gaussalgo/Canard_Wiki-augmented huggingface dataset:
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: what decisions did Rashid make ?
Answer: The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion.
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: what was the slant on abortion in One Day of Rashid about?
Answer: Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos,
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: what is the most interesting aspect of the section on abortion in One Day of Rashid?
Answer: "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend),
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: how well was the point of eschewing any gangsterism in One Day of Rashid taken?
Answer: critically acclaimed and led to a major label contract with MCA Records.
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: other than eschewing any gangsterism what else One Day of Rashid address?
Answer: as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood:
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: besides of eschewing any gangsterism what else is known of family ethics in One Day of Rashid?
Answer: When I was a child, I talked like a child,
Common (rapper)

Context: Initially scheduled for an October 1996 release, Common finally released his third album, One Day It'll All Make Sense, in September 1997. The album took a total of two years to complete and included collaborations with artists such as Lauryn Hill, De La Soul, Q-Tip, Canibus, Black Thought, Chantay Savage, and Questlove - a future fellow member of the Soulquarians outfit. The album, which made a point of eschewing any gangsterism (in response to questions about his musical integrity), was critically acclaimed and led to a major label contract with MCA Records. In addition to releasing One Day, Common's first child, daughter Omoye Assata Lynn, was born shortly after the release of the album. As documented by hip hop journalist Raquel Cepeda, in the liner notes for the album, this event had a profound spiritual and mental effect on Common and enabled him to grow musically while becoming more responsible as an artist. She writes: Rashid found out that he was going to become a daddy in about 8 months. Stunned and confused, Rashid had life altering decisions to make with his girlfriend, Kim Jones. The situation led to the composition of his favourite cut on One Day... that offers a male slant on abortion. "Retrospect for Life", produced by James Poyser and No I.D. featuring Lauryn Hill (who was due on the same day as Rashid's girlfriend), is the song that is the driving force behind the project. Rashid listens to "Retrospect for Life" today at the mastering session geeked, as if it were for the first time. He tells me as we listen to L-Boogie wail the chorus, "when I listen to the song now, I think about how precious her (Omoye's) life is". Common addresses family ethics several times on One Day..., and the album sleeve is decorated with old family photos, illustrating the rapper's childhood, as well a quote from 1 Corinthians 13:11, which summarizes the path to manhood: When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. CANNOTANSWER

Question: what was the quote from Corinthians in One Day of Rashid?
Answer: I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me.
Soulfly

Context: In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

Question: What is Soulfly's new lineup?
Answer: Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album.
Soulfly

Context: In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

Question: What was Prophecy album?
Answer: the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians.
Soulfly

Context: In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

Question: Who sang on Prophecy album?
Answer: Danny Marianino and Asha Rabouin returned as guest vocalists
Soulfly

Context: In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

Question: Did anyone else other than Eyesburn perform on Prophecy?
Answer: Serbian band Eyesburn,
Soulfly

Context: In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

Question: Did Soulfly tour?
Answer: This was a biography of the band, containing live footage from all over the globe,
Soulfly

Context: In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. CANNOTANSWER

Question: Where did Soulfly's tours go?
Answer: CANNOTANSWER
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: When did the pornography incident happen with Paul Reubens?
Answer: In November 2002,
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: Did Paul Reubens admit to child pornography charged against Reubens ?
Answer: In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge.
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: When in 2002 did possession of obscene material improperly depicting a child under the age of 18 in sexual conduct happen?
Answer: November
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: Did the pornography case go to trial?
Answer: In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge.