gaussalgo/Canard_Wiki-augmented huggingface dataset:
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: When was Man o'War born?
Answer: CANNOTANSWER
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: Who was Man o'Wars owner?
Answer: Belmont Jr.
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: How many races did Man o'War run?
Answer: CANNOTANSWER
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: What kind of horse is Man o'War?
Answer: Belmont Stakes
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: Did Belmont Jr. have famous parents?
Answer: Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: What is interesting about Belmont Jrs. background?
Answer: Belmont Park was named in the family's honor when it opened in 1905.
Man o' War

Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905.  Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse.  At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time. CANNOTANSWER

Question: What was Belmont Park most famous for?
Answer: CANNOTANSWER
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: When was Albert Ayler born?
Answer: Born in Cleveland, Ohio,
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: Who are Albert Ayler's parents?
Answer: Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: Did Albert Ayler always want to play saxophone?
Answer: Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums.
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: What made Albert Ayler successful?
Answer: exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments,
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: Did Albert Ayler play with anybody?
Answer: He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school.
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: Besides saxophone, violin, and oboe, did Albert Ayler play any other instruments?
Answer: As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.
Albert Ayler

Context: Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums. Ayler's upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin' Home, which features "meandering" solos that are meant to be treated as meditations on sacred texts, and at some points as "speaking in tongues" with his saxophone. Ayler's experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands.  Ayler attended John Adams High School on Cleveland's East Side, and graduated in 1954 at the age of 18. He later studied at the Academy of Music in Cleveland with jazz saxophonist Benny Miller. Ayler also played the oboe in high school. As a teenager, Ayler's understanding of bebop style and mastery of standard repertoire earned him the nickname of "Little Bird", after Charlie "Bird" Parker, in the small Cleveland jazz scene.  In 1952, at the age of 16, Ayler began playing bar-walking, honking, R&B-style tenor with blues singer and harmonica player Little Walter, spending two summer vacations with Walter's band. In 1958, after graduating from high school, Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine. Ayler also played in the regiment band, along with future composer Harold Budd. In 1959 he was stationed in France, where he was further exposed to the martial music that would be a core influence on his later work. After his discharge from the army, Ayler tried to find work in Los Angeles and Cleveland, but his increasingly iconoclastic playing, which had moved away from traditional harmony, was not welcomed by traditionalists.  Ayler relocated to Sweden in 1962, where his recording career began, leading Swedish and Danish groups on radio sessions and jamming as an unpaid member of Cecil Taylor's band in the winter of 1962-63. (Long-rumored tapes of Ayler performing with Taylor's group were released by Revenant Records in 2004, as part of a 10-CD set.) The album My Name Is Albert Ayler is a session of standards recorded for a Copenhagen radio station with local musicians including Niels-Henning Orsted Pedersen and drummer Ronnie Gardiner, with Ayler playing tenor and soprano on tracks such as "Summertime". CANNOTANSWER

Question: What did Albert Ayler add to the jazz scene?
Answer: Ayler joined the United States Army, where he switched from alto to tenor sax and jammed with other enlisted musicians, including tenor saxophonist Stanley Turrentine.
Gary Ablett Sr.

Context: The 1989 season was marked by the arrival of Ablett's third coach, former North Melbourne Brownlow Medallist Malcolm Blight. Ablett helped the Cats reach the finals on the back of a ten match winning streak to end the regular season. In a 134-point victory against Richmond, Ablett scored 14 goals, breaking a 22-year club record, and moving club legend and former club premiership coach Bobby Davis to laud Ablett as the equal of the legendary Graham 'Polly' Farmer, the finest footballers he had seen at Geelong. His season lowlight occurred in Round 12 when he was suspended for 3 matches after he controversially felled the Melbourne captain, Gary Lyon behind the play.  In his first ever final, the Qualifying Final at the MCG versus Essendon, Gary Ablett kicked three goals, but this was not enough. The Bombers humbled Geelong by 76 points to force the Cats into a sudden-death Semi Final showdown with Melbourne. The Cats posted a 63-point win against the Demons. Ablett kicked seven goals, and helped set up another meeting with Essendon in the Preliminary Final. Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.  Against the reigning premiers Hawthorn in the 1989 VFL Grand Final, Ablett asserted himself from the opening bounce, leading out from full forward, marking the first centre clearance kick and slotting through the game's first goal. By half-time, Ablett had kicked four goals, but the Cats trailed at the main break by 37 points. Ablett kicked a further five goals in the second half, which saw an injury-depleted Hawthorn's lead reduced to just 6 points with less than a minute to go. However, the Cats fell short, and Hawthorn held on to defeat Geelong in one of the toughest Grand Finals of the modern era, winning by 6 points. Ablett's performance in kicking 9 goals earned him the Norm Smith Medal, and in doing so became only the second member of the losing team in VFL/AFL history to be awarded the honour - a performance regarded by many as unrivalled on football's biggest stage. Ablett's 9 goals also saw him equal Gordon Coventry's goals record set in the 1928 Grand Final. CANNOTANSWER

Question: Regarding Gary Ablett Sr, what notable thing happened in September?
Answer: Ablett helped the Cats reach the finals on the back of a ten match winning streak to end the regular season. In a 134-point victory against Richmond,
Gary Ablett Sr.

Context: The 1989 season was marked by the arrival of Ablett's third coach, former North Melbourne Brownlow Medallist Malcolm Blight. Ablett helped the Cats reach the finals on the back of a ten match winning streak to end the regular season. In a 134-point victory against Richmond, Ablett scored 14 goals, breaking a 22-year club record, and moving club legend and former club premiership coach Bobby Davis to laud Ablett as the equal of the legendary Graham 'Polly' Farmer, the finest footballers he had seen at Geelong. His season lowlight occurred in Round 12 when he was suspended for 3 matches after he controversially felled the Melbourne captain, Gary Lyon behind the play.  In his first ever final, the Qualifying Final at the MCG versus Essendon, Gary Ablett kicked three goals, but this was not enough. The Bombers humbled Geelong by 76 points to force the Cats into a sudden-death Semi Final showdown with Melbourne. The Cats posted a 63-point win against the Demons. Ablett kicked seven goals, and helped set up another meeting with Essendon in the Preliminary Final. Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.  Against the reigning premiers Hawthorn in the 1989 VFL Grand Final, Ablett asserted himself from the opening bounce, leading out from full forward, marking the first centre clearance kick and slotting through the game's first goal. By half-time, Ablett had kicked four goals, but the Cats trailed at the main break by 37 points. Ablett kicked a further five goals in the second half, which saw an injury-depleted Hawthorn's lead reduced to just 6 points with less than a minute to go. However, the Cats fell short, and Hawthorn held on to defeat Geelong in one of the toughest Grand Finals of the modern era, winning by 6 points. Ablett's performance in kicking 9 goals earned him the Norm Smith Medal, and in doing so became only the second member of the losing team in VFL/AFL history to be awarded the honour - a performance regarded by many as unrivalled on football's biggest stage. Ablett's 9 goals also saw him equal Gordon Coventry's goals record set in the 1928 Grand Final. CANNOTANSWER

Question: Along with helping the Cats win the finals, did Gary Ablett Sr. win any awards or honors?
Answer: Ablett scored 14 goals, breaking a 22-year club record,
Gary Ablett Sr.

Context: The 1989 season was marked by the arrival of Ablett's third coach, former North Melbourne Brownlow Medallist Malcolm Blight. Ablett helped the Cats reach the finals on the back of a ten match winning streak to end the regular season. In a 134-point victory against Richmond, Ablett scored 14 goals, breaking a 22-year club record, and moving club legend and former club premiership coach Bobby Davis to laud Ablett as the equal of the legendary Graham 'Polly' Farmer, the finest footballers he had seen at Geelong. His season lowlight occurred in Round 12 when he was suspended for 3 matches after he controversially felled the Melbourne captain, Gary Lyon behind the play.  In his first ever final, the Qualifying Final at the MCG versus Essendon, Gary Ablett kicked three goals, but this was not enough. The Bombers humbled Geelong by 76 points to force the Cats into a sudden-death Semi Final showdown with Melbourne. The Cats posted a 63-point win against the Demons. Ablett kicked seven goals, and helped set up another meeting with Essendon in the Preliminary Final. Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.  Against the reigning premiers Hawthorn in the 1989 VFL Grand Final, Ablett asserted himself from the opening bounce, leading out from full forward, marking the first centre clearance kick and slotting through the game's first goal. By half-time, Ablett had kicked four goals, but the Cats trailed at the main break by 37 points. Ablett kicked a further five goals in the second half, which saw an injury-depleted Hawthorn's lead reduced to just 6 points with less than a minute to go. However, the Cats fell short, and Hawthorn held on to defeat Geelong in one of the toughest Grand Finals of the modern era, winning by 6 points. Ablett's performance in kicking 9 goals earned him the Norm Smith Medal, and in doing so became only the second member of the losing team in VFL/AFL history to be awarded the honour - a performance regarded by many as unrivalled on football's biggest stage. Ablett's 9 goals also saw him equal Gordon Coventry's goals record set in the 1928 Grand Final. CANNOTANSWER

Question: Besides breaking the 22 year club record by scoring 14 goals, what other honors did Ablett accumulate?
Answer: Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.
Gary Ablett Sr.

Context: The 1989 season was marked by the arrival of Ablett's third coach, former North Melbourne Brownlow Medallist Malcolm Blight. Ablett helped the Cats reach the finals on the back of a ten match winning streak to end the regular season. In a 134-point victory against Richmond, Ablett scored 14 goals, breaking a 22-year club record, and moving club legend and former club premiership coach Bobby Davis to laud Ablett as the equal of the legendary Graham 'Polly' Farmer, the finest footballers he had seen at Geelong. His season lowlight occurred in Round 12 when he was suspended for 3 matches after he controversially felled the Melbourne captain, Gary Lyon behind the play.  In his first ever final, the Qualifying Final at the MCG versus Essendon, Gary Ablett kicked three goals, but this was not enough. The Bombers humbled Geelong by 76 points to force the Cats into a sudden-death Semi Final showdown with Melbourne. The Cats posted a 63-point win against the Demons. Ablett kicked seven goals, and helped set up another meeting with Essendon in the Preliminary Final. Ablett kicked 8 goals this time, as the Cats crushed Essendon by 94 points to advance to their first Grand Final since 1967.  Against the reigning premiers Hawthorn in the 1989 VFL Grand Final, Ablett asserted himself from the opening bounce, leading out from full forward, marking the first centre clearance kick and slotting through the game's first goal. By half-time, Ablett had kicked four goals, but the Cats trailed at the main break by 37 points. Ablett kicked a further five goals in the second half, which saw an injury-depleted Hawthorn's lead reduced to just 6 points with less than a minute to go. However, the Cats fell short, and Hawthorn held on to defeat Geelong in one of the toughest Grand Finals of the modern era, winning by 6 points. Ablett's performance in kicking 9 goals earned him the Norm Smith Medal, and in doing so became only the second member of the losing team in VFL/AFL history to be awarded the honour - a performance regarded by many as unrivalled on football's biggest stage. Ablett's 9 goals also saw him equal Gordon Coventry's goals record set in the 1928 Grand Final. CANNOTANSWER

Question: What was the public's/sportscasters' response to Ablett?
Answer: Ablett's performance in kicking 9 goals earned him the Norm Smith Medal,