gaussalgo/Canard_Wiki-augmented huggingface dataset:
Patty Loveless

Context: In April 1985, Loveless felt her marriage to Terry Lovelace was ending (they eventually divorced amicably in 1986). She contacted her brother Roger to help her get back to Nashville. After being in the rock 'n' roll scene for so long she felt completely out of the country-music loop but wanted to sing country music again. Roger Ramey helped his sister cut a five-song demo tape, one of them being a rough cut of her self-penned song "I Did", which Loveless first wrote as a teenager, then later included on her first album. Roger Ramey then began to spread the word around about her talent. She and her brother disagreed about including "I Did" on the demo tape. Loveless didn't believe the song was good enough, but Roger argued that it would be what got her a contract. Once the demo was finished, Roger started trying to get her a recording contract with a major label in Nashville. Roger Ramey sent the demo tape out to every major label in Nashville, and was met with a solid wall of rejection by them all. After a month of not getting anywhere, out of desperation to help his sister, he decided to take a chance with MCA Nashville. MCA, being the industry leader at the time was his first choice of labels. Taking a cassette of the five song demo of Loveless, Roger bluffed his way past the receptionist of Tony Brown, the head of A&R (Artist & Repertoire - in charge of finding and developing new talent) by pretending to be someone else who was late for an appointment. As soon as they met, Roger told Brown he had the "best girl singer to ever come to Nashville". Tony Brown said he would give Roger 30 seconds to sell him on it. Roger quickly played the tape of Patty singing "I Did". Brown listened to the entire five-song tape, and asked Roger to leave it with him so he could play it for some other execs and get back to him. Roger refused and told Brown that he wanted a commitment that day, and if he didn't want her on MCA, he knew another label that did. With Roger Ramey waiting in his office, Brown took the tape to Jimmy Bowen, President of MCA Nashville at the time. Hearing the tape, Bowen wasn't impressed with Loveless, but told Brown to go ahead and sign her, but only to a short-term, singles-only recording contract. CANNOTANSWER

Question: Did the album Patty Loveless record do well?
Answer: CANNOTANSWER
Patty Loveless

Context: In April 1985, Loveless felt her marriage to Terry Lovelace was ending (they eventually divorced amicably in 1986). She contacted her brother Roger to help her get back to Nashville. After being in the rock 'n' roll scene for so long she felt completely out of the country-music loop but wanted to sing country music again. Roger Ramey helped his sister cut a five-song demo tape, one of them being a rough cut of her self-penned song "I Did", which Loveless first wrote as a teenager, then later included on her first album. Roger Ramey then began to spread the word around about her talent. She and her brother disagreed about including "I Did" on the demo tape. Loveless didn't believe the song was good enough, but Roger argued that it would be what got her a contract. Once the demo was finished, Roger started trying to get her a recording contract with a major label in Nashville. Roger Ramey sent the demo tape out to every major label in Nashville, and was met with a solid wall of rejection by them all. After a month of not getting anywhere, out of desperation to help his sister, he decided to take a chance with MCA Nashville. MCA, being the industry leader at the time was his first choice of labels. Taking a cassette of the five song demo of Loveless, Roger bluffed his way past the receptionist of Tony Brown, the head of A&R (Artist & Repertoire - in charge of finding and developing new talent) by pretending to be someone else who was late for an appointment. As soon as they met, Roger told Brown he had the "best girl singer to ever come to Nashville". Tony Brown said he would give Roger 30 seconds to sell him on it. Roger quickly played the tape of Patty singing "I Did". Brown listened to the entire five-song tape, and asked Roger to leave it with him so he could play it for some other execs and get back to him. Roger refused and told Brown that he wanted a commitment that day, and if he didn't want her on MCA, he knew another label that did. With Roger Ramey waiting in his office, Brown took the tape to Jimmy Bowen, President of MCA Nashville at the time. Hearing the tape, Bowen wasn't impressed with Loveless, but told Brown to go ahead and sign her, but only to a short-term, singles-only recording contract. CANNOTANSWER

Question: Did Patty Loveless continue to tour after signing the recording contract?
Answer: CANNOTANSWER
Patty Loveless

Context: In April 1985, Loveless felt her marriage to Terry Lovelace was ending (they eventually divorced amicably in 1986). She contacted her brother Roger to help her get back to Nashville. After being in the rock 'n' roll scene for so long she felt completely out of the country-music loop but wanted to sing country music again. Roger Ramey helped his sister cut a five-song demo tape, one of them being a rough cut of her self-penned song "I Did", which Loveless first wrote as a teenager, then later included on her first album. Roger Ramey then began to spread the word around about her talent. She and her brother disagreed about including "I Did" on the demo tape. Loveless didn't believe the song was good enough, but Roger argued that it would be what got her a contract. Once the demo was finished, Roger started trying to get her a recording contract with a major label in Nashville. Roger Ramey sent the demo tape out to every major label in Nashville, and was met with a solid wall of rejection by them all. After a month of not getting anywhere, out of desperation to help his sister, he decided to take a chance with MCA Nashville. MCA, being the industry leader at the time was his first choice of labels. Taking a cassette of the five song demo of Loveless, Roger bluffed his way past the receptionist of Tony Brown, the head of A&R (Artist & Repertoire - in charge of finding and developing new talent) by pretending to be someone else who was late for an appointment. As soon as they met, Roger told Brown he had the "best girl singer to ever come to Nashville". Tony Brown said he would give Roger 30 seconds to sell him on it. Roger quickly played the tape of Patty singing "I Did". Brown listened to the entire five-song tape, and asked Roger to leave it with him so he could play it for some other execs and get back to him. Roger refused and told Brown that he wanted a commitment that day, and if he didn't want her on MCA, he knew another label that did. With Roger Ramey waiting in his office, Brown took the tape to Jimmy Bowen, President of MCA Nashville at the time. Hearing the tape, Bowen wasn't impressed with Loveless, but told Brown to go ahead and sign her, but only to a short-term, singles-only recording contract. CANNOTANSWER

Question: What happened toPatty Loveless's singing career after the short term contract was up?
Answer: CANNOTANSWER
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: Was Jackie Coogan married?
Answer: CANNOTANSWER
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: What was Jackie Coogan's early life like?
Answer: He was born as John Leslie Coogan in 1914 in Los Angeles, California,
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: Did Skinner's Baby do well?
Answer: CANNOTANSWER
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: What was Coogan's next film?
Answer: small role in A Day's Pleasure (1919).
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: Did Coogan do any other films beside Skinner's Baby and A Day's Pleasure?
Answer: He was Chaplin's irascible companion in The Kid (1921)
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: Did Coogan act all through early childhood?
Answer: CANNOTANSWER
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: Did Coogan go to college?
Answer: He attended several colleges, as well as the University of Southern California.
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: What did Coogan study?
Answer: CANNOTANSWER
Jackie Coogan

Context: He was born as John Leslie Coogan in 1914 in Los Angeles, California, to John Henry Coogan Jr. and Lillian Rita (Dolliver) Coogan. He began performing as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner's Baby. Charlie Chaplin discovered him in the Orpheum Theatre, a vaudeville house in Los Angeles, on the stage doing the shimmy, a dance popular at the time. Coogan's father was also an actor, as was his younger brother, Robert Coogan. Jackie Coogan was a natural mimic and delighted Chaplin with his abilities. Chaplin cast him in a small role in A Day's Pleasure (1919). He was Chaplin's irascible companion in The Kid (1921) and the following year played the title role in Oliver Twist, directed by Frank Lloyd. Coogan was one of the first stars to be heavily merchandised. Peanut butter, stationery, whistles, dolls, records, and figurines were among the Coogan-themed merchandise on sale. Coogan was tutored until the age of 10, when he entered Urban Military Academy and other prep schools. He attended several colleges, as well as the University of Southern California. In 1932, he dropped out of Santa Clara University because of poor grades. In November 1933, Brooke Hart, a close friend of Coogan from Santa Clara University, was kidnapped from his family-owned department store in San Jose and brought to the San Francisco area San Mateo-Hayward Bridge. After several demands for a $40,000 ransom, police arrested Thomas Thurmond and John Holmes in San Jose. Thurmond admitted that Hart had been murdered the night he was kidnapped. Both killers were transferred to a prison in downtown San Jose. A mob broke into the jail, and Thurmond and Holmes were hanged in a nearby park. Coogan was reported to be present and to have held the lynching rope. In 1935, 20-year-old Coogan was the sole survivor of a car crash in eastern San Diego County that killed his father; his best friend, 19-year-old actor Junior Durkin; their ranch foreman Charles Jones, and actor and writer Robert J. Horner. The party was returning from a day of dove hunting over the border in Mexico in early May. With his father at the wheel, the car was forced off the mountain highway near Pine Valley by an oncoming vehicle and rolled down an embankment. CANNOTANSWER

Question: Did Coogan go into acting after college?
Answer: CANNOTANSWER
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: What was working at the Hollywood like in the early days?
Answer: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios.
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: Were the actors in favor of Masquers Club?
Answer: This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933.
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: When was the Screen Actors Guild started?
Answer: A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation.
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: What were the advantages for the actors?
Answer: CANNOTANSWER
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: Who received the most benefit from the Screen Actors Guild?
Answer: Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones,
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: What happens if the actors refuse?
Answer: CANNOTANSWER
Screen Actors Guild

Context: In 1925, the Masquers Club was formed by actors discontent with the grueling work hours at the Hollywood studios. This was one of the major concerns which led to the creation of the Screen Actors Guild in 1933. Another was that the Academy of Motion Picture Arts and Sciences, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. A meeting in March 1933 of six actors (Berton Churchill, Charles Miller, Grant Mitchell, Ralph Morgan, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, Kenneth Thomson, Alan Mowbray (who personally funded the organization when it was first founded), Leon Ames, Tyler Brooke, Clay Clement, James Gleason, Lucile Webster Gleason, Boris Karloff, Claude King, Noel Madison, Reginald Mason, Bradley Page, Willard Robertson, Ivan Simpson, C. Aubrey Smith, Charles Starrett, Richard Tucker, Arthur Vinton, Morgan Wallace and Lyle Talbot. Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of Frank Morgan (Ralph's brother, who played the title role in The Wizard of Oz), was what gave SAG its critical mass. Prompted by Eddie Cantor's insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President Franklin D. Roosevelt. After several years and the passage of the National Labor Relations Act, the producers agreed to negotiate with SAG in 1937. Actors known for their early support of SAG (besides the founders) include Edward Arnold, Humphrey Bogart, James Cagney, Dudley Digges, Porter Hall, Paul Harvey, Jean Hersholt, Russell Hicks, Murray Kinnell, Gene Lockhart, Bela Lugosi, David Manners, Fredric March, Adolphe Menjou, Chester Morris, Jean Muir, George Murphy, Erin O'Brien-Moore, Irving Pichel, Dick Powell, Edward G. Robinson, Edwin Stanley, Gloria Stuart, Lyle Talbot, Franchot Tone, Warren William, and Robert Young. CANNOTANSWER

Question: What was the end result?
Answer: at that meeting, that any response to that producer's agreement help all actors, not just the already established ones,