gaussalgo/Canard_Wiki-augmented huggingface dataset:
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: what is Fijate Bien?
Answer: In 2000, Juanes released his solo debut Fijate Bien
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: When is Fijate Bien released?
Answer: CANNOTANSWER
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: did Fijate Bien do well?
Answer: The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries.
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: did Fijate Bien win any awards?
Answer: The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song,
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: did Juanes  go on tour?
Answer: CANNOTANSWER
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: did Juanes collaborate with anyone?
Answer: The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado
Juanes

Context: In 2000, Juanes released his solo debut Fijate Bien (Take a Good Look), produced by Gustavo Santaolalla. The album fared well in Colombia, spending ten weeks at the number one position, but was unsuccessful in other countries. The album earned him three Latin Grammys for Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song, and Juanes performed at the award show. Later that night, Juanes brought demos for over forty new songs to Santaolalla's studio, ready to begin work on another album. The follow-up, Un Dia Normal (A Normal Day), also produced by Gustavo Santaolalla who signed him with his first solo album, was released in 2002 and was highly successful in Latin America. The album was certified gold in Colombia during its first day of sales and was certified platinum and multi-platinum in countries including Colombia, Mexico, and Spain. The album spent 92 weeks in the top ten of Billboard's Top Latin Albums chart, setting a new record, and spent a total of two years on the chart. The album was released after the eligibility deadlines for the 2002 Latin Grammy Awards, but the advance airdate for the lead single, "A Dios le Pido" ("To God I Pray"), allowed it to be nominated for three awards and win Best Rock Song. "A Dios le Pido" topped the singles charts of twelve countries and spent 47 consecutive weeks on the Billboard Hot Latin Tracks. The album also featured "Fotografia" ("Photograph"), a duet with Portuguese Canadian pop singer Nelly Furtado about the isolation between lovers. Juanes later worked with Furtado on a remix of "Powerless (Say What You Want)", the lead single from her 2003 album Folklore, and on "Te busque" ("I Looked for You"), a single from her 2006 album Loose. Juanes won the most awards at the 2003 Latin Grammy Awards, where he won each of the 5 awards for which he had been nominated, including Song of the Year, Record of the Year, and Album of the Year. CANNOTANSWER

Question: what was the song that Juanes collaborated with Nelly Furtado on?
Answer: "Fotografia" ("Photograph"),
Manu Chao

Context: In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Question: What was Chao doing in the 2000s?
Answer: In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako
Manu Chao

Context: In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Question: how successful was Radio Bemba?
Answer: CANNOTANSWER
Manu Chao

Context: In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Question: what did Chao release first in his solo years?
Answer: His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song.
Manu Chao

Context: In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Question: In addition to earning Princesas a Goya nomination are there any other interesting aspects about this article?
Answer: His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica.
Manu Chao

Context: In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Question: Besides Goya did Chao earn any other awards or nominations?
Answer: Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album,
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: When was Zorn born?
Answer: CANNOTANSWER
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: What year was John Zorn born?
Answer: CANNOTANSWER
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: where did John Zorn grow up?
Answer: born in New York City
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: where did John Zorn go to school?
Answer: Zorn attended the United Nations International School from kindergarten to high school
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: What did John Zorn spent his days doing during his childhood?
Answer: He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band.
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: did John Zorn go to college?
Answer: when he was studying composition at Webster College
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: what was John Zorn's degree?
Answer: Zorn dropped out of college
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: What was John Zorn's first job?
Answer: moved to Manhattan where he gave concerts in his apartment and other small NY venues,
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: What did John Zorn do after college?
Answer: following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues,
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: Did John Zorn have a band?
Answer: CANNOTANSWER
John Zorn

Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER

Question: who was Jack Smith
Answer: CANNOTANSWER