The four stages of a creative project (and how to get through them)
By: Sheryl Garratt
Tags: Getting Started, Books, Creativity, Writers Life, Writing

Everything has its cycles.

The seasons follow each other, the moon waxes and wanes and the tides ebb and flow. Creativity is no different. Knowing the four key stages of a creative project can really help you see it through, as each comes with their own challenges.

Whether you’re writing a novel, directing a movie, producing a play, a body of art, designing a fashion collection or a beautiful new building, creative cycles tend to be pretty much the same.

Here are the main stages, and what to look for in each.

The thrilling beginning

You’ve had a new idea. You’re besotted. You might start researching, making mind maps and wall charts and elaborate systems with Post-It Notes and coloured highlighters. (Try not to get trapped here, though. It’s easy to find you’re still planning, weeks or months later.)

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Or maybe you’re not a planner, so you dive right in and start. Already, you’re dreaming of Turner, Booker or Mercury prizes, Oscars and BAFTAs, adoring audiences or huge commercial success.

In these early days, it can help to let go of perfection, to accept you’re doing a Shitty First Draft rather than a finished, polished piece.

This is like the heady first days or months of a new relationship. You can think of little else. You’re completely absorbed in this love affair with your new project.

Enjoy it! Because it won’t last. Soon it will be replaced by…

The messy middle

This is where the real work starts. You’re over the infatuation phase, and now you’re having your first arguments. You’re seeing that your project has flaws. And that it might not ever live up to the vision you had, in the thrilling beginning.

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At this point it will be tempting to walk away, to start another new and exciting idea (because who doesn’t like falling in love?). Or you just decide this isn’t for you, and you leave your project gathering dust on the Shelf of Abandoned Dreams.

The third way is harder, longer. But it’s the only path that is truly satisfying.

Work through it. Get help. Turn up, day after day, and wrestle with problems until they’re resolved.

On the way, you’ll take wrong turns, get led down blind alleys. But you’ll learn from those.

Sometimes, when the path ahead is unclear, you need to just turn up and do the work, with a blind faith that it will work out. And sometimes, it will be as if the work itself is magically telling you what to do next.

A solution will come in the shower, in a dream, or on a walk. One of the characters in the novel you’re writing will do something unexpected, halfway through a sentence. The paint will tell your brush where to go. You’ll suddenly ad-lib the perfect middle eight for that song.

Then a new problem will rear its head, and you’ll go through it all again. (And again.)

The messy middle is repetitive, and often lonely. It’s where most brilliant ideas die. But keep going, step by step, and you will get to the other side.

Finishing, and letting go

Now comes the sometimes fun, often painful stage of editing and polishing, refining and correcting. Often it involves killing your darlings: cutting your favourite bits, in order to better serve the story you’re trying to tell, your overall vision.

This process is crucial. But at some point — and probably before you feel ready ­ — you need to stop, and let go.

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Is a creative project ever really done?

The brutal fact is, it will never be perfect. Never as good as you’d imagined. I take inspiration from looking at some of the manuscripts in the British Library, and seeing that Charles Dickens, was still making changes on the proofs of his novel , rewriting and editing.

But there is also a point when there is too much paint on the canvas, when we’ve revised the life out of a manuscript, or over-embellished a design. Knowing when to stop is a skill in itself. And it’s surprisingly hard.

Especially as the next step can be terrifying!

Putting it out there

Yup. Now you need to send your work out into the the world, let it find an audience.

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Lots of us stumble at this step. And no wonder. The risks are high: ridicule, rejection, indifference, failure.

But you need to do it anyway. No creative can succeed without showing their work. And surely you haven’t gone through all of this just to let it gather dust?

Put it out there. And don’t wait to be discovered, to be picked up by an agent, a manager, a major label or a big distributor. Do it yourself, if you need to. There are a million ways to be seen and heard, in the digital and in the real world. Use them! And learn how to market your work, how to draw attention to your message.

Then learn from it. And move on, make your next thing. It’s time for the thrilling beginning again!