The Sun.
London, England, 1855-11-02 00:00:00

No. 19,6:-4.]

styled " The Mother Goddess" or " Mother of Gods," " The
Deified personification of Air."—(Dioctorus.) She presided over
the Upper Hemisphere, and was particularlyworshipped at Sais.
Musical instruments stringed (the Brion! or harp of 17 strings,
especially) were dedicated to her. " Neith," or " Neth," is
the supposed origin of the Greek name, " Thena," or
" Athena." The belief of the Egyptians in " the Existence
of a Supreme Being " is proved by the inscription over the
Temple of Minerva (Neith), in hieroglyphic characters, viz. :
lam that which is,.which was, and shall be. No Mortal
has lifted up my veil—the offspring of my power is the Sim."
And the" Immortality of the Soul," by the prayer recited
at the time of death, by an Egyptian, expressing his desire to
be received into the presence of the deities. Symbols of Mau
and Tefnu, and 2Egis or Athor. No. 11. " Mersekar," the
Snake Goddess, called also " Melsigor," or " Mersokar"—
" Ruler of the Lower Regions." No. 12. The Great God
" Ammon," or " Hamman," " Amen," " Amen-ra,"
" Amoun," " The King of Gods," "The Concealed," " The Hid-
den," " The Intellectual Sun," wearing on his right head the
" Teshr," surmounted by the Disc and Plumes. Iu his right hand
the "Tau," or.emblem of life, and in his left the " Gore," or
sceptre power. A large Altar of Burning Incense is car-
ried before him ; on either side are his symbols of " creative
power," the Sacred Ureus, or Serpent of Ammon, Priests
with crooks and fans, in their habits and insignia of the high-
est order, with the 2Egis of the God— " The Intellectual Sun"
- • containing the symbolic " All-seeing Eyes," " The Divine
Scaraba3us," and the Ram-headed God, " Chroumis," the
vernal creative intelligence or divinity. The King and Queen
Crowned. The King bears in his hand the sceptre of " Truth,
Justice, and Mercy." The Queen that of the Sovereignty of
the Nile. They are preceded by Dancers and Musicians, La-
dies and Officers of the Court and Household ; the God
" Eilethyia," or Sacred Vulture, " The Protectress of Kings"
—" The Pare," borne immediately in front of the Royal per-
sonages. The State Flahella, behind and over their heads,
together with the banners of Nitocris and Egypt, frrked by
the Royal oaks of " R 6 " (the Sun) ; sacreil.,symbols, with
various insignia; royaliand military stan lards, &e.

lIOYAL LYCEUM THEATRE. —THIS
EVENTING, and every evening during the
week, the GRAND ELEUSINIAN SPECTACLE of MAGIC
and MYSTERY,. by Professor ANDERSON, the Great
Wizard of the North, in 12 acts, with ever-changing variety
of incidents, continuous surprises, novel and extraordinary
effects.

Magic and Mystery is an entirely new entertainment, pos-
sessing distinctive characteristics and peculiar phases of
amusement: :It is not a monologue, for the audience them-
selves perform their parts with the principal actor, some of
them on the stage and others in front ; it is not an exhibition,
ror though everything becomes metamorphosed before the
eyes of the visitors no one can be positive that he sees any
one thing; but it is a comedy really performed by the com-
pany ; a melodr ma replete with startling positions and unex-
pected denouements ; a magnificent spectacle, with 2,000 of
the public every night to app ,ar as auxiliaries ; and an ex-
invaganza, in which all that seems to be is entirely beyond
the bounds of probability.
Professor Anderson returns his thanks to thronged and
ashionable audiences which have nightly filled the Lyceum
Theatre to overflow, and by means of whose generous aid he
has been enabled to announce Magic and Mystery for con-
tinuous repetition. Ho believes that no professor of his art
has at any time or in any place been honoured with an
amount of success so extensive, so decided, and so unusual.
He would attribute that success to three causes ; first, that
in his present entertainment he has placed before his visitors
the results of a life sedulously devoted to the attainment of
perfected skill in one peculiar art, and to perfect which he
has travelled the globe in every clime ; secondly, that he has
spared no trouble nor expense,to put this entertainment on
the stage in the most elaborate manner, by the employment
of the first mechanicians and artists of the day ; and thirdly,
hat, while endeavouring to provide amusement for those
who honour him with their presence, he has not forgotten that
it is possible to afford information also, and that the oppor-
tunity should not be neglected of exposing conjuring where-
ever it has been used for nefarious purposes, "or whenever by
resortieg to the conjuror's arts, in an illegitimate manner,
the designing have succeeded in making dupes 'of the
credulous.

The 937 letters on the subject of spirit-rapping, which Pro-
'essor Anderson has received, from the time of opening the
theatre up to the present date, bear witness to the great in-
crest taken on the subject of this singular delusion ; whilst
many of them bear melancholy evidence to the danzers which
attend a belief in the superstitious nonsense of the " Spiri-
tualists." Judging simply by the correspondence which has
resulted, Professor Anderson's expose of spirit-rapying and

_
his illustration of the so-called table phenomena, have pro-
ducela seusatinn unequalled by any previous attempt to ex-
pose a mischievous and impudent juggle. Ibis impossible
for Professor Anderson to reply at length to a tithe of the
communications which reach him on the subject. He regrets
that many of these should come from ladies- and gentlemen
who, from their position in society and their well-known in-
tellectual attainments, he would least have expected to have
been converts to a belief so preposterous in itself, and so
easily susceptible of being controverted and disproved. Every
evening, from the Lyceum stage, Mr. Anderson's opinions on
spirit-rapping are expressed, and every evening, NVitlftn the
Lyceum, how tables can be made to rap is exhibited
and elucidated., It is respectftilly requested that this
Public exposition will be accepted generally as Professor
Anderson's only mode of replying at full length to his
multitudinous correspondents. II e regrets that the
names of the great and learned of the land should
have been made to figure in the documents emanating
from the spirit-rappers, as for instance the following, ex-
tracted from the Morning Advertiser of Thursday, Septem-
her 20, and taken by that journal from the New York Spiri-
tual Telegraph. It purports to emanate from an American
soirit-rapper, Mr. D. D. Hume :—" Sir David Brewster
frankly confesses that he is sorely puzzled' at what he has
Witnessed, and Lord Brougham acknowledges himself to be
thoroughly nonplussed. Both of these noted men brought
'he whole force of their keen discernment to bear upon the
elution of the phenomena; but the presence of substantial,
actual hands, and the demonstrative strength of the spirits
_ _

who thus clothed themselves for the time, and moved mate-
rial objects about the room, proved to be too much of a ques-
tion for them to master." Mr. D. D. Hume, the author of the
shove, bas recently left England, and the following account of
who, and what he is, occurs in the Family Herald, No. 648:
—" This young man, who is a Scotchman by birth, and now
M Italy, is a remarkable medium for all the manifestations
without apparatus. Barnum. who is. well-known throughout
'he Anglo-Saxon world as a splendid humbug, offered him 2,000
dollars per annum if he would perform at his museum iu New
York. Barnum then took it for granted that medium could
he bought. He was somewhat astonished when his offer was
refused. Hume, on telling the fact in London lately, simply
and honestly remarked, that the money would have been very
acceptable to him, for he was poor, young (under 2U), an or-
phan. and in very bad health : but he would have been afraid
of losing his power as a medium, and he would sooner lose
his life. The refusal, however, made Barnum thoughtful.
He inquired into the subject; and now Barnum, one of the
greatest humbugs in the world, and withal a conjuror, is
one of the firmest believers in spiritualism." It is cer-
tainly surprising to find such a paragraph as this in the
editorial article of an established journal, the editor of whom
might be supposed to be sane. Even if Barnum does believe
in spirit-rapping does spirit-rapping gain or lose by
this accession to its adherents ? and. with Barnum's endorse-
ment to it, is this bill, drawn on public credulity, more likely
to be negotiated ? Professor Anderson would believe not :
but, when he finds that educated clergymen of the Church of
England have the temerity to subscribe their names to so gross
s swindle. when he finds that the Incumbent of Wortley (the.
Rev. N. J. Godfrey) positively asserts his belief in it, and
writes a book on the subject, he considers it t be time for
him to state that which he knows of the mechanism by which
it is effected, and the mischief to which it tends. In the
Morning Advertiser of October 3 appears a letter froni Sir
David Brewster, relative to that which he saw at Cox's Hotel.
'n com'anv with Lord Brougham. He distinctly states that
which the Wizard of the North proclaims every night—that
spirit-rapping is nothing more than conjuring applied to bad
purposes. In the Morning Advertiser of the following day,
however, there is an answer to Sir David's letter from one
who was present when he and Lord Brougham had their
seance with the spirits in which the writer says, that " the
table (a large dinner-table, I believe) moved about in the most
extraordinary manner, and, among other things, a large ac-
cordion was conveyed by an invisible agency to my hand and
then to Lord Brougham's, in which, held by his lordship's
right hand, apart from any person, it played an air through-
out." With such a statement, printed for the edification of
the people of the 19th century, with the facts before us that
the most talented men of the day are permitting themselves
to be deluded by these juggling spirit-mongers—that the
greatest novelist of the age is now engaged .in making it the
subject of a new work, and that a " spiritual convention"
has actually been advertised to be held in St. Martin's-hall,
Professor Anderson trusts that his exposures of the spiritual-
ists of America, as given by him nightly at the Lyceum, will
be received by the people of England as genuine honest at-
tempts to provide an antidote for the bane of the spiritual
jugglers.
In the course of the last five weeks 100,017 persons have
visited the Lyceum Theatre,—a larger number, it is believed,
than has ever before been assembled within its walls in so
short a period. Magic and Mystery is repeated every even-
ing, the programme being continually changed. Grand
fashionable Day Performance, or Saturday, November 3, at 2
o'clock ; the programme being thus arranged ;
Part I.—Act 1. The Mesmeric Couch : or, the Clinical
Capabilities of the Atmosphere : in which the Wizard will do
by magic that which some suppose to be effected by mesmer-
ism, and illustrate the possibility of sleeping unsupported in
the air.
Act 2. The Aqna-Avial Paradox; exemplifying the power
of producing animated nature from fire and water only, and
the possibility of eliciting from the simplest elements the most
complex forms of ornithological existence.
Act 3. Le Livre des Reeueils Choisies : or, Puck's Own
Pocket Rook, with Puck himself within it. Typifying the
evening's entertainment in the production of the very I
bringing
volu-
minous,,u from a small volume, in the extraction of magnitude
ortiotsf mhinteness, in developing bulk where no space appears
placef..
e Act for..4. to_
Magicalb. e found,
Locomotion
mfistence, in discovering odd things in odd places, and
forth unexpected wonders from the most unlikely
n.g
Riinng7htihchePeregrinations
beo.mcoomtiporin
comprised—the
tThreaAnsdivtieonntnwrietehoeuf taTlvroend--
into gztations of a Bank Note, the Transfor-
mation—blackin the position which and the Discovery of every Article
Act 5. L'Ecrin de Verge;
would seem the most inappropriate.
or, the Casket of Creesus. Into
and snspeneed so as to be vyisoible
which, though made entirely
thoughv
glass perfectly transparent,
oft:i theis eyes of all present,
knei into the et h
e casket,popossession
the Wizard will cause the moneyltsitorlzdtobteraenlsepeeodrt,
ssion of the audience.
Act 6. Clairvoyance Extraordinary •
l
, or, the Transparency
tosecllfeda, nadndrati
of Opacity.
Act. 7. A New Bottle of Bacchus ; or, the Novel Wine
and Spirit Store. An improvement upon the " inexhaustible
bottle," inasmuch as the Wizard's bottle will not only be in-
exhaustible, but will change its contents, ad infinitum, at the
word of command, producing soda-water, butter-milk,
Epsom salts, Port, Sherry, brandy, gin, rum, whisky,
noyeau, or any other wine or spiritrequired ; and finally
proving to be filled with pocket handkerchiefs perfectly dry,
and occupying the whole space when tightly packed.
Act 8. Half an Hour with the Spirits ; or, an Expose of
Spirit-rappinT. Introduchig the spirit-rapping table and
tocsin of the invisibles.
Act. 9. Grand Mystic AMalgam, in which the property of
the Wizard's patrons will undergo some strange metamor-
phoses, and, amongst others, their handkerchiefs become
transformed into the flags of victory—the banners of En g •
land, France, Turkey, and Sardinia.
Act, 10. The Enchanted Chair of Comus, in which be who