gaussalgo/Canard_Wiki-augmented huggingface dataset:
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: How did Prince meet Lillie Langtry?
Answer: ), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877.
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: How long did the affair between Prince and Lillie Langtry last?
Answer: Lillie's liaison with the Prince lasted from late 1877 to June 1880.
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: Why did the affair between Prince and Lillie Langtry end?
Answer: Lillie Langtry's physical relationship with him ended when she became pregnant,
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: Did Lillie Langtry have affairs with anyone else, besides Prince?
Answer: In July 1879, Langtry began an affair with the Earl of Shrewsbury;
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: What was Lillie Langtry's child's name?
Answer: Jeanne Marie,
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: Did Lillie Langtry stay successful?
Answer: The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts,
Lillie Langtry

Context: The Prince of Wales, Albert Edward ("Bertie", later Edward VII), arranged to sit next to Langtry at a dinner party given by Sir Allen Young on May 24, 1877. (Lillie's husband Edward was seated at the other end of the table.) Although the Prince was married to Princess Alexandra of Denmark and had six children, he was a well-known philanderer. He became infatuated with Langtry, and she soon became his de facto mistress. She was presented to the Prince's mother, Queen Victoria. Princess Alexandra was generous in never displaying any jealousy about her husband's infidelities and accepted and acknowledged Lillie. Lillie's liaison with the Prince lasted from late 1877 to June 1880. Although remaining friends with the Prince, Lillie Langtry's physical relationship with him ended when she became pregnant, probably by her old friend Arthur Jones with whom she went to Paris for the birth of the child, Jeanne Marie, in March 1881. In July 1879, Langtry began an affair with the Earl of Shrewsbury; in January 1880, Langtry and the earl were planning to run away together. In the autumn of 1879, rumours were published in Town Talk that her husband would divorce her and cite, among others, the Prince of Wales as co-respondent. Adolphus Rosenberg was the journalist. He wrote separately about Mrs Cornwallis-West, which resulted in her husband suing him for libel. At this point, the Prince of Wales instructed his solicitor George Lewis to sue. Rosenburg pleaded guilty to both of the charges brought against him and was sentenced to 2 years in prison. For some time, the Prince saw little of Langtry. He remained fond of her and spoke well of her in her later career as a theatre actress; he used his influence to help and encourage her. With the withdrawal of royal favour, creditors closed in. The Langtrys' finances were not equal to their lifestyle. In October 1880, Langtry sold many of her possessions to meet her debts, allowing Edward Langtry to avoid a declaration of bankruptcy. CANNOTANSWER

Question: what was Lillie Langtry's occupation?
Answer: theatre actress;
That Was the Week That Was

Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER

Question: what was the reception about
Answer: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it".
That Was the Week That Was

Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER

Question: Why did BBC recieve complaints?
Answer: Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control".
That Was the Week That Was

Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER

Question: Why did frost hate the prime minister?
Answer: CANNOTANSWER
That Was the Week That Was

Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER

Question: Besides the BBC complaints what else about the reception that is interesting?
Answer: Historians have identified TW3 as breaking ground in comedy and broadcasting.
That Was the Week That Was

Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER

Question: why did boy scouts have an issue?
Answer: upset by an item questioning the sexuality of its founder Lord Baden-Powell,
That Was the Week That Was

Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER

Question: what sexuality was lord baden powell?
Answer: CANNOTANSWER
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: what influenced Le Guin?
Answer: Le Guin was influenced by fantasy writers,
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: who were Le Guin fantasy writers?
Answer: including J. R. R. Tolkien,
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: how did fantasy writers influence Le Guin?
Answer: it simply showed her what was possible with the fantasy genre.
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: Besides J. R. R. Tolkien which other fantasy writer influenced Le Guin?
Answer: Philip K. Dick
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: how did Philip influence Le Guin?
Answer: CANNOTANSWER
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: Along with Philip K. Dick did Le Guin have other influences other than fantasy writers?
Answer: central figures of Western literature such as Leo Tolstoy,
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: Besides Virginia Woolf and which other feminist writers?
Answer: CANNOTANSWER
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: what was Le Guin's biggest influence?
Answer: J. R. R. Tolkien's The Lord of the Rings,
Ursula K. Le Guin

Context: Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Question: what influence did The Lord of the Rings have?
Answer: it simply showed her what was possible with the fantasy genre.
Tim Kaine

Context: After the 2016 presidential campaign, Kaine wrote an extensive essay in Foreign Affairs outlining his underlying foreign policy philosophy.  According to Kaine, American foreign policy has suffered a lack of direction since the 1990's because the end of the Cold War rendered irrelevant America's previous grand strategy, which Kaine identifies as the Truman Doctrine. This lack of grand strategy makes American actions seem random, complicating the policy making process and hindering efforts by American leaders to convince the general public that American foreign policy is worthwhile. To remedy this, Kaine proposes a new grand strategy based mainly on democracy promotion. Kaine's grand strategy is informed by a tri-polar balance of international power, with one pole being democratic states including the United States and its allies, the second being autocratic powers led by Russia and China, and the third being nonstate actors (multinational corporations, NGOs, gangs, etc.). First, Kaine believes that the United States should work to support democracy in already democratic countries, as democracy globally has been declining for many years.  To maintain democracy in democratic countries, Kaine proposes the creation of an intergovernmental organization consisting of all the world's democracies in which states can cooperate on solutions to problems such as corruption and voter inclusion. He compares this hypothetical group to the Organization for Economic Cooperation and Development, in which advanced industrialized countries collaborate on economic policy. Kaine believes that this new organization will help democracies remain democratic, as well as promoting democracy in other countries by providing those countries viable democratic examples for them to emulate. In this way, Kaine says that the United States should no longer see itself as the indispensable nation, but rather the "exemplary democracy." Second, Kaine proposes that democracies should coordinate to best interact with authoritarian states. Depending on the circumstances, democracies should either "confront," "compete," or "cooperate" with autocracies. For example, Kaine observes that the United States competes with its authoritarian adversaries by strengthening military and commercial alliances, and it confronts them by decrying their human rights records. Finally, Kaine believes that democracies and autocracies should cooperate when they have the same interests, such as combating climate change. In July 2017, Kaine expanded on the grand strategy proposed in this essay in an interview at the Brookings Institution with international relations scholar Robert Kagan. CANNOTANSWER

Question: What was Tim Kaine's grand strategy?
Answer: Kaine proposes a new grand strategy based mainly on democracy promotion.