gaussalgo/Canard_Wiki-augmented huggingface dataset:
P.O.D.

Context: P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER

Question: In addition to contributing the song "America", what did P.O.D. do next?
Answer: Satellite went on to become RIAA-certified triple platinum.
P.O.D.

Context: P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER

Question: Was "Youth of the Nation" successful?
Answer: It was Grammy nominated for Best Hard Rock Performance in 2003.
P.O.D.

Context: P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER

Question: Aside from the 2003 Grammy nomination, did P.O.D. get any other awards or recognition?
Answer: It was used in the comedy film Here Comes the Boom, starring Kevin James.
P.O.D.

Context: P.O.D.'s third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits "Southtown" and "Rock the Party (Off the Hook)", which was their first video to reach No. 1 on MTV's Total Request Live. The song "School of Hard Knocks" was featured on the soundtrack for Little Nicky while both "Southtown" and "Rock the Party" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite. The album's first single, "Alive", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song "America" to Santana's album Shaman. The album's second single, "Youth of the Nation", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, "Boom" and "Satellite", also became quite popular. In addition, the concluding track of the album, "Portrait," was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as "One of the biggest success stories in recent Christian music." CANNOTANSWER

Question: What did P.O.D. do after Portrait?
Answer: Satellite went on to become RIAA-certified
Al-Khalil ibn Ahmad al-Farahidi

Context: Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Question: At what age did Al-Khalil ibn Ahmad al-Farahidi begin showing an interest in philosophical ideas?
Answer: CANNOTANSWER
Al-Khalil ibn Ahmad al-Farahidi

Context: Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Question: Who influenced Al-Khalil ibn Ahmad al-Farahidi's philosophy?
Answer: CANNOTANSWER
Al-Khalil ibn Ahmad al-Farahidi

Context: Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Question: How did living in Basra affect Al-Khalil ibn Ahmad al-Farahidi's life?
Answer: While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life,
Al-Khalil ibn Ahmad al-Farahidi

Context: Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Question: Were Al-Khalil ibn Ahmad al-Farahidi's parents the same religion as him?
Answer: It was said his parents were converts to Islam,
Al-Khalil ibn Ahmad al-Farahidi

Context: Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Question: How old was Al-Khalil ibn Ahmad al-Farahidi when he began studying the Prophet Muhammad?
Answer: CANNOTANSWER
Al-Khalil ibn Ahmad al-Farahidi

Context: Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Question: Did Islam play a big part in Al-Khalil ibn Ahmad al-Farahidi's early education?
Answer: CANNOTANSWER
Groucho Marx

Context: In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache. The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.) Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. CANNOTANSWER

Question: Was there a way that Marx curled his mustache?
Answer: CANNOTANSWER
Groucho Marx

Context: In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache. The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.) Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. CANNOTANSWER

Question: What about Marx's eyebrows make the eyebrows notable?
Answer: greasepaint mustache and eyebrows
Groucho Marx

Context: In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache. The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.) Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. CANNOTANSWER

Question: Did Marx suffer ill effects from the walk?
Answer: CANNOTANSWER
Groucho Marx

Context: In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache. The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.) Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. CANNOTANSWER

Question: When did Marx start using the greasepaint for his brows and mustache?
Answer: 1920s
Groucho Marx

Context: In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache. The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.) Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. CANNOTANSWER

Question: How does Marx use greasepaint?
Answer: CANNOTANSWER
Kevin Spacey

Context: On October 29, 2017, actor Anthony Rapp alleged that Spacey, apparently drunk, made a sexual advance toward him in 1986, when Rapp was 14. Spacey stated through Twitter that he did not remember the encounter, but that he owed Rapp "the sincerest apology for what would have been deeply inappropriate drunken behavior" if he had behaved as asserted. Fifteen others then came forward alleging similar abuse including: journalist Heather Unruh, who alleged that Spacey sexually assaulted her son; Norwegian author and Royal Family member Ari Behn; filmmaker Tony Montana; actor Roberto Cavazos; Richard Dreyfuss's son Harry; and eight people who worked on House of Cards. An anonymous man alleged that he had an extended sexual relationship with Spacey in 1983, when he was 14 and Spacey was 24; the man said that the relationship ended with Spacey attempting to rape him. The Guardian was contacted by "a number of people" who worked at the Old Vic, where Spacey was artistic director for 11 years, alleging that he "groped and behaved in an inappropriate way with young men at the time". On November 16, the Old Vic confirmed that it had received 20 testimonies of alleged inappropriate behavior by Spacey, with three stating that they contacted the police. In December, Spacey's Usual Suspects costar Gabriel Byrne revealed that production on that film was shut down for two days because Spacey made unwanted sexual advances toward a younger actor. In the midst of the allegations, filming was suspended on the sixth and final season of House of Cards. The show had been due to end in 2018. The season was shortened from 13 episodes to 8, and Spacey was removed from the cast. The Gore Vidal biopic Gore starring Spacey was set to be distributed by Netflix but it was canceled, and Netflix went on to sever all ties with him. Spacey was due to appear in Ridley Scott's biographical film All the Money in the World as industrialist J. Paul Getty; however, his scenes were cut and Christopher Plummer replaced him as Getty in reshoots. The International Academy of Television Arts and Sciences reversed its decision to honor Spacey with the 2017 International Emmy Founders Award. On November 1, Spacey stated that he would be seeking "evaluation and treatment" for his behavior. The following day, Variety reported that his publicist Staci Wolfe and talent agency Creative Artists Agency were ending their relationships with him. CANNOTANSWER

Question: When was Kevin Spacey accused of sexual misconduct?
Answer: On October 29, 2017, actor Anthony Rapp alleged that Spacey, apparently drunk, made a sexual advance toward him in 1986, when Rapp was 14.
Kevin Spacey

Context: On October 29, 2017, actor Anthony Rapp alleged that Spacey, apparently drunk, made a sexual advance toward him in 1986, when Rapp was 14. Spacey stated through Twitter that he did not remember the encounter, but that he owed Rapp "the sincerest apology for what would have been deeply inappropriate drunken behavior" if he had behaved as asserted. Fifteen others then came forward alleging similar abuse including: journalist Heather Unruh, who alleged that Spacey sexually assaulted her son; Norwegian author and Royal Family member Ari Behn; filmmaker Tony Montana; actor Roberto Cavazos; Richard Dreyfuss's son Harry; and eight people who worked on House of Cards. An anonymous man alleged that he had an extended sexual relationship with Spacey in 1983, when he was 14 and Spacey was 24; the man said that the relationship ended with Spacey attempting to rape him. The Guardian was contacted by "a number of people" who worked at the Old Vic, where Spacey was artistic director for 11 years, alleging that he "groped and behaved in an inappropriate way with young men at the time". On November 16, the Old Vic confirmed that it had received 20 testimonies of alleged inappropriate behavior by Spacey, with three stating that they contacted the police. In December, Spacey's Usual Suspects costar Gabriel Byrne revealed that production on that film was shut down for two days because Spacey made unwanted sexual advances toward a younger actor. In the midst of the allegations, filming was suspended on the sixth and final season of House of Cards. The show had been due to end in 2018. The season was shortened from 13 episodes to 8, and Spacey was removed from the cast. The Gore Vidal biopic Gore starring Spacey was set to be distributed by Netflix but it was canceled, and Netflix went on to sever all ties with him. Spacey was due to appear in Ridley Scott's biographical film All the Money in the World as industrialist J. Paul Getty; however, his scenes were cut and Christopher Plummer replaced him as Getty in reshoots. The International Academy of Television Arts and Sciences reversed its decision to honor Spacey with the 2017 International Emmy Founders Award. On November 1, Spacey stated that he would be seeking "evaluation and treatment" for his behavior. The following day, Variety reported that his publicist Staci Wolfe and talent agency Creative Artists Agency were ending their relationships with him. CANNOTANSWER

Question: What was Kevin Spacey accused of in relation to his sexual misconduct allegations?
Answer: Spacey, apparently drunk, made a sexual advance toward him in 1986, when Rapp was 14.
Kevin Spacey

Context: On October 29, 2017, actor Anthony Rapp alleged that Spacey, apparently drunk, made a sexual advance toward him in 1986, when Rapp was 14. Spacey stated through Twitter that he did not remember the encounter, but that he owed Rapp "the sincerest apology for what would have been deeply inappropriate drunken behavior" if he had behaved as asserted. Fifteen others then came forward alleging similar abuse including: journalist Heather Unruh, who alleged that Spacey sexually assaulted her son; Norwegian author and Royal Family member Ari Behn; filmmaker Tony Montana; actor Roberto Cavazos; Richard Dreyfuss's son Harry; and eight people who worked on House of Cards. An anonymous man alleged that he had an extended sexual relationship with Spacey in 1983, when he was 14 and Spacey was 24; the man said that the relationship ended with Spacey attempting to rape him. The Guardian was contacted by "a number of people" who worked at the Old Vic, where Spacey was artistic director for 11 years, alleging that he "groped and behaved in an inappropriate way with young men at the time". On November 16, the Old Vic confirmed that it had received 20 testimonies of alleged inappropriate behavior by Spacey, with three stating that they contacted the police. In December, Spacey's Usual Suspects costar Gabriel Byrne revealed that production on that film was shut down for two days because Spacey made unwanted sexual advances toward a younger actor. In the midst of the allegations, filming was suspended on the sixth and final season of House of Cards. The show had been due to end in 2018. The season was shortened from 13 episodes to 8, and Spacey was removed from the cast. The Gore Vidal biopic Gore starring Spacey was set to be distributed by Netflix but it was canceled, and Netflix went on to sever all ties with him. Spacey was due to appear in Ridley Scott's biographical film All the Money in the World as industrialist J. Paul Getty; however, his scenes were cut and Christopher Plummer replaced him as Getty in reshoots. The International Academy of Television Arts and Sciences reversed its decision to honor Spacey with the 2017 International Emmy Founders Award. On November 1, Spacey stated that he would be seeking "evaluation and treatment" for his behavior. The following day, Variety reported that his publicist Staci Wolfe and talent agency Creative Artists Agency were ending their relationships with him. CANNOTANSWER

Question: Did anyone else accuse Kevin Spacey of sexual misconduct other than actor Anthony Rapp?
Answer: Fifteen others then came forward alleging similar abuse including: journalist Heather Unruh, who alleged that Spacey sexually assaulted her son;
Kevin Spacey

Context: On October 29, 2017, actor Anthony Rapp alleged that Spacey, apparently drunk, made a sexual advance toward him in 1986, when Rapp was 14. Spacey stated through Twitter that he did not remember the encounter, but that he owed Rapp "the sincerest apology for what would have been deeply inappropriate drunken behavior" if he had behaved as asserted. Fifteen others then came forward alleging similar abuse including: journalist Heather Unruh, who alleged that Spacey sexually assaulted her son; Norwegian author and Royal Family member Ari Behn; filmmaker Tony Montana; actor Roberto Cavazos; Richard Dreyfuss's son Harry; and eight people who worked on House of Cards. An anonymous man alleged that he had an extended sexual relationship with Spacey in 1983, when he was 14 and Spacey was 24; the man said that the relationship ended with Spacey attempting to rape him. The Guardian was contacted by "a number of people" who worked at the Old Vic, where Spacey was artistic director for 11 years, alleging that he "groped and behaved in an inappropriate way with young men at the time". On November 16, the Old Vic confirmed that it had received 20 testimonies of alleged inappropriate behavior by Spacey, with three stating that they contacted the police. In December, Spacey's Usual Suspects costar Gabriel Byrne revealed that production on that film was shut down for two days because Spacey made unwanted sexual advances toward a younger actor. In the midst of the allegations, filming was suspended on the sixth and final season of House of Cards. The show had been due to end in 2018. The season was shortened from 13 episodes to 8, and Spacey was removed from the cast. The Gore Vidal biopic Gore starring Spacey was set to be distributed by Netflix but it was canceled, and Netflix went on to sever all ties with him. Spacey was due to appear in Ridley Scott's biographical film All the Money in the World as industrialist J. Paul Getty; however, his scenes were cut and Christopher Plummer replaced him as Getty in reshoots. The International Academy of Television Arts and Sciences reversed its decision to honor Spacey with the 2017 International Emmy Founders Award. On November 1, Spacey stated that he would be seeking "evaluation and treatment" for his behavior. The following day, Variety reported that his publicist Staci Wolfe and talent agency Creative Artists Agency were ending their relationships with him. CANNOTANSWER

Question: What did Kevin Spacey say in response to his sexual assault allegations?
Answer: but that he owed Rapp "the sincerest apology for what would have been deeply inappropriate drunken behavior" if he had behaved as asserted.
Al-Khalil ibn Ahmad al-Farahidi

Context: Al-Farahidi's eschewing of material wealth has been noted by a number of biographers. In his old age, the son of Habib ibn al-Muhallab and reigning governor of the Muhallabids offered al-Farahidi a pension and requested that the latter tutor the former's son. Al-Farahidi declined, stating that he was wealthy though possessing no money, as true poverty lay not in a lack of money, but in the soul. The governor reacted by rescinding the pension, an act to which al-Farahidi responded with the following lines of poetry: "He, Who formed me with a mouth, engaged to give me nourishment till such a time as He takes me to Himself. Thou hast refused me a trifling sum, but that refusal will not increase thy wealth." Embarrassed, the governor then responded with an offer to renew the pension and double the rate, which al-Farahidi still greeted with a lukewarm reception. Al-Farahidi's apathy about material wealth was demonstrated in his habit of quoting Akhtal's famous stanza: "If thou wantest treasures, thou wilt find none equal to a virtuous conduct." Al-Farahidi distinguished himself via his philosophical views as well. He reasoned that a man's intelligence peaked at the age of forty - the age when the Islamic prophet Muhammad began his call - and began to diminuish after sixty, the point at which Muhammad died. He also believed that a person was at their peak intelligence at the clearest part of dawn. In regard to the field of grammar, al-Farahidi held the realist views common among early Arab linguists yet rare among both later and modern times. Rather than holding the rules of grammar as he and his students described them to be absolute rules, al-Farahidi saw the Arabic language as the natural, instinctual speaking habits of the Bedouin; if the descriptions of scholars such as himself differed from how the Arabs of the desert naturally spoke, then the cause was a lack of knowledge on the scholar's part as the unspoken, unwritten natural speech of pure Arabs was the final determiner. Al-Farahidi was distinguished, however, in his view that the Arabic alphabet included 29 letters rather than 28 and that each letter represented a fundamental characteristic of people or animals. His classification of 29 letters was due to his consideration of the combination of Lamedh and Aleph as a separate third letter from the two individual parts. CANNOTANSWER

Question: What were Al-Khalil ibn Ahmad al-Farahidi's views?
Answer: He reasoned that a man's intelligence peaked at the age of forty -