gaussalgo/Canard_Wiki-augmented huggingface dataset:
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: In addition to Stopholese leaving the band and replaced by Jade Pugetny, any other band changes happened ?
Answer: The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety.
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: Any singles released off the AFI (band) albums ?
Answer: "Ever and a Day" and "6 to 8".
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: Besides "Ever and a Day" and "6 to 8", did AFI (band) have any other hits ?
Answer: ", "The Lost Souls", and "Catch a Hot One".
AFI (band)

Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position".  The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween".  On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety. CANNOTANSWER

Question: Were there any hidden messages in any of the AFI (band) albums ?
Answer: CANNOTANSWER
Augusto Pinochet

Context: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist.  However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity.  World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists."  Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic:  It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". CANNOTANSWER

Question: What were the accusations against Augusto Pinochet?
Answer: Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos.
Augusto Pinochet

Context: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist.  However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity.  World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists."  Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic:  It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". CANNOTANSWER

Question: Why was Augusto Pinochet accused of being a fascist?
Answer: Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States.
Augusto Pinochet

Context: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist.  However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity.  World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists."  Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic:  It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". CANNOTANSWER

Question: Was there conflict because of Augusto Pinochet's views of Fascism?
Answer: Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism
Augusto Pinochet

Context: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist.  However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity.  World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists."  Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic:  It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". CANNOTANSWER

Question: Did Augusto Pinochet have many followers?
Answer: CANNOTANSWER
Augusto Pinochet

Context: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist.  However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity.  World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists."  Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic:  It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". CANNOTANSWER

Question: Is there something else interesting to know about Augusto Pinochet other than his views of Fascism?
Answer: It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state,
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: When did Arthur Miller's career begin?
Answer: That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award.
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: Did the play, The Man Who Had all the Luck do well for Arthur Miller?
Answer: The play closed after four performances with disastrous reviews.
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: Did Arthur Miller have any hit plays?
Answer: In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: Did Arthur Miller win any awards?
Answer: (earning him his first Tony Award, for Best Author
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: Did Arthur Miller write the plays?
Answer: CANNOTANSWER
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: what did critics think of Arthur Miller's work?
Answer: "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: what play is the remark, "a very depressing play in a time of great optimism," referring to?
Answer: Miller's play All My Sons,
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: What is a notable fact about Arthur Miller's early work?
Answer: 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman.
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: Did Arthur Miller write any plays in Roxbury, Connecticut?
Answer: CANNOTANSWER
Arthur Miller

Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews.  In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.  In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.  In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred. CANNOTANSWER

Question: What work did Arthur Miller do at the studio in Roxbury, Connecticut?
Answer: 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram;