Star.
London, England, 1818-02-19 00:00:00

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THURSDAY, FEBRUARt 19, 1818. - • •, . PRICE SEVEN6PENCE. . •
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This day was putillaked,
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MrLMASTIERS AND SCHOOL BOOKS.
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A GUIDE in the Selection and The of Elernentle7
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DOEMS written by SOME DY vmost resyect-
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Where may be hod, by the saute Author,
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1 and to be

DUNLOP'S HISTORY OF FICTION.

This day was published, in 3 Vols. post eon. the 2d Edition, consi-
derably enlarged and improved, price itk 21. boards,
PHE HISTORY of FICTION ; being a CRITI-
-1 CA L ACCOUNT of the most celebrated -Nom Wow
of Ficnow, from the earlieet Greek Romances to the Novels of
the prescut Age.—By JOHN DUNLOP, Rsq,
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R.OYAL AC4DEME

LiCTURR ON PAINTING.

Monday eireeng Mr. FUSILI delivered his firer
Lecture urn Fein6!g. The Psofesect observed *at,
as History, by deviatcsifsons its proper object, 446.
oh-sites Into DWgvipby,a,trivells to ahoy escalope
*finslividust, pol'apulAti, lac *pair perverapos,
has its general prdEssiisul ratraneticstitity.aboarbad is
the contemplation of particular genius, the nurselings
of different Schools. The same, process, that distin-
guished the schools of Greece, narked the Italian; it
was the universal pmcess of nature —preparation,
establishment, decline.

CATON ON IiEBILITY.
This day was published, price Ss. 6d. a New Edition, of
PRACTICAL OBSERVATIONS on the DEBI-
LITI ES, natural and contracted, of the GENERATIVE
ORGANS of bah Sexes ; Inctodin Remarks on Onanism, Se-
minal Weakness, Nocturnal Emission, elects, Tabes Dorsals,
Fluor Albin, &c. Ike. witk the Theoryof Generation.

• We owe the. restoration of style to bar-rdievo. It
first pended between a copy of barbarity and an im.
potent imitation of the antique, till it found a basis
in Mass AcCIO, though it continued to totter till the
appearance of LEONARDO DA YIN& Thi powers of
this Artist were never consistent. Sometim's he at-
tained the summit of excellence in character—some-
times was content with mediocrity—sometimes dege-
nerated to caricature: his province was confined to
the expression of male forms: the female was not
within the scope of his genius. The ever exact
sirni-
larity of all his women make them to appear daughters
of one common mother. It was in MICHAELAnost.O that
art attained its full establishment. Whether his enco-
miasts or his critics were most capable of judging of
his powers, is not determined ; yet both date fmm
him the full perfection of art. His were the stamina
of nature; his the real feelings of humanity :—as
Sculptor, as Architect, he attempted, and, above
every other man, succeeded in uniting magnificence
of plan and endless variety of subordinate parts with
the utmost simplicity and breadth. The child, the
female, meanness, deformity, were by him indiscri-
minately stamped witligrandeur ; a beggar rose from
his hand, the patriarch of poverty the hump of his
dwarf .is impressed with dignity ; hie women are
moulds of generation ; his infants teent with man ;
his men are a race of giants. Sublimity of conception,
grandeur of form, breadth of manner, arethe elements
of MICHAEL ANGELO'S Style. •

By T. M. CATON, Surgeon,
No. 10, Stanhbpe-street, Newcastlt,street, Strand;
Late of the United Hospitals of St. Thomas's and Guy's.
Where may be bad,
Caton on Indigestion, Scrofula, and Cutaneous Diseases, &a.
du. Also, his Treatise on Fenule Diseases, U. id. Aid Asthma
and Winter Cough, Si—To be had of the Author, as above. '
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CLASSICAL BOOKS. ,
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XSCHYIA SEPTEM CONTRA THEBAS ad
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CAtiotLcut Qux Supersunt Recensult et VIM nottrum de-
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3L 3s. boards. _ _ _

The milderrus of ILAFRAIL succeeded to the
inepirAtion of /MEL At onto: this latter had no
infancy, dr,if he had; ve are-not acquainted with it ;
like an Oriental sun he burst upon- us, in all the
splendours of perfection; RAPHAEL we view in in-
fancy; Propriety rocked his cradle, Character enobled
his limbs ; by profound, precise, acute observations
upon the antique, and by subsequently as admirable
application, he erected his fabric of excellence. ft it.•
PHA EL'S was the unrivalled province to embody efful-
gent goodness, in the person of our SAVIOUR. Round-
ness, mildness, and insipidity characterize his Ma-
donas ; transcripts of the nursery, or servile copies of
a face he liked. NVhen RAPHAKL attempts pure cha-
racter, he stands unrivalled. Design and style were
the bases of the plans of these painters ; but the prin-
ciple of the Venetian was very different—colourinn.
Titian, its master, copied nature at first in a juvenile
manner, till he learned breadth of form and colour
from Giorge. The Professor gave the character of
Titian with great energy and acuteness, summing up
by the observation, that he was the father of portrait-
painting, and as yet in that branch has stood unri-
valled ; he was the first that united character and' re-
semblance with dignity.--A national character per-
vaded the brightest zra of the Venetian School..
The soft transitions from convex to concave, and
the coalition of light and darkness by imperceptible
blendings are the elements of Correggio's stlle. This
inspires his figures with grace, and to these their
grace is subordinate : his was an incomparable hue
of colour, and suavity of form. Correggio was emu-
lated by l'armiiano, though not always with equal
consistency and propriety. While Michael Angelo
was doomed to live, and brood over the perversion
of his style by the Vcaetian painters, death prevented
Raphael iron: v. itnessiag the gradilal decay ofiii:.--
The
compact style of Pc!yth.wo, tOrnied upon the an-
ti vie. was the riociral mt.:t•or trer;t, before the
appearance of the Carraci.i, who founded at E:llygna
that electric school, which, by selecting the beauties,
correcting the Malts, siiinplving sh'e defects, and
avoiding the eta ernes of the di:i•-re;: stylus, altempt-
ed to I,•rm a perf:vt system. Attico.7, the v.tclotts
schools of the Carracci. c:tl:ed the school cllklogna,
the art gradually do;lined frcm mediocrity to eva-
ne.cense, fi-am cvat'.'ctso,,e to obliviwtt.
The lectnre was rapLarcusly received by a r.ume-
rous assemblage.

DI. new Cinemas Sax Oxerscncest Fragment& Inedita cum
Commentariis Antiquis item ineditis invent recensuit notis illus-
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T. Lriu PATATINI Histoamatne, ab urbe condita, Libri qui
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TACIT! OTERA xx ItIICINSIONI J. Aug. F.roesti dcnuo curavit
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HERODOTI tALICAILNAMI HISTORIAktIM, Libri IX. Tettui
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This day was published, in 2 large vol* 4to. pr. 61. 6s. in boards,
THE LIFE of JAMES the SECOND, KING of
ENGLAND, Su. collected out of :.lemoirs writ of his own
Hand, together with the King's Advice to his Son, anti his Ma-
jesty's Will by command of kis Royal Highness the
rince Regent, from the original Stuart Manuscripts which had
been carefully preserved at Rome in the Pamily of the Preten-
der, and are now deposited in Carlton-Hose.
By the Rev. 5. S. CLARKE, LL.D. F.R.S.
Historiographer to the King, Chaplain to the Household, anti

Librarian to the Prince Regent.
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to the close of King William's Reign.

BREWSTER'S INCYCLOP/EDIA.

This day was published, handsomely printed in Quarto, and illus-
trated with a Map of Ireland, and 19 beautiful Engravings
from original Drawings by Nicholson and Farey, Volume XIL
Part I. (Price One Guinea, boards,) of
THE EDINBURGH ENCYCLOP)EDIA; or,.
of Arts, Sciences, and Miscellaneous Literature.
Conducted by DAVID BREWSTER, LL D. Fellow of the
Royal Societies of London and Edinburgh, and of the Society of
Antiquaries of Scotland ; Member of the Geological Society of
Landon, of the American Antiquarian Society, and Honorary
Member of the Literary and Philosophical Society of New York,
and of the Royal Physical Society of Edinburgh.
The principal Articles in this half volume are :—lmaginary
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Volume XIL Part IL will be published early in ApriL

Paoutanaant Juvaxiats, pramils Acadenticis dignatat.—
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We feel pleasure in publi•liing the following letter,
as transmitted to us, in cor.firraticir of a par,,grayh
which appeared in our Paper, relative to the cure et
that general and dangerous complaint Rupture:

1793. Iwo. 7s.

LATIN and Exown VOCASULAIIIT, for the use of Schools.
By John Jones, Author of The Greek Grammar. 12mo. as. bd.
By the same Author,
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Grammar, it is presumed, while it is adapted for the us, of
moat humbb Learner" by It, simplicity, precision, and brc-ri:),
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teacher, by the novelty and solidity of its principles.
An Intaossocuou to the Ss I! UT of Glarus UaarstAa ; with
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