gaussalgo/Canard_Wiki-augmented huggingface dataset:
Michael Portillo

Context: In 1987, Portillo was given his first ministerial post, as Parliamentary Under-Secretary of State for Social Security; the following year, he was promoted to Minister of State for Transport. Portillo has stated that he considers "saving the Settle to Carlisle railway" was his greatest achievement. In 1990, Portillo was appointed Minister of State for Local Government, in which post he argued in favour of the ultimately highly unpopular Community Charge system (popularly known as "the Poll Tax"). He demonstrated a consistently right-of-centre line (exemplified by his insistence, in a well-publicised speech, of placing "clear blue water" between the policies of the Conservatives and other parties) and was favoured by Norman Tebbit and Margaret Thatcher, who said of him "[W]e expect great things of you, do not disappoint us". His rise continued under John Major; he was made a Cabinet Minister in 1992 as Chief Secretary to the Treasury and was admitted to the Privy Council the same year. He subsequently became Secretary of State for Employment (1994-95), and then Secretary of State for Defence (1995-1997). As Defence Secretary, Portillo became the object of criticism when he invoked the motto of the SAS, "Who Dares, Wins", at a speech at the 1995 Conservative Party annual conference. His high profile led to constant attention from the media, including Private Eye, which mockingly referred to him as "Portaloo". He was accused of vanity when the Alexandra Palace was hired to celebrate his ten years in politics. Some saw the Defence Secretary post as a reward for Portillo's cautious loyalty to Major during the 1995 leadership challenge of John Redwood, following Major's "back me or sack me" resignation as party leader. Many urged Portillo, the "darling of the right", to run against Major. He declined to enter the first round, but planned to challenge Major if the contest went to a second round. To this end, he set up a potential campaign headquarters, with banks of telephone lines. He later admitted that this had been an error: "I did not want to oppose [Major], but neither did I want to close the possibility of entering a second ballot if it came to that." Portillo acknowledged that "ambiguity is unattractive" and his opponents within the party later used Portillo's apparent equivocation as an example of his indecisiveness; "I appeared happy to wound but afraid to strike: a dishonourable position." CANNOTANSWER

Question: Besides receiving criticism for invoking the motto of the SAS, did Michael Portillo receive any other criticism on other issues?
Answer: ". He was accused of vanity when the Alexandra Palace was hired to celebrate his ten years in politics.
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: When did Yair Lapid get his start in politics?
Answer: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics.
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: What did Yair Lapid want to do in politics?
Answer: On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future").
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: What did Yair Lapid do when he left journalism for politics?
Answer: On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future").
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: What was Yair Lapid platform?
Answer: CANNOTANSWER
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: What was Yair Lapid biggest accomplishment?
Answer: Lapid was named Israel's finance minister on 15 March 2013.
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: What did Yair Lapid achieve as Israel's finance minister?
Answer: On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu.
Yair Lapid

Context: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

Question: How long did Yair Lapid stay in the Finance Minister role?
Answer: On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu.
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: What are joglars?
Answer: The medieval jongleur/joglar is really a minstrel.
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: other than joglars are there any other interesting aspects about this article aside from Troubadour, Trobadors?
Answer: At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: Who used joglars?
Answer: CANNOTANSWER
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: tell me more about ,What role did the joglars play ?
Answer: jongleurs were performers who did not usually compose.
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: were the joglars paid?
Answer: CANNOTANSWER
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: What role did the trobadors play?
Answer: It signified that a poem was original to an author (trobador)
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: did joglars know how  to compose?
Answer: music
Troubadour

Context: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours. CANNOTANSWER

Question: Where there any famous trobadors?
Answer: Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada,
Janet Gaynor

Context: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWER

Question: Who was Janet Gaynor romantically involved?
Answer: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell,
Janet Gaynor

Context: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWER

Question: How many times did Janet Gaynor marry?
Answer: Gaynor was married three times and had one child.
Janet Gaynor

Context: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWER

Question: Who did Janet Gaynor marry the first time?
Answer: Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929.
Janet Gaynor

Context: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWER

Question: Who did Janet Gaynor marry in 1939?
Answer: On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona.