The Sun.
London, England, 1851-05-19 00:00:00

THE SHARE MARKETS

ITALY.
The Risorgimento of Turin states from Rome,
under date of the 6th :—" The day before yesterday
was the anniversary of the French Republic. The
Pontifical Government had begged General GEMEAU
not to celebrate it with too much magnificence; there
was, consequently, only a review. Some quarrels
took place in the evening between the French and
Pontifical soldiers, in which there were some killed
and wounded. Several arrests have taken place. It
is said that all the French troops are to be sent from
Rome."

The Risorgimento of Turin of the 13th, states
from Ferrara that several detachments of Austrian
troops have lately arrived in that town from the Ve-
netian states.

Letters from Florence of the 9th, in the Risorgi-
mento of Turin, state that several persons, among
whom was Count PIETRO GUICCIARDINS, have been
arrested at Florence by the police.

HER MAJESTY'S THEATRE.
Beethoven's great work, Fidelio, is announced for to-
morrow. The lovers of the highest school of dramatic
music can thus no longer complain that their
tastes are continually postponed to the more
popular claims of the modern French and Italian
composers. It will introduce to our amateurs, in
Malibran's great part, a new talent, which seems to have
taken the critical public of Paris by storm—that of
Sophie Cruvelli. She made her debut there in Verdi's
opera of Ernani, and it is thus that one of their leading
journals speaks of this rising star:—"Never did
debut excite more sympathy and more interest. There
was at first an agitation mingled with surprise. People
wondered by what strange hazard so fine a talent as a
singer, so great power as a tragedian, had been pro-
duced almost unlooked for—at the last moment—and
without any of those announcements which precede the
most ordinary celebrities. The affiche had been of a
rare modesty, the press had maintained a prudent re-
serve. At first the audience accordingly hardly ven-
tured to give themselves up to all the enthusiasm which
they felt gaining on them. But the doubt was not of
long duration, and before the debutante had finished her
eabaletta frantic applause burst from every quarter of
the house."

ROYAL ITALIAN OPERA.
Der Freischutz was given on Saturday evening with
no less than three novelties in the cast. Tamberlik re-
placed Maralti as the Giulio, Tagliafico took Massol's
old part of Chiliano, while Madlle. Bertrandi was sub-
stituted for Madlle. Vera in the Annetta. Madlle. Ber-
trandi acted with great archness and a degree of naive
coquetting which told well with the house, while she
sang the music of the score conscientiously and
textually. Altogether her debut was a decided suc-
cess. Agata is one of Madame Castelien's
best parts, and she sang it with her usual faci-
lity of attack and brilliancy of execution. Tamberlik's
voice, which was in the opening scenes somewhat un-
steady, speedily worked up and mellowed out, and he
gave the music with a fervour, and energy, and an evi-
dent appreciation of its beauties, which is not always
evident in Italian renderings of German composition.
The immortal aria "Par i boschi "—" Through the
forest "—was sung with intense feeling, and was loudly
redemanded. Tagliafico gave the music of Chiliano
with his usual vigorous certainty of intonation and in-
terest. Formes was the Caspar, and played and sang
the character as he alone can do. His dying scene was
a startling bit of semi•demoniac acting. The opera
went, chorally and orchestrally, without a hitch. Her
Majesty was present throughout the performance.

3RITISR RAILWAYS.
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Nondial Prices. I Businl
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