gaussalgo/Canard_Wiki-augmented huggingface dataset:
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: Why did Paul Westin change his name?
Answer: CANNOTANSWER
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: What film work did Paul Westin do?
Answer: Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton.
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: Which album did Joe Diffie release first: In Another World or Tougher Than Nails?
Answer: In Another World.
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: What year was the album In Another World released?
Answer: In 2001,
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: What songs were featured in Joe Diffie's album titled In Another World?
Answer: This Pretender
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: What other songs can be found on the Another World Album other than The Pretender?
Answer: This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40.
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: Did the Joe Diffie's album "In Another World" top any charts?
Answer: In Another World received mixed reviews.
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: When was tougher than nails album released?
Answer: 2003.
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: Did tougher than nails top any charts?
Answer: Tougher Than Nails produced a Top 20 hit in its title track,
Joe Diffie

Context: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Question: What songs were featured in Joe Diffie's "Tougher than Nails"?
Answer: This Pretender
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: When was Sanctus Real formed?
Answer: 1996,
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: Who were the founding members of Sanctus Real?
Answer: Matt Hammitt met guitarist Chris Rohman
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: How did Sanctus Real get their start?
Answer: The group performed their first concert for several friends in the back of a warehouse in December 1996.
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: What was one of Sanctus Real's first songs?
Answer: All This Talk of Aliens
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: Did Sanctus Real tour?
Answer: From 1996 to 2001, Sanctus Real toured areas of the United States,
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: How were Sanctus Real portrayed in the media?
Answer: CANNOTANSWER
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: Were Sanctus Real's songs successful?
Answer: After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records.
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: Did Sanctus Real sign with a record label?
Answer: the band decided to sign with Sparrow Records.
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: Did Sanctus Real add any additional members to the band?
Answer: Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up.
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: What was Sanctus Real's biggest hit song?
Answer: CANNOTANSWER
Sanctus Real

Context: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Question: Did Sanctus Real have a song that was on the charts?
Answer: CANNOTANSWER