gaussalgo/Canard_Wiki-augmented huggingface dataset:
Real Love (Beatles song)

Context: According to Beatles biographer John T. Marck, "Real Love" originated as part of an unfinished stage play that Lennon was working on at the time, titled The Ballad of John and Yoko. The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life", a song which Lennon would record at least six times in 1979 and 1980, and then abandoned. The song was eventually combined with elements of another Lennon demo, "Baby Make Love to You". In June 1978, Lennon and his wife Yoko Ono told the press that they were working on a musical, The Ballad of John and Yoko, which had been planned during the previous year. Songs proposed to be included up to this point were "Real Love" and "Every Man Has a Woman Who Loves Him". In later versions, Lennon altered portions of the song; for example, "no need to be alone / it's real love / yes, it's real love" became "why must it be alone / it's real / well it's real life." Some takes included an acoustic guitar, while the eventual Beatles release features Lennon on piano, with rudimentary double-tracked vocals, and a tambourine. The version released in 1996 most closely reflected the lyrical structure of the early demo takes of the song. Lennon appears to have considered recording "Real Love" for his and Ono's 1980 album Double Fantasy. A handwritten draft of the album's running order places it as the possible opening track on side two. The song remained largely forgotten until 1988, when the take 6 of "Real Love" appeared on the Imagine: John Lennon soundtrack album. The song was also released on the Acoustic album in 2004. The demo with just Lennon on piano was issued in 1998 on John Lennon Anthology and then later on Working Class Hero: The Definitive Lennon. CANNOTANSWER

Question: How did the rest of the Beatles originally respond to the Lennon's song Real Love?
Answer: CANNOTANSWER
Real Love (Beatles song)

Context: According to Beatles biographer John T. Marck, "Real Love" originated as part of an unfinished stage play that Lennon was working on at the time, titled The Ballad of John and Yoko. The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life", a song which Lennon would record at least six times in 1979 and 1980, and then abandoned. The song was eventually combined with elements of another Lennon demo, "Baby Make Love to You". In June 1978, Lennon and his wife Yoko Ono told the press that they were working on a musical, The Ballad of John and Yoko, which had been planned during the previous year. Songs proposed to be included up to this point were "Real Love" and "Every Man Has a Woman Who Loves Him". In later versions, Lennon altered portions of the song; for example, "no need to be alone / it's real love / yes, it's real love" became "why must it be alone / it's real / well it's real life." Some takes included an acoustic guitar, while the eventual Beatles release features Lennon on piano, with rudimentary double-tracked vocals, and a tambourine. The version released in 1996 most closely reflected the lyrical structure of the early demo takes of the song. Lennon appears to have considered recording "Real Love" for his and Ono's 1980 album Double Fantasy. A handwritten draft of the album's running order places it as the possible opening track on side two. The song remained largely forgotten until 1988, when the take 6 of "Real Love" appeared on the Imagine: John Lennon soundtrack album. The song was also released on the Acoustic album in 2004. The demo with just Lennon on piano was issued in 1998 on John Lennon Anthology and then later on Working Class Hero: The Definitive Lennon. CANNOTANSWER

Question: Did anyone else play on the early version of the Real Love besides Lennon?
Answer: CANNOTANSWER
Real Love (Beatles song)

Context: According to Beatles biographer John T. Marck, "Real Love" originated as part of an unfinished stage play that Lennon was working on at the time, titled The Ballad of John and Yoko. The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life", a song which Lennon would record at least six times in 1979 and 1980, and then abandoned. The song was eventually combined with elements of another Lennon demo, "Baby Make Love to You". In June 1978, Lennon and his wife Yoko Ono told the press that they were working on a musical, The Ballad of John and Yoko, which had been planned during the previous year. Songs proposed to be included up to this point were "Real Love" and "Every Man Has a Woman Who Loves Him". In later versions, Lennon altered portions of the song; for example, "no need to be alone / it's real love / yes, it's real love" became "why must it be alone / it's real / well it's real life." Some takes included an acoustic guitar, while the eventual Beatles release features Lennon on piano, with rudimentary double-tracked vocals, and a tambourine. The version released in 1996 most closely reflected the lyrical structure of the early demo takes of the song. Lennon appears to have considered recording "Real Love" for his and Ono's 1980 album Double Fantasy. A handwritten draft of the album's running order places it as the possible opening track on side two. The song remained largely forgotten until 1988, when the take 6 of "Real Love" appeared on the Imagine: John Lennon soundtrack album. The song was also released on the Acoustic album in 2004. The demo with just Lennon on piano was issued in 1998 on John Lennon Anthology and then later on Working Class Hero: The Definitive Lennon. CANNOTANSWER

Question: Were the Beatles broken up when Real Love was written by John Lennon?
Answer: CANNOTANSWER
Maasai people

Context: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER

Question: What kind of lifestyle do the Maasai people have?
Answer: the Maasai were forced to develop new ways of sustaining themselves.
Maasai people

Context: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER

Question: Why would the Maasai prevent bad influences from the outside world?
Answer: ). The plan for the NCA was to put Maasai interests above all else,
Maasai people

Context: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves. CANNOTANSWER

Question: Are the Maasai causing problems that would make the policy makers treat them so badly?
Answer: The spread of HIV was rampant.
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: What was Meat Loaf doing in rocky horror picture show ?
Answer: The success of the musical led to the filming of The Rocky Horror Picture Show
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: When did Meat Loaf  star in the musical ?
Answer: the winter of 1973,
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: Why did Meat Loaf  play two parts in The Rocky Horror Show ?
Answer: CANNOTANSWER
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: What did the crowd think of Meat Loaf's  part in The Rocky Horror Show ?
Answer: CANNOTANSWER
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: Are there any other interesting aspects about Meat Loaf besides The Rocky Horror Show?
Answer: About the same time, Meat Loaf and Steinman started work on Bat Out of Hell.
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: Did Meat Loaf join Ted Nugent's band besides recording lead vocals?
Answer: Meat Loaf sang lead on five of the album's nine tracks.
Meat Loaf

Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER

Question: What else did Meat Loaf do after 1976 aside from Ted Nugent ?
Answer: CANNOTANSWER
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: What happened in Sheryl Crow's early years from 1987-1992?
Answer: Crow worked as a music teacher
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: Did Sheryl Crow have any producers in her younger years (1987-1992) or was she alone?
Answer: record producer Jay Oliver.
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: Did Sheryl Crow sing in any shows in her early years (1987-1992)?
Answer: Teaching during the day gave her the opportunity to sing in bands on the weekends.
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: Did Sheryl Crow win any awards in her early years (1987-1992)?
Answer: CANNOTANSWER
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: Aside from performing with Michael Jackson, what were some of Sheryl Crow's songs in the early years (1987-1992)?
Answer: Heal Somebody
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: Other than "Heal Somebody" and "Hundreds of Tears", can you name any other of Sheryl Crow's songs during the early years (1987-1992)?
Answer: "I Would Do Anything",
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: What happened to Sheryl Crow in 1992?
Answer: CANNOTANSWER
Sheryl Crow

Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER

Question: In addition to graduating from the University of Missouri, working as a music teacher at the Kellison elementary school in Fenton, Missouri, record producer Jay Oliver, touring with Michael Jackson, awards, the song "Heal Somebody", the song "Hundreds of Tears", and the song "I Would Do Anything", is there anything else notable from the article about Sheryl Crow's early years from 1987-1992 that you can share?
Answer: Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr.
Nadia Comăneci

Context: Comaneci began gymnastics in kindergarten with a local team called Flacara ("The Flame"), with coaches Duncan and Munteanu. At age 6, she was chosen to attend Bela Karolyi's experimental gymnastics school after Karolyi spotted a friend and her turning cartwheels in a schoolyard. Karolyi was looking for gymnasts he could train from a young age and saw the two girls during recess. When recess ended, the girls ran inside. Karolyi went around the classrooms trying to find them, and eventually spotted Comaneci. (The other girl, Viorica Dumitru, went on to be one of Romania's top ballerinas.) Comaneci was training with Karolyi by the time she was seven years old, in 1968. She was one of the first students at the gymnastics school established in Onesti by Bela and his wife, Marta. Unlike many of the other students at the Karolyi school, Comaneci was able to commute from home for many years because she lived in the town. In 1970, she began competing as a member of her hometown team, and became the youngest gymnast ever to win the Romanian Nationals. In 1971, she participated in her first international competition, a dual junior meet between Romania and Yugoslavia, winning her first all-around title and contributing to the team gold. For the next few years, she competed as a junior in numerous national contests in Romania and dual meets with countries such as Hungary, Italy, and Poland. At the age of 11, in 1973, she won the all-around gold, as well as the vault and uneven bars titles, at the Junior Friendship Tournament (Druzhba), an important international meet for junior gymnasts. Comaneci's first major international success came at the age of 13, when she nearly swept the 1975 European Women's Artistic Gymnastics Championships in Skien, Norway, winning the all-around and gold medals on every event but the floor exercise, in which she placed second. She continued to enjoy success that year, winning the all-around at the "Champions All" competition and placing first in the all-around, vault, beam, and bars at the Romanian National Championships. In the pre-Olympic test event in Montreal, Comaneci won the all-around and the balance beam golds, as well as silvers in the vault, floor, and bars behind accomplished Soviet gymnast Nellie Kim, who was one of her greatest rivals over the next five years. CANNOTANSWER

Question: What accomplishment was Nadia Comaneci the first gymnast to achieve?
Answer: She was one of the first students at the gymnastics school
Nadia Comăneci

Context: Comaneci began gymnastics in kindergarten with a local team called Flacara ("The Flame"), with coaches Duncan and Munteanu. At age 6, she was chosen to attend Bela Karolyi's experimental gymnastics school after Karolyi spotted a friend and her turning cartwheels in a schoolyard. Karolyi was looking for gymnasts he could train from a young age and saw the two girls during recess. When recess ended, the girls ran inside. Karolyi went around the classrooms trying to find them, and eventually spotted Comaneci. (The other girl, Viorica Dumitru, went on to be one of Romania's top ballerinas.) Comaneci was training with Karolyi by the time she was seven years old, in 1968. She was one of the first students at the gymnastics school established in Onesti by Bela and his wife, Marta. Unlike many of the other students at the Karolyi school, Comaneci was able to commute from home for many years because she lived in the town. In 1970, she began competing as a member of her hometown team, and became the youngest gymnast ever to win the Romanian Nationals. In 1971, she participated in her first international competition, a dual junior meet between Romania and Yugoslavia, winning her first all-around title and contributing to the team gold. For the next few years, she competed as a junior in numerous national contests in Romania and dual meets with countries such as Hungary, Italy, and Poland. At the age of 11, in 1973, she won the all-around gold, as well as the vault and uneven bars titles, at the Junior Friendship Tournament (Druzhba), an important international meet for junior gymnasts. Comaneci's first major international success came at the age of 13, when she nearly swept the 1975 European Women's Artistic Gymnastics Championships in Skien, Norway, winning the all-around and gold medals on every event but the floor exercise, in which she placed second. She continued to enjoy success that year, winning the all-around at the "Champions All" competition and placing first in the all-around, vault, beam, and bars at the Romanian National Championships. In the pre-Olympic test event in Montreal, Comaneci won the all-around and the balance beam golds, as well as silvers in the vault, floor, and bars behind accomplished Soviet gymnast Nellie Kim, who was one of her greatest rivals over the next five years. CANNOTANSWER

Question: How many perfect 10.0's did Nadia Comaneci receive?
Answer: CANNOTANSWER