gaussalgo/Canard_Wiki-augmented huggingface dataset:
Steve McQueen

Context: In 1971 McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972, a story of an aging rodeo rider. He worked for director Sam Peckinpah again with the leading role in The Getaway, where he met future wife Ali MacGraw. He followed this with a physically demanding role as a Devil's Island prisoner in 1973's Papillon, featuring Dustin Hoffman as his character's tragic sidekick. In 1973 The Rolling Stones referred to McQueen in the song "Star Star" from the album Goats Head Soup for which an amused McQueen reportedly gave personal permission. The lines were "Star ######, star ######, star ######, star ###### star/ Yes you are, yes you are, yes you are/Yeah, Ali MacGraw got mad with you/For givin' head to Steve McQueen". By the time of The Getaway, McQueen was the world's highest-paid actor, but after 1974's The Towering Inferno, co-starring with his long-time professional rival Paul Newman and reuniting him with Dunaway, became a tremendous box-office success, McQueen all but disappeared from the public eye, to focus on motorcycle racing and traveling around the country in a motor home and on his vintage Indian motorcycles. He did not return to acting until 1978 with An Enemy of the People, playing against type as a bearded, bespectacled 19th-century doctor in this adaptation of a Henrik Ibsen play. The film was never properly released theatrically. His last two films were loosely based on true stories: Tom Horn, a Western adventure about a former Army scout-turned professional gunman who worked for the big cattle ranchers hunting down rustlers, and later hanged for murder in the shooting death of a sheepherder, and The Hunter, an urban action movie about a modern-day bounty hunter, both released in 1980. CANNOTANSWER

Question: How were Steve McQueen's last two films received by critics?
Answer: CANNOTANSWER
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: Where was Nick Cave and the Bad Seeds prior to Germany?
Answer: CANNOTANSWER
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: When did Nick Cave and the Bad Seeds relocate?
Answer: in 1985
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: Other than Nick Cave and the Bad Seeds relocating to West Berlin, Germany, are there any other interesting aspects about this article?
Answer: in 1985 and released a second album The Firstborn Is Dead.
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: How did Nick Cave and the Bad Seeds's album The Firstborn Is Dead do?
Answer: CANNOTANSWER
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: What did Nick Cave and the Bad Seeds do when they relocated to germany?
Answer: released a second album The Firstborn Is Dead.
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: Did Nick Cave and the Bad Seeds tour during their 1986 album release?
Answer: CANNOTANSWER
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: did Nick Cave and the Bad Seeds have any hit singles?
Answer: The single "The Mercy Seat"
Nick Cave and the Bad Seeds

Context: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989. CANNOTANSWER

Question: when was Nick Cave and the Bad Seeds' single "The Mercy Seat" released?
Answer: 2000
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: What are some of the early releases of the Nick Cave and the Bad Seeds band?
Answer: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983.
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: Was the Man Or Myth? solo project a success?
Answer: CANNOTANSWER
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: Aside from Man Or Myth?, what are other releases of the Nick Cave and the Bad Seeds band?
Answer: From Her to Eternity,
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: How did the Nick Cave and the Bad Seeds band get started?
Answer: Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew.
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: Who was part of the new The Birthday Party band project?
Answer: Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew.
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: Aside from the bands formation, are there any other interesting aspects about this article?
Answer: An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London
Nick Cave and the Bad Seeds

Context: The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us." An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einsturzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983. Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album. The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September-October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne. CANNOTANSWER

Question: What disputes developed in the Nick Cave and the Bad Seeds band?
Answer: The difference in Cave and Howard's approach to songwriting was a major factor,
Mr. Bungle

Context: Due to artwork delays and the band members' many side-projects, it was four years before Disco Volante was released, in October 1995. The new album displayed musical development and a shift in tone from their earlier recordings. While the self-titled album was described as "funk metal", with Disco Volante this label was replaced with "avant-garde" or "experimental". The music was complex and unpredictable, with the band continuing with their shifts of musical style. Some of the tracks were in foreign languages and would radically change genres mid-song. Featuring lyrics about death, suicide and child abuse, along with children's songs and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle's musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere". Additionally, writer Scott McGaughey described it as "difficult", and was critical of its "lack of actual songs". Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Krzysztof Penderecki and European film music of the 1960s and 1970s, such as those composed by Ennio Morricone and Peter Thomas. The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the band's address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage" and some stickers. The vinyl release of this album shipped with a 7" by the then-unknown Secret Chiefs 3. In 1996, Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. Mr. Bungle supported this record with their first world tour, performing across North America, Europe and Australia during 1995 and 1996. In 1997, the Seattle-based Rastacore Records started distributing CDs of Bowel of Chiley (incorrectly labelled Bowl of Chiley on the Rastacore release). This was done without official authorization from Mr. Bungle or Warner Bros., and as such production was halted, with only a limited number of CDs surviving. CANNOTANSWER

Question: How did the Disco Volante begin?
Answer: The new album displayed musical development and a shift in tone from their earlier recordings.
Mr. Bungle

Context: Due to artwork delays and the band members' many side-projects, it was four years before Disco Volante was released, in October 1995. The new album displayed musical development and a shift in tone from their earlier recordings. While the self-titled album was described as "funk metal", with Disco Volante this label was replaced with "avant-garde" or "experimental". The music was complex and unpredictable, with the band continuing with their shifts of musical style. Some of the tracks were in foreign languages and would radically change genres mid-song. Featuring lyrics about death, suicide and child abuse, along with children's songs and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle's musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere". Additionally, writer Scott McGaughey described it as "difficult", and was critical of its "lack of actual songs". Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Krzysztof Penderecki and European film music of the 1960s and 1970s, such as those composed by Ennio Morricone and Peter Thomas. The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the band's address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage" and some stickers. The vinyl release of this album shipped with a 7" by the then-unknown Secret Chiefs 3. In 1996, Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. Mr. Bungle supported this record with their first world tour, performing across North America, Europe and Australia during 1995 and 1996. In 1997, the Seattle-based Rastacore Records started distributing CDs of Bowel of Chiley (incorrectly labelled Bowl of Chiley on the Rastacore release). This was done without official authorization from Mr. Bungle or Warner Bros., and as such production was halted, with only a limited number of CDs surviving. CANNOTANSWER

Question: How did the Disco Volante perform commercially?
Answer: Mr. Bungle supported this record with their first world tour, performing across North America, Europe and Australia