gaussalgo/Canard_Wiki-augmented huggingface dataset:
Native American name controversy

Context: "First Nations" came into common usage in the 1980s to replace the term "Indian band". Elder Sol Sanderson says that he coined the term in the early 1980s. Others state that the term came into common usage in the 1970s to avoid using the word "Indian", which some people considered offensive. Apparently, no legal definition of the term exists. Some Aboriginal peoples in Canada have also adopted the term "First Nation" to replace the word "band" in the name of their community. "First Nations" (most often used in the plural) has come into general use for the Indigenous peoples of North America located in what is now Canada, and their descendants, excluding the Inuit and Metis, who have distinct identities. The singular commonly used is "First Nations person" (when gender-specific, "First Nations man" or "First Nations woman"). Some tribal governments of Canada also use the term "First Nations" to refer to any indigenous, tribal or nomadic society, using the term for such diverse groups as the Romani, Saami, Maori, Hmong, and the Australian Aborigines. Although the Canadian government has formally adopted use of the term "First Nations" and "Aboriginal peoples", the federal ministerial portfolio in charge of their affairs is named the Department of Indian Affairs and Northern Development and under the Federal Identity Program is referred to as Aboriginal Affairs and Northern Development Canada (AANDC), and the historical term "Indian Reserve" is still a legal land description. Some First Nations peoples also use "Indian Band" in their official names. CANNOTANSWER

Question: Why did some people refer to the word "Indian" as offensive?
Answer: CANNOTANSWER
Native American name controversy

Context: "First Nations" came into common usage in the 1980s to replace the term "Indian band". Elder Sol Sanderson says that he coined the term in the early 1980s. Others state that the term came into common usage in the 1970s to avoid using the word "Indian", which some people considered offensive. Apparently, no legal definition of the term exists. Some Aboriginal peoples in Canada have also adopted the term "First Nation" to replace the word "band" in the name of their community. "First Nations" (most often used in the plural) has come into general use for the Indigenous peoples of North America located in what is now Canada, and their descendants, excluding the Inuit and Metis, who have distinct identities. The singular commonly used is "First Nations person" (when gender-specific, "First Nations man" or "First Nations woman"). Some tribal governments of Canada also use the term "First Nations" to refer to any indigenous, tribal or nomadic society, using the term for such diverse groups as the Romani, Saami, Maori, Hmong, and the Australian Aborigines. Although the Canadian government has formally adopted use of the term "First Nations" and "Aboriginal peoples", the federal ministerial portfolio in charge of their affairs is named the Department of Indian Affairs and Northern Development and under the Federal Identity Program is referred to as Aboriginal Affairs and Northern Development Canada (AANDC), and the historical term "Indian Reserve" is still a legal land description. Some First Nations peoples also use "Indian Band" in their official names. CANNOTANSWER

Question: Other than some people considering the word "Indian" offensive, was there anything written about the term "First Nations:?
Answer: the federal ministerial portfolio in charge of their affairs is named the Department of Indian Affairs and Northern Development and under the Federal Identity Program
Native American name controversy

Context: "First Nations" came into common usage in the 1980s to replace the term "Indian band". Elder Sol Sanderson says that he coined the term in the early 1980s. Others state that the term came into common usage in the 1970s to avoid using the word "Indian", which some people considered offensive. Apparently, no legal definition of the term exists. Some Aboriginal peoples in Canada have also adopted the term "First Nation" to replace the word "band" in the name of their community. "First Nations" (most often used in the plural) has come into general use for the Indigenous peoples of North America located in what is now Canada, and their descendants, excluding the Inuit and Metis, who have distinct identities. The singular commonly used is "First Nations person" (when gender-specific, "First Nations man" or "First Nations woman"). Some tribal governments of Canada also use the term "First Nations" to refer to any indigenous, tribal or nomadic society, using the term for such diverse groups as the Romani, Saami, Maori, Hmong, and the Australian Aborigines. Although the Canadian government has formally adopted use of the term "First Nations" and "Aboriginal peoples", the federal ministerial portfolio in charge of their affairs is named the Department of Indian Affairs and Northern Development and under the Federal Identity Program is referred to as Aboriginal Affairs and Northern Development Canada (AANDC), and the historical term "Indian Reserve" is still a legal land description. Some First Nations peoples also use "Indian Band" in their official names. CANNOTANSWER

Question: Are terms besides "First Nations" used to describe native people?
Answer: the Canadian government has formally adopted use of the term "First Nations" and "Aboriginal peoples
Native American name controversy

Context: "First Nations" came into common usage in the 1980s to replace the term "Indian band". Elder Sol Sanderson says that he coined the term in the early 1980s. Others state that the term came into common usage in the 1970s to avoid using the word "Indian", which some people considered offensive. Apparently, no legal definition of the term exists. Some Aboriginal peoples in Canada have also adopted the term "First Nation" to replace the word "band" in the name of their community. "First Nations" (most often used in the plural) has come into general use for the Indigenous peoples of North America located in what is now Canada, and their descendants, excluding the Inuit and Metis, who have distinct identities. The singular commonly used is "First Nations person" (when gender-specific, "First Nations man" or "First Nations woman"). Some tribal governments of Canada also use the term "First Nations" to refer to any indigenous, tribal or nomadic society, using the term for such diverse groups as the Romani, Saami, Maori, Hmong, and the Australian Aborigines. Although the Canadian government has formally adopted use of the term "First Nations" and "Aboriginal peoples", the federal ministerial portfolio in charge of their affairs is named the Department of Indian Affairs and Northern Development and under the Federal Identity Program is referred to as Aboriginal Affairs and Northern Development Canada (AANDC), and the historical term "Indian Reserve" is still a legal land description. Some First Nations peoples also use "Indian Band" in their official names. CANNOTANSWER

Question: Are any terms besides "First Nations" still used today?
Answer: the historical term "Indian Reserve" is still a legal land description.
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: When did Richard Branson's record business start?
Answer: Branson eventually started a record shop in Oxford Street in London. In 1971,
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: What is the name of Branson's record business?
Answer: Virgin
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: Why did Branson choose the name Virgin?
Answer: was suggested by one of Branson's early employees because they were all new at business.
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: What bands did Virgin Records sign?
Answer: Virgin signed such controversial bands as the Sex Pistols,
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: Other than the Sex Pistols, did Virgin Records sign any other bands?
Answer: Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul,
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: Where was Virgin located?
Answer: country estate north of Oxford in which he installed a residential recording studio,
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: What is a notable fact about Branson's record business?
Answer: He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield,
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: Does Branson still have Virgin Records?
Answer: In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: Other than Virgin Records, what other music companies does Branson own?
Answer: He created V2 Records in 1996 in order to re-enter the music business,
Richard Branson

Context: Branson started his record business from the church where he ran Student magazine. He interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in Student, and it was an overnight success. Trading under the name "Virgin", he sold records for considerably less than the "High Street" outlets, especially the chain W. H. Smith. Branson once said, "There is no point in starting your own business unless you do it out of a sense of frustration." The name "Virgin" was suggested by one of Branson's early employees because they were all new at business. At the time, many products were sold under restrictive marketing agreements that limited discounting, despite efforts in the 1950s and 1960s to limit so-called resale price maintenance. Branson eventually started a record shop in Oxford Street in London. In 1971, he was questioned in connection with the selling of records in Virgin stores that had been declared export stock. The matter was never brought before a court because Branson agreed to repay any unpaid VAT of 33% and a PS70,000 fine. His parents re-mortgaged the family home in order to help pay the settlement. Earning enough money from his record store, Branson in 1972 launched the record label Virgin Records with Nik Powell, and bought a country estate north of Oxford in which he installed a residential recording studio, The Manor Studio. He leased studio time to fledgling artists, including multi-instrumentalist Mike Oldfield, whose debut album Tubular Bells (1973) was the first release for Virgin Records and became a chart-topping best-seller. Virgin signed such controversial bands as the Sex Pistols, which other companies were reluctant to sign. Virgin Records would go on to sign other artists including the Rolling Stones, Peter Gabriel, UB40, Steve Winwood and Paula Abdul, and to become the world's largest independent record label. It also won praise for exposing the public to such obscure avant-garde music as Faust and Can. Virgin Records also introduced Culture Club to the music world. In 1982, Virgin purchased the gay nightclub Heaven. In 1991, in a consortium with David Frost, Branson made an unsuccessful bid for three ITV franchisees under the CPV-TV name. The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep", by Singing Sheep in association with Doug McLean and Grace McDonald. The recording was a series of sheep baa-ing along to a drum-machine-produced track and reached number 42 in the UK charts in 1982. In 1992, to keep his airline company afloat, Branson sold the Virgin label to EMI for PS500 million. Branson said that he wept when the sale was completed because the record business had been the very start of the Virgin empire. He created V2 Records in 1996 in order to re-enter the music business, owning 5% himself. CANNOTANSWER

Question: Was Branson also the producer on albums?
Answer: The early 1980s also saw his only attempt as a producer--on the novelty record "Baa, Baa, Black Sheep",
Mario Winans

Context: Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

Question: what was hurt no more
Answer: Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists.
Mario Winans

Context: Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

Question: was "Hurt no more" a success?
Answer: reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States;
Mario Winans

Context: Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

Question: did Mario Winans win any awards for "Hurt no More"
Answer: CANNOTANSWER
Mario Winans

Context: Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

Question: were there any popular singles off of "Hurt no more"?
Answer: I Don't Wanna Know
Mario Winans

Context: Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

Question: was "Hurt no more" popular?
Answer: in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States;