gaussalgo/Canard_Wiki-augmented huggingface dataset:
Michelle Branch

Context: Branch was born on July 2, 1983, in Sedona, Arizona, to David and Peggy Branch. Her father is Irish, and her mother is of Dutch-Indonesian ("Indo") and French descent. Her siblings include an older half-brother named David and a younger sister named Nicole. Beginning to sing at the age of three, Branch enrolled in voice lessons at Northern Arizona University when she was eight, and received her first guitar for her fourteenth birthday. After teaching herself chords, she composed her first song "Fallen" within a week of receiving her guitar. She initially attended Sedona Red Rock High School, but finished the last two years of her high school education through home schooling so that she could focus on her music career. To support Branch's interests, her parents helped her book local gigs in Sedona, Arizona, and later financed her independent album Broken Bracelet. Her set list at these gigs included covers of songs by Sheryl Crow, Lisa Loeb, Jewel, and Fleetwood Mac. In December 1999, she posted two of her songs on the Rolling Stone website, which caught the attention of both pop rock band Hanson and former Rolling Stone writer and Los Angeles record producer Jeff Rabhan, eventually leading to two gigs opening for Hanson in 2000. In June 2000, Branch self-produced Broken Bracelet, a compilation of songs she wrote when she was 14 and 15; the album was released on the independent record label Twin Dragon Records. Its title was inspired from a bracelet made by pop singer Jewel, given to Branch by musician Steve Poltz at a Lisa Loeb concert she attended. Poltz told Branch that "when it breaks, you'll be famous." The Broken Bracelet recordings were destroyed in the Nashville floods in May 2010. CANNOTANSWER

Question: What year did Michelle Branch's single "Everywhere" come out?
Answer: CANNOTANSWER
Michelle Branch

Context: Branch was born on July 2, 1983, in Sedona, Arizona, to David and Peggy Branch. Her father is Irish, and her mother is of Dutch-Indonesian ("Indo") and French descent. Her siblings include an older half-brother named David and a younger sister named Nicole. Beginning to sing at the age of three, Branch enrolled in voice lessons at Northern Arizona University when she was eight, and received her first guitar for her fourteenth birthday. After teaching herself chords, she composed her first song "Fallen" within a week of receiving her guitar. She initially attended Sedona Red Rock High School, but finished the last two years of her high school education through home schooling so that she could focus on her music career. To support Branch's interests, her parents helped her book local gigs in Sedona, Arizona, and later financed her independent album Broken Bracelet. Her set list at these gigs included covers of songs by Sheryl Crow, Lisa Loeb, Jewel, and Fleetwood Mac. In December 1999, she posted two of her songs on the Rolling Stone website, which caught the attention of both pop rock band Hanson and former Rolling Stone writer and Los Angeles record producer Jeff Rabhan, eventually leading to two gigs opening for Hanson in 2000. In June 2000, Branch self-produced Broken Bracelet, a compilation of songs she wrote when she was 14 and 15; the album was released on the independent record label Twin Dragon Records. Its title was inspired from a bracelet made by pop singer Jewel, given to Branch by musician Steve Poltz at a Lisa Loeb concert she attended. Poltz told Branch that "when it breaks, you'll be famous." The Broken Bracelet recordings were destroyed in the Nashville floods in May 2010. CANNOTANSWER

Question: When did Michelle Branch appear on Total Request Live?
Answer: CANNOTANSWER
Michelle Branch

Context: Branch was born on July 2, 1983, in Sedona, Arizona, to David and Peggy Branch. Her father is Irish, and her mother is of Dutch-Indonesian ("Indo") and French descent. Her siblings include an older half-brother named David and a younger sister named Nicole. Beginning to sing at the age of three, Branch enrolled in voice lessons at Northern Arizona University when she was eight, and received her first guitar for her fourteenth birthday. After teaching herself chords, she composed her first song "Fallen" within a week of receiving her guitar. She initially attended Sedona Red Rock High School, but finished the last two years of her high school education through home schooling so that she could focus on her music career. To support Branch's interests, her parents helped her book local gigs in Sedona, Arizona, and later financed her independent album Broken Bracelet. Her set list at these gigs included covers of songs by Sheryl Crow, Lisa Loeb, Jewel, and Fleetwood Mac. In December 1999, she posted two of her songs on the Rolling Stone website, which caught the attention of both pop rock band Hanson and former Rolling Stone writer and Los Angeles record producer Jeff Rabhan, eventually leading to two gigs opening for Hanson in 2000. In June 2000, Branch self-produced Broken Bracelet, a compilation of songs she wrote when she was 14 and 15; the album was released on the independent record label Twin Dragon Records. Its title was inspired from a bracelet made by pop singer Jewel, given to Branch by musician Steve Poltz at a Lisa Loeb concert she attended. Poltz told Branch that "when it breaks, you'll be famous." The Broken Bracelet recordings were destroyed in the Nashville floods in May 2010. CANNOTANSWER

Question: Did "The Spirit Room" album reach Double Platinum status?
Answer: CANNOTANSWER
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: what happened in 2010 with Red?
Answer: Red worked on new material for Until We Have Faces during their 2009-2010 tours.
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: when was "Until We Have Faces" released?
Answer: Until We Have Faces was released on February 1, 2011.
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: did "Until We Have Faces" have any hit singles?
Answer: Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards.
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: did Red have any other hit singles besides "Start Again"?
Answer: "Feed the Machine".
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: how many "Feed the Machine" mp3 were downloaded?
Answer: CANNOTANSWER
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: did Red go on tour?
Answer: They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides the Kill Th3 Machin3 Tour ?
Answer: In February and March 2012 they were on the Redvolution Tour
Red (band)

Context: Red worked on new material for Until We Have Faces during their 2009-2010 tours. They travelled with a portable case that unfolds into a mini recording studio, allowing them to put down ideas in the green room at venues. In a departure from their usual songwriting methods, much of the demo material stemmed from Rauch's rhythms he developed for song ideas on his home kit, leaving the rest of the group to develop their parts from them. Barnes said the band wanted to direct the album towards the idea of someone finding their own identity, and drew inspirations from various sources, including the novel Till We Have Faces by C.S. Lewis. Until We Have Faces was released on February 1, 2011. The band released a teaser video online, featuring the band's name on a sheet of parchment which burns away and revealing the album's title. A picture was posted on Graves's Twitter account showing three guitars with tape on them showing tunings of A#, A, and G#, which hinted that this record may be heavier than the previous two. As part of the preliminary hype for the album, Red asked fans to send photos of their faces to the band. On December 9, codes were given to all fans that sent in pictures of their faces to download an MP3 for the song "Feed the Machine". The fan photos were used to create a mosaic poster. Red promoted the album's release with performances on the network television shows Late Night with Conan O'Brien and The Tonight Show with Jay Leno, their first television appearances. The album also debuted at No. 2 on the Billboard 200. "Feed the Machine" started to be added to Active Rock Radio stations in mid-February. Until We Have Faces has sold approximately 100,000 copies in the US. "Start Again" won Best Rock Recorded Song of the Year at the 2011 GMA Dove Awards. Red was a part of the 2011 WinterJam lineup which started up in January. They joined Union Entertainment label-mates Hinder on their All American Nightmare Tour which kicked off on May 10, 2011. On June 5, 2011 they started their Kill Th3 Machin3 Tour with Oh No Fiasco, Taddy Porter, Red Jumpsuit Apparatus and Evans Blue. In September 2011 they went on the "Rock Allegiance Tour" with Buckcherry, Papa Roach, Puddle of Mudd, P.O.D., Crossfade and Drive A. They hit the road immediately after this to start their second leg of the Kill Th3 Machin3 Tour, with Brian "Head" Welch, Echoes the Fall and Icon for Hire. The tour ended in Atlanta, Georgia on October 26. RED is finishing the WinterJam 2011 WEST COAST in November and will participate in Christmas Rock Night. Red was also the first band to ever enter Loudwire's Cage Match Hall of Fame, beating bands like Skillet, Seether, and Nickelback. In 2011, Red were made Grand Marshalls of a parade in Linesville, Pennsylvania, the town where the Armstrongs and Barnes grew up. In February and March 2012 they were on the Redvolution Tour with Thousand Foot Krutch, Manafest, Nine Lashes, and Kiros. Red announced a European tour in April 2012. CANNOTANSWER

Question: what did Red enter Loudwire's Cage Match Hall of Fame for?
Answer: beating bands like Skillet, Seether, and Nickelback.
Palestinian art

Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

Question: Besides Palestinian art and politics, are there any other interesting aspects about this article?
Answer: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style.
Palestinian art

Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

Question: What role does politics play in Palestinian art?
Answer: One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942).
Palestinian art

Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

Question: What does Saig's Palestinian art say about politics?
Answer: While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics.
Palestinian art

Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

Question: Aside from Saig's work, what other political themes are present in Palestinian artwork?
Answer: tackled the painful memories of the Nabka showing massacres, refugees and clear political themes.
Palestinian art

Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

Question: In addition to Saig's art, are there any other interesting aspects about this article?
Answer: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style.
Palestinian art

Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER

Question: How did Palestinian artists portray the Nabka massacres?
Answer: CANNOTANSWER
Sandy Koufax

Context: In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER

Question: How did the 1963 season start for Sandy Koufax?
Answer: In 1963, Major League Baseball expanded the strike zone.
Sandy Koufax

Context: In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER

Question: Did Sandy Koufax suffer any injuries in 1963?
Answer: CANNOTANSWER