gaussalgo/Canard_Wiki-augmented huggingface dataset:
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: Was Geraldine Ferraro popular on CNN?
Answer: The show stayed strong in ratings for CNN, and the job was lucrative.
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: What was notable about Geraldine Ferraro political career?
Answer: her political career's denouement was protracted, often agonizing and, at first glance, baffling.
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: What causes were important to Geraldine Ferraro?
Answer: CANNOTANSWER
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: Anything notable about Geraldine Ferraro's second senate term?
Answer: Ferraro failed to establish a political image current with the times.
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: Can you elaborate on Geraldine Ferraro's second senate term?
Answer: Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day.
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: What were Geraldine Ferraro accomplishments as senator?
Answer: CANNOTANSWER
Geraldine Ferraro

Context: In February 1996, Ferraro joined the high-visibility CNN political talk show Crossfire, as the co-host representing the "from the left" vantage. She kept her brassy, rapid-fire speech and New York accent intact, and her trial experience from her prosecutor days was a good fit for the program's format. She sparred effectively with "from the right" co-host Pat Buchanan, for whom she developed a personal liking. The show stayed strong in ratings for CNN, and the job was lucrative. She welcomed how the role "keeps me visible [and] keeps me extremely well informed on the issues."  At the start of 1998, Ferraro left Crossfire and ran for the Democratic nomination again in the 1998 United States Senate election in New York. The other candidates were Congressman Charles Schumer and New York City Public Advocate Mark J. Green. She had done no fundraising, out of fear of conflict of interest with her Crossfire job, but was nonetheless immediately perceived as the front-runner. Indeed, December and January polls had her 25 percentage points ahead of Green in the race and even further ahead of Schumer. Unlike the previous campaigns, her family finances never became an issue. However, she lost ground during the summer, with Schumer catching up in the polls by early August and then soon passing her. Schumer, a tireless fundraiser, outspent her by a five-to-one margin, and Ferraro failed to establish a political image current with the times. In the September 15, 1998 primary, she was beaten soundly by Schumer by a 51 percent to 26 percent margin. Unlike 1992, the contest was not divisive, and Ferraro and third-place finisher Green endorsed Schumer at a unity breakfast the following day. Schumer would go on to decisively unseat D'Amato in the general election.  The 1998 primary defeat brought an end to Ferraro's political career. The New York Times wrote at the time: "If Ms. Ferraro's rise was meteoric, her political career's denouement was protracted, often agonizing and, at first glance, baffling." She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus, noted that female New York political figures in the past had been reluctant to enter the state's notoriously fierce primary races, and said: "This woman has probably been more of an opinion maker than most people sitting for six terms straight in the House of Representatives or Senate. Her attempts, and even her losses, have accomplished far beyond what others have accomplished by winning." CANNOTANSWER

Question: What was most interesting about the article besides Geraldine Ferraro accomplishments as senator?
Answer: " She still retained admirers, though. Anita Perez Ferguson, president of the National Women's Political Caucus,
Oscar Charleston

Context: After his honorable discharge from the U.S. Army in 1915, Charleston returned to the United States and immediately began his baseball career with the Indianapolis ABCs. He was paid $50 per month. On April 11, 1915, Charleston pitched his first game for the ABCs, a three-hit, 7-0 shutout in an exhibition game against the Reserves, a semiprofessional team of white players. Charleston, called "Charlie" by his teammates, soon moved to the center field position, where he became known for playing shallow (close behind second base) and his one-handed catches. Charleston was especially adept at catching high flies, using his running speed to retrieve balls above his head. His strong batting and fielding skills also earned Charleston the nickname of the "Hoosier Comet."  In addition to his skills as a ballplayer, Charleston was known for his combative nature and willingness to fight when provoked. One memorable incident incident occurred during a game that the Indianapolis ABCs played against a team of white major and minor leaguers in Indianapolis on October 24, 1915. When ABCs player Elwood "Bingo" DeMoss got into a dispute with umpire James Scanlon over a bad call against the team, Charleston ran in from center field and punched the umpire, knocking him to the ground. According to local newspapers, the ballpark erupted into "a near race riot." Charleston and DeMoss escaped the field and were arrested and jailed. The two players were released after posting bail and immediately left town to play winter baseball in Cuba. Charleston was also temporarily dismissed from the ABCs and sent to play for the Lincoln Giants in New York until the controversy died down. He returned to the team in June 1916.  During another incident that occurred in Cuba in the mid-1920s, Charleston fought with Cuban soldiers during a Cuban League game against Havana. He was arrested and fined for his role in the fighting, but was released from custody and returned to the field to play the following day. James "Cool Papa" Bell related a story to baseball historian John Holway of another confrontation involving Charleston. Bell told Holway that around 1935 Charleston tore off the hood a white-robed Ku Klux Klansman during a trip to Florida.  In spite of the controversy surrounding some of his behavior, Charleston contributed to the success of the Indianapolis ABCs. In 1916 he was a member of the team when it beat the Chicago American Giants to claim what the game's promoters called "The Championship of Colored Baseball." (The first Negro League World Series was not played until October 1924.) Charleston left the ABCs at end of the 1918 season to attend the Colored Officer Training Program during World War I, but he served less than two months before the armistice was signed to end the war and he was discharged. When Charleston returned to Indiana in 1919, the owner of the ABCs did not field a team, so he joined the Chicago American Giants. CANNOTANSWER

Question: How long did Oscar Charleston stay with Indianapolis ABCs?
Answer: The two players were released after posting bail and immediately left town to play winter baseball in Cuba.
Oscar Charleston

Context: After his honorable discharge from the U.S. Army in 1915, Charleston returned to the United States and immediately began his baseball career with the Indianapolis ABCs. He was paid $50 per month. On April 11, 1915, Charleston pitched his first game for the ABCs, a three-hit, 7-0 shutout in an exhibition game against the Reserves, a semiprofessional team of white players. Charleston, called "Charlie" by his teammates, soon moved to the center field position, where he became known for playing shallow (close behind second base) and his one-handed catches. Charleston was especially adept at catching high flies, using his running speed to retrieve balls above his head. His strong batting and fielding skills also earned Charleston the nickname of the "Hoosier Comet."  In addition to his skills as a ballplayer, Charleston was known for his combative nature and willingness to fight when provoked. One memorable incident incident occurred during a game that the Indianapolis ABCs played against a team of white major and minor leaguers in Indianapolis on October 24, 1915. When ABCs player Elwood "Bingo" DeMoss got into a dispute with umpire James Scanlon over a bad call against the team, Charleston ran in from center field and punched the umpire, knocking him to the ground. According to local newspapers, the ballpark erupted into "a near race riot." Charleston and DeMoss escaped the field and were arrested and jailed. The two players were released after posting bail and immediately left town to play winter baseball in Cuba. Charleston was also temporarily dismissed from the ABCs and sent to play for the Lincoln Giants in New York until the controversy died down. He returned to the team in June 1916.  During another incident that occurred in Cuba in the mid-1920s, Charleston fought with Cuban soldiers during a Cuban League game against Havana. He was arrested and fined for his role in the fighting, but was released from custody and returned to the field to play the following day. James "Cool Papa" Bell related a story to baseball historian John Holway of another confrontation involving Charleston. Bell told Holway that around 1935 Charleston tore off the hood a white-robed Ku Klux Klansman during a trip to Florida.  In spite of the controversy surrounding some of his behavior, Charleston contributed to the success of the Indianapolis ABCs. In 1916 he was a member of the team when it beat the Chicago American Giants to claim what the game's promoters called "The Championship of Colored Baseball." (The first Negro League World Series was not played until October 1924.) Charleston left the ABCs at end of the 1918 season to attend the Colored Officer Training Program during World War I, but he served less than two months before the armistice was signed to end the war and he was discharged. When Charleston returned to Indiana in 1919, the owner of the ABCs did not field a team, so he joined the Chicago American Giants. CANNOTANSWER

Question: How long did Oscar Charleston stay in Cuba to play baseball?
Answer: Bell told Holway that around 1935 Charleston tore off the hood a white-robed Ku Klux Klansman during a trip to Florida.
Oscar Charleston

Context: After his honorable discharge from the U.S. Army in 1915, Charleston returned to the United States and immediately began his baseball career with the Indianapolis ABCs. He was paid $50 per month. On April 11, 1915, Charleston pitched his first game for the ABCs, a three-hit, 7-0 shutout in an exhibition game against the Reserves, a semiprofessional team of white players. Charleston, called "Charlie" by his teammates, soon moved to the center field position, where he became known for playing shallow (close behind second base) and his one-handed catches. Charleston was especially adept at catching high flies, using his running speed to retrieve balls above his head. His strong batting and fielding skills also earned Charleston the nickname of the "Hoosier Comet."  In addition to his skills as a ballplayer, Charleston was known for his combative nature and willingness to fight when provoked. One memorable incident incident occurred during a game that the Indianapolis ABCs played against a team of white major and minor leaguers in Indianapolis on October 24, 1915. When ABCs player Elwood "Bingo" DeMoss got into a dispute with umpire James Scanlon over a bad call against the team, Charleston ran in from center field and punched the umpire, knocking him to the ground. According to local newspapers, the ballpark erupted into "a near race riot." Charleston and DeMoss escaped the field and were arrested and jailed. The two players were released after posting bail and immediately left town to play winter baseball in Cuba. Charleston was also temporarily dismissed from the ABCs and sent to play for the Lincoln Giants in New York until the controversy died down. He returned to the team in June 1916.  During another incident that occurred in Cuba in the mid-1920s, Charleston fought with Cuban soldiers during a Cuban League game against Havana. He was arrested and fined for his role in the fighting, but was released from custody and returned to the field to play the following day. James "Cool Papa" Bell related a story to baseball historian John Holway of another confrontation involving Charleston. Bell told Holway that around 1935 Charleston tore off the hood a white-robed Ku Klux Klansman during a trip to Florida.  In spite of the controversy surrounding some of his behavior, Charleston contributed to the success of the Indianapolis ABCs. In 1916 he was a member of the team when it beat the Chicago American Giants to claim what the game's promoters called "The Championship of Colored Baseball." (The first Negro League World Series was not played until October 1924.) Charleston left the ABCs at end of the 1918 season to attend the Colored Officer Training Program during World War I, but he served less than two months before the armistice was signed to end the war and he was discharged. When Charleston returned to Indiana in 1919, the owner of the ABCs did not field a team, so he joined the Chicago American Giants. CANNOTANSWER

Question: Did Oscar Charleston stay and play for the Chicago American Giants long?
Answer: CANNOTANSWER
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: What is Aaron's Party?
Answer: album,
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: What was Aaron Carter's acting debut role?
Answer: he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire.
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: What year was Aaron Carter's acting debut?
Answer: 2001,
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: Besides guest starring on an episode of the Disney Channel series Lizzie McGuire, what other television did Aaron Carter do?
Answer: That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel,
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: What is Oh Aaron?
Answer: Carter recorded the album Oh Aaron,
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: When was Oh Aaron released?
Answer: August 7, 2001
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: Did Oh Aaron have any hit songs?
Answer: Oh Aaron also went platinum that same year
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: Did Aaron Carter receive any music awards?
Answer: CANNOTANSWER
Zelig

Context: Zelig has an overall approval rating of 100% on the review aggregator Rotten Tomatoes based on reviews from 24 professional critics with an average score of 7.9/10. In his review in the New York Times, Vincent Canby observed:  [Allen's] new, remarkably self-assured comedy is to his career what ... Berlin Alexanderplatz is to Rainer Werner Fassbinder's and ... Fanny and Alexander is to Ingmar Bergman's ... Zelig is not only pricelessly funny, it's also, on occasion, very moving. It works simultaneously as social history, as a love story, as an examination of several different kinds of film narrative, as satire and as parody ... [It] is a nearly perfect - and perfectly original - Woody Allen comedy.  Variety said the film was "consistently funny, though more academic than boulevardier", and the Christian Science Monitor called it "amazingly funny and poignant". Time Out described it as "a strong contender for Allen's most fascinating film", while TV Guide said, "Allen's ongoing struggles with psychoanalysis and his Jewish identity - stridently literal preoccupations in most of his work - are for once rendered allegorically. The result is deeply satisfying".  In Empire magazine's poll of the 500 greatest movies ever made, Zelig was ranked number 408. Chris Nashawaty of Entertainment Weekly listed the work as one of Allen's finest, lauding it as "a spot-on homage to vintage newsreels and a seamless exercise in technique." The Daily Telegraph film critics Robbie Collin and Tim Robey also named it as a career highlight and argued, "The special effects, in which Allen is seamlessly inserted into vintage newsreels, are still astonishing, and draw out the aching tragicomedy of Zelig's plight. He's the original man who wasn't there." Calum Marsh of Slant magazine wrote, "We are infinitely pliable. That's the thesis of Zelig, Allen's wisest film, which has much to say about the way a person can be bent and contorted in the name of acceptance. Its ostensibly wacky conceit [...] is grounded in an emotional and psychological reality all too familiar to shrug of [sic] as farce. We'll go very far out of our way to avoid conflict. Zelig seizes on that weakness and forces us to recognize it." CANNOTANSWER

Question: What was the critics take on the Zelig movie?
Answer: Zelig has an overall approval rating of 100% on the review aggregator Rotten Tomatoes based on reviews from 24 professional critics
Zelig

Context: Zelig has an overall approval rating of 100% on the review aggregator Rotten Tomatoes based on reviews from 24 professional critics with an average score of 7.9/10. In his review in the New York Times, Vincent Canby observed:  [Allen's] new, remarkably self-assured comedy is to his career what ... Berlin Alexanderplatz is to Rainer Werner Fassbinder's and ... Fanny and Alexander is to Ingmar Bergman's ... Zelig is not only pricelessly funny, it's also, on occasion, very moving. It works simultaneously as social history, as a love story, as an examination of several different kinds of film narrative, as satire and as parody ... [It] is a nearly perfect - and perfectly original - Woody Allen comedy.  Variety said the film was "consistently funny, though more academic than boulevardier", and the Christian Science Monitor called it "amazingly funny and poignant". Time Out described it as "a strong contender for Allen's most fascinating film", while TV Guide said, "Allen's ongoing struggles with psychoanalysis and his Jewish identity - stridently literal preoccupations in most of his work - are for once rendered allegorically. The result is deeply satisfying".  In Empire magazine's poll of the 500 greatest movies ever made, Zelig was ranked number 408. Chris Nashawaty of Entertainment Weekly listed the work as one of Allen's finest, lauding it as "a spot-on homage to vintage newsreels and a seamless exercise in technique." The Daily Telegraph film critics Robbie Collin and Tim Robey also named it as a career highlight and argued, "The special effects, in which Allen is seamlessly inserted into vintage newsreels, are still astonishing, and draw out the aching tragicomedy of Zelig's plight. He's the original man who wasn't there." Calum Marsh of Slant magazine wrote, "We are infinitely pliable. That's the thesis of Zelig, Allen's wisest film, which has much to say about the way a person can be bent and contorted in the name of acceptance. Its ostensibly wacky conceit [...] is grounded in an emotional and psychological reality all too familiar to shrug of [sic] as farce. We'll go very far out of our way to avoid conflict. Zelig seizes on that weakness and forces us to recognize it." CANNOTANSWER

Question: What types of critics reviewed Zelig?
Answer: In his review in the New York Times, Vincent Canby observed:  [Allen's] new, remarkably self-assured comedy