gaussalgo/Canard_Wiki-augmented huggingface dataset:
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: how was Buster Keaton's use of his body language received?
Answer: CANNOTANSWER
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: did Buster Keaton win any awards?
Answer: CANNOTANSWER
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: what else other than Buster Keaton's body language is interesting in the section on body language?
Answer: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead...
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: and what else besides the traditional Buster Keaton stance is interesting?
Answer: he clambers onto the roof of his locomotive and leans gently forward to scan the terrain,
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: how did The General perform?
Answer: CANNOTANSWER
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: did Buster Keaton get any other reviews besides David Thomson's?
Answer: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: what was Buster Keaton's best performance?
Answer: CANNOTANSWER
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: what else besides Buster Keaton's body language and stance is noteworthy of the section on body langauge?
Answer: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically
Buster Keaton

Context: Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Question: Buster Keaton's comedy endures what?
Answer: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore,
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: What is The Alliance about?
Answer: When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance",
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: How successful was Tazz's career?
Answer: Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship.
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: Did Tazz have many matches with Tommy Dreamer?
Answer: CANNOTANSWER
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: What are some other important aspects besides the match with Tommy Dreamer regarding The Alliance?
Answer: After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title.
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: Aside from Intercontinental Championship, are there any other interesting aspects about this article?
Answer: The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven,
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: Besides the Invasion angle, is there anything else that is unique regarding Tazz acting as the voice of the Alliance?
Answer: He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon.
Tazz

Context: After being contacted by the World Wrestling Federation (WWF) and World Championship Wrestling (WCW) in 1999, Taz debuted for the WWF, with the slightly modified ring name Tazz, at the 2000 Royal Rumble with a win over the previously undefeated Kurt Angle at Madison Square Garden. Just a few months after Tazz arrived in the WWF, Mike Awesome, the man he had lost the ECW World Heavyweight Championship to at Anarchy Rulz, secretly signed with WCW. Legal wrangling by Paul Heyman prevented Awesome from taking the championship belt with him, and in a bizarre piece of professional wrestling history, ECW and WWF officials agreed to have Tazz, a WWF wrestler, make a surprise appearance at an ECW show to defeat Awesome, a WCW wrestler, for the ECW World Heavyweight Championship. Tazz held the title for ten days before losing it to Tommy Dreamer, during which time he wore it on various WWF shows, including an episode of SmackDown! where he lost to the WWF Champion Triple H. However, Vince McMahon later expressed some regret over booking Tazz to lose to Triple H. After losing the ECW World Heavyweight Championship, Tazz was placed into contention for the Intercontinental Championship, but never won the title. In the summer, after taking time off for an arm injury, he was turned into a villainous character and placed into a feud with color commentator Jerry Lawler. The feud included matches at SummerSlam and Unforgiven, which they split. Tazz was only able to pick up the Unforgiven win when he received help from Raven, who had returned to the company. Afterwards, the duo formed a tag team that lasted until November. When the Invasion angle began, Tazz acted as "the voice of the WCW/ECW Alliance", sticking up for them and speaking on their behalf whenever possible. He eventually left the stable after the leader Stone Cold Steve Austin criticized his decision to stay on commentary rather than help ECW owner Stephanie McMahon. CANNOTANSWER

Question: Was there any controversy regarding Tazz staying on commentary?
Answer: CANNOTANSWER
Body Count (band)

Context: The song "Cop Killer", intended to criticize corrupt police officers, encountered controversy, as it was seen as an attack against the entire police force. According to Ice-T, "I thought I was safe. I thought within the world of rock'n'roll, you could be free to write what you want. Hell, I was listening to Talking Heads singin' 'Psycho Killer.' Fuck it, I'll make 'Cop Killer'! But, that was the cross of metal with something that was real. Now we're not just killing your family, we're killing somebody so real that everybody just went, 'oh shit.'" The Dallas Police Association and the Combined Law Enforcement Association of Texas launched a campaign to force Warner Bros. Records to withdraw the album. Within a week, they were joined by police organizations across the United States. Some critics argued that the song could cause crime and violence. Many defended the song on the basis of the group's right to freedom of speech. In The Ice Opinion: Who Gives a Fuck, Ice-T wrote that "The people who did have a platform were way off backing me on the First Amendment. That's not where all the anger should have been directed. The anger should have been generated back at the police. [...] Because people jumped on the wrong issue they were able to drive this thing totally through Warner Brothers." Over the next month, controversy against the band grew. Vice President Dan Quayle branded "Cop Killer" as being "obscene," and President George H.W. Bush publicly denounced any record company that would release such a product. At a Time-Warner shareholders' meeting, actor Charlton Heston stood and read lyrics from the song "KKK Bitch" to an astonished audience and demanded that the company take action. The criticism escalated to the point where death threats were sent to Time-Warner executives, and shareholders threatened to pull out of the company. Finally, Ice-T decided to remove "Cop Killer" from the album of his own volition. In an interview, Ice-T stated that "I didn't want my band to get pigeon-holed as that's the only reason that record sold. It just got outta hand and I was just tired of hearing it. I said, 'fuck it,' I mean they're saying we did it for money, and we didn't. I'd gave the record away, ya know, let's move on, let's get back to real issues, not a record but the cops that are out there killing people." "Cop Killer" was replaced by a new version of "Freedom of Speech," a song from Ice-T's 1989 solo album The Iceberg/Freedom of Speech...Just Watch What You Say. The song was re-edited and remixed to give it a more rock-oriented sound. Ice-T left Warner Bros. Records the following year because of disputes over the Ice-T solo album Home Invasion, taking Body Count with him. Despite the controversy, the album received some praise, including A- reviews from Entertainment Weekly and The Village Voice, who later ranked the album among their list of The 40 Best Albums of 1992. Variety reported that the album had sold 480,000 copies by January 29, 1993. CANNOTANSWER

Question: Who wrote the song 'cop killer'?
Answer: Ice-T,
Body Count (band)

Context: The song "Cop Killer", intended to criticize corrupt police officers, encountered controversy, as it was seen as an attack against the entire police force. According to Ice-T, "I thought I was safe. I thought within the world of rock'n'roll, you could be free to write what you want. Hell, I was listening to Talking Heads singin' 'Psycho Killer.' Fuck it, I'll make 'Cop Killer'! But, that was the cross of metal with something that was real. Now we're not just killing your family, we're killing somebody so real that everybody just went, 'oh shit.'" The Dallas Police Association and the Combined Law Enforcement Association of Texas launched a campaign to force Warner Bros. Records to withdraw the album. Within a week, they were joined by police organizations across the United States. Some critics argued that the song could cause crime and violence. Many defended the song on the basis of the group's right to freedom of speech. In The Ice Opinion: Who Gives a Fuck, Ice-T wrote that "The people who did have a platform were way off backing me on the First Amendment. That's not where all the anger should have been directed. The anger should have been generated back at the police. [...] Because people jumped on the wrong issue they were able to drive this thing totally through Warner Brothers." Over the next month, controversy against the band grew. Vice President Dan Quayle branded "Cop Killer" as being "obscene," and President George H.W. Bush publicly denounced any record company that would release such a product. At a Time-Warner shareholders' meeting, actor Charlton Heston stood and read lyrics from the song "KKK Bitch" to an astonished audience and demanded that the company take action. The criticism escalated to the point where death threats were sent to Time-Warner executives, and shareholders threatened to pull out of the company. Finally, Ice-T decided to remove "Cop Killer" from the album of his own volition. In an interview, Ice-T stated that "I didn't want my band to get pigeon-holed as that's the only reason that record sold. It just got outta hand and I was just tired of hearing it. I said, 'fuck it,' I mean they're saying we did it for money, and we didn't. I'd gave the record away, ya know, let's move on, let's get back to real issues, not a record but the cops that are out there killing people." "Cop Killer" was replaced by a new version of "Freedom of Speech," a song from Ice-T's 1989 solo album The Iceberg/Freedom of Speech...Just Watch What You Say. The song was re-edited and remixed to give it a more rock-oriented sound. Ice-T left Warner Bros. Records the following year because of disputes over the Ice-T solo album Home Invasion, taking Body Count with him. Despite the controversy, the album received some praise, including A- reviews from Entertainment Weekly and The Village Voice, who later ranked the album among their list of The 40 Best Albums of 1992. Variety reported that the album had sold 480,000 copies by January 29, 1993. CANNOTANSWER

Question: Did Warner Bros records withdraw Body Count's album?
Answer: Ice-T decided to remove "Cop Killer" from the album of his own volition.
Body Count (band)

Context: The song "Cop Killer", intended to criticize corrupt police officers, encountered controversy, as it was seen as an attack against the entire police force. According to Ice-T, "I thought I was safe. I thought within the world of rock'n'roll, you could be free to write what you want. Hell, I was listening to Talking Heads singin' 'Psycho Killer.' Fuck it, I'll make 'Cop Killer'! But, that was the cross of metal with something that was real. Now we're not just killing your family, we're killing somebody so real that everybody just went, 'oh shit.'" The Dallas Police Association and the Combined Law Enforcement Association of Texas launched a campaign to force Warner Bros. Records to withdraw the album. Within a week, they were joined by police organizations across the United States. Some critics argued that the song could cause crime and violence. Many defended the song on the basis of the group's right to freedom of speech. In The Ice Opinion: Who Gives a Fuck, Ice-T wrote that "The people who did have a platform were way off backing me on the First Amendment. That's not where all the anger should have been directed. The anger should have been generated back at the police. [...] Because people jumped on the wrong issue they were able to drive this thing totally through Warner Brothers." Over the next month, controversy against the band grew. Vice President Dan Quayle branded "Cop Killer" as being "obscene," and President George H.W. Bush publicly denounced any record company that would release such a product. At a Time-Warner shareholders' meeting, actor Charlton Heston stood and read lyrics from the song "KKK Bitch" to an astonished audience and demanded that the company take action. The criticism escalated to the point where death threats were sent to Time-Warner executives, and shareholders threatened to pull out of the company. Finally, Ice-T decided to remove "Cop Killer" from the album of his own volition. In an interview, Ice-T stated that "I didn't want my band to get pigeon-holed as that's the only reason that record sold. It just got outta hand and I was just tired of hearing it. I said, 'fuck it,' I mean they're saying we did it for money, and we didn't. I'd gave the record away, ya know, let's move on, let's get back to real issues, not a record but the cops that are out there killing people." "Cop Killer" was replaced by a new version of "Freedom of Speech," a song from Ice-T's 1989 solo album The Iceberg/Freedom of Speech...Just Watch What You Say. The song was re-edited and remixed to give it a more rock-oriented sound. Ice-T left Warner Bros. Records the following year because of disputes over the Ice-T solo album Home Invasion, taking Body Count with him. Despite the controversy, the album received some praise, including A- reviews from Entertainment Weekly and The Village Voice, who later ranked the album among their list of The 40 Best Albums of 1992. Variety reported that the album had sold 480,000 copies by January 29, 1993. CANNOTANSWER

Question: Did Body Count recieve any awards for their album about Cop Killer?
Answer: CANNOTANSWER
Ned Kelly

Context: On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". CANNOTANSWER

Question: What did Ned Kelly do?
Answer: On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night.
Ned Kelly

Context: On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". CANNOTANSWER

Question: What happened after Ned Kelly was locked up for the night?
Answer: The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop.