gaussalgo/Canard_Wiki-augmented huggingface dataset:
Paul Ryan

Context: On October 8, 2015, a push by congressional Republicans to recruit Ryan to run to succeed John Boehner as Speaker of the House was initiated. Boehner had recently announced his resignation and stated his support for Kevin McCarthy to be his replacement, which received wide support among Republicans, including Ryan, who was set to officially nominate him. McCarthy withdrew his name from consideration on October 8 when it was apparent that the Freedom Caucus, a caucus of staunchly conservative House Republicans, would not support him. This led many Republicans to turn to Ryan as a compromise candidate. The push included a plea from Boehner, who reportedly told Ryan that he was the only person who could unite the House Republicans at a time of turmoil. Ryan released a statement that said, "While I am grateful for the encouragement I've received, I will not be a candidate." But on October 9, close aides of Ryan confirmed that Ryan had reconsidered, and was considering the possibility of a run. Ryan confirmed on October 22 that he would seek the speakership after receiving the endorsements of two factions of House Republicans, including the conservative Freedom Caucus. Ryan, upon confirming his bid for the speakership, stated, "I never thought I'd be speaker. But I pledged to you that if I could be a unifying figure, then I would serve -- I would go all in. After talking with so many of you, and hearing your words of encouragement, I believe we are ready to move forward as one, united team. And I am ready and eager to be our speaker." On October 29, Ryan was elected Speaker with 236 votes. He is the youngest Speaker since James G. Blaine in 1875. CANNOTANSWER

Question: What happened when Paul Ryan bid for the Speaker of the House seat?
Answer: On October 29, Ryan was elected Speaker with 236 votes. He is the youngest Speaker since James G. Blaine in 1875.
Paul Ryan

Context: On October 8, 2015, a push by congressional Republicans to recruit Ryan to run to succeed John Boehner as Speaker of the House was initiated. Boehner had recently announced his resignation and stated his support for Kevin McCarthy to be his replacement, which received wide support among Republicans, including Ryan, who was set to officially nominate him. McCarthy withdrew his name from consideration on October 8 when it was apparent that the Freedom Caucus, a caucus of staunchly conservative House Republicans, would not support him. This led many Republicans to turn to Ryan as a compromise candidate. The push included a plea from Boehner, who reportedly told Ryan that he was the only person who could unite the House Republicans at a time of turmoil. Ryan released a statement that said, "While I am grateful for the encouragement I've received, I will not be a candidate." But on October 9, close aides of Ryan confirmed that Ryan had reconsidered, and was considering the possibility of a run. Ryan confirmed on October 22 that he would seek the speakership after receiving the endorsements of two factions of House Republicans, including the conservative Freedom Caucus. Ryan, upon confirming his bid for the speakership, stated, "I never thought I'd be speaker. But I pledged to you that if I could be a unifying figure, then I would serve -- I would go all in. After talking with so many of you, and hearing your words of encouragement, I believe we are ready to move forward as one, united team. And I am ready and eager to be our speaker." On October 29, Ryan was elected Speaker with 236 votes. He is the youngest Speaker since James G. Blaine in 1875. CANNOTANSWER

Question: Why did Paul Ryan resign his Speaker of the House seat?
Answer: CANNOTANSWER
Paul Ryan

Context: On October 8, 2015, a push by congressional Republicans to recruit Ryan to run to succeed John Boehner as Speaker of the House was initiated. Boehner had recently announced his resignation and stated his support for Kevin McCarthy to be his replacement, which received wide support among Republicans, including Ryan, who was set to officially nominate him. McCarthy withdrew his name from consideration on October 8 when it was apparent that the Freedom Caucus, a caucus of staunchly conservative House Republicans, would not support him. This led many Republicans to turn to Ryan as a compromise candidate. The push included a plea from Boehner, who reportedly told Ryan that he was the only person who could unite the House Republicans at a time of turmoil. Ryan released a statement that said, "While I am grateful for the encouragement I've received, I will not be a candidate." But on October 9, close aides of Ryan confirmed that Ryan had reconsidered, and was considering the possibility of a run. Ryan confirmed on October 22 that he would seek the speakership after receiving the endorsements of two factions of House Republicans, including the conservative Freedom Caucus. Ryan, upon confirming his bid for the speakership, stated, "I never thought I'd be speaker. But I pledged to you that if I could be a unifying figure, then I would serve -- I would go all in. After talking with so many of you, and hearing your words of encouragement, I believe we are ready to move forward as one, united team. And I am ready and eager to be our speaker." On October 29, Ryan was elected Speaker with 236 votes. He is the youngest Speaker since James G. Blaine in 1875. CANNOTANSWER

Question: What did Paul Ryan do while he was Speaker of the House?
Answer: CANNOTANSWER
The Daily Show

Context: In addition to changes in the tone of the show, Noah has also implemented stylistic changes to the show, with an updated set, new graphics and his monologue sometimes taking place while standing in front of a screen as opposed to sitting at the desk. Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show, due to his younger demographic and his ability to speak in multiple accents and eight languages. The debut of The Daily Show with Trevor Noah brought along three new correspondents: Roy Wood Jr., Desi Lydic and Ronny Chieng. Additional correspondents were added in 2017. Michael Kosta became the Senior Constitutional Correspondent and Senior American Correspondent in July 11, 2017. Dulce Sloan became the Senior Fashion Correspondent in September 7, 2017. In January 2016, The Daily Show with Trevor Noah started to use a modified version of the show's previous theme, composed by Timbaland and King Logan. The theme is a remix of the old theme with the addition of rock. Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for. "The Daily Show was based on an emerging 24 hour news cycle, that's everything it was, that's what inspired The Daily Show. Now you look at news and it's changed. It's no longer predicated around 24 hour news. There are so many different choices. Half of it is online now. Now you've got the 'Gawker's, the 'Buzzfeed's. The way people are drawing their news is soundbites and headlines and click-bait links has changed everything. The biggest challenge is going to be an exciting one I'm sure is how are we going to bring all of that together looking at it from a bigger lens as opposed to just going after one source -- which was historically Fox News" Noah said at a press conference before the show's debut. CANNOTANSWER

Question: What were the differences between Stewart and Noah?
Answer: Noah has also implemented stylistic changes to the show, with an updated set, new graphics
The Daily Show

Context: In addition to changes in the tone of the show, Noah has also implemented stylistic changes to the show, with an updated set, new graphics and his monologue sometimes taking place while standing in front of a screen as opposed to sitting at the desk. Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show, due to his younger demographic and his ability to speak in multiple accents and eight languages. The debut of The Daily Show with Trevor Noah brought along three new correspondents: Roy Wood Jr., Desi Lydic and Ronny Chieng. Additional correspondents were added in 2017. Michael Kosta became the Senior Constitutional Correspondent and Senior American Correspondent in July 11, 2017. Dulce Sloan became the Senior Fashion Correspondent in September 7, 2017. In January 2016, The Daily Show with Trevor Noah started to use a modified version of the show's previous theme, composed by Timbaland and King Logan. The theme is a remix of the old theme with the addition of rock. Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for. "The Daily Show was based on an emerging 24 hour news cycle, that's everything it was, that's what inspired The Daily Show. Now you look at news and it's changed. It's no longer predicated around 24 hour news. There are so many different choices. Half of it is online now. Now you've got the 'Gawker's, the 'Buzzfeed's. The way people are drawing their news is soundbites and headlines and click-bait links has changed everything. The biggest challenge is going to be an exciting one I'm sure is how are we going to bring all of that together looking at it from a bigger lens as opposed to just going after one source -- which was historically Fox News" Noah said at a press conference before the show's debut. CANNOTANSWER

Question: In addition to changes in the tone of the show what other stylistic changes were there?
Answer: Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show,
The Daily Show

Context: In addition to changes in the tone of the show, Noah has also implemented stylistic changes to the show, with an updated set, new graphics and his monologue sometimes taking place while standing in front of a screen as opposed to sitting at the desk. Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show, due to his younger demographic and his ability to speak in multiple accents and eight languages. The debut of The Daily Show with Trevor Noah brought along three new correspondents: Roy Wood Jr., Desi Lydic and Ronny Chieng. Additional correspondents were added in 2017. Michael Kosta became the Senior Constitutional Correspondent and Senior American Correspondent in July 11, 2017. Dulce Sloan became the Senior Fashion Correspondent in September 7, 2017. In January 2016, The Daily Show with Trevor Noah started to use a modified version of the show's previous theme, composed by Timbaland and King Logan. The theme is a remix of the old theme with the addition of rock. Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for. "The Daily Show was based on an emerging 24 hour news cycle, that's everything it was, that's what inspired The Daily Show. Now you look at news and it's changed. It's no longer predicated around 24 hour news. There are so many different choices. Half of it is online now. Now you've got the 'Gawker's, the 'Buzzfeed's. The way people are drawing their news is soundbites and headlines and click-bait links has changed everything. The biggest challenge is going to be an exciting one I'm sure is how are we going to bring all of that together looking at it from a bigger lens as opposed to just going after one source -- which was historically Fox News" Noah said at a press conference before the show's debut. CANNOTANSWER

Question: Aside from implementing stylistic changes what other things has Noah done?
Answer: Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for.
The Daily Show

Context: In addition to changes in the tone of the show, Noah has also implemented stylistic changes to the show, with an updated set, new graphics and his monologue sometimes taking place while standing in front of a screen as opposed to sitting at the desk. Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show, due to his younger demographic and his ability to speak in multiple accents and eight languages. The debut of The Daily Show with Trevor Noah brought along three new correspondents: Roy Wood Jr., Desi Lydic and Ronny Chieng. Additional correspondents were added in 2017. Michael Kosta became the Senior Constitutional Correspondent and Senior American Correspondent in July 11, 2017. Dulce Sloan became the Senior Fashion Correspondent in September 7, 2017. In January 2016, The Daily Show with Trevor Noah started to use a modified version of the show's previous theme, composed by Timbaland and King Logan. The theme is a remix of the old theme with the addition of rock. Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for. "The Daily Show was based on an emerging 24 hour news cycle, that's everything it was, that's what inspired The Daily Show. Now you look at news and it's changed. It's no longer predicated around 24 hour news. There are so many different choices. Half of it is online now. Now you've got the 'Gawker's, the 'Buzzfeed's. The way people are drawing their news is soundbites and headlines and click-bait links has changed everything. The biggest challenge is going to be an exciting one I'm sure is how are we going to bring all of that together looking at it from a bigger lens as opposed to just going after one source -- which was historically Fox News" Noah said at a press conference before the show's debut. CANNOTANSWER

Question: Due to what reason?
Answer: to his younger demographic and his ability to speak in multiple accents and eight languages.
The Daily Show

Context: In addition to changes in the tone of the show, Noah has also implemented stylistic changes to the show, with an updated set, new graphics and his monologue sometimes taking place while standing in front of a screen as opposed to sitting at the desk. Trevor also increased the usage of more millennial-based references, impersonations and characterizations for his comedy on the show, due to his younger demographic and his ability to speak in multiple accents and eight languages. The debut of The Daily Show with Trevor Noah brought along three new correspondents: Roy Wood Jr., Desi Lydic and Ronny Chieng. Additional correspondents were added in 2017. Michael Kosta became the Senior Constitutional Correspondent and Senior American Correspondent in July 11, 2017. Dulce Sloan became the Senior Fashion Correspondent in September 7, 2017. In January 2016, The Daily Show with Trevor Noah started to use a modified version of the show's previous theme, composed by Timbaland and King Logan. The theme is a remix of the old theme with the addition of rock. Trevor Noah also avoided talking too much about Fox News, as Stewart was previously known for. "The Daily Show was based on an emerging 24 hour news cycle, that's everything it was, that's what inspired The Daily Show. Now you look at news and it's changed. It's no longer predicated around 24 hour news. There are so many different choices. Half of it is online now. Now you've got the 'Gawker's, the 'Buzzfeed's. The way people are drawing their news is soundbites and headlines and click-bait links has changed everything. The biggest challenge is going to be an exciting one I'm sure is how are we going to bring all of that together looking at it from a bigger lens as opposed to just going after one source -- which was historically Fox News" Noah said at a press conference before the show's debut. CANNOTANSWER

Question: Did Noah change the staff of the show?
Answer: The debut of The Daily Show with Trevor Noah brought along three new correspondents:
Victor Davis Hanson

Context: Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975 and his PhD in classics from Stanford University in 1980. He is a Protestant Christian. He also won the Raphael Demos scholarship at the College Year in Athens (1973-74) and was a regular member of the American School of Classical Studies, Athens, 1978-79. Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno, where he began teaching in 1984, having created the classical studies program at that institution. In 1991, Hanson was awarded an American Philological Association's Excellence in Teaching Award, which is given annually to the nation's top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz. He has been a visiting professor of classics at Stanford University (1991-92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992-93), an Alexander Onassis traveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval Academy, Annapolis, Maryland (2002-03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009-15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundation since 2015, and served on the HF Guggenheim Foundation board for over a decade. Since 2004, Hanson has written a weekly column syndicated by Tribune Media Services, as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York Times, Wall Street Journal, The Times Literary Supplement, The Daily Telegraph, American Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute's Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008. CANNOTANSWER

Question: Does Victor Davis Hanson have any living family?
Answer: CANNOTANSWER
Victor Davis Hanson

Context: Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975 and his PhD in classics from Stanford University in 1980. He is a Protestant Christian. He also won the Raphael Demos scholarship at the College Year in Athens (1973-74) and was a regular member of the American School of Classical Studies, Athens, 1978-79. Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno, where he began teaching in 1984, having created the classical studies program at that institution. In 1991, Hanson was awarded an American Philological Association's Excellence in Teaching Award, which is given annually to the nation's top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz. He has been a visiting professor of classics at Stanford University (1991-92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992-93), an Alexander Onassis traveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval Academy, Annapolis, Maryland (2002-03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009-15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundation since 2015, and served on the HF Guggenheim Foundation board for over a decade. Since 2004, Hanson has written a weekly column syndicated by Tribune Media Services, as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York Times, Wall Street Journal, The Times Literary Supplement, The Daily Telegraph, American Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute's Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008. CANNOTANSWER

Question: What is the name of an article Victor Davis Hanson published?
Answer: CANNOTANSWER
Victor Davis Hanson

Context: Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975 and his PhD in classics from Stanford University in 1980. He is a Protestant Christian. He also won the Raphael Demos scholarship at the College Year in Athens (1973-74) and was a regular member of the American School of Classical Studies, Athens, 1978-79. Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno, where he began teaching in 1984, having created the classical studies program at that institution. In 1991, Hanson was awarded an American Philological Association's Excellence in Teaching Award, which is given annually to the nation's top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz. He has been a visiting professor of classics at Stanford University (1991-92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992-93), an Alexander Onassis traveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval Academy, Annapolis, Maryland (2002-03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009-15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundation since 2015, and served on the HF Guggenheim Foundation board for over a decade. Since 2004, Hanson has written a weekly column syndicated by Tribune Media Services, as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York Times, Wall Street Journal, The Times Literary Supplement, The Daily Telegraph, American Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute's Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008. CANNOTANSWER

Question: Did any of Victor Davis Hanson;s publucations create controversy?
Answer: CANNOTANSWER
Harold Innis

Context: The era of the "Dirty Thirties" with its mass unemployment, poverty and despair gave rise to new Canadian political movements. In Alberta, for example, the radio evangelist William "Bible Bill" Aberhart led his populist Social Credit party to victory in 1935. Three years earlier in Calgary, Alberta, social reformers had founded a new political party, the Co-operative Commonwealth Federation or CCF. It advocated democratic socialism and a mixed economy with public ownership of key industries. Frank Underhill, one of Innis's colleagues at the University of Toronto was a founding member of the CCF. Innis and Underhill had both been members of an earlier group at the university that declared itself "dissatisfied with the policies of the two major [political] parties in Canada" and that aimed at "forming a definite body of progressive opinion". In 1931, Innis presented a paper to the group on "Economic Conditions in Canada", but he later recoiled from participating in party politics, denouncing partisans like Underhill as "hot gospellers". Innis maintained that scholars had no place in active politics and that instead, they should devote themselves, first to research on public problems, and then to the production of knowledge based on critical thought. He saw the university, with its emphasis on dialogue, open-mindedness and skepticism, as an institution that could foster such thinking and research. "The university could provide an environment", he wrote, "as free as possible from the biases of the various institutions that form the state, so that its intellectuals could continue to seek out and explore other perspectives." Although sympathetic to the plight of western farmers and urban, unemployed workers, Innis did not embrace socialism. Eric Havelock, a left-leaning colleague explained many years later that Innis distrusted political "solutions" imported from elsewhere, especially those based on Marxist analysis with its emphasis on class conflict. He worried, too, that as Canada's ties with Britain weakened, the country would fall under the spell of American ideas instead of developing its own based on Canada's unique circumstances. Havelock added: He has been called the radical conservative of his day -- not a bad designation of a complex mind, clear sighted, cautious, perhaps at bottom pessimistic in areas where thinkers we would label 'progressive' felt less difficulty in taking a stand; never content to select only one or two elements in a complicated equation in order to build a quick-order policy or program; far ranging enough in intellect to take in the whole sum of the factors, and comprehend their often contradictory effects. CANNOTANSWER

Question: What was Harold Innis take on politics?
Answer: Innis and Underhill had both been members of an earlier group at the university that declared itself "dissatisfied with the policies of the two major [political] parties in Canada"
Harold Innis

Context: The era of the "Dirty Thirties" with its mass unemployment, poverty and despair gave rise to new Canadian political movements. In Alberta, for example, the radio evangelist William "Bible Bill" Aberhart led his populist Social Credit party to victory in 1935. Three years earlier in Calgary, Alberta, social reformers had founded a new political party, the Co-operative Commonwealth Federation or CCF. It advocated democratic socialism and a mixed economy with public ownership of key industries. Frank Underhill, one of Innis's colleagues at the University of Toronto was a founding member of the CCF. Innis and Underhill had both been members of an earlier group at the university that declared itself "dissatisfied with the policies of the two major [political] parties in Canada" and that aimed at "forming a definite body of progressive opinion". In 1931, Innis presented a paper to the group on "Economic Conditions in Canada", but he later recoiled from participating in party politics, denouncing partisans like Underhill as "hot gospellers". Innis maintained that scholars had no place in active politics and that instead, they should devote themselves, first to research on public problems, and then to the production of knowledge based on critical thought. He saw the university, with its emphasis on dialogue, open-mindedness and skepticism, as an institution that could foster such thinking and research. "The university could provide an environment", he wrote, "as free as possible from the biases of the various institutions that form the state, so that its intellectuals could continue to seek out and explore other perspectives." Although sympathetic to the plight of western farmers and urban, unemployed workers, Innis did not embrace socialism. Eric Havelock, a left-leaning colleague explained many years later that Innis distrusted political "solutions" imported from elsewhere, especially those based on Marxist analysis with its emphasis on class conflict. He worried, too, that as Canada's ties with Britain weakened, the country would fall under the spell of American ideas instead of developing its own based on Canada's unique circumstances. Havelock added: He has been called the radical conservative of his day -- not a bad designation of a complex mind, clear sighted, cautious, perhaps at bottom pessimistic in areas where thinkers we would label 'progressive' felt less difficulty in taking a stand; never content to select only one or two elements in a complicated equation in order to build a quick-order policy or program; far ranging enough in intellect to take in the whole sum of the factors, and comprehend their often contradictory effects. CANNOTANSWER

Question: Other than Harold Innis denouncing partisans, are there any other interesting aspects about this article?
Answer: Innis maintained that scholars had no place in active politics and that instead, they should devote themselves, first to research on public problems,
Harold Innis

Context: The era of the "Dirty Thirties" with its mass unemployment, poverty and despair gave rise to new Canadian political movements. In Alberta, for example, the radio evangelist William "Bible Bill" Aberhart led his populist Social Credit party to victory in 1935. Three years earlier in Calgary, Alberta, social reformers had founded a new political party, the Co-operative Commonwealth Federation or CCF. It advocated democratic socialism and a mixed economy with public ownership of key industries. Frank Underhill, one of Innis's colleagues at the University of Toronto was a founding member of the CCF. Innis and Underhill had both been members of an earlier group at the university that declared itself "dissatisfied with the policies of the two major [political] parties in Canada" and that aimed at "forming a definite body of progressive opinion". In 1931, Innis presented a paper to the group on "Economic Conditions in Canada", but he later recoiled from participating in party politics, denouncing partisans like Underhill as "hot gospellers". Innis maintained that scholars had no place in active politics and that instead, they should devote themselves, first to research on public problems, and then to the production of knowledge based on critical thought. He saw the university, with its emphasis on dialogue, open-mindedness and skepticism, as an institution that could foster such thinking and research. "The university could provide an environment", he wrote, "as free as possible from the biases of the various institutions that form the state, so that its intellectuals could continue to seek out and explore other perspectives." Although sympathetic to the plight of western farmers and urban, unemployed workers, Innis did not embrace socialism. Eric Havelock, a left-leaning colleague explained many years later that Innis distrusted political "solutions" imported from elsewhere, especially those based on Marxist analysis with its emphasis on class conflict. He worried, too, that as Canada's ties with Britain weakened, the country would fall under the spell of American ideas instead of developing its own based on Canada's unique circumstances. Havelock added: He has been called the radical conservative of his day -- not a bad designation of a complex mind, clear sighted, cautious, perhaps at bottom pessimistic in areas where thinkers we would label 'progressive' felt less difficulty in taking a stand; never content to select only one or two elements in a complicated equation in order to build a quick-order policy or program; far ranging enough in intellect to take in the whole sum of the factors, and comprehend their often contradictory effects. CANNOTANSWER

Question: Why was Harold Innis called radical conservative of his day?
Answer: not a bad designation of a complex mind, clear sighted, cautious, perhaps at bottom pessimistic in areas where thinkers we would label 'progressive' felt less difficulty in taking a stand;
Harold Innis

Context: The era of the "Dirty Thirties" with its mass unemployment, poverty and despair gave rise to new Canadian political movements. In Alberta, for example, the radio evangelist William "Bible Bill" Aberhart led his populist Social Credit party to victory in 1935. Three years earlier in Calgary, Alberta, social reformers had founded a new political party, the Co-operative Commonwealth Federation or CCF. It advocated democratic socialism and a mixed economy with public ownership of key industries. Frank Underhill, one of Innis's colleagues at the University of Toronto was a founding member of the CCF. Innis and Underhill had both been members of an earlier group at the university that declared itself "dissatisfied with the policies of the two major [political] parties in Canada" and that aimed at "forming a definite body of progressive opinion". In 1931, Innis presented a paper to the group on "Economic Conditions in Canada", but he later recoiled from participating in party politics, denouncing partisans like Underhill as "hot gospellers". Innis maintained that scholars had no place in active politics and that instead, they should devote themselves, first to research on public problems, and then to the production of knowledge based on critical thought. He saw the university, with its emphasis on dialogue, open-mindedness and skepticism, as an institution that could foster such thinking and research. "The university could provide an environment", he wrote, "as free as possible from the biases of the various institutions that form the state, so that its intellectuals could continue to seek out and explore other perspectives." Although sympathetic to the plight of western farmers and urban, unemployed workers, Innis did not embrace socialism. Eric Havelock, a left-leaning colleague explained many years later that Innis distrusted political "solutions" imported from elsewhere, especially those based on Marxist analysis with its emphasis on class conflict. He worried, too, that as Canada's ties with Britain weakened, the country would fall under the spell of American ideas instead of developing its own based on Canada's unique circumstances. Havelock added: He has been called the radical conservative of his day -- not a bad designation of a complex mind, clear sighted, cautious, perhaps at bottom pessimistic in areas where thinkers we would label 'progressive' felt less difficulty in taking a stand; never content to select only one or two elements in a complicated equation in order to build a quick-order policy or program; far ranging enough in intellect to take in the whole sum of the factors, and comprehend their often contradictory effects. CANNOTANSWER

Question: where were political "solutions" imported from?
Answer: He worried, too, that as Canada's ties with Britain weakened, the country would fall under the spell of American ideas instead of developing its own based on Canada's unique circumstances.
Diane Schuur

Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Question: When was Schuur discovered?
Answer: In 1975,
Diane Schuur

Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Question: Was Schuur hired by Ed Shaughnessy?
Answer: He hired her to be the vocalist in his orchestra,
Diane Schuur

Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Question: What did Schuur do after working for Ed Shaughnessy?
Answer: auditioned for a guest spot on Johnny Carson's Tonight Show.
Diane Schuur

Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Question: Did Schuur ever win any awards?
Answer: CANNOTANSWER
Diane Schuur

Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER

Question: Did Schuur ever record an album after being discovered?
Answer: Schuur recorded her first album, Pilot of my Destiny in 1981