gaussalgo/Canard_Wiki-augmented huggingface dataset:
Phyllis Schlafly

Context: Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Question: How else did Phyllis Schlafly oppose ERA other than using defense of traditional gender role as a tactic?
Answer: Schlafly said the ERA was designed for the benefit of young career women,
Phyllis Schlafly

Context: Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Question: Did Phyllis Schlafly win the fight to oppose the Equal Rights Amendment?
Answer: CANNOTANSWER
Phyllis Schlafly

Context: Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Question: when did Phyllis Schlafly begin her opposition against ERA?
Answer: CANNOTANSWER
Phyllis Schlafly

Context: Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Question: Who opposed Phyllis Schlafly?
Answer: sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women.
Phyllis Schlafly

Context: Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Question: Was the ERA ratified?
Answer: CANNOTANSWER
Lil' Kim

Context: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Question: What year did Lil Kim release her first album?
Answer: August 29, 1995
Lil' Kim

Context: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Question: In what year was Lil' Kim's album Conspiracy released?
Answer: 1995
Lil' Kim

Context: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Question: Did the album Conspiracy by Lil' Kim win any awards?
Answer: CANNOTANSWER
Lil' Kim

Context: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Question: What was Lil' Kim's next album after Conspiracy?
Answer: Hard Core
Lil' Kim

Context: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Question: How was the album Hard Core by Lil' Kim perceived?
Answer: CANNOTANSWER
Lil' Kim

Context: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995. CANNOTANSWER

Question: What year was Hard Core by Lil' Kim released?
Answer: 1995.
Mark Lanegan

Context: In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

Question: Who is Isobel Campbell?
Answer: vocalist
Mark Lanegan

Context: In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

Question: How did Isobel Campbell and Lanegan know each other?
Answer: CANNOTANSWER
Mark Lanegan

Context: In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

Question: Did the Lanegan's EP  with Isobell Campbell do well?
Answer: The record was well received by critics
Mark Lanegan

Context: In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

Question: In addition to ''Time Is Just the Same'',Did Isobel Campbell and Lanegan do any other projects together?
Answer: Lanegan also wrote the track "Revolver" with Campbell.
Mark Lanegan

Context: In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

Question: Did the single ''Ramblin' Man'' sell a lot of copies?
Answer: CANNOTANSWER
Pinhead (Hellraiser)

Context: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER

Question: what is the significance of design for Pinhead from Hellraiser?
Answer: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam.
Pinhead (Hellraiser)

Context: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER

Question: Was Pinhead from Hellraiser well-received?
Answer: CANNOTANSWER
Pinhead (Hellraiser)

Context: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER

Question: Besides the inspiration of the design of Pinhead from Hellraiser, is there anything else interesting about design?
Answer: Barker intended Pinhead to have a navel piercing implying that the character had genital piercings.
Pinhead (Hellraiser)

Context: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER

Question: Did Pinhead from Hellraiser have genital piercings?
Answer: CANNOTANSWER
Pinhead (Hellraiser)

Context: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER

Question: Other than navel or genital piercings, does Pinhead from Hellraiser have other piercings?
Answer: CANNOTANSWER
Girls Aloud

Context: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies. Each member designed the outfit and look of a doll modelled after themselves. In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style. Official calendars have also been issued annually from 2004 to 2009, the only exception being 2005. Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots", was published in October 2008 through the Transworld imprint Bantam Press. Before the release, OK! magazine bought the rights to preview and serialise the book. In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk. The girls filmed a television advertisement and appeared in and magazine advertisements, with each of the five members being the face of a different shampoo. The same year, Girls Aloud also sealed a deal with the UK division of Samsung. They endorsed mobile phones and MP3 players, made personal appearances and sang at Samsung events, and contributed to competition prizes, among other activities. The Samsung F210 Purple came with a 1GB memory card featuring Girls Aloud content. Girls Aloud appeared in television advertisements for Nintendo DS the following year. The girl group signed a deal to front a promotional campaign for a new low-calorie KitKat bar called "Senses" in March 2008. The chocolate bar manufacturer also sponsored Girls Aloud's Tangled Up Tour. The exact worth of the endorsement is unknown, but a figure of PS500,000 each has been suggested. Sales increased 6.8% in the United Kingdom. Beginning in 2009, Girls Aloud teamed with Eylure to release five sets of false eyelashes, each set designed by a different member of the band. A range of festival-themed lashes followed in 2010, while limited edition "10th Anniversary" lash was released in 2012. Similarly, to celebrate their tenth anniversary, each member designed a charm bracelet for Pandora, available as either a complete bracelet or a "starter" bracelet. Pandora is the official sponsor of the group's Ten: The Hits Tour. CANNOTANSWER

Question: What is another endeavor Girls Aloud had?
Answer: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies.