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600 | hip hop beat |
601 | feel more like literary conceits than flesh-and-blood humans |
602 | no explanation |
603 | funniest and |
604 | a chilly , remote , emotionally distant piece ... so dull that its tagline should be |
605 | starts off witty and sophisticated and you |
606 | a bargain-basement european pickup |
607 | , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons |
608 | shines on all the characters , as the direction is intelligently accomplished |
609 | taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults |
610 | lead a group of talented friends astray |
611 | it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating . |
612 | this gentle , mesmerizing portrait |
613 | genial is the conceit , this is one of those rare pictures that you root for throughout , |
614 | draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss |
615 | spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) |
616 | is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own |
617 | it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success . |
618 | handles it in the most unexpected way |
619 | those eternally devoted to the insanity of black will have an intermittently good time . |
620 | obscenely bad |
621 | devastatingly |
622 | i do n't see the point |
623 | comes off like a bad imitation of the bard |
624 | that excites the imagination and tickles the funny bone |
625 | one of its strengths |
626 | of masterpiece |
627 | into this dream hispanic role with a teeth-clenching gusto |
628 | stiff or just plain bad |
629 | makes these lives count |
630 | jolts the laughs from the audience -- |
631 | a delightful stimulus |
632 | has no point |
633 | of isolation and frustration |
634 | winning shot |
635 | of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel |
636 | feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop . |
637 | lewis |
638 | that there 's no other reason why anyone should bother remembering it |
639 | bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy . |
640 | father clich茅 |
641 | domestic tension and unhappiness |
642 | the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable |
643 | called the best korean film of 2002 |
644 | one of the best rock |
645 | it forces you to watch people doing unpleasant things to each other and themselves |
646 | of the holiday box office pie |
647 | inexpressible and drab wannabe |
648 | the hail of bullets , none of which ever seem to hit |
649 | like an extended , open-ended poem than a traditionally structured story |
650 | 's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and |
651 | to hate |
652 | to be mesmerised |
653 | the people who loved the 1989 paradiso will prefer this new version |
654 | a lot of energy |
655 | for its success on a patient viewer |
656 | while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in . |
657 | this may be burns 's strongest film since the brothers mcmullen . |
658 | turned down |
659 | timely , tongue-in-cheek |
660 | undramatic |
661 | the pile of useless actioners |
662 | morton deserves an oscar nomination . |
663 | weirdly engaging and unpredictable character pieces |
664 | efficiency and an affection for the period |
665 | manages to accomplish what few sequels can -- it equals the original and in some ways even betters it |
666 | does not work . |
667 | it is n't merely offensive |
668 | tell a story about the vietnam war before the pathology set in |
669 | it irrigates our souls . |
670 | a hint of humor |
671 | with a big heart |
672 | a rollicking adventure for you and all your mateys , regardless of their ages |
673 | its most immediate and most obvious pleasure |
674 | there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies |
675 | one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them . |
676 | made a decent ` intro ' documentary |
677 | makes us see familiar issues , like racism and homophobia , in a fresh way . |
678 | the film goes right over the edge and kills every sense of believability |
679 | a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor . |
680 | emotional seesawing |
681 | movies with the courage to go over the top and movies that do n't care about being stupid |
682 | target audience has n't graduated from junior high school |
683 | this intricately structured and well-realized drama |
684 | embracing |
685 | the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire |
686 | a meditation on faith and madness , frailty is blood-curdling stuff . |
687 | a pretty listless collection |
688 | other than its oscar-sweeping franchise predecessor |
689 | almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in |
690 | have been called freddy gets molested by a dog |
691 | moody male hustler |
692 | uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels |
693 | the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill |
694 | which is mostly a bore |
695 | an entertaining mix of period drama and flat-out farce that should please history fans |
696 | suspect that you 'll be as bored watching morvern callar as the characters are in it . |
697 | the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart . |
698 | love this movie |
699 | ... the efforts of its star , kline , to lend some dignity to a dumb story are for naught . |