gaussalgo/Canard_Wiki-augmented huggingface dataset:
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: How did Paul Reubens plead to the charges?
Answer: guilty plea
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: Was Reubens ultimately charged for child pornography by the judge?
Answer: In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge.
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: What happened as a result of Reubens pleading to a lesser charge?
Answer: three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent
Paul Reubens

Context: In November 2002, while filming David LaChapelle's video for Elton John's "This Train Don't Stop There Anymore", Reubens learned that police were at his home with a search warrant, acting on a tip from a witness in the pornography case against actor Jeffrey Jones, finding among over 70,000 items of kitsch memorabilia, two grainy videotapes and dozens of photographs that the city attorney's office characterized as a collection of child pornography. Kelly Bush, Reubens' personal representative at the time, said the description of the items was inaccurate and claimed the objects were "Rob Lowe's sex videotape, and a few 30- to 100-year-old kitsch collectible images." Reubens turned himself in to the Hollywood division of the LAPD and was charged with possession of obscene material improperly depicting a child under the age of 18 in sexual conduct. The district attorney looked at Reubens' collection and computer and found no grounds for bringing any felony charges against him, while the city attorney, Rocky Delgadillo brought misdemeanor charges against Reubens on the last day allowed by the statute. Reubens was represented by Hollywood criminal defense lawyer Blair Berk. In December he pleaded not guilty through Berk, who also complained that the city attorney failed to turn over evidence to the defense, which City Attorney Richard Katz countered that prosecutors were not required to do until after arraignment, after which they did; neither side disclosed the contents. In March 2004, child pornography charges were dropped in exchange for Reubens' guilty plea to a lesser charge. For the next three years, he was required to register his address with the sheriff's office and he could not be in the company of minors without the permission of a parent or legal guardian. Reubens later stated that he was a collector of erotica, including films, muscle magazines and a sizable collection of mostly homosexual vintage erotica, such as photographic studies of teen nudes. Reubens said that what the city attorney's office viewed as pornography, he considered to be innocent art and that what they described as people underage engaged in masturbation or oral copulation was, in fact, a judgmental point of view of the nudes that Reubens described as people "one hundred percent not" performing sexual acts. Being an avid collector, Reubens had often purchased bulk lots, and one of his vintage magazine dealers declared that "there's no way" he could have known the content of each page in the publications he bought and that he recalled Reubens asking for "physique magazines, vintage 1960s material, but not things featuring kids". He spent the next two years in Florida, caring for his terminally ill father, who died in February 2004 of cancer. CANNOTANSWER

Question: Did Reubens think of himself as a pedophile?
Answer: such as photographic studies of teen nudes.
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: When was the golden age of comic books?
Answer: 1939
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: Where else did Sandman appear besides Adventure Comics No. 40?
Answer: The Sandman" continued to appear in the omnibus Adventure Comics through No. 102
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: Who appeared with Sandman in DC Comics' 1939 New York World's Fair Comics omnibus?
Answer: CANNOTANSWER
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: What was special about Sandy the Golden Boy?
Answer: Sandy the Golden Boy, nephew of Dian Belmont.
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: Who is Dian Belmont?
Answer: CANNOTANSWER
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: How long were Sandman and Dian Belmont together?
Answer: Later stories would reveal that the two remained together for the duration of their lives, though they never married.
Sandman (Wesley Dodds)

Context: Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Question: Did Sandman and Dian Belmont have any children?
Answer: CANNOTANSWER
Sandman (Wesley Dodds)

Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Question: What comics did Sandman appear in during the Silver Age?
Answer: ), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA.
Sandman (Wesley Dodds)

Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Question: What other characters are in All-Star Squadron besides Sandman?
Answer: Sandman does appear in its pages.
Sandman (Wesley Dodds)

Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Question: What other comics was Sandman in besides All-Star Squadron?
Answer: Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint.
Sandman (Wesley Dodds)

Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Question: Who wrote All-Star Squadron comics?
Answer: Neil Gaiman
Sandman (Wesley Dodds)

Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Question: What powers or special skills did Sandman have?
Answer: CANNOTANSWER
Sandman (Wesley Dodds)

Context: Reintroduced in the Silver Age in Justice League of America No. 46 (July 1966), the Sandman made occasional appearances in the annual teamups between that superhero group and the JSA. In 1981 DC began publishing All-Star Squadron, a retelling of the Earth-Two mystery-men during WWII. Although not a main character, Sandman does appear in its pages. Of note is issue No. 18 which gives an explanation of why Dodds changed costumes from the cloak and gas mask to the yellow-and-purple outfit; Dian wore his costume while he was fighting elsewhere and she was killed in a fray. Dodds decided to wear the new costume, of Dian's design, until he could bring himself to wear the original in which she had died. Later, this explanation would be changed again when Dian Belmont was retconned to have never died, and a new explanation was given: Sandy convinced Dodds to switch to the more colorful costume to gain the support of regular people, who preferred the more traditional superhero look to his older, pulp-themed costume. An acclaimed film noir-inspired retelling of the original Sandman's adventures, Sandman Mystery Theatre, ran from 1993-1998 under DC Comics' Vertigo mature-reader imprint. Although as a whole its continuity within the DC Universe is debatable, several elements of the series - the more nuanced relationship between Dodds and Dian Belmont; the Sandman's appearance, (wearing a trench coat and World War I gas mask instead of the cape and the custom-made gas mask); and Dodds' pudgier appearance and wearing of glasses - have been adopted into regular continuity. The series ran for 70 issues and 1 annual. In Sandman Midnight Theatre (1995) a one-shot special by Neil Gaiman (author of the Modern Age supernatural series The Sandman), Matt Wagner (co-author of Sandman Mystery Theatre), and Teddy Kristiansen, depicts an interaction between the two characters, with the original visiting Great Britain and encountering the imprisoned Dream, the protagonist of Gaiman's series. A minor retcon by Gaiman suggested that Dodds' chosen identity was a result of Dream's absence from the realm the Dreaming, and that Dodds carries an aspect of that mystical realm. This explains Dodds' prophetic dreams. CANNOTANSWER

Question: Does Sandman appear in any movies?
Answer: In Sandman Midnight Theatre (1995) a one-shot special