abramoff-Norquist orders with ruthless efficiency, not bothering to hide his fingerprints".  In 1983, the CRNC passed a resolution condemning "deliberate planted propaganda by the KGB and Soviet proxy forces" against the government of South Africa, at a time when the country's government was under worldwide criticism for its apartheid regime.  In 1984, Abramoff and other College Republicans formed the "USA Foundation", a non-partisan tax-exempt organization which held two days of rallies on college campuses around the United States celebrating the first anniversary of the invasion of Grenada. In a letter to campus Republican leaders, Abramoff claimed:  While the Student Liberation Day Coalition is nonpartisan and intended only for educational purposes, I don't need to tell you how important this project is to our efforts as [College Republicans]. I am confident that an impartial study of the contrasts between the Carter/Mondale failure in Iran and the Reagan victory in Grenada will be most enlightening to voters 12 days before the general election. CANNOTANSWER

Question: Where did Jack Abramoff go to college?
Answer: CANNOTANSWER
Jack Abramoff

Context: At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation. Many would later hold key roles in state and national politics and business, and some would later interact with Abramoff in his role as a lobbyist. Some of those relationships were at the core of the federal investigation.  At the CRNC, Abramoff, Norquist and Reed formed what was known as the "Abramoff-Norquist-Reed triumvirate". After Abramoff's election, the trio purged "dissidents" and re-wrote the CRNC's bylaws to consolidate their control over the organization. According to Easton's Gang of Five, Reed was the "hatchet man" and "carried out Abramoff-Norquist orders with ruthless efficiency, not bothering to hide his fingerprints".  In 1983, the CRNC passed a resolution condemning "deliberate planted propaganda by the KGB and Soviet proxy forces" against the government of South Africa, at a time when the country's government was under worldwide criticism for its apartheid regime.  In 1984, Abramoff and other College Republicans formed the "USA Foundation", a non-partisan tax-exempt organization which held two days of rallies on college campuses around the United States celebrating the first anniversary of the invasion of Grenada. In a letter to campus Republican leaders, Abramoff claimed:  While the Student Liberation Day Coalition is nonpartisan and intended only for educational purposes, I don't need to tell you how important this project is to our efforts as [College Republicans]. I am confident that an impartial study of the contrasts between the Carter/Mondale failure in Iran and the Reagan victory in Grenada will be most enlightening to voters 12 days before the general election. CANNOTANSWER

Question: What was Jack Abramoff's college political alliance?
Answer: At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation.
Jack Abramoff

Context: At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation. Many would later hold key roles in state and national politics and business, and some would later interact with Abramoff in his role as a lobbyist. Some of those relationships were at the core of the federal investigation.  At the CRNC, Abramoff, Norquist and Reed formed what was known as the "Abramoff-Norquist-Reed triumvirate". After Abramoff's election, the trio purged "dissidents" and re-wrote the CRNC's bylaws to consolidate their control over the organization. According to Easton's Gang of Five, Reed was the "hatchet man" and "carried out Abramoff-Norquist orders with ruthless efficiency, not bothering to hide his fingerprints".  In 1983, the CRNC passed a resolution condemning "deliberate planted propaganda by the KGB and Soviet proxy forces" against the government of South Africa, at a time when the country's government was under worldwide criticism for its apartheid regime.  In 1984, Abramoff and other College Republicans formed the "USA Foundation", a non-partisan tax-exempt organization which held two days of rallies on college campuses around the United States celebrating the first anniversary of the invasion of Grenada. In a letter to campus Republican leaders, Abramoff claimed:  While the Student Liberation Day Coalition is nonpartisan and intended only for educational purposes, I don't need to tell you how important this project is to our efforts as [College Republicans]. I am confident that an impartial study of the contrasts between the Carter/Mondale failure in Iran and the Reagan victory in Grenada will be most enlightening to voters 12 days before the general election. CANNOTANSWER

Question: Who else did Jack Abramoff develop alliances with other than College Republican chapter presidents?
Answer: CANNOTANSWER