gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Carpenters

Context: The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996). Harold was born in Wuzhou, China, moving to Britain in 1917, and the US in 1921, while Agnes was born and grew up in Baltimore, Maryland. They married on April 9, 1935; their first child, Richard Lynn, was born on October 15, 1946, while Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time at home listening to Rachmaninoff, Tchaikovsky, Red Nichols and Spike Jones, and playing the piano. Karen was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but still spent a lot of time listening to music. She enjoyed dancing and began ballet and tap classes aged four. Karen and Richard were close, and shared a common interest in music. In particular, they became fans of Les Paul and Mary Ford, whose music featured multiple overdubbed voices and instruments. Richard began piano lessons aged eight, but quickly grew frustrated with the formal direction of the lessons and quit after a year. He had begun to teach himself how to play by ear by 11, and resumed studying with a different teacher. He took a greater interest in playing this time, and would frequently practice at home. By age 14, he was interested in performing professionally, and started lessons at Yale School of Music. In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey. hoping that it would mean better musical opportunities for Richard. He was asked to be the organist for weddings and services at the local Methodist church; instead of playing traditional hymns, he would sometimes rearrange contemporary Beatles songs in a "church" style. In fall 1964, Richard enrolled at California State College at Long Beach where he met future songwriting partner John Bettis, Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio, and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966. That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums. She had initially tried playing the glockenspiel, but had been inspired by her friend Frankie Chavez, who had been drumming since he was three. She became enthusiastic about the drums, and began to learn complex pieces, such as Dave Brubeck's "Take Five". Chavez persuaded her parents to buy a Ludwig drum kit in late 1964, and she began lessons with local jazz players, including how to read concert music. She quickly replaced the entry-level kit with a large Ludwig set that was a similar set-up to Brubeck's drummer, Joe Morello. Richard and Karen gave their first public performance together in 1965, as part of the pit band for a local production of Guys and Dolls. CANNOTANSWER

Question: Where did The Carpenter siblings go to elementary school?
Answer: CANNOTANSWER
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What is "hush"?
Answer: The band's fifth album, The Hush,
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What was a song from The Hush?
Answer: In Our Lifetime
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What was the first single of the band, Texas?
Answer: In Our Lifetime
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: Where there any more singles from The Hush other than "Summer Son" and "In Our Lifetime" ?
Answer: When We Are Together",
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: So was The Hush a success then?
Answer: The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies.
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: Did Texas have a Greatest Hits album?
Answer: In October 2000, Texas released their first compilation album, The Greatest Hits.
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What songs were on the Greatest Hits album?
Answer: "In Demand"
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What were the new songs on the Greatest Hits album?
Answer: "In Demand
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What were the other new songs in the Greatest Hits other than "In Demand"?
Answer: "Inner Smile
Texas (band)

Context: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWER

Question: What was the third song on the Greatest Hits album ?
Answer: "I Don't Want A Lover
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: What did Joe Hisaishi do during 1981-1998?
Answer: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU,
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: Did Joe Hisaishi release any albums other than MKWAJU and Information?
Answer: Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind.
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: Other than Joe Hisaishi releasing an album for Laputa: Castle in the Sky, what else is interesting about Joe and the Anime film industry?
Answer: In 1985, he founded his own recording studio--the wonder station.
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: Was Joe Hisaishi's label, Wonder Land Inc., a successful endevour?
Answer: A year later, Hisaishi released his solo album Pretender as the first album under the new label.
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: What happened after Joe Hisaishi released his first album?
Answer: CANNOTANSWER
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: Other than Joe Hisaishi's release of his solo album Pretender, are there any other interesting aspects about this article?
Answer: his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s.
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: What made the score for Laputa: Castle in the Sky so successful?
Answer: its gentle, faintly melancholic tone
Joe Hisaishi

Context: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label. CANNOTANSWER

Question: Other than Laputa: Castle in the Sky, what other output did the studio release?
Answer: And later, in the 1990s, Porco Rosso and Princess Mononoke were released.