gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Beach Boys

Context: Recorded in the wake of California Music's demise, a supergroup that would have involved Brian Wilson, Bruce Johnston, and record producer Terry Melcher, 15 Big Ones (1976) marked Brian's return as a major force in the group. The album included new songs by Brian, as well as cover versions of oldies such as "Rock and Roll Music", "Blueberry Hill", and "In the Still of the Night". "Rock and Roll Music" peaked at No. 5 in the U.S. Brian and Love's "It's O.K." was in the vein of their early sixties style, and was a moderate hit. The album was publicized by an August 1976 NBC-TV special, simply titled The Beach Boys. The special, produced by Saturday Night Live (SNL) creator Lorne Michaels, featured appearances by SNL cast members John Belushi and Dan Aykroyd.  The album was generally disliked by fans and critics upon release. During its sessions, Brian's production role was belittled as group members overdubbed and remixed tracks to fight against his desire for a rough, unfinished sound. Carl and Dennis disparaged the album to the press while Brian admitted, "[Undoubtedly] the new album is nothing too deep", but remained hopeful that their next release would be on par with the group's "Good Vibrations".  For the remainder of 1976 to early 1977, Brian spent his time making sporadic public appearances and producing the band's next album The Beach Boys Love You (1977), a quirky collection of 14 songs mostly written, arranged and produced by Brian. Brian later called Love You one of his favorite Beach Boys releases, saying that "That's when it all happened for me. That's where my heart lies." Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother." Love You peaked at No. 28 in the UK and No. 53 in the US and developed a cult following; regarded as one of the band's best albums by fans and critics alike, and an early work of synthpop.  Referring to "naysayers" of the album, the underground fanzine Scram wrote, "Fuck [them] ... [the album showcases] a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before." The A.V. Club - considering the album in "the same vein" as Tonight's the Night (1975), Pussy Cats (1974), The Madcap Laughs (1970), and Barrett (1970) - described Love You as: "something almost desperately optimistic ... Wilson sings frayed songs about roller-skating, road-tripping, and Johnny Carson - like a frazzled man sitting in a corner chanting 'calm blue ocean' over and over. It's a beautiful, noisy, funny, heartbreaking work of art - one not for everybody, yet vital for anyone who wants to understand Wilson's overall worldview." CANNOTANSWER

Question: How many songs did the album The Beach Boys Love You have?
Answer: 14 songs
The Beach Boys

Context: Recorded in the wake of California Music's demise, a supergroup that would have involved Brian Wilson, Bruce Johnston, and record producer Terry Melcher, 15 Big Ones (1976) marked Brian's return as a major force in the group. The album included new songs by Brian, as well as cover versions of oldies such as "Rock and Roll Music", "Blueberry Hill", and "In the Still of the Night". "Rock and Roll Music" peaked at No. 5 in the U.S. Brian and Love's "It's O.K." was in the vein of their early sixties style, and was a moderate hit. The album was publicized by an August 1976 NBC-TV special, simply titled The Beach Boys. The special, produced by Saturday Night Live (SNL) creator Lorne Michaels, featured appearances by SNL cast members John Belushi and Dan Aykroyd.  The album was generally disliked by fans and critics upon release. During its sessions, Brian's production role was belittled as group members overdubbed and remixed tracks to fight against his desire for a rough, unfinished sound. Carl and Dennis disparaged the album to the press while Brian admitted, "[Undoubtedly] the new album is nothing too deep", but remained hopeful that their next release would be on par with the group's "Good Vibrations".  For the remainder of 1976 to early 1977, Brian spent his time making sporadic public appearances and producing the band's next album The Beach Boys Love You (1977), a quirky collection of 14 songs mostly written, arranged and produced by Brian. Brian later called Love You one of his favorite Beach Boys releases, saying that "That's when it all happened for me. That's where my heart lies." Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother." Love You peaked at No. 28 in the UK and No. 53 in the US and developed a cult following; regarded as one of the band's best albums by fans and critics alike, and an early work of synthpop.  Referring to "naysayers" of the album, the underground fanzine Scram wrote, "Fuck [them] ... [the album showcases] a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before." The A.V. Club - considering the album in "the same vein" as Tonight's the Night (1975), Pussy Cats (1974), The Madcap Laughs (1970), and Barrett (1970) - described Love You as: "something almost desperately optimistic ... Wilson sings frayed songs about roller-skating, road-tripping, and Johnny Carson - like a frazzled man sitting in a corner chanting 'calm blue ocean' over and over. It's a beautiful, noisy, funny, heartbreaking work of art - one not for everybody, yet vital for anyone who wants to understand Wilson's overall worldview." CANNOTANSWER

Question: Did The Beach Boys Love You top the charts?
Answer: Love You peaked at No. 28 in the UK and No. 53 in the US
The Beach Boys

Context: Recorded in the wake of California Music's demise, a supergroup that would have involved Brian Wilson, Bruce Johnston, and record producer Terry Melcher, 15 Big Ones (1976) marked Brian's return as a major force in the group. The album included new songs by Brian, as well as cover versions of oldies such as "Rock and Roll Music", "Blueberry Hill", and "In the Still of the Night". "Rock and Roll Music" peaked at No. 5 in the U.S. Brian and Love's "It's O.K." was in the vein of their early sixties style, and was a moderate hit. The album was publicized by an August 1976 NBC-TV special, simply titled The Beach Boys. The special, produced by Saturday Night Live (SNL) creator Lorne Michaels, featured appearances by SNL cast members John Belushi and Dan Aykroyd.  The album was generally disliked by fans and critics upon release. During its sessions, Brian's production role was belittled as group members overdubbed and remixed tracks to fight against his desire for a rough, unfinished sound. Carl and Dennis disparaged the album to the press while Brian admitted, "[Undoubtedly] the new album is nothing too deep", but remained hopeful that their next release would be on par with the group's "Good Vibrations".  For the remainder of 1976 to early 1977, Brian spent his time making sporadic public appearances and producing the band's next album The Beach Boys Love You (1977), a quirky collection of 14 songs mostly written, arranged and produced by Brian. Brian later called Love You one of his favorite Beach Boys releases, saying that "That's when it all happened for me. That's where my heart lies." Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother." Love You peaked at No. 28 in the UK and No. 53 in the US and developed a cult following; regarded as one of the band's best albums by fans and critics alike, and an early work of synthpop.  Referring to "naysayers" of the album, the underground fanzine Scram wrote, "Fuck [them] ... [the album showcases] a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before." The A.V. Club - considering the album in "the same vein" as Tonight's the Night (1975), Pussy Cats (1974), The Madcap Laughs (1970), and Barrett (1970) - described Love You as: "something almost desperately optimistic ... Wilson sings frayed songs about roller-skating, road-tripping, and Johnny Carson - like a frazzled man sitting in a corner chanting 'calm blue ocean' over and over. It's a beautiful, noisy, funny, heartbreaking work of art - one not for everybody, yet vital for anyone who wants to understand Wilson's overall worldview." CANNOTANSWER

Question: Did  The Beach Boys love you or 15 big ones peak in any other country, besides the US?
Answer: CANNOTANSWER
Dan Wilson (musician)

Context: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic. Semisonic released one EP, three full-length albums, and one live album.  The band's first album, Great Divide, received critical acclaim. David Fricke wrote in a year-end Rolling Stone article on the notable albums of 1996, "Great Divide is that rare '96 beast, a record of simple but sparkling modern pop, rattling with power-trio vitality." It was their 1998 release, Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success. Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998, the follow-up single "Singing in My Sleep", and "Secret Smile", a breakthrough hit for the band internationally, Feeling Strangely Fine attained platinum sales status in the U.S. and U.K. "Closing Time" received a 1999 Grammy nomination for Best Rock Song and has become an enduring pop-culture reference point for the late 1990s. It was a focal point of the plot and soundtrack of the 2011 film Friends with Benefits.  Semisonic's third album, All About Chemistry, was released in 2001, and featured Wilson's song "Chemistry", the album's first single, and also included "One True Love", a song Wilson co-wrote with Carole King.  Semisonic stopped touring in August 2001 but continue to perform on occasion. Slichter's memoir, So You Wanna Be a Rock & Roll Star, provides a detailed account of the band's adventures and misadventures in the music business. CANNOTANSWER

Question: What happened with Dan Wilson and Semisonic?
Answer: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic.
Dan Wilson (musician)

Context: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic. Semisonic released one EP, three full-length albums, and one live album.  The band's first album, Great Divide, received critical acclaim. David Fricke wrote in a year-end Rolling Stone article on the notable albums of 1996, "Great Divide is that rare '96 beast, a record of simple but sparkling modern pop, rattling with power-trio vitality." It was their 1998 release, Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success. Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998, the follow-up single "Singing in My Sleep", and "Secret Smile", a breakthrough hit for the band internationally, Feeling Strangely Fine attained platinum sales status in the U.S. and U.K. "Closing Time" received a 1999 Grammy nomination for Best Rock Song and has become an enduring pop-culture reference point for the late 1990s. It was a focal point of the plot and soundtrack of the 2011 film Friends with Benefits.  Semisonic's third album, All About Chemistry, was released in 2001, and featured Wilson's song "Chemistry", the album's first single, and also included "One True Love", a song Wilson co-wrote with Carole King.  Semisonic stopped touring in August 2001 but continue to perform on occasion. Slichter's memoir, So You Wanna Be a Rock & Roll Star, provides a detailed account of the band's adventures and misadventures in the music business. CANNOTANSWER

Question: What songs did Dan Wilson produce with Semisonic?
Answer: Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998,
Dan Wilson (musician)

Context: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic. Semisonic released one EP, three full-length albums, and one live album.  The band's first album, Great Divide, received critical acclaim. David Fricke wrote in a year-end Rolling Stone article on the notable albums of 1996, "Great Divide is that rare '96 beast, a record of simple but sparkling modern pop, rattling with power-trio vitality." It was their 1998 release, Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success. Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998, the follow-up single "Singing in My Sleep", and "Secret Smile", a breakthrough hit for the band internationally, Feeling Strangely Fine attained platinum sales status in the U.S. and U.K. "Closing Time" received a 1999 Grammy nomination for Best Rock Song and has become an enduring pop-culture reference point for the late 1990s. It was a focal point of the plot and soundtrack of the 2011 film Friends with Benefits.  Semisonic's third album, All About Chemistry, was released in 2001, and featured Wilson's song "Chemistry", the album's first single, and also included "One True Love", a song Wilson co-wrote with Carole King.  Semisonic stopped touring in August 2001 but continue to perform on occasion. Slichter's memoir, So You Wanna Be a Rock & Roll Star, provides a detailed account of the band's adventures and misadventures in the music business. CANNOTANSWER

Question: Did Dan Wilson and Semisonic make any albums together?
Answer: Semisonic released one EP, three full-length albums, and one live album.
Dan Wilson (musician)

Context: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic. Semisonic released one EP, three full-length albums, and one live album.  The band's first album, Great Divide, received critical acclaim. David Fricke wrote in a year-end Rolling Stone article on the notable albums of 1996, "Great Divide is that rare '96 beast, a record of simple but sparkling modern pop, rattling with power-trio vitality." It was their 1998 release, Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success. Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998, the follow-up single "Singing in My Sleep", and "Secret Smile", a breakthrough hit for the band internationally, Feeling Strangely Fine attained platinum sales status in the U.S. and U.K. "Closing Time" received a 1999 Grammy nomination for Best Rock Song and has become an enduring pop-culture reference point for the late 1990s. It was a focal point of the plot and soundtrack of the 2011 film Friends with Benefits.  Semisonic's third album, All About Chemistry, was released in 2001, and featured Wilson's song "Chemistry", the album's first single, and also included "One True Love", a song Wilson co-wrote with Carole King.  Semisonic stopped touring in August 2001 but continue to perform on occasion. Slichter's memoir, So You Wanna Be a Rock & Roll Star, provides a detailed account of the band's adventures and misadventures in the music business. CANNOTANSWER

Question: Was Semisonic's live album successful?
Answer: The band's first album, Great Divide, received critical acclaim.
Dan Wilson (musician)

Context: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic. Semisonic released one EP, three full-length albums, and one live album.  The band's first album, Great Divide, received critical acclaim. David Fricke wrote in a year-end Rolling Stone article on the notable albums of 1996, "Great Divide is that rare '96 beast, a record of simple but sparkling modern pop, rattling with power-trio vitality." It was their 1998 release, Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success. Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998, the follow-up single "Singing in My Sleep", and "Secret Smile", a breakthrough hit for the band internationally, Feeling Strangely Fine attained platinum sales status in the U.S. and U.K. "Closing Time" received a 1999 Grammy nomination for Best Rock Song and has become an enduring pop-culture reference point for the late 1990s. It was a focal point of the plot and soundtrack of the 2011 film Friends with Benefits.  Semisonic's third album, All About Chemistry, was released in 2001, and featured Wilson's song "Chemistry", the album's first single, and also included "One True Love", a song Wilson co-wrote with Carole King.  Semisonic stopped touring in August 2001 but continue to perform on occasion. Slichter's memoir, So You Wanna Be a Rock & Roll Star, provides a detailed account of the band's adventures and misadventures in the music business. CANNOTANSWER

Question: Did Dan Wilson go on any tours with Semisonic?
Answer: Semisonic stopped touring in August 2001 but continue to perform on occasion.
Dan Wilson (musician)

Context: After Trip Shakespeare's breakup in 1992, Wilson and Munson joined with drummer Jacob Slichter to form Pleasure, a trio that was later renamed Semisonic. Semisonic released one EP, three full-length albums, and one live album.  The band's first album, Great Divide, received critical acclaim. David Fricke wrote in a year-end Rolling Stone article on the notable albums of 1996, "Great Divide is that rare '96 beast, a record of simple but sparkling modern pop, rattling with power-trio vitality." It was their 1998 release, Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success. Powered by Wilson's songs "Closing Time", which was a number-one hit on the Modern Rock charts for thirteen weeks in the spring and summer of 1998, the follow-up single "Singing in My Sleep", and "Secret Smile", a breakthrough hit for the band internationally, Feeling Strangely Fine attained platinum sales status in the U.S. and U.K. "Closing Time" received a 1999 Grammy nomination for Best Rock Song and has become an enduring pop-culture reference point for the late 1990s. It was a focal point of the plot and soundtrack of the 2011 film Friends with Benefits.  Semisonic's third album, All About Chemistry, was released in 2001, and featured Wilson's song "Chemistry", the album's first single, and also included "One True Love", a song Wilson co-wrote with Carole King.  Semisonic stopped touring in August 2001 but continue to perform on occasion. Slichter's memoir, So You Wanna Be a Rock & Roll Star, provides a detailed account of the band's adventures and misadventures in the music business. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Dan Wilson's collaboration with Semisonic?
Answer: Feeling Strangely Fine, however, that brought the band to widespread national and then international attention and success.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: When was the pinnacle of Willie Dixon's career?
Answer: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: What happened in 1951 to Willie Dixon?
Answer: By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Was Willie Dixon successful in his new positions?
Answer: From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam,
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Did Willie Dixon win any awards for his work?
Answer: Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?,
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Was Willie Dixon album Peace a success?
Answer: Dixon is considered one of the key figures in the creation of Chicago blues.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: What types of music did Willie Dixon perform?
Answer: He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor,
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Did Willie Dixon sing or play an instrument?
Answer: he acted as producer, talent scout, session musician and staff songwriter.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Besides his album, what other major accomplishment happened to Willie Dixon in the 1950's
Answer: In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster".
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Besides the Rolling Stones, what other bands covered Willie Dixon songs?
Answer: Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.
Willie Dixon

Context: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones. CANNOTANSWER

Question: Did any of the albums Willie Dixon produced go Gold?
Answer: ". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.
Rupert Murdoch

Context: Murdoch found a political ally in Sir John McEwen, leader of the Australian Country Party (now known as the National Party of Australia), who was governing in coalition with the larger Menzies-Holt-Gorton Liberal Party. From the very first issue of The Australian Murdoch began taking McEwen's side in every issue that divided the long-serving coalition partners. (The Australian, 15 July 1964, first edition, front page: "Strain in Cabinet, Liberal-CP row flares.") It was an issue that threatened to split the coalition government and open the way for the stronger Australian Labor Party to dominate Australian politics. It was the beginning of a long campaign that served McEwen well.  After McEwen and Menzies retired, Murdoch threw his growing power behind the Australian Labor Party under the leadership of Gough Whitlam and duly saw it elected on a social platform that included universal free health care, free education for all Australians to tertiary level, recognition of the People's Republic of China, and public ownership of Australia's oil, gas and mineral resources. Rupert Murdoch's backing of Whitlam turned out to be brief. Murdoch had already started his short-lived National Star newspaper in America, and was seeking to strengthen his political contacts there.  Asked about the Australian federal election, 2007 at News Corporation's annual general meeting in New York on 19 October 2007, its chairman Rupert Murdoch said, "I am not commenting on anything to do with Australian politics. I'm sorry. I always get into trouble when I do that." Pressed as to whether he believed Prime Minister John Howard should continue as prime minister, he said: "I have nothing further to say. I'm sorry. Read our editorials in the papers. It'll be the journalists who decide that - the editors." In 2009, in response to accusations by Australian Prime Minister Kevin Rudd that News Limited was running vendettas against him and his government, Murdoch opined that Rudd was "oversensitive". Murdoch described Howard's successor, Labor Party Prime Minister Kevin Rudd, as "...more ambitious to lead the world [in tackling climate change] than to lead Australia..." and criticised Rudd's expansionary fiscal policies in the wake of the financial crisis of 2008 as unnecessary. Although News Limited's interests are extensive, also including the Daily Telegraph, the Courier-Mail and the Adelaide Advertiser, it was suggested by the commentator Mungo MacCallum in The Monthly that "the anti-Rudd push, if coordinated at all, was almost certainly locally driven" as opposed to being directed by Murdoch, who also took a different position from local editors on such matters as climate change and stimulus packages to combat the financial crisis.  Murdoch is a supporter of an Australian republic, having campaigned for one during the 1999 referendum. CANNOTANSWER

Question: What type of political activities did Rupert Murdoch do in Australia?
Answer: Murdoch threw his growing power behind the Australian Labor Party
Rupert Murdoch

Context: Murdoch found a political ally in Sir John McEwen, leader of the Australian Country Party (now known as the National Party of Australia), who was governing in coalition with the larger Menzies-Holt-Gorton Liberal Party. From the very first issue of The Australian Murdoch began taking McEwen's side in every issue that divided the long-serving coalition partners. (The Australian, 15 July 1964, first edition, front page: "Strain in Cabinet, Liberal-CP row flares.") It was an issue that threatened to split the coalition government and open the way for the stronger Australian Labor Party to dominate Australian politics. It was the beginning of a long campaign that served McEwen well.  After McEwen and Menzies retired, Murdoch threw his growing power behind the Australian Labor Party under the leadership of Gough Whitlam and duly saw it elected on a social platform that included universal free health care, free education for all Australians to tertiary level, recognition of the People's Republic of China, and public ownership of Australia's oil, gas and mineral resources. Rupert Murdoch's backing of Whitlam turned out to be brief. Murdoch had already started his short-lived National Star newspaper in America, and was seeking to strengthen his political contacts there.  Asked about the Australian federal election, 2007 at News Corporation's annual general meeting in New York on 19 October 2007, its chairman Rupert Murdoch said, "I am not commenting on anything to do with Australian politics. I'm sorry. I always get into trouble when I do that." Pressed as to whether he believed Prime Minister John Howard should continue as prime minister, he said: "I have nothing further to say. I'm sorry. Read our editorials in the papers. It'll be the journalists who decide that - the editors." In 2009, in response to accusations by Australian Prime Minister Kevin Rudd that News Limited was running vendettas against him and his government, Murdoch opined that Rudd was "oversensitive". Murdoch described Howard's successor, Labor Party Prime Minister Kevin Rudd, as "...more ambitious to lead the world [in tackling climate change] than to lead Australia..." and criticised Rudd's expansionary fiscal policies in the wake of the financial crisis of 2008 as unnecessary. Although News Limited's interests are extensive, also including the Daily Telegraph, the Courier-Mail and the Adelaide Advertiser, it was suggested by the commentator Mungo MacCallum in The Monthly that "the anti-Rudd push, if coordinated at all, was almost certainly locally driven" as opposed to being directed by Murdoch, who also took a different position from local editors on such matters as climate change and stimulus packages to combat the financial crisis.  Murdoch is a supporter of an Australian republic, having campaigned for one during the 1999 referendum. CANNOTANSWER

Question: What did Rupert Murdoch do after increasing power in the Australian Labor Party?
Answer: Murdoch had already started his short-lived National Star newspaper in America, and was seeking to strengthen his political contacts there.
Rupert Murdoch

Context: Murdoch found a political ally in Sir John McEwen, leader of the Australian Country Party (now known as the National Party of Australia), who was governing in coalition with the larger Menzies-Holt-Gorton Liberal Party. From the very first issue of The Australian Murdoch began taking McEwen's side in every issue that divided the long-serving coalition partners. (The Australian, 15 July 1964, first edition, front page: "Strain in Cabinet, Liberal-CP row flares.") It was an issue that threatened to split the coalition government and open the way for the stronger Australian Labor Party to dominate Australian politics. It was the beginning of a long campaign that served McEwen well.  After McEwen and Menzies retired, Murdoch threw his growing power behind the Australian Labor Party under the leadership of Gough Whitlam and duly saw it elected on a social platform that included universal free health care, free education for all Australians to tertiary level, recognition of the People's Republic of China, and public ownership of Australia's oil, gas and mineral resources. Rupert Murdoch's backing of Whitlam turned out to be brief. Murdoch had already started his short-lived National Star newspaper in America, and was seeking to strengthen his political contacts there.  Asked about the Australian federal election, 2007 at News Corporation's annual general meeting in New York on 19 October 2007, its chairman Rupert Murdoch said, "I am not commenting on anything to do with Australian politics. I'm sorry. I always get into trouble when I do that." Pressed as to whether he believed Prime Minister John Howard should continue as prime minister, he said: "I have nothing further to say. I'm sorry. Read our editorials in the papers. It'll be the journalists who decide that - the editors." In 2009, in response to accusations by Australian Prime Minister Kevin Rudd that News Limited was running vendettas against him and his government, Murdoch opined that Rudd was "oversensitive". Murdoch described Howard's successor, Labor Party Prime Minister Kevin Rudd, as "...more ambitious to lead the world [in tackling climate change] than to lead Australia..." and criticised Rudd's expansionary fiscal policies in the wake of the financial crisis of 2008 as unnecessary. Although News Limited's interests are extensive, also including the Daily Telegraph, the Courier-Mail and the Adelaide Advertiser, it was suggested by the commentator Mungo MacCallum in The Monthly that "the anti-Rudd push, if coordinated at all, was almost certainly locally driven" as opposed to being directed by Murdoch, who also took a different position from local editors on such matters as climate change and stimulus packages to combat the financial crisis.  Murdoch is a supporter of an Australian republic, having campaigned for one during the 1999 referendum. CANNOTANSWER

Question: Did Rupert Murdoch receive any political contacts in America?
Answer: seeking to strengthen his political contacts there.