gaussalgo/Canard_Wiki-augmented huggingface dataset:
Yogi Berra

Context: Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Question: What was Yogi Berra's best game?
Answer: 1947 World Series, Berra hit the first pinch-hit home run in World Series history,
Yogi Berra

Context: Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Question: Were there any more highlights to Yogi Berra's career?
Answer: Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records.
Yogi Berra

Context: Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Question: Aside from Yogi Berra never finishing lower than fourth in the MVP voting from 1950 to 1957, what else happened from 1950-1957?
Answer: Berra never finished lower than fourth in the MVP voting from 1950 to 1957.
Yogi Berra

Context: Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Question: Did Yogi Berra win any other awards, aside from the American League (AL) MVP award in 1951, 1954, and 1955?
Answer: He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons
Yogi Berra

Context: Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Question: Are there any other interesting aspects about this article, besides Yogi Berra's awards and achievements?
Answer: perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play.
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: Where was joe born?
Answer: Nakano, Nagano, Japan
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: What date was Joe born?
Answer: CANNOTANSWER
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: Who is listed as Joe's family?
Answer: CANNOTANSWER
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: Where did Joe attend school or was educated?
Answer: Violin School Suzuki Shinichi
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: Other than Joe learning violin in the Violin School Suzuki Shinichi at the age of four, are there any other interesting aspects about this article?
Answer: Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years.
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: Besides Gyatoruzu, what other anime or series did Joe make music for?
Answer: He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu.
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: Aside from Gyatoruzu and Hajime Ningen Gyatoruzu, are there any other places Joe's work is featured?
Answer: His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976).
Joe Hisaishi

Context: Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Question: What was the alias Joe formulated using inspiration from Quincy Jones?
Answer: Joe Hisaishi
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: Did Rafi continue singing?
Answer: Rafi made a comeback as the leading singer in mid 1970s.
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: What song did Raffi make famous?
Answer: Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: Aside from Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad, what other things did Raffi sing in?
Answer: Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977).
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: What were some of the films Raffi sang in?
Answer: Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978),
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: Besides Sorry Madam, are there other films Raffi sang in?
Answer: Qurbani (1980), Dostana (1980), Karz (1980),
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: Aside from Sorry Madam, are there any other noteworthy performances from Raffi?
Answer: He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977).
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: Did Raffi record music for any other films besides the movie Laila Majnu?
Answer: The Burning Train (1980), Abdullah (1980), Shaan (1980),
Mohammed Rafi

Context: Rafi made a comeback as the leading singer in mid 1970s. In 1974 he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977), and Amar Akbar Anthony (1977). In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman. He was nominated as the best singer at the Filmfare Awards for the qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977). Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon. Some of these include Bairaag (1976), Dharamveer (1977), Apnapan (1978), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Dikhana Hai (1982). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls. In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal. CANNOTANSWER

Question: Aside from Raffi recording music for Amar Akbar Anthony, was there anything else interesting about him?
Answer: In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam;
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: What is the Rise to Notability?
Answer: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums.
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: What are interesting aspects relating to the Rise to Notability other than the album incorporating R&B influences?
Answer: One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki.
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: How did the album Coming Home fair?
Answer: would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey;