The Sun.
London, England, 1855-10-30 00:00:00

the successful comedy.

MARRIED FOR MONEY. Characters by Messrs. Chas.
Mathews, R. Roxby, A. Younge ; Mrs. F. Matthews, Miss
Oliver, and. Miss Mason.
- -

To be followed by (second time) a new interlude, entitled

TWENTY MINUTES WITH A TIGER. Characters by
Messrs. C. Mathews, A. Younge, Swau ; Miss De Yore and
Miss Wadham.

To conclude with (each evening) the Grand Egyptian Spectacle,

NITOCRIS.
Principal characters by Miss Glynn, Miss Cleveland, Miss
Anderton, Mrs. Selby ; Messrs. Barry Sullivan, Stuart, F.
Edgar, G. Wild, •&c., introducing an Egyptian Dance, in
which Misses Rosina Wright, Charles, Brown, and the ladies
of the Corps de Ballet will appear.
On Saturday, after the Comedy, Married for Money, Sheri-
dan's dramatic piece, The Critic, or a Tragedy Rehearsal, in
which Mr. Charles Mathews will sustain the characters of
Sir Fretful Plagiary and Puff; supported by Messrs. Stuart,
Vincent, It. Roxby, A. Younge, G. Wild, Swan, Templeton,
Worrell ; Mrs. Frank Matthews, Miss Wadham, &c.
To conclude with a new Ballet Divertissement, in which
Miss Rosina Wright and the Ladies of the Corps de Ballet
will appear.
Nicoefus.—Mr. E. Smith, anxious to make the spectacle
instructive as well as amusing to the patrons of this Theatre,
has obtained, at considerable trouble, the Description of the
41frand Egyptian Coronation Procession, arranged and adapted
to this stage by " Dykwynkyn," from the works of Clemens,
Heroclotus, Strabo, Plutarch, Diodorus Sieulus, Jablonski,
Lopsius, Devon, Champolion, Rosellini, Savary, Wilkinson,
and other authorities in the British Museum, the publishing
of which may prove interesting to the numerous patrons wit-
nessing tho spectacle, and can be had in the Theatre for one
penny. Military Entree—Egyptian Soldiery in full costume,
marching three deep, with Band of Trumpets and Tympanum,
or Hand Drum. Tho Agathothemon, or " Good Genius"
(Winged Globe), under whose protection the persons
of Kings and Temples of Gods were placed, is
borne first, and in succession the other Symbolic, Royal, and
War Standards. The Lybian Forces, Allies of the Egyptians,
with Band and Symbolic Standards respectively. The Ethio-
pian Guard, with Characteristic Symbols, Standards, &c.
Idolatrous Procession. Note—Every City, Month, Day, and
Hour had its presiding Genius. Singer, with the Book of
" Hermes." Horus Copns with Palm Branch and Hour
Glass. " The Hierogrammat," or Sacred Scribe (in his hand
the Book, Ruler, Papyrus, and Palette). Two Functionaries
with Emblems of " Power" and " Stability." No. 1. The
Ark, or " Shrhie of Knoumis," called also 0 Knoum," "Neph,"
or " Num," i.o. " Water."—The primary form of " Amnon,"
and styled " The Leader of Gods"—" The Creating Intelli-
gence"—" The Spirit of God"—" The Spirit of the (Vernal)
Deity"—" The Soul of the Sun," and by the Greeks "Jupiter
Chnumis." Worshipped by the inhabitants of Thebais (Plu-
tarch). The asp was sacred to this god. The Ark, bearing his
hieroglyph, with that of the beetle, or " Creative Power," is
also decorated with this emblem. Symbolic seandard of "Athor"
(Venus), the oracle of Night or Darkness (? chaos), whence
arose all created things (Egyptian belief ). Symbolic
standard of ditto. The Sybil, bearing the emblematic rush
wand, with " Ileka,"" The Frog," the son of " Num," and
typo of the first state of man. No. 2 "Ma," " Meii," or
" Thmei ;" or " Truth," " the Blind Goddess, represented
with her eyes closed or blinded. The priests bearing this god-
dess have libation buckets and simpula. " Thinei," or Truth, or
Justice. This deity has also a twofold character as the God- •
dess of Truth and Justice. The small image of this god was
worn by the Chief Judge while engaged in listening to cases
brought before him, A similar emblem was worn by the High
Priests of the Jews, and it is remarkable that the word
" Thummin " is not only translated " Truth," but, being a
plural or dual word, corresponds to the Egyptian word of
" Two Truths"—i. e. "Light and Truth "—breastplates hav-
ing the figures of the two gods, " Re" (Light) and " Thmei "
(Truth) represented upon them have been discovered. Priests
with Scarabiei. The Searabams may be considered as an em-
blem of " The Sun"—of " The Creative Power," and of the
God " Phthah" (Vulcan). Incense Bearer, waving his incense
patera before the god. The incense was in the shape of a
small globe or pill; and, upon modern analysis, is found to
consist of aromatic substances with gum, and gave out co-
loured light or flame when thrown into the burning cup. No.
3. " Apis ;" His titles were " The Sacred Bull of Memphis."
" The Bull of Abundance," " Adored by the People," " The
Sacred Bull of Pthah," " Guardian of the Solar Year,"
" Apis renowned over the world," " The Symbol of Inunda-
tion." Richly draped and on a car led by Priests bearing the
emblems of " Serapis" or " Sari Api," " The Pillar of Mensu-
ration, " Column•of Measurement," or " Nilometer" of wood
divided into cubits. Attendant priests also fen the idol and
offer homage as it passes forward. The festivals in honour
of Apis lasted 7 days, on which occasion a large concourse of
people assembled at Memphis—the priests led tho Sacred
(living) Bull in solemn procession, every ono coming forward
from their houses to welcome him. Pliny and Solinus affirm
that children who smelt his breath were thought thereby
gifted with the power of predicting future events. The tokens
which distinguished this Sacred Bull at its birth were a white
spot resembling a crescent on its right side, and a lump under
its tongue in the form of a beetle, as pretended by the priests.
The people believed him to be the cause of the swelling and
inundation of the Nile, which produced fertility and abund-
ance, and celebrated his festival at about the period of this
annual oocnrrence with every demonstration of rejoicing and
literal abandonment to the intoxication of joy all over the
kingdom. Many temples were erected and dedicated to
" Apis," and also to " Serapis," the divinity of the Column
of Measurement—the Nilometer N.B. The decorations of
the drapery upon the bull and carriage are principally com.
posed of the first flowers that spring from the earth after the
recession of the flood—i.e., the Lotus and Meliolotus. Priests
with the pretended God " Canopus," or Water Offering to
the God of the Nile. "It is said that the Chaldeans, trans-
porting the fire, which was their God, into all the provinces,
offered to let him combat with those of other nations,
on condition that if he remained the conqueror they should
adore him. The priests of Canopus accepted the challenge and
devised this stratagem. They fabricate in Egypt pitchers of an
extremely porous earth, through which the water filtrates and
is purified. The Arch-priest took one of them, stopped the
pores with wax, and painting it of various colours filled it with
water, and made it his god. Ha covered it with the head of
an ancient statue, said to be that of the pilot of Menelaus.
The Chaldeans presented themselves ; the contest began ;
they lighted their fires around the vase ; the wax melts, the
water runs through the vase and extinguishes the fire. The
fraud of the priest gave the victory to Canopus over the
Chaldean deity. From that moment his image has been re-
presented with very short feet, a narrow back, and the belly
and back rounded like a pitcher. It is under this form that
he is worshipped as the vanquisher of all the gods."—Ruffin
Histoire de l'Eglise, livre second. No. 4. The Goddess
" Pash-t," " The Memphian Lioness," " The Beloved of
Pthah," "The Goddess of Fire," "Bubastes" (the Diana of
the Greeks) preceded by sacred dancers. The Idol carried by
priests in their leopard-skin dresses, with red incense flaming
before her, and surrounded by " Symbolic Divinities,"
" Winged Geniuses," &c. One or the principal festivities
held in Egypt was at Bubastis in honour of the Pash-t--
700,000 persons of both sexes beiug present. A great num-
ber of victims were sacrificed, wine was profusely drunk,
dancing of the wildest character went forward, men played
flutes, women sang and shrieked as loud as possible,
struck the " Crotola" (cymbals) or clappers of wood and
metal, Bee. Lotus Dancers (Females). Incense Bearers. No. 5.
The god " Osiris," " Osiris Pethempamentes" (the Pluto of
the Greeks). "le who is resident in the Hades," " Presi-
dent of the Amenti," " Receiver and Giver," " The Sun,"
" The Eye of the World," " The Source of the Nile," " He
who has many Eyes," a form of Ammon, wearing the " Ati,"
and having the Crook and Flagellum ; regarded as the author
of Time, from the word, " Osch-Iri," " the maker of Time."
The principle office of this deity was to judge the dead, and
to rule over that kingdom where the souls of good men
were admitted to eternal felicity. This deity was very
famous— his temples and priests were to be found in al-
most every part of Egypt ; the sacred rites of Osiris were a
profound mystery, never revealed. His name was even
avoided, as of too august a nature to be mentioned. The "Ivy,"
with which the Priests decorated themselves, was sacred to
him, and also the " Meliolotus." No. 6. The Sacred Boat of
the Amenti, or Lower Regions, with the four genii, or demi-
gods (bearing emblems of life and power) and their vases of
Amenti," or that subterraneous region where they (the
Egyptians) imagined the souls of the dead to go after their
decease. The first genius is " Amset," " Judge of the
Amenti" (human-headed). The second is " Hepi," " Con-
cealed Number" (baboon-headed). The thirdis " Tuautmutf,"
"Adorer of his Mother" (jackall-headed), The fourth is
g' Kabh-senuf," " Refresher of his Brethren" (hawk-headed).
Tho Sepulchral Vases have heads in shape of the four genii of
• the dead, and each was employed for holding a portion of the
Vim:Jere of the deceased, embalmed separately and deposited in
them. On the " Amset" Vase is inscribed the speech of
" Isis" to the dead ; on that of " Hepi" is a similar speech from
"Nepthys ;" on that of "Tuautmutf, one from "Neith;" and
on that of " Kabh-senuf," ote from " Selk ;" the purport of
each being an assurance of protection, and of being "near thee,"
" beside thee," or " I come to be beside thee." The Sacred
8,, e
Boat is followed by the symbolic " Eyes of Osiris," or of
Sun," emblems of the all-seeing presence of the Di-
vinity. Note.—Besides the Four Amenti, here were 42 As-
sessors or Judges of the 42 Crimes, from which a good man
should be free ; and these also differ from the 36 Demons
mentioned by Origen that presided over the human body, and
were invoked to cure the infirmities of the peculiar member
immediately under their protection. No. 7. The Goddess
" Isis," or " The Seat." The hieroglyphic throne on her
head, and followed by the priestesses and virgins dedicated to
Beginning"
(as her
Queen of
alEsno;), ndThae‘ ‘
her worship. Isis was styled also
sister, "Nepthys," was
Egypt," " The Goddess of the Moon," " Defender of
ker Brother," &e. (The " Ceres" of the Greeks.) " The
festival," says Herodotus, " which they celebrate-at Buse_
ris in honour of Isis is magnificent. After prayers a
bull is sacrificed, which the priests cut np and afterwards
burn, pouring oil on the fire while the victim is con-
suming. Kneeling and striking themselves in honour of
' Osiris,' they afterwards eat what remains of the sacrifice."
Tamarisk and Dancers. No. 8. The God " Horns" (or Khons-
Horus, the Apollo of the Greeks, In-hieroglyph The " Tho
Warmth of the Sun," " The Path" (of the Sun), Sup-
port," a " Defender of his Father," &c., the Sou of Osiris and
Isle. He is represented with the single mystic lock of Hair
of Childhood slaying his evil geniuses, under the forms of the
lion, the gazelle, scorpions, vipers, Ac., while Typho, Typhon,
Seth, or Baal, " The Evil Spirit," is escaping from beneath
his feet in the shape of a crocodile. He is attended by his
sacred emblems and standards. The Hawk was dedicated to
him, the Tamarisk Tree, the Testudo (Lyre), &c. One of the
principal duties of " Horns," was that of introducing the
souls of the dead into the presence of " Osiris," after they
bad passed the ordeal of final judgment. He also assisted
"Amset" in weighing and ascertaining their good conduct
during life, previous to their admission into the august
presence of his Father in the blessed regions of
the Amenti. Incense Bearers. No. 9. Tho Goddess " Nep-
thys" (" Proserpina" of the Greeks), called also "Tho End,"
"The Sister Goddess," "The Saviour Sister Goddess," "The
Barren," " Rectrix of the Lower Regions." On her head the
hieroglyphic emblem of her name, a bowl and basket, called
" Neb," placed upon a house, answering to " Ei" or " Tel,"
"Neb-tei" or "Neb-thy," " The Lady of the Abode." " The
Sistrurn, having the face of Isis on one side, and Nepthys on
the other, hieroglyphically represents the beginning and the
end, or generation and corruption.' "—Plutarch. No. 10.
Tho Goddess " Neith " (the " Minerva " of the Greeks,) en-
raned with sceptre, and wearing the " Teshr," preceded by
Musicians, Male and Female Bearers of Incense with green
fine and surrounded by symbolic divinities. "Neith" was