gaussalgo/Canard_Wiki-augmented huggingface dataset:
György Lukács

Context: Whilst at university in Budapest, Lukacs was part of socialist intellectual circles through which he met Ervin Szabo, an anarcho-syndicalist who introduced him to the works of Georges Sorel (1847-1922), the French proponent of revolutionary syndicalism. In that period, Lukacs's intellectual perspectives were modernist and anti-positivist. From 1904 to 1908, he was part of a theatre troupe that produced modernist, psychologically realistic plays by Henrik Ibsen, August Strindberg, and Gerhart Hauptmann. Lukacs spent much time in Germany, and studied in Berlin from 1906 to 1910, during which time he made the acquaintance of the philosopher Georg Simmel. Later, in 1913, whilst in Heidelberg he befriended Max Weber, Ernst Bloch, and Stefan George. The idealist system to which Lukacs subscribed was intellectually indebted to Neo-Kantianism (then the dominant philosophy in German universities) and to Plato, Georg Wilhelm Friedrich Hegel, Soren Kierkegaard, Wilhelm Dilthey, and Fyodor Dostoyevsky. In that period, he published Soul and Form (1911; tr. 1974) and The Theory of the Novel (1916/1920; tr. 1971). In 1915, Lukacs returned to Budapest, where he was the leader of the Sunday Circle, an intellectual salon. Its concerns were the cultural themes that arose from the existential works of Dostoyevsky, which thematically aligned with Lukacs's interests in his last years at Heidelberg. As a salon, the Sunday Circle sponsored cultural events whose participants included literary and musical avant-garde figures, such as Karl Mannheim, the composer Bela Bartok, Bela Balazs, and Karl Polanyi; some of them also attended the weekly salons. In 1918, the last year of the First World War (1914-18), the Sunday Circle became divided. They dissolved the salon because of their divergent politics; several of the leading members accompanied Lukacs into the Communist Party of Hungary. CANNOTANSWER

Question: Why did György Lukács spend alot of time in germany
Answer: studied in Berlin from 1906 to 1910,
György Lukács

Context: Whilst at university in Budapest, Lukacs was part of socialist intellectual circles through which he met Ervin Szabo, an anarcho-syndicalist who introduced him to the works of Georges Sorel (1847-1922), the French proponent of revolutionary syndicalism. In that period, Lukacs's intellectual perspectives were modernist and anti-positivist. From 1904 to 1908, he was part of a theatre troupe that produced modernist, psychologically realistic plays by Henrik Ibsen, August Strindberg, and Gerhart Hauptmann. Lukacs spent much time in Germany, and studied in Berlin from 1906 to 1910, during which time he made the acquaintance of the philosopher Georg Simmel. Later, in 1913, whilst in Heidelberg he befriended Max Weber, Ernst Bloch, and Stefan George. The idealist system to which Lukacs subscribed was intellectually indebted to Neo-Kantianism (then the dominant philosophy in German universities) and to Plato, Georg Wilhelm Friedrich Hegel, Soren Kierkegaard, Wilhelm Dilthey, and Fyodor Dostoyevsky. In that period, he published Soul and Form (1911; tr. 1974) and The Theory of the Novel (1916/1920; tr. 1971). In 1915, Lukacs returned to Budapest, where he was the leader of the Sunday Circle, an intellectual salon. Its concerns were the cultural themes that arose from the existential works of Dostoyevsky, which thematically aligned with Lukacs's interests in his last years at Heidelberg. As a salon, the Sunday Circle sponsored cultural events whose participants included literary and musical avant-garde figures, such as Karl Mannheim, the composer Bela Bartok, Bela Balazs, and Karl Polanyi; some of them also attended the weekly salons. In 1918, the last year of the First World War (1914-18), the Sunday Circle became divided. They dissolved the salon because of their divergent politics; several of the leading members accompanied Lukacs into the Communist Party of Hungary. CANNOTANSWER

Question: Did György Lukács go to college?
Answer: university in Budapest,
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: What was Sarah Palin's public image?
Answer: During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion.
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: What were some things that people liked about Sarah Palin?
Answer: Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: What were some negative thoughts about Sarah Palin?
Answer: her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views,
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: Did Sarah Palin ever say anything that hurt her image?
Answer: the de-listing of the polar bear as an endangered species.
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: Did the public make a joke out of Sarah Palin?
Answer: In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: What was Sarah Palin's nomination for?
Answer: During her campaign to become vice president, 39
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: Who was Sarah Palin running with?
Answer: One month after McCain announced Palin as his running mate,
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: Had Sarah Palin worked in politics for being nominated for Vice President?
Answer: and her perceived lack of experience.
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: What state was Sarah Palin governor of?
Answer: Alaska
Sarah Palin

Context: Prior to the 2008 Republican National Convention, a Gallup poll found that most voters were unfamiliar with Sarah Palin. During her campaign to become vice president, 39% said Palin was ready to serve as president if needed, 33% said Palin was not, and 29% had no opinion. This was "the lowest vote of confidence in a running mate since the elder George Bush chose then-Indiana senator Dan Quayle to join his ticket in 1988." Following the convention, her image came under close media scrutiny, particularly with regard to her religious perspective on public life, her socially conservative views, and her perceived lack of experience. Palin's experience in foreign and domestic politics came under criticism among conservatives as well as liberals following her nomination. At the same time, Palin became more popular than John McCain among Republicans. One month after McCain announced Palin as his running mate, she was viewed both more favorably and unfavorably among voters than her opponent, Delaware Senator Joe Biden. A plurality of the television audience rated Biden's performance higher at the 2008 vice-presidential debate. Media outlets repeated Palin's statement that she "stood up to Big Oil" when she resigned after 11 months as the head of the Alaska Oil and Gas Conservation Commission, due to abuses she witnessed involving other Republican commissioners and their ties to energy companies and energy lobbyists, and again when she raised taxes on oil companies as governor. In turn, others have said that Palin is a "friend of Big Oil" due to her advocacy of oil exploration and development including drilling in the Arctic National Wildlife Refuge and the de-listing of the polar bear as an endangered species. Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008. In April 2010, she was selected as one of the world's 100 most influential people by TIME Magazine. CANNOTANSWER

Question: Aside from being governer of Alaska, was there anything else that was notable about Sarah Palin's public image?
Answer: Palin was named one of America's "10 Most Fascinating People of 2008" by Barbara Walters for an ABC special on December 4, 2008.
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: What did Menken's do after he graduated?
Answer: After graduating, Menken's plan was to become either a rock star or a recording artist.
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: Did Menken follow his plan to become a rock star or a recording artist?
Answer: "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach.
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: What did Menken do when he joined the BMI?
Answer: he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel).
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: What projects did Menken showcase other than his work at BMI from 1974 to 1978?
Answer: Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: Did Menken continue to write musicals after he left BMI?
Answer: Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown.
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: Did Menken work on any movies?
Answer: He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose,
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: Did Menken write any projects that were not produced?
Answer: The Thorn with lyrics by Brown, which was commissioned by Divine in 1980.
Alan Menken

Context: After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Question: Did Menken play any instruments?
Answer: a piano accompanist