gaussalgo/Canard_Wiki-augmented huggingface dataset:
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: Where was Coming Home released?
Answer: Thailand, Vietnam and the rest of Southeast Asia and even Turkey;
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: Did Coming Home have any hits?
Answer: Broken-Hearted Woman".)
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: How did the song Broken-Hearted Woman do?
Answer: a huge regional hit
Faye Wong

Context: The 1992 album Coming Home incorporated R&B influences and was a change in musical direction from the more traditional Cantopop fare of her earlier albums. One song by her of this time was "Fragile Woman", a cover of a Japanese song "Rouge" originally composed by Miyuki Nakajima and sung by Naomi Chiaki. (Thanks to Wong's cover, this 1972 song-in different language versions-would in the early 1990s become a huge regional hit in Thailand, Vietnam and the rest of Southeast Asia and even Turkey; the most popular English version was titled "Broken-Hearted Woman".) Coming Home also included her first English-language number, "Kisses in the Wind". Wong stated in a 1994 concert that she very much liked this song, after which various websites listed it as her personal favourite; however, in a 1998 CNN interview she declined to name one favourite song, saying that there were too many, and in 2003 she stated that she no longer liked her old songs. The cover for Coming Home prominently shows the name "Faye", and from then on she changed her stage name back to "Wang Fei" (Wang Fei ). In 1992-93 she also starred in TVB shows such as File of Justice II (Yi Hao Huang Ting II) and Legendary Ranger (Yuan Zhen Xia ). In 1993, she wrote the Mandarin lyrics for her ballad "No Regrets" (Zhi Mi Bu Hui ) which led many to praise her as a gifted lyricist. In February, it became the title track to her album No Regrets. No Regrets features soft contemporary numbers, a few dance tracks and two versions of the title ballad: Wong's Mandarin version, and a Cantonese version (lyrics by Chen Shao Qi). CANNOTANSWER

Question: was there any other hits on the Coming Home album aside from Broken-Hearted Woman?
Answer: CANNOTANSWER
Faye Wong

Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

Question: What was the Mandarin Market?
Answer: Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ).
Faye Wong

Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

Question: What were the albums Wong released other than two Cantonese albums in 1994?
Answer: Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ).
Faye Wong

Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

Question: Did the albums Wong released other than two Cantonese albums in 1994 do well?
Answer: The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years,
Faye Wong

Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

Question: Other than the hit "I'm Willing",What else came of Wong's albums?
Answer: Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism.
Faye Wong

Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

Question: What was the film spawned from Faye Wong's musical works called?
Answer: Chungking Express
Faye Wong

Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

Question: How was Faye Wong's film performance in Chungking Express?
Answer: and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s.
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: What was Marlon Brando's lifestyle like?
Answer: Brando earned a reputation as a 'bad boy' for his public outbursts and antics.
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: How did Marlon Brando get his bad boy reputation?
Answer: His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star.
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: Other than the public outbursts and antics, what other kind of behavior did Marlon Brando display?
Answer: On June 12, 1973, Brando broke paparazzo Ron Galella's jaw.
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: Why did the media say Marlon Brando was difficult?
Answer: He was blamed for a change in director and a runaway budget,
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: What did others think about Marlon Brando's lifestyle?
Answer: Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid.
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: Besides the change in director and runaway budget what other trouble did Marlon Brando have?
Answer: Brando broke paparazzo Ron Galella's jaw.
Marlon Brando

Context: Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

Question: What did Marlon Brando do after the hurricane in 1983 destroyed his resort?
Answer: The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ
Miyamoto Musashi

Context: I have trained in the way of strategy since my youth, and at the age of thirteen I fought a duel for the first time. My opponent was called Arima Kihei, a sword adept of the Shinto ryu, and I defeated him. At the age of sixteen I defeated a powerful adept by the name of Akiyama, who came from Tajima Province. At the age of twenty-one I went up to Kyoto and fought duels with several adepts of the sword from famous schools, but I never lost. According to the introduction of The Book of Five Rings, Musashi states that his first successful duel was at the age of 13, against a samurai named Arima Kihei who fought using the Kashima Shinto-ryu style, founded by Tsukahara Bokuden (b. 1489, d. 1571). The main source of the duel is the Hyoho senshi denki ("Anecdotes about the Deceased Master"). Summarized, its account goes as follows: In 1596, Musashi was 13, and Arima Kihei, who was traveling to hone his art, posted a public challenge in Hirafuku-mura. Musashi wrote his name on the challenge. A messenger came to Dorin's temple, where Musashi was staying, to inform Musashi that his duel had been accepted by Kihei. Dorin, Musashi's uncle, was shocked by this, and tried to beg off the duel in Musashi's name, based on his nephew's age. Kihei was adamant that the only way his honor could be cleared was if Musashi apologized to him when the duel was scheduled. So when the time set for the duel arrived, Dorin began apologizing for Musashi, who merely charged at Kihei with a six-foot quarterstaff, shouting a challenge to Kihei. Kihei attacked with a wakizashi, but Musashi threw Kihei on the floor, and while Kihei tried to get up, Musashi struck Arima between the eyes and then beat him to death. Arima was said to have been arrogant, overly eager to battle, and not a terribly talented swordsman. CANNOTANSWER

Question: Who did Miyamoto Musashi first duel and what was the outcome?
Answer: at the age of thirteen I fought a duel for the first time.
Miyamoto Musashi

Context: I have trained in the way of strategy since my youth, and at the age of thirteen I fought a duel for the first time. My opponent was called Arima Kihei, a sword adept of the Shinto ryu, and I defeated him. At the age of sixteen I defeated a powerful adept by the name of Akiyama, who came from Tajima Province. At the age of twenty-one I went up to Kyoto and fought duels with several adepts of the sword from famous schools, but I never lost. According to the introduction of The Book of Five Rings, Musashi states that his first successful duel was at the age of 13, against a samurai named Arima Kihei who fought using the Kashima Shinto-ryu style, founded by Tsukahara Bokuden (b. 1489, d. 1571). The main source of the duel is the Hyoho senshi denki ("Anecdotes about the Deceased Master"). Summarized, its account goes as follows: In 1596, Musashi was 13, and Arima Kihei, who was traveling to hone his art, posted a public challenge in Hirafuku-mura. Musashi wrote his name on the challenge. A messenger came to Dorin's temple, where Musashi was staying, to inform Musashi that his duel had been accepted by Kihei. Dorin, Musashi's uncle, was shocked by this, and tried to beg off the duel in Musashi's name, based on his nephew's age. Kihei was adamant that the only way his honor could be cleared was if Musashi apologized to him when the duel was scheduled. So when the time set for the duel arrived, Dorin began apologizing for Musashi, who merely charged at Kihei with a six-foot quarterstaff, shouting a challenge to Kihei. Kihei attacked with a wakizashi, but Musashi threw Kihei on the floor, and while Kihei tried to get up, Musashi struck Arima between the eyes and then beat him to death. Arima was said to have been arrogant, overly eager to battle, and not a terribly talented swordsman. CANNOTANSWER

Question: what was special about the duel between Miyamoto Musashi and Arima Kihei?
Answer: CANNOTANSWER
Miyamoto Musashi

Context: I have trained in the way of strategy since my youth, and at the age of thirteen I fought a duel for the first time. My opponent was called Arima Kihei, a sword adept of the Shinto ryu, and I defeated him. At the age of sixteen I defeated a powerful adept by the name of Akiyama, who came from Tajima Province. At the age of twenty-one I went up to Kyoto and fought duels with several adepts of the sword from famous schools, but I never lost. According to the introduction of The Book of Five Rings, Musashi states that his first successful duel was at the age of 13, against a samurai named Arima Kihei who fought using the Kashima Shinto-ryu style, founded by Tsukahara Bokuden (b. 1489, d. 1571). The main source of the duel is the Hyoho senshi denki ("Anecdotes about the Deceased Master"). Summarized, its account goes as follows: In 1596, Musashi was 13, and Arima Kihei, who was traveling to hone his art, posted a public challenge in Hirafuku-mura. Musashi wrote his name on the challenge. A messenger came to Dorin's temple, where Musashi was staying, to inform Musashi that his duel had been accepted by Kihei. Dorin, Musashi's uncle, was shocked by this, and tried to beg off the duel in Musashi's name, based on his nephew's age. Kihei was adamant that the only way his honor could be cleared was if Musashi apologized to him when the duel was scheduled. So when the time set for the duel arrived, Dorin began apologizing for Musashi, who merely charged at Kihei with a six-foot quarterstaff, shouting a challenge to Kihei. Kihei attacked with a wakizashi, but Musashi threw Kihei on the floor, and while Kihei tried to get up, Musashi struck Arima between the eyes and then beat him to death. Arima was said to have been arrogant, overly eager to battle, and not a terribly talented swordsman. CANNOTANSWER

Question: did Miyamoto Musashi duel with anyone else other than Arima Kihei?
Answer: At the age of sixteen I defeated a powerful adept by the name of Akiyama,
Miyamoto Musashi

Context: I have trained in the way of strategy since my youth, and at the age of thirteen I fought a duel for the first time. My opponent was called Arima Kihei, a sword adept of the Shinto ryu, and I defeated him. At the age of sixteen I defeated a powerful adept by the name of Akiyama, who came from Tajima Province. At the age of twenty-one I went up to Kyoto and fought duels with several adepts of the sword from famous schools, but I never lost. According to the introduction of The Book of Five Rings, Musashi states that his first successful duel was at the age of 13, against a samurai named Arima Kihei who fought using the Kashima Shinto-ryu style, founded by Tsukahara Bokuden (b. 1489, d. 1571). The main source of the duel is the Hyoho senshi denki ("Anecdotes about the Deceased Master"). Summarized, its account goes as follows: In 1596, Musashi was 13, and Arima Kihei, who was traveling to hone his art, posted a public challenge in Hirafuku-mura. Musashi wrote his name on the challenge. A messenger came to Dorin's temple, where Musashi was staying, to inform Musashi that his duel had been accepted by Kihei. Dorin, Musashi's uncle, was shocked by this, and tried to beg off the duel in Musashi's name, based on his nephew's age. Kihei was adamant that the only way his honor could be cleared was if Musashi apologized to him when the duel was scheduled. So when the time set for the duel arrived, Dorin began apologizing for Musashi, who merely charged at Kihei with a six-foot quarterstaff, shouting a challenge to Kihei. Kihei attacked with a wakizashi, but Musashi threw Kihei on the floor, and while Kihei tried to get up, Musashi struck Arima between the eyes and then beat him to death. Arima was said to have been arrogant, overly eager to battle, and not a terribly talented swordsman. CANNOTANSWER

Question: who else did Miyamoto Musashi fight other than Arima Kihei and Akiyama?
Answer: At the age of twenty-one I went up to Kyoto and fought duels with several adepts of the sword from famous schools,
Miyamoto Musashi

Context: Regardless of the truth about Musashi's ancestry, when Musashi was seven years old, the boy was raised by his uncle, Dorinbo (or Dorin), in Shoreian temple, three kilometers (~1.8 mi.) from Hirafuku. Both Dorin and Tasumi, Musashi's uncle by marriage, educated him in Buddhism and basic skills such as writing and reading. This education is possibly the basis for Yoshikawa Eiji's fictional education of Musashi by the historical Zen monk Takuan. He was apparently trained by Munisai in the sword, and in the family art of the jutte. This training did not last for a very long time, as in 1589, Munisai was ordered by Shinmen Sokan to kill Munisai's student, Honiden Gekinosuke. The Honiden family was displeased, and so Munisai was forced to move four kilometers (~2.5 mi.) away to the village of Kawakami. In 1592, Munisai died, although Tokitsu believes that the person who died at this time was really Hirata Takehito. Musashi contracted eczema in his infancy, and this adversely affected his appearance. Another story claims that he never took a bath because he did not want to be surprised unarmed. While the former claim may or may not have some basis in reality, the latter seems improbable. An unwashed member of the warrior caste would not have been received as a guest by such houses as Honda, Ogasawara, and Hosokawa. These and many other details are likely embellishments that were added to his legend, or misinterpretations of literature describing him. His father's fate is uncertain, but it is thought that he died at the hands of one of Musashi's later adversaries, who was punished or even killed for treating Musashi's father badly. However, there are no exact details of Musashi's life, since Musashi's only writings are those related to strategy and technique. CANNOTANSWER

Question: When was Miyamoto Musashi's first duel?
Answer: CANNOTANSWER