gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bob Hayes

Context: Hayes was a highly recruited athlete, and accepted a football scholarship from Florida A&M University a historically black college, where he excelled in track & field.  He never lost a race in the 100 yard or 100 meter competitions, but mainstream schools of the area still did not invite him to their sanctioned meets. In 1962 the University of Miami invited him to a meet on their campus, where he tied the world record of 9.2 seconds in the 100-yard dash, which had been set by Frank Budd of Villanova University the previous year. He also was the first person to break six seconds in the 60 yard dash with his indoor world record of 5.9 seconds.  In 1963, although he never used a traditional sprinter form, he broke the 100-yard dash record with a time of 9.1, a mark that would not be broken for eleven years (until Ivory Crockett ran a 9.0 in 1974). That same year, Hayes set the world best for 200 meters (20.5 seconds, although the time was never ratified) and ran the 220 yard dash in a time of 20.6 seconds (while running into an eight mph wind). He was selected to represent the United States in the 1964 Summer Olympics in Tokyo. His football coach Jake Gaither was not very high on giving Hayes time to train, which caused then president Lyndon B. Johnson to call him in order to allow Hayes time off and to keep him healthy.  He was the AAU 100 yard dash champion three years running, from 1962-1964, and in 1964 was the NCAA champion in the 200 meter dash. He missed part of his senior year because of his Olympic bid for the Gold medal.  In 1976, he was inducted into the inaugural class of the Florida A&M University Sports Hall of Fame. In 1996, he was inducted into the Southern Intercollegiate Athletic Conference Hall of Fame. In 2011, he was inducted into the Black College Football Hall of Fame. CANNOTANSWER

Question: Was Bob in any other competitive matches in college other than track and field?
Answer: In 1962 the University of Miami invited him to a meet on their campus, where he tied the world record of 9.2 seconds in the 100-yard dash,
Brahmabandhav Upadhyay

Context: When he was in the high school, Bhavani Charan became inclined towards the Indian nationalist movement for freedom, and during his college education, he plunged into the freedom movement. His biographer, Julius Lipner, says that Brahmabandhab "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century". He was contemporary to and friend of the poet Rabindranath Tagore and Vivekananda. According to Lipner, "Vivekananda lit the sacrificial flame or revolution, Brahmabandhab in fuelling it, safeguarded and fanned the sacrifice."  Brahmabandhab Upadhyay acted as editor of Sandhya, till the last day of his life. After the movement of partition of Bengal in 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.  In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality." In May 1907, Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him. And thrashing of European soldiers are continuing..." Further it added, "Listen and you will hear the Mother's trumpet are sounding. Mother's son do not tarry, but to get ready; go about from village to village and prepare the Indians for death." In September 1907 Sandhya wrote, "God gives opportunities to all nations to to [sic] free themselves from their stupor and strength to make the necessary beginning." Bramhabandhab wrote in Sandhya on 26 October 1907, a day before his death, "I will not got to the jail of the feringhi to work as a prisoner.. I had never been at any one's beck and call. I obeyed none. At the fag end of my old age they will send me to jail for law's sake, and I will work for nothing. Impossible! I won't go to jail, I have been called." CANNOTANSWER

Question: What are some of the patriotic activities Brahmabandhav Upadhyay is involved in?
Answer: "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century".
Brahmabandhav Upadhyay

Context: When he was in the high school, Bhavani Charan became inclined towards the Indian nationalist movement for freedom, and during his college education, he plunged into the freedom movement. His biographer, Julius Lipner, says that Brahmabandhab "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century". He was contemporary to and friend of the poet Rabindranath Tagore and Vivekananda. According to Lipner, "Vivekananda lit the sacrificial flame or revolution, Brahmabandhab in fuelling it, safeguarded and fanned the sacrifice."  Brahmabandhab Upadhyay acted as editor of Sandhya, till the last day of his life. After the movement of partition of Bengal in 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.  In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality." In May 1907, Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him. And thrashing of European soldiers are continuing..." Further it added, "Listen and you will hear the Mother's trumpet are sounding. Mother's son do not tarry, but to get ready; go about from village to village and prepare the Indians for death." In September 1907 Sandhya wrote, "God gives opportunities to all nations to to [sic] free themselves from their stupor and strength to make the necessary beginning." Bramhabandhab wrote in Sandhya on 26 October 1907, a day before his death, "I will not got to the jail of the feringhi to work as a prisoner.. I had never been at any one's beck and call. I obeyed none. At the fag end of my old age they will send me to jail for law's sake, and I will work for nothing. Impossible! I won't go to jail, I have been called." CANNOTANSWER

Question: What significant contribution did Brahmabandhav Upadhyay make?
Answer: 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.
Brahmabandhav Upadhyay

Context: When he was in the high school, Bhavani Charan became inclined towards the Indian nationalist movement for freedom, and during his college education, he plunged into the freedom movement. His biographer, Julius Lipner, says that Brahmabandhab "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century". He was contemporary to and friend of the poet Rabindranath Tagore and Vivekananda. According to Lipner, "Vivekananda lit the sacrificial flame or revolution, Brahmabandhab in fuelling it, safeguarded and fanned the sacrifice."  Brahmabandhab Upadhyay acted as editor of Sandhya, till the last day of his life. After the movement of partition of Bengal in 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.  In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality." In May 1907, Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him. And thrashing of European soldiers are continuing..." Further it added, "Listen and you will hear the Mother's trumpet are sounding. Mother's son do not tarry, but to get ready; go about from village to village and prepare the Indians for death." In September 1907 Sandhya wrote, "God gives opportunities to all nations to to [sic] free themselves from their stupor and strength to make the necessary beginning." Bramhabandhab wrote in Sandhya on 26 October 1907, a day before his death, "I will not got to the jail of the feringhi to work as a prisoner.. I had never been at any one's beck and call. I obeyed none. At the fag end of my old age they will send me to jail for law's sake, and I will work for nothing. Impossible! I won't go to jail, I have been called." CANNOTANSWER

Question: How did Brahmabandhav Upadhyay propagate nationalist ideologies?
Answer: In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality."
Brahmabandhav Upadhyay

Context: When he was in the high school, Bhavani Charan became inclined towards the Indian nationalist movement for freedom, and during his college education, he plunged into the freedom movement. His biographer, Julius Lipner, says that Brahmabandhab "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century". He was contemporary to and friend of the poet Rabindranath Tagore and Vivekananda. According to Lipner, "Vivekananda lit the sacrificial flame or revolution, Brahmabandhab in fuelling it, safeguarded and fanned the sacrifice."  Brahmabandhab Upadhyay acted as editor of Sandhya, till the last day of his life. After the movement of partition of Bengal in 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.  In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality." In May 1907, Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him. And thrashing of European soldiers are continuing..." Further it added, "Listen and you will hear the Mother's trumpet are sounding. Mother's son do not tarry, but to get ready; go about from village to village and prepare the Indians for death." In September 1907 Sandhya wrote, "God gives opportunities to all nations to to [sic] free themselves from their stupor and strength to make the necessary beginning." Bramhabandhab wrote in Sandhya on 26 October 1907, a day before his death, "I will not got to the jail of the feringhi to work as a prisoner.. I had never been at any one's beck and call. I obeyed none. At the fag end of my old age they will send me to jail for law's sake, and I will work for nothing. Impossible! I won't go to jail, I have been called." CANNOTANSWER

Question: What else is interesting about the article about Brahmabandhav Upadhyay other than propagate nationalist ideologies?
Answer: Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him.
Brahmabandhav Upadhyay

Context: When he was in the high school, Bhavani Charan became inclined towards the Indian nationalist movement for freedom, and during his college education, he plunged into the freedom movement. His biographer, Julius Lipner, says that Brahmabandhab "made a significant contribution to the shaping of the new India whose identity began to emerge from the first half of the nineteenth century". He was contemporary to and friend of the poet Rabindranath Tagore and Vivekananda. According to Lipner, "Vivekananda lit the sacrificial flame or revolution, Brahmabandhab in fuelling it, safeguarded and fanned the sacrifice."  Brahmabandhab Upadhyay acted as editor of Sandhya, till the last day of his life. After the movement of partition of Bengal in 1905, there was a boost in nationalist ideologies and several publications took active and fierce role in propagating them, including Sandhya.  In March 1907, Sandhya elaborated its motto as, "If death comes in the striving, the death will be converted to immortality." In May 1907, Sandhya reported, "People are soundly thrashing a feringhi whenever they are coming across one. And here whenever a feringhi is seen the boys throw a brickbat at him. And thrashing of European soldiers are continuing..." Further it added, "Listen and you will hear the Mother's trumpet are sounding. Mother's son do not tarry, but to get ready; go about from village to village and prepare the Indians for death." In September 1907 Sandhya wrote, "God gives opportunities to all nations to to [sic] free themselves from their stupor and strength to make the necessary beginning." Bramhabandhab wrote in Sandhya on 26 October 1907, a day before his death, "I will not got to the jail of the feringhi to work as a prisoner.. I had never been at any one's beck and call. I obeyed none. At the fag end of my old age they will send me to jail for law's sake, and I will work for nothing. Impossible! I won't go to jail, I have been called." CANNOTANSWER

Question: Was Brahmabandhav Upadhyay not well liked?
Answer: CANNOTANSWER
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: What records did Jennifer Capriati hold?
Answer: She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open,
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: In addition to Wimbledon, what else was Jennifer Capriati the youngest player to do?
Answer: the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships.
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: how old was Jennifer Capriati?
Answer: Capriati made her professional debut as a 13-year-old,
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: In addition to being a consistent top-10 player,what else did Jennifer Capriati accomplish as a teenager?
Answer: In her second season as a touring pro, Capriati established herself as a consistent top-10 player.
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: Did Jennifer Capriati beat anyone famous?
Answer: defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego,
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: In addition to Maleeva, did Jennifer Capriati beat anyone else famous?
Answer: and Katerina Maleeva in straight sets in the final of Toronto.
Jennifer Capriati

Context: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel.  Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight.  Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title.  In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001.  Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. CANNOTANSWER

Question: In addition to Navratilova, who else did Jennifer Capriati beat?
Answer: At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets.
Killing Joke

Context: A Killing Joke anthology, Laugh? I Nearly Bought One!, was released in 1992; during its production, Walker became reacquainted with Youth, who suggested that they reform the band with himself back on bass. That same year, two singles (on cassette and CD) appeared featuring the early songs "Change" and "Wardance" in several new versions remixed by Youth, who was by then a very successful producer.  Coleman produced the 1993 debut album Churn by the New Zealand band Shihad, and Shihad drummer Tom Larkin played on some of the songs on the next Killing Joke album, Pandemonium. Relations later soured between Coleman and Shihad due to a dispute over Coleman's production fee for Churn.  The reactivated Killing Joke released two strong and well-received albums on Youth's Butterfly Recordings label, Pandemonium and Democracy, which saw the band shifting back to the simpler arrangements of their early albums. They also employed young talent like Waxworth Industries for 12-inch remixes in order to provide an alternative inroad to the band's new and evolving sound. Pandemonium (1994) melded a metallic, ritualistic sound with mosh beats and loops, and earned Killing Joke a memorable Top of the Pops appearance for the single "Millennium", which was a UK Top 40 hit (the album itself made the Top 20). The title track was also released as a single and made the UK Top 30. In 1995, the band recorded the song "Hollywood Babylon" for the soundtrack of Paul Verhoeven's movie Showgirls. Democracy (1996) successfully introduced acoustic guitar into the mix, as well as adopting more of a "live band" sound again. The title track was again released as a single and made the UK Top 40. Much of Pandemonium and all of Democracy featured session drummer Geoff Dugmore. He also played live with the band throughout this era. Nick Holywell-Walker joined the band on keyboards and programming for 11 years from 1994 to 2005, notably on Democracy and XXV Gathering. Youth bowed out of live performance early in the Democracy tour and was replaced by Troy Gregory previously of Prong.  After the Democracy tour, the band went on an extended hiatus. Coleman and Youth produced a string of well-received orchestral rock albums based on the music of legends such as Led Zeppelin, Pink Floyd and the Doors. Coleman became composer-in-residence for New Zealand and Czech symphony orchestras, and made his acting debut with the main role in the film Rok dabla (Year of the Devil) by Czech filmmaker Petr Zelenka. CANNOTANSWER

Question: What happened in 1992 to Killing Joke?
Answer: A Killing Joke anthology, Laugh? I Nearly Bought One!, was released in 1992;
Killing Joke

Context: A Killing Joke anthology, Laugh? I Nearly Bought One!, was released in 1992; during its production, Walker became reacquainted with Youth, who suggested that they reform the band with himself back on bass. That same year, two singles (on cassette and CD) appeared featuring the early songs "Change" and "Wardance" in several new versions remixed by Youth, who was by then a very successful producer.  Coleman produced the 1993 debut album Churn by the New Zealand band Shihad, and Shihad drummer Tom Larkin played on some of the songs on the next Killing Joke album, Pandemonium. Relations later soured between Coleman and Shihad due to a dispute over Coleman's production fee for Churn.  The reactivated Killing Joke released two strong and well-received albums on Youth's Butterfly Recordings label, Pandemonium and Democracy, which saw the band shifting back to the simpler arrangements of their early albums. They also employed young talent like Waxworth Industries for 12-inch remixes in order to provide an alternative inroad to the band's new and evolving sound. Pandemonium (1994) melded a metallic, ritualistic sound with mosh beats and loops, and earned Killing Joke a memorable Top of the Pops appearance for the single "Millennium", which was a UK Top 40 hit (the album itself made the Top 20). The title track was also released as a single and made the UK Top 30. In 1995, the band recorded the song "Hollywood Babylon" for the soundtrack of Paul Verhoeven's movie Showgirls. Democracy (1996) successfully introduced acoustic guitar into the mix, as well as adopting more of a "live band" sound again. The title track was again released as a single and made the UK Top 40. Much of Pandemonium and all of Democracy featured session drummer Geoff Dugmore. He also played live with the band throughout this era. Nick Holywell-Walker joined the band on keyboards and programming for 11 years from 1994 to 2005, notably on Democracy and XXV Gathering. Youth bowed out of live performance early in the Democracy tour and was replaced by Troy Gregory previously of Prong.  After the Democracy tour, the band went on an extended hiatus. Coleman and Youth produced a string of well-received orchestral rock albums based on the music of legends such as Led Zeppelin, Pink Floyd and the Doors. Coleman became composer-in-residence for New Zealand and Czech symphony orchestras, and made his acting debut with the main role in the film Rok dabla (Year of the Devil) by Czech filmmaker Petr Zelenka. CANNOTANSWER

Question: How many copies did Killing Joke sell of the : A Killing Joke anthology, Laugh? I Nearly Bought One !album?
Answer: CANNOTANSWER
Killing Joke

Context: A Killing Joke anthology, Laugh? I Nearly Bought One!, was released in 1992; during its production, Walker became reacquainted with Youth, who suggested that they reform the band with himself back on bass. That same year, two singles (on cassette and CD) appeared featuring the early songs "Change" and "Wardance" in several new versions remixed by Youth, who was by then a very successful producer.  Coleman produced the 1993 debut album Churn by the New Zealand band Shihad, and Shihad drummer Tom Larkin played on some of the songs on the next Killing Joke album, Pandemonium. Relations later soured between Coleman and Shihad due to a dispute over Coleman's production fee for Churn.  The reactivated Killing Joke released two strong and well-received albums on Youth's Butterfly Recordings label, Pandemonium and Democracy, which saw the band shifting back to the simpler arrangements of their early albums. They also employed young talent like Waxworth Industries for 12-inch remixes in order to provide an alternative inroad to the band's new and evolving sound. Pandemonium (1994) melded a metallic, ritualistic sound with mosh beats and loops, and earned Killing Joke a memorable Top of the Pops appearance for the single "Millennium", which was a UK Top 40 hit (the album itself made the Top 20). The title track was also released as a single and made the UK Top 30. In 1995, the band recorded the song "Hollywood Babylon" for the soundtrack of Paul Verhoeven's movie Showgirls. Democracy (1996) successfully introduced acoustic guitar into the mix, as well as adopting more of a "live band" sound again. The title track was again released as a single and made the UK Top 40. Much of Pandemonium and all of Democracy featured session drummer Geoff Dugmore. He also played live with the band throughout this era. Nick Holywell-Walker joined the band on keyboards and programming for 11 years from 1994 to 2005, notably on Democracy and XXV Gathering. Youth bowed out of live performance early in the Democracy tour and was replaced by Troy Gregory previously of Prong.  After the Democracy tour, the band went on an extended hiatus. Coleman and Youth produced a string of well-received orchestral rock albums based on the music of legends such as Led Zeppelin, Pink Floyd and the Doors. Coleman became composer-in-residence for New Zealand and Czech symphony orchestras, and made his acting debut with the main role in the film Rok dabla (Year of the Devil) by Czech filmmaker Petr Zelenka. CANNOTANSWER

Question: Did Killing Joke go on tour during the 1992 - 1996 time frame?
Answer: Democracy tour
Killing Joke

Context: A Killing Joke anthology, Laugh? I Nearly Bought One!, was released in 1992; during its production, Walker became reacquainted with Youth, who suggested that they reform the band with himself back on bass. That same year, two singles (on cassette and CD) appeared featuring the early songs "Change" and "Wardance" in several new versions remixed by Youth, who was by then a very successful producer.  Coleman produced the 1993 debut album Churn by the New Zealand band Shihad, and Shihad drummer Tom Larkin played on some of the songs on the next Killing Joke album, Pandemonium. Relations later soured between Coleman and Shihad due to a dispute over Coleman's production fee for Churn.  The reactivated Killing Joke released two strong and well-received albums on Youth's Butterfly Recordings label, Pandemonium and Democracy, which saw the band shifting back to the simpler arrangements of their early albums. They also employed young talent like Waxworth Industries for 12-inch remixes in order to provide an alternative inroad to the band's new and evolving sound. Pandemonium (1994) melded a metallic, ritualistic sound with mosh beats and loops, and earned Killing Joke a memorable Top of the Pops appearance for the single "Millennium", which was a UK Top 40 hit (the album itself made the Top 20). The title track was also released as a single and made the UK Top 30. In 1995, the band recorded the song "Hollywood Babylon" for the soundtrack of Paul Verhoeven's movie Showgirls. Democracy (1996) successfully introduced acoustic guitar into the mix, as well as adopting more of a "live band" sound again. The title track was again released as a single and made the UK Top 40. Much of Pandemonium and all of Democracy featured session drummer Geoff Dugmore. He also played live with the band throughout this era. Nick Holywell-Walker joined the band on keyboards and programming for 11 years from 1994 to 2005, notably on Democracy and XXV Gathering. Youth bowed out of live performance early in the Democracy tour and was replaced by Troy Gregory previously of Prong.  After the Democracy tour, the band went on an extended hiatus. Coleman and Youth produced a string of well-received orchestral rock albums based on the music of legends such as Led Zeppelin, Pink Floyd and the Doors. Coleman became composer-in-residence for New Zealand and Czech symphony orchestras, and made his acting debut with the main role in the film Rok dabla (Year of the Devil) by Czech filmmaker Petr Zelenka. CANNOTANSWER

Question: How long before Killing Time released their next album?
Answer: After the Democracy tour, the band went on an extended hiatus.
Killing Joke

Context: A Killing Joke anthology, Laugh? I Nearly Bought One!, was released in 1992; during its production, Walker became reacquainted with Youth, who suggested that they reform the band with himself back on bass. That same year, two singles (on cassette and CD) appeared featuring the early songs "Change" and "Wardance" in several new versions remixed by Youth, who was by then a very successful producer.  Coleman produced the 1993 debut album Churn by the New Zealand band Shihad, and Shihad drummer Tom Larkin played on some of the songs on the next Killing Joke album, Pandemonium. Relations later soured between Coleman and Shihad due to a dispute over Coleman's production fee for Churn.  The reactivated Killing Joke released two strong and well-received albums on Youth's Butterfly Recordings label, Pandemonium and Democracy, which saw the band shifting back to the simpler arrangements of their early albums. They also employed young talent like Waxworth Industries for 12-inch remixes in order to provide an alternative inroad to the band's new and evolving sound. Pandemonium (1994) melded a metallic, ritualistic sound with mosh beats and loops, and earned Killing Joke a memorable Top of the Pops appearance for the single "Millennium", which was a UK Top 40 hit (the album itself made the Top 20). The title track was also released as a single and made the UK Top 30. In 1995, the band recorded the song "Hollywood Babylon" for the soundtrack of Paul Verhoeven's movie Showgirls. Democracy (1996) successfully introduced acoustic guitar into the mix, as well as adopting more of a "live band" sound again. The title track was again released as a single and made the UK Top 40. Much of Pandemonium and all of Democracy featured session drummer Geoff Dugmore. He also played live with the band throughout this era. Nick Holywell-Walker joined the band on keyboards and programming for 11 years from 1994 to 2005, notably on Democracy and XXV Gathering. Youth bowed out of live performance early in the Democracy tour and was replaced by Troy Gregory previously of Prong.  After the Democracy tour, the band went on an extended hiatus. Coleman and Youth produced a string of well-received orchestral rock albums based on the music of legends such as Led Zeppelin, Pink Floyd and the Doors. Coleman became composer-in-residence for New Zealand and Czech symphony orchestras, and made his acting debut with the main role in the film Rok dabla (Year of the Devil) by Czech filmmaker Petr Zelenka. CANNOTANSWER

Question: Did Killing time get along with each other during the 1992 - 1996 time period?
Answer: Relations later soured between Coleman and Shihad due to a dispute over Coleman's production fee for Churn.