gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: Who was the minister of finance?
Answer: Khan
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: What was Khans job between 77 and 85?
Answer: Finance Minister
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: Did Ghulam Ishaq Khan fight in war?
Answer: CANNOTANSWER
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: What country was Ghulam Ishaq Khan in?
Answer: Pakistan's
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: Did Ghulam Ishaq Khan have any accomplishments during 1977-85?
Answer: In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector.
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: What was Ghulam Ishaq Khan's stance on war?
Answer: CANNOTANSWER
Ghulam Ishaq Khan

Context: After Prime Minister Zulfikar Ali Bhutto was ousted in a staged coup d'etat in 1977, Khan played a crucial role in the event of stabilizing chief of army staff General Zia-ul-Haq, in Bhutto's capacity. After meeting with the military leadership at the JS HQ, Khan reportedly marked that: "this action was going to harm the country, but since it could not be reversed, they should do their best to salvage whatever they could." He was immediately elevated as Finance Minister by General Zia-ul-Haq, who acted as the Chief Martial Law Administrator (CMLA). A team of economic experts and technocrats were assembled in the management of Khan, giving him the authority over the Planning Commission, Economic Coordination Committee, and Executive Committee of the Space Research Council. Khan worked towards controlling the national economy while harnessing the damaged Private sector. In 1977, Khan endorsed General Haq's bid for becoming the President of Pakistan, who tightened the grip of martial law in the country. In the 1980s, Khan backed the implementation of the economic Islamization by introducing the risk-free interest rate system as well as establishing the corporatization in the industrial sector. Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (SOEs) that were established in a nationalization in the 1970s. His policies and economic expertise ultimately resulted in the improvement in GDP and GNP progress, helping Pakistan's economy become among the fastest-growing in South Asia. He maintained his ties with the nuclear society and gave strong priority for the nuclear deterrence as channeling financial funds for the development of the atomic bomb projects. Khan gave tax free status to the Bank of Credit and Commerce International (BCCI). In 1983, Khan was among the invited secret dignitaries who witnessed the first Cold fission test, Kirana-I; along with attendees General Zahid Ali (E-in-C), General KM Arif (COAS), AVM MJ O'Brian (AOC)), and Munir Ahmad (Chair PAEC). In 1984, Khan supported the referendum for Islamization held by President Zia. CANNOTANSWER

Question: Did Ghulam Ishaq Khan have any other job titles other than Minister of Finance during 1977-85?
Answer: Khan managed the revenue collection and provided the modern shape in the state-owned enterprises (
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: When was Ritual Spirit EP released by Massive Attack?
Answer: January 2016,
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: What was the result of therelease of Ritual Spirit EP by Massive Attack?
Answer: CANNOTANSWER
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: Did Ritual Spirit EP by Massive Attack win any awards?
Answer: CANNOTANSWER
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: What happened after the release of Ritual Spirit EP by Massive Attack?
Answer: they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom.
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: Was the preview of three new songs on Fantom by Massive Attack successful?
Answer: CANNOTANSWER
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: What was the return of Tricky to Massive Attack?
Answer: the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content.
Massive Attack

Context: In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was a new Massive Attack album in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection. "The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet - but that was fun. They should be on the next album." On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavik on 20 June through 22 June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels. On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including Massive Attack's Robert Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera. On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and long term collaborator, Euan Dickinson. It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that fellow trip hop musician Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP. On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on Fantom, an iPhone application on which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new single, "The Spoils", which includes "The Spoils" and "Come Near Me" which were both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter and Mazzy Star frontwoman Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. CANNOTANSWER

Question: When did the new Massive Attack album and reunion with Tricky  take place?
Answer: In a 2013 interview
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: What was paul Weston's early life like?
Answer: His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays.
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: What was paul Weston's first job?
Answer: Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition.
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: When did paul Weston get a big break?
Answer: Haymes liked Weston's work enough to ask him to do more arrangements for his band. His
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: What work did Paul Westin sell?
Answer: CANNOTANSWER
Paul Weston

Context: Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher, and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child. At age eight, he started piano lessons. He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris. He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940. He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn, this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945). CANNOTANSWER

Question: What are some other interesting aspects about Paul Weston in addition to this article?
Answer: He met Tommy Dorsey through his work with Joe Haymes.