gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Oprah Winfrey Show

Context: Winfrey interviewed Kathy Bray three weeks after her 10-year-old son, Scott, was accidentally killed by a friend who had found his father's gun. Viewers later commented that the interview changed their feelings about having guns in their homes. In the 1989-90 season, Truddi Chase--a woman who was diagnosed with dissociative identity disorder, having 92 distinct personalities--appeared on the show. Chase had been violently and sexually abused beginning at the age of two and said her old self ceased to exist after that. After introducing Chase, who was there to promote her book When Rabbit Howls, Winfrey unexpectedly broke down in tears while reading the teleprompter, relating her own childhood molestation to that of the guest. Unable to control herself, Winfrey repeatedly asked producers to stop filming. Erin Kramp, a mother dying of breast cancer, appeared on the show in 1998. After realizing that her six-year-old daughter, Peyton, would have to grow up without her, Kramp began recording videotapes filled with motherly advice on everything from makeup tips to finding a husband. She also wrote letters and bought gifts for Peyton to open every Christmas and birthday she was gone. Kramp lost her battle with cancer on October 31, 1998. She had recorded over a hundred videos and audiotapes for her daughter. Jo Ann Compton's daughter Laurie Ann was stabbed to death in 1988--and a decade later, the mom was tangled in her grief. "I hope they're in the same hell I'm in." she said of her daughter's murderers on a 1998 show. Oprah brought in Dr. Phil to help Jo Ann. He asked her if she thought her daughter would want her to be in so much pain--and Compton said no. "Maybe the betrayal is focusing on the day of her death, rather than celebrating the event of her life." Phil continued. "She lived for 18 vibrant years, and you focus on the day she died." After a moment, Compton uttered her breakthrough sentence: "I never thought of it that way." Later, she sobbed while revealing that she had been planning to end her life after the show. When Compton returned to the show in 2011, she had a new viewpoint on the daughter she lost: "She continues to stay alive every time I do something positive." Compton's surviving daughter, Cindy, said "She went from existing to living. It was an amazing transformation." In 2001, Winfrey met 11-year-old Mattie Stepanek, who was born with dysautonomic mitochondrial myopathy and wrote inspirational poetry he titled "Heartsongs." On the show, Stepanek stated, "A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. ... It's your message, what you feel like you need to do." In October 2008, Winfrey spoke at the posthumous dedication of Mattie J.T Stepanek Park in Maryland. CANNOTANSWER

Question: Aside from Kathy Bray and Truddi Chase, which other guest in the Oprah Winfrey show was worth mentioning?
Answer: Jo Ann Compton's daughter Laurie Ann was stabbed to death in 1988--and a decade later, the mom was tangled in her grief.
The Oprah Winfrey Show

Context: Winfrey interviewed Kathy Bray three weeks after her 10-year-old son, Scott, was accidentally killed by a friend who had found his father's gun. Viewers later commented that the interview changed their feelings about having guns in their homes. In the 1989-90 season, Truddi Chase--a woman who was diagnosed with dissociative identity disorder, having 92 distinct personalities--appeared on the show. Chase had been violently and sexually abused beginning at the age of two and said her old self ceased to exist after that. After introducing Chase, who was there to promote her book When Rabbit Howls, Winfrey unexpectedly broke down in tears while reading the teleprompter, relating her own childhood molestation to that of the guest. Unable to control herself, Winfrey repeatedly asked producers to stop filming. Erin Kramp, a mother dying of breast cancer, appeared on the show in 1998. After realizing that her six-year-old daughter, Peyton, would have to grow up without her, Kramp began recording videotapes filled with motherly advice on everything from makeup tips to finding a husband. She also wrote letters and bought gifts for Peyton to open every Christmas and birthday she was gone. Kramp lost her battle with cancer on October 31, 1998. She had recorded over a hundred videos and audiotapes for her daughter. Jo Ann Compton's daughter Laurie Ann was stabbed to death in 1988--and a decade later, the mom was tangled in her grief. "I hope they're in the same hell I'm in." she said of her daughter's murderers on a 1998 show. Oprah brought in Dr. Phil to help Jo Ann. He asked her if she thought her daughter would want her to be in so much pain--and Compton said no. "Maybe the betrayal is focusing on the day of her death, rather than celebrating the event of her life." Phil continued. "She lived for 18 vibrant years, and you focus on the day she died." After a moment, Compton uttered her breakthrough sentence: "I never thought of it that way." Later, she sobbed while revealing that she had been planning to end her life after the show. When Compton returned to the show in 2011, she had a new viewpoint on the daughter she lost: "She continues to stay alive every time I do something positive." Compton's surviving daughter, Cindy, said "She went from existing to living. It was an amazing transformation." In 2001, Winfrey met 11-year-old Mattie Stepanek, who was born with dysautonomic mitochondrial myopathy and wrote inspirational poetry he titled "Heartsongs." On the show, Stepanek stated, "A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. ... It's your message, what you feel like you need to do." In October 2008, Winfrey spoke at the posthumous dedication of Mattie J.T Stepanek Park in Maryland. CANNOTANSWER

Question: What was Erin Kramp's role on the Oprah Winfrey show?
Answer: Winfrey interviewed
The Oprah Winfrey Show

Context: Winfrey interviewed Kathy Bray three weeks after her 10-year-old son, Scott, was accidentally killed by a friend who had found his father's gun. Viewers later commented that the interview changed their feelings about having guns in their homes. In the 1989-90 season, Truddi Chase--a woman who was diagnosed with dissociative identity disorder, having 92 distinct personalities--appeared on the show. Chase had been violently and sexually abused beginning at the age of two and said her old self ceased to exist after that. After introducing Chase, who was there to promote her book When Rabbit Howls, Winfrey unexpectedly broke down in tears while reading the teleprompter, relating her own childhood molestation to that of the guest. Unable to control herself, Winfrey repeatedly asked producers to stop filming. Erin Kramp, a mother dying of breast cancer, appeared on the show in 1998. After realizing that her six-year-old daughter, Peyton, would have to grow up without her, Kramp began recording videotapes filled with motherly advice on everything from makeup tips to finding a husband. She also wrote letters and bought gifts for Peyton to open every Christmas and birthday she was gone. Kramp lost her battle with cancer on October 31, 1998. She had recorded over a hundred videos and audiotapes for her daughter. Jo Ann Compton's daughter Laurie Ann was stabbed to death in 1988--and a decade later, the mom was tangled in her grief. "I hope they're in the same hell I'm in." she said of her daughter's murderers on a 1998 show. Oprah brought in Dr. Phil to help Jo Ann. He asked her if she thought her daughter would want her to be in so much pain--and Compton said no. "Maybe the betrayal is focusing on the day of her death, rather than celebrating the event of her life." Phil continued. "She lived for 18 vibrant years, and you focus on the day she died." After a moment, Compton uttered her breakthrough sentence: "I never thought of it that way." Later, she sobbed while revealing that she had been planning to end her life after the show. When Compton returned to the show in 2011, she had a new viewpoint on the daughter she lost: "She continues to stay alive every time I do something positive." Compton's surviving daughter, Cindy, said "She went from existing to living. It was an amazing transformation." In 2001, Winfrey met 11-year-old Mattie Stepanek, who was born with dysautonomic mitochondrial myopathy and wrote inspirational poetry he titled "Heartsongs." On the show, Stepanek stated, "A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. ... It's your message, what you feel like you need to do." In October 2008, Winfrey spoke at the posthumous dedication of Mattie J.T Stepanek Park in Maryland. CANNOTANSWER

Question: Which episode of the Oprah Winfrey show was flawed?
Answer: CANNOTANSWER
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: Who was an opponent of Richard Wagner?
Answer: Debussy,
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: Other than Debussy, was any one else an opponent of Richard Wagner?
Answer: Tchaikovsky,
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: Who supported Gioachino Rossini?
Answer: to Lohengrin and Tristan und Isolde,
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: Was brahms one of the competitors with Debussy?
Answer: of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: Other than Brahams and Edward Hanslick what else can you tell me about the opponents of Debussy?
Answer: Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work.
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: what is one of the societies Wagner's followers (known as Wagnerians or Wagnerites) formed?
Answer: CANNOTANSWER
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: What kind of music did Wagner make?
Answer: piano
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: IN addition to German musical life, did Wagner work with other people or solo?
Answer: Wagner's operas included Gioachino Rossini,
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: Other than German musical life, was Tannhauser included in Wagner's supporters?
Answer: Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming.
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: what was the school which supported the Wagnerians?
Answer: Leipzig under Ignaz Moscheles
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: what countries did Ignaz Moscheles work in?
Answer: Wagner's Paris
Richard Wagner

Context: Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

Question: were there other countries Ignaz Moscheles worked in?
Answer: CANNOTANSWER
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: Is Maria Shriver married?
Answer: She married Schwarzenegger on April 26, 1986,
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: does Maria Shriver have children?
Answer: They have four children:
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: who are Maria Shrivers children?
Answer: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997).
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: what does Maria Shrivers  husband do for a living?
Answer: Austrian bodybuilder and actor Arnold Schwarzenegger
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: how long have Maria Shriver and Schwarzenegger  been married?
Answer: 25 years
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: did Maria Shriver and Schwarzenegger  ever divorce?
Answer: Shriver filed for divorce on July 1, 2011.
Maria Shriver

Context: In 1977, Tom Brokaw introduced Maria to Austrian bodybuilder and actor Arnold Schwarzenegger at a charity tennis tournament being held at her mother's home. She married Schwarzenegger on April 26, 1986, in Hyannis, Massachusetts, at St. Frances Xavier Roman Catholic Church. They have four children: Katherine Eunice (born 1989), Christina Maria Aurelia (born 1991), Patrick Arnold (born 1993), and Christopher Sargent Shriver (born 1997). On May 9, 2011, Schwarzenegger and Shriver announced their separation after 25 years of marriage, with Shriver moving out of the couple's Brentwood mansion. In a message for her Twitter followers posted on May 13, 2011, Shriver said: "Thank you all for the kindness, support and compassion. I am humbled by the love. Thank you." On May 17, 2011, Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena, 14 years earlier, and before his election as Governor of California. He confessed to Shriver only after she confronted him with the information, having earlier confirmed what she had suspected about the child in a confrontation with Baena. Shriver described Schwarzenegger's admission as "painful and heartbreaking." She declined to speak further on the issue, saying: "As a mother, my concern is for the children. I ask for compassion, respect and privacy as my children and I try to rebuild our lives and heal." Shriver filed for divorce on July 1, 2011. citing "irreconcilable differences". In 2013, Shriver began dating political consultant Matthew Dowd, the strategist for Arnold Schwarzenegger's 2006 reelection campaign. CANNOTANSWER

Question: what caused the filing of Maria Shrivers and Schwarzenegger  divorce?
Answer: Schwarzenegger publicly admitted to fathering a child with a longtime member of their household staff, Mildred Patricia Baena,