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flat as the scruffy sands of its titular community

liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances

is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story

works smoothly

with a creepy and dead-on performance

might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead .

placed in the pantheon of the best of the swashbucklers

a satisfyingly unsettling ride

good a job as anyone

, smart and complicated

the intimate , unguarded moments of folks who live in unusual homes --

are pretty valuable these days

( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be .

that the only rip off that we were aware of

beautiful to watch and

accentuating

no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time

a wonderful ensemble cast

endear

the truly funny bits

's that painful .

american beauty reeks

clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long

without any of its sense of fun or energy

be the cat 's meow

's simply stupid , irrelevant and deeply

wonderland adventure , a stalker thriller , and

be part of

cinema history as the only movie ever

comes from a renowned indian film culture that allows americans to finally revel in its splendor

accomplished oscar winners

of those underrated professionals who deserve but rarely receive it

we find ourselves surprised at how much we care about the story

an all-time low

enjoyed it just

reacting to it - feeling a part of its grand locations ,

delivered with such conviction that it 's hard not to be carried away

colorful , vibrant introduction

the slow parade of human frailty fascinates you

famuyiwa 's feature deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer .

a laugh between them

that gradually sneaks up on the audience

photographic marvel

is shockingly bad and absolutely unnecessary .

gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences .

the result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood .

while not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .

wow ' factor

hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema .

brazil-like , hyper-real satire

low on both suspense and payoff

find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most

an absolute delight for all audiences

would tax einstein 's brain .

's its first sign of trouble

ca n't believe anyone would really buy this stuff

moonlight mile should strike a nerve in many .

if ever such a dependable concept was botched in execution

wedding feels a bit anachronistic .

been lost in the translation this time

revelatory performance

the pianist like a surgeon mends a broken heart ; very meticulously but without any passion

remains oddly detached

that is more complex and honest than anything represented in a hollywood film

nifty premise

vein

the wonderfully lush morvern callar is pure punk existentialism , and

go down with a ship as leaky

earnest movie

effective enough

showing us well-thought stunts or a car chase that we have n't seen 10,000 times

make the film more silly than scary , like some sort of martha stewart decorating program run amok

going at a rapid pace ,

still fun and enjoyable and

a lazy exercise in bad filmmaking

this thing is virtually unwatchable .

's also undeniably exceedingly clever

would ever work in a mcculloch production again if they looked at how this movie turned out

an entertainment destination for the general public

i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense .

england 's roger mitchell , who handily makes the move from pleasing

to the enduring strengths of women

surprisingly faithful

the numerous scenes

exaggerated and

takes a really long , slow and dreary time

improved upon the first

that might have made it an exhilarating

k-19 : the widowmaker is a great yarn .

humorless

thank

just because a walk to remember

bite

amounts to little more than punishment .

the humor is recognizably plympton

likeable thanks to its cast , its cuisine and its quirky tunes .

makes piecing the story together frustrating difficult

a fascinating , compelling story

the film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence

a fascinating , dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction .