gaussalgo/Canard_Wiki-augmented huggingface dataset:
Jedediah Smith

Context: As agreed, Ashley had sent provisions for the rendezvous, and his men took back 7,400 pounds (3,400 kg) of Smith, Jackson & Sublette furs and a letter from Smith to William Clark, then in the office of the Superintendent of Indian Affairs for the region west of the Mississippi River, describing what he had observed the previous year. Smith left to rejoin the men he had left in California almost immediately after the rendezvous. He was accompanied by 18 men and two French-Canadian women, following much of the same route as the previous year. However, in the ensuing year, the Mojave along the Colorado River who had been so welcoming the previous year had clashed with trappers from Taos and were set on revenge against the whites. While crossing the river, Smith's party was attacked; 10 men, including Silas Gobel, were killed, and the two women were taken captive. Jedediah and the eight surviving men, one badly wounded from the fighting, prepared to make a desperate stand on the west bank of the Colorado, having made a makeshift breast work out of trees and fashioned lances by attaching butcher knives to light poles. The men still had five guns among them, and as the Mojave began to approach, Jedediah ordered his men to fire on those within range. Two Mojaves were shot and killed, one was wounded, and the remaining attackers ran off. Before the Mojave could regroup, Smith and eight other surviving men retreated on foot across the Mojave Desert on the Mohave Trail to the San Bernardino Valley. Smith and the other survivors were again well received in San Gabriel. The party moved north to meet with the group that had been left in the San Joaquin Valley, reuniting with them on September 19, 1827. Unlike in San Gabriel, they were coolly received by the priests at Mission San Jose, who had already received warning of Smith's renewed presence in the area. Smith's party also visited the settlements at Monterey and Yerba Buena (San Francisco). Governor Echeandia, who was at the time in Monterey (capital of Alta California), once again arrested Smith, this time along with his men. Yet despite the breach of trust, the governor once again released Smith after several English-speaking residents vouched for him, including John B. R. Cooper and William Edward Petty Hartnell in Monterey. After posting a $30,000 bond, Smith received a passport, on the same promise - to leave the province immediately and not to return. Also as before, Smith and his party remained in California hunting in the Sacramento Valley for several months. Upon reaching the northern edge of the valley, the party scouted the route to the northeast afforded by the Pit River, but determined it to be impassable, so veered northwest toward the Pacific coast to find the Columbia River and return to the Rocky Mountain region. Jedediah became the first explorer to reach the Oregon Country over land by traveling up the California coast. CANNOTANSWER

Question: What did Jedediah Smith do after the Third Rendezvous of September 19, 1827?
Answer: Smith's party also visited the settlements at Monterey and Yerba Buena (San Francisco).
Jedediah Smith

Context: As agreed, Ashley had sent provisions for the rendezvous, and his men took back 7,400 pounds (3,400 kg) of Smith, Jackson & Sublette furs and a letter from Smith to William Clark, then in the office of the Superintendent of Indian Affairs for the region west of the Mississippi River, describing what he had observed the previous year. Smith left to rejoin the men he had left in California almost immediately after the rendezvous. He was accompanied by 18 men and two French-Canadian women, following much of the same route as the previous year. However, in the ensuing year, the Mojave along the Colorado River who had been so welcoming the previous year had clashed with trappers from Taos and were set on revenge against the whites. While crossing the river, Smith's party was attacked; 10 men, including Silas Gobel, were killed, and the two women were taken captive. Jedediah and the eight surviving men, one badly wounded from the fighting, prepared to make a desperate stand on the west bank of the Colorado, having made a makeshift breast work out of trees and fashioned lances by attaching butcher knives to light poles. The men still had five guns among them, and as the Mojave began to approach, Jedediah ordered his men to fire on those within range. Two Mojaves were shot and killed, one was wounded, and the remaining attackers ran off. Before the Mojave could regroup, Smith and eight other surviving men retreated on foot across the Mojave Desert on the Mohave Trail to the San Bernardino Valley. Smith and the other survivors were again well received in San Gabriel. The party moved north to meet with the group that had been left in the San Joaquin Valley, reuniting with them on September 19, 1827. Unlike in San Gabriel, they were coolly received by the priests at Mission San Jose, who had already received warning of Smith's renewed presence in the area. Smith's party also visited the settlements at Monterey and Yerba Buena (San Francisco). Governor Echeandia, who was at the time in Monterey (capital of Alta California), once again arrested Smith, this time along with his men. Yet despite the breach of trust, the governor once again released Smith after several English-speaking residents vouched for him, including John B. R. Cooper and William Edward Petty Hartnell in Monterey. After posting a $30,000 bond, Smith received a passport, on the same promise - to leave the province immediately and not to return. Also as before, Smith and his party remained in California hunting in the Sacramento Valley for several months. Upon reaching the northern edge of the valley, the party scouted the route to the northeast afforded by the Pit River, but determined it to be impassable, so veered northwest toward the Pacific coast to find the Columbia River and return to the Rocky Mountain region. Jedediah became the first explorer to reach the Oregon Country over land by traveling up the California coast. CANNOTANSWER

Question: When did Jedediah Smith leave Mission San Jose?
Answer: CANNOTANSWER
Jedediah Smith

Context: As agreed, Ashley had sent provisions for the rendezvous, and his men took back 7,400 pounds (3,400 kg) of Smith, Jackson & Sublette furs and a letter from Smith to William Clark, then in the office of the Superintendent of Indian Affairs for the region west of the Mississippi River, describing what he had observed the previous year. Smith left to rejoin the men he had left in California almost immediately after the rendezvous. He was accompanied by 18 men and two French-Canadian women, following much of the same route as the previous year. However, in the ensuing year, the Mojave along the Colorado River who had been so welcoming the previous year had clashed with trappers from Taos and were set on revenge against the whites. While crossing the river, Smith's party was attacked; 10 men, including Silas Gobel, were killed, and the two women were taken captive. Jedediah and the eight surviving men, one badly wounded from the fighting, prepared to make a desperate stand on the west bank of the Colorado, having made a makeshift breast work out of trees and fashioned lances by attaching butcher knives to light poles. The men still had five guns among them, and as the Mojave began to approach, Jedediah ordered his men to fire on those within range. Two Mojaves were shot and killed, one was wounded, and the remaining attackers ran off. Before the Mojave could regroup, Smith and eight other surviving men retreated on foot across the Mojave Desert on the Mohave Trail to the San Bernardino Valley. Smith and the other survivors were again well received in San Gabriel. The party moved north to meet with the group that had been left in the San Joaquin Valley, reuniting with them on September 19, 1827. Unlike in San Gabriel, they were coolly received by the priests at Mission San Jose, who had already received warning of Smith's renewed presence in the area. Smith's party also visited the settlements at Monterey and Yerba Buena (San Francisco). Governor Echeandia, who was at the time in Monterey (capital of Alta California), once again arrested Smith, this time along with his men. Yet despite the breach of trust, the governor once again released Smith after several English-speaking residents vouched for him, including John B. R. Cooper and William Edward Petty Hartnell in Monterey. After posting a $30,000 bond, Smith received a passport, on the same promise - to leave the province immediately and not to return. Also as before, Smith and his party remained in California hunting in the Sacramento Valley for several months. Upon reaching the northern edge of the valley, the party scouted the route to the northeast afforded by the Pit River, but determined it to be impassable, so veered northwest toward the Pacific coast to find the Columbia River and return to the Rocky Mountain region. Jedediah became the first explorer to reach the Oregon Country over land by traveling up the California coast. CANNOTANSWER

Question: What did Jedediah Smith and his party discover in California?
Answer: trappers
Kareem Abdul-Jabbar

Context: Since 2005, Abdul-Jabbar has served as a special assistant coach for the Lakers. He had been interested in coaching since his retirement, and given the influence that he exerted on the league during his playing days, he thought that the opportunity would present itself. However, during his playing years, Abdul-Jabbar had developed a reputation for being introverted and sullen. He did not speak to the press, which led to the impression that he disliked journalists. In his biography My Life, Magic Johnson recalls instances when Abdul-Jabbar brushed him off when Magic (as a ball boy) asked for his autograph, Abdul-Jabbar froze out reporters who gave him a too-enthusiastic handshake or even hugged him, and he refused to stop reading the newspaper while giving an interview. Many basketball observers, in addition to Abdul-Jabbar, believe that Kareem's reticence, whether through disdain for the press corps or simply because of introversion, contributed to the dearth of coaching opportunities offered to Abdul-Jabbar by the NBA. In his words, he said he had a mindset he could not overcome, and proceeded through his career oblivious to the effect his reticence may have had on his future coaching prospects. Abdul-Jabbar said: "I didn't understand that I also had affected people that way and that's what it was all about. I always saw it like they were trying to pry. I was way too suspicious and I paid a price for it." Since he began lobbying for a coaching position in 1995, he has managed to obtain only low-level assistant and scouting jobs in the NBA, and a head coaching position only in a minor professional league. Abdul-Jabbar has worked as an assistant for the Los Angeles Clippers and the Seattle SuperSonics, helping mentor, among others, their young centers, Michael Olowokandi and Jerome James. Abdul-Jabbar was the head coach of the Oklahoma Storm of the United States Basketball League in 2002, leading the team to the league's championship that season, but he failed to land the head coaching position at Columbia University a year later. He then worked as a scout for the New York Knicks. Finally, on September 2, 2005, he returned to the Lakers as a special assistant to Phil Jackson to help the Lakers' centers, and in particular their young draftee Andrew Bynum. Abdul-Jabbar's influence has been credited with Bynum's emergence as a more talented NBA center. Abdul-Jabbar also served as a volunteer coach at Alchesay High School on the Fort Apache Indian Reservation in Whiteriver, Arizona in 1998. In 2016, he performed a tribute to friend Muhammad Ali along with Chance the Rapper. He is also co-author of a comic book published by Titan Comics entitled Mycroft Holmes and the Apocalypse Handbook. CANNOTANSWER

Question: What does Kareem Abdul-Jabbar do after basket ball?
Answer: Abdul-Jabbar has worked as an assistant for the Los Angeles Clippers and the Seattle SuperSonics, helping mentor, among others, their young centers, Michael Olowokandi and Jerome James.
Kareem Abdul-Jabbar

Context: Since 2005, Abdul-Jabbar has served as a special assistant coach for the Lakers. He had been interested in coaching since his retirement, and given the influence that he exerted on the league during his playing days, he thought that the opportunity would present itself. However, during his playing years, Abdul-Jabbar had developed a reputation for being introverted and sullen. He did not speak to the press, which led to the impression that he disliked journalists. In his biography My Life, Magic Johnson recalls instances when Abdul-Jabbar brushed him off when Magic (as a ball boy) asked for his autograph, Abdul-Jabbar froze out reporters who gave him a too-enthusiastic handshake or even hugged him, and he refused to stop reading the newspaper while giving an interview. Many basketball observers, in addition to Abdul-Jabbar, believe that Kareem's reticence, whether through disdain for the press corps or simply because of introversion, contributed to the dearth of coaching opportunities offered to Abdul-Jabbar by the NBA. In his words, he said he had a mindset he could not overcome, and proceeded through his career oblivious to the effect his reticence may have had on his future coaching prospects. Abdul-Jabbar said: "I didn't understand that I also had affected people that way and that's what it was all about. I always saw it like they were trying to pry. I was way too suspicious and I paid a price for it." Since he began lobbying for a coaching position in 1995, he has managed to obtain only low-level assistant and scouting jobs in the NBA, and a head coaching position only in a minor professional league. Abdul-Jabbar has worked as an assistant for the Los Angeles Clippers and the Seattle SuperSonics, helping mentor, among others, their young centers, Michael Olowokandi and Jerome James. Abdul-Jabbar was the head coach of the Oklahoma Storm of the United States Basketball League in 2002, leading the team to the league's championship that season, but he failed to land the head coaching position at Columbia University a year later. He then worked as a scout for the New York Knicks. Finally, on September 2, 2005, he returned to the Lakers as a special assistant to Phil Jackson to help the Lakers' centers, and in particular their young draftee Andrew Bynum. Abdul-Jabbar's influence has been credited with Bynum's emergence as a more talented NBA center. Abdul-Jabbar also served as a volunteer coach at Alchesay High School on the Fort Apache Indian Reservation in Whiteriver, Arizona in 1998. In 2016, he performed a tribute to friend Muhammad Ali along with Chance the Rapper. He is also co-author of a comic book published by Titan Comics entitled Mycroft Holmes and the Apocalypse Handbook. CANNOTANSWER

Question: Did Kareem Abdul-Jabbar win anything for the Lakers?
Answer: CANNOTANSWER
Kareem Abdul-Jabbar

Context: Since 2005, Abdul-Jabbar has served as a special assistant coach for the Lakers. He had been interested in coaching since his retirement, and given the influence that he exerted on the league during his playing days, he thought that the opportunity would present itself. However, during his playing years, Abdul-Jabbar had developed a reputation for being introverted and sullen. He did not speak to the press, which led to the impression that he disliked journalists. In his biography My Life, Magic Johnson recalls instances when Abdul-Jabbar brushed him off when Magic (as a ball boy) asked for his autograph, Abdul-Jabbar froze out reporters who gave him a too-enthusiastic handshake or even hugged him, and he refused to stop reading the newspaper while giving an interview. Many basketball observers, in addition to Abdul-Jabbar, believe that Kareem's reticence, whether through disdain for the press corps or simply because of introversion, contributed to the dearth of coaching opportunities offered to Abdul-Jabbar by the NBA. In his words, he said he had a mindset he could not overcome, and proceeded through his career oblivious to the effect his reticence may have had on his future coaching prospects. Abdul-Jabbar said: "I didn't understand that I also had affected people that way and that's what it was all about. I always saw it like they were trying to pry. I was way too suspicious and I paid a price for it." Since he began lobbying for a coaching position in 1995, he has managed to obtain only low-level assistant and scouting jobs in the NBA, and a head coaching position only in a minor professional league. Abdul-Jabbar has worked as an assistant for the Los Angeles Clippers and the Seattle SuperSonics, helping mentor, among others, their young centers, Michael Olowokandi and Jerome James. Abdul-Jabbar was the head coach of the Oklahoma Storm of the United States Basketball League in 2002, leading the team to the league's championship that season, but he failed to land the head coaching position at Columbia University a year later. He then worked as a scout for the New York Knicks. Finally, on September 2, 2005, he returned to the Lakers as a special assistant to Phil Jackson to help the Lakers' centers, and in particular their young draftee Andrew Bynum. Abdul-Jabbar's influence has been credited with Bynum's emergence as a more talented NBA center. Abdul-Jabbar also served as a volunteer coach at Alchesay High School on the Fort Apache Indian Reservation in Whiteriver, Arizona in 1998. In 2016, he performed a tribute to friend Muhammad Ali along with Chance the Rapper. He is also co-author of a comic book published by Titan Comics entitled Mycroft Holmes and the Apocalypse Handbook. CANNOTANSWER

Question: Did Kareem Abdul-Jabbar win anything as a basket baller?
Answer: CANNOTANSWER
Kareem Abdul-Jabbar

Context: Since 2005, Abdul-Jabbar has served as a special assistant coach for the Lakers. He had been interested in coaching since his retirement, and given the influence that he exerted on the league during his playing days, he thought that the opportunity would present itself. However, during his playing years, Abdul-Jabbar had developed a reputation for being introverted and sullen. He did not speak to the press, which led to the impression that he disliked journalists. In his biography My Life, Magic Johnson recalls instances when Abdul-Jabbar brushed him off when Magic (as a ball boy) asked for his autograph, Abdul-Jabbar froze out reporters who gave him a too-enthusiastic handshake or even hugged him, and he refused to stop reading the newspaper while giving an interview. Many basketball observers, in addition to Abdul-Jabbar, believe that Kareem's reticence, whether through disdain for the press corps or simply because of introversion, contributed to the dearth of coaching opportunities offered to Abdul-Jabbar by the NBA. In his words, he said he had a mindset he could not overcome, and proceeded through his career oblivious to the effect his reticence may have had on his future coaching prospects. Abdul-Jabbar said: "I didn't understand that I also had affected people that way and that's what it was all about. I always saw it like they were trying to pry. I was way too suspicious and I paid a price for it." Since he began lobbying for a coaching position in 1995, he has managed to obtain only low-level assistant and scouting jobs in the NBA, and a head coaching position only in a minor professional league. Abdul-Jabbar has worked as an assistant for the Los Angeles Clippers and the Seattle SuperSonics, helping mentor, among others, their young centers, Michael Olowokandi and Jerome James. Abdul-Jabbar was the head coach of the Oklahoma Storm of the United States Basketball League in 2002, leading the team to the league's championship that season, but he failed to land the head coaching position at Columbia University a year later. He then worked as a scout for the New York Knicks. Finally, on September 2, 2005, he returned to the Lakers as a special assistant to Phil Jackson to help the Lakers' centers, and in particular their young draftee Andrew Bynum. Abdul-Jabbar's influence has been credited with Bynum's emergence as a more talented NBA center. Abdul-Jabbar also served as a volunteer coach at Alchesay High School on the Fort Apache Indian Reservation in Whiteriver, Arizona in 1998. In 2016, he performed a tribute to friend Muhammad Ali along with Chance the Rapper. He is also co-author of a comic book published by Titan Comics entitled Mycroft Holmes and the Apocalypse Handbook. CANNOTANSWER

Question: What else did Kareem Abdul-Jabbar do after the NBA other than working as a special assistant coach for the Lakers?
Answer: In 2016, he performed a tribute to friend Muhammad Ali along with Chance the Rapper. He is also co-author of a comic book published by Titan Comics
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: What were The Angels doing in the 1970s?
Answer: Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals.
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: Who were the members of the band, The Angels in 1970s?
Answer: John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: Besides Bewster, who else was on The Angels?
Answer: Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals.
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: What did Thorpe play?
Answer: on tea chest bass, bass guitar, wash tub and backing vocals.
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: Did The Angels record any albums during 1970s?
Answer: They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide.
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: What songs were on "Keep You on the Move"?
Answer: "That's All Right with Me".
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: What three other songs were on "Keep You on the Move" besides "On the Road Again"?
Answer: "That's All Right with Me".
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: Was "Keep You on the Move" well-received?
Answer: In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame.
The Angels (Australian band)

Context: In November 1970 future member of the Angels, John Brewster on guitar, banjo, harp, backing vocals and washboard, and his brother Rick on violin, washboard, jug, backing vocals and percussion formed the Moonshine Jug and String Band, an acoustic ensemble, in Adelaide. Fellow members were Craig Holden on guitar, Bob Petchell on banjo and harp, and Pete Thorpe on tea chest bass, bass guitar, wash tub and backing vocals. In 1971 they were joined by Belfast-born immigrant, Bernard "Doc" Neeson, on guitar and lead vocals (ex-the Innocents), an arts student and former Army sergeant, who already performed locally as Doc Talbot. The folk band gigged at local university campuses and cafes. Holden left in 1972. In 1973 Spencer Tregloan joined Moonshine Jug and String Band on banjo, kazoo, jug, tuba and backing vocals. They released their debut four-track extended play, Keep You on the Move, which made the top 5 in Adelaide. It contained a cover version of Canned Heat's "On the Road Again" and three original tracks: one written by John, one by John and Rick, and one by Neeson. It was followed in 1974 by a single, "That's All Right with Me". Both releases were on the Sphere Organisation label owned by John Woodruff, who later became the Angels' talent manager for two decades. In 2015 the group were inducted into the Adelaide Music Collective Hall of Fame. In mid-1974 Moonshine Jug and String Band changed their name to the Keystone Angels, with the line up of John Brewster on lead vocals and bass guitar, Rick on guitar, Neeson on bass guitar and vocals, Peter Christopolous (a.k.a. Charlie King) on drums and Laurie Lever on keyboards. They had switched to electric instruments and began playing 1950s rock and roll on the pub circuit. Rick later recalled "There was a cult following with The Jug Band but if we wanted any real success we had to start an electric band. So we threw ourselves in the deep end. I went from playing washboard to playing lead guitar. I hadn't even played an electric guitar before then!" During July and August 1974 they ran a series of ads in Go-Set, the national teen pop music magazine, announcing that "The Keystone Angles are coming". Lever left during that year. In January 1975 the remaining members performed, as a four-piece, at the Sunbury Pop Festival, then they supported AC/DC during a South Australian tour, and later that year they were the backing band for Chuck Berry. The Keystone Angels issued a sole single, "Keep on Dancin'", on Sphere during that year. CANNOTANSWER

Question: Did The Angels tour during 1970s?
Answer: South Australian tour,
Patty Loveless

Context: In April 1985, Loveless felt her marriage to Terry Lovelace was ending (they eventually divorced amicably in 1986). She contacted her brother Roger to help her get back to Nashville. After being in the rock 'n' roll scene for so long she felt completely out of the country-music loop but wanted to sing country music again. Roger Ramey helped his sister cut a five-song demo tape, one of them being a rough cut of her self-penned song "I Did", which Loveless first wrote as a teenager, then later included on her first album. Roger Ramey then began to spread the word around about her talent. She and her brother disagreed about including "I Did" on the demo tape. Loveless didn't believe the song was good enough, but Roger argued that it would be what got her a contract. Once the demo was finished, Roger started trying to get her a recording contract with a major label in Nashville. Roger Ramey sent the demo tape out to every major label in Nashville, and was met with a solid wall of rejection by them all. After a month of not getting anywhere, out of desperation to help his sister, he decided to take a chance with MCA Nashville. MCA, being the industry leader at the time was his first choice of labels. Taking a cassette of the five song demo of Loveless, Roger bluffed his way past the receptionist of Tony Brown, the head of A&R (Artist & Repertoire - in charge of finding and developing new talent) by pretending to be someone else who was late for an appointment. As soon as they met, Roger told Brown he had the "best girl singer to ever come to Nashville". Tony Brown said he would give Roger 30 seconds to sell him on it. Roger quickly played the tape of Patty singing "I Did". Brown listened to the entire five-song tape, and asked Roger to leave it with him so he could play it for some other execs and get back to him. Roger refused and told Brown that he wanted a commitment that day, and if he didn't want her on MCA, he knew another label that did. With Roger Ramey waiting in his office, Brown took the tape to Jimmy Bowen, President of MCA Nashville at the time. Hearing the tape, Bowen wasn't impressed with Loveless, but told Brown to go ahead and sign her, but only to a short-term, singles-only recording contract. CANNOTANSWER

Question: What happened in Nashville that was so important for Patty Loveless?
Answer: Roger Ramey sent the demo tape out to every major label in Nashville, and was met with a solid wall of rejection by them all.