gaussalgo/Canard_Wiki-augmented huggingface dataset:
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: Other than My Last, what other songs were on Finally Famous?
Answer: "My Last", "
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: Was Finally Famous successful?
Answer: spawned three hit singles;
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: Were there any hit songs on Detroit?
Answer: "Detroit" and would serve as a lead-in to his second studio album.
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: What music was on Detroit?
Answer: Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J,
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: Who are the guest appearances on Big Sean's mixtape Detroit?
Answer: ", Kendrick Lamar and Tyga.
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: When was Detroit released?
Answer: September 5, 2012,
Big Sean

Context: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga. CANNOTANSWER

Question: When was Finally Famous released?
Answer: June 28, 2011,
DJ Kool Herc

Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER

Question: What was the break?
Answer: focus on a short, heavily percussive part in it: the "break".
DJ Kool Herc

Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER

Question: What did the break consist of?
Answer: Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players.
DJ Kool Herc

Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER

Question: Did people like the break?
Answer: Since this part of the record was the one the dancers liked best,
DJ Kool Herc

Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER

Question: How did the break lead to a cultural evolution?
Answer: the style that was the blueprint for hip hop music.
DJ Kool Herc

Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER

Question: Did Herc influence others?
Answer: blueprint for hip hop music.
DJ Kool Herc

Context: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop. CANNOTANSWER

Question: What else is interesting in this article besides Herc being called the "founding father of hip hop" ?
Answer: ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop.
Sherpa people

Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER

Question: What is the religion of the Sherpa people ?
Answer: Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism.
Sherpa people

Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER

Question: What do the majority of Sherpas believe in ?
Answer: it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion,
Sherpa people

Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER

Question: What deities or gods do Sherpa believe in ?
Answer: Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest.
Sherpa people

Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER

Question: Do Sherpa People have holy men ?
Answer: Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages.
Sherpa people

Context: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism. CANNOTANSWER

Question: Where do Sherpa people pray ?
Answer: An important aspect of Sherpa religion is the monastery or gompa.