gaussalgo/Canard_Wiki-augmented huggingface dataset:
John Maulbetsch

Context: Much of the attention on Maulbetsch focused on his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg), Maulbetsch was a small back, even by the standards of his day. And his running style saw him bend his torso and propel himself like a projectile into the opposing line. Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "Mauly", the "Human Shrapnel", the "Featherweight Fullback", the "Michigan Cannon Ball," and the "German bullet." Comparisons of Maulbetsch to military armaments were common. In addition to the "bullet", "shrapnel", and "cannonball" nicknames, the Syracuse Herald observed: "Standing up in front of a Krupp gun has its dangers, but it is not to be compared with the dangers of standing in front of Maulbetsch when he is going full speed ahead."  Maulbetsch's style was described as "line-plunging." A New York newspaper noted: "When the ball is snapped to him he almost doubles himself up, and, with his head aimed at the knees of the opposing line, he dives head first. Those who have seen Maulbetsch in action marvel at the great momentum he can get up in two or three steps." Noted football writer Walter Eckersall said: "Mauly is a little fellow, being built close to the ground. They say that when he plunges at the line his head is almost on a level with his shoe tops - that he hits so low that it's well nigh impossible to stop him." An Iowa newspaper wondered how it was possible "for a man to smash into a line of human bodies with the force that Maulbetsch does and come out of the game without a broken neck."  Maulbetsch was said to run "so low that he could dash under an ordinary table without losing his feet." At a coaching conference in the 1920s, a coach doubted the table-ducking story and challenged Maulbetsch. The doubter later recalled: "I began ribbing him about this table-ducking stuff and finally offered to bet him he couldn't do it. Well, we got a table up in a room, Johnny tucked a water pitcher under his arm and backed against the wall. Darned if he didn't do it, the only thing, that water pitcher broke in a million pieces." Asked about the incident, Maulbetsch said it was true, except one part. Maulbetsch insisted there wasn't a nick on the pitcher. CANNOTANSWER

Question: When was John Maulbetsch given the, "Human Bullet" nickname?
Answer: CANNOTANSWER
John Maulbetsch

Context: Much of the attention on Maulbetsch focused on his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg), Maulbetsch was a small back, even by the standards of his day. And his running style saw him bend his torso and propel himself like a projectile into the opposing line. Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "Mauly", the "Human Shrapnel", the "Featherweight Fullback", the "Michigan Cannon Ball," and the "German bullet." Comparisons of Maulbetsch to military armaments were common. In addition to the "bullet", "shrapnel", and "cannonball" nicknames, the Syracuse Herald observed: "Standing up in front of a Krupp gun has its dangers, but it is not to be compared with the dangers of standing in front of Maulbetsch when he is going full speed ahead."  Maulbetsch's style was described as "line-plunging." A New York newspaper noted: "When the ball is snapped to him he almost doubles himself up, and, with his head aimed at the knees of the opposing line, he dives head first. Those who have seen Maulbetsch in action marvel at the great momentum he can get up in two or three steps." Noted football writer Walter Eckersall said: "Mauly is a little fellow, being built close to the ground. They say that when he plunges at the line his head is almost on a level with his shoe tops - that he hits so low that it's well nigh impossible to stop him." An Iowa newspaper wondered how it was possible "for a man to smash into a line of human bodies with the force that Maulbetsch does and come out of the game without a broken neck."  Maulbetsch was said to run "so low that he could dash under an ordinary table without losing his feet." At a coaching conference in the 1920s, a coach doubted the table-ducking story and challenged Maulbetsch. The doubter later recalled: "I began ribbing him about this table-ducking stuff and finally offered to bet him he couldn't do it. Well, we got a table up in a room, Johnny tucked a water pitcher under his arm and backed against the wall. Darned if he didn't do it, the only thing, that water pitcher broke in a million pieces." Asked about the incident, Maulbetsch said it was true, except one part. Maulbetsch insisted there wasn't a nick on the pitcher. CANNOTANSWER

Question: What team was John Maulbetsch playing on?
Answer: the "Michigan Cannon Ball,"
John Maulbetsch

Context: Much of the attention on Maulbetsch focused on his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg), Maulbetsch was a small back, even by the standards of his day. And his running style saw him bend his torso and propel himself like a projectile into the opposing line. Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "Mauly", the "Human Shrapnel", the "Featherweight Fullback", the "Michigan Cannon Ball," and the "German bullet." Comparisons of Maulbetsch to military armaments were common. In addition to the "bullet", "shrapnel", and "cannonball" nicknames, the Syracuse Herald observed: "Standing up in front of a Krupp gun has its dangers, but it is not to be compared with the dangers of standing in front of Maulbetsch when he is going full speed ahead."  Maulbetsch's style was described as "line-plunging." A New York newspaper noted: "When the ball is snapped to him he almost doubles himself up, and, with his head aimed at the knees of the opposing line, he dives head first. Those who have seen Maulbetsch in action marvel at the great momentum he can get up in two or three steps." Noted football writer Walter Eckersall said: "Mauly is a little fellow, being built close to the ground. They say that when he plunges at the line his head is almost on a level with his shoe tops - that he hits so low that it's well nigh impossible to stop him." An Iowa newspaper wondered how it was possible "for a man to smash into a line of human bodies with the force that Maulbetsch does and come out of the game without a broken neck."  Maulbetsch was said to run "so low that he could dash under an ordinary table without losing his feet." At a coaching conference in the 1920s, a coach doubted the table-ducking story and challenged Maulbetsch. The doubter later recalled: "I began ribbing him about this table-ducking stuff and finally offered to bet him he couldn't do it. Well, we got a table up in a room, Johnny tucked a water pitcher under his arm and backed against the wall. Darned if he didn't do it, the only thing, that water pitcher broke in a million pieces." Asked about the incident, Maulbetsch said it was true, except one part. Maulbetsch insisted there wasn't a nick on the pitcher. CANNOTANSWER

Question: Other than the the "Michigan Cannon Ball,"where there any notable games during John Maulbetsch's time at Michigan?
Answer: CANNOTANSWER
John Maulbetsch

Context: Much of the attention on Maulbetsch focused on his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg), Maulbetsch was a small back, even by the standards of his day. And his running style saw him bend his torso and propel himself like a projectile into the opposing line. Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "Mauly", the "Human Shrapnel", the "Featherweight Fullback", the "Michigan Cannon Ball," and the "German bullet." Comparisons of Maulbetsch to military armaments were common. In addition to the "bullet", "shrapnel", and "cannonball" nicknames, the Syracuse Herald observed: "Standing up in front of a Krupp gun has its dangers, but it is not to be compared with the dangers of standing in front of Maulbetsch when he is going full speed ahead."  Maulbetsch's style was described as "line-plunging." A New York newspaper noted: "When the ball is snapped to him he almost doubles himself up, and, with his head aimed at the knees of the opposing line, he dives head first. Those who have seen Maulbetsch in action marvel at the great momentum he can get up in two or three steps." Noted football writer Walter Eckersall said: "Mauly is a little fellow, being built close to the ground. They say that when he plunges at the line his head is almost on a level with his shoe tops - that he hits so low that it's well nigh impossible to stop him." An Iowa newspaper wondered how it was possible "for a man to smash into a line of human bodies with the force that Maulbetsch does and come out of the game without a broken neck."  Maulbetsch was said to run "so low that he could dash under an ordinary table without losing his feet." At a coaching conference in the 1920s, a coach doubted the table-ducking story and challenged Maulbetsch. The doubter later recalled: "I began ribbing him about this table-ducking stuff and finally offered to bet him he couldn't do it. Well, we got a table up in a room, Johnny tucked a water pitcher under his arm and backed against the wall. Darned if he didn't do it, the only thing, that water pitcher broke in a million pieces." Asked about the incident, Maulbetsch said it was true, except one part. Maulbetsch insisted there wasn't a nick on the pitcher. CANNOTANSWER

Question: What features made John Maulbetsch the Human bullet?
Answer: his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg
John Maulbetsch

Context: Much of the attention on Maulbetsch focused on his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg), Maulbetsch was a small back, even by the standards of his day. And his running style saw him bend his torso and propel himself like a projectile into the opposing line. Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "Mauly", the "Human Shrapnel", the "Featherweight Fullback", the "Michigan Cannon Ball," and the "German bullet." Comparisons of Maulbetsch to military armaments were common. In addition to the "bullet", "shrapnel", and "cannonball" nicknames, the Syracuse Herald observed: "Standing up in front of a Krupp gun has its dangers, but it is not to be compared with the dangers of standing in front of Maulbetsch when he is going full speed ahead."  Maulbetsch's style was described as "line-plunging." A New York newspaper noted: "When the ball is snapped to him he almost doubles himself up, and, with his head aimed at the knees of the opposing line, he dives head first. Those who have seen Maulbetsch in action marvel at the great momentum he can get up in two or three steps." Noted football writer Walter Eckersall said: "Mauly is a little fellow, being built close to the ground. They say that when he plunges at the line his head is almost on a level with his shoe tops - that he hits so low that it's well nigh impossible to stop him." An Iowa newspaper wondered how it was possible "for a man to smash into a line of human bodies with the force that Maulbetsch does and come out of the game without a broken neck."  Maulbetsch was said to run "so low that he could dash under an ordinary table without losing his feet." At a coaching conference in the 1920s, a coach doubted the table-ducking story and challenged Maulbetsch. The doubter later recalled: "I began ribbing him about this table-ducking stuff and finally offered to bet him he couldn't do it. Well, we got a table up in a room, Johnny tucked a water pitcher under his arm and backed against the wall. Darned if he didn't do it, the only thing, that water pitcher broke in a million pieces." Asked about the incident, Maulbetsch said it was true, except one part. Maulbetsch insisted there wasn't a nick on the pitcher. CANNOTANSWER

Question: How did John Maulbetsch train?
Answer: CANNOTANSWER
Tila Tequila

Context: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout and was offered a chance to model nude for the magazine. She did a test shoot, then eventually moved to Southern California and was featured as Playboy's Cyber Girl of the week on April 22, 2002, and soon thereafter she became the first Asian Cyber Girl of the Month. A few more pictorials for the magazine followed.  At age 20, Nguyen acted on her interest in rock music and started looking for bands willing to let her join. She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter. Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music. Later, she became the lead singer of a band called Jealousy, which released a few songs online before breaking up. In 2003, Nguyen was a contestant on VH1's Surviving Nugent, a reality TV show where participants performed compromising tasks and stunts for rock star Ted Nugent.  Nguyen gained further popularity through the import racing scene. She has been featured on the cover of Import Tuner magazine, at car shows such as Hot Import Nights, and in the video game Street Racing Syndicate. Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times. Time Magazine, in a 2006 profile of Nguyen noted her impact on the platform stating "Pre-Tila, your MySpace friends were mostly people you actually knew. Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site. CANNOTANSWER

Question: How did Tequila begin her modeling career?
Answer: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout
Tila Tequila

Context: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout and was offered a chance to model nude for the magazine. She did a test shoot, then eventually moved to Southern California and was featured as Playboy's Cyber Girl of the week on April 22, 2002, and soon thereafter she became the first Asian Cyber Girl of the Month. A few more pictorials for the magazine followed.  At age 20, Nguyen acted on her interest in rock music and started looking for bands willing to let her join. She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter. Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music. Later, she became the lead singer of a band called Jealousy, which released a few songs online before breaking up. In 2003, Nguyen was a contestant on VH1's Surviving Nugent, a reality TV show where participants performed compromising tasks and stunts for rock star Ted Nugent.  Nguyen gained further popularity through the import racing scene. She has been featured on the cover of Import Tuner magazine, at car shows such as Hot Import Nights, and in the video game Street Racing Syndicate. Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times. Time Magazine, in a 2006 profile of Nguyen noted her impact on the platform stating "Pre-Tila, your MySpace friends were mostly people you actually knew. Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site. CANNOTANSWER

Question: Did Tila Tequila have any notable gigs?
Answer: became the first Asian Cyber Girl of the Month.
Tila Tequila

Context: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout and was offered a chance to model nude for the magazine. She did a test shoot, then eventually moved to Southern California and was featured as Playboy's Cyber Girl of the week on April 22, 2002, and soon thereafter she became the first Asian Cyber Girl of the Month. A few more pictorials for the magazine followed.  At age 20, Nguyen acted on her interest in rock music and started looking for bands willing to let her join. She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter. Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music. Later, she became the lead singer of a band called Jealousy, which released a few songs online before breaking up. In 2003, Nguyen was a contestant on VH1's Surviving Nugent, a reality TV show where participants performed compromising tasks and stunts for rock star Ted Nugent.  Nguyen gained further popularity through the import racing scene. She has been featured on the cover of Import Tuner magazine, at car shows such as Hot Import Nights, and in the video game Street Racing Syndicate. Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times. Time Magazine, in a 2006 profile of Nguyen noted her impact on the platform stating "Pre-Tila, your MySpace friends were mostly people you actually knew. Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site. CANNOTANSWER

Question: What is Beyond Betty Jean?
Answer: She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter.
Tila Tequila

Context: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout and was offered a chance to model nude for the magazine. She did a test shoot, then eventually moved to Southern California and was featured as Playboy's Cyber Girl of the week on April 22, 2002, and soon thereafter she became the first Asian Cyber Girl of the Month. A few more pictorials for the magazine followed.  At age 20, Nguyen acted on her interest in rock music and started looking for bands willing to let her join. She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter. Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music. Later, she became the lead singer of a band called Jealousy, which released a few songs online before breaking up. In 2003, Nguyen was a contestant on VH1's Surviving Nugent, a reality TV show where participants performed compromising tasks and stunts for rock star Ted Nugent.  Nguyen gained further popularity through the import racing scene. She has been featured on the cover of Import Tuner magazine, at car shows such as Hot Import Nights, and in the video game Street Racing Syndicate. Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times. Time Magazine, in a 2006 profile of Nguyen noted her impact on the platform stating "Pre-Tila, your MySpace friends were mostly people you actually knew. Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site. CANNOTANSWER

Question: Was Beyond Betty Jean band successful?
Answer: Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music.
Tila Tequila

Context: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout and was offered a chance to model nude for the magazine. She did a test shoot, then eventually moved to Southern California and was featured as Playboy's Cyber Girl of the week on April 22, 2002, and soon thereafter she became the first Asian Cyber Girl of the Month. A few more pictorials for the magazine followed.  At age 20, Nguyen acted on her interest in rock music and started looking for bands willing to let her join. She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter. Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music. Later, she became the lead singer of a band called Jealousy, which released a few songs online before breaking up. In 2003, Nguyen was a contestant on VH1's Surviving Nugent, a reality TV show where participants performed compromising tasks and stunts for rock star Ted Nugent.  Nguyen gained further popularity through the import racing scene. She has been featured on the cover of Import Tuner magazine, at car shows such as Hot Import Nights, and in the video game Street Racing Syndicate. Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times. Time Magazine, in a 2006 profile of Nguyen noted her impact on the platform stating "Pre-Tila, your MySpace friends were mostly people you actually knew. Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site. CANNOTANSWER

Question: What is Tequila's connection to Myspace?
Answer: Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times.
Tila Tequila

Context: Nguyen's career began at the age of 19 when she was discovered at the Sharpstown Mall by a Playboy scout and was offered a chance to model nude for the magazine. She did a test shoot, then eventually moved to Southern California and was featured as Playboy's Cyber Girl of the week on April 22, 2002, and soon thereafter she became the first Asian Cyber Girl of the Month. A few more pictorials for the magazine followed.  At age 20, Nguyen acted on her interest in rock music and started looking for bands willing to let her join. She eventually assembled a band called Beyond Betty Jean, for which she was singer and songwriter. Beyond Betty Jean eventually broke up and Nguyen started working in recording studios to sharpen her vocal skills and wrote music. Later, she became the lead singer of a band called Jealousy, which released a few songs online before breaking up. In 2003, Nguyen was a contestant on VH1's Surviving Nugent, a reality TV show where participants performed compromising tasks and stunts for rock star Ted Nugent.  Nguyen gained further popularity through the import racing scene. She has been featured on the cover of Import Tuner magazine, at car shows such as Hot Import Nights, and in the video game Street Racing Syndicate. Nguyen joined Myspace in the fall of 2003 after getting booted off of Friendster multiple times. Time Magazine, in a 2006 profile of Nguyen noted her impact on the platform stating "Pre-Tila, your MySpace friends were mostly people you actually knew. Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site. CANNOTANSWER

Question: What happened to Tila Tequila after getting booted off of Friendster?
Answer: Post-Tila, the biggest game on the site became Who Has the Most Friends, period, whoever they might be." also calling her, the "Queen" of the site.
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: What did Stan Brakhage first receive notable recognition for?
Answer: in the early 1960s Brakhage began to receive recognition in exhibitions and film publications,
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: Who did Stan Brakhage receive recognition from?
Answer: Film Culture, which gave awards to several of his films,
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: Which Stan Brakhage films won awards from Film Culture?
Answer: CANNOTANSWER
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: What else did Stan Brakhage receive attention for in the early 60s besides Film Culture?
Answer: From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle.
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: What was notable about that Dog Star Man cycle?
Answer: CANNOTANSWER
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Dog Star Man and Film Culture?
Answer: the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it,
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: What did Stan Brakhage use for film equipment after the 16mm film equipment?
Answer: opting to buy cheaper 8mm film equipment.
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: What other solutions to the theft did Stan Brakhage employ other than buying a 8mm film equipment?
Answer: He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969.
Stan Brakhage

Context: When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there.  From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media.  Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado. CANNOTANSWER

Question: Did Stan Brakhage's Songs get any recognition from critics?
Answer: CANNOTANSWER
Fred Thompson

Context: In 1973, Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee, a special committee convened by the U.S. Senate to investigate the Watergate scandal. Thompson was sometimes credited for supplying Republican Senator Howard Baker's famous question, "What did the President know, and when did he know it?" This question is said to have helped frame the hearings in a way that eventually led to the downfall of President Richard Nixon.  A Republican staff member, Donald Sanders, found out about the White House tapes and informed the committee on July 13, 1973. Thompson was informed of the existence of the tapes, and he, in turn, informed Nixon's attorney, J. Fred Buzhardt. "Even though I had no authority to act for the committee, I decided to call Fred Buzhardt at home," Thompson later wrote, "I wanted to be sure that the White House was fully aware of what was to be disclosed so that it could take appropriate action."  Three days after Sanders's discovery, at a public, televised committee hearing, Thompson asked former White House aide Alexander Butterfield the famous question, "Mr. Butterfield, were you aware of the existence of any listening devices in the Oval Office of the President?" thereby publicly revealing the existence of tape recordings of conversations within the White House. National Public Radio later called that session and the discovery of the Watergate tapes "a turning point in the investigation."  Thompson's appointment as minority counsel to the Senate Watergate committee reportedly upset Nixon, who believed Thompson was not skilled enough to interrogate unfriendly witnesses and would be outfoxed by the committee Democrats. According to historian Stanley Kutler, however, Thompson and Baker "carried water for the White House, but I have to give them credit--they were watching out for their interests, too... They weren't going to mindlessly go down the tubes [for Nixon]." When the Watergate investigation began to pick up speed, tapes revealed that Nixon remarked to his then-Chief of Staff Alexander Haig, "Oh shit, he's dumb as hell."  Journalist Scott Armstrong, a Democratic investigator for the Senate Watergate Committee, is critical of Thompson for having disclosed the committee's knowledge of the tapes to Buzhardt during an ongoing investigation, and says Thompson was "a mole for the White House" and that Thompson's actions gave the White House a chance to destroy the tapes. Thompson's 1975 book At That Point in Time, in turn, accused Armstrong of having been too close to The Washington Post's Bob Woodward and of leaking committee information to him. In response to renewed interest in this matter, in 2007 during his presidential campaign, Thompson said, "I'm glad all of this has finally caused someone to read my Watergate book, even though it's taken them over 30 years." CANNOTANSWER

Question: What did Fred Thompson have to do with the Watergate hearings?
Answer: In 1973, Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee,
Fred Thompson

Context: In 1973, Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee, a special committee convened by the U.S. Senate to investigate the Watergate scandal. Thompson was sometimes credited for supplying Republican Senator Howard Baker's famous question, "What did the President know, and when did he know it?" This question is said to have helped frame the hearings in a way that eventually led to the downfall of President Richard Nixon.  A Republican staff member, Donald Sanders, found out about the White House tapes and informed the committee on July 13, 1973. Thompson was informed of the existence of the tapes, and he, in turn, informed Nixon's attorney, J. Fred Buzhardt. "Even though I had no authority to act for the committee, I decided to call Fred Buzhardt at home," Thompson later wrote, "I wanted to be sure that the White House was fully aware of what was to be disclosed so that it could take appropriate action."  Three days after Sanders's discovery, at a public, televised committee hearing, Thompson asked former White House aide Alexander Butterfield the famous question, "Mr. Butterfield, were you aware of the existence of any listening devices in the Oval Office of the President?" thereby publicly revealing the existence of tape recordings of conversations within the White House. National Public Radio later called that session and the discovery of the Watergate tapes "a turning point in the investigation."  Thompson's appointment as minority counsel to the Senate Watergate committee reportedly upset Nixon, who believed Thompson was not skilled enough to interrogate unfriendly witnesses and would be outfoxed by the committee Democrats. According to historian Stanley Kutler, however, Thompson and Baker "carried water for the White House, but I have to give them credit--they were watching out for their interests, too... They weren't going to mindlessly go down the tubes [for Nixon]." When the Watergate investigation began to pick up speed, tapes revealed that Nixon remarked to his then-Chief of Staff Alexander Haig, "Oh shit, he's dumb as hell."  Journalist Scott Armstrong, a Democratic investigator for the Senate Watergate Committee, is critical of Thompson for having disclosed the committee's knowledge of the tapes to Buzhardt during an ongoing investigation, and says Thompson was "a mole for the White House" and that Thompson's actions gave the White House a chance to destroy the tapes. Thompson's 1975 book At That Point in Time, in turn, accused Armstrong of having been too close to The Washington Post's Bob Woodward and of leaking committee information to him. In response to renewed interest in this matter, in 2007 during his presidential campaign, Thompson said, "I'm glad all of this has finally caused someone to read my Watergate book, even though it's taken them over 30 years." CANNOTANSWER

Question: what was Fred Thompson's role on the Senate Watergate committee?
Answer: Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee,
Fred Thompson

Context: In 1973, Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee, a special committee convened by the U.S. Senate to investigate the Watergate scandal. Thompson was sometimes credited for supplying Republican Senator Howard Baker's famous question, "What did the President know, and when did he know it?" This question is said to have helped frame the hearings in a way that eventually led to the downfall of President Richard Nixon.  A Republican staff member, Donald Sanders, found out about the White House tapes and informed the committee on July 13, 1973. Thompson was informed of the existence of the tapes, and he, in turn, informed Nixon's attorney, J. Fred Buzhardt. "Even though I had no authority to act for the committee, I decided to call Fred Buzhardt at home," Thompson later wrote, "I wanted to be sure that the White House was fully aware of what was to be disclosed so that it could take appropriate action."  Three days after Sanders's discovery, at a public, televised committee hearing, Thompson asked former White House aide Alexander Butterfield the famous question, "Mr. Butterfield, were you aware of the existence of any listening devices in the Oval Office of the President?" thereby publicly revealing the existence of tape recordings of conversations within the White House. National Public Radio later called that session and the discovery of the Watergate tapes "a turning point in the investigation."  Thompson's appointment as minority counsel to the Senate Watergate committee reportedly upset Nixon, who believed Thompson was not skilled enough to interrogate unfriendly witnesses and would be outfoxed by the committee Democrats. According to historian Stanley Kutler, however, Thompson and Baker "carried water for the White House, but I have to give them credit--they were watching out for their interests, too... They weren't going to mindlessly go down the tubes [for Nixon]." When the Watergate investigation began to pick up speed, tapes revealed that Nixon remarked to his then-Chief of Staff Alexander Haig, "Oh shit, he's dumb as hell."  Journalist Scott Armstrong, a Democratic investigator for the Senate Watergate Committee, is critical of Thompson for having disclosed the committee's knowledge of the tapes to Buzhardt during an ongoing investigation, and says Thompson was "a mole for the White House" and that Thompson's actions gave the White House a chance to destroy the tapes. Thompson's 1975 book At That Point in Time, in turn, accused Armstrong of having been too close to The Washington Post's Bob Woodward and of leaking committee information to him. In response to renewed interest in this matter, in 2007 during his presidential campaign, Thompson said, "I'm glad all of this has finally caused someone to read my Watergate book, even though it's taken them over 30 years." CANNOTANSWER

Question: could you tell me something interesting about the Fred Thompson?
Answer: Thompson was sometimes credited for supplying Republican Senator Howard Baker's famous question, "What did the President know, and when did he know it?"