Upload G.I..Joe_.Retaliation.2013.1080p.BluRay.x264.YIFY.srt

G.I..Joe_.Retaliation.2013.1080p.BluRay.x264.YIFY.srt

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+
+2
+00:00:10,359 --> 00:00:13,360
+And this is Lorenzo di Bonaventura.
+the producer.
+
+3
+00:00:17,000 --> 00:00:21,680
+Ethan and John. they did all the ninia
+star sounds for those stars right there.
+
+4
+00:00:26,760 --> 00:00:29,160
+lt's always hard to deal
+with these multiple logos.
+
+5
+00:00:34,159 --> 00:00:35,760
+So many companies.
+
+6
+00:00:40,439 --> 00:00:45,320
+gets to create a little mood atmosphere
+as you sit down in the movie and relax.
+
+7
+00:00:50,439 --> 00:00:53,080
+who l actually went to college with.
+
+8
+00:00:54,000 --> 00:00:57,074
+Subtitles downloaded from www.OpenSubtitles.org
+
+9
+00:01:05,000 --> 00:01:08,080
+it was raining so hard
+you couldn't even get out of the car?
+
+10
+00:01:11,519 --> 00:01:15,240
+And we were desperately looking for
+a location we could actually afford.
+
+11
+00:01:21,159 --> 00:01:25,120
+And we had to build that giant.
+giant fence that went all the way back.
+
+12
+00:01:34,760 --> 00:01:37,520
+There's a scene that comes in
+right after this that we always loved.
+
+13
+00:01:40,120 --> 00:01:42,640
+And l think for Jon and l
+it's always a little bittersweet
+
+14
+00:01:45,359 --> 00:01:46,640
+"how to get that other scene in"
+you know?
+
+15
+00:01:50,040 --> 00:01:52,680
+lt started with them on the grass
+whispering to each other.
+
+16
+00:01:55,640 --> 00:01:57,000
+and we were like
+right intimate with them.
+
+17
+00:02:01,519 --> 00:02:05,280
+Well. it was a cool scene in that
+in an action stealth mode.
+
+18
+00:02:07,439 --> 00:02:10,600
+and sort of figure out who they are
+on the fly. you know.
+
+19
+00:02:20,080 --> 00:02:23,360
+There's no tower there.
+building it from the ground up.
+
+20
+00:02:30,080 --> 00:02:33,960
+Actually. in many ways. this movie
+couldn't have gotten made at the scale
+
+21
+00:02:37,159 --> 00:02:40,280
+because we had this insane facility.
+
+22
+00:02:45,520 --> 00:02:47,960
+Yeah. like the rockets. basically.
+for the shuttles.
+
+23
+00:02:51,280 --> 00:02:54,200
+this gigantic space they had
+for transporting these things.
+
+24
+00:02:56,599 --> 00:02:57,640
+Yeah.
+
+25
+00:03:01,680 --> 00:03:05,240
+500/o of the movie within a 5-mile range.
+
+26
+00:03:07,800 --> 00:03:09,920
+- Yeah. A couple miles.
+- Yeah. It's crazy.
+
+27
+00:03:16,080 --> 00:03:18,760
+When we first went in it. we were like.
+"You guys are kidding. right?
+
+28
+00:03:21,599 --> 00:03:22,640
+We drove through it.
+
+29
+00:03:26,319 --> 00:03:30,520
+They say that building is so big
+that it would rain indoors.
+
+30
+00:03:34,800 --> 00:03:37,440
+There's a lot of characters in G.l. Joe,
+and it's one of the strengths.
+
+31
+00:03:40,400 --> 00:03:43,280
+because you don't have
+enough time. really.
+
+32
+00:03:44,960 --> 00:03:48,960
+So this opening sequence here
+was designed
+
+33
+00:03:52,759 --> 00:03:54,840
+of who the characters are. what they do.
+
+34
+00:03:56,960 --> 00:04:00,320
+and we could get
+into the actual character motivations.
+
+35
+00:04:03,680 --> 00:04:05,520
+what are their goals.
+
+36
+00:04:09,439 --> 00:04:11,320
+when we came up with this idea.
+
+37
+00:04:15,560 --> 00:04:18,440
+and reintroducing these characters to
+people who didn't watch the first movie.
+
+38
+00:04:20,560 --> 00:04:22,280
+as well as pushing
+new information forward
+
+39
+00:04:28,199 --> 00:04:30,240
+This scene. l always loved this surprise.
+
+40
+00:04:35,160 --> 00:04:38,880
+And it also firmly established what great
+chemisty these two guys had together.
+
+41
+00:04:41,920 --> 00:04:45,640
+because they had such a naturalistic
+attitude with one another.
+
+42
+00:04:48,639 --> 00:04:50,680
+l remember watching the first take of it
+and going.
+
+43
+00:04:53,879 --> 00:04:54,920
+- Yeah.
+- You know?
+
+44
+00:05:00,160 --> 00:05:03,040
+Usually you replace screens.
+any TV screens or stuff.
+
+45
+00:05:05,959 --> 00:05:09,280
+that we actually recorded
+the video game prior.
+
+46
+00:05:11,920 --> 00:05:14,920
+And then we'd play back
+while they were in the scene.
+
+47
+00:05:16,199 --> 00:05:18,600
+That's actually real timing.
+which gets tricky.
+
+48
+00:05:25,279 --> 00:05:26,840
+- Yeah. yeah.
+- Yeah.
+
+49
+00:05:36,279 --> 00:05:38,880
+and being incredibly accessible.
+and funny.
+
+50
+00:05:40,680 --> 00:05:43,640
+That's a really rare thing
+for two movie stars
+
+51
+00:05:45,879 --> 00:05:48,960
+As different as they are. they also have
+those same qualities amongst them.
+
+52
+00:05:53,199 --> 00:05:56,200
+And l remember we needed to
+give the audience permission to laugh.
+
+53
+00:05:59,800 --> 00:06:04,200
+and that helped. that scene itself helped
+to not take ourselves too seriously.
+
+54
+00:06:07,279 --> 00:06:08,640
+they could turn around
+and save the world.
+
+55
+00:06:17,680 --> 00:06:21,360
+This idea that our writers came up with.
+Reese and Wernick.
+
+56
+00:06:26,360 --> 00:06:29,440
+l think it gives the movie
+a sort of gravity that's unusual
+
+57
+00:06:31,240 --> 00:06:37,600
+And it's amazing when you do
+something on a purely creative level
+
+58
+00:06:43,040 --> 00:06:44,560
+when you see events occur.
+
+59
+00:06:47,720 --> 00:06:50,280
+there's a lot of things you're
+suddenly going. "Wow" you know?
+
+60
+00:06:53,519 --> 00:06:56,960
+and suddenly has
+an additional weight to it.
+
+61
+00:07:05,680 --> 00:07:08,000
+'cause you had to be on a gimbal.
+It has to...
+
+62
+00:07:11,040 --> 00:07:13,920
+but it was fun to do.
+In fact. all the guns...
+
+63
+00:07:16,680 --> 00:07:18,600
+They're so expensive.
+and they're so time-consuming.
+
+64
+00:07:20,040 --> 00:07:21,920
+"You can iust fake it.
+You can just shake the camera."
+
+65
+00:07:25,079 --> 00:07:26,640
+and it actually makes
+a big. big difference.
+
+66
+00:07:29,920 --> 00:07:34,440
+is that we once had The Rock
+doing a Patton quote.
+
+67
+00:07:37,519 --> 00:07:40,400
+and get a sense
+of how contemporay it could be.
+
+68
+00:07:43,079 --> 00:07:45,600
+What's interesting is. you know.
+they cary different weights.
+
+69
+00:07:47,160 --> 00:07:48,880
+l think as a filmmaker.
+
+70
+00:07:52,680 --> 00:07:55,920
+You iust end up with a choice
+where you emotionally think
+
+71
+00:07:59,079 --> 00:08:02,400
+The Patton quote had
+a lot of strengths to it
+
+72
+00:08:04,680 --> 00:08:06,680
+But the Jay-Z quote had
+a contemporay thing
+
+73
+00:08:09,639 --> 00:08:12,120
+You're not seeing where it's coming.
+
+74
+00:08:31,959 --> 00:08:34,720
+go to Duke as he says
+he accepts his fate.
+
+75
+00:08:36,519 --> 00:08:38,160
+lt wasn't in the script.
+It wasn't purposely done.
+
+76
+00:08:40,879 --> 00:08:43,960
+And that building. actually.
+is part of the NASA facility. too.
+
+77
+00:08:46,039 --> 00:08:47,160
+Yeah.
+
+78
+00:08:56,480 --> 00:08:57,520
+we were given a lot of money.
+
+79
+00:08:58,840 --> 00:09:00,920
+a lot of the big tentpole movies
+have been given.
+
+80
+00:09:03,320 --> 00:09:06,840
+So a lot of our creative energy
+was put to.
+
+81
+00:09:11,399 --> 00:09:14,640
+And this building kept being
+our advantage. l mean. this is...
+
+82
+00:09:16,360 --> 00:09:20,360
+is actually the fuel tank
+that they put on the shuttle.
+
+83
+00:09:22,960 --> 00:09:24,880
+l mean. Iook at the scale of this thing.
+
+84
+00:09:29,279 --> 00:09:30,560
+which is crazy.
+
+85
+00:09:44,240 --> 00:09:45,960
+which we'll talk a lot about.
+is a guy named Paul Borne.
+
+86
+00:09:47,960 --> 00:09:52,240
+But he was an amazing rock climber.
+and a great rigger and stuntman.
+
+87
+00:09:56,519 --> 00:09:59,640
+that we would not have felt without
+a guy like that onboard. you know?
+
+88
+00:10:03,000 --> 00:10:03,160
+And the actors need to feel comfortable
+suddenly going down...
+
+89
+00:10:05,519 --> 00:10:06,640
+Yeah.
+
+90
+00:10:09,960 --> 00:10:13,040
+The height of that.
+that's all 'cause he's rigged up.
+
+91
+00:10:18,840 --> 00:10:22,040
+One of the ideas. Jon. l think you had.
+was. "How do you differentiate him?"
+
+92
+00:10:26,120 --> 00:10:30,200
+So he really fully went after it.
+
+93
+00:10:40,279 --> 00:10:42,720
+We had a bunch of Na_ SEALs
+on the movie.
+
+94
+00:10:46,600 --> 00:10:48,480
+They hold guns in a certain way.
+
+95
+00:10:53,080 --> 00:10:55,680
+l think that's actually almost more
+important than anything.
+
+96
+00:11:00,320 --> 00:11:01,720
+And it's iust a detail. too.
+
+97
+00:11:03,840 --> 00:11:06,320
+"Hey. how do you get from Place A
+to Place B?"
+
+98
+00:11:08,120 --> 00:11:11,200
+and then the other actors would watch
+and learn from that.
+
+99
+00:11:12,720 --> 00:11:16,040
+Details that l wouldn't
+ever know even. so...
+
+100
+00:11:18,000 --> 00:11:19,800
+which is kind of where l learnt it.
+
+101
+00:11:22,879 --> 00:11:26,680
+because. l mean. what they go through
+is so much harder than what we do.
+
+102
+00:11:29,840 --> 00:11:32,480
+We may go.
+"Christ. we're working 12-14-hour days."
+
+103
+00:11:45,840 --> 00:11:47,360
+A debate that we had
+from the vey beginning was.
+
+104
+00:11:49,679 --> 00:11:50,840
+"What kind of uniforms do they have?"
+
+105
+00:11:52,639 --> 00:11:54,840
+so we gave them
+different camo patterns.
+
+106
+00:11:56,519 --> 00:11:58,920
+if you're going into a place
+to have different camo patterns.
+
+107
+00:12:01,720 --> 00:12:03,120
+- lndividuality. yeah.
+- Exactly.
+
+108
+00:12:04,759 --> 00:12:06,280
+And the Joes are a conglomeration.
+
+109
+00:12:09,120 --> 00:12:11,360
+which is part of what we were doing.
+
+110
+00:12:14,440 --> 00:12:15,600
+and that they all come
+from different places.
+
+111
+00:12:17,960 --> 00:12:20,640
+And they all had their own personalities.
+and it was like an all-star team.
+
+112
+00:12:27,639 --> 00:12:32,040
+Again. there's an actual firing range
+on the NASA facility
+
+113
+00:12:33,879 --> 00:12:35,760
+We were like.
+"Where the hell are we gonna do this?"
+
+114
+00:12:41,200 --> 00:12:42,880
+Yeah. literally.
+
+115
+00:12:56,039 --> 00:12:59,000
+Yeah. l think we had
+a couple of them that...
+
+116
+00:13:01,440 --> 00:13:05,160
+You know. it's so about the kind of fun
+
+117
+00:13:08,919 --> 00:13:12,520
+And it was a really important thing
+to really fall in love
+
+118
+00:13:13,879 --> 00:13:15,880
+because what's about to happen
+is really grim.
+
+119
+00:13:20,399 --> 00:13:22,320
+after really falling in love with them.
+
+120
+00:13:26,879 --> 00:13:31,880
+This is the real gun range where we
+would go to train our actors and stuff.
+
+121
+00:13:35,279 --> 00:13:37,800
+You can see all the hills behind them
+are all CG.
+
+122
+00:13:42,960 --> 00:13:45,000
+- The magic of Holl_ood.
+- Yeah.
+
+123
+00:13:47,519 --> 00:13:48,840
+- Yes.
+- We kept thinking.
+
+124
+00:13:52,639 --> 00:13:54,280
+lt's iust funny.
+
+125
+00:13:56,840 --> 00:14:01,240
+And to fire it. you can see
+how it pushes back on Dwayne.
+
+126
+00:14:03,159 --> 00:14:04,800
+- And the barrel gets so hot.
+- Remember how hea_ it was?
+
+127
+00:14:07,440 --> 00:14:08,440
+Exactly.
+
+128
+00:14:11,080 --> 00:14:12,240
+but there's also a lot improvised.
+
+129
+00:14:14,240 --> 00:14:18,120
+and had real fun
+giving each other a hard time.
+
+130
+00:14:19,799 --> 00:14:20,840
+that they were doing at each other.
+
+131
+00:14:22,559 --> 00:14:24,720
+Jonathan Pyce. though. boy. huh?
+
+132
+00:14:26,159 --> 00:14:30,440
+because obviously his role in the movie
+is so important on both fronts.
+
+133
+00:14:33,960 --> 00:14:36,280
+There was actually a scene
+right in between there.
+
+134
+00:14:38,440 --> 00:14:39,880
+to get to the door. but there was a...
+
+135
+00:14:41,960 --> 00:14:44,160
+...come in and...
+
+136
+00:14:47,879 --> 00:14:49,680
+lt's one of those ones where sometimes
+
+137
+00:14:51,399 --> 00:14:52,600
+Yes.
+
+138
+00:14:58,480 --> 00:15:01,640
+How did the process go for you
+as you were tying to visualise it?
+
+139
+00:15:03,799 --> 00:15:07,560
+This was like a motion-control rig
+that you shoot one part at a time.
+
+140
+00:15:11,759 --> 00:15:13,360
+And then you move the camera
+the way you need.
+
+141
+00:15:16,519 --> 00:15:18,840
+And then once you pick
+your take that you like.
+
+142
+00:15:20,159 --> 00:15:23,800
+And he has to dress up as the other guy.
+and it has to be exactly the same.
+
+143
+00:15:27,639 --> 00:15:31,560
+And it's a really crazy process.
+you have to make decisions on the set.
+
+144
+00:15:34,279 --> 00:15:35,280
+And you have to be pe_ect.
+
+145
+00:15:38,200 --> 00:15:39,840
+you can't go back to shoot this stuff.
+
+146
+00:15:43,840 --> 00:15:46,600
+Jonathan's such a good actor.
+
+147
+00:15:49,399 --> 00:15:51,040
+- without the other half.
+- Yes.
+
+148
+00:15:54,000 --> 00:15:55,440
+And then he turns around and does it.
+
+149
+00:15:57,919 --> 00:16:01,880
+lt's not a sequence that we had to
+cut around pe_ormance.
+
+150
+00:16:05,399 --> 00:16:08,440
+in this case him.
+it can be tricky to time it.
+
+151
+00:16:11,240 --> 00:16:13,080
+lt was bizarre how easily it cut together.
+
+152
+00:16:14,799 --> 00:16:17,360
+And you wanted to show that
+we weren't cheating it too much.
+
+153
+00:16:20,360 --> 00:16:22,760
+You wanted to see him
+walk all the way around.
+
+154
+00:16:25,120 --> 00:16:27,040
+and to show that
+these are two different people.
+
+155
+00:16:34,159 --> 00:16:38,000
+There's a lot of iokes he made
+about the President's wife.
+
+156
+00:16:39,879 --> 00:16:41,280
+And "the quicker blower-upper. baby."
+
+157
+00:16:43,440 --> 00:16:46,600
+And talks about interns.
+bringing back the interns.
+
+158
+00:16:50,879 --> 00:16:53,120
+"What would a President have
+underneath his building?
+
+159
+00:16:55,759 --> 00:16:57,200
+"Would it be..." Like. what is it?
+
+160
+00:16:59,720 --> 00:17:02,040
+For such a simple space.
+
+161
+00:17:04,480 --> 00:17:06,960
+lt was. "Exactly who
+is flying these helicopters?"
+
+162
+00:17:11,119 --> 00:17:14,160
+"Are they Cobra soldiers
+that are flying it? What are they?
+
+163
+00:17:17,559 --> 00:17:19,600
+lt was a big conversation piece
+by the studio.
+
+164
+00:17:24,319 --> 00:17:25,440
+And eveybody... We all kind of...
+
+165
+00:17:27,160 --> 00:17:28,440
+lt kind of went around and around.
+l think.
+
+166
+00:17:30,799 --> 00:17:32,280
+because it was iust...
+
+167
+00:17:34,519 --> 00:17:35,720
+Yeah.
+
+168
+00:17:40,680 --> 00:17:45,480
+this area is actually a sandpit in...
+
+169
+00:17:47,680 --> 00:17:50,440
+- lt was in St Francisville.
+- St Francisville. there you go.
+
+170
+00:17:52,359 --> 00:17:55,120
+- we found this huge sandpit.
+- Baton Rouge.
+
+171
+00:18:01,400 --> 00:18:03,960
+which was one of the things
+when we first went there. we're like.
+
+172
+00:18:07,279 --> 00:18:10,080
+'Cause that's not your vision of it.
+You know. your vision is bayou.
+
+173
+00:18:18,559 --> 00:18:20,600
+- God. it was miserable.
+- And my first action movie.
+
+174
+00:18:23,920 --> 00:18:26,760
+That Hummer is a real blowup
+of a Hummer.
+
+175
+00:18:29,400 --> 00:18:31,360
+lt was a big rig.
+Eveyone's super nervous.
+
+176
+00:18:35,200 --> 00:18:38,840
+And you have over 300 e_ras
+running around.
+
+177
+00:18:43,559 --> 00:18:44,920
+You can't step in the wrong place.
+
+178
+00:18:49,960 --> 00:18:51,160
+lt's funny how you bring different things.
+
+179
+00:18:53,160 --> 00:18:55,520
+"All right. that thing's gonna go
+over there" you know.
+
+180
+00:18:57,000 --> 00:18:58,600
+But you know.
+one of the things about this was.
+
+181
+00:19:01,359 --> 00:19:03,800
+That ain't makeup.
+We're in a hot desert environment.
+
+182
+00:19:08,200 --> 00:19:10,680
+- At night it was 100 degrees.
+- Yeah. It was insane.
+
+183
+00:19:13,039 --> 00:19:17,480
+And they're in this full battle gear.
+and they couldn't have been hotter.
+
+184
+00:19:20,720 --> 00:19:23,880
+who was iust so determined
+that nobody would faint
+
+185
+00:19:27,079 --> 00:19:30,200
+l don't think l ever saw her without
+30 bottles of water in her hand.
+
+186
+00:19:39,279 --> 00:19:40,920
+And this is amazing. this well.
+
+187
+00:19:43,640 --> 00:19:46,320
+The well in the real world. on the top.
+
+188
+00:19:51,200 --> 00:19:54,360
+And we had to tie that all together.
+And you could be at any part of the well.
+
+189
+00:19:58,599 --> 00:20:02,240
+And it was pretty awesome to
+shoot in a tank like that.
+
+190
+00:20:04,000 --> 00:20:08,600
+l think if you don't know its complication.
+it doesn't seem all that complicated.
+
+191
+00:20:12,519 --> 00:20:14,360
+and how do you go underwater.
+
+192
+00:20:17,400 --> 00:20:18,720
+the ability to
+move the camera an_here.
+
+193
+00:20:21,200 --> 00:20:24,240
+And that really was. you know.
+
+194
+00:20:26,319 --> 00:20:28,880
+- Andrew Menzies. our...
+- Our production designer.
+
+195
+00:20:31,759 --> 00:20:36,120
+something that gave you
+the ability to shoot it in a way that
+
+196
+00:20:39,119 --> 00:20:40,880
+'Cause we had to
+fit a whole crew down there.
+
+197
+00:20:42,480 --> 00:20:45,680
+And he literally gave us space
+to be able to do all that.
+
+198
+00:20:47,640 --> 00:20:49,120
+There's one shot
+where he jumps into the well.
+
+199
+00:20:51,000 --> 00:20:53,760
+as if it's like _lice in Wonderland,
+a camera right below him.
+
+200
+00:20:57,960 --> 00:21:00,200
+When he iumped.
+he dropped the camera with him.
+
+201
+00:21:03,920 --> 00:21:06,960
+ln fact.
+where they're about to walk up to.
+
+202
+00:21:09,519 --> 00:21:12,000
+But we made an identical set
+across the way.
+
+203
+00:21:14,799 --> 00:21:16,120
+and then destroy it. and then redress it.
+
+204
+00:21:20,039 --> 00:21:22,720
+for the explosions
+to show the aftermath.
+
+205
+00:21:25,720 --> 00:21:30,200
+you need a tunnel that high so
+you can fit your crew and eveyone in.
+
+206
+00:21:34,920 --> 00:21:36,600
+it gives you a sense of reality.
+
+207
+00:21:38,160 --> 00:21:41,680
+We didn't create...
+That's not a green screen effect.
+
+208
+00:21:53,039 --> 00:21:55,160
+'cause we have all these guys and girls
+
+209
+00:21:57,160 --> 00:21:59,040
+And we're like.
+"Well. we just need to make it simple
+
+210
+00:22:01,200 --> 00:22:02,720
+And the effects that you put on.
+and the filters.
+
+211
+00:22:20,839 --> 00:22:21,880
+And that move. you know. that was...
+
+212
+00:22:24,079 --> 00:22:26,560
+for when they would go up the well
+to be back-to-back like that.
+
+213
+00:22:29,039 --> 00:22:31,360
+But it's actually really cool.
+It shows strategy.
+
+214
+00:22:33,160 --> 00:22:36,440
+lt communicates something. you know.
+about. yeah. both the strategy.
+
+215
+00:22:38,160 --> 00:22:40,360
+- They're not gonna make it alone.
+- Yes.
+
+216
+00:22:43,359 --> 00:22:47,840
+was take these people who are
+going to be the heroes of the movie.
+
+217
+00:22:52,400 --> 00:22:55,160
+ln fact. and disgrace them.
+
+218
+00:22:58,240 --> 00:23:01,640
+You know. this moment of realisation
+as they're looking out. they're going.
+
+219
+00:23:02,920 --> 00:23:07,280
+There's anger. there's sadness.
+there's a lot of emotions.
+
+220
+00:23:10,160 --> 00:23:12,760
+you felt for them.
+and you were behind them.
+
+221
+00:23:22,920 --> 00:23:24,760
+And those people dead in the desert.
+
+222
+00:23:28,000 --> 00:23:30,680
+They're not mannequins.
+Those are real people lying in that.
+
+223
+00:23:34,680 --> 00:23:37,520
+This is probably like
+120 degrees at this point.
+
+224
+00:23:40,960 --> 00:23:42,640
+'Cause it was
+our first week of shooting again.
+
+225
+00:23:45,680 --> 00:23:47,680
+We really wanted to feel that.
+
+226
+00:23:52,400 --> 00:23:55,080
+having all those little errors.
+all those little te_ures to it
+
+227
+00:23:58,640 --> 00:24:01,000
+One of the things when you came on.
+which l so related to.
+
+228
+00:24:03,559 --> 00:24:05,480
+and who to make it with. is. you know.
+
+229
+00:24:07,440 --> 00:24:10,000
+Like you can see how The Rock's
+armour has been used before.
+
+230
+00:24:12,119 --> 00:24:15,640
+lt's got hea_-duty stuff
+that's gone through it.
+
+231
+00:24:21,279 --> 00:24:23,200
+communicated a toughness
+to the movie.
+
+232
+00:24:24,759 --> 00:24:27,280
+And l think that there was a lot of other
+things that were related to that.
+
+233
+00:24:31,799 --> 00:24:35,920
+of what these people look like
+really influenced how you feel about it.
+
+234
+00:24:58,799 --> 00:25:00,960
+There was parts where this was gone.
+
+235
+00:25:03,359 --> 00:25:03,560
+'cause it was
+a little confusing for people
+
+236
+00:25:05,359 --> 00:25:08,240
+lf you didn't know the lore.
+this might be confusing.
+
+237
+00:25:11,680 --> 00:25:14,240
+But Walt Goggins is iust brilliant.
+
+238
+00:25:17,960 --> 00:25:22,200
+Well. really. that opening sequence
+was really what saved this.
+
+239
+00:25:26,160 --> 00:25:29,480
+understand the trick we were gonna do
+in this sequence.
+
+240
+00:25:32,400 --> 00:25:35,960
+'Cause not only was Walt brilliant in it.
+but he's a fun guy to be with.
+
+241
+00:25:38,039 --> 00:25:42,120
+So Jon and l were both so incredibly...
+
+242
+00:25:45,960 --> 00:25:50,520
+Yes. And l love that Walt's
+in his casual wear today.
+
+243
+00:25:53,519 --> 00:25:56,120
+- That's right. yeah.
+- And that building. we actually built.
+
+244
+00:25:58,279 --> 00:26:01,320
+Yeah. a golf course.
+So there's nothing there. It's just a field.
+
+245
+00:26:04,319 --> 00:26:08,000
+That was insane for me to come into
+a movie where you could build like that.
+
+246
+00:26:14,079 --> 00:26:15,880
+l remember when we were
+scouting that other location
+
+247
+00:26:19,160 --> 00:26:22,400
+l looked at you and l said.
+"l don't care how good this place is.
+
+248
+00:26:25,640 --> 00:26:27,200
+Yes. l do.
+That was a cool place. though.
+
+249
+00:26:29,720 --> 00:26:31,840
+- l can't believe we could recreate that.
+- l know.
+
+250
+00:26:34,880 --> 00:26:37,720
+that these walls are not real.
+None of this stuff.
+
+251
+00:26:41,599 --> 00:26:44,960
+and that's not gonna get eveyone sick.
+
+252
+00:26:48,240 --> 00:26:49,760
+- That was...
+- That was a lot of safety stuff.
+
+253
+00:26:52,279 --> 00:26:54,760
+Even if you've worked on a lot of movies.
+you don't realise that
+
+254
+00:26:58,119 --> 00:27:01,000
+how the little things are
+where we really can get hurt.
+
+255
+00:27:03,759 --> 00:27:08,400
+So l know you love these tubes.
+and l'm glad it paid off.
+
+256
+00:27:11,640 --> 00:27:14,720
+the science of it.
+and then the safety of it on top of it.
+
+257
+00:27:27,480 --> 00:27:28,520
+l love that that's...
+
+258
+00:27:31,839 --> 00:27:34,560
+before he becomes Cobra
+with the silver mask.
+
+259
+00:27:38,680 --> 00:27:43,360
+God. l don't know. l mean. come on.
+there's like 45 versions
+
+260
+00:27:45,039 --> 00:27:47,600
+Not even the visor. The visor.
+there's got to be 100. l don't know.
+
+261
+00:27:49,279 --> 00:27:51,840
+iust the way it has a little brow furrow.
+
+262
+00:27:53,880 --> 00:27:58,560
+l think it's funny. 'cause you and l had
+so many debates about both
+
+263
+00:28:01,440 --> 00:28:06,160
+And Jon having grown up with the Joe...
+
+264
+00:28:09,000 --> 00:28:11,280
+so was determined to keep Cobra cool.
+
+265
+00:28:12,920 --> 00:28:16,160
+This whole section here
+was so interesting.
+
+266
+00:28:20,079 --> 00:28:22,720
+And then Destro. Ieaving him behind.
+
+267
+00:28:26,039 --> 00:28:28,600
+'cause if you don't know the first movie.
+you come into this movie.
+
+268
+00:28:31,440 --> 00:28:34,160
+The fact that we even brought him up.
+we really wanted to do that for the fans.
+
+269
+00:28:36,440 --> 00:28:38,960
+because there's
+a lot of people out there who did.
+
+270
+00:28:59,559 --> 00:29:03,160
+This is literally probably
+our fourth shot of the whole movie.
+
+271
+00:29:05,160 --> 00:29:07,320
+Yeah. we chose the easy stuff first.
+
+272
+00:29:13,359 --> 00:29:14,560
+And that gear is not easy.
+
+273
+00:29:15,799 --> 00:29:17,720
+"How much gear would they keep on
+at this point?
+
+274
+00:29:19,799 --> 00:29:21,520
+"Would they even be sweating?
+
+275
+00:29:24,759 --> 00:29:27,000
+There were so many debates
+of all those things.
+
+276
+00:29:30,519 --> 00:29:32,160
+Yeah. no. l know.
+That's one of the great things.
+
+277
+00:29:35,200 --> 00:29:36,680
+is a guy named Hary Humphries.
+
+278
+00:29:40,039 --> 00:29:42,160
+And you have real service men now
+who can tell you
+
+279
+00:29:43,599 --> 00:29:44,960
+That's exactly what they would wear.
+
+280
+00:29:48,319 --> 00:29:50,680
+l'm sure there's
+a few Holl_ood cut corners.
+
+281
+00:29:54,279 --> 00:29:56,840
+What would they keep.
+and what would they abandon.
+
+282
+00:29:59,720 --> 00:30:02,920
+this is what soldiers would actually do.
+which is nice.
+
+283
+00:30:15,400 --> 00:30:17,560
+lt's both safe
+for an actor to have on underwater.
+
+284
+00:30:22,759 --> 00:30:25,560
+We're always gonna miss
+this motorcycle. though.
+
+285
+00:30:27,720 --> 00:30:30,440
+- l think it was in the script.
+- Yeah. it was.
+
+286
+00:30:32,599 --> 00:30:35,080
+that the studio
+just could not get their head around.
+
+287
+00:30:36,559 --> 00:30:38,920
+And we were like.
+"We don't know. but it's cool."
+
+288
+00:30:41,160 --> 00:30:45,480
+And it was weirdly a huge
+argument point that became this thing.
+
+289
+00:30:48,559 --> 00:30:51,120
+And evey time l see it. l go.
+"God. that three-wheel was cool."
+
+290
+00:30:53,839 --> 00:30:56,400
+But iust to make a motorcycle
+that has the Cobra symbol on it.
+
+291
+00:30:59,839 --> 00:31:01,600
+l love that idea you had about
+
+292
+00:31:04,559 --> 00:31:06,200
+- The charge bar.
+- Yeah. the charge bar.
+
+293
+00:31:09,039 --> 00:31:11,520
+lnterestingly enough. l think Firefly.
+
+294
+00:31:14,119 --> 00:31:15,200
+and didn't have in the script.
+
+295
+00:31:17,160 --> 00:31:19,400
+There was iust something about the way
+they rendered him.
+
+296
+00:31:22,240 --> 00:31:26,480
+and then his opening lines with Cobra.
+
+297
+00:31:29,279 --> 00:31:32,760
+Ray really embodied
+a great version of that character. too.
+
+298
+00:31:38,000 --> 00:31:39,480
+And at first l was a little bit like.
+
+299
+00:31:41,640 --> 00:31:44,240
+"lt'll be interesting to
+see how this develops."
+
+300
+00:31:46,160 --> 00:31:50,360
+about how Firefly saw things exploding
+as creation. not destruction.
+
+301
+00:31:52,559 --> 00:31:55,360
+and that redistributing energy was art.
+
+302
+00:31:58,039 --> 00:31:59,760
+And so we went with it.
+
+303
+00:32:18,720 --> 00:32:21,800
+This sequence is amazing. because
+right from the beginning right here
+
+304
+00:32:23,799 --> 00:32:28,160
+"he's gonna pull him upside down.
+which is already an odd thing.
+
+305
+00:32:30,160 --> 00:32:31,800
+And suddenly he's right side up.
+
+306
+00:32:35,759 --> 00:32:38,680
+And what's great about having him
+as Storm Shadow.
+
+307
+00:32:43,480 --> 00:32:45,880
+But he's also
+this incredible physical specimen.
+
+308
+00:32:49,759 --> 00:32:53,560
+And there was a huge difference
+between making the first movie with him
+
+309
+00:32:56,279 --> 00:32:59,200
+he was iust beginning to learn English.
+
+310
+00:33:01,920 --> 00:33:03,760
+They didn't iust come
+from a natural place.
+
+311
+00:33:07,480 --> 00:33:10,680
+was iust sort of in the vey first scene.
+when you were shooting him. l was like.
+
+312
+00:33:14,319 --> 00:33:17,000
+And because he owned the language.
+you know?
+
+313
+00:33:19,720 --> 00:33:21,400
+and not the least of which
+Iook how built he is.
+
+314
+00:33:26,759 --> 00:33:29,400
+His dedication to learning English
+really helped us.
+
+315
+00:33:33,039 --> 00:33:34,840
+Bringing the rage into Storm Shadow.
+
+316
+00:33:37,200 --> 00:33:39,280
+He wanted a little more craziness.
+
+317
+00:33:42,480 --> 00:33:43,840
+which was nice to have.
+
+318
+00:33:46,400 --> 00:33:47,720
+That sense of betrayal is like.
+
+319
+00:33:52,559 --> 00:33:55,040
+- You'd get increasingly crazy about it.
+- Yeah.
+
+320
+00:34:05,440 --> 00:34:06,840
+That road is literally... We created it.
+
+321
+00:34:10,119 --> 00:34:14,120
+And then do this rig where he iumps
+off of the ramp.
+
+322
+00:34:15,519 --> 00:34:19,480
+You cannot do a big...
+You have to be going e_remely fast.
+
+323
+00:34:24,559 --> 00:34:26,760
+Which was scripted. actually.
+
+324
+00:34:32,239 --> 00:34:35,040
+Those explosions are real.
+We don't CG those explosions.
+
+325
+00:34:38,199 --> 00:34:41,280
+Which l think was a big aesthetic
+change we wanted to do in this movie
+
+326
+00:34:44,199 --> 00:34:48,640
+power of the explosions. the debris.
+the water. all sorts of environments.
+
+327
+00:34:53,360 --> 00:34:55,880
+That this was happening in real life.
+
+328
+00:35:03,480 --> 00:35:06,000
+We had switched actors
+playing this character.
+
+329
+00:35:07,159 --> 00:35:08,640
+and yet this moment.
+on a physical level.
+
+330
+00:35:11,599 --> 00:35:14,080
+Luke Bracey.
+who plays Cobra Commander.
+
+331
+00:35:15,760 --> 00:35:17,400
+You can see his stature.
+the way he walks.
+
+332
+00:35:20,920 --> 00:35:22,080
+which is really. really cool.
+
+333
+00:35:25,559 --> 00:35:27,560
+And the voice. Robert Baker.
+who does the voice.
+
+334
+00:35:30,920 --> 00:35:33,600
+We got to add this sort of hissing.
+breathing thing.
+
+335
+00:35:36,199 --> 00:35:38,880
+and he's always e_ending his S's.
+
+336
+00:35:40,480 --> 00:35:43,520
+So we went with more of this
+breathing mechanism. it had this rattle.
+
+337
+00:35:46,119 --> 00:35:48,680
+and what he's saying.
+So you'll hear it throughout the movie
+
+338
+00:35:51,320 --> 00:35:54,800
+Yeah. l think also.
+the trick was also not to be Darth Vader.
+
+339
+00:35:56,119 --> 00:35:58,000
+That was always the hardest thing.
+
+340
+00:36:00,880 --> 00:36:01,880
+Gets you there first.
+
+341
+00:36:04,599 --> 00:36:07,080
+- lt took up a big area of that space.
+- Yup.
+
+342
+00:36:16,960 --> 00:36:20,000
+And his iacket. His iacket is so insane.
+
+343
+00:36:24,119 --> 00:36:25,880
+lt's like bedazzled...
+
+344
+00:36:30,119 --> 00:36:33,040
+And that scar on his head.
+that was an idea that Ray brought.
+
+345
+00:36:36,159 --> 00:36:40,000
+And the idea of it was it was
+an explosion gone bad. right?
+
+346
+00:36:41,880 --> 00:36:43,760
+lt did. it gave the character...
+We immediately saw it.
+
+347
+00:36:49,000 --> 00:36:51,000
+This was a big debate.
+
+348
+00:36:54,960 --> 00:36:56,800
+lt's pretty bad-looking.
+
+349
+00:36:58,079 --> 00:37:00,160
+You gotta get him to the healer.
+
+350
+00:37:08,079 --> 00:37:11,320
+And. of course. Snake Eyes' vision
+through there was really fun.
+
+351
+00:37:13,679 --> 00:37:17,480
+All the reticules became
+really fun to design.
+
+352
+00:37:20,519 --> 00:37:23,840
+l think one of the amazing things.
+actually. about that conversion was.
+
+353
+00:37:25,039 --> 00:37:28,680
+both Jon and l had gone through
+experiences with 3-D.
+
+354
+00:37:35,079 --> 00:37:39,720
+we were so. so focused on.
+"How do we do this the right way?"
+
+355
+00:37:41,480 --> 00:37:42,760
+in terms of how you saw it.
+
+356
+00:37:44,800 --> 00:37:47,640
+in terms of how Steve Windon
+shot the movie.
+
+357
+00:37:52,760 --> 00:37:55,960
+So the conversion process. l think.
+had less pressure on it.
+
+358
+00:37:58,159 --> 00:38:00,520
+This is a gigantic space
+we're shooting in.
+
+359
+00:38:06,960 --> 00:38:10,520
+l think one of the real triumphs for us.
+l know l feel that way. is that
+
+360
+00:38:14,960 --> 00:38:17,280
+The 3-D is incredibly appreciated.
+
+361
+00:38:22,679 --> 00:38:23,680
+Yup.
+
+362
+00:38:26,320 --> 00:38:28,240
+was when Paramount called us
+and said.
+
+363
+00:38:30,119 --> 00:38:33,840
+lt was. "Whoa! Really? Why?
+
+364
+00:38:36,679 --> 00:38:39,600
+That's all the things you go through
+in your head right away.
+
+365
+00:38:41,199 --> 00:38:43,920
+"we actually think
+there's bigger upside if we go to 3-D."
+
+366
+00:38:46,519 --> 00:38:49,960
+after having the moment
+of emotional recovey of.
+
+367
+00:38:51,639 --> 00:38:53,480
+Now we're like. "Okay. stop."
+
+368
+00:38:56,239 --> 00:38:58,200
+You know. when a studio wants to
+spend more money on a movie.
+
+369
+00:39:01,800 --> 00:39:04,600
+And as it's turned out.
+it was a great move.
+
+370
+00:39:09,679 --> 00:39:13,760
+l think if we didn't have those moments.
+it wouldn't have been a choice for us.
+
+371
+00:39:17,239 --> 00:39:18,680
+But because there's
+just so many moments...
+
+372
+00:39:20,079 --> 00:39:21,640
+where we're pushing
+through the satellite.
+
+373
+00:39:24,079 --> 00:39:27,320
+And stuff like this in 3-D
+is beautiful and gorgeous.
+
+374
+00:39:30,159 --> 00:39:32,240
+All these things.
+the language is already in there.
+
+375
+00:39:35,360 --> 00:39:37,520
+Elodie Yung is amazing.
+
+376
+00:39:41,719 --> 00:39:44,640
+Yeah. Well. the hardest thing. l think.
+when you make.
+
+377
+00:39:48,119 --> 00:39:51,640
+is the audience is vey tough
+on female action characters.
+
+378
+00:39:54,880 --> 00:39:58,920
+And Elodie in Distr9ct 13: Ultimatum,
+wasn't that what it was called?
+
+379
+00:40:02,679 --> 00:40:06,200
+she's got the grace
+of being a beautiful woman.
+
+380
+00:40:12,079 --> 00:40:15,720
+and then this ferocity in her
+is really crazy good.
+
+381
+00:40:18,760 --> 00:40:23,440
+She really brought it to life. the feeling
+of wanting to be part of something.
+
+382
+00:40:25,480 --> 00:40:28,280
+l mean. she learnt those swords
+from the ground up.
+
+383
+00:40:30,840 --> 00:40:33,920
+l mean. evey time you see an actor
+actually learn it and do it.
+
+384
+00:40:37,519 --> 00:40:40,200
+lt's more believable.
+There's an organic nature to it.
+
+385
+00:40:48,599 --> 00:40:54,680
+But we knew his love of kung fu
+and the lore of it.
+
+386
+00:40:56,119 --> 00:40:57,080
+he was iust for us sort of a special treat.
+
+387
+00:40:58,360 --> 00:41:00,800
+iust mess with your expectations
+of these characters.
+
+388
+00:41:03,840 --> 00:41:08,080
+But going from there to here.
+to the streets of Washington. D.C..
+
+389
+00:41:11,400 --> 00:41:13,040
+lt's really fun.
+
+390
+00:41:16,320 --> 00:41:19,920
+is both incredibly liberating.
+and. actually. really. really dangerous.
+
+391
+00:41:24,360 --> 00:41:26,200
+and keep it moving in
+the same direction. you know?
+
+392
+00:41:28,519 --> 00:41:31,960
+Miley Cyrus and Ryan Seacrest.
+that's such a fine line.
+
+393
+00:41:35,880 --> 00:41:38,520
+And l think it was actually important
+that it does fit into our world.
+
+394
+00:41:40,360 --> 00:41:43,000
+lt's also one of those things
+where you go to that first preview.
+
+395
+00:41:44,760 --> 00:41:47,320
+if they don't laugh at that
+it's coming out of the movie.
+
+396
+00:41:50,800 --> 00:41:54,200
+l always wanted a scene here
+where at the end of the movie.
+
+397
+00:41:57,039 --> 00:41:58,200
+and it's iust destroyed.
+
+398
+00:42:02,440 --> 00:42:06,520
+'Cause the reality is they get a car
+from him and they just destroy it.
+
+399
+00:42:10,000 --> 00:42:11,840
+He iust came in.
+he riffed a lot of the stuff.
+
+400
+00:42:14,480 --> 00:42:18,080
+And it's all gotta establish.
+really. Roadblock's backstoy
+
+401
+00:42:20,320 --> 00:42:24,000
+Why this place would these guys
+choose to hide?
+
+402
+00:42:25,360 --> 00:42:27,400
+That one line.
+"Home is where the help is." That's it.
+
+403
+00:42:29,559 --> 00:42:33,160
+That he's coming back to his origins
+to build up again.
+
+404
+00:42:35,920 --> 00:42:40,080
+no tons of weapons.
+just back to where he started.
+
+405
+00:43:01,039 --> 00:43:04,920
+make up the stuff that they figure out
+all the DNA things from later.
+
+406
+00:43:20,960 --> 00:43:23,360
+you could see that
+Roadblock grew up in this place.
+
+407
+00:43:25,039 --> 00:43:26,800
+l love those little trophies back there.
+
+408
+00:43:28,360 --> 00:43:31,600
+- lt's such a sort of sports feeling.
+- Yeah.
+
+409
+00:43:36,039 --> 00:43:37,520
+in those frames. which is cool.
+
+410
+00:43:39,639 --> 00:43:41,280
+Yup. yup.
+
+411
+00:43:46,119 --> 00:43:47,960
+That thing's so fun to iump in.
+
+412
+00:44:23,039 --> 00:44:27,920
+and this tension that exists
+between Flint and Roadblock of.
+
+413
+00:44:32,880 --> 00:44:34,320
+"l got my own set of..."
+
+414
+00:44:39,239 --> 00:44:42,360
+And he's really on program.
+but at the same time.
+
+415
+00:44:45,360 --> 00:44:48,040
+You know. he can't sort of help it.
+
+416
+00:44:52,079 --> 00:44:54,560
+especially from the new guy Flint.
+
+417
+00:44:56,400 --> 00:44:57,760
+'cause he's not there yet.
+
+418
+00:45:01,280 --> 00:45:03,480
+and that they can debate that.
+
+419
+00:45:04,119 --> 00:45:06,760
+We don't get fully into it.
+but we get to play just a little bit.
+
+420
+00:45:12,360 --> 00:45:16,000
+what would convince somebody
+that a guy was an imposter.
+
+421
+00:45:18,880 --> 00:45:22,680
+'Cause people do cross their thumbs.
+as you'll see him shortly.
+
+422
+00:45:25,159 --> 00:45:26,160
+and they always do that move
+
+423
+00:45:28,400 --> 00:45:31,480
+Yeah. and if you ty it.
+you feel like one way feels natural.
+
+424
+00:45:33,039 --> 00:45:36,000
+Even if you do it both ways.
+one of them feels more natural.
+
+425
+00:45:39,280 --> 00:45:41,440
+You forget how simple it is.
+
+426
+00:45:44,559 --> 00:45:49,160
+to create the Ul for a computer system
+in any scene.
+
+427
+00:45:51,079 --> 00:45:54,400
+Like. "How high-tech do they have it?
+What era we are in.
+
+428
+00:45:57,639 --> 00:45:59,840
+And going through even iust the sound.
+
+429
+00:46:01,920 --> 00:46:04,160
+iust because we wanted to give them
+a little edge to it.
+
+430
+00:46:06,719 --> 00:46:07,720
+Things that you'd never think...
+
+431
+00:46:15,119 --> 00:46:17,200
+This was a tricky moment. you know?
+
+432
+00:46:19,239 --> 00:46:21,440
+that these guys can
+Ieap to this conclusion?
+
+433
+00:46:24,920 --> 00:46:26,320
+lt's actually set up in the desert.
+
+434
+00:46:30,159 --> 00:46:32,080
+"l voted for him" you know.
+
+435
+00:46:35,719 --> 00:46:39,360
+so how long can you actually draw it out
+before you're like. "Come on. guys."
+
+436
+00:46:42,960 --> 00:46:46,520
+the introduction of his character.
+is a really interesting thing.
+
+437
+00:46:51,039 --> 00:46:56,680
+at first blush. the idea that he's
+gonna call her by her wrong name.
+
+438
+00:46:59,039 --> 00:47:02,000
+You know. that was really Bruce's idea.
+that was not a scripted idea.
+
+439
+00:47:05,199 --> 00:47:07,640
+and even this. sort of.
+Girl Scout reference here
+
+440
+00:47:10,960 --> 00:47:13,280
+And it's one of the things. l think.
+
+441
+00:47:15,960 --> 00:47:17,240
+you realise why they're movie stars.
+
+442
+00:47:19,599 --> 00:47:22,120
+and they know what they do well. too.
+
+443
+00:47:24,800 --> 00:47:27,080
+"Shut your mouth. Brenda" is so rough.
+
+444
+00:47:31,599 --> 00:47:34,000
+"How are women
+gonna feel about this?"
+
+445
+00:47:39,119 --> 00:47:40,880
+And l remember Adrianne.
+
+446
+00:47:43,920 --> 00:47:45,480
+lt started at the dinner. yeah.
+
+447
+00:47:48,000 --> 00:47:51,400
+But it was funny. because
+it started to get under her nerves.
+
+448
+00:47:55,440 --> 00:47:56,600
+l think l got it about halfway
+out of my mouth.
+
+449
+00:47:58,559 --> 00:48:00,360
+lt only works for Bruce.
+
+450
+00:48:02,760 --> 00:48:04,560
+Bruce even brought this up. he's like.
+
+451
+00:48:06,239 --> 00:48:07,320
+"At some point she needs to punch me."
+
+452
+00:48:09,559 --> 00:48:12,160
+'Cause it would've happened at the end.
+when they're attacking the President.
+
+453
+00:48:13,800 --> 00:48:17,920
+But l always... You do. You want her
+to punch him at some point.
+
+454
+00:48:19,400 --> 00:48:21,440
+with what could be
+a vey unsympathetic thing
+
+455
+00:48:23,920 --> 00:48:25,520
+Yes. That's the power of Bruce.
+
+456
+00:48:27,280 --> 00:48:31,000
+that Jon and l talked a lot
+about this character. Joe Colton.
+
+457
+00:48:32,679 --> 00:48:36,120
+is the embodiment of the original
+G.l. Joe ethos. if you would.
+
+458
+00:48:39,800 --> 00:48:43,000
+And that's the Joe l grew up with.
+
+459
+00:48:46,119 --> 00:48:50,760
+Single character. not a fantasy.
+not all that stuff. the guy.
+
+460
+00:48:55,079 --> 00:48:57,240
+it was actually one of
+the easiest pitches l've ever had.
+
+461
+00:48:59,519 --> 00:49:03,640
+And l turned to him.
+and l called him up and said.
+
+462
+00:49:08,079 --> 00:49:10,240
+He goes. "l get to play the original Joe?
+
+463
+00:49:12,440 --> 00:49:14,680
+"Putting firecrackers on my Joe.
+and throwing him off the roof."
+
+464
+00:49:16,400 --> 00:49:18,880
+And so it was this kind of funny moment.
+
+465
+00:49:23,239 --> 00:49:25,240
+is now in this movie.
+
+466
+00:49:26,639 --> 00:49:28,760
+we succeeded in the first movie
+of doing.
+
+467
+00:49:32,920 --> 00:49:34,480
+that we could bring that to this table.
+
+468
+00:49:37,119 --> 00:49:39,000
+Which is pretty awesome.
+'cause it has...
+
+469
+00:49:42,880 --> 00:49:45,000
+So when they're all in the same room.
+it's the only person...
+
+470
+00:49:48,320 --> 00:49:50,120
+Roadblock in the face. and say.
+
+471
+00:49:52,440 --> 00:49:55,440
+"You don't need a tank. and a laser...
+Laser guns to be a soldier.
+
+472
+00:49:56,679 --> 00:49:59,400
+And l thought that was
+the important part for our team.
+
+473
+00:50:01,760 --> 00:50:03,000
+'Cause l remember
+Iooking at the crew members
+
+474
+00:50:06,599 --> 00:50:08,360
+"We're professionals doing our iobs.
+
+475
+00:50:13,639 --> 00:50:14,840
+Yes.
+
+476
+00:50:17,559 --> 00:50:20,040
+Yes. there were.
+That was a vey popular day.
+
+477
+00:50:22,199 --> 00:50:23,200
+There might have been.
+
+478
+00:50:26,639 --> 00:50:28,120
+She'll give it right back at you.
+
+479
+00:50:30,960 --> 00:50:33,280
+She's like. "l need to
+get punched in this scene."
+
+480
+00:50:36,159 --> 00:50:38,920
+And she's like. "Jon. l have to be
+as tough as eveyone else.
+
+481
+00:50:40,840 --> 00:50:42,040
+And it made complete sense.
+
+482
+00:50:44,119 --> 00:50:45,800
+So we never treated her differently
+in all this stuff.
+
+483
+00:50:47,760 --> 00:50:49,880
+which also conveys
+that sense of toughness.
+
+484
+00:50:51,119 --> 00:50:54,240
+And. actually. it's one of the tricks
+l think that...
+
+485
+00:50:58,159 --> 00:51:02,160
+how you cary yourself
+conveys a lot about your physicality.
+
+486
+00:51:11,480 --> 00:51:13,000
+We shot this in the...
+
+487
+00:51:15,280 --> 00:51:17,040
+Whistler area.
+
+488
+00:51:49,559 --> 00:51:52,840
+l think it's probably our most highly
+complimented sequence in the movie.
+
+489
+00:51:55,480 --> 00:51:58,120
+they were fans of the comic book.
+
+490
+00:52:01,480 --> 00:52:04,000
+l think it was originally
+two and a half pages.
+
+491
+00:52:07,000 --> 00:52:08,080
+Something like that.
+
+492
+00:52:11,079 --> 00:52:13,920
+So you won't hear
+any conversation. anything.
+
+493
+00:52:17,559 --> 00:52:20,000
+And we kept saying to ourselves.
+"Are we gonna get away with that?
+
+494
+00:52:22,039 --> 00:52:24,080
+We kept feeling like.
+"There's always the out"
+
+495
+00:52:26,440 --> 00:52:28,480
+We can always have him
+say something.
+
+496
+00:52:31,480 --> 00:52:34,080
+l know you were a huge fan
+of the comic book.
+
+497
+00:52:37,079 --> 00:52:41,880
+Yeah. And Issue 21 that Lary Hama did
+that had no dialogue in it
+
+498
+00:52:45,800 --> 00:52:47,920
+Before that it was like.
+"lt's just to sell toys."
+
+499
+00:52:53,000 --> 00:52:56,080
+And that's what we really wanted
+to capture in the movie. too.
+
+500
+00:52:59,880 --> 00:53:03,200
+and more of the comic book feel to it.
+
+501
+00:53:05,800 --> 00:53:08,200
+At least some of the reality of it.
+the te_ure.
+
+502
+00:53:11,000 --> 00:53:12,880
+l always thought this was
+one of the coolest moments.
+
+503
+00:53:14,079 --> 00:53:16,480
+There's Cobra symbols
+carved into the ninja stars.
+
+504
+00:53:21,880 --> 00:53:24,480
+No music. l remember
+we used to have big music here.
+
+505
+00:53:26,039 --> 00:53:27,680
+- lt was cool to hear the silence.
+- Yeah.
+
+506
+00:53:30,000 --> 00:53:32,200
+We iust tried it to hear and we were like.
+
+507
+00:53:39,079 --> 00:53:43,120
+Just the fact that Snake Eyes iust
+punches through a column is awesome.
+
+508
+00:53:46,800 --> 00:53:49,280
+Thank God Byung-Hun and Ray
+are such great athletes.
+
+509
+00:53:56,440 --> 00:53:58,800
+So that's the mother
+of one of our stunt guys.
+
+510
+00:54:05,079 --> 00:54:07,320
+And so she'd never been in a movie.
+
+511
+00:54:13,480 --> 00:54:16,600
+l was iust drawn into her.
+'cause she was so tough.
+
+512
+00:54:18,719 --> 00:54:21,000
+And so called her up.
+said if she'd ever come down.
+
+513
+00:54:24,159 --> 00:54:26,400
+all those things are really her.
+
+514
+00:54:28,079 --> 00:54:29,800
+She'd never done a movie with her son.
+
+515
+00:54:33,079 --> 00:54:36,960
+Travis Wong is the stunt guy.
+and he's one of the Red Ninjas.
+
+516
+00:54:42,039 --> 00:54:47,080
+And l loved that Jinx has that
+sort of Bruce Lee ninja outfit on.
+
+517
+00:55:02,079 --> 00:55:05,320
+You can see it. even iust
+passing out here he's so intense.
+
+518
+00:55:06,679 --> 00:55:08,200
+lt was scaring me
+when we were shooting.
+
+519
+00:55:10,159 --> 00:55:12,520
+But he iust gives it all. sells it.
+
+520
+00:55:23,639 --> 00:55:28,760
+was again a Reese and Wernick idea
+that then we had to figure out.
+
+521
+00:55:30,920 --> 00:55:32,960
+This was such a huge team effort
+
+522
+00:55:36,800 --> 00:55:42,680
+to our pre-viz guys. to our stunt guys.
+to George. who did our second unit...
+
+523
+00:55:43,880 --> 00:55:46,560
+lt was amazing.
+eveyone came together for this one.
+
+524
+00:55:51,760 --> 00:55:53,880
+l don't know. how many months
+went into this planning?
+
+525
+00:55:56,559 --> 00:55:58,360
+And this sequence wouldn't work
+without Paul.
+
+526
+00:56:02,920 --> 00:56:05,000
+How you would pendulum something.
+
+527
+00:56:07,039 --> 00:56:10,440
+And being a stuntman. a rigger.
+a world-class climber.
+
+528
+00:56:15,960 --> 00:56:18,160
+A lot of this sequence. you know...
+
+529
+00:56:21,880 --> 00:56:23,600
+That he had to rig up.
+which is really cool.
+
+530
+00:56:25,320 --> 00:56:26,680
+- A thousand feet?
+- Yeah.
+
+531
+00:56:28,400 --> 00:56:29,720
+And. Paul. from the vey beginning...
+
+532
+00:56:32,639 --> 00:56:34,880
+he came to my office and we worked out
+
+533
+00:56:37,719 --> 00:56:42,320
+We got out our ninia action figures
+from Hasbro and started planning it out.
+
+534
+00:56:44,599 --> 00:56:46,600
+"so it doesn't feel
+like we're in a video game."
+
+535
+00:56:48,239 --> 00:56:49,640
+You know that
+this could actually happen.
+
+536
+00:56:52,400 --> 00:56:54,560
+And for me.
+l'd used him in a lot of movies.
+
+537
+00:56:59,960 --> 00:57:03,360
+l knew we were in good hands
+to be able to execute it.
+
+538
+00:57:13,079 --> 00:57:14,320
+l always loved this.
+
+539
+00:57:17,239 --> 00:57:20,000
+- And l loved the posturing...
+- The joust.
+
+540
+00:57:21,519 --> 00:57:24,040
+The pause right here.
+it's such a great idea.
+
+541
+00:57:26,800 --> 00:57:29,040
+lt was really
+one of the most dramatic things.
+
+542
+00:57:30,599 --> 00:57:32,880
+lt really conveyed a lot of attitude.
+
+543
+00:57:35,639 --> 00:57:38,080
+And l was like.
+when they're hanging on the side.
+
+544
+00:57:40,000 --> 00:57:42,840
+and they pull out their swords.
+it's so cool.
+
+545
+00:57:46,199 --> 00:57:48,560
+There are real people with real weight.
+
+546
+00:57:52,559 --> 00:57:54,080
+But these. you feel the weight.
+
+547
+00:57:55,639 --> 00:57:58,720
+That guy. when he falls off the line
+is not real.
+
+548
+00:58:06,000 --> 00:58:08,400
+- Yes.
+- Now it's a real fake rock.
+
+549
+00:58:13,400 --> 00:58:19,640
+then we had this gigantic green screen
+built in our facility
+
+550
+00:58:22,360 --> 00:58:24,120
+- l don't know. five weeks?
+- A lot.
+
+551
+00:58:26,119 --> 00:58:28,240
+l don't know.
+probably in total this thing is
+
+552
+00:58:30,079 --> 00:58:31,840
+At least. And we did great.
+
+553
+00:58:35,119 --> 00:58:36,960
+as they're swinging that fast.
+
+554
+00:58:39,519 --> 00:58:40,800
+or getting things out of focus.
+
+555
+00:58:45,400 --> 00:58:49,560
+There's some really fun details
+that eveybody contributed to.
+
+556
+00:58:53,159 --> 00:58:56,280
+Jim May and Roger Barton.
+who were our editors.
+
+557
+00:59:00,280 --> 00:59:03,080
+We had to be done with this
+while we were shooting
+
+558
+00:59:05,079 --> 00:59:07,040
+They had to figure it out.
+Especially Roger.
+
+559
+00:59:10,440 --> 00:59:13,320
+When you shoot all these pieces.
+how does it all come together.
+
+560
+00:59:15,199 --> 00:59:16,120
+And so that was really fun to see.
+
+561
+00:59:24,679 --> 00:59:28,480
+l mean. he's like the unofficial mayor.
+maybe it's even official now.
+
+562
+00:59:29,880 --> 00:59:32,160
+But there's something about
+the political veracity of that
+
+563
+00:59:36,039 --> 00:59:37,280
+There he is.
+
+564
+00:59:38,920 --> 00:59:40,280
+He's such a great face.
+
+565
+00:59:42,599 --> 00:59:43,760
+l didn't know how he would...
+
+566
+00:59:46,119 --> 00:59:47,640
+He was the most welcoming.
+he was like.
+
+567
+00:59:49,760 --> 00:59:51,120
+He was literally like the mayor.
+
+568
+00:59:55,320 --> 00:59:59,960
+to a city still recovering from Katrina
+meant a lot to the city.
+
+569
+01:00:03,000 --> 01:00:07,240
+was he felt like.
+well. he could help us help the city.
+
+570
+01:00:09,440 --> 01:00:10,800
+That dress was always a winner.
+
+571
+01:00:13,599 --> 01:00:15,400
+That might have been
+the first dress she showed us.
+
+572
+01:00:17,079 --> 01:00:18,560
+Right when you saw it.
+you couldn't deny it.
+
+573
+01:00:20,639 --> 01:00:22,360
+"Move on. another decision."
+
+574
+01:00:24,920 --> 01:00:26,560
+- She's a fashion fan.
+- Yeah.
+
+575
+01:00:28,320 --> 01:00:30,280
+'cause then we could say.
+"No. you have to have that mask"
+
+576
+01:00:31,639 --> 01:00:32,680
+And she would put up a fight.
+
+577
+01:00:35,639 --> 01:00:36,880
+And then you would look at it.
+
+578
+01:00:40,000 --> 01:00:41,560
+but in the way that it needed to be.
+
+579
+01:00:44,440 --> 01:00:45,720
+She iust understood. she got it.
+
+580
+01:00:49,760 --> 01:00:52,760
+lmmediately when l see her
+walking through. l think Matrix.
+
+581
+01:00:55,679 --> 01:00:58,040
+l'm sure that wasn't Louise's intention.
+
+582
+01:01:01,239 --> 01:01:04,160
+Yes. and then there was no one else
+we wanted to put in red.
+
+583
+01:01:06,679 --> 01:01:08,520
+- Let her stick out.
+- Yep.
+
+584
+01:01:11,599 --> 01:01:13,480
+and they're like dancing. all this stuff.
+
+585
+01:01:15,079 --> 01:01:16,480
+Who was great. too. she was great.
+
+586
+01:01:18,960 --> 01:01:21,520
+You really fall in love with certain things.
+and then the ne_ thing you know.
+
+587
+01:01:23,119 --> 01:01:24,640
+At a certain point
+we needed the tension.
+
+588
+01:01:27,800 --> 01:01:29,520
+- And the pacing.
+- Yeah.
+
+589
+01:01:40,840 --> 01:01:43,360
+- As evey Joe should.
+- Of course. of course.
+
+590
+01:01:49,239 --> 01:01:52,720
+To work with the graphics people
+to create how it scans.
+
+591
+01:02:10,480 --> 01:02:12,080
+l also remember this moment.
+
+592
+01:02:16,400 --> 01:02:20,000
+in comes something
+that's a direct call back to...
+
+593
+01:02:24,239 --> 01:02:26,880
+But this moment with The Rock
+that's about to come up.
+
+594
+01:02:30,360 --> 01:02:33,840
+about. "Should we see the Firefly.
+should we not see the Firefly?"
+
+595
+01:02:39,280 --> 01:02:41,920
+this character wouldn't react
+the way he reacts.
+
+596
+01:02:43,159 --> 01:02:45,240
+We had a long debate about this.
+remember. Jon?
+
+597
+01:02:47,760 --> 01:02:51,080
+At one point he was doing it.
+He'd gone rogue from the others.
+
+598
+01:02:53,400 --> 01:02:54,840
+And so there was a lot of debate
+
+599
+01:02:57,199 --> 01:02:59,240
+"What. strategically.
+are they tying to do?"
+
+600
+01:03:01,960 --> 01:03:05,280
+that the G.l. Joes had to
+assassinate the fake President.
+
+601
+01:03:06,519 --> 01:03:08,320
+So this moment would be
+that moment. you're like.
+
+602
+01:03:10,840 --> 01:03:13,640
+But eventually it became that
+you wanted Roadblock to be in control.
+
+603
+01:03:15,159 --> 01:03:17,440
+You wanted it to be well thought out.
+
+604
+01:03:31,119 --> 01:03:34,200
+But it's brutal. because the hard thing is
+
+605
+01:03:39,519 --> 01:03:42,000
+And it was one of the things
+we kept saying to ourselves.
+
+606
+01:03:46,079 --> 01:03:48,440
+"and actually make it believable?"
+
+607
+01:03:50,920 --> 01:03:52,680
+- Yes.
+- And a great actor.
+
+608
+01:03:55,239 --> 01:03:57,480
+lt was one of those great things
+that all came together.
+
+609
+01:04:00,760 --> 01:04:05,680
+but he was physically so daunting
+that we wanted this moment.
+
+610
+01:04:08,760 --> 01:04:13,760
+and how some of the great action stars
+have understood
+
+611
+01:04:19,599 --> 01:04:20,680
+And that's a tricky thing.
+
+612
+01:04:23,119 --> 01:04:28,320
+"can you really let a hero like Dwayne
+get beaten?"
+
+613
+01:04:31,360 --> 01:04:33,840
+is that now it's the rematch.
+
+614
+01:04:42,159 --> 01:04:45,520
+l always imagined that was the
+three-wheeled motorcycle going away.
+
+615
+01:04:47,639 --> 01:04:49,080
+Yeah. that would've been fun.
+
+616
+01:04:57,119 --> 01:04:58,240
+and we were intrigued by
+
+617
+01:05:01,400 --> 01:05:04,440
+One which is a sort of ninia stoy.
+
+618
+01:05:08,840 --> 01:05:12,080
+This is about past histoy that has
+nothing to do with Dwayne's character.
+
+619
+01:05:14,840 --> 01:05:17,920
+This is a totally different stoy
+that's going on.
+
+620
+01:05:22,719 --> 01:05:24,960
+that we're tying to
+juggle these stoylines.
+
+621
+01:05:29,400 --> 01:05:32,400
+But when you have someone
+like Byung-Hun Lee here.
+
+622
+01:05:35,320 --> 01:05:37,000
+it doesn't matter where you are.
+what you're doing.
+
+623
+01:05:38,320 --> 01:05:42,200
+And you get into him. and you feel that
+it's a guy struggling with
+
+624
+01:05:46,079 --> 01:05:48,800
+- you're immediately back in this.
+- Yeah.
+
+625
+01:05:53,599 --> 01:05:55,840
+helped a lot with going back and forth.
+
+626
+01:06:00,119 --> 01:06:03,280
+Especially falling off cliffs.
+Why not? Why not?
+
+627
+01:06:09,840 --> 01:06:11,160
+lt's actually something
+we didn't talk about.
+
+628
+01:06:16,400 --> 01:06:19,680
+So she's really. in her life. has had to
+
+629
+01:06:22,840 --> 01:06:25,560
+of being the cousin of a traitor
+in their minds.
+
+630
+01:06:28,559 --> 01:06:30,920
+The Blind Master's friend was killed.
+
+631
+01:06:33,760 --> 01:06:37,120
+And eveybody's got some grudge
+in this scene.
+
+632
+01:06:40,480 --> 01:06:42,920
+l don't know if you knew this.
+but we were literally...
+
+633
+01:06:46,559 --> 01:06:51,960
+they had casted. not little people.
+but really small ninjas.
+
+634
+01:06:54,840 --> 01:06:58,400
+"We've gotta find bigger.
+more warrior-like ninjas."
+
+635
+01:07:03,159 --> 01:07:05,880
+"Are you guys crazy
+how big you've made this thing?
+
+636
+01:07:08,400 --> 01:07:11,160
+"Boy. you better make
+a good thing out of this set."
+
+637
+01:07:14,159 --> 01:07:17,720
+l think one of the interesting things
+about making movies is.
+
+638
+01:07:20,679 --> 01:07:22,840
+And so many decisions get made so fast
+
+639
+01:07:26,480 --> 01:07:27,640
+keep track of all the decisions.
+
+640
+01:07:30,800 --> 01:07:34,920
+Picking the right people to make the
+right decisions is incredibly complex.
+
+641
+01:07:37,440 --> 01:07:39,560
+l remember iust looking at
+the production designer. Andrew.
+
+642
+01:07:41,039 --> 01:07:43,320
+"You built this big...
+How much does this set cost?"
+
+643
+01:07:44,679 --> 01:07:46,400
+"We're gonna need money
+for the tank battle.
+
+644
+01:07:47,599 --> 01:07:49,280
+"Well. Jon loves the big ninias scene."
+
+645
+01:07:51,679 --> 01:07:53,560
+- We need all of it.
+- Right.
+
+646
+01:08:32,560 --> 01:08:34,120
+- The TV became the most...
+- Right.
+
+647
+01:08:56,279 --> 01:08:59,440
+this moment that dad does not take.
+
+648
+01:09:03,439 --> 01:09:06,240
+and that her motivation is
+to get him to salute to her.
+
+649
+01:09:08,399 --> 01:09:11,960
+There's a lot of hostility
+and anger in that. you know.
+
+650
+01:09:14,760 --> 01:09:16,760
+- Yeah.
+- That he salutes her at the end.
+
+651
+01:09:18,279 --> 01:09:21,880
+To me. it makes their relationship
+make all the sense in the world.
+
+652
+01:09:24,239 --> 01:09:27,120
+and l guess we'll get there.
+we'll talk about it.
+
+653
+01:09:29,039 --> 01:09:31,880
+When he said. "l knew your dad"
+you were like. "Whoa."
+
+654
+01:09:34,960 --> 01:09:37,440
+- He didn't even have to go there.
+- Didn't have to do anything. He got it.
+
+655
+01:09:41,000 --> 01:09:43,240
+This was a matter of saving some time.
+
+656
+01:09:47,479 --> 01:09:49,080
+before it was getting boring.
+
+657
+01:09:50,720 --> 01:09:53,880
+and said what if you are the President
+and look right at the camera.
+
+658
+01:09:55,439 --> 01:09:58,160
+We'd done a little bit of that
+with the Cobra vision.
+
+659
+01:10:00,960 --> 01:10:04,200
+So we tried to find
+fun ways to make it interesting.
+
+660
+01:10:15,920 --> 01:10:17,520
+l always loved Jonathan's look
+on his face.
+
+661
+01:10:20,319 --> 01:10:22,440
+And the reflection in Cobra's mask
+is hard.
+
+662
+01:10:24,239 --> 01:10:25,920
+That should be the camera.
+
+663
+01:10:30,760 --> 01:10:33,720
+So whenever you see his mask
+you won't see the camera.
+
+664
+01:10:44,000 --> 01:10:46,680
+We had a lot of debate
+about this briefcase. remember?
+
+665
+01:10:48,560 --> 01:10:51,240
+l remember looking at it going.
+"What is this? What is this leather?"
+
+666
+01:10:53,720 --> 01:10:56,640
+But we were like. "That's what
+a real nuclear football looks like."
+
+667
+01:10:58,359 --> 01:11:00,280
+- lt's true.
+- And we started tearing stuff off of it.
+
+668
+01:11:02,720 --> 01:11:05,080
+- what's the right look for the football.
+- Yeah.
+
+669
+01:11:07,760 --> 01:11:11,320
+and yet instantaneously recognisable
+for the audience?
+
+670
+01:11:14,279 --> 01:11:16,440
+lf you don't understand.
+you haven't seen an action movie
+
+671
+01:11:20,159 --> 01:11:22,440
+This was hard.
+because it was really dark.
+
+672
+01:11:26,640 --> 01:11:28,320
+You wanted this rawness to it.
+
+673
+01:11:36,720 --> 01:11:38,160
+Always got a big laugh. that moment.
+
+674
+01:11:41,039 --> 01:11:44,600
+Yeah. l think it was when they added
+the sound effect of the gun.
+
+675
+01:11:46,439 --> 01:11:48,200
+'Cause you don't necessarily
+Iook down there.
+
+676
+01:11:50,079 --> 01:11:53,240
+He had a ton of things
+that he kept saying that were hilarious.
+
+677
+01:11:59,680 --> 01:12:01,720
+And this was always hard to...
+At what point...
+
+678
+01:12:07,279 --> 01:12:10,200
+they have mutual interest
+in this one battle.
+
+679
+01:12:13,239 --> 01:12:16,680
+l remember the arguments...
+Not the arguments. but. really. like.
+
+680
+01:12:20,359 --> 01:12:23,160
+- Really quickly.
+- So that's all in pe_ormance.
+
+681
+01:12:27,920 --> 01:12:29,400
+Now we enter this scene.
+
+682
+01:12:32,239 --> 01:12:34,600
+l remember we were in New Orleans
+
+683
+01:12:36,640 --> 01:12:38,040
+right before you make a movie.
+
+684
+01:12:41,600 --> 01:12:43,960
+And l turned to the writers and l said.
+
+685
+01:12:46,960 --> 01:12:50,240
+'Cause l knew whatever it was.
+it couldn't be too expensive. Right?
+
+686
+01:12:54,640 --> 01:12:56,920
+And they literally wrote in the script.
+they put.
+
+687
+01:13:00,119 --> 01:13:01,360
+And then our editor.
+when he got the dailies.
+
+688
+01:13:03,279 --> 01:13:06,280
+He read it and he was like.
+"Okay. what song do they mean?"
+
+689
+01:13:08,479 --> 01:13:11,000
+to find the most obscure song
+that they think we mean.
+
+690
+01:13:12,239 --> 01:13:14,600
+l remember when l walked in
+and l saw...
+
+691
+01:13:16,920 --> 01:13:19,960
+And l looked at you like. "You guys
+actually used The Four Horsemen."
+
+692
+01:13:21,199 --> 01:13:22,920
+You should've seen my face
+when l walked in.
+
+693
+01:13:24,319 --> 01:13:27,280
+But it was so funny
+that we had to show you.
+
+694
+01:13:34,000 --> 01:13:37,120
+l don't know. self-conscious.
+or tying to be cool.
+
+695
+01:13:39,159 --> 01:13:40,640
+- "We're tying to have fun."
+- Yes.
+
+696
+01:13:44,479 --> 01:13:46,400
+'cause it's almost so obscure
+that you're like.
+
+697
+01:13:48,840 --> 01:13:50,560
+And it's probably Joe Colton.
+
+698
+01:13:53,680 --> 01:13:55,040
+AIthough, Rockin' Is Ma' Business
+
+699
+01:13:58,399 --> 01:14:00,360
+_cause business is good.
+- Nice.
+
+700
+01:14:02,000 --> 01:14:03,000
+- We tried it.
+- l think we tried it.
+
+701
+01:14:05,680 --> 01:14:07,000
+That was actually
+
+702
+01:14:10,640 --> 01:14:13,560
+And we would sometimes
+bring a boom box out with us.
+
+703
+01:14:15,479 --> 01:14:17,480
+That's how l got turned on to them.
+
+704
+01:14:50,880 --> 01:14:53,360
+that l couldn't believe
+l was doing a G.l. Joe movie.
+
+705
+01:14:56,279 --> 01:15:00,040
+Byung-Hun Lee. Ray Park. Adrianne.
+D.J.. all these guys...
+
+706
+01:15:02,680 --> 01:15:05,320
+Elodie. these characters around a table.
+it was just insane.
+
+707
+01:15:07,640 --> 01:15:09,800
+'Cause we've seen
+a lot of these scenes.
+
+708
+01:15:12,479 --> 01:15:13,960
+And each of them
+to have something to do.
+
+709
+01:15:15,840 --> 01:15:17,200
+Each one. like. "What's that character?
+
+710
+01:15:19,039 --> 01:15:20,040
+Yeah. yeah.
+
+711
+01:15:24,399 --> 01:15:27,320
+l never understood why nobody laughed
+when he said "Rock solid."
+
+712
+01:15:29,359 --> 01:15:30,360
+Yes.
+
+713
+01:15:33,479 --> 01:15:37,120
+Don't know if we're actually making
+a reference to The Rock or not.
+
+714
+01:15:38,800 --> 01:15:40,560
+l always loved this moment. too.
+
+715
+01:15:44,119 --> 01:15:46,800
+l remember. l think that was your...
+l don't know whose idea it was.
+
+716
+01:15:50,439 --> 01:15:53,440
+- And he's like. "Nope."
+- "Not gonna help you there."
+
+717
+01:15:55,119 --> 01:15:57,880
+But it also throws her as a character
+
+718
+01:16:01,960 --> 01:16:06,040
+or slightly. at least at a minimum. edgy.
+has suddenly...
+
+719
+01:16:07,560 --> 01:16:08,840
+The tanks and the fan boat.
+
+720
+01:16:12,560 --> 01:16:14,360
+rebuilt it to make it a Cobra boat.
+
+721
+01:16:15,800 --> 01:16:17,160
+because it weighed too much.
+remember?
+
+722
+01:16:18,840 --> 01:16:19,800
+No. it sank.
+
+723
+01:16:23,920 --> 01:16:27,680
+So we tied the car that our crane was on
+to pull it out.
+
+724
+01:16:29,359 --> 01:16:31,800
+So we have to cut the cord.
+and to let it sink.
+
+725
+01:16:33,000 --> 01:16:35,720
+- lt knocked over our car.
+- Yeah.
+
+726
+01:16:37,399 --> 01:16:40,360
+But those H.l.S.S. Tanks
+are really about your passion.
+
+727
+01:16:44,159 --> 01:16:47,040
+And so l'm like.
+"H.l.S.S. Tanks? Why is that so cool?"
+
+728
+01:16:48,479 --> 01:16:50,200
+"All right. l get it.
+They turn into a Cobra."
+
+729
+01:16:52,520 --> 01:16:54,320
+So then we turned it into a tank battle.
+
+730
+01:16:56,000 --> 01:17:01,440
+And to actually have a tank live there
+that was 30. 20 feet high.
+
+731
+01:17:03,920 --> 01:17:07,480
+lt was crazy. We got a tank somewhere.
+l don't know where we got a tank from.
+
+732
+01:17:09,720 --> 01:17:11,320
+and built it in the H.l.S.S. Tank way.
+
+733
+01:17:14,800 --> 01:17:16,440
+and you could fire it in the warehouse.
+
+734
+01:17:20,840 --> 01:17:23,200
+This sequence was actually
+originally scripted
+
+735
+01:17:26,319 --> 01:17:28,680
+And we didn't have the money to do it.
+
+736
+01:17:30,079 --> 01:17:32,960
+that even remotely looked like it
+in New Orleans
+
+737
+01:17:35,439 --> 01:17:37,720
+lt's actually one of the things
+that was so hard.
+
+738
+01:17:41,920 --> 01:17:47,240
+And we came up with this idea
+of Fort Sumter being a symbol of war.
+
+739
+01:17:50,159 --> 01:17:52,520
+when the guy's gonna
+talk about disarmament.
+
+740
+01:17:53,960 --> 01:17:56,400
+"we can actually do this ending
+here in New Orleans"
+
+741
+01:18:00,079 --> 01:18:03,560
+gave us enough sense of grounding
+and sense of purpose about it
+
+742
+01:18:06,399 --> 01:18:09,320
+l think l'll always miss the UN a little bit.
+
+743
+01:18:15,119 --> 01:18:17,720
+a sort of Dr. Strangeloye-esque
+feel to it.
+
+744
+01:18:20,319 --> 01:18:22,360
+so they could use them
+throughout the battle.
+
+745
+01:18:25,319 --> 01:18:26,800
+be in histoy and have. you know.
+
+746
+01:18:29,680 --> 01:18:32,600
+or shadows of the soldiers
+from past wars above these guys.
+
+747
+01:18:34,000 --> 01:18:36,160
+Yes. Hary Humphries.
+who was our militay advisor
+
+748
+01:18:37,920 --> 01:18:40,640
+He was part of the Joe Colton
+old-guy crew.
+
+749
+01:18:43,039 --> 01:18:45,440
+Old-school. l'm an old guy.
+l can say that.
+
+750
+01:18:50,239 --> 01:18:54,800
+l guess we iust put a sticker on that
+thing. if it's from a different county.
+
+751
+01:18:59,560 --> 01:19:01,600
+l think it's almost the biggest laugh
+in the whole movie.
+
+752
+01:19:03,079 --> 01:19:05,240
+l'm gonna put _ngy Birds
+in evey one of my movies.
+
+753
+01:19:09,720 --> 01:19:12,000
+This was always
+a controversial and crazy idea.
+
+754
+01:19:14,439 --> 01:19:17,280
+l remember when the studio first read it.
+and Hasbro.
+
+755
+01:19:19,239 --> 01:19:22,680
+"You're gonna launch
+evey nuclear weapon in the world?"
+
+756
+01:19:24,239 --> 01:19:29,360
+"This is cool. this is diabolically insane.
+twisted logic.
+
+757
+01:19:32,039 --> 01:19:33,440
+l remember
+when l read it for the first time
+
+758
+01:19:34,640 --> 01:19:36,560
+l was like. "What?
+How do you get out of this one?"
+
+759
+01:19:38,399 --> 01:19:41,000
+lt was one of those ones. where
+when you first read it. you were like.
+
+760
+01:19:48,279 --> 01:19:50,440
+We have so much cool footage
+we couldn't put in.
+
+761
+01:19:52,640 --> 01:19:54,920
+- Especially of Elodie. l always miss that.
+- Yeah.
+
+762
+01:20:20,159 --> 01:20:21,320
+And this ioke we used. l don't know.
+how many times in marketing.
+
+763
+01:20:22,520 --> 01:20:24,160
+l had no idea
+it was gonna work like that.
+
+764
+01:20:27,000 --> 01:20:29,920
+His pe_ormance. her pe_ormance
+together are amazing.
+
+765
+01:20:33,479 --> 01:20:35,800
+He's like. "You gotta use my car.
+it's awesome."
+
+766
+01:20:37,920 --> 01:20:40,360
+To have Joe Colton do that car.
+the El Camino.
+
+767
+01:20:44,880 --> 01:20:47,160
+- lt was so much fun watching him do it.
+- Yes.
+
+768
+01:20:51,600 --> 01:20:55,040
+is how do you cast a President
+that's credible as a President?
+
+769
+01:20:56,880 --> 01:20:58,480
+So it's vey difficult. it's tricky.
+
+770
+01:21:04,159 --> 01:21:07,200
+So when you ty to cast
+the President of the United States.
+
+771
+01:21:09,520 --> 01:21:13,920
+And Jonathan gave it
+such a level of credibility and gravity.
+
+772
+01:21:17,399 --> 01:21:19,480
+that he held in that thing. you know?
+
+773
+01:21:25,199 --> 01:21:27,160
+lt used to be seeing iust dots go along.
+
+774
+01:21:31,319 --> 01:21:33,480
+But it really didn't.
+when we came down to it.
+
+775
+01:21:36,399 --> 01:21:38,240
+And this is. again.
+one of these things where.
+
+776
+01:21:44,560 --> 01:21:46,440
+'cause they're nuts. And he's nuts.
+
+777
+01:21:49,279 --> 01:21:50,320
+Yeah.
+
+778
+01:21:52,439 --> 01:21:55,280
+was those threats started
+right about when we were releasing.
+
+779
+01:21:56,520 --> 01:21:58,160
+That's serious stuff.
+
+780
+01:22:00,640 --> 01:22:02,920
+"Okay. which city are we
+going to blow up?"
+
+781
+01:22:05,439 --> 01:22:07,480
+gone through evey single thing.
+
+782
+01:22:14,119 --> 01:22:17,400
+And so. l think we all sat down.
+we were like. "Let's do London.
+
+783
+01:22:19,720 --> 01:22:22,520
+lt's one of the most incredible shots
+ILM did. though.
+
+784
+01:22:23,920 --> 01:22:27,560
+An amazing company.
+but that shot is just something else.
+
+785
+01:22:29,000 --> 01:22:32,280
+you could pause that on any frame
+and you can see how detailed...
+
+786
+01:22:36,079 --> 01:22:37,480
+Yeah. it's crazy.
+
+787
+01:22:40,479 --> 01:22:42,520
+and iust stare at that box
+for the whole shot
+
+788
+01:22:44,239 --> 01:22:45,800
+So it was intense.
+
+789
+01:22:50,640 --> 01:22:54,240
+lt was interesting. it was definitely
+a struggle for us. is that.
+
+790
+01:22:57,399 --> 01:22:59,160
+the handing off of leadership.
+
+791
+01:23:04,239 --> 01:23:06,240
+when you're establishing the movie.
+
+792
+01:23:10,479 --> 01:23:13,800
+And it took a lot of massaging
+for us to figure that out.
+
+793
+01:23:16,239 --> 01:23:17,560
+Look at this shot. it's crazy.
+
+794
+01:23:21,359 --> 01:23:24,440
+Those buildings... l iust went to London
+to premiere our movie there.
+
+795
+01:23:28,680 --> 01:23:31,200
+"l know what we did with this window."
+It was pretty cool.
+
+796
+01:23:43,119 --> 01:23:45,280
+l love these shots. It's iust so fun to see.
+
+797
+01:23:47,880 --> 01:23:50,240
+We had actually more shots of them
+taking over the Capitol.
+
+798
+01:23:51,760 --> 01:23:54,560
+The Supreme Court Justice.
+rounding them up.
+
+799
+01:23:58,479 --> 01:24:00,920
+- ln one shot. it said eveything.
+- Yeah.
+
+800
+01:24:03,920 --> 01:24:06,400
+We were like.
+how fast should they fall. and...
+
+801
+01:24:08,880 --> 01:24:11,320
+- Who's releasing them?
+- Who's releasing them? Yeah.
+
+802
+01:24:13,199 --> 01:24:14,720
+- l remember that debate.
+- Yeah.
+
+803
+01:24:18,479 --> 01:24:22,360
+lt's one of the things
+that's so interesting in filmmaking is.
+
+804
+01:24:25,039 --> 01:24:28,680
+that can tell a lot of stoy
+in a really short period of time?
+
+805
+01:24:30,479 --> 01:24:31,800
+the rounding up
+the Supreme Court Justices.
+
+806
+01:24:33,880 --> 01:24:35,840
+"l got it. This is bad."
+
+807
+01:24:40,680 --> 01:24:42,840
+- This thing. the Ripsaw tank.
+- Ripsaw. yeah.
+
+808
+01:24:45,840 --> 01:24:50,360
+Of course Dwayne has to have it battling
+these three giant H.l.S.S. Tanks.
+
+809
+01:24:54,159 --> 01:24:55,960
+lt drives through houses.
+
+810
+01:24:57,920 --> 01:25:00,680
+So it's fun to play around with that thing.
+
+811
+01:25:02,760 --> 01:25:05,360
+lt was fun to stage that.
+and it was complicated to do that.
+
+812
+01:25:09,920 --> 01:25:14,680
+'cause we had this real thing.
+Those are real H.l.S.S. Tanks to a point.
+
+813
+01:25:17,000 --> 01:25:18,360
+you have to create some of it.
+
+814
+01:25:20,079 --> 01:25:22,000
+- l love that one.
+- Love that...
+
+815
+01:25:23,199 --> 01:25:25,000
+l think that was your idea.
+
+816
+01:25:28,039 --> 01:25:30,200
+And even the sound. having it go out.
+
+817
+01:25:34,960 --> 01:25:38,320
+But. again. that's another one of those
+combo things. from our stunt guys.
+
+818
+01:25:41,960 --> 01:25:44,280
+to DD. who did the tanks.
+all those things.
+
+819
+01:25:47,520 --> 01:25:48,560
+Yes.
+
+820
+01:25:51,439 --> 01:25:53,160
+Who would've thought?
+
+821
+01:25:56,199 --> 01:25:57,560
+l always loved them.
+
+822
+01:26:01,399 --> 01:26:04,360
+The yin and the yang
+coming together in a swirl.
+
+823
+01:26:08,680 --> 01:26:10,520
+lt says eveything about who they are.
+
+824
+01:26:14,199 --> 01:26:16,080
+"Nope. l'm on your team."
+
+825
+01:26:18,159 --> 01:26:20,600
+Steve Windon. who is our DP.
+
+826
+01:26:25,640 --> 01:26:26,880
+That's what l love about Steve Windon.
+
+827
+01:26:30,359 --> 01:26:32,680
+but also iconic moments.
+
+828
+01:26:35,760 --> 01:26:37,280
+in the most comic book character way.
+
+829
+01:26:38,920 --> 01:26:41,720
+Yeah. l think it's one of the hardest
+things to do in these big movies.
+
+830
+01:26:42,960 --> 01:26:48,080
+How do you keep that 5'10".
+6-foot creature called humans
+
+831
+01:26:51,960 --> 01:26:53,640
+Both of us. when we saw fast fiye,
+
+832
+01:26:56,840 --> 01:27:00,440
+The dynamism of it. and yet
+you never lost sense of the characters.
+
+833
+01:27:03,319 --> 01:27:06,280
+And when we were
+debating about which DP.
+
+834
+01:27:08,880 --> 01:27:10,320
+that you and l both gravitated towards.
+
+835
+01:27:12,800 --> 01:27:13,800
+Yeah.
+
+836
+01:27:19,279 --> 01:27:22,600
+the fight with the President
+and the Red Ninja.
+
+837
+01:27:26,560 --> 01:27:30,480
+But it iust became a distraction from
+getting the actual suitcase throughout.
+
+838
+01:27:34,319 --> 01:27:36,520
+l love seeing Bruce fight here.
+
+839
+01:27:41,239 --> 01:27:43,400
+That was a big moment.
+Bruce Willis walking on the set. huh?
+
+840
+01:27:46,920 --> 01:27:49,120
+l was nervous. but he was great.
+
+841
+01:27:53,039 --> 01:27:56,240
+and you look at the monitor. l forgot that
+it was a movie that l was making.
+
+842
+01:28:00,079 --> 01:28:03,800
+lt's funny. 'cause when you're
+working on these stunt action beats.
+
+843
+01:28:06,119 --> 01:28:08,760
+That's Steve Ritzi. actually.
+our stunt coordinator.
+
+844
+01:28:09,960 --> 01:28:14,240
+And sometimes it comes from him.
+sometimes it comes from Jon.
+
+845
+01:28:16,560 --> 01:28:18,640
+lt comes from all different people.
+
+846
+01:28:21,199 --> 01:28:22,920
+lt was such an interestingly
+choreographed...
+
+847
+01:28:27,439 --> 01:28:29,400
+to distract the audience.
+
+848
+01:28:31,560 --> 01:28:33,120
+l remember
+when Ritzi first pitched it to us.
+
+849
+01:28:36,119 --> 01:28:38,520
+That's kind of cool.
+nobody's seen that in so long.
+
+850
+01:28:41,760 --> 01:28:43,400
+"What way have you
+never entered a scene before?"
+
+851
+01:28:44,680 --> 01:28:46,640
+'Cause he could say.
+"l did that. l did that. l did this."
+
+852
+01:28:50,800 --> 01:28:52,600
+'cause he knew evey single one.
+
+853
+01:28:54,640 --> 01:28:55,920
+l remember him
+pointing to his shoulder.
+
+854
+01:28:58,600 --> 01:29:00,120
+or something crazy.
+
+855
+01:29:05,239 --> 01:29:08,240
+And. again. Byung-Hun Lee
+giving a great pe_ormance here.
+
+856
+01:29:10,720 --> 01:29:13,160
+But you feel for a ninia. which is cool.
+
+857
+01:29:21,680 --> 01:29:23,760
+l remember this debate.
+Remember this debate?
+
+858
+01:29:26,560 --> 01:29:29,040
+- But it's so cool.
+- lt's pretty awesome.
+
+859
+01:29:31,199 --> 01:29:33,080
+And l think that was something that...
+It was actually...
+
+860
+01:29:35,640 --> 01:29:37,800
+He was like.
+"What if we just cut it in half?"
+
+861
+01:29:39,479 --> 01:29:43,480
+Again. it's so hard to tell if you're going
+over the top or not with a movie like this.
+
+862
+01:29:45,279 --> 01:29:47,360
+as we were sort of going
+and seeing cuts put together.
+
+863
+01:29:49,680 --> 01:29:51,800
+but you have to ground it.
+all at the same time.
+
+864
+01:29:53,640 --> 01:29:55,800
+l'm so glad that came into the movie.
+That was gone for a while.
+
+865
+01:30:01,399 --> 01:30:04,560
+And that helicopter... Oh. my gosh.
+That thing is awesome.
+
+866
+01:30:07,840 --> 01:30:10,280
+Does that mean Cobra's
+in the ne_ movie?
+
+867
+01:30:11,560 --> 01:30:12,560
+You never know. You never know.
+
+868
+01:30:15,920 --> 01:30:17,800
+Maybe Duke'll be alive.
+
+869
+01:30:25,199 --> 01:30:27,080
+This whole fort was really crazy.
+
+870
+01:30:30,520 --> 01:30:33,560
+With crocodiles in the moats
+that we had to be careful of.
+
+871
+01:30:37,680 --> 01:30:38,640
+And this moment. l love it.
+
+872
+01:30:40,479 --> 01:30:44,200
+to finally get onto the tank
+and just fire that gun.
+
+873
+01:30:51,279 --> 01:30:53,400
+- and misses the other guy.
+- Misses the other guy.
+
+874
+01:30:55,920 --> 01:30:57,280
+- He'll get it.
+- Exactly.
+
+875
+01:31:02,800 --> 01:31:04,120
+how many times were we like.
+
+876
+01:31:06,720 --> 01:31:09,520
+We had to find vey strategic places
+that never bumped you
+
+877
+01:31:17,880 --> 01:31:21,040
+One of the good things about working
+with Dwayne. he's so up for anything.
+
+878
+01:31:23,760 --> 01:31:26,080
+He's always prepared. totally on it.
+
+879
+01:31:31,319 --> 01:31:34,640
+So we had to like do a lot of tricks
+to make it look fast.
+
+880
+01:31:37,079 --> 01:31:39,120
+then we built them. and we were like.
+"These move really slowly.
+
+881
+01:31:41,159 --> 01:31:42,960
+- You remember that?
+- Yeah.
+
+882
+01:31:45,239 --> 01:31:48,080
+l remember thinking
+how cool fan boats were
+
+883
+01:31:51,239 --> 01:31:52,840
+l always wanted to do a fan boat
+from that.
+
+884
+01:31:55,439 --> 01:31:56,960
+l can't remember.
+
+885
+01:32:05,680 --> 01:32:07,680
+Yeah. this is the big showdown.
+
+886
+01:32:12,880 --> 01:32:17,000
+Again. to me it was like
+always e_ended brass knuckles.
+
+887
+01:32:20,279 --> 01:32:22,520
+We went back and forth with.
+"How realistic is this?"
+
+888
+01:32:26,000 --> 01:32:27,880
+but that they're actually attacking.
+
+889
+01:32:31,880 --> 01:32:32,920
+So it didn't seem like...
+
+890
+01:32:35,439 --> 01:32:38,520
+ThanMully.
+Ray and Dwayne are so game.
+
+891
+01:32:40,399 --> 01:32:43,080
+Look at how hardcore they're going at it.
+
+892
+01:32:50,159 --> 01:32:53,840
+l was always like. "l don't know. man.
+how many bullets can go off here?"
+
+893
+01:32:55,439 --> 01:32:56,400
+Yeah. we did at one point.
+
+894
+01:33:02,079 --> 01:33:03,680
+But l love at the end here.
+he's out of bullets.
+
+895
+01:33:10,800 --> 01:33:12,480
+Sees that suitcase.
+
+896
+01:33:15,439 --> 01:33:16,760
+Again. it was so hot here.
+
+897
+01:33:19,479 --> 01:33:21,160
+the flies were out.
+
+898
+01:33:23,239 --> 01:33:26,000
+because you iust see these bugs
+flying eve_here. It was so disgusting.
+
+899
+01:33:30,279 --> 01:33:32,160
+lt was pretty disgusting.
+
+900
+01:33:53,640 --> 01:33:55,760
+and how were we gonna make sure
+the audience is gonna react.
+
+901
+01:33:57,319 --> 01:33:59,440
+l think we had so many characters.
+it was always a puzzle
+
+902
+01:34:03,319 --> 01:34:07,280
+But this moment here...
+Actually. this was a Ritzi moment. too.
+
+903
+01:34:08,720 --> 01:34:10,280
+"He should iust walk away
+and press the button.
+
+904
+01:34:13,800 --> 01:34:15,200
+lt's one of those classic moments.
+
+905
+01:34:21,039 --> 01:34:23,400
+lt's funny when you re-watch this scene.
+And we were talking about it.
+
+906
+01:34:25,880 --> 01:34:27,280
+then you go back and look at it
+
+907
+01:34:29,680 --> 01:34:32,160
+- That one we always really relished.
+- Yes.
+
+908
+01:34:35,119 --> 01:34:37,120
+Sometimes those moments are tricky.
+the balance.
+
+909
+01:34:39,760 --> 01:34:41,800
+l always love
+how uncompromising it is here
+
+910
+01:34:46,319 --> 01:34:49,400
+You know. it's not the way
+you normally play in a movie like this.
+
+911
+01:34:52,079 --> 01:34:54,480
+- He is so not over his grudge.
+- Yeah.
+
+912
+01:34:57,359 --> 01:34:58,360
+That has to keep going.
+
+913
+01:35:00,279 --> 01:35:02,360
+Plus. there's room to milk it.
+
+914
+01:35:09,079 --> 01:35:10,400
+G.l. Joes.
+
+915
+01:35:15,159 --> 01:35:16,160
+l love these kids.
+
+916
+01:35:18,279 --> 01:35:21,480
+Yeah. l think that there was
+a moment of attaching that.
+
+917
+01:35:23,560 --> 01:35:26,560
+the head of the studio.
+who had this idea of.
+
+918
+01:35:35,319 --> 01:35:36,440
+lt's good to see the President.
+
+919
+01:35:37,640 --> 01:35:41,000
+Here we are supposedly
+at the edge of Arlington National.
+
+920
+01:35:47,000 --> 01:35:48,400
+- Again.
+- Again.
+
+921
+01:35:51,720 --> 01:35:53,840
+Yeah. and the Washington Monument
+back there.
+
+922
+01:35:58,119 --> 01:36:01,240
+lt's funny. even in the script
+it made you get tears in your eyes.
+
+923
+01:36:03,159 --> 01:36:04,120
+- He iust...
+- He killed it.
+
+924
+01:36:07,119 --> 01:36:08,320
+And you iust feel that.
+
+925
+01:36:10,960 --> 01:36:14,200
+he really understood this dynamic
+in a way that we couldn't understand it.
+
+926
+01:36:17,840 --> 01:36:19,520
+Even at the moment.
+l didn't quite get that.
+
+927
+01:36:21,159 --> 01:36:22,480
+and see what he's doing
+underneath it all.
+
+928
+01:36:27,600 --> 01:36:29,280
+They're all Joes now.
+
+929
+01:36:32,600 --> 01:36:34,400
+l always thought this was fun. too.
+
+930
+01:36:39,840 --> 01:36:41,720
+Two generations of stars.
+
+931
+01:36:45,079 --> 01:36:47,200
+The respect they have for each other
+is huge.
+
+932
+01:36:49,039 --> 01:36:51,280
+to see them together again
+would be amazing.
+
+933
+01:37:02,399 --> 01:37:03,400
+Boom.
+
+934
+01:37:08,319 --> 01:37:10,720
+with this way of iust reminding us
+of the adventure.
+
+935
+01:37:14,119 --> 01:37:16,520
+And How You Like Me Now?,
+it's just that song is just pe_ect for it.
+
+936
+01:37:18,720 --> 01:37:20,240
+We never mentioned Hasbro either.
+
+937
+01:37:23,319 --> 01:37:24,360
+What's great about working with them is
+
+938
+01:37:27,880 --> 01:37:30,160
+And they were always constantly
+coming to us with new ideas about.
+
+939
+01:37:32,520 --> 01:37:34,000
+That whole part of the sequence
+we had to cut out.
+
+940
+01:37:36,159 --> 01:37:37,600
+That was crazy.
+
+941
+01:37:39,439 --> 01:37:40,960
+Yeah. go. Jinx.
+
+942
+01:37:50,039 --> 01:37:52,440
+And Heny did a great iob
+doing the music.
+
+943
+01:37:55,119 --> 01:37:57,400
+and things that he found really well.
+
+944
+01:38:09,159 --> 01:38:11,240
+- Love that move.
+- Yeah.
+
+945
+01:38:19,920 --> 01:38:21,880
+That's a great character introduction.
+l gotta say.
+
+946
+01:38:26,680 --> 01:38:30,080
+She's really such a delight
+to work with. too.
+
+947
+01:38:32,359 --> 01:38:34,320
+and evey single person
+brought their own thing.
+
+948
+01:38:36,520 --> 01:38:39,160
+lt iust felt like
+you could attach yourself to any of them
+
+949
+01:38:40,880 --> 01:38:44,600
+l could hang out with all those
+guys and girls at a bar and be cool.
+
+950
+01:38:48,039 --> 01:38:51,920
+You want somebody
+for each person to relate to. you know?
+
+951
+01:38:56,680 --> 01:39:00,080
+simply because they're
+more possible for who you are.
+
+952
+01:39:04,239 --> 01:39:06,680
+- Way to go. buddy. Way to go.
+- Good job to you. too.
+
+953
+01:39:08,600 --> 01:39:12,200
+- That's an awesome logo right there.
+- Designed by Steven Soderbergh.
+
+954
+01:39:12,600 --> 01:39:14,080
+- ls that true? Wow.
+- Yeah.
+
+955
+01:39:16,319 --> 01:39:17,880
+l had a clause in my contract that
+
+956
+01:39:20,279 --> 01:39:21,840
+And he's like.
+"l don't like logos on my movie."
+
+957
+01:39:23,079 --> 01:39:24,080
+He goes.
+"Because l don't like the logos."
+
+958
+01:39:25,760 --> 01:39:27,640
+And there was this long silence.
+and he goes. "Are you serious?"
+
+959
+01:39:30,000 --> 01:39:32,000
+- And that's the logo.
+- Nice. nice.
+
+960
+01:39:36,079 --> 01:39:38,840
+and he goes.
+"l guess you really did like it. huh?"
+
+961
+01:39:41,000 --> 01:39:43,120
+- He didn't see it in 3-D.
+- That's what he's gotta see.
+
+962
+01:39:45,039 --> 01:39:46,520
+The movie is still in theatres.