gaussalgo/Canard_Wiki-augmented huggingface dataset:
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: What was the Jenny from the Block video about?
Answer: The video is basically about how she cannot find privacy with her fiance Ben Affleck.
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: Where was the Jenny from the Block video filmed?
Answer: The video was filmed entirely in Los Angeles, CA
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: What are some of the Jenny from the Block video scenes?
Answer: begins with surveillance camera footage of Lopez and Affleck in their apartment.
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: How was the Jenny from the Block video reviewed by critics?
Answer: CANNOTANSWER
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: What did people think of the Jenny from the Block video?
Answer: CANNOTANSWER
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: When was the Jenny from the Block video shot?
Answer: from October 18-20, 2002.
Jenny from the Block

Context: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." Speaking of the video, Justine Ashley Costanza of International Business Times wrote in 2012: "Back when Lopez was engaged to the wholesome actor, she decided it would be best to make a video about how hard their lives were. Poor J-Lo couldn't lounge on her yacht, be adored in a hot tub, or wear her $1 million engagement ring without someone taking her picture. It's not easy being overly wealthy superstars. The video's premise shows Lopez dealing with the perils of fame the only way she knows how...by taking off most of what she's wearing." CANNOTANSWER

Question: What show did the Jenny from the Block video premier on?
Answer: It premiered on MTV's TRL on November 5, 2002,
Alfred Adler

Context: In collaboration with Sigmund Freud and a small group of Freud's colleagues, Adler was among the co-founders of the psychoanalytic movement and a core member of the Vienna Psychoanalytic Society: indeed, to Freud he was "the only personality there". He was the first major figure to break away from psychoanalysis to form an independent school of psychotherapy and personality theory, which he called individual psychology because he believed a human to be an indivisible whole, an individuum. He also imagined a person to be connected or associated with the surrounding world.  This was after Freud declared Adler's ideas as too contrary, leading to an ultimatum to all members of the Society (which Freud had shepherded) to drop Adler or be expelled, disavowing the right to dissent (Makari, 2008). Nevertheless, Freud always took Adler's ideas seriously, calling them "... honorable errors. Though one rejects the content of Adler's views, one can recognize their consistency and significance". Following this split, Adler would come to have an enormous, independent effect on the disciplines of counseling and psychotherapy as they developed over the course of the 20th century (Ellenberger, 1970). He influenced notable figures in subsequent schools of psychotherapy such as Rollo May, Viktor Frankl, Abraham Maslow and Albert Ellis. His writings preceded, and were at times surprisingly consistent with, later neo-Freudian insights such as those evidenced in the works of Otto Rank, Karen Horney, Harry Stack Sullivan and Erich Fromm, some considering that it would take several decades for Freudian ego psychology to catch up with Adler's ground-breaking approach.  Adler emphasized the importance of equality in preventing various forms of psychopathology, and espoused the development of social interest and democratic family structures for raising children. His most famous concept is the inferiority complex which speaks to the problem of self-esteem and its negative effects on human health (e.g. sometimes producing a paradoxical superiority striving). His emphasis on power dynamics is rooted in the philosophy of Nietzsche, whose works were published a few decades before Adler's. Specifically, Adler's conceptualization of the "Will to Power" focuses on the individual's creative power to change for the better. Adler argued for holism, viewing the individual holistically rather than reductively, the latter being the dominant lens for viewing human psychology. Adler was also among the first in psychology to argue in favor of feminism, and the female analyst, making the case that power dynamics between men and women (and associations with masculinity and femininity) are crucial to understanding human psychology (Connell, 1995). Adler is considered, along with Freud and Jung, to be one of the three founding figures of depth psychology, which emphasizes the unconscious and psychodynamics (Ellenberger, 1970; Ehrenwald, 1991); and thus to be one of the three great psychologists/philosophers of the twentieth century. CANNOTANSWER

Question: What did Alfred Adler write?
Answer: Specifically, Adler's conceptualization of the "Will to Power"
Alfred Adler

Context: In collaboration with Sigmund Freud and a small group of Freud's colleagues, Adler was among the co-founders of the psychoanalytic movement and a core member of the Vienna Psychoanalytic Society: indeed, to Freud he was "the only personality there". He was the first major figure to break away from psychoanalysis to form an independent school of psychotherapy and personality theory, which he called individual psychology because he believed a human to be an indivisible whole, an individuum. He also imagined a person to be connected or associated with the surrounding world.  This was after Freud declared Adler's ideas as too contrary, leading to an ultimatum to all members of the Society (which Freud had shepherded) to drop Adler or be expelled, disavowing the right to dissent (Makari, 2008). Nevertheless, Freud always took Adler's ideas seriously, calling them "... honorable errors. Though one rejects the content of Adler's views, one can recognize their consistency and significance". Following this split, Adler would come to have an enormous, independent effect on the disciplines of counseling and psychotherapy as they developed over the course of the 20th century (Ellenberger, 1970). He influenced notable figures in subsequent schools of psychotherapy such as Rollo May, Viktor Frankl, Abraham Maslow and Albert Ellis. His writings preceded, and were at times surprisingly consistent with, later neo-Freudian insights such as those evidenced in the works of Otto Rank, Karen Horney, Harry Stack Sullivan and Erich Fromm, some considering that it would take several decades for Freudian ego psychology to catch up with Adler's ground-breaking approach.  Adler emphasized the importance of equality in preventing various forms of psychopathology, and espoused the development of social interest and democratic family structures for raising children. His most famous concept is the inferiority complex which speaks to the problem of self-esteem and its negative effects on human health (e.g. sometimes producing a paradoxical superiority striving). His emphasis on power dynamics is rooted in the philosophy of Nietzsche, whose works were published a few decades before Adler's. Specifically, Adler's conceptualization of the "Will to Power" focuses on the individual's creative power to change for the better. Adler argued for holism, viewing the individual holistically rather than reductively, the latter being the dominant lens for viewing human psychology. Adler was also among the first in psychology to argue in favor of feminism, and the female analyst, making the case that power dynamics between men and women (and associations with masculinity and femininity) are crucial to understanding human psychology (Connell, 1995). Adler is considered, along with Freud and Jung, to be one of the three founding figures of depth psychology, which emphasizes the unconscious and psychodynamics (Ellenberger, 1970; Ehrenwald, 1991); and thus to be one of the three great psychologists/philosophers of the twentieth century. CANNOTANSWER

Question: What does the Will to Power mean?
Answer: focuses on the individual's creative power to change for the better.
Alfred Adler

Context: In collaboration with Sigmund Freud and a small group of Freud's colleagues, Adler was among the co-founders of the psychoanalytic movement and a core member of the Vienna Psychoanalytic Society: indeed, to Freud he was "the only personality there". He was the first major figure to break away from psychoanalysis to form an independent school of psychotherapy and personality theory, which he called individual psychology because he believed a human to be an indivisible whole, an individuum. He also imagined a person to be connected or associated with the surrounding world.  This was after Freud declared Adler's ideas as too contrary, leading to an ultimatum to all members of the Society (which Freud had shepherded) to drop Adler or be expelled, disavowing the right to dissent (Makari, 2008). Nevertheless, Freud always took Adler's ideas seriously, calling them "... honorable errors. Though one rejects the content of Adler's views, one can recognize their consistency and significance". Following this split, Adler would come to have an enormous, independent effect on the disciplines of counseling and psychotherapy as they developed over the course of the 20th century (Ellenberger, 1970). He influenced notable figures in subsequent schools of psychotherapy such as Rollo May, Viktor Frankl, Abraham Maslow and Albert Ellis. His writings preceded, and were at times surprisingly consistent with, later neo-Freudian insights such as those evidenced in the works of Otto Rank, Karen Horney, Harry Stack Sullivan and Erich Fromm, some considering that it would take several decades for Freudian ego psychology to catch up with Adler's ground-breaking approach.  Adler emphasized the importance of equality in preventing various forms of psychopathology, and espoused the development of social interest and democratic family structures for raising children. His most famous concept is the inferiority complex which speaks to the problem of self-esteem and its negative effects on human health (e.g. sometimes producing a paradoxical superiority striving). His emphasis on power dynamics is rooted in the philosophy of Nietzsche, whose works were published a few decades before Adler's. Specifically, Adler's conceptualization of the "Will to Power" focuses on the individual's creative power to change for the better. Adler argued for holism, viewing the individual holistically rather than reductively, the latter being the dominant lens for viewing human psychology. Adler was also among the first in psychology to argue in favor of feminism, and the female analyst, making the case that power dynamics between men and women (and associations with masculinity and femininity) are crucial to understanding human psychology (Connell, 1995). Adler is considered, along with Freud and Jung, to be one of the three founding figures of depth psychology, which emphasizes the unconscious and psychodynamics (Ellenberger, 1970; Ehrenwald, 1991); and thus to be one of the three great psychologists/philosophers of the twentieth century. CANNOTANSWER

Question: Did people agree with Alfred Adler's views?
Answer: CANNOTANSWER
Pendulum (drum and bass band)

Context: Pendulum once again toured Europe in 2009. During this tour they announced that they were working on their third studio album, Immersion. It was announced in December 2009 that Pendulum would be touring for their new album in May 2010. The release date of the album was announced to be sometime "in May" during the live preview party at Matter, and was then announced to be released on 24 May. Pendulum previewed their album Immersion at the Ear Storm night at London's Matter nightclub on Friday 22 January. "Salt in the Wounds", a track from their new album, was Zane Lowe's Hottest Record in the World on BBC Radio 1 on 25 January 2010. On Zane Lowe's show, it was also announced that he wanted to join the band and the first single from the new album would be called "Watercolour". This single also received its first play on Zane Lowe's BBC Radio 1 show on 8 March 2010, and was his Single of the Week for that week. In December 2010, "Watercolour" was found to be featured in the soundtrack of the 2010 hit game "Need for Speed: Hot Pursuit". On 1 April, the music video for "Salt in the Wounds" was released. The video is unique in that it is, according to the band's website, "...the world's first 360deg interactive music video."  "Watercolour" claimed the No.4 spot in the UK Singles Chart, making it their biggest hit to date. On 21 May 2010, the band headlined the annual Radio 1's Big Weekend festival which was held at the Vaynol Estate, Bangor, Gwynedd. The second single from the album, "Witchcraft", was released on 18 July and charted at No.29 in the UK Singles chart, making it their third highest charted single in the UK. The third single from Immersion was "The Island", and just missed the UK Top 40 at No. 41.  Rob Swire had stated that if it had achieved greater success than "Witchcraft", he would have released a song entitled "Ransom", which was taken off Immersion before the album's release. Swire revealed the original files for "Ransom" were corrupted, and that he has no plans to recreate them, therefore it will not be released. However, on 6 April 2011, Pendulum released "Ransom" as a single via their website with all proceeds going to the Help for Japan fund after the tsunami. "Crush" was released as the fourth single in January 2011. In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks and a collection of remixes of "Watercolour", "Witchcraft" and "The Island" by other artists including deadmau5, Tiesto and Chuckie. Both the UK and US store were also given the music videos of those three tracks in the release. CANNOTANSWER

Question: Where did Pendulum originate?
Answer: CANNOTANSWER
Pendulum (drum and bass band)

Context: Pendulum once again toured Europe in 2009. During this tour they announced that they were working on their third studio album, Immersion. It was announced in December 2009 that Pendulum would be touring for their new album in May 2010. The release date of the album was announced to be sometime "in May" during the live preview party at Matter, and was then announced to be released on 24 May. Pendulum previewed their album Immersion at the Ear Storm night at London's Matter nightclub on Friday 22 January. "Salt in the Wounds", a track from their new album, was Zane Lowe's Hottest Record in the World on BBC Radio 1 on 25 January 2010. On Zane Lowe's show, it was also announced that he wanted to join the band and the first single from the new album would be called "Watercolour". This single also received its first play on Zane Lowe's BBC Radio 1 show on 8 March 2010, and was his Single of the Week for that week. In December 2010, "Watercolour" was found to be featured in the soundtrack of the 2010 hit game "Need for Speed: Hot Pursuit". On 1 April, the music video for "Salt in the Wounds" was released. The video is unique in that it is, according to the band's website, "...the world's first 360deg interactive music video."  "Watercolour" claimed the No.4 spot in the UK Singles Chart, making it their biggest hit to date. On 21 May 2010, the band headlined the annual Radio 1's Big Weekend festival which was held at the Vaynol Estate, Bangor, Gwynedd. The second single from the album, "Witchcraft", was released on 18 July and charted at No.29 in the UK Singles chart, making it their third highest charted single in the UK. The third single from Immersion was "The Island", and just missed the UK Top 40 at No. 41.  Rob Swire had stated that if it had achieved greater success than "Witchcraft", he would have released a song entitled "Ransom", which was taken off Immersion before the album's release. Swire revealed the original files for "Ransom" were corrupted, and that he has no plans to recreate them, therefore it will not be released. However, on 6 April 2011, Pendulum released "Ransom" as a single via their website with all proceeds going to the Help for Japan fund after the tsunami. "Crush" was released as the fourth single in January 2011. In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks and a collection of remixes of "Watercolour", "Witchcraft" and "The Island" by other artists including deadmau5, Tiesto and Chuckie. Both the UK and US store were also given the music videos of those three tracks in the release. CANNOTANSWER

Question: What record company where Pendulum signed with?
Answer: "  "Watercolour
Pendulum (drum and bass band)

Context: Pendulum once again toured Europe in 2009. During this tour they announced that they were working on their third studio album, Immersion. It was announced in December 2009 that Pendulum would be touring for their new album in May 2010. The release date of the album was announced to be sometime "in May" during the live preview party at Matter, and was then announced to be released on 24 May. Pendulum previewed their album Immersion at the Ear Storm night at London's Matter nightclub on Friday 22 January. "Salt in the Wounds", a track from their new album, was Zane Lowe's Hottest Record in the World on BBC Radio 1 on 25 January 2010. On Zane Lowe's show, it was also announced that he wanted to join the band and the first single from the new album would be called "Watercolour". This single also received its first play on Zane Lowe's BBC Radio 1 show on 8 March 2010, and was his Single of the Week for that week. In December 2010, "Watercolour" was found to be featured in the soundtrack of the 2010 hit game "Need for Speed: Hot Pursuit". On 1 April, the music video for "Salt in the Wounds" was released. The video is unique in that it is, according to the band's website, "...the world's first 360deg interactive music video."  "Watercolour" claimed the No.4 spot in the UK Singles Chart, making it their biggest hit to date. On 21 May 2010, the band headlined the annual Radio 1's Big Weekend festival which was held at the Vaynol Estate, Bangor, Gwynedd. The second single from the album, "Witchcraft", was released on 18 July and charted at No.29 in the UK Singles chart, making it their third highest charted single in the UK. The third single from Immersion was "The Island", and just missed the UK Top 40 at No. 41.  Rob Swire had stated that if it had achieved greater success than "Witchcraft", he would have released a song entitled "Ransom", which was taken off Immersion before the album's release. Swire revealed the original files for "Ransom" were corrupted, and that he has no plans to recreate them, therefore it will not be released. However, on 6 April 2011, Pendulum released "Ransom" as a single via their website with all proceeds going to the Help for Japan fund after the tsunami. "Crush" was released as the fourth single in January 2011. In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks and a collection of remixes of "Watercolour", "Witchcraft" and "The Island" by other artists including deadmau5, Tiesto and Chuckie. Both the UK and US store were also given the music videos of those three tracks in the release. CANNOTANSWER

Question: Was Watercolour the only record company that Pendulum had signed with during their career?
Answer: CANNOTANSWER
Pendulum (drum and bass band)

Context: Pendulum once again toured Europe in 2009. During this tour they announced that they were working on their third studio album, Immersion. It was announced in December 2009 that Pendulum would be touring for their new album in May 2010. The release date of the album was announced to be sometime "in May" during the live preview party at Matter, and was then announced to be released on 24 May. Pendulum previewed their album Immersion at the Ear Storm night at London's Matter nightclub on Friday 22 January. "Salt in the Wounds", a track from their new album, was Zane Lowe's Hottest Record in the World on BBC Radio 1 on 25 January 2010. On Zane Lowe's show, it was also announced that he wanted to join the band and the first single from the new album would be called "Watercolour". This single also received its first play on Zane Lowe's BBC Radio 1 show on 8 March 2010, and was his Single of the Week for that week. In December 2010, "Watercolour" was found to be featured in the soundtrack of the 2010 hit game "Need for Speed: Hot Pursuit". On 1 April, the music video for "Salt in the Wounds" was released. The video is unique in that it is, according to the band's website, "...the world's first 360deg interactive music video."  "Watercolour" claimed the No.4 spot in the UK Singles Chart, making it their biggest hit to date. On 21 May 2010, the band headlined the annual Radio 1's Big Weekend festival which was held at the Vaynol Estate, Bangor, Gwynedd. The second single from the album, "Witchcraft", was released on 18 July and charted at No.29 in the UK Singles chart, making it their third highest charted single in the UK. The third single from Immersion was "The Island", and just missed the UK Top 40 at No. 41.  Rob Swire had stated that if it had achieved greater success than "Witchcraft", he would have released a song entitled "Ransom", which was taken off Immersion before the album's release. Swire revealed the original files for "Ransom" were corrupted, and that he has no plans to recreate them, therefore it will not be released. However, on 6 April 2011, Pendulum released "Ransom" as a single via their website with all proceeds going to the Help for Japan fund after the tsunami. "Crush" was released as the fourth single in January 2011. In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks and a collection of remixes of "Watercolour", "Witchcraft" and "The Island" by other artists including deadmau5, Tiesto and Chuckie. Both the UK and US store were also given the music videos of those three tracks in the release. CANNOTANSWER

Question: Who were the original members of Pendulum?
Answer: CANNOTANSWER
Stereolab

Context: Stereolab's music is politically and philosophically charged. Laetitia Sadier, who writes the group's lyrics, said that her inspiration was most recently her anger towards the Iraq War. The Surrealist and Situationist cultural and political movements were also influences, as noted by Sadier and Gane in a 1999 Salon.com interview. Stewart Mason commented in an AllMusic review that the lyrics from the 1997 song "Miss Modular" "sound influenced by the Situationist theory of the 'spectacle'."  Critics have noted Marxist allusions in the band's lyrics, and have gone so far as to call the band members themselves Marxist. Music journalist Simon Reynolds commented that Sadier's lyrics tend to lean towards Marxist social commentary rather than "affairs of the heart". "Ping Pong", a 1994 single included on the album Mars Audiac Quintet, was noted for its alleged Marxist lyrics. In the song, Sadier sings "about capitalism's cruel cycles of slump and recovery" with lyrics that constitute "a plainspoken explanation of one of the central tenets of Marxian economic analysis" (said critics Simon Reynolds and Stewart Mason, respectively).  Band members have resisted attempts to link the group and its music to Marxism. In a 1999 interview, Gane stated that "none of us are Marxists ... I've never even read Marx." Gane said that although Sadier's lyrics touch on political topics, they do not cross the line into "sloganeering". Sadier also said that she had read very little Marx. In contrast, Cornelius Castoriadis, a radical political philosopher but strong critic of Marxism, has been cited as a marking influence in Sadier's thinking. The name of her side project, Monade, and its debut album title, Socialisme ou Barbarie, are also references to the work of Castoriadis.  Stereolab's album and song titles occasionally reference avant-garde political groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group Play Voltage in the Milky Night contains the names of two Surrealist organisations, "CoBrA" and "Phases Group", "Brakhage", the title of the first song on the 1997 album Dots and Loops, is a nod to experimental filmmaker Stan Brakhage. Other examples are the 1992 compilation Switched On, named after Wendy Carlos' 1968 album Switched on Bach, and the 1992 single "John Cage Bubblegum", named after experimental composer John Cage. CANNOTANSWER

Question: what was special about the Stereolab lyrics?
Answer: Stereolab's music is politically and philosophically charged.
Stereolab

Context: Stereolab's music is politically and philosophically charged. Laetitia Sadier, who writes the group's lyrics, said that her inspiration was most recently her anger towards the Iraq War. The Surrealist and Situationist cultural and political movements were also influences, as noted by Sadier and Gane in a 1999 Salon.com interview. Stewart Mason commented in an AllMusic review that the lyrics from the 1997 song "Miss Modular" "sound influenced by the Situationist theory of the 'spectacle'."  Critics have noted Marxist allusions in the band's lyrics, and have gone so far as to call the band members themselves Marxist. Music journalist Simon Reynolds commented that Sadier's lyrics tend to lean towards Marxist social commentary rather than "affairs of the heart". "Ping Pong", a 1994 single included on the album Mars Audiac Quintet, was noted for its alleged Marxist lyrics. In the song, Sadier sings "about capitalism's cruel cycles of slump and recovery" with lyrics that constitute "a plainspoken explanation of one of the central tenets of Marxian economic analysis" (said critics Simon Reynolds and Stewart Mason, respectively).  Band members have resisted attempts to link the group and its music to Marxism. In a 1999 interview, Gane stated that "none of us are Marxists ... I've never even read Marx." Gane said that although Sadier's lyrics touch on political topics, they do not cross the line into "sloganeering". Sadier also said that she had read very little Marx. In contrast, Cornelius Castoriadis, a radical political philosopher but strong critic of Marxism, has been cited as a marking influence in Sadier's thinking. The name of her side project, Monade, and its debut album title, Socialisme ou Barbarie, are also references to the work of Castoriadis.  Stereolab's album and song titles occasionally reference avant-garde political groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group Play Voltage in the Milky Night contains the names of two Surrealist organisations, "CoBrA" and "Phases Group", "Brakhage", the title of the first song on the 1997 album Dots and Loops, is a nod to experimental filmmaker Stan Brakhage. Other examples are the 1992 compilation Switched On, named after Wendy Carlos' 1968 album Switched on Bach, and the 1992 single "John Cage Bubblegum", named after experimental composer John Cage. CANNOTANSWER

Question: How is Stereolab's music politically and philosophically charged?
Answer: Laetitia Sadier, who writes the group's lyrics, said that her inspiration was most recently her anger towards the Iraq War.
Stereolab

Context: Stereolab's music is politically and philosophically charged. Laetitia Sadier, who writes the group's lyrics, said that her inspiration was most recently her anger towards the Iraq War. The Surrealist and Situationist cultural and political movements were also influences, as noted by Sadier and Gane in a 1999 Salon.com interview. Stewart Mason commented in an AllMusic review that the lyrics from the 1997 song "Miss Modular" "sound influenced by the Situationist theory of the 'spectacle'."  Critics have noted Marxist allusions in the band's lyrics, and have gone so far as to call the band members themselves Marxist. Music journalist Simon Reynolds commented that Sadier's lyrics tend to lean towards Marxist social commentary rather than "affairs of the heart". "Ping Pong", a 1994 single included on the album Mars Audiac Quintet, was noted for its alleged Marxist lyrics. In the song, Sadier sings "about capitalism's cruel cycles of slump and recovery" with lyrics that constitute "a plainspoken explanation of one of the central tenets of Marxian economic analysis" (said critics Simon Reynolds and Stewart Mason, respectively).  Band members have resisted attempts to link the group and its music to Marxism. In a 1999 interview, Gane stated that "none of us are Marxists ... I've never even read Marx." Gane said that although Sadier's lyrics touch on political topics, they do not cross the line into "sloganeering". Sadier also said that she had read very little Marx. In contrast, Cornelius Castoriadis, a radical political philosopher but strong critic of Marxism, has been cited as a marking influence in Sadier's thinking. The name of her side project, Monade, and its debut album title, Socialisme ou Barbarie, are also references to the work of Castoriadis.  Stereolab's album and song titles occasionally reference avant-garde political groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group Play Voltage in the Milky Night contains the names of two Surrealist organisations, "CoBrA" and "Phases Group", "Brakhage", the title of the first song on the 1997 album Dots and Loops, is a nod to experimental filmmaker Stan Brakhage. Other examples are the 1992 compilation Switched On, named after Wendy Carlos' 1968 album Switched on Bach, and the 1992 single "John Cage Bubblegum", named after experimental composer John Cage. CANNOTANSWER

Question: Besides her anger towards the Iraq War, what were some of Laetitia Sadier's other influences in her lyrics?
Answer: The Surrealist and Situationist cultural and political movements were also influences,
Stereolab

Context: Stereolab's music is politically and philosophically charged. Laetitia Sadier, who writes the group's lyrics, said that her inspiration was most recently her anger towards the Iraq War. The Surrealist and Situationist cultural and political movements were also influences, as noted by Sadier and Gane in a 1999 Salon.com interview. Stewart Mason commented in an AllMusic review that the lyrics from the 1997 song "Miss Modular" "sound influenced by the Situationist theory of the 'spectacle'."  Critics have noted Marxist allusions in the band's lyrics, and have gone so far as to call the band members themselves Marxist. Music journalist Simon Reynolds commented that Sadier's lyrics tend to lean towards Marxist social commentary rather than "affairs of the heart". "Ping Pong", a 1994 single included on the album Mars Audiac Quintet, was noted for its alleged Marxist lyrics. In the song, Sadier sings "about capitalism's cruel cycles of slump and recovery" with lyrics that constitute "a plainspoken explanation of one of the central tenets of Marxian economic analysis" (said critics Simon Reynolds and Stewart Mason, respectively).  Band members have resisted attempts to link the group and its music to Marxism. In a 1999 interview, Gane stated that "none of us are Marxists ... I've never even read Marx." Gane said that although Sadier's lyrics touch on political topics, they do not cross the line into "sloganeering". Sadier also said that she had read very little Marx. In contrast, Cornelius Castoriadis, a radical political philosopher but strong critic of Marxism, has been cited as a marking influence in Sadier's thinking. The name of her side project, Monade, and its debut album title, Socialisme ou Barbarie, are also references to the work of Castoriadis.  Stereolab's album and song titles occasionally reference avant-garde political groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group Play Voltage in the Milky Night contains the names of two Surrealist organisations, "CoBrA" and "Phases Group", "Brakhage", the title of the first song on the 1997 album Dots and Loops, is a nod to experimental filmmaker Stan Brakhage. Other examples are the 1992 compilation Switched On, named after Wendy Carlos' 1968 album Switched on Bach, and the 1992 single "John Cage Bubblegum", named after experimental composer John Cage. CANNOTANSWER

Question: Other than the Surrealist and Situationist cultural and political movements were there any other influences on Laetitia Sadier?
Answer: Critics have noted Marxist allusions in the band's lyrics, and have gone so far as to call the band members themselves Marxist.