gaussalgo/Canard_Wiki-augmented huggingface dataset:
Fairport Convention

Context: On 12 May 1969, on the way home from a gig at Mothers, a club in Birmingham, Fairport's van crashed on the M1 motorway. Martin Lamble, aged only nineteen, and Jeannie Franklyn, Richard Thompson's girlfriend, were killed. The rest of the band suffered injuries of varying severity. They nearly decided to disband. However, they reconvened with Dave Mattacks taking over drumming duties and Dave Swarbrick, having made contribution to Unhalfbricking, now joined as a full member. Boyd set the band up in a rented house in Farley Chamberlayne near Winchester in Hampshire, where they recuperated and worked on the integration of British folk music into rock and roll that would result in the fourth album Liege & Lief. Usually considered the highpoint of the band's long career, Liege & Lief was a huge leap forward in concept and musicality. The album consisted of six traditional tracks and three original compositions in a similar style. The traditional tracks included two sustained epics: "Tam Lin", which was over seven minutes in length, and "Matty Groves", at over eight. There was a medley of four traditional tunes, arranged, and, like many of the tracks, enlivened, by Swarbrick's energetic fiddle playing. The first side was bracketed by original compositions "Come all ye" and "Farewell, Farewell", which, in addition to information on the inside of the gatefold cover on Hutchings' research, explaining English folk traditions, helped give the record the feel of a concept album. "Farewell, Farewell" and the final track "Crazy Man Michael", also saw the full emergence of the distinctive song writing talent of Thompson that was to characterize his contributions to the band and later solo career. The distinctive sound of the album came from the use of electric instruments and Mattacks' disciplined drumming with Swarbrick's fiddle accompaniment in a surprising and powerful combination of rock with the traditional. The entire band had reached new levels of musicality, with the fluid guitar playing of Thompson and the 'ethereal' vocal of Denny particularly characteristic of the sound of the album. As the reviewer from AllMusic put it, the album was characterized by the 'fusing [of] time-worn folk with electric instruments while honoring both'. A few British bands had earlier experimented with playing traditional English songs on electric instruments, (including Strawbs and Pentangle), but Fairport Convention was the first English band to do this in a concerted and focused way. Fairport Convention's achievement was not to invent folk rock, but to create a distinctly English branch of the genre, which would develop alongside, and interact with, American inspired music, but which can also be seen as a distinctively national reaction in opposition to it. Liege & Lief was launched with a sell-out concert in London's Royal Festival Hall late in 1969. It reached number 17 in the UK album chart, where it spent fifteen weeks. CANNOTANSWER

Question: did Fairport Convention release any albums?
Answer: The album consisted of six traditional tracks and three original compositions in a similar style.
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: What kind of organization did William Lloyd Garrison work with?
Answer: New-England Anti-Slavery Society
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: Who did William Lloyd Garrison work with?
Answer: he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members.
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: Was William Lloyd Garrison successful in his anti slavery work?
Answer: By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members.
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: Was william lloyd garrison also an Orator (Speaker)?
Answer: Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: What Happened on Oct. 21 , 1835 when William Lloyd Garrison was mobbed?
Answer: The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers.
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: What happened after William Lloyd Garrison's mobbing in Oct. of 1835?
Answer: The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection.
William Lloyd Garrison

Context: In addition to publishing The Liberator, Garrison spearheaded the organization of a new movement to demand the total abolition of slavery in the United States. By January 1832, he had attracted enough followers to organize the New-England Anti-Slavery Society which, by the following summer, had dozens of affiliates and several thousand members. In December 1833, abolitionists from ten states founded the American Anti-Slavery Society (AAS). Although the New England society reorganized in 1835 as the Massachusetts Anti-Slavery Society, enabling state societies to form in the other New England states, it remained the hub of anti-slavery agitation throughout the antebellum period. Many affiliates were organized by women who responded to Garrison's appeals for women to take active part in the abolition movement. The largest of these was the Boston Female Anti-Slavery Society, which raised funds to support The Liberator, publish anti-slavery pamphlets, and conduct anti-slavery petition drives. The purpose of the American Anti-Slavery Society was the conversion of all Americans to the philosophy that "Slaveholding is a heinous crime in the sight of God" and that "duty, safety, and best interests of all concerned, require its immediate abandonment without expatriation." Meanwhile, on September 4, 1834, Garrison married Helen Eliza Benson (1811-1876), the daughter of a retired abolitionist merchant. The couple had five sons and two daughters, of whom a son and a daughter died as children. The threat posed by anti-slavery organizations and their activity drew violent reaction from slave interests in both the Southern and Northern states, with mobs breaking up anti-slavery meetings, assaulting lecturers, ransacking anti-slavery offices, burning postal sacks of anti-slavery pamphlets, and destroying anti-slavery presses. Healthy bounties were offered in Southern states for the capture of Garrison, "dead or alive". On October 21, 1835, a mob of several thousand surrounded the building housing Boston's anti-slavery offices, where Garrison had agreed to address a meeting of the Boston Female Anti-Slavery Society after the fiery British abolitionist George Thompson was unable to keep his engagement with them. Mayor Theodore Lyman persuaded the women to leave the building, but when the mob learned that Thompson was not within, they began yelling for Garrison. Lyman was a staunch anti-abolitionist but nonetheless wanted to avoid bloodshed and suggested Garrison escape by a back window while Lyman told the crowd Garrison was gone. The mob spotted and apprehended Garrison, tied a rope around his waist, and pulled him through the streets towards Boston Common, calling for tar and feathers. The mayor intervened and had Garrison arrested and rushed off to the Leverett Street Jail for his own protection. CANNOTANSWER

Question: What happened with William Lloyd Garrison after the women left the building in the mobbing in 1835?
Answer: The mob spotted and apprehended Garrison, tied a rope around his waist,
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: what happened during the third era?
Answer: announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: what is a re-activation with Mute Records?
Answer: the label's plan is to re-release the original TG albums
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: Besides the re-release of the original Throbbing Gristle albums, are there any other interesting aspects about the article?
Answer: Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde,
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: why wasn't Throbbing Gristle satisfied with the recordings?
Answer: CANNOTANSWER
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: what did Throbbing Gristle's Christopherson die of?
Answer: CANNOTANSWER
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: What was the most interesting part of the Throbbing Gristle article to you?
Answer: A group decision had been made prior to Christopherson's death that the album would be recorded afresh,
Throbbing Gristle

Context: In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Question: Was Throbbing Gristle satisfied with the new recording?
Answer: CANNOTANSWER
Throbbing Gristle

Context: Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The last known performance of COUM Transmissions--Prostitution, an exhibition which was held in October 1976 at the Institute of Contemporary Arts--was also the public debut of Throbbing Gristle. Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News. In 1977, they released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period. On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up". In 1981 Michael Sheppard, concert promoter and founder of Transparency Record label brought Throbbing Gristle to Los Angeles. Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson had paricipated in Psyshic TV's first releases, and had later joined John Balance in the latter project Coil. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer. CANNOTANSWER

Question: What about the first era of Throbbing Gristle 1976-1981?
Answer: In 1977, they released their debut single, "United / Zyklon B Zombie",
Throbbing Gristle

Context: Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The last known performance of COUM Transmissions--Prostitution, an exhibition which was held in October 1976 at the Institute of Contemporary Arts--was also the public debut of Throbbing Gristle. Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News. In 1977, they released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period. On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up". In 1981 Michael Sheppard, concert promoter and founder of Transparency Record label brought Throbbing Gristle to Los Angeles. Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson had paricipated in Psyshic TV's first releases, and had later joined John Balance in the latter project Coil. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer. CANNOTANSWER

Question: Was the first era of Throbbing Gristle well-received?
Answer: CANNOTANSWER
Throbbing Gristle

Context: Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The last known performance of COUM Transmissions--Prostitution, an exhibition which was held in October 1976 at the Institute of Contemporary Arts--was also the public debut of Throbbing Gristle. Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News. In 1977, they released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period. On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up". In 1981 Michael Sheppard, concert promoter and founder of Transparency Record label brought Throbbing Gristle to Los Angeles. Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson had paricipated in Psyshic TV's first releases, and had later joined John Balance in the latter project Coil. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer. CANNOTANSWER

Question: Was there any other exhibitions other than the first era of Throbbing Gristle?
Answer: CANNOTANSWER