gaussalgo/Canard_Wiki-augmented huggingface dataset:
Chuck Berry

Context: Berry returned to Chess from 1970 to 1973. There were no hit singles from the 1970 album Back Home, but in 1972 Chess released a live recording of "My Ding-a-Ling", a novelty song which he had recorded in a different version as "My Tambourine" on his 1968 LP From St. Louie to Frisco. The track became his only number-one single. A live recording of "Reelin' and Rockin'", issued as a follow-up single in the same year, was his last Top 40 hit in both the US and the UK. Both singles were included on the part-live, part-studio album The London Chuck Berry Sessions (other albums of London sessions were recorded by Chess's mainstay artists Muddy Waters and Howlin' Wolf). Berry's second tenure with Chess ended with the 1975 album Chuck Berry, after which he did not make a studio record until Rock It for Atco Records in 1979, which would be his last studio album for 38 years. In the 1970s Berry toured on the strength of his earlier successes. He was on the road for many years, carrying only his Gibson guitar, confident that he could hire a band that already knew his music no matter where he went. AllMusic said that in this period his "live performances became increasingly erratic, ... working with terrible backup bands and turning in sloppy, out-of-tune performances" which "tarnished his reputation with younger fans and oldtimers" alike. In March 1972 he was filmed, at the BBC Television Theatre in Shepherds Bush, for Chuck Berry in Concert, part of a 60-date tour backed by the band Rocking Horse. Among the many bandleaders performing a backup role with Berry in the 1970s were Bruce Springsteen and Steve Miller when each was just starting his career. Springsteen related in the documentary film Hail! Hail! Rock 'n' Roll that Berry did not give the band a set list and expected the musicians to follow his lead after each guitar intro. Berry neither spoke to nor thanked the band after the show. Nevertheless, Springsteen backed Berry again when he appeared at the concert for the Rock and Roll Hall of Fame in 1995. At the request of Jimmy Carter, Berry performed at the White House on June 1, 1979. Berry's touring style, traveling the "oldies" circuit in the 1970s (often being paid in cash by local promoters) added ammunition to the Internal Revenue Service's accusations that Berry had evaded paying income taxes. Facing criminal sanction for the third time, Berry pleaded guilty to tax evasion and was sentenced to four months in prison and 1,000 hours of community service--performing benefit concerts--in 1979. CANNOTANSWER

Question: Who has Chuck Berry played chess with?
Answer: CANNOTANSWER
Dame Edna Everage

Context: Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

Question: When was Dame Edna Everage invented?
Answer: end of 1955,
Dame Edna Everage

Context: Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

Question: How was Dame Edna Everage received by the public?
Answer: CANNOTANSWER
Dame Edna Everage

Context: Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

Question: Besides Melbourne University's UTRC revue, what other appearances did Dame Edna made?
Answer: Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head,
Dame Edna Everage

Context: Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

Question: Besides Dame Edna Everage appearances in Melbourne University's UTRC revue and the Establishment club in London, are there any other interesting aspects about this article?
Answer: At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal
Dame Edna Everage

Context: Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troupe in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors". At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years. His mother (whom the interviewer William Cook said "sounds like a frightful snob") was a major inspiration for Edna, although he denied it when she was alive to protect her feelings. Her first monologue in 1955 was about her "lovely home", reflecting young Barry's own site visits accompanying his builder father. Originally she was a "mousy" character and too quiet to please the raucous crowd at The Establishment club in London. According to one author, Edna came into her own during the 1980s when the policies of Thatcherism--and what he described as the "vindictive style of the times"--allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage. CANNOTANSWER

Question: Was Dame Edna Everage's sketch involving a houseproud "average housewife" a successful action?
Answer: CANNOTANSWER
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: Were any other popular artists besides Mario Winans featured on the album Story of My Heart?
Answer: CANNOTANSWER
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: What were some singles off of the album Story of My Heart?
Answer: the song "Don't Know"
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: Was Story of My Heart Mario Winans' first album?
Answer: Winans eventually released his debut album Story of My Heart
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: Did Mario Winans win any awards for Story of My Heart?
Answer: While the song "Don't Know" reached the US R&B top 50, the album failed to chart.
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: Besides "Don't Know" what were some other singles that people might know from Story of My Heart?
Answer: playing drums on "Come with Me" by Puff Daddy and Jimmy Page,
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: What was the theme of the songs on Mario Winan's album Story of My Heart?
Answer: CANNOTANSWER
Mario Winans

Context: In the mid-1990s, Mario was signed to a production deal with Dallas Austin's Rowdy Records thru producers Tim & Bob. He lived with the duo at their house studio until his breakthrough came as a Christian songwriter, musician and co-producer on R. Kelly's "I Can't Sleep Baby" and "You Remind Me of Something" (plus three more songs) from the R. Kelly album in 1995. He also worked with Pebbles and 98 Degrees. Winans eventually released his debut album Story of My Heart on Motown in 1997. While the song "Don't Know" reached the US R&B top 50, the album failed to chart. Soon after, Winans teamed up with Sean Combs, then known as Puff Daddy and his Bad Boy roster, playing drums on "Come with Me" by Puff Daddy and Jimmy Page, based on the classic Led Zeppelin song "Kashmir" from their 1975 album Physical Graffiti, and featured on the soundtrack to the 1998 remake of Godzilla. Over the next several years Winans produced songs for Bad Boy artists including Diddy, The Notorious B.I.G., Lil' Kim, Faith Evans, Loon, Black Rob, and 112. He has also worked with notable artists outside Bad Boy including Destiny's Child, Mary J. Blige, Whitney Houston, Jennifer Lopez, Ice Cube, Tamia, Eminem and Brian McKnight. Winans co-wrote the two-part song "I Need a Girl" with P. Diddy and appeared on "Pt. 2" along with Loon, Ginuwine, and Diddy, which became a hit recording in 2002. He also produced the Bad Boy remix compilation We Invented the Remix in 2002. CANNOTANSWER

Question: Did Mario Winans go on a tour for the album Story of My Heart?
Answer: CANNOTANSWER
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: Is La Noia a novel?
Answer: In 1960, Moravia published La Noia (Boredom or The Empty Canvas),
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: What is the novel La Noia about?
Answer: the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome.
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: Was La Noia well received by the public and critics?
Answer: Becoming known as one of his most famous novels, it won the Viareggio Prize.
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: What did novelist Alberto Moravia do in later life?
Answer: In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?),
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: Aside from the plot of La Noia, are there any other interesting aspects about the article?
Answer: His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb.
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: What did novelist Alberto Moravia  accomplish in Parliament?
Answer: CANNOTANSWER
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: Was novelist Alberto Moravia  married?
Answer: Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986.
Alberto Moravia

Context: In 1960, Moravia published La Noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. Becoming known as one of his most famous novels, it won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cedric Kahn's film L'ennui (The Ennui, 1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La Ciociara, starring Sophia Loren; in 1963 Jean-Luc Godard filmed Il Disprezzo (Contempt) and in 1964, Francesco Maselli filmed Gli Indifferenti (1964). In 1962, Moravia and Elsa Morante parted; he went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il Porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribu appartieni? (Which Tribe Do You Belong To?), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'Uomo che Guarda (The Man Who Looks, 1985) and the essay L'Inverno Nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty-five years his junior), whom he married in 1986. In 1984, Moravia was elected to the European Parliament as member from the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il Diario Europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender to the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompani published his autobiography, Vita di Moravia (Life of Moravia). CANNOTANSWER

Question: Whom did novelist Alberto Moravia  marry?
Answer: The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion
Michelle Branch

Context: Branch was born on July 2, 1983, in Sedona, Arizona, to David and Peggy Branch. Her father is Irish, and her mother is of Dutch-Indonesian ("Indo") and French descent. Her siblings include an older half-brother named David and a younger sister named Nicole. Beginning to sing at the age of three, Branch enrolled in voice lessons at Northern Arizona University when she was eight, and received her first guitar for her fourteenth birthday. After teaching herself chords, she composed her first song "Fallen" within a week of receiving her guitar. She initially attended Sedona Red Rock High School, but finished the last two years of her high school education through home schooling so that she could focus on her music career. To support Branch's interests, her parents helped her book local gigs in Sedona, Arizona, and later financed her independent album Broken Bracelet. Her set list at these gigs included covers of songs by Sheryl Crow, Lisa Loeb, Jewel, and Fleetwood Mac. In December 1999, she posted two of her songs on the Rolling Stone website, which caught the attention of both pop rock band Hanson and former Rolling Stone writer and Los Angeles record producer Jeff Rabhan, eventually leading to two gigs opening for Hanson in 2000. In June 2000, Branch self-produced Broken Bracelet, a compilation of songs she wrote when she was 14 and 15; the album was released on the independent record label Twin Dragon Records. Its title was inspired from a bracelet made by pop singer Jewel, given to Branch by musician Steve Poltz at a Lisa Loeb concert she attended. Poltz told Branch that "when it breaks, you'll be famous." The Broken Bracelet recordings were destroyed in the Nashville floods in May 2010. CANNOTANSWER

Question: What was the name of Michelle Branch's first album?
Answer: Branch self-produced Broken Bracelet,