The Liverpool Standard and General Commercial Advertiser.
Liverpool, Merseyside, England, 1841-10-01 00:00:00

(From the Courier.)

" Every line, every touch in the pictrue produced is from
the pencil of nature, without flattery or fallacy."
(From the Weekly Dispatch.)

PHOTOGRAPHIC PORTRAITS.—We took an opportunity
on Monday cf again visiting the Polytechnic Institution, to
witness the astonishing manner in which portraits are taken
by the photographic process. The room was crowded with
nobility and gentry, among whom we noticed Lord Aber-
deen, and several other persons of rank, each of whom, in
the warmest terms, expressed their delight and astonishment
at the rapidity with which the portraits of different gentle-
men were taken, and the extreme fidelity in the execution.
It is, in fact, impossible for tke portraits to be any thing
short of a complete copy of nature.
(From the Observer.)

PHOTOGRAPHIC PORTRAITS.—The appearance of the
miniature thus produced is that of a mezzotint engraving,
the likeness being no question of opinion, but a plain matter
of fact, for nature in this, as in other similar operations,
makes "no mistake." There is such subtilty of touch and
tone in the likeness as might fill a Vandyke or a Lawrence
at once with delight and despair. Altogether this is a most
wonderful and extraordinary exhibition. Those who in por-
traiture are fond of being " flattered," will certainly not
patronise the photographic method of taking likenesses ; but,
on the other hand, they who want the real thing, and we
presume them to be the majority, will unquestionably spend
a guinea with great willingness in the production of a minia-
ture portrait which their fathers and mothers, wives, sisters,
and brothers may " swear to." Separate rooms are also
appropriated to ladies and gentlemen, and a female attendant
waits upon the former to assist in arranging the dress so as
to produce the most desirable pictorial effect.
(From the Naval and Military Gazette.)
PHOTOGRAPHIC PORTRAITS.—For some time it WaS
doubted whether Photography could ever be brought to
operate satisfactorily on the human face and form, so as to
enable the artist to take an unerring and effective likeness,
the slightest motion inevitably destroying the picture in its
progrees. Ingenuity, perseverance, and repeated experiments,
have at length completely triumphed over the difficulty ; and
miniature portraits, infallibly faithful, are now taken, from a
sittting of from
,five to twenty seconds ; the time varying
according to the intensity of light.
(From Bell's Weekly Messenger.)
EXTRAORDINARY FACT.—MINIATURE PICTURES.—It is
bodily and personally the individual who is the sitter. It is
as much so, as he sees himself in the most accurate looking
glass, but with this difference, that the Photographic likeness
is the image as if it were removed from the surface of the
mirror, and rendered perpetual. It is an everlasting memo-
rial of the man at the moment it is taken—and therefore the
most precious gift that can be given to those who love him
while living, and will cherish his memory when dead. It is
a discovery, which not only saves the sitter from the tedium
of being fixed in the same position for many an hour for his
likeness, (for this is accomplished in the sixth part of a mi-
nute)—but it affords to artists- themselves the surest Fuide
for copying other likenesses, whether in miniature, or in ail
paintings as large as life.
Specimens may be seen, and Orders received, at Mr. LA-
CEY7a REPOSITORY OF ARTS, 100, Bold-street.