gaussalgo/Canard_Wiki-augmented huggingface dataset:
Supergirl (Kara Zor-El)

Context: Prior to the post-Crisis introduction of Kara Zor-El into mainstream continuity, the pre-Crisis Kara Zor-El made an appearance in Peter David's Supergirl: Many Happy Returns. The then-current Supergirl series, at the time starring Linda Danvers, was in danger of cancellation and Peter David thought a story arc involving Kara Zor-El would be enough to revitalize the series. In an interview with Cliff Biggers of Newsarama, David states: Although it had always been in the back of my mind that doing a Kara-related storyline might be fun, the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series, and came up with two groups that we'd have a shot at getting: Those who'd become bored with the current storyline, and those who didn't accept any Supergirl save Kara. By doing 'Many Happy Returns,' I sought to pull in both potential audiences. In the Linda Danvers' Supergirl series issues 48 and 49 in 2001, the original dead Kara appears as Linda's "guardian angel". Then in issues 75 to 80, "Many Happy Returns", a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice, living for years in a Silver Age universe where "no one swears, the villains are always easy to defeat, and everything's very, very clean." This run was illustrated by Ed Benes who had also illustrated Gail Simone's Birds of Prey which had a similar whimsical camaraderie between its female leads. Linda's inability to ultimately save Kara is so devastating that it ends her own career as Supergirl. This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80. CANNOTANSWER

Question: Aside from Linda's moral crises story-line, what other things happened during Two Supergirls meet with the Super-girls?
Answer: a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice,
Supergirl (Kara Zor-El)

Context: Prior to the post-Crisis introduction of Kara Zor-El into mainstream continuity, the pre-Crisis Kara Zor-El made an appearance in Peter David's Supergirl: Many Happy Returns. The then-current Supergirl series, at the time starring Linda Danvers, was in danger of cancellation and Peter David thought a story arc involving Kara Zor-El would be enough to revitalize the series. In an interview with Cliff Biggers of Newsarama, David states: Although it had always been in the back of my mind that doing a Kara-related storyline might be fun, the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series, and came up with two groups that we'd have a shot at getting: Those who'd become bored with the current storyline, and those who didn't accept any Supergirl save Kara. By doing 'Many Happy Returns,' I sought to pull in both potential audiences. In the Linda Danvers' Supergirl series issues 48 and 49 in 2001, the original dead Kara appears as Linda's "guardian angel". Then in issues 75 to 80, "Many Happy Returns", a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice, living for years in a Silver Age universe where "no one swears, the villains are always easy to defeat, and everything's very, very clean." This run was illustrated by Ed Benes who had also illustrated Gail Simone's Birds of Prey which had a similar whimsical camaraderie between its female leads. Linda's inability to ultimately save Kara is so devastating that it ends her own career as Supergirl. This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80. CANNOTANSWER

Question: Why did inability to save Kara end Linda's career in Two Supergirls meet?
Answer: This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80.
Supergirl (Kara Zor-El)

Context: Prior to the post-Crisis introduction of Kara Zor-El into mainstream continuity, the pre-Crisis Kara Zor-El made an appearance in Peter David's Supergirl: Many Happy Returns. The then-current Supergirl series, at the time starring Linda Danvers, was in danger of cancellation and Peter David thought a story arc involving Kara Zor-El would be enough to revitalize the series. In an interview with Cliff Biggers of Newsarama, David states: Although it had always been in the back of my mind that doing a Kara-related storyline might be fun, the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series, and came up with two groups that we'd have a shot at getting: Those who'd become bored with the current storyline, and those who didn't accept any Supergirl save Kara. By doing 'Many Happy Returns,' I sought to pull in both potential audiences. In the Linda Danvers' Supergirl series issues 48 and 49 in 2001, the original dead Kara appears as Linda's "guardian angel". Then in issues 75 to 80, "Many Happy Returns", a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice, living for years in a Silver Age universe where "no one swears, the villains are always easy to defeat, and everything's very, very clean." This run was illustrated by Ed Benes who had also illustrated Gail Simone's Birds of Prey which had a similar whimsical camaraderie between its female leads. Linda's inability to ultimately save Kara is so devastating that it ends her own career as Supergirl. This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80. CANNOTANSWER

Question: Other than Kara's supposed demise, what other interesting things happened for Kara in Two Supergirls meet?
Answer: the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series,
The Kentucky Headhunters

Context: In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWER

Question: What was the name of the second album released by The Kentucky Headhunters in 1991-1992?
Answer: Electric Barnyard.
The Kentucky Headhunters

Context: In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWER

Question: Did any members leave The Kentucky Headhunters in 1992?
Answer: Ricky Lee and Doug departed in June 1992 due to creative differences.
The Kentucky Headhunters

Context: In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWER

Question: What did The Kentucky Headhunters do in 1992?
Answer: Ricky Lee and Doug departed in June 1992 due to creative differences.
The Kentucky Headhunters

Context: In 1991, the band released their second album, Electric Barnyard. Although the album earned a gold certification from the RIAA and a second CMA award for Vocal Group of the Year, its singles received little airplay compared to the band's previous releases, with none of the four singles reaching the top 40 on the U.S. country charts. The album's first single was a cover of "The Ballad of Davy Crockett," which was released on the 155th anniversary of Davy Crockett's death; the single shipped to radio with promotional coonskin caps. It spent eleven weeks on the charts and peaked at 49. "With Body and Soul" was the next single released, peaking at number 30 on the Canadian RPM country charts but reaching number 56 in the United States. The third and fourth singles were the original composition "It's Chitlin' Time" and a rendition of Waylon Jennings's "Only Daddy That'll Walk the Line," at numbers 63 and 60 respectively. Norman Greenbaum's 1969 single "Spirit in the Sky" was covered on this album as well. This album was met with mixed reception from critics. Alanna Nash of Entertainment Weekly gave it an A rating, saying that it "skillfully blends raw wit, the working-class energy of sweat-stained factory workers jamming between shifts, and musical styles as diverse as the corny Tennessee Ernie Ford and the creamy Eric Clapton." Allmusic critic Brian Mansfield, who gave it three-and-a-half stars, called the band a "top-notch Southern rock band with a sense of humor," and said that the covers on Electric Barnyard were highlights, while the originals were "adequate, offbeat filler." Randy Lewis of the Los Angeles Times called the band "ZZ Top lite" and said that most of the songs on the album had a "party-hearty sound." Later in 1991, The Kentucky Headhunters performed with Roy Rogers on the song "That's How the West Was Swung" from his Tribute album, and covered Canned Heat's "Let's Work Together" for the soundtrack to the film Harley Davidson and the Marlboro Man. In addition, Martin played lead guitar for Canadian synthpop band Men Without Hats on its 1991 album Sideways and filled in for Southern rock band Lynyrd Skynyrd guitarist Ed King on that band's 1992 tour, as King was injured at the time. Ricky Lee and Doug departed in June 1992 due to creative differences. According to Richard, Ricky Lee's tenure as lead vocalist was "a bad time" for the band given his opposition to Richard's opinions, although Richard was still surprised to hear of the brothers' departure, and said, "I tried everything I could to get them to stay." Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. CANNOTANSWER

Question: Which tour did The Kentucky Headhunters fill in for?
Answer: Southern rock band Lynyrd Skynyrd guitarist Ed King
Rush Limbaugh

Context: Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Question: Was the Rush Limbaugh Show on radio or television?
Answer: on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network.
Rush Limbaugh

Context: Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Question: When did the Rush Limbaugh Show first start airing?
Answer: Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline.
Rush Limbaugh

Context: Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Question: What kind of topics did the Rush Limbaugh Show cover?
Answer: conservative talk
Rush Limbaugh

Context: Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Question: Did Rush Limbaugh have any notable guests on his show?
Answer: CANNOTANSWER
Rush Limbaugh

Context: Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Question: Did the Rush Limbaugh Show win any awards?
Answer: In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts.
Rush Limbaugh

Context: Limbaugh's radio show airs for three hours each weekday beginning at noon Eastern Standard Time on both AM and FM radio. The program is also broadcast worldwide on the Armed Forces Radio Network. Radio broadcasting shifted from AM to FM in the late 1970s because of the opportunity to broadcast music in stereo with better fidelity. Limbaugh's show was first nationally syndicated in August 1988, in a later stage of AM's decline. Limbaugh's popularity paved the way for other conservative talk radio programming to become commonplace on AM radio. The show became so popular in the 1990s, even some FM stations picked it up. In March 2006, WBAL in Baltimore became the first major market radio station in the country to drop Limbaugh's nationally syndicated radio program. In 2007, Talkers magazine again named him No. 1 in its "Heavy Hundred" most important talk show hosts. Limbaugh frequently mentions the EIB (Excellence In Broadcasting) Network, trademarked in 1990. In the beginning, his show was co-owned and first syndicated by Edward F. McLaughlin, former president of ABC, who founded EFM Media in 1988, with Limbaugh's show as his first product. In 1997, McLaughlin sold EFM to Jacor Communications, which was ultimately bought up by Clear Channel Communications. Today, Limbaugh owns a majority of the show, which is syndicated by the Premiere Radio Networks. According to a 2001 article in U.S. News & World Report, Limbaugh had an eight-year contract, at the rate of $31.25 million a year. In 2007, Limbaugh earned $33 million. A November 2008 poll by Zogby International found that Rush Limbaugh was the most trusted news personality in the nation, garnering 12.5 percent of poll responses. Limbaugh signed a $400 million, eight-year contract in 2008 with what was then Clear Channel Communications, making him the highest-paid broadcaster on terrestrial radio. On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract. At the announcement of the extension, Premiere Radio Networks and iHeartMedia announced that his show experienced audience growth with 18% growth in adults 25-54, 27% growth with 25-54 women, and ad revenue growth of 20% year over year. CANNOTANSWER

Question: Is the Rush Limbaugh Show still on the air?
Answer: On August 2, 2016, Limbaugh signed a four-year extension of the 2008 contract.
Laurel and Hardy

Context: The catchphrase most used by Laurel and Hardy on film is: "Well, here's another nice mess you've gotten me into!" The phrase was earlier used by W. S. Gilbert in both The Mikado from 1885 and The Grand Duke from 1896. It was first used by Hardy in The Laurel-Hardy Murder Case in 1930. In popular culture the catchphrase is often misquoted as "Well, here's another fine mess you've gotten me into." The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan "Well...." with Stan replying, "Here's another nice mess I've gotten you into." The films Thicker than Water and The Fixer-Uppers use the phrase "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is "Why don't you do something to help me?" And another, not-as-often used catchphrase of Ollie, particularly after Stan has accidentally given a verbal idea to an adversary of theirs to torment them even more: "Why don't you keep your (big) mouth shut?!" "D'oh!" was a catchphrase used by the mustachioed Scottish actor James Finlayson who appeared in 33 Laurel and Hardy films. The phrase, expressing surprise, impatience, or incredulity, was the inspiration for "D'oh!" as spoken by the actor Dan Castelleneta portraying the character Homer Simpson in the long-running animated comedy The Simpsons. Homer's first intentional use of "d'oh!" occurred in the Ullman short "Punching Bag" (1988). CANNOTANSWER

Question: what is one of Laurel and Hardy catch phrases
Answer: "Well, here's another nice mess you've gotten me into!" The
Laurel and Hardy

Context: The catchphrase most used by Laurel and Hardy on film is: "Well, here's another nice mess you've gotten me into!" The phrase was earlier used by W. S. Gilbert in both The Mikado from 1885 and The Grand Duke from 1896. It was first used by Hardy in The Laurel-Hardy Murder Case in 1930. In popular culture the catchphrase is often misquoted as "Well, here's another fine mess you've gotten me into." The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan "Well...." with Stan replying, "Here's another nice mess I've gotten you into." The films Thicker than Water and The Fixer-Uppers use the phrase "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is "Why don't you do something to help me?" And another, not-as-often used catchphrase of Ollie, particularly after Stan has accidentally given a verbal idea to an adversary of theirs to torment them even more: "Why don't you keep your (big) mouth shut?!" "D'oh!" was a catchphrase used by the mustachioed Scottish actor James Finlayson who appeared in 33 Laurel and Hardy films. The phrase, expressing surprise, impatience, or incredulity, was the inspiration for "D'oh!" as spoken by the actor Dan Castelleneta portraying the character Homer Simpson in the long-running animated comedy The Simpsons. Homer's first intentional use of "d'oh!" occurred in the Ullman short "Punching Bag" (1988). CANNOTANSWER

Question: In addition to  "Well, here's another nice mess you've gotten me into!", what other catch phrases did Laurel and Hardy have
Answer: "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!"
Laurel and Hardy

Context: The catchphrase most used by Laurel and Hardy on film is: "Well, here's another nice mess you've gotten me into!" The phrase was earlier used by W. S. Gilbert in both The Mikado from 1885 and The Grand Duke from 1896. It was first used by Hardy in The Laurel-Hardy Murder Case in 1930. In popular culture the catchphrase is often misquoted as "Well, here's another fine mess you've gotten me into." The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan "Well...." with Stan replying, "Here's another nice mess I've gotten you into." The films Thicker than Water and The Fixer-Uppers use the phrase "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is "Why don't you do something to help me?" And another, not-as-often used catchphrase of Ollie, particularly after Stan has accidentally given a verbal idea to an adversary of theirs to torment them even more: "Why don't you keep your (big) mouth shut?!" "D'oh!" was a catchphrase used by the mustachioed Scottish actor James Finlayson who appeared in 33 Laurel and Hardy films. The phrase, expressing surprise, impatience, or incredulity, was the inspiration for "D'oh!" as spoken by the actor Dan Castelleneta portraying the character Homer Simpson in the long-running animated comedy The Simpsons. Homer's first intentional use of "d'oh!" occurred in the Ullman short "Punching Bag" (1988). CANNOTANSWER

Question: is there any more of Laurel and Hardy catch phrase?
Answer: Why don't you keep your (big) mouth shut?!"
Laurel and Hardy

Context: The catchphrase most used by Laurel and Hardy on film is: "Well, here's another nice mess you've gotten me into!" The phrase was earlier used by W. S. Gilbert in both The Mikado from 1885 and The Grand Duke from 1896. It was first used by Hardy in The Laurel-Hardy Murder Case in 1930. In popular culture the catchphrase is often misquoted as "Well, here's another fine mess you've gotten me into." The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan "Well...." with Stan replying, "Here's another nice mess I've gotten you into." The films Thicker than Water and The Fixer-Uppers use the phrase "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is "Why don't you do something to help me?" And another, not-as-often used catchphrase of Ollie, particularly after Stan has accidentally given a verbal idea to an adversary of theirs to torment them even more: "Why don't you keep your (big) mouth shut?!" "D'oh!" was a catchphrase used by the mustachioed Scottish actor James Finlayson who appeared in 33 Laurel and Hardy films. The phrase, expressing surprise, impatience, or incredulity, was the inspiration for "D'oh!" as spoken by the actor Dan Castelleneta portraying the character Homer Simpson in the long-running animated comedy The Simpsons. Homer's first intentional use of "d'oh!" occurred in the Ullman short "Punching Bag" (1988). CANNOTANSWER

Question: did the catch phrases change as years went by?
Answer: Numerous variations of the quote appeared on film.
Laurel and Hardy

Context: The catchphrase most used by Laurel and Hardy on film is: "Well, here's another nice mess you've gotten me into!" The phrase was earlier used by W. S. Gilbert in both The Mikado from 1885 and The Grand Duke from 1896. It was first used by Hardy in The Laurel-Hardy Murder Case in 1930. In popular culture the catchphrase is often misquoted as "Well, here's another fine mess you've gotten me into." The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan "Well...." with Stan replying, "Here's another nice mess I've gotten you into." The films Thicker than Water and The Fixer-Uppers use the phrase "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is "Why don't you do something to help me?" And another, not-as-often used catchphrase of Ollie, particularly after Stan has accidentally given a verbal idea to an adversary of theirs to torment them even more: "Why don't you keep your (big) mouth shut?!" "D'oh!" was a catchphrase used by the mustachioed Scottish actor James Finlayson who appeared in 33 Laurel and Hardy films. The phrase, expressing surprise, impatience, or incredulity, was the inspiration for "D'oh!" as spoken by the actor Dan Castelleneta portraying the character Homer Simpson in the long-running animated comedy The Simpsons. Homer's first intentional use of "d'oh!" occurred in the Ullman short "Punching Bag" (1988). CANNOTANSWER

Question: did Laurel and Hardy have anymore
Answer: "D'oh!"
Atomic Kitten

Context: In April 2003, the album Atomic Kitten was released in the United States, which consisted of tracks from their first two albums. The album was unsuccessful, although "The Tide Is High (Get the Feeling)" appeared on the soundtrack for the Disney Channel Original Movie The Lizzie McGuire Movie. Following this, the group opted to focus solely on the European, Oceanian, South African and Asian markets. Before recording their third album, Kool & the Gang approached the group about a collaboration for their album of duets, Odyssey. Kool & the Gang wanted to record an updated version of their hit "Ladies Night" and were looking for a girl group to sing the lyrics. Atomic Kitten liked the idea and inquired whether they could use it for their next album which was subsequently named Ladies Night in honour of this collaboration. Atomic Kitten spent late 2002 and early 2003 in the studio recording their third and final studio album. Up until the recording of Ladies Night, the group mainly relied on songwriters, though they had occasionally co-written songs featured on their albums. While recording Ladies Night, they decided to be directly involved in the creation of eight of the fifteen songs. Ladies Night was released on 10 November 2003 and peaked at number five in the UK album chart. It was certified Platinum for sales in excess of 300,000 copies. The album released the group including "Be With You", "Ladies Night" and "If You Come To Me" (which peaked at number three on the UK top 40). A deluxe edition of her third album was released with extra tracks including remixes of Be With You, Ladies Night and Someone Like Me. In early 2004, a tour to support the Ladies Night album and the upcoming release of their Greatest Hits album was planned. Shortly before the tour kicked off, the group announced they would be taking an extended break after the completion of the tour. After the group's 2012 reunion, it was revealed during The Big Reunion that Hamilton had quit the group under the pressure of being a new mom and touring, which later led to the band splitting because they didn't want to replace Hamilton. CANNOTANSWER

Question: Was atomic kitten a musical band?
Answer: In April 2003, the album Atomic Kitten was released in the United States,
Atomic Kitten

Context: In April 2003, the album Atomic Kitten was released in the United States, which consisted of tracks from their first two albums. The album was unsuccessful, although "The Tide Is High (Get the Feeling)" appeared on the soundtrack for the Disney Channel Original Movie The Lizzie McGuire Movie. Following this, the group opted to focus solely on the European, Oceanian, South African and Asian markets. Before recording their third album, Kool & the Gang approached the group about a collaboration for their album of duets, Odyssey. Kool & the Gang wanted to record an updated version of their hit "Ladies Night" and were looking for a girl group to sing the lyrics. Atomic Kitten liked the idea and inquired whether they could use it for their next album which was subsequently named Ladies Night in honour of this collaboration. Atomic Kitten spent late 2002 and early 2003 in the studio recording their third and final studio album. Up until the recording of Ladies Night, the group mainly relied on songwriters, though they had occasionally co-written songs featured on their albums. While recording Ladies Night, they decided to be directly involved in the creation of eight of the fifteen songs. Ladies Night was released on 10 November 2003 and peaked at number five in the UK album chart. It was certified Platinum for sales in excess of 300,000 copies. The album released the group including "Be With You", "Ladies Night" and "If You Come To Me" (which peaked at number three on the UK top 40). A deluxe edition of her third album was released with extra tracks including remixes of Be With You, Ladies Night and Someone Like Me. In early 2004, a tour to support the Ladies Night album and the upcoming release of their Greatest Hits album was planned. Shortly before the tour kicked off, the group announced they would be taking an extended break after the completion of the tour. After the group's 2012 reunion, it was revealed during The Big Reunion that Hamilton had quit the group under the pressure of being a new mom and touring, which later led to the band splitting because they didn't want to replace Hamilton. CANNOTANSWER

Question: how  many members were in  atomic kitten ?
Answer: CANNOTANSWER