gaussalgo/Canard_Wiki-augmented huggingface dataset:
Tom Paxton

Context: In February 2002, Paxton was honored with the ASCAP Lifetime Achievement Award in Folk Music. A few days later, he received three Wammies (Washington, DC, Area Music Awards); as Best Male Vocalist in the "traditional folk" and "children's music" categories, and for Best Traditional Folk Recording of the Year for "Under American Skies" (2001). Paxton has been nominated four times for Grammy Awards, all since 2002. He was first nominated in 2002 for his children's album, Your Shoes, My Shoes. The following year, Looking for the Moon received a 2003 nomination for "Best Contemporary Folk Album". Live In The UK (2005), received a 2006 Grammy nomination in the "Best Traditional Folk Album" category. Most recently, his 2008 album Comedians and Angels received a 2009 nomination, also in the "Best Traditional Folk Album" category. Paxton was honored with a 2009 Lifetime Achievement Award from the Recording Academy, and the formal announcement was made during the 51st Annual Grammy Awards telecast, which aired on February 8, 2009. In 2004, the Martin Guitar Company introduced the HD-40LSH Tom Paxton Signature Edition acoustic guitar in his honor. In 2005, Paxton received a Lifetime Achievement Award for Songwriting at BBC Radio 2's Folk Awards at London's Brewery Arts Centre. In 2006, Paxton received a Lifetime Achievement Award from the North American Folk Music and Dance Alliance. On January 22, 2007, Paxton was honored with an official Parliamentary tribute at the House of Commons of the United Kingdom at the start of his 2007 UK tour. On May 3, 2008, Paxton was honored with a special lifetime tribute from the World Folk Music Association, and a concert was held at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College, Alexandria Campus, in Alexandria, Virginia. CANNOTANSWER

Question: What did Tom Paxton win Grammy's for?
Answer: CANNOTANSWER
Tom Paxton

Context: In February 2002, Paxton was honored with the ASCAP Lifetime Achievement Award in Folk Music. A few days later, he received three Wammies (Washington, DC, Area Music Awards); as Best Male Vocalist in the "traditional folk" and "children's music" categories, and for Best Traditional Folk Recording of the Year for "Under American Skies" (2001). Paxton has been nominated four times for Grammy Awards, all since 2002. He was first nominated in 2002 for his children's album, Your Shoes, My Shoes. The following year, Looking for the Moon received a 2003 nomination for "Best Contemporary Folk Album". Live In The UK (2005), received a 2006 Grammy nomination in the "Best Traditional Folk Album" category. Most recently, his 2008 album Comedians and Angels received a 2009 nomination, also in the "Best Traditional Folk Album" category. Paxton was honored with a 2009 Lifetime Achievement Award from the Recording Academy, and the formal announcement was made during the 51st Annual Grammy Awards telecast, which aired on February 8, 2009. In 2004, the Martin Guitar Company introduced the HD-40LSH Tom Paxton Signature Edition acoustic guitar in his honor. In 2005, Paxton received a Lifetime Achievement Award for Songwriting at BBC Radio 2's Folk Awards at London's Brewery Arts Centre. In 2006, Paxton received a Lifetime Achievement Award from the North American Folk Music and Dance Alliance. On January 22, 2007, Paxton was honored with an official Parliamentary tribute at the House of Commons of the United Kingdom at the start of his 2007 UK tour. On May 3, 2008, Paxton was honored with a special lifetime tribute from the World Folk Music Association, and a concert was held at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College, Alexandria Campus, in Alexandria, Virginia. CANNOTANSWER

Question: What other shows aside from "dont' know" did Tom Paxton get a grammy for?
Answer: Looking for the Moon received a 2003 nomination for "Best Contemporary Folk Album".
Black Francis

Context: Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Question: When were the Pixies made?
Answer: 1987, the Pixies released an 18-track demo tape,
Black Francis

Context: Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Question: What was the Pixies' first album?
Answer: 18-track demo tape, commonly referred to as The Purple Tape.
Black Francis

Context: Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Question: What was the Pixies' most popular song in The Purple Tape demo tape?
Answer: CANNOTANSWER
Black Francis

Context: Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Question: Was The Purple Tape demo album by The Pixies popular?
Answer: The Purple Tape led to a recording contract with the English independent record label 4AD.
Black Francis

Context: Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Question: how many songs did the mini album Come On Pilgrim by The Pixies have?
Answer: CANNOTANSWER
Black Francis

Context: Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears," composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed the Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Husker Du and Peter, Paul and Mary." Drummer David Lovering was later hired on recommendation from Deal's husband. In 1987, the Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, loaning $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time." The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son." In 1988, the Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic," which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven," was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh (whom he had met in the band's early days), performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment. The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Thompson's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass," which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" (from Surfer Rosa) and "Silver" (from Doolittle), from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993. CANNOTANSWER

Question: Was the mini album Come On Pilgrim by The Pixies successful?
Answer: CANNOTANSWER
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: what other pursuits did Guy Lombardo do?
Answer: important figure in hydroplane speedboat racing,
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: what did Guy Lombardo do with his hydroplane speedboat racing?
Answer: winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker.
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: did Guy Lombardo work with anyone?
Answer: CANNOTANSWER
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: did Guy Lombardo break any other records besides winning the 1946 Gold Cup in speed boating?
Answer: Before his retirement from the sport in the late 1950s, he had won every trophy in the field.
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: did Guy Lombardo have any other professions besides speedboating?
Answer: attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: was Guy Lombardo's restaurant "Liota's East Point House" a successful venture?
Answer: eventually became "Guy Lombardo's East Point House".
Guy Lombardo

Context: Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Question: did Guy Lombardo have any other career highlights besides racing and the restaurant?
Answer: ". Lombardo became promoter and musical director of Jones Beach Marine Theater.
Skyhooks (band)

Context: In December 1982, Mushroom released a medley of Skyhooks songs as "Hooked on Hooks" which peaked at #21. Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform were successful and on 23 April 1983, they started the Living in the 80's Tour. Support acts for the first concert included The Church, Mental as Anything, The Party Boys, The Sunnyboys, and Midnight Oil--who acknowledged, "Hooks were the only Australian band they would let top the bill above them". This tour was released on LP as Live in the 80's. A one-off reunion concert took place in October 1984, and in 1990 the band finally recorded new material, including "Jukebox in Siberia", released in September, which peaked at the top of the ARIA Singles Charts for two weeks. In November, The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts. The tracks were taken from Skyhooks' first four studio albums along with two recent singles, "Jukebox In Siberia" and the uncharted "Tall Timber". In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, while their manager, Gudunski, and record label, Mushroom Records, received a 'Special Achievement Award'. Producer of their first three albums, Wilson, had been inducted into the Hall of Fame in 1989 as an individual and again as a member of Daddy Cool in 2006. The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued. Disc one contained a greatest hits package, very similar to "The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions. CANNOTANSWER

Question: What were some of Skyhooks later releases?
Answer: The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions.
Skyhooks (band)

Context: In December 1982, Mushroom released a medley of Skyhooks songs as "Hooked on Hooks" which peaked at #21. Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform were successful and on 23 April 1983, they started the Living in the 80's Tour. Support acts for the first concert included The Church, Mental as Anything, The Party Boys, The Sunnyboys, and Midnight Oil--who acknowledged, "Hooks were the only Australian band they would let top the bill above them". This tour was released on LP as Live in the 80's. A one-off reunion concert took place in October 1984, and in 1990 the band finally recorded new material, including "Jukebox in Siberia", released in September, which peaked at the top of the ARIA Singles Charts for two weeks. In November, The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts. The tracks were taken from Skyhooks' first four studio albums along with two recent singles, "Jukebox In Siberia" and the uncharted "Tall Timber". In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, while their manager, Gudunski, and record label, Mushroom Records, received a 'Special Achievement Award'. Producer of their first three albums, Wilson, had been inducted into the Hall of Fame in 1989 as an individual and again as a member of Daddy Cool in 2006. The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued. Disc one contained a greatest hits package, very similar to "The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions. CANNOTANSWER

Question: What was Skyhooks reformation about?
Answer: Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform
Skyhooks (band)

Context: In December 1982, Mushroom released a medley of Skyhooks songs as "Hooked on Hooks" which peaked at #21. Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform were successful and on 23 April 1983, they started the Living in the 80's Tour. Support acts for the first concert included The Church, Mental as Anything, The Party Boys, The Sunnyboys, and Midnight Oil--who acknowledged, "Hooks were the only Australian band they would let top the bill above them". This tour was released on LP as Live in the 80's. A one-off reunion concert took place in October 1984, and in 1990 the band finally recorded new material, including "Jukebox in Siberia", released in September, which peaked at the top of the ARIA Singles Charts for two weeks. In November, The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts. The tracks were taken from Skyhooks' first four studio albums along with two recent singles, "Jukebox In Siberia" and the uncharted "Tall Timber". In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, while their manager, Gudunski, and record label, Mushroom Records, received a 'Special Achievement Award'. Producer of their first three albums, Wilson, had been inducted into the Hall of Fame in 1989 as an individual and again as a member of Daddy Cool in 2006. The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued. Disc one contained a greatest hits package, very similar to "The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions. CANNOTANSWER

Question: Was Reformation by Skyhooks well received?
Answer: The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts.
Skyhooks (band)

Context: In December 1982, Mushroom released a medley of Skyhooks songs as "Hooked on Hooks" which peaked at #21. Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform were successful and on 23 April 1983, they started the Living in the 80's Tour. Support acts for the first concert included The Church, Mental as Anything, The Party Boys, The Sunnyboys, and Midnight Oil--who acknowledged, "Hooks were the only Australian band they would let top the bill above them". This tour was released on LP as Live in the 80's. A one-off reunion concert took place in October 1984, and in 1990 the band finally recorded new material, including "Jukebox in Siberia", released in September, which peaked at the top of the ARIA Singles Charts for two weeks. In November, The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts. The tracks were taken from Skyhooks' first four studio albums along with two recent singles, "Jukebox In Siberia" and the uncharted "Tall Timber". In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, while their manager, Gudunski, and record label, Mushroom Records, received a 'Special Achievement Award'. Producer of their first three albums, Wilson, had been inducted into the Hall of Fame in 1989 as an individual and again as a member of Daddy Cool in 2006. The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued. Disc one contained a greatest hits package, very similar to "The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions. CANNOTANSWER

Question: Did Skyhooks record any other songs that did well on the charts, aside from "Jukebox in Siberia"??
Answer: The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued.
Skyhooks (band)

Context: In December 1982, Mushroom released a medley of Skyhooks songs as "Hooked on Hooks" which peaked at #21. Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform were successful and on 23 April 1983, they started the Living in the 80's Tour. Support acts for the first concert included The Church, Mental as Anything, The Party Boys, The Sunnyboys, and Midnight Oil--who acknowledged, "Hooks were the only Australian band they would let top the bill above them". This tour was released on LP as Live in the 80's. A one-off reunion concert took place in October 1984, and in 1990 the band finally recorded new material, including "Jukebox in Siberia", released in September, which peaked at the top of the ARIA Singles Charts for two weeks. In November, The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts. The tracks were taken from Skyhooks' first four studio albums along with two recent singles, "Jukebox In Siberia" and the uncharted "Tall Timber". In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, while their manager, Gudunski, and record label, Mushroom Records, received a 'Special Achievement Award'. Producer of their first three albums, Wilson, had been inducted into the Hall of Fame in 1989 as an individual and again as a member of Daddy Cool in 2006. The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued. Disc one contained a greatest hits package, very similar to "The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions. CANNOTANSWER

Question: When did Skyhooks get back together?
Answer: on 23 April 1983,
Skyhooks (band)

Context: In December 1982, Mushroom released a medley of Skyhooks songs as "Hooked on Hooks" which peaked at #21. Demands for the "classic" line-up of the band--Macainsh, Bob Starkie, Strachan, Strauks and Symons--to reform were successful and on 23 April 1983, they started the Living in the 80's Tour. Support acts for the first concert included The Church, Mental as Anything, The Party Boys, The Sunnyboys, and Midnight Oil--who acknowledged, "Hooks were the only Australian band they would let top the bill above them". This tour was released on LP as Live in the 80's. A one-off reunion concert took place in October 1984, and in 1990 the band finally recorded new material, including "Jukebox in Siberia", released in September, which peaked at the top of the ARIA Singles Charts for two weeks. In November, The Latest and Greatest, a compilation album, was released, which peaked at #4 on the ARIA Albums Charts. The tracks were taken from Skyhooks' first four studio albums along with two recent singles, "Jukebox In Siberia" and the uncharted "Tall Timber". In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, while their manager, Gudunski, and record label, Mushroom Records, received a 'Special Achievement Award'. Producer of their first three albums, Wilson, had been inducted into the Hall of Fame in 1989 as an individual and again as a member of Daddy Cool in 2006. The final release of new Skyhooks material came in June 1999 when a twin-CD, Skyhooks: The Collection, was issued. Disc one contained a greatest hits package, very similar to "The Latest and Greatest", with additional tracks. Disc two is referred to by fans as "The Lost Album", with previously unreleased songs from their 1990 and 1994 recording sessions. CANNOTANSWER

Question: Other than the information about Skyhooks "Reformations", are there any other interesting aspects about this article?
Answer: In 1992, Skyhooks were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame,