gaussalgo/Canard_Wiki-augmented huggingface dataset:
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: Did Henryk Górecki live in Czernica his whole life?
Answer: He spent the following twenty months in a hospital in Germany, where he underwent four operations.
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: When did Henryk Górecki move to Silesian Voivodeship?
Answer: was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship,
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: Did Henryk Górecki get formal education?
Answer: he studied in the Szafrankowie Brothers State School of Music in Rybnik.
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: In what year did Henryk Górecki study in the Szafrankowie Brothers State School of Music?
Answer: In early 1950s
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: What else happened in Henryk Górecki's early years besides studying in the Szafrankowie Brothers State School of Music and moving to  Silesian Voivodeship, southwest Poland?
Answer: Gorecki fell while playing in a neighbor's yard and dislocated his hip.
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: Did Henryk Górecki receive any education after studying at the State Higher School of Music in Katowic?
Answer: CANNOTANSWER
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: How did Henryk Górecki get started with music?
Answer: in 1943 was allowed to take violin lessons with Pawel Hajduga;
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: Are Henryk Górecki's parents still alive?
Answer: Otylia died when her son was just two years old,
Henryk Górecki

Context: Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides where Henryk Górecki studied and lived?
Answer: he had "talked with death often".
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: What was unique about Joe Greene's attitude?
Answer: he was described as ferocious and intimidating.
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: Aside from ferocious and intimidating, did Joe Greene intimidate other players?
Answer: He instilled fear in opponents with the intensity of his play.
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: Who did Joe Greene play for?
Answer: Pittsburgh
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: Did Joe Greene's teams do well?
Answer: CANNOTANSWER
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: Aside from Greene's ferocious and intimidating attitude, what else should I know about Greene's playing style
Answer: Greene was at times uncontrollable, and often let his temper get the best of him.
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: Did Greene get in trouble for his temper?
Answer: he frequently clashed with officials.
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: What happened for kicking Bob McKay?
Answer: CANNOTANSWER
Joe Greene

Context: Greene's nickname remained popular due to his exploits on the playing field, where he was described as ferocious and intimidating. He instilled fear in opponents with the intensity of his play. In a 1979 game against the Houston Oilers, with only seconds remaining and Houston leading 20-17, the Oilers lined up near the Pittsburgh goal line to run their final play. With victory already assured for the Oilers, Greene pointed angrily across the line of scrimmage at Houston quarterback Dan Pastorini, warning, "If you come into the end zone, I'll beat the crap out of you! I'm gonna kill you!" Pastorini responded by taking a knee, ending the game. Afterword, Greene laughed and said, "I knew you weren't going to do it." In his early years with the Steelers, Greene was at times uncontrollable, and often let his temper get the best of him. On one occasion during a 1975 game against the rival Cleveland Browns at Cleveland Municipal Stadium, Greene repeatedly kicked Browns lineman Bob McKay in the groin while McKay was lying on the ground. He also punched Denver Broncos guard Paul Howard and spat at quarterback Fran Tarkenton, and he frequently clashed with officials. Greene and middle linebacker Jack Lambert became the emotional leaders of Pittsburgh's defensive squad. Greene was described as a huge presence both on and off the field. Once, in the locker room, a teammate was loudly voicing his discontent over the long and cold practice they had just gone through as he yanked off his equipment. At a nearby locker, Greene lifted his head and silently glared at him. "Believe me, that's all Joe did, he never even said anything," Joe Gordon of the Steelers front office recalled. "I don't think the other players saw Joe glare at him. I think the other player just felt it, and then he sat down and never said another word." A natural leader, Greene was named the captain of the defense in 1977. His leadership was also channeled to the offense; Lynn Swann, a wide receiver, considered Greene a mentor. "If you were giving less than 100 percent, he let you know one way or the other," said Swann. CANNOTANSWER

Question: Aside from kicking Bob McKay, did Greene get into trouble any other times?
Answer: CANNOTANSWER
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: What is Near to the Wild Heart by Clarice Lispector?
Answer: her first novel,
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: What did Clarice Lispector's novel "Near to the Wild Heart" talk about?
Answer: which tells of the inner life of a young woman named Joana,
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: Did Clarice Lispector speak on any of her experiences in "Near to the Wild Heart"?
Answer: CANNOTANSWER
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: What did Joana do in the book "Near to the Wild Heart"?
Answer: For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature;
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: What were the names of the novels that followed "Near to the Wild Heart"?
Answer: CANNOTANSWER
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: What types of emotions were focused on during Joana's story in "Near to the Wild Heart"?
Answer: intense focus on interior emotional states.
Clarice Lispector

Context: In December 1943, she published her first novel, Perto do coracao selvagem (Near to the Wild Heart). The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graca Aranha Prize for the best debut novel of 1943. One critic, the poet Ledo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Clarice had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the Sao Paulo critic Sergio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul." This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lucio Cardoso. Shortly afterwards, Clarice and Maury Gurgel left Rio for the northern city of Belem, in the state of Para, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the international visitors who were using northern Brazil as a military base in World War II. CANNOTANSWER

Question: Did Clarice Lispector receive any rewards for the novel "Near to the Wild Heart"?
Answer: the book won the prestigious Graca Aranha Prize for the best debut novel of 1943.