gaussalgo/Canard_Wiki-augmented huggingface dataset:
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: What did the hit "Bless You" have for Martha and the Vandellas career?
Answer: The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart.
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: In addition to "Bless You" what else is important about Martha and the Vandellas?
Answer: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley,
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: Why was Ashford from Martha and the Vandellas replaced?
Answer: they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing",
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: What happened to Martha and the Vandellas next?
Answer: Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single,
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: How did others take the protest single from Martha and the Vandellas?
Answer: the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart.
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: What awards did Martha and the Vandellas win if any?
Answer: After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B),
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: What albums or singles did Martha and the Vandellas have?
Answer: The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles.
Martha and the Vandellas

Context: Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s, although they could not reignite the fire that had made their records successful in the 1960s. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead.  In 1971, the group scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles), and number twenty-nine on the R&B singles chart. "Bless You" was their first UK Top 40 hit since "Forget Me Not", with the song reaching number thirty-three there. "Bless You" became a top 20 hit in Canada. It was to be the last Billboard Hot 100 hit single for the group. That record also signaled the end of the Motown era. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.  The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. CANNOTANSWER

Question: What kind of solo career did Reeves have after Martha and the Vandellas?
Answer: When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves.
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Who were the main suspects in the Black Dahlia case?
Answer: over 500 people have confessed to the crime, some of whom were not even born at the time of her death.
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Did the police have good evidence on suspects in the black dahlia case?
Answer: that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Besides the suspects, are there any other interesting aspects about this article?
Answer: Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Were there any credible confessions and suspects in the black dahlia case?
Answer: CANNOTANSWER
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: What eventually happened to the black dahlia case?
Answer: Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Whom did the experts suspect as the criminal in the black dahlia case?
Answer: CANNOTANSWER
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Besides the expert opinions, are there any other interesting aspects about this article?
Answer: Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."
Black Dahlia

Context: The notoriety of Short's murder has spurred a large number of confessions over the years, many of which have been deemed false. Since the initial investigation, over 500 people have confessed to the crime, some of whom were not even born at the time of her death. Sergeant John P. St. John, a detective who worked the case until his retirement, stated, "It is amazing how many people offer up a relative as the killer."  During the initial investigation into her murder, police received a total of 60 confessions, most made by men, but several from women.  In 2003, Ralph Asdel, one of the original detectives on the case, told the Los Angeles Times that he believed he had interviewed Short's killer, a man who had been seen with his sedan parked near the vacant lot where Short's body was discovered in the early morning hours of January 15, 1947. A neighbor who drove by that morning had planned on dropping a bag full of lawn clippings in the vacant lot when he saw a parked sedan, allegedly with his right rear door open; the driver of the sedan was standing in the lot. The neighbor's arrival apparently startled the owner of the sedan, who approached his car and peered in the window before returning to the sedan and driving away from the lot. The owner of the sedan was followed to a local restaurant where he worked, but was ultimately cleared of suspicion.  Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (whom biographer Donald Wolfe claims impregnated Short), Leslie Dillon, Joseph A. Dumais, Artie Lane (a.k.a. Jeff Connors), Mark Hansen, Dr. Francis E. Sweeney, George Hill Hodel, Hodel's friend Fred Sexton, George Knowlton, Robert M. "Red" Manley, Patrick S. O'Reilly, and Jack Anderson Wilson. CANNOTANSWER

Question: Was Norman Chandler a suspect in the black dahlia case?
Answer: Suspects remaining under discussion by various authors and experts include Walter Bayley, Norman Chandler (
Beyoncé

Context: Beyonce names Michael Jackson as her major musical influence. Aged five, Beyonce attended her first ever concert where Jackson performed and she claims to have realized her purpose. When she presented him with a tribute award at the World Music Awards in 2006, Beyonce said, "if it wasn't for Michael Jackson, I would never ever have performed." She admires Diana Ross as an "all-around entertainer" and Whitney Houston, who she said "inspired me to get up there and do what she did." She credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal runs as a child. Her other musical influences include Aaliyah, Prince, Lauryn Hill, Sade Adu, Donna Summer, Mary J. Blige, Janet Jackson, Anita Baker and Rachelle Ferrell.  The feminism and female empowerment themes on Beyonce's second solo album B'Day were inspired by her role in Dreamgirls and by singer Josephine Baker. Beyonce paid homage to Baker by performing "Deja Vu" at the 2006 Fashion Rocks concert wearing Baker's trademark mini-hula skirt embellished with fake bananas. Beyonce's third solo album I Am... Sasha Fierce was inspired by Jay-Z and especially by Etta James, whose "boldness" inspired Beyonce to explore other musical genres and styles. Her fourth solo album, 4, was inspired by Fela Kuti, 1990s R&B, Earth, Wind & Fire, DeBarge, Lionel Richie, Teena Marie, The Jackson 5, New Edition, Adele, Florence and the Machine, and Prince.  Beyonce has stated that she is personally inspired by Michelle Obama (the 44th First Lady of the United States), saying "She proves you can do it all" and she has described Oprah Winfrey as "the definition of inspiration and a strong woman". She has also discussed how Jay-Z is a continuing inspiration to her, both with what she describes as his lyrical genius and in the obstacles he has overcome in his life. Beyonce has expressed admiration for the artist Jean-Michel Basquiat, posting in a letter "what I find in the work of Jean-Michel Basquiat, I search for in every day in music... he is lyrical and raw". In February 2013, Beyonce said that Madonna inspired her to take control of her own career. She commented: "I think about Madonna and how she took all of the great things she achieved and started the label and developed other artists. But there are not enough of those women.". CANNOTANSWER

Question: Who are Beyonce's influences?
Answer: Beyonce names Michael Jackson as her major musical influence.
Beyoncé

Context: Beyonce names Michael Jackson as her major musical influence. Aged five, Beyonce attended her first ever concert where Jackson performed and she claims to have realized her purpose. When she presented him with a tribute award at the World Music Awards in 2006, Beyonce said, "if it wasn't for Michael Jackson, I would never ever have performed." She admires Diana Ross as an "all-around entertainer" and Whitney Houston, who she said "inspired me to get up there and do what she did." She credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal runs as a child. Her other musical influences include Aaliyah, Prince, Lauryn Hill, Sade Adu, Donna Summer, Mary J. Blige, Janet Jackson, Anita Baker and Rachelle Ferrell.  The feminism and female empowerment themes on Beyonce's second solo album B'Day were inspired by her role in Dreamgirls and by singer Josephine Baker. Beyonce paid homage to Baker by performing "Deja Vu" at the 2006 Fashion Rocks concert wearing Baker's trademark mini-hula skirt embellished with fake bananas. Beyonce's third solo album I Am... Sasha Fierce was inspired by Jay-Z and especially by Etta James, whose "boldness" inspired Beyonce to explore other musical genres and styles. Her fourth solo album, 4, was inspired by Fela Kuti, 1990s R&B, Earth, Wind & Fire, DeBarge, Lionel Richie, Teena Marie, The Jackson 5, New Edition, Adele, Florence and the Machine, and Prince.  Beyonce has stated that she is personally inspired by Michelle Obama (the 44th First Lady of the United States), saying "She proves you can do it all" and she has described Oprah Winfrey as "the definition of inspiration and a strong woman". She has also discussed how Jay-Z is a continuing inspiration to her, both with what she describes as his lyrical genius and in the obstacles he has overcome in his life. Beyonce has expressed admiration for the artist Jean-Michel Basquiat, posting in a letter "what I find in the work of Jean-Michel Basquiat, I search for in every day in music... he is lyrical and raw". In February 2013, Beyonce said that Madonna inspired her to take control of her own career. She commented: "I think about Madonna and how she took all of the great things she achieved and started the label and developed other artists. But there are not enough of those women.". CANNOTANSWER

Question: Why does Beyonce name Michael Jackson as her major influence?
Answer: Aged five, Beyonce attended her first ever concert
Beyoncé

Context: Beyonce names Michael Jackson as her major musical influence. Aged five, Beyonce attended her first ever concert where Jackson performed and she claims to have realized her purpose. When she presented him with a tribute award at the World Music Awards in 2006, Beyonce said, "if it wasn't for Michael Jackson, I would never ever have performed." She admires Diana Ross as an "all-around entertainer" and Whitney Houston, who she said "inspired me to get up there and do what she did." She credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal runs as a child. Her other musical influences include Aaliyah, Prince, Lauryn Hill, Sade Adu, Donna Summer, Mary J. Blige, Janet Jackson, Anita Baker and Rachelle Ferrell.  The feminism and female empowerment themes on Beyonce's second solo album B'Day were inspired by her role in Dreamgirls and by singer Josephine Baker. Beyonce paid homage to Baker by performing "Deja Vu" at the 2006 Fashion Rocks concert wearing Baker's trademark mini-hula skirt embellished with fake bananas. Beyonce's third solo album I Am... Sasha Fierce was inspired by Jay-Z and especially by Etta James, whose "boldness" inspired Beyonce to explore other musical genres and styles. Her fourth solo album, 4, was inspired by Fela Kuti, 1990s R&B, Earth, Wind & Fire, DeBarge, Lionel Richie, Teena Marie, The Jackson 5, New Edition, Adele, Florence and the Machine, and Prince.  Beyonce has stated that she is personally inspired by Michelle Obama (the 44th First Lady of the United States), saying "She proves you can do it all" and she has described Oprah Winfrey as "the definition of inspiration and a strong woman". She has also discussed how Jay-Z is a continuing inspiration to her, both with what she describes as his lyrical genius and in the obstacles he has overcome in his life. Beyonce has expressed admiration for the artist Jean-Michel Basquiat, posting in a letter "what I find in the work of Jean-Michel Basquiat, I search for in every day in music... he is lyrical and raw". In February 2013, Beyonce said that Madonna inspired her to take control of her own career. She commented: "I think about Madonna and how she took all of the great things she achieved and started the label and developed other artists. But there are not enough of those women.". CANNOTANSWER

Question: what concert did Beyonce attend?
Answer: CANNOTANSWER
Beyoncé

Context: Beyonce names Michael Jackson as her major musical influence. Aged five, Beyonce attended her first ever concert where Jackson performed and she claims to have realized her purpose. When she presented him with a tribute award at the World Music Awards in 2006, Beyonce said, "if it wasn't for Michael Jackson, I would never ever have performed." She admires Diana Ross as an "all-around entertainer" and Whitney Houston, who she said "inspired me to get up there and do what she did." She credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal runs as a child. Her other musical influences include Aaliyah, Prince, Lauryn Hill, Sade Adu, Donna Summer, Mary J. Blige, Janet Jackson, Anita Baker and Rachelle Ferrell.  The feminism and female empowerment themes on Beyonce's second solo album B'Day were inspired by her role in Dreamgirls and by singer Josephine Baker. Beyonce paid homage to Baker by performing "Deja Vu" at the 2006 Fashion Rocks concert wearing Baker's trademark mini-hula skirt embellished with fake bananas. Beyonce's third solo album I Am... Sasha Fierce was inspired by Jay-Z and especially by Etta James, whose "boldness" inspired Beyonce to explore other musical genres and styles. Her fourth solo album, 4, was inspired by Fela Kuti, 1990s R&B, Earth, Wind & Fire, DeBarge, Lionel Richie, Teena Marie, The Jackson 5, New Edition, Adele, Florence and the Machine, and Prince.  Beyonce has stated that she is personally inspired by Michelle Obama (the 44th First Lady of the United States), saying "She proves you can do it all" and she has described Oprah Winfrey as "the definition of inspiration and a strong woman". She has also discussed how Jay-Z is a continuing inspiration to her, both with what she describes as his lyrical genius and in the obstacles he has overcome in his life. Beyonce has expressed admiration for the artist Jean-Michel Basquiat, posting in a letter "what I find in the work of Jean-Michel Basquiat, I search for in every day in music... he is lyrical and raw". In February 2013, Beyonce said that Madonna inspired her to take control of her own career. She commented: "I think about Madonna and how she took all of the great things she achieved and started the label and developed other artists. But there are not enough of those women.". CANNOTANSWER

Question: Other than Michael Jackson, what else has influenced Beyonce?
Answer: She admires Diana Ross as an "all-around entertainer"