gaussalgo/Canard_Wiki-augmented huggingface dataset:
Guru Arjan

Context: Arjan had five elder brothers, Prithi,Chand and Mahadev. Guru Ram Das chose Arjan, the youngest, to succeed him as the fifth Sikh Guru. Mahadev, the middle brother chose the life of an ascetic. His choice of Arjan as successor, as throughout most of the history of Sikh Guru successions, led to disputes and internal divisions among the Sikhs. The stories in the Sikh tradition about the succession dispute around Guru Arjan are inconsistent. In one version, Prithi Chand is remembered in the Sikh tradition as vehemently opposing Guru Arjan, creating a faction Sikh community. The Sikhs following Guru Arjan called the Prithi Chand faction as Minas (literally, "scoundrels"), who are alleged to have attempted to assassinate young Hargobind, and befriended Mughal agents. However, the second version, found in alternate competing texts written by the Prithi Chand led Sikh faction contradict this version (their non-derogatory name is Miharvan Sikhs). They offer a different explanation for the attempt on Hargobind's life, and present the elder son of Guru Ram Das as devoted to his younger brother Guru Arjan. The competing texts do acknowledge disagreement, Prithi Chand leaving Amritsar, and describe him as having become the Sahib Guru after the martyrdom of Guru Arjan and disputing the succession of Guru Hargobind, the grandson of Guru Ram Das. The mainstream Sikh tradition recognised Guru Arjan as the fifth Guru, and Hargobind as the sixth Guru. Arjan, at age 18, became the fifth Guru in 1581 inheriting the title from his father. After his execution by the Officials of the Mughal Empire for attempting to hinder with the Mughal succession of ruler. After him, the Sikh Gurus were hereditary, as his son Hargobind became the sixth Guru in 1606 CE and later the title of Guru remained within the family. CANNOTANSWER

Question: So who won the dispute between Guru Arjan and the Sikhs and became the Sixth Guru ?
Answer: Hargobind
Guru Arjan

Context: Arjan had five elder brothers, Prithi,Chand and Mahadev. Guru Ram Das chose Arjan, the youngest, to succeed him as the fifth Sikh Guru. Mahadev, the middle brother chose the life of an ascetic. His choice of Arjan as successor, as throughout most of the history of Sikh Guru successions, led to disputes and internal divisions among the Sikhs. The stories in the Sikh tradition about the succession dispute around Guru Arjan are inconsistent. In one version, Prithi Chand is remembered in the Sikh tradition as vehemently opposing Guru Arjan, creating a faction Sikh community. The Sikhs following Guru Arjan called the Prithi Chand faction as Minas (literally, "scoundrels"), who are alleged to have attempted to assassinate young Hargobind, and befriended Mughal agents. However, the second version, found in alternate competing texts written by the Prithi Chand led Sikh faction contradict this version (their non-derogatory name is Miharvan Sikhs). They offer a different explanation for the attempt on Hargobind's life, and present the elder son of Guru Ram Das as devoted to his younger brother Guru Arjan. The competing texts do acknowledge disagreement, Prithi Chand leaving Amritsar, and describe him as having become the Sahib Guru after the martyrdom of Guru Arjan and disputing the succession of Guru Hargobind, the grandson of Guru Ram Das. The mainstream Sikh tradition recognised Guru Arjan as the fifth Guru, and Hargobind as the sixth Guru. Arjan, at age 18, became the fifth Guru in 1581 inheriting the title from his father. After his execution by the Officials of the Mughal Empire for attempting to hinder with the Mughal succession of ruler. After him, the Sikh Gurus were hereditary, as his son Hargobind became the sixth Guru in 1606 CE and later the title of Guru remained within the family. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than the succession of Guru Arjan?
Answer: The stories in the Sikh tradition about the succession dispute around Guru Arjan are inconsistent.
Guru Arjan

Context: Arjan had five elder brothers, Prithi,Chand and Mahadev. Guru Ram Das chose Arjan, the youngest, to succeed him as the fifth Sikh Guru. Mahadev, the middle brother chose the life of an ascetic. His choice of Arjan as successor, as throughout most of the history of Sikh Guru successions, led to disputes and internal divisions among the Sikhs. The stories in the Sikh tradition about the succession dispute around Guru Arjan are inconsistent. In one version, Prithi Chand is remembered in the Sikh tradition as vehemently opposing Guru Arjan, creating a faction Sikh community. The Sikhs following Guru Arjan called the Prithi Chand faction as Minas (literally, "scoundrels"), who are alleged to have attempted to assassinate young Hargobind, and befriended Mughal agents. However, the second version, found in alternate competing texts written by the Prithi Chand led Sikh faction contradict this version (their non-derogatory name is Miharvan Sikhs). They offer a different explanation for the attempt on Hargobind's life, and present the elder son of Guru Ram Das as devoted to his younger brother Guru Arjan. The competing texts do acknowledge disagreement, Prithi Chand leaving Amritsar, and describe him as having become the Sahib Guru after the martyrdom of Guru Arjan and disputing the succession of Guru Hargobind, the grandson of Guru Ram Das. The mainstream Sikh tradition recognised Guru Arjan as the fifth Guru, and Hargobind as the sixth Guru. Arjan, at age 18, became the fifth Guru in 1581 inheriting the title from his father. After his execution by the Officials of the Mughal Empire for attempting to hinder with the Mughal succession of ruler. After him, the Sikh Gurus were hereditary, as his son Hargobind became the sixth Guru in 1606 CE and later the title of Guru remained within the family. CANNOTANSWER

Question: Why was there a dispute about the succession of Guru Arjan ?
Answer: The Sikhs following Guru Arjan called the Prithi Chand faction as Minas (literally, "scoundrels"), who are alleged to have attempted to assassinate young Hargobind,
Guru Arjan

Context: One of the Sikh community disputes following Guru Ram Das was the emergence of new hymns claiming to have been composed by Nanak. According to faction led by Guru Arjan, these hymns were distorted and fake, with some blaming Prithi Chand and his Sikh faction for having composed and circulated them. The concern and the possibility of wrong propaganda, immoral teachings and inauthentic Gurbani led Guru Arjan to initiate a major effort to collect, study, approve and compile a written official scripture, and this he called Adi Granth, the first edition of the Sikh scripture by 1604. The composition of both Prithi Chand and his followers have been preserved in the Mina texts of Sikhism, while the mainstream and larger Sikh tradition adopted the Guru Granth Sahib scripture that ultimately emerged from the initiative of Guru Arjan. Guru Arjan was a prolific poet and composed 2,218 hymns, or more than a third and the largest collection of hymns in the Guru Granth Sahib. According to Christopher Shackle and Arvind-Pal Singh Mandair, Guru Arjan's compositions combined spiritual message in an "encyclopedic linguistic sophistication" with "Braj Bhasha forms and learned Sanskrit vocabulary". After its completion and installation in the Harimandir Sahib, Emperor Akbar was informed of the development with the allegation that it contained teachings hostile to Islam. He ordered a copy be brought to him. Guru Arjan sent him a copy on a thali (plate), with the following message that was later added to the expanded text: The Akbarnama by Abu'l-Fazl Allami mentions that Guru Arjan met the Mughal emperor Akbar and his cortege in 1598. According to Louis Fenech, this meeting likely influenced the development of Sikh manuscriptology and the later martial tradition. CANNOTANSWER

Question: Who is Guru Arjan?
Answer: One of the Sikh community disputes following Guru Ram Das was the emergence of new hymns claiming to have been composed by Nanak.
Guru Arjan

Context: One of the Sikh community disputes following Guru Ram Das was the emergence of new hymns claiming to have been composed by Nanak. According to faction led by Guru Arjan, these hymns were distorted and fake, with some blaming Prithi Chand and his Sikh faction for having composed and circulated them. The concern and the possibility of wrong propaganda, immoral teachings and inauthentic Gurbani led Guru Arjan to initiate a major effort to collect, study, approve and compile a written official scripture, and this he called Adi Granth, the first edition of the Sikh scripture by 1604. The composition of both Prithi Chand and his followers have been preserved in the Mina texts of Sikhism, while the mainstream and larger Sikh tradition adopted the Guru Granth Sahib scripture that ultimately emerged from the initiative of Guru Arjan. Guru Arjan was a prolific poet and composed 2,218 hymns, or more than a third and the largest collection of hymns in the Guru Granth Sahib. According to Christopher Shackle and Arvind-Pal Singh Mandair, Guru Arjan's compositions combined spiritual message in an "encyclopedic linguistic sophistication" with "Braj Bhasha forms and learned Sanskrit vocabulary". After its completion and installation in the Harimandir Sahib, Emperor Akbar was informed of the development with the allegation that it contained teachings hostile to Islam. He ordered a copy be brought to him. Guru Arjan sent him a copy on a thali (plate), with the following message that was later added to the expanded text: The Akbarnama by Abu'l-Fazl Allami mentions that Guru Arjan met the Mughal emperor Akbar and his cortege in 1598. According to Louis Fenech, this meeting likely influenced the development of Sikh manuscriptology and the later martial tradition. CANNOTANSWER

Question: What is interesting about this article?
Answer: According to faction led by Guru Arjan, these hymns were distorted and fake,
Guru Arjan

Context: One of the Sikh community disputes following Guru Ram Das was the emergence of new hymns claiming to have been composed by Nanak. According to faction led by Guru Arjan, these hymns were distorted and fake, with some blaming Prithi Chand and his Sikh faction for having composed and circulated them. The concern and the possibility of wrong propaganda, immoral teachings and inauthentic Gurbani led Guru Arjan to initiate a major effort to collect, study, approve and compile a written official scripture, and this he called Adi Granth, the first edition of the Sikh scripture by 1604. The composition of both Prithi Chand and his followers have been preserved in the Mina texts of Sikhism, while the mainstream and larger Sikh tradition adopted the Guru Granth Sahib scripture that ultimately emerged from the initiative of Guru Arjan. Guru Arjan was a prolific poet and composed 2,218 hymns, or more than a third and the largest collection of hymns in the Guru Granth Sahib. According to Christopher Shackle and Arvind-Pal Singh Mandair, Guru Arjan's compositions combined spiritual message in an "encyclopedic linguistic sophistication" with "Braj Bhasha forms and learned Sanskrit vocabulary". After its completion and installation in the Harimandir Sahib, Emperor Akbar was informed of the development with the allegation that it contained teachings hostile to Islam. He ordered a copy be brought to him. Guru Arjan sent him a copy on a thali (plate), with the following message that was later added to the expanded text: The Akbarnama by Abu'l-Fazl Allami mentions that Guru Arjan met the Mughal emperor Akbar and his cortege in 1598. According to Louis Fenech, this meeting likely influenced the development of Sikh manuscriptology and the later martial tradition. CANNOTANSWER

Question: Besides composing 2,218 hymns, did Guru Arjan have any other major accomplishments?
Answer: Adi Granth, the first edition of the Sikh scripture by 1604.
Guru Arjan

Context: One of the Sikh community disputes following Guru Ram Das was the emergence of new hymns claiming to have been composed by Nanak. According to faction led by Guru Arjan, these hymns were distorted and fake, with some blaming Prithi Chand and his Sikh faction for having composed and circulated them. The concern and the possibility of wrong propaganda, immoral teachings and inauthentic Gurbani led Guru Arjan to initiate a major effort to collect, study, approve and compile a written official scripture, and this he called Adi Granth, the first edition of the Sikh scripture by 1604. The composition of both Prithi Chand and his followers have been preserved in the Mina texts of Sikhism, while the mainstream and larger Sikh tradition adopted the Guru Granth Sahib scripture that ultimately emerged from the initiative of Guru Arjan. Guru Arjan was a prolific poet and composed 2,218 hymns, or more than a third and the largest collection of hymns in the Guru Granth Sahib. According to Christopher Shackle and Arvind-Pal Singh Mandair, Guru Arjan's compositions combined spiritual message in an "encyclopedic linguistic sophistication" with "Braj Bhasha forms and learned Sanskrit vocabulary". After its completion and installation in the Harimandir Sahib, Emperor Akbar was informed of the development with the allegation that it contained teachings hostile to Islam. He ordered a copy be brought to him. Guru Arjan sent him a copy on a thali (plate), with the following message that was later added to the expanded text: The Akbarnama by Abu'l-Fazl Allami mentions that Guru Arjan met the Mughal emperor Akbar and his cortege in 1598. According to Louis Fenech, this meeting likely influenced the development of Sikh manuscriptology and the later martial tradition. CANNOTANSWER

Question: What years was Guru Arjan active?
Answer: CANNOTANSWER
Peter Hitchens

Context: Hitchens opposed the Kosovo and 2003 Iraq War, on the grounds that neither was in the interests of either Britain or the United States, and opposes the British military presence in Afghanistan, arguing that it has no achievable aim. He believes in upholding the principle of Westphalian sovereignty, which he described as that "you didn't interfere in foreign countries because you didn't like the way they were governed". He urges better relations between the West and Russia, viewing conflict as unnecessary, and, while condemning the old Soviet Union as an "evil empire" and Vladimir Putin as corrupt, he states his "strong affection for post-communist Russia." Also, he endorsed the 2014 Crimea referendum. On Europe, Hitchens argues that the United Kingdom should negotiate an amicable departure from the European Union, whose laws and traditions he regards as incompatible with the laws and liberties of Britain, and with the national independence of the United Kingdom as a whole. Likewise, he opposes the Human Rights Act (which incorporates the European Convention on Human Rights into UK law) and the European Court of Human Rights. Hitchens has described London as "the fifth state in the United Kingdom" and as having "an explicitly republican form of government." He views the Good Friday Agreement as a "surrender" of the British state to the IRA, and its referendum as "manifestly unfair", arguing that the Protestant community was "browbeaten" into voting for it, and that the British government was put "under huge duress, both from IRA violence and from the White House." He opposes Scottish independence, because of his affection for Scotland and because he believes that independence within the EU would not be independence at all, but he also said in 2014 that, having itself ceded power to the EU, the British government cannot argue against Scottish independence. However, he supports devolution for Scotland, having changed his mind, but he is ambivalent about devolution for Wales, and still "completely against" it for Northern Ireland, while predicting that the province will eventually be absorbed as a "special autonomous zone" of the Republic of Ireland. Hitchens has stated his "love" for the United States and his support for the US's being the successor to Britain as the world's leading power, but he has denounced "sentimental" attitudes towards the alleged "Special Relationship", arguing that the US rightly follows its own self-interest to the detriment of Britain. Hitchens supports Israel and denies the notion of occupied Palestinian territory, viewing the British exit from Mandatory Palestine as having left a legal vacuum. He also praises Israel's "European" culture, which he says makes Israel "the permanent ally, in the Middle East, of the world's lawful and free countries", and which he suspects is the main reason for the perceived hostility of the Arab governments. However, he condemns past Jewish terrorism and some Israeli military actions. CANNOTANSWER

Question: WHEN DID Hitchens BECOME THE SUCCESSOR TO BRITAIN?
Answer: CANNOTANSWER
Peter Hitchens

Context: Hitchens opposed the Kosovo and 2003 Iraq War, on the grounds that neither was in the interests of either Britain or the United States, and opposes the British military presence in Afghanistan, arguing that it has no achievable aim. He believes in upholding the principle of Westphalian sovereignty, which he described as that "you didn't interfere in foreign countries because you didn't like the way they were governed". He urges better relations between the West and Russia, viewing conflict as unnecessary, and, while condemning the old Soviet Union as an "evil empire" and Vladimir Putin as corrupt, he states his "strong affection for post-communist Russia." Also, he endorsed the 2014 Crimea referendum. On Europe, Hitchens argues that the United Kingdom should negotiate an amicable departure from the European Union, whose laws and traditions he regards as incompatible with the laws and liberties of Britain, and with the national independence of the United Kingdom as a whole. Likewise, he opposes the Human Rights Act (which incorporates the European Convention on Human Rights into UK law) and the European Court of Human Rights. Hitchens has described London as "the fifth state in the United Kingdom" and as having "an explicitly republican form of government." He views the Good Friday Agreement as a "surrender" of the British state to the IRA, and its referendum as "manifestly unfair", arguing that the Protestant community was "browbeaten" into voting for it, and that the British government was put "under huge duress, both from IRA violence and from the White House." He opposes Scottish independence, because of his affection for Scotland and because he believes that independence within the EU would not be independence at all, but he also said in 2014 that, having itself ceded power to the EU, the British government cannot argue against Scottish independence. However, he supports devolution for Scotland, having changed his mind, but he is ambivalent about devolution for Wales, and still "completely against" it for Northern Ireland, while predicting that the province will eventually be absorbed as a "special autonomous zone" of the Republic of Ireland. Hitchens has stated his "love" for the United States and his support for the US's being the successor to Britain as the world's leading power, but he has denounced "sentimental" attitudes towards the alleged "Special Relationship", arguing that the US rightly follows its own self-interest to the detriment of Britain. Hitchens supports Israel and denies the notion of occupied Palestinian territory, viewing the British exit from Mandatory Palestine as having left a legal vacuum. He also praises Israel's "European" culture, which he says makes Israel "the permanent ally, in the Middle East, of the world's lawful and free countries", and which he suspects is the main reason for the perceived hostility of the Arab governments. However, he condemns past Jewish terrorism and some Israeli military actions. CANNOTANSWER

Question: WHY DID HITCHENS OPPOSE THE KOSOVO WAR?
Answer: on the grounds that neither was in the interests of either Britain or the United States,
Art Spiegelman

Context: "All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Question: What is Art Spiegelman 's writing style?
Answer: He says his art style is "really a result of [his] deficiencies".
Art Spiegelman

Context: "All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Question: How old was Art Spiegelman when he began developing his unique writing style?
Answer: CANNOTANSWER
Art Spiegelman

Context: "All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Question: Has Art Spiegelman received any critical acclaim for his artistic writing style?
Answer: critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing".
Art Spiegelman

Context: "All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Question: Has Art Spiegelman's dialogue writing won any awards?
Answer: CANNOTANSWER
Art Spiegelman

Context: "All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Question: Are there any other interesting aspects about Art Spiegelman's dialogue writing style, besides labored simplicity, with dense visual motifs?
Answer: He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols.
Art Spiegelman

Context: "All comic-strip drawings must function as diagrams, simplified picture-words that indicate more than they show." Spiegelman suffers from a lazy eye, and thus lacks depth perception. He says his art style is "really a result of [his] deficiencies". His is a style of labored simplicity, with dense visual motifs which often go unnoticed upon first viewing. He sees comics as "very condensed thought structures", more akin to poetry than prose, which need careful, time-consuming planning that their seeming simplicity belies.Spiegelman's work prominently displays his concern with form, and pushing the boundaries of what is and is not comics. Early in the underground comix era, Spiegelman proclaimed to Robert Crumb, "Time is an illusion that can be shattered in comics! Showing the same scene from different angles freezes it in time by turning the page into a diagram--an orthographic projection!" His comics experiment with time, space, recursion, and representation. He uses the word "decode" to express the action of reading comics and sees comics as functioning best when expressed as diagrams, icons, or symbols. Spiegelman has stated he does not see himself primarily as a visual artist, one who instinctively sketches or doodles. He has said he approaches his work as a writer as he lacks confidence in his graphic skills. He subjects his dialogue and visuals to constant revision--he reworked some dialogue balloons in Maus up to forty times. A critic in The New Republic compared Spiegelman's dialogue writing to a young Philip Roth in his ability "to make the Jewish speech of several generations sound fresh and convincing". Spiegelman makes use of both old- and new-fashioned tools in his work. He prefers at times to work on paper on a drafting table, while at others he draws directly onto his computer using a digital pen and electronic drawing tablet, or mixes methods, employing scanners and printers. CANNOTANSWER

Question: When was Art Spiegelman's first comic published?
Answer: CANNOTANSWER
Sonny James

Context: In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

Question: What was one of Sonny James' hits?
Answer: Young Love", a 45 rpm single for which he would forever be remembered.
Sonny James

Context: In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

Question: When was Young Love released?
Answer: In late 1956
Sonny James

Context: In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

Question: How well did Young Love do on the music charts?
Answer: it topped both the US country and pop music charts in January to February 1957.
Sonny James

Context: In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

Question: How long did Young Love top the pop music charts?
Answer: January to February
Sonny James

Context: In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

Question: How many records did Young Love sell?
Answer: It sold well over one million copies,
Sonny James

Context: In late 1956 James released "Young Love", a 45 rpm single for which he would forever be remembered. As the first teenage country crossover single, it topped both the US country and pop music charts in January to February 1957. Record sales could have been higher if Capitol Records had anticipated the exposure on popular-music charts; they had ordered only enough copies of the record to satisfy the anticipated country-music demand, and were therefore unable to supply most of the requests for records. The track peaked at No. 11 in the UK Singles Chart. It sold well over one million copies, and was awarded a gold disc. Dubbed the Southern Gentleman because of his polite demeanor, he gained more exposure with an appearance on the popular Ed Sullivan Show and the Bob Hope Show. Thus began a seven-year search for a sound that gave him a lasting career. Two more years at Capitol Records didn't produce it and they parted ways in 1959. James signed with National Recording Corporation, and then stints with Dot (1960-1961), RCA (1961-1962), his second time with Capitol (1963-1972), and later with Columbia (1972-1979), Monument (1979) and Dimension (1981-1983). In 1962 he returned to his roots and became a member of the Grand Ole Opry and a year later signed again with Capitol Records. From 1964 to 1972 he was a dominant force in country music. James and his Southern Gentlemen appeared on the major TV shows during that period including (Ed Sullivan, Andy Williams, Glen Campbell, Jimmy Dean, Mike Douglas, Merv Griffin, The Joey Bishop Show, was a multi-time guest on Hee Haw, also on the Johnny Cash Show and made minor singing appearances in four motion pictures. CANNOTANSWER

Question: How well did the song Young Love do internationally?
Answer: The track peaked at No. 11 in the UK Singles Chart.
Steve Vai

Context: Vai designed the Ibanez JEM guitar, a unique instrument that incorporated a series of groundbreaking designs that have since become staples in feature throughout the guitar industry, in 1985. In speaking of the development of the guitar, Vai says, "Stratocasters had whammy bars--which were fantastic--but they were very limited, were always going out of tune, and had single-coil pickups. Les Pauls had humbuckers--which gave you that real scream in the bridge position--but no whammy bar, and I didn't like the way they sat. Neither guitar had twenty-four frets. So I went to a guitar shop in Hollywood, where I had these elements implemented into a guitar (what would have been considered a Superstrat at the time). The guitar was designed with a sharper body shape, a large cutaway around the neck, twenty-four frets, a fully floating tremolo system, a specially wired five-way pickup selector switch, and an output jack angled on the side of the body (so that when you step on the cable, it doesn't pull out of your guitar). I knew of course that these features would eventually be taken and used in other guitars, so I did something completely preposterous: I said, 'Put a handle in it!' That way, during videos and photoshoots I could swing the guitar around." Vai had several custom prototypes of these guitars built (which were used on the Eat 'Em and Smile tour) by Joe "Jem" Despagni, a custom guitar luthier and friend of Vai's. Due to Vai's highly coveted position in Roth's band, many guitar companies were eager to propose endorsement opportunities. In response to these offers, Vai sent out the specifications of the JEM guitar, detailing that the company that returned the best guitar would be given the endorsement. Dissatisfied with the guitars returned and unwilling to compromise, Vai held out on a guitar endorsement until Ibanez approached him, sending him an instrument superior to that of the other companies and willing to follow his instructions. After the pre-production prototypes were perfected, the first production Ibanez JEM 777 guitars were unveiled at the NAMM Show in 1987. Since its original 1987 release, the JEM has become one of the longest-running and most successful signature series guitars in history, with its sister guitar, the Ibanez RG, being the second highest-selling guitar (behind the Fender Stratocaster) on the market. Another design by Vai was the Ibanez Universe, the first production seven-string guitar, which was released in 1989. The Universe incorporated many of the aspects that made the JEM a unique instrument (24 frets, full floating tremolo, special pickup configuration, angled output jack, and deeper body cutaway), with an added low 'B' string, allowing for new low-range sonic possibilities. Used by Vai on much of Passion and Warfare and all of Whitesnake's Slip of the Tongue, the Universe was a large stepping stone for the burgeoning Nu-metal genre (with bands such as Korn having adopted the instrument and incorporating it into their signature sound). CANNOTANSWER

Question: What is JEM?
Answer: Ibanez JEM guitar,