gaussalgo/Canard_Wiki-augmented huggingface dataset:
Antonie van Leeuwenhoek

Context: Antonie van Leeuwenhoek was born in Delft, Dutch Republic, on 24 October 1632. On 4 November, he was baptized as Thonis. His father, Philips Antonisz van Leeuwenhoek, was a basket maker who died when Antonie was only five years old. His mother, Margaretha (Bel van den Berch), came from a well-to-do brewer's family. She remarried Jacob Jansz Molijn, a painter. Antonie had four older sisters, Margriet, Geertruyt, Neeltje, and Catharina. When he was around ten years old his step-father died. He attended school in Warmond for a short time before being sent to live in Benthuizen with his uncle, an attorney. At the age of 16 he became a bookkeeper's apprentice at a linen-draper's shop in Amsterdam, which was owned by the Scot William Davidson. Van Leeuwenhoek left there after six years. Van Leeuwenhoek married Barbara de Mey in July 1654, with whom he fathered one surviving daughter, Maria (four other children died in infancy). That same year he returned to Delft, where he would live and study for the rest of his life. He opened a draper's shop, which he ran throughout the 1650s. His wife died in 1666, and in 1671, Van Leeuwenhoek remarried to Cornelia Swalmius with whom he had no children. His status in Delft had grown throughout the years. In 1660 he received a lucrative job as chamberlain for the assembly chamber of the Delft sheriffs in the city hall, a position which he would hold for almost 40 years. In 1669 he was appointed as a land surveyor by the court of Holland; at some time he combined it with another municipal job, being the official "wine-gauger" of Delft and in charge of the city wine imports and taxation. Van Leeuwenhoek was a contemporary of another famous Delft citizen, the painter Johannes Vermeer, who was baptized just four days earlier. It has been suggested that he is the man portrayed in two Vermeer paintings of the late 1660s, The Astronomer and The Geographer, but others argue that there appears to be little physical similarity. Because they were both relatively important men in a city with only 24,000 inhabitants, it is likely that they were at least acquaintances; Van Leeuwenhoek acted as the executor of Vermeer's will after the painter died in 1675. CANNOTANSWER

Question: Being the official what
Answer: "wine-gauger" of Delft and in charge of the city wine imports and taxation.
Antonie van Leeuwenhoek

Context: Antonie van Leeuwenhoek was born in Delft, Dutch Republic, on 24 October 1632. On 4 November, he was baptized as Thonis. His father, Philips Antonisz van Leeuwenhoek, was a basket maker who died when Antonie was only five years old. His mother, Margaretha (Bel van den Berch), came from a well-to-do brewer's family. She remarried Jacob Jansz Molijn, a painter. Antonie had four older sisters, Margriet, Geertruyt, Neeltje, and Catharina. When he was around ten years old his step-father died. He attended school in Warmond for a short time before being sent to live in Benthuizen with his uncle, an attorney. At the age of 16 he became a bookkeeper's apprentice at a linen-draper's shop in Amsterdam, which was owned by the Scot William Davidson. Van Leeuwenhoek left there after six years. Van Leeuwenhoek married Barbara de Mey in July 1654, with whom he fathered one surviving daughter, Maria (four other children died in infancy). That same year he returned to Delft, where he would live and study for the rest of his life. He opened a draper's shop, which he ran throughout the 1650s. His wife died in 1666, and in 1671, Van Leeuwenhoek remarried to Cornelia Swalmius with whom he had no children. His status in Delft had grown throughout the years. In 1660 he received a lucrative job as chamberlain for the assembly chamber of the Delft sheriffs in the city hall, a position which he would hold for almost 40 years. In 1669 he was appointed as a land surveyor by the court of Holland; at some time he combined it with another municipal job, being the official "wine-gauger" of Delft and in charge of the city wine imports and taxation. Van Leeuwenhoek was a contemporary of another famous Delft citizen, the painter Johannes Vermeer, who was baptized just four days earlier. It has been suggested that he is the man portrayed in two Vermeer paintings of the late 1660s, The Astronomer and The Geographer, but others argue that there appears to be little physical similarity. Because they were both relatively important men in a city with only 24,000 inhabitants, it is likely that they were at least acquaintances; Van Leeuwenhoek acted as the executor of Vermeer's will after the painter died in 1675. CANNOTANSWER

Question: In addition to been the official "wine-gauger" of Delft anything else stood out in this article
Answer: Van Leeuwenhoek was a contemporary of another famous Delft citizen,
Michelle Phillips

Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER

Question: What happened with Michelle Phillips in 1965?
Answer: Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965.
Michelle Phillips

Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER

Question: Who was in The Mamas & the Papas?
Answer: Cass, John, Michelle, Dennie,
Michelle Phillips

Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER

Question: What was The Mamas & the Papas first project together?
Answer: their debut album If You Can Believe Your Eyes and Ears (
Michelle Phillips

Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER

Question: What was I Saw Her Again about?
Answer: An affair the previous year between Phillips and bandmate Denny Doherty
Michelle Phillips

Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER

Question: How was I Saw Her Again received?
Answer: CANNOTANSWER
Michelle Phillips

Context: After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together. There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965. She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966). Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds. An affair the previous year between Phillips and bandmate Denny Doherty had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode, although they later disagreed about how much Doherty contributed to the song. This time, Phillips was determined to fire his wife. After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966. Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded, lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966. After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City. After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler. The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely." In August 1967, the band played what would be their final live performance at the Hollywood Bowl. Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfil contract obligations with their record label. CANNOTANSWER

Question: Why did Doherty and Phillips fire Michelle?
Answer: Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds.
William S. Burroughs

Context: Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWER

Question: What year did Burroughs attend Harvard University?
Answer: and in 1932, left home to pursue an arts degree at Harvard University,
William S. Burroughs

Context: Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWER

Question: What did Burroughs study at Harvard University?
Answer: he was affiliated with Adams House.
William S. Burroughs

Context: Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWER

Question: What is significant about Burroughs' time at Harvard University?
Answer: During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket.
William S. Burroughs

Context: Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWER

Question: Besides Burroughs art degree, are there any other interesting parts to the article?
Answer: He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized.
Ben Shapiro

Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Question: When did Shapiro start college?
Answer: CANNOTANSWER
Ben Shapiro

Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Question: Why was Shapiro giving a speech there?
Answer: Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech
Ben Shapiro

Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Question: Besides giving a speech at  California State University are there any other interesting aspects about this article?
Answer: The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held,
Ben Shapiro

Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Question: Why was the speech considered hate speech?
Answer: student protesters demanded that the speech be cancelled, labeling it as "hate speech".
Ben Shapiro

Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Question: What was the response after the speech?
Answer: After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards,
Ben Shapiro

Context: On February 25, 2016, Shapiro gave a speech at California State University, Los Angeles, entitled "When Diversity Becomes a Problem". Shapiro's speech focused on how the concepts of microaggressions and safe spaces were being used to suppress free speech in the name of diversity of skin color, while ignoring the value of diversity of thought. In response to the announcement of the speech, hosted by the campus's chapter of Young Americans for Freedom, student protesters demanded that the speech be cancelled, labeling it as "hate speech". The university's president, William Covino, eventually announced the cancellation of the speech three days before it was to take place, with the intention of rescheduling it so that the event could feature Shapiro debating someone with opposing viewpoints. In response to the cancellation, Shapiro said he would be attending the event anyway, and several lawsuits were threatened against the university for canceling the speech. As a result, Covino ultimately backed down and allowed the speech to go on as planned. The day of the speech, hundreds of student protesters formed human chains to block the doors to the theater where the event was to be held, shoving away anyone who attempted to enter and starting several fights in the crowded lobby. Some students were ultimately able to enter the theater by being sneaked in through back doors, though the protesters soon found out and barricaded those doors as well. Shapiro eventually made it into the theater and began his speech, only for a fire alarm to be pulled by one of the protesters; Shapiro continued speaking regardless, calling Covino "cowardly" and referring to the protesters as "spoiled brat snowflakes" and "fascists". After the speech ended, Shapiro had to be escorted out a secret exit by police and his own bodyguards, while those inside the theater were told that they could not leave since the protesters were preventing anyone from leaving. Only after Shapiro left did the protesters eventually disperse, and those inside the theater were allowed to exit. Three months after the CSULA incident, Young America's Foundation announced on May 19 that it was filing a lawsuit against the university (with Shapiro as one of the plaintiffs), claiming that the First and Fourteenth Amendment rights of the students were violated by Covino's attempted cancelation of the event, as well as the physical barricading of students from entering or leaving the event, and the encouragement of such actions by several campus professors. CANNOTANSWER

Question: How did Shapiro get inside?
Answer: Shapiro eventually made it into the theater and began his speech,