The Sun.
London, England, 1856-12-25 00:00:00

THEA.TRE ROYAL, DRURI LANE.—
Lessee, Mr. E. T. Smith.

Acting til tnager, M

GREAT ATT

First Ni,g.

TION for the C!ETtIS

of th

age Manager, Mr. R.

LIDAY

the most

'lle will take

magnificent ever
The First Morning Performance of the Pa
place on WEDNESDAY, Dec. ;.1, at 2 o'clock..
The great Comedian of the age, Mr. Charles Mathews, and.
a powerful Dramatic Company.
On BOXING-NIGHT, Dee. 26, and following Evenings,
her Majesty's Servants will perform
AGGRATATING

SA7A,

In which Mr. Charles Mathews and the talented Dramatic
Company will appear.
After which will be produced an entirely new and original
symbolical, hyperbolical, parabolical, and extra-physiog-
nomical grotesque, statuesque, and picturesque Grand Comic
Christmas Pantomime, which for some time past has employed
the unrivalled resources of this extensive establishment, and
which will be called or entitled, as it is entitled to be called,
SEE, SAW, MARGERY DAW ;
Or Harlequin. Holiday, and the Island of Ups and Downs.
The scenery entirely new, painted by and under the direc-
tion of Mr. William Beverley and numerous assistants. The
machinery by J. Tucker and assistants. The properties, de-
corations, tricks, changes, and transformations by Messrs.
Needham, Glindon, &c. The masks, models, and physiog-
nomical devices designed and executed by the celebrated
Dyk wynk yn . The overture and music composed and arranged
by Herr Anschuez. The choregraphic arrangements under
the personal supervision of M. Petit. The comic scenes con-
structed by and under the direction of Harry Boleno. The
peculiar grotesque opening invented and written by E. L.
Blanchard, author of ," Harlequin and the Seven Ages of
Man," " Jack and Jill," "Humming Top," "Hudibras," &c.,
and the whole arranged and produced under the direction of
Mr. Robert Roxby.
Ye anciente and truthful legend on ye which ye pantomime
its story is founded :
"See, saw, Margaret Daw,
" Sold her bed, and laid upon straw."
MSS. of Nursery Rhymes in British Museum.
Region of Reverses, in the Island of Ups and Downs. "Yea,
the Great Globe itself."
" Here we go up, up, up,
" Here we go down, down, down ;
" Here we go backwards and forwards,
" And here we go round and, round."
Juvenile Chords of the earliest period, supposed to belong to
the One. Up, Mr. TophaM ; Down, Mr. Low; Opera-
box, Kid Glove, Tiger and Brougham, and Portenh
-te7ontnetite
(attendants upon Up), Signor Lorgnette. Henl,
Master Saucebox, and Monsieur Chinque ; arc p, Dupli-
cate, Distraint, and Rags (attendants upon Down), Mr. Friz-
bard, Mr. Popill, Mr. Quodharn, and Mr. Patchwell. An-
nual appearance of Holyday in her Emblematic Car. Holyday
(the Genius of the Season), Miss Marian Stanley ; Sport and
Pastime (her attendants), Misses Lovelaugh and Lightheart ;
Dame Necessity (who is on this occasion made a virtue of by
particular desire), Mrs. Selby— How Invention, the Daughter
of Necessity, is called upon to assist the development of the
story, while Holyday invites both Up and Down to enjoy
themselves. Holyday's Home in the Green Bower of Mistletoe
and Winter Garden of the Fairies.—Mistletoe (the Fairy
Queen), Miss E. Wadham ; Fairy Spirits of the Kisses that
have been given under the Mistletoe, by upwards of" 100
Ladies of the Corps de Ballet. Grand Ballet —Miss
Rosina Wright, Mdlles. J. and E. Osmont, and the Co-
ryphees. The Golden Gates leading to the Palace of
Huggamugga.—Herald (with a Proclamation), Mr.
Hornogold. ; Guards, Messrs. Stiffneck, Headsup,
Eyesright, Shonlderarms, Stand-at-ease, and March-
well; Tailor, Mr. Broadcloth ; Cobbler, Mr. Waxcnd; Black-
smith, Mr. Anvil ; the Princess Margery Daw (afterwards
Columbine), Madame Boleno ; Shilly and Shelly (her Maids
of Honour), Misses Dithery and Dothcry. How Margery
Daw has no notion of work herself, arid the contempt she
shows towards those who do work. Interior otthe Palace of
King Huggamugga. King Huggamugga (Sovereign of the
Land of Sixes and Sevens), Mr. Dawking ; Huey-Burly (Lord
Chancellor). Mr. Bigwig ; Niminy-Piminy (the Lord Cham-
berlain), Mr. Noodleclom ; Higgledy-Piggledy (Goldstick in
Waiting), Mr. Muddle ; other Members of the Court, Messrs.
Bow, Scrape, Cringe, Crouch, Tageag, Merrywag, Perriwig,
and Hatband; Court Milliner Madame Crinoline ; Drawing
Master, Professor Crayon ; Governess, Miss Frump ; Music
Master, Signor Hurdignrdi ; Maid in Waiting, Miss Sweet-
temper ; Chef de Cuisine, Mr. Cook ; Prince Popinjay (of
the Land of Prettistory), Mr. Finefeather ; his Retinue,
Messrs. Glare, Dazzle, Gleam, Glitter, and Cntashine. How
the Princess is taught a wholesome lesson by Necessity, and
of the change that takes place in consequence. Cottage of
Necessity, with a Prospect of Hard Work in the Distance.
The Enchanted Workbox—The Sampler and the Exemplar,
and the pretty piece of work that Margery Daw makes of it.
Inhabitants of the Workbox :—Row of Pins, Messrs. Sharp,
Bent, Crooked, Pinaday, Gr6atayear, &c. ; Regiment of
Needles (ready drilled), Messrs. Largeeye, Smalleye, Longsix,
Splltup, Snapoff, &c. ; Thimble, Master Tom Thumb ;
Worsted, Mr. Bawlaway ; Bodkin, Mr. Pierce ; Tape Mea-
sure, Mr. Inchbald; Hook and Eye, Messrs. How and Some-
bodyelse ; Shirt Buttons, Mr. Earlypurly ; Scissors, Mr.
Shearsteel. How Margery Daw makes an important discovery
and the audience also, and how, led by Necessity, she is com-
pelled to alter her opinions and change her position. The Mine
of Labour, leading to the Mine of Wealth.—Labour (the Parent
of Health, Wealth, and Happiness), Mr. Strong'i'th'arm.
What Margery Daw goes to see, what she saw', and the re-
ward that Holyday bestows. Grand Scenic and Mechanical
Effects, exhibiting (in process of construction) the Fairy Fac-
tory of Fancy, completed with the assistance of Labour and
Imagination. Brilliant Tableau. The Transformation :—Two
Harlequins, Herr Deulin and Signor Veroni; two Sprites,
the Brothers Elliott ; two Pantaloons, Mr. Barnes and Mr. G.
Tanner; two Clowns, Messrs. Harry Boleno and Flexmore ;
the Gent, Mr. Halford ; two Columbines, Madame Boleno
and Miss Honey. The Ups and Downs of the Haeequinade,
showing the Ins and Outs and Turns About of the Pantomime
Rally ; Toy Warehouse, Butcher's and Baker's Shop
(Bolenos. DenlM, Tanner, and Halford).—A pink of polite-
ness—Clown very toyish—Getting a nutcracker, which turns
out a nobby toy—First and last toys for gambling—Marbles
versus dice--Despatches, loaded, and off they go —Harlequin
takes a private box —Clown takes Chatterton'a situation as
boxkeeper—Kite-fiying—:A. game of Cricket, by which some
of the players get bowled out, and afterwards stumped,
which turns out, a lona stop—The uses and abuses of the Crin-
oline. —A Jack in the box—A box of regular British toys and
a basket of French bread (bricks)—Aldershott a size smaller
—Grand review of infantry —A military ball—Going in for a
buster Coming out with a roll—Clown make a peel to
baker's feelings—List, oh, List—Squaring a round of beef—
Clown takes a steak and gets a chop in return—Pantaloon
tries his hand at a game and loses by it —Cat and come again
—Clown takes a butcher's shop. which Harlequin makes too
hot to hold him. Tailor's Shop and Perfamery Warehouse (Ve-
roni, Barnes, and Honey). A gentleman in search of a tailor—
A suit that is quite the ticket—T.lß Oude wrapper—Railway
wrappers—Transfer depot—Washing machine—extraordinary—
Something that won't wash—Cleaned out—Scent in and sent out-
Foreign versus English toothpowder—Hungary water—A
Frangipani bouquet—Wonderful effects of the Pistachio nut-
powder —A case of real distress—Pantaloon in a fix—Fur
nished Apartments for Single Men (Bolenoa, Detain, and
Tanner).—Clown and Pantaloon in l;igh life—A domestic re-'
volution—'furring the tables—To bed, to bed—A drop too
much Clown now begins to reflect —The looking-glass follows
his example—Two heada better than one—Clown takes a turn
on the sofa, which also takes a turn on its own account—
' Multiplication altercation, which ends with a regular row in
the house. Jndkia's Gas-regulating Machine and General
Patent Office and Stationer's Shop (Veroni, Barnes, and
Honey.)—Cloivu, being in Fleet-street, goes the pace rather
fast—The language of the eyes (I-talian of course) which
everybody understands—Bath post versus London post—Re-
gulators Wanted : railway regulators, army regulators, gas
regulators, smoke regulators—Sewing, cutting, washing,
pressing, and ironing done by a turn—Clown makes a shift
which makes Pantaloon a little shirty—A box of common
scents —A fresh supply of blacks ,from America—A Dred-ful
scene ensues. Mechi's Model Farm (Eolenos, Deuln, and
Tanner )—Harvest-home —A rakish dance by rustic lads and
lasses—The milky way—Harlequin makes a pump of himself
—A strong smell of game—A farm-yard visitor—Clown finds
the pig a very great bore—Pantaloon finds the dog gets
greatly attached to him —Prize Poultry—Cochin China and
couch in England —Novel hatching—The old mail—Full in-
side—Clown off by the Express and Pantaloon by the
Rocket—Mappin's Cutlery and Shilling Razor Warehouse,
King William-street, City (the whole of the double
company will appear in this scene )—Pantaloon proposes
to take a bus—Present and future—Weight of public opinion
—A change for the better—The people's own bus—When
fool meets fool then comes the tug of fun—Collision, crash,
smash, and dash—Garotte preventive—Moustache move-
ment—A pair of sharp blades—Clowns 'prove themselves a
case for cutlery—Holloway stopped by Holloway's oint-
ment—The duel —A cut direct—Forewarned, forearmed—
Public nuisances of 1856—0 h, my Crinoline—A high wind,
a regular blow up, and: glorious termination to Ups and
Downs in Holiday's Fairy Home.
The reduced prices as follows, varying- throughout the
house to suit every one :—Galleries, 0.1. and is. ; Second
Circle of Boxes, is. 6d. ; Pit, 2s. ; First Circle of Boxes,
2s. 6d. ; Dress Boxes, 3s. ; Stalls, ss. ; Private Boxes,
105. 6d., P. ls., 1/. lls. 6c1., and 21. 2s.