gaussalgo/Canard_Wiki-augmented huggingface dataset:
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: Aside from Re-Birth of the Cool, what other albums did Gerry Mulligan record
Answer: Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: did Gerry Mulligan die
Answer: Mulligan died in Darien, Connecticut, on January 20, 1996,
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: what did Gerry Mulligan die of
Answer: complications from knee surgery.
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: Other than Gerry Mulligan last years, did anything else stand out
Answer: His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer.
Gerry Mulligan

Context: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

Question: Besides the giving out of Gerry Mulligan's library and personal effects, what else was given
Answer: CANNOTANSWER
The Clancy Brothers

Context: The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. CANNOTANSWER

Question: What kind of sweaters did The Clancy Brothers make famous?
Answer: Aran sweaters
The Clancy Brothers

Context: The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. CANNOTANSWER

Question: What was The Clancy Brothers first popular song?
Answer: "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner".
The Clancy Brothers

Context: The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. CANNOTANSWER

Question: What brought about The Clancy Brothers' success?
Answer: The televised performance
The Clancy Brothers

Context: The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America. CANNOTANSWER

Question: What else helped in The Clancy Brothers success besides a performance on The Ed Sullivan Show?
Answer: they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player.
The Clancy Brothers

Context: In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. CANNOTANSWER

Question: When  was the group The Clancy Brothers  formed?
Answer: His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them.
The Clancy Brothers

Context: In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. CANNOTANSWER

Question: What were some of the songs by the Clancy Brothers?
Answer: CANNOTANSWER
The Clancy Brothers

Context: In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. CANNOTANSWER

Question: Who were the original members of the Clancy Brothers?
Answer: Paddy agreed and together he, Tom, Liam, and Tommy Makem
The Clancy Brothers

Context: In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show. CANNOTANSWER

Question: What were some of the Clancy Brothers earlier songs?
Answer: CANNOTANSWER
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: How did Marco Simoncelli die?
Answer: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: What happened after the crash with Edwards?
Answer: Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: How badly was Marco Simoncelli hurt?
Answer: Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: Did Marco Simoncelli survive?
Answer: At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries.
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: Was there any punishment for Edwards aside from red-flagged?
Answer: CANNOTANSWER
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: Are there any other interesting aspects about this article aside from Marco Simoncelli's death?
Answer: His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi.
Marco Simoncelli

Context: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2. CANNOTANSWER

Question: Was Marco Simoncelli buried in Italy?
Answer: before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin.
Marco Simoncelli

Context: Simoncelli got off to a slow start to the 2010 season, having suffered two preseason testing crashes at Sepang; the second of which cracked his helmet. After finishing eleventh on debut, Simoncelli improved over the rest of the season, finishing 16 of the 18 races in the points en route to eighth place in the championship with 125 points. His best finish was a fourth place in Portugal, missing a podium by 0.06 seconds to Andrea Dovizioso. In the 2011 season, Simoncelli was promoted to ride a factory Honda as part of the Gresini team, whilst Hiroshi Aoyama rode a satellite Honda for the team. Simoncelli was predicted to be the surprise package of the season. He finished fifth in the season opening race in Qatar, before falling from the lead of the wet race at Jerez. He secured his highest starting position to that point of 2nd, before falling on the first lap of the Estoril race. During the French Grand Prix at Le Mans, Simoncelli collided with Dani Pedrosa while they were battling for second. The resulting crash saw Pedrosa break his collarbone and Simoncelli received a ride-through penalty, eventually finishing fifth. Simoncelli initially rejected blame for the crash, claiming he braked no later than normal, and that he left Pedrosa room. Before the next race, however, he accepted that he needed to reflect on his riding style. Simoncelli was required to meet with race direction before the start of the racing weekend at Catalonia. On the track, Simoncelli secured his first MotoGP pole position, 0.016 seconds ahead of Casey Stoner. However, a poor start saw him drop to seventh managing only to recover one position to finish sixth. Simoncelli earned his first podium in the premier class, with a third place in the Czech Republic. His best MotoGP finish was second place in the Australian GP at Phillip Island. CANNOTANSWER

Question: What was Simoncelli's best year in the MotoGP?
Answer: His best finish was a fourth place in Portugal, missing a podium by 0.06 seconds to Andrea Dovizioso.