gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Specials

Context: For the next few years, the group was in a seemingly constant state of flux. Adding Dakar to the permanent line-up, the group recorded "The Boiler" with Dakar on vocals, Dammers on keyboard, Bradbury on drums, John Shipley from the Swinging Cats on guitar, Cuthell on brass and Nicky Summers on bass. The single was credited to "Rhoda with the Special AKA". The controversial track described an incident of date rape, and its frank and harrowing depiction of the matter meant that airplay was severely limited. Nevertheless, it managed to reach No. 35 on the UK charts, and American writer Dave Marsh later identified "The Boiler" as one of the 1,001 best "rock and soul" singles of all time in his book The Heart of Rock & Soul. After going on tour with Rodriguez, the band (without Dakar, and as "Rico and the Special AKA") also recorded the non-charting (and non-album) single "Jungle Music". The line-up for the single was Rodriguez (vocal, trombone), Cuthell (cornets), Dammers (keyboards), Bradbury (drums), Shipley (guitar), returning bassist Panter, and new additions Satch Dickson and Groco (percussion) and Anthony Wymshurst (guitar). Rodriguez and the three newcomers were all dropped for the next single, "War Crimes", which brought back Dakar and added new co-vocalists Edgio Newton and Stan Campbell, as well as violinist Nick Parker. Follow-up single "Racist Friend" was a minor hit (UK No. 60), with the band establishing themselves as a septet: Dakar, Newton, Campbell, Bradbury, Cuthell, Dammers and Shipley. The new line-up (still known as the Special AKA) finally issued a new full-length album In the Studio in 1984. Officially, the band was now a sextet: Dakar, Campbell, Bradbury, Dammers, Shipley and new bassist Gary McManus. Cuthell, Newton, Panter and Radiation all appeared on the album as guests; as did saxophonist Nigel Reeve, and Claudia Fontaine and Caron Wheeler of the vocal trio Afrodiziak. Both critically and commercially, In The Studio was less successful than previous efforts, although the 1984 single "Free Nelson Mandela" was a No. 9 UK hit. The latter contributed to making Mandela's imprisonment a cause celebre in the UK, and became popular with anti-apartheid activists in South Africa. Dammers then dissolved the band and pursued political activism. CANNOTANSWER

Question: Did The Specials have any top hits on the chart after the rebirth as the Special AKA?
Answer: "Rhoda with the Special AKA
Gwar

Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

Question: Is Scumdogs of the Universe an album?
Answer: the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records.
Gwar

Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

Question: What kind of music is Scumdogs of the Universe?
Answer: The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label.
Gwar

Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

Question: How many songs were on Scumdogs of the Universe?
Answer: CANNOTANSWER
Gwar

Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

Question: Who were the artists on Scumdogs of the Universe?
Answer: Slave Pit took in another new, young artist, Matt Maguire,
Gwar

Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

Question: Did Scumdogs of the Universe win any awards?
Answer: Phallus in Wonderland was nominated for a Grammy Award in 1993.
Gwar

Context: With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material. In August 1990, Michael Derks had a daughter leading him to take a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning home, Gwar filmed their first cameo in a mainstream film, Mystery Date. Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group killed their audition when they showed up in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation. The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" codpiece, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis. This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe. CANNOTANSWER

Question: Where did the album Scumdogs of the Universe get its name?
Answer: CANNOTANSWER
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: Where did William F. Buckley Jr. go to school?
Answer: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum.
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: Where did Buckley go to high school?
Answer: CANNOTANSWER
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: When did Buckley join the military?
Answer: in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army.
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: Where did Buckley serve in the military during WWII?
Answer: With the end of World War II in 1945, he enrolled in Yale University,
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: When did Buckley join the CIA?
Answer: In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA);
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: How long did Buckley serve in the CIA?
Answer: he served for two years including one year in Mexico City working on political action for E. Howard Hunt,
William F. Buckley Jr.

Context: Buckley was homeschooled through the 8th grade using the Calvert School of Baltimore's Homeschool Curriculum. Buckley attended the National Autonomous University of Mexico (or UNAM) in 1943. The following year upon his graduation from the U.S. Army Officer Candidate School, he was commissioned as a second lieutenant in the United States Army. In his book, Miles Gone By, he briefly recounts being a member of Franklin Roosevelt's honor guard upon the President's death. He served stateside throughout the war at Fort Benning, Georgia; Fort Gordon, Georgia; and Fort Sam Houston, Texas. With the end of World War II in 1945, he enrolled in Yale University, where he became a member of the secret Skull and Bones society and was a masterful debater. He was an active member of the Independent Party of the Yale Political Union, and also served as Chairman of the Yale Daily News and as an informer for the FBI. Buckley studied political science, history, and economics at Yale, graduating with honors in 1950. He excelled on the Yale Debate Team, and under the tutelage of Yale professor Rollin G. Osterweis, Buckley honed his acerbic style. In 1951, along with many other Ivy League alumni, Buckley was recruited into the Central Intelligence Agency (CIA); he served for two years including one year in Mexico City working on political action for E. Howard Hunt, who was later jailed for his part in The Watergate affair.These two officers remained lifelong friends. In a November 1, 2005, column for National Review, Buckley recounted that while he worked for the CIA, the only employee of the organization that he knew was Hunt, his immediate boss. While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines. CANNOTANSWER

Question: What did Buckley do in his 2nd year at the CIA?
Answer: While in Mexico, Buckley edited The Road to Yenan, a book by Peruvian author Eudocio Ravines.
James Baldwin

Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Question: Where did James Baldwin go to school?
Answer: Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem,
James Baldwin

Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Question: Did James Baldwin go to college?
Answer: CANNOTANSWER
James Baldwin

Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Question: Did James Baldwin further is education an any other ways besides college and attending P.S. 24?
Answer: He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor
James Baldwin

Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Question: How did Countee Cullen influence James Baldwin?
Answer: a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot.
James Baldwin

Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Question: Did James Baldwin have any influences besides Countee Cullen?
Answer: was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (
James Baldwin

Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Question: Did James Baldwin teach?
Answer: CANNOTANSWER