gaussalgo/Canard_Wiki-augmented huggingface dataset:
George M. Cohan

Context: Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique." It is considered a lost film.  Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast.  In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan's comment on Cagney's performance was, "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny. CANNOTANSWER

Question: What was George M. Cohan's most notable accomplishment in Cohan's later career?
Answer: Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933),
George M. Cohan

Context: Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique." It is considered a lost film.  Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast.  In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan's comment on Cagney's performance was, "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny. CANNOTANSWER

Question: What about Cohan's family, any grandkids?
Answer: CANNOTANSWER
George M. Cohan

Context: Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique." It is considered a lost film.  Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast.  In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan's comment on Cagney's performance was, "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny. CANNOTANSWER

Question: What did George M. Cohan enjoy doing?
Answer: CANNOTANSWER
George M. Cohan

Context: Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique." It is considered a lost film.  Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast.  In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan's comment on Cagney's performance was, "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny. CANNOTANSWER

Question: Are there any other interesting aspects about this article on George M. Cohan other than Cohan's career achievements?
Answer: the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937).
George M. Cohan

Context: Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique." It is considered a lost film.  Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast.  In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan's comment on Cagney's performance was, "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny. CANNOTANSWER

Question: Did George M. Cohan portray any other famous people other than President Franklin D. Roosevelt?
Answer: CANNOTANSWER
Husayn ibn Ali

Context: According to the Shi'ah, Husayn was the third Imam for a period of ten years after the death of his brother Hasan in CE 669, all of this time but the last six months coinciding with the caliphate of Mu'awiyah. After the peace treaty with Hasan, Mu'awiyah set out with his troops to Kufa, where at a public surrender ceremony Hasan rose and reminded the people that he and Husayn were the only grandsons of Muhammad, and that he had surrendered the reign to Mu'awiyah in the best interest of the community: "O people, surely it was God who led you by the first of us and Who has spared you bloodshed by the last of us. I have made peace with Mu'awiyah, and I know not whether haply this be not for your trial, and that ye may enjoy yourselves for a time." declared Hasan.  In the nine-year period between Hasan's abdication in 41/660 and his death in 49/669, Hasan and Husayn retired in Medina trying to keep aloof from political involvement for or against Muawiyah.  Shi'ite feelings, however, though not visible above the surface, occasionally emerged in the form of small groups, mostly from Kufa, visiting Hasan and Husayn asking them to be their leaders - a request to which they declined to respond. Even ten years later, after the death of Hasan, when Iraqis turned to his younger brother, Husayn, concerning an uprising, Husayn instructed them to wait as long as Muawiyah was alive due to Hasan's peace treaty with him. Later on, however, and before his death, Muawiyah named his son Yazid as his successor. CANNOTANSWER

Question: Who was Muawiyah in relation to Husayn ibn Ali?
Answer: After the peace treaty with Hasan, Mu'awiyah set out with his troops to Kufa,
Husayn ibn Ali

Context: According to the Shi'ah, Husayn was the third Imam for a period of ten years after the death of his brother Hasan in CE 669, all of this time but the last six months coinciding with the caliphate of Mu'awiyah. After the peace treaty with Hasan, Mu'awiyah set out with his troops to Kufa, where at a public surrender ceremony Hasan rose and reminded the people that he and Husayn were the only grandsons of Muhammad, and that he had surrendered the reign to Mu'awiyah in the best interest of the community: "O people, surely it was God who led you by the first of us and Who has spared you bloodshed by the last of us. I have made peace with Mu'awiyah, and I know not whether haply this be not for your trial, and that ye may enjoy yourselves for a time." declared Hasan.  In the nine-year period between Hasan's abdication in 41/660 and his death in 49/669, Hasan and Husayn retired in Medina trying to keep aloof from political involvement for or against Muawiyah.  Shi'ite feelings, however, though not visible above the surface, occasionally emerged in the form of small groups, mostly from Kufa, visiting Hasan and Husayn asking them to be their leaders - a request to which they declined to respond. Even ten years later, after the death of Hasan, when Iraqis turned to his younger brother, Husayn, concerning an uprising, Husayn instructed them to wait as long as Muawiyah was alive due to Hasan's peace treaty with him. Later on, however, and before his death, Muawiyah named his son Yazid as his successor. CANNOTANSWER

Question: What was in Kufa when Husayn ibn Ali set out troops?
Answer: public surrender ceremony
Husayn ibn Ali

Context: According to the Shi'ah, Husayn was the third Imam for a period of ten years after the death of his brother Hasan in CE 669, all of this time but the last six months coinciding with the caliphate of Mu'awiyah. After the peace treaty with Hasan, Mu'awiyah set out with his troops to Kufa, where at a public surrender ceremony Hasan rose and reminded the people that he and Husayn were the only grandsons of Muhammad, and that he had surrendered the reign to Mu'awiyah in the best interest of the community: "O people, surely it was God who led you by the first of us and Who has spared you bloodshed by the last of us. I have made peace with Mu'awiyah, and I know not whether haply this be not for your trial, and that ye may enjoy yourselves for a time." declared Hasan.  In the nine-year period between Hasan's abdication in 41/660 and his death in 49/669, Hasan and Husayn retired in Medina trying to keep aloof from political involvement for or against Muawiyah.  Shi'ite feelings, however, though not visible above the surface, occasionally emerged in the form of small groups, mostly from Kufa, visiting Hasan and Husayn asking them to be their leaders - a request to which they declined to respond. Even ten years later, after the death of Hasan, when Iraqis turned to his younger brother, Husayn, concerning an uprising, Husayn instructed them to wait as long as Muawiyah was alive due to Hasan's peace treaty with him. Later on, however, and before his death, Muawiyah named his son Yazid as his successor. CANNOTANSWER

Question: Who was surrendering when Husayn ibn Ali sent troops to Kufa?
Answer: Hasan rose and reminded the people that he and Husayn were the only grandsons of Muhammad, and that he had surrendered
Husayn ibn Ali

Context: According to the Shi'ah, Husayn was the third Imam for a period of ten years after the death of his brother Hasan in CE 669, all of this time but the last six months coinciding with the caliphate of Mu'awiyah. After the peace treaty with Hasan, Mu'awiyah set out with his troops to Kufa, where at a public surrender ceremony Hasan rose and reminded the people that he and Husayn were the only grandsons of Muhammad, and that he had surrendered the reign to Mu'awiyah in the best interest of the community: "O people, surely it was God who led you by the first of us and Who has spared you bloodshed by the last of us. I have made peace with Mu'awiyah, and I know not whether haply this be not for your trial, and that ye may enjoy yourselves for a time." declared Hasan.  In the nine-year period between Hasan's abdication in 41/660 and his death in 49/669, Hasan and Husayn retired in Medina trying to keep aloof from political involvement for or against Muawiyah.  Shi'ite feelings, however, though not visible above the surface, occasionally emerged in the form of small groups, mostly from Kufa, visiting Hasan and Husayn asking them to be their leaders - a request to which they declined to respond. Even ten years later, after the death of Hasan, when Iraqis turned to his younger brother, Husayn, concerning an uprising, Husayn instructed them to wait as long as Muawiyah was alive due to Hasan's peace treaty with him. Later on, however, and before his death, Muawiyah named his son Yazid as his successor. CANNOTANSWER

Question: Why did Hasan Rose choose to surrender?
Answer: in the best interest of the community:
Víctor Jara

Context: Early in his recording career, Jara showed a knack for antagonizing conservative Chileans, releasing a traditional comic song called "La beata" that depicted a religious woman with a crush on the priest to whom she goes for confession. The song was banned on radio stations and removed from record shops, but the controversy only added to Jara's reputation among young and progressive Chileans. More serious in the eyes of the Chilean right wing was Jara's growing identification with the socialist movement led by Salvador Allende. After visits to Cuba and the Soviet Union in the early 1960s, Jara had joined the Communist Party. The personal met the political in his songs about the poverty he had experienced firsthand.  Jara's songs spread outside Chile and were performed by American folk artists. His popularity was due not only to his songwriting skills but also to his exceptional power as a performer. He took a decisive turn toward political confrontation with his 1969 song "Preguntas por Puerto Montt" ("Questions About Puerto Montt"), which took direct aim at a government official who had ordered police to attack squatters in the town of Puerto Montt. The Chilean political situation deteriorated after the official was assassinated, and right-wing thugs beat up Jara on one occasion.  In 1970, Jara supported Allende, the Popular Unity coalition candidate for president, volunteering for political work and playing free concerts. He composed "Venceremos" ("We Will Triumph"), the theme song of Allende's Popular Unity movement, and welcomed Allende's election to the Chilean presidency in 1970. After the election, Jara continued to speak in support of Allende and played an important role in the new administration's efforts to reorient Chilean culture.  He and his wife, Joan Jara, were key participants in a cultural renaissance that swept Chile, organizing cultural events that supported the country's new socialist government. He set poems by Pablo Neruda to music and performed at a ceremony honoring him after Neruda received the Nobel Prize in Literature in 1972. Throughout rumblings of a right-wing coup, Jara held on to his teaching job at Chile's Technical University. His popular success during this time, as both a musician and a Communist, earned him a concert in Moscow. So successful was he that the Soviet Union tried to latch onto his popularity, claiming in their media that his vocal prowess was the result of surgery he had undergone while in Moscow.  Backed by the United States, which opposed Allende's socialist politics, the Chilean right wing staged a coup d'etat on September 11, 1973, resulting in the death of Allende and the installation of Augusto Pinochet as dictator. At the moment of the coup, Jara was on his way to the Technical University (today the Universidad de Santiago). That night, he slept at the university along with other teachers and students, and sang to raise morale. CANNOTANSWER

Question: Was there any political activism in Victor Jara's time?
Answer: The personal met the political in his songs about the poverty he had experienced firsthand.
Víctor Jara

Context: Early in his recording career, Jara showed a knack for antagonizing conservative Chileans, releasing a traditional comic song called "La beata" that depicted a religious woman with a crush on the priest to whom she goes for confession. The song was banned on radio stations and removed from record shops, but the controversy only added to Jara's reputation among young and progressive Chileans. More serious in the eyes of the Chilean right wing was Jara's growing identification with the socialist movement led by Salvador Allende. After visits to Cuba and the Soviet Union in the early 1960s, Jara had joined the Communist Party. The personal met the political in his songs about the poverty he had experienced firsthand.  Jara's songs spread outside Chile and were performed by American folk artists. His popularity was due not only to his songwriting skills but also to his exceptional power as a performer. He took a decisive turn toward political confrontation with his 1969 song "Preguntas por Puerto Montt" ("Questions About Puerto Montt"), which took direct aim at a government official who had ordered police to attack squatters in the town of Puerto Montt. The Chilean political situation deteriorated after the official was assassinated, and right-wing thugs beat up Jara on one occasion.  In 1970, Jara supported Allende, the Popular Unity coalition candidate for president, volunteering for political work and playing free concerts. He composed "Venceremos" ("We Will Triumph"), the theme song of Allende's Popular Unity movement, and welcomed Allende's election to the Chilean presidency in 1970. After the election, Jara continued to speak in support of Allende and played an important role in the new administration's efforts to reorient Chilean culture.  He and his wife, Joan Jara, were key participants in a cultural renaissance that swept Chile, organizing cultural events that supported the country's new socialist government. He set poems by Pablo Neruda to music and performed at a ceremony honoring him after Neruda received the Nobel Prize in Literature in 1972. Throughout rumblings of a right-wing coup, Jara held on to his teaching job at Chile's Technical University. His popular success during this time, as both a musician and a Communist, earned him a concert in Moscow. So successful was he that the Soviet Union tried to latch onto his popularity, claiming in their media that his vocal prowess was the result of surgery he had undergone while in Moscow.  Backed by the United States, which opposed Allende's socialist politics, the Chilean right wing staged a coup d'etat on September 11, 1973, resulting in the death of Allende and the installation of Augusto Pinochet as dictator. At the moment of the coup, Jara was on his way to the Technical University (today the Universidad de Santiago). That night, he slept at the university along with other teachers and students, and sang to raise morale. CANNOTANSWER

Question: Did the songs about poverty by Víctor Jara inspire others?
Answer: He and his wife, Joan Jara, were key participants in a cultural renaissance that swept Chile,
Víctor Jara

Context: Early in his recording career, Jara showed a knack for antagonizing conservative Chileans, releasing a traditional comic song called "La beata" that depicted a religious woman with a crush on the priest to whom she goes for confession. The song was banned on radio stations and removed from record shops, but the controversy only added to Jara's reputation among young and progressive Chileans. More serious in the eyes of the Chilean right wing was Jara's growing identification with the socialist movement led by Salvador Allende. After visits to Cuba and the Soviet Union in the early 1960s, Jara had joined the Communist Party. The personal met the political in his songs about the poverty he had experienced firsthand.  Jara's songs spread outside Chile and were performed by American folk artists. His popularity was due not only to his songwriting skills but also to his exceptional power as a performer. He took a decisive turn toward political confrontation with his 1969 song "Preguntas por Puerto Montt" ("Questions About Puerto Montt"), which took direct aim at a government official who had ordered police to attack squatters in the town of Puerto Montt. The Chilean political situation deteriorated after the official was assassinated, and right-wing thugs beat up Jara on one occasion.  In 1970, Jara supported Allende, the Popular Unity coalition candidate for president, volunteering for political work and playing free concerts. He composed "Venceremos" ("We Will Triumph"), the theme song of Allende's Popular Unity movement, and welcomed Allende's election to the Chilean presidency in 1970. After the election, Jara continued to speak in support of Allende and played an important role in the new administration's efforts to reorient Chilean culture.  He and his wife, Joan Jara, were key participants in a cultural renaissance that swept Chile, organizing cultural events that supported the country's new socialist government. He set poems by Pablo Neruda to music and performed at a ceremony honoring him after Neruda received the Nobel Prize in Literature in 1972. Throughout rumblings of a right-wing coup, Jara held on to his teaching job at Chile's Technical University. His popular success during this time, as both a musician and a Communist, earned him a concert in Moscow. So successful was he that the Soviet Union tried to latch onto his popularity, claiming in their media that his vocal prowess was the result of surgery he had undergone while in Moscow.  Backed by the United States, which opposed Allende's socialist politics, the Chilean right wing staged a coup d'etat on September 11, 1973, resulting in the death of Allende and the installation of Augusto Pinochet as dictator. At the moment of the coup, Jara was on his way to the Technical University (today the Universidad de Santiago). That night, he slept at the university along with other teachers and students, and sang to raise morale. CANNOTANSWER

Question: Who was Victor Jara?
Answer: CANNOTANSWER
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: Where was Hugh Trumble born?
Answer: the inner Melbourne neighbourhood of Collingwood, Victoria
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: When was Hugh Trumble born?
Answer: 1867,
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: Who were Hugh Trumble's parents?
Answer: the son of William, born in Northern Ireland and superintendent of an insane asylum,
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: Who was Hugh Trumble's mother?
Answer: and Scottish-born Elizabeth (nee Clark).
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: What was Hugh Trumble's childhood like?
Answer: He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club.
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: How did Hugh Trumble get started professionally?
Answer: Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success.
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: What did Hugh Trumble do at Melbourne?
Answer: He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating
Hugh Trumble

Context: Trumble was born in the inner Melbourne neighbourhood of Collingwood, Victoria in 1867, the son of William, born in Northern Ireland and superintendent of an insane asylum, and Scottish-born Elizabeth (nee Clark). His elder brother, John, also played Test cricket for Australia and his younger brother, Thomas, was a public servant who served as Secretary for the Department of Defence from 1918-27, and then official secretary to the High Commissioner for Australia in London.  Trumble spent part of his early life in the western Victorian town of Ararat before returning to Melbourne, settling in suburban Camberwell. He was educated at Hawthorn Grammar School and played his early cricket for Kew Cricket Club. Encouraging his sons' early love of cricket, William Trumble--a keen cricketer who bowled leg breaks for South Melbourne Cricket Club--set out a cricket pitch at the family home. He placed a feather on a good length and urged his sons to aim at it when bowling. Known for his accuracy, Hugh later said, "Of course I couldn't repeatedly hit the feather, but I soon reached the stage when I was always pretty close to it"  Trumble transferred to the Melbourne Cricket Club for the 1887-88 cricket season and was an immediate success. He took 36 wickets that season, finishing with an average of 6.77 runs per wicket; the best in the club, beating his teammate and Australian Test bowler Fred Spofforth. He made his first-class cricket debut for Victoria that same season, selected to play against a touring English XI led by Middlesex batsman George Vernon. His first match for Victoria against Australian opposition was against New South Wales at the Melbourne Cricket Ground. Bowling with Spofforth, in the first innings Trumble took seven wickets for 52 runs. CANNOTANSWER

Question: Who did Hugh Trumble beat while at Melbourne?
Answer: the best in the club, beating his teammate and Australian Test bowler Fred Spofforth.
Ryuichi Sakamoto

Context: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds. CANNOTANSWER

Question: What has Ryuichi Sakamoto produced?
Answer: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Ryuichi Sakamoto

Context: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds. CANNOTANSWER

Question: Did Mari Iijima's Rose do well as an album?
Answer: CANNOTANSWER
Ryuichi Sakamoto

Context: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun.  Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said:  He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds. CANNOTANSWER

Question: What other albums did Ryuichi Sakamoto produce, besides Rose?
Answer: 1994 album A Place In The Sun.