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400 | gory as the scenes of torture and self-mutilation |
401 | just as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart |
402 | ub equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are . |
403 | the package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic . |
404 | this obscenely bad dark comedy , so crass |
405 | naomi watts is terrific as rachel ; her petite frame and vulnerable persona emphasising her plight and isolation |
406 | exciting and |
407 | schticky |
408 | and in the best way |
409 | of our most flamboyant female comics |
410 | squareness that would make it the darling of many a kids-and-family-oriented cable channel |
411 | ( less a movie than ) an appalling , odoriferous thing ... so |
412 | this film special |
413 | of the amazing spider-man |
414 | the stomach-turning violence |
415 | could use a little more humanity |
416 | not everything |
417 | acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover . |
418 | a slow-moving police-procedural thriller |
419 | a bad idea from frame one |
420 | terrific , sweaty-palmed fun |
421 | very funny joke |
422 | volletta wallace 's maternal fury |
423 | complex story |
424 | atop wooden dialogue |
425 | that it progresses in such a low-key manner that it risks monotony |
426 | be burns 's strongest film since the brothers mcmullen |
427 | ca n't miss it |
428 | dover kosashvili 's outstanding feature debut so potent |
429 | of the best short story writing |
430 | it seeks excitement in manufactured high drama |
431 | feeble comedy . |
432 | an insult to every family |
433 | it is essentially empty |
434 | of the film 's problems |
435 | makes my big fat greek wedding look like an apartheid drama |
436 | is not even half the interest . |
437 | never achieve the popularity of my big fat greek wedding |
438 | `` auto focus '' works as an unusual biopic and document of male swingers in the playboy era |
439 | right now , they 're merely signposts marking the slow , lingering death of imagination . |
440 | appealing character quirks to forgive that still serious problem |
441 | often lingers just as long on the irrelevant as on the engaging , which gradually turns what time is it there ? |
442 | the energy it takes to describe how bad it is |
443 | wait to see it then . |
444 | could easily be called the best korean film of 2002 |
445 | largest-ever historical canvas |
446 | a solid cast , assured direction and complete lack of modern day irony . |
447 | comatose ballerinas |
448 | oh-so-important |
449 | of the road , where the thematic ironies are too obvious and the sexual politics too smug |
450 | formulaic equations |
451 | 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived |
452 | deserve a passing grade |
453 | you 're gon na like this movie . |
454 | simply stupid , irrelevant |
455 | weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise . |
456 | a heavy-handed indictment of parental failings and |
457 | felt performances across the board . |
458 | seem weird and distanced |
459 | has finally made a movie that is n't just offensive |
460 | casual and fun |
461 | plodding mess |
462 | the weird thing about the santa clause 2 , purportedly a children 's movie , is that there is nothing in it to engage children emotionally . |
463 | the film 's intimate camera work |
464 | you 'll find yourself wishing that you and they were in another movie . |
465 | of dishonesty |
466 | as bestial |
467 | as it is a loose collection of not-so-funny gags , scattered moments of lazy humor |
468 | , they prove more distressing than suspenseful . |
469 | crackles |
470 | a fairly revealing study of its two main characters |
471 | high drama , disney-style |
472 | may be more genial than ingenious , but it gets the job done . |
473 | , good action , good acting , good dialogue , good pace , good cinematography . |
474 | her bully of a husband |
475 | gaghan ... has thrown every suspenseful clich茅 in the book at this nonsensical story . |
476 | the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters |
477 | oozing , chilling and heart-warming |
478 | stale retread |
479 | filming the teeming life on the reefs |
480 | an already thin story boils down to surviving invaders seeking an existent anti-virus . |
481 | quite endearing . |
482 | with fewer gags to break the tedium |
483 | overbearing and |
484 | deep deceptions |
485 | things will turn out okay |
486 | the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural |
487 | grand |
488 | good-natured fun found in films like tremors |
489 | betters it |
490 | transfixes the audience |
491 | moving and important |
492 | dope |
493 | an avid interest |
494 | blessed with two fine , nuanced lead performances |
495 | true star |
496 | hampered -- no , paralyzed -- by a self-indulgent script ... |
497 | is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance . |
498 | is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction |
499 | which nurses plot holes gaping enough to pilot an entire olympic swim team through |