gaussalgo/Canard_Wiki-augmented huggingface dataset:
Girls Aloud

Context: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies. Each member designed the outfit and look of a doll modelled after themselves. In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style. Official calendars have also been issued annually from 2004 to 2009, the only exception being 2005. Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots", was published in October 2008 through the Transworld imprint Bantam Press. Before the release, OK! magazine bought the rights to preview and serialise the book. In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk. The girls filmed a television advertisement and appeared in and magazine advertisements, with each of the five members being the face of a different shampoo. The same year, Girls Aloud also sealed a deal with the UK division of Samsung. They endorsed mobile phones and MP3 players, made personal appearances and sang at Samsung events, and contributed to competition prizes, among other activities. The Samsung F210 Purple came with a 1GB memory card featuring Girls Aloud content. Girls Aloud appeared in television advertisements for Nintendo DS the following year. The girl group signed a deal to front a promotional campaign for a new low-calorie KitKat bar called "Senses" in March 2008. The chocolate bar manufacturer also sponsored Girls Aloud's Tangled Up Tour. The exact worth of the endorsement is unknown, but a figure of PS500,000 each has been suggested. Sales increased 6.8% in the United Kingdom. Beginning in 2009, Girls Aloud teamed with Eylure to release five sets of false eyelashes, each set designed by a different member of the band. A range of festival-themed lashes followed in 2010, while limited edition "10th Anniversary" lash was released in 2012. Similarly, to celebrate their tenth anniversary, each member designed a charm bracelet for Pandora, available as either a complete bracelet or a "starter" bracelet. Pandora is the official sponsor of the group's Ten: The Hits Tour. CANNOTANSWER

Question: What is another one?
Answer: In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style.
Girls Aloud

Context: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies. Each member designed the outfit and look of a doll modelled after themselves. In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style. Official calendars have also been issued annually from 2004 to 2009, the only exception being 2005. Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots", was published in October 2008 through the Transworld imprint Bantam Press. Before the release, OK! magazine bought the rights to preview and serialise the book. In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk. The girls filmed a television advertisement and appeared in and magazine advertisements, with each of the five members being the face of a different shampoo. The same year, Girls Aloud also sealed a deal with the UK division of Samsung. They endorsed mobile phones and MP3 players, made personal appearances and sang at Samsung events, and contributed to competition prizes, among other activities. The Samsung F210 Purple came with a 1GB memory card featuring Girls Aloud content. Girls Aloud appeared in television advertisements for Nintendo DS the following year. The girl group signed a deal to front a promotional campaign for a new low-calorie KitKat bar called "Senses" in March 2008. The chocolate bar manufacturer also sponsored Girls Aloud's Tangled Up Tour. The exact worth of the endorsement is unknown, but a figure of PS500,000 each has been suggested. Sales increased 6.8% in the United Kingdom. Beginning in 2009, Girls Aloud teamed with Eylure to release five sets of false eyelashes, each set designed by a different member of the band. A range of festival-themed lashes followed in 2010, while limited edition "10th Anniversary" lash was released in 2012. Similarly, to celebrate their tenth anniversary, each member designed a charm bracelet for Pandora, available as either a complete bracelet or a "starter" bracelet. Pandora is the official sponsor of the group's Ten: The Hits Tour. CANNOTANSWER

Question: Are there any more?
Answer: Official calendars have also been issued annually from 2004 to 2009,
Girls Aloud

Context: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies. Each member designed the outfit and look of a doll modelled after themselves. In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style. Official calendars have also been issued annually from 2004 to 2009, the only exception being 2005. Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots", was published in October 2008 through the Transworld imprint Bantam Press. Before the release, OK! magazine bought the rights to preview and serialise the book. In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk. The girls filmed a television advertisement and appeared in and magazine advertisements, with each of the five members being the face of a different shampoo. The same year, Girls Aloud also sealed a deal with the UK division of Samsung. They endorsed mobile phones and MP3 players, made personal appearances and sang at Samsung events, and contributed to competition prizes, among other activities. The Samsung F210 Purple came with a 1GB memory card featuring Girls Aloud content. Girls Aloud appeared in television advertisements for Nintendo DS the following year. The girl group signed a deal to front a promotional campaign for a new low-calorie KitKat bar called "Senses" in March 2008. The chocolate bar manufacturer also sponsored Girls Aloud's Tangled Up Tour. The exact worth of the endorsement is unknown, but a figure of PS500,000 each has been suggested. Sales increased 6.8% in the United Kingdom. Beginning in 2009, Girls Aloud teamed with Eylure to release five sets of false eyelashes, each set designed by a different member of the band. A range of festival-themed lashes followed in 2010, while limited edition "10th Anniversary" lash was released in 2012. Similarly, to celebrate their tenth anniversary, each member designed a charm bracelet for Pandora, available as either a complete bracelet or a "starter" bracelet. Pandora is the official sponsor of the group's Ten: The Hits Tour. CANNOTANSWER

Question: In addition to Girls on Film and Style, what else did Girls Aloud do/create?
Answer: Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots
Girls Aloud

Context: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies. Each member designed the outfit and look of a doll modelled after themselves. In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style. Official calendars have also been issued annually from 2004 to 2009, the only exception being 2005. Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots", was published in October 2008 through the Transworld imprint Bantam Press. Before the release, OK! magazine bought the rights to preview and serialise the book. In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk. The girls filmed a television advertisement and appeared in and magazine advertisements, with each of the five members being the face of a different shampoo. The same year, Girls Aloud also sealed a deal with the UK division of Samsung. They endorsed mobile phones and MP3 players, made personal appearances and sang at Samsung events, and contributed to competition prizes, among other activities. The Samsung F210 Purple came with a 1GB memory card featuring Girls Aloud content. Girls Aloud appeared in television advertisements for Nintendo DS the following year. The girl group signed a deal to front a promotional campaign for a new low-calorie KitKat bar called "Senses" in March 2008. The chocolate bar manufacturer also sponsored Girls Aloud's Tangled Up Tour. The exact worth of the endorsement is unknown, but a figure of PS500,000 each has been suggested. Sales increased 6.8% in the United Kingdom. Beginning in 2009, Girls Aloud teamed with Eylure to release five sets of false eyelashes, each set designed by a different member of the band. A range of festival-themed lashes followed in 2010, while limited edition "10th Anniversary" lash was released in 2012. Similarly, to celebrate their tenth anniversary, each member designed a charm bracelet for Pandora, available as either a complete bracelet or a "starter" bracelet. Pandora is the official sponsor of the group's Ten: The Hits Tour. CANNOTANSWER

Question: In addition to co-writing an autobiography titled Dreams That Glitter - Our Story, what else did Girls Aloud do?
Answer: In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk.
Epica (band)

Context: Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member. CANNOTANSWER

Question: What was a song on the album Consign To Oblivion/The Score by Epica?
Answer: "Trois Vierges
Epica (band)

Context: Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member. CANNOTANSWER

Question: who was a singer on the Epica album Consign To Oblivion/The Score?
Answer: Roy Khan
Epica (band)

Context: Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member. CANNOTANSWER

Question: Besides Roy Khan, were there any other singers on the Epica album Consign To Oblivion/The Score?
Answer: CANNOTANSWER
Epica (band)

Context: Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member. CANNOTANSWER

Question: when was the Epica album Consign To Oblivion/The Score released?
Answer: September 2005
Epica (band)

Context: Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member. CANNOTANSWER

Question: did Consign To Oblivion/The Score by Epica sell well?
Answer: CANNOTANSWER
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Did James Baldwin come from a religious family?
Answer: Baldwin followed his stepfather's shadow into the religious life.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Was James Baldwin happy with the feelings on religion?
Answer: Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: What steps did James Baldwin take after leaving the church?
Answer: "I left the church 20 years ago and haven't joined anything since."
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Did James Baldwin like the Pentecostal church?
Answer: Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Was James Baldwin happy with Christianity now?
Answer: Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Did going to church influence what James Baldwin wrote about?
Answer: Baldwin praised religion, however, for inspiring some American blacks to defy oppression.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: What other things did James Baldwin say in addition religion?
Answer: "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him."
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Is there anything else about James Baldwin aside from religion interesting?
Answer: A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Why didn't James Baldwin want to go back to church?
Answer: "Now? Nothing. I'm a writer. I like doing things alone."
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Did James Baldwin ever sing any songs?
Answer: A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral.
James Baldwin

Context: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Question: Did James Baldwin ever record a song?
Answer: A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral.
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: what did Gerry Mulligan do in his last few years
Answer: Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano.
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: what did Gerry Mulligan record
Answer: recording project and tour with Wallace Roney and Art Farmer subbing for Davis.
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: what hits were on Re-Birth of the Cool
Answer: CANNOTANSWER