The Sun.
London, England, 1855-05-10 00:00:00

SPAIN.

MADRID, Bth.—The Cortes yesterday voted the
third constitutional basis. It. to-day rejected, by
a majority of 119 to 18, the vote of censure on the
Governor of Madrid, proposed by the democratic
deputies.

The King of Bavaria arrived at Rome on the
27th, under the incognito of Count of Augsburg,
and on the following day paid a visit to the Pope.

The late Cardinal Oppizzoni, Archbishop of Bologna,
has left all his "fortune amounting to 100.000 scudi
(5,400,000 fr.), to the Banca de Misericordia, a charitable
establishment in that city.
The commercial accounts from New York. yesterday
describe a tendency to improvement in the stock-mar-
ket, owing, in a great measure, to the advices from
England or the reduction in the Bank rate of discount
at the beginning of last month. The shipments of specie
and the delay in the receipts from California consequent
upon the San Francisco banking difficulties still operated
unfavonra lily, and but for these circumstances there
wor.id apparently have been more buoyancy, the con-
traction of business being such as to reduce the de-
mand for money to a point much below the ordinary
supply. Illinois Central Bonds were at 76k, New York
' Central at 92A, and Erie Railroad stock at 51i. Ac-
cording to a circular of Messrs. Blake, Howe, and
Co., of Boston, the most flattering accounts are given of
the growing crops in the West. Notice had been
published that the Crystal Palace at New York must be
cleared of all goods by the 30th of June, and the owners
of imported articles were requested therefore to take
them away as soon as convenient, the Secretor), of the
Treasury at Washington having meanwhile issued a
liberal letter of instructions for their
Custom-house, passage at the

TLi 110 Y A

The 37th annual exhibitio•t of the Royal Acalemy waq
opened view on Monday last, and, we need
scarcely say, was crowded throughout the morning with
the aristocracy, the cite of fashion, of literature, and of the
patrons and lovei-g of the fine arts. Indee,l, so great-was
the pressure in every part of the rooms to.at it was with
the greatest difficulty that one could obtain eye," a brief
and passing view of the principal pictures " on the line,"
but more particularly of those which appeared to form
the chief points d'attraction, and of which we shall pre-
sently speak.

I Whilst it cannot for a moment be denied that this
year's exhibition is satisfactory a 4 an indication of the
present standard of painting in this country, at the
same time, we imagine, a feeling akin to disappoint
ment will naturally arise in the mind of the careful oh.
server from the fact that some of the leading and recog-
nised maestros in different schools, if the term may be
permitted, are by no means so fully or so favonrably re-
presented as on previous occasions. This arises, how-
ever, more from the character of the subjects they have
chosen as the vehicles of their peculiar talents than
from any inferiority in their style or execution, or deli-
cien.cy in the manner in which they are rendered ; whilst
the comparatively narrow compass into which, in some
instances, their efforts have been compressed leaves
much more to be desired than is actually presented to
the eye. There is, besides, speaking in a wide
sense, a visible absence of grand historical and
scriptural works, and of rare and happy ima-
ginative conceptions out of the ordinary range, such
as we have of late been so accustomed to look for in the
exhibitions of the Royal Academy. Nevertheless, we
repeat, there is much to gratify as well as to admire
amongst the almost endless diversity of compositions
which adorn the crowded walls.

We will in the first place notice a picture relative to
which the greatest curiosity and interest seems to have
been excited, not merely from the het of its being the
production of a young artist whose name has been
hitherto unknown, and who, we believe, is now stulying
in Rome, or the circumstance that it has been already
purchased for her Majesty for the handsome sum of
6001.—though these are startling enough—but also fr
its intrinsic merits. We allude to "The Procession of
Cimabue's celebrated Madonna through the streets of
Florence," by Mr. F. Leighton (569). It is a composi-
tion of large dimensions, and bold and daring in concep-
tion and handling, yet every obvious difficulty is sur-
mounted in the most complete and triumphant manner.
The story is simple enough : "In front of the Ma-
donna and crowned with laurels walks.Cimabue himself,
with his pupil Giotto; behind it Arnolfo di Lapo, Gaddo
Gaddi, Andrea Tafi, Nicola Pi=ano, Buffdtnacco and
Simone Memini; in the corner Dante." The procession
is equally simple, but it is endowed with so much
motion and vitality that the impression of its
truthfulness in every detail is irresistible. Detail is,
however, one of the most prominent as it is one of the
roost remarkable characteristics of the work ; yet the
accuracy of drawing, the variety of attitude, the rich and
harmonious colouring, and the perfect 'Drier and keep-
ing of the whole combine and produce an effect, of the
most successful description. The work is essentially a
novelty; but of so high a class that it stamps the genius aid
originality of the artist, as we hope it does his reputation.
Passing onwards the eye is at once caught by the ex-
tended proportions of " Rome" (594) by Mr. D, Roberts.
The work is a noble one, and fully equal to any of this
master's former productions. The point of view selected
is quite fresh, and presents the once-famed aid still
intere,ting city i❑ an entirely different aspect to any we
have previously seen. The foreground is upon a consi-
derable elevation, beneath which flows the lazy Tiher in
its circuitous course, and Rome with its numberless
domes, campaniles, and strada spreads out and around
into the distance with a panoramic comprehensiveness.
The mantle of the coming twilight is gradually wrapping
the scene in its grey and sombre folds—but the setting
sun gilds with splendour the summits of its fretted
roofs and temples, and exquisitely realises the descrip•
tive lines :

" Thou bast thy sunset's glow,
Rome ! for thy dower,
Flushing tall cypress bough,
Temple, and tower !"
Mr. Maelise is represented by the scene before the
Duke's Palace wherein Orlando is about to engage with
the Duke's wrestler (78). It is an effort the individuality
of which no one can mistake. Though by no means
on so large a scale as the subject in such hands might
have warranted with advantage, it is replete with the
most deep and careful study both of the characters
themselves and in the portrayal of the emotions by
which each is at the moment animated. The Duke sits
anxiously and impatiently on his throne awatinz the
coining conflict ; on his left is the slim yet graceful Or-
lando, who addresses Rosalind in the soft and gentle
language attributed to him by the great hard. Rosa-
lind and Celia, who intervene, clasping each other's
hands, beam from, their countenances the kindest hope
fsr the issue of the strui!gle—the former speaking more
meaningly by looks than words to her modest lover as
she says, "The little strength I have, I would it were
with you." Perhaps the only remits: ye figure in the
whole group is the wrestler, a personification of mere
brute strength, elevated by no particle of mind. The sly
roguish expression of Touchst np, as he looks upwards
from where he is reclining full into the pale and thought-
ful face of Rosalind, is capital. The subordinate cha-
racters are cleverly put in ; the colouring is rich, and the
execution is of that soft texture and delicate minuteness
which this great artist is so deservedly admired. We
prefer the style and spirit of Mr. Frith when it is applied
to the working out of such charming little studies as his
" Maria tricking Malvolin (108) in the Wood," than when
displayed in such incidents as "At the Opera " (305), or
" The Lovers" (126), though, in the last-mentioned class,
lie shone out very conspicimeslf at last year's exhibition.
Each of these, however, in their way, will well repay an
attentive inspection. Of the three contributions sent
by Mr. Egg we think it will be readily admitted that
the "Life and Death of Buckingham " (394), which is in
reality two pictures, is decidedly the best in many re-
spects. It illustrates two striking phases in the career
Of the pampered but ill fated courtier, and is, we sup-
pose, intended to inculcate the mural—to use the trite
words of Scott—" of the, instability of human greatness,
and the transitory value of earthly possessions. ' On the
one hand, we find him in the midst of a scene of dis-
solute debauchery, surrounded by a gay and profligate
circle, and all that affluence can command to minister to
sensual luxury. On the other, we see him alone and
friendless, stretched on a miserable pallet, in, if:possi-
ble, a more miserable garret, just as the last agonies of
death are past. The contrast is striking and effective,
and the story is well and plainly told ; but we could
have wished that the features of his companions in the
first part had been less harsh and disagreeable. "Come,
Test in this bosom" (136), by the same artist, is, we
think, neither sentimental nor felicitous ; but his
•4Through the green shade wandering" (127), is very
pretty and very Pleasing. The only production
shown by the President, Sir Charles L. Eastlake,
"Beatrice" (120), is somewhat tame •and mean-

ingless ; but is not, nevertheless, wanting in beauty
and finish in an artistic sense.—M. E. M. Ward has
also contented himself with simply sending a portrait of
Lieut.-General Hearsey, in the dress of the Native
Irregular Cavalry, H.E.I. C.S." (137) "Lear recovering
his reason at the sight of Cordelia" (149), by Mr. J.
R. Herbert, is a very fine conception. The dawn of re-
turning intellect in the grey-haired and grief-stricken
old monarch, and the faint struggle of mental energy, as
be slowly recalls the beloved image of his sweet en-
dearing daughter, and exclaims—" Methinks I shOuld
know you. Yet I am doubtful. Do not laugh at me.
For as I am a man, I think this lady to be my child, Cor-
delia"—is marvellously rendered ; whilst the agitation
'twixt brightening hope and anxious fear, lest her joy
should be pre nature, is eloquently expressed in the face
of the beautiful Cordelia.—Mr. S. A. Hart has two
pietures. The larger one (225) is descriptive of the
" Captivity of Eccelino, the tyrant of Padua," who,
when taken prisoner to Soncino, rejected all medical
and spiritual aid, tore the bandages from his wounds,
and refused food, until death put an end to his obs.ieate
resistance. The tyrant is depicted in the act of thrusting
from him, with a scornful gesture, the refreshment
proffered to him by a sweet girl. The other (327)
drawn from Sbakspere's Othello—where the cunning
and deceitful lago first attempts to un lermine the affec-
tion of the Moor. In this the attitudes are excellent ;
the countenance of Othello, especially, is ekceedingly
felicitous, as indicating the birth of that suspicion which
so soon cankers 'into jealousy and hate. Mr. Millais,
in "The Rescue" (282), has again favoured us with a
display of some extraordinary eccentricity ; which trait
is exemplified, in the first place, by the title of the pic-
ture, which is very vague. The subject too is ordinary
and common-place enough ; yet there is an attraction
about the work, fromits very singularity, which impels
one towards, and to look into, it ; and it is only upon a
elose examination that the meaning and purpose of the
artist becomes evident. The scene embodies one of
those stirring incidents in every-day life--a house on fire
—and the moment selected by Mr. Millais is whey, the
upper part of the dwellingbeing enveloped in a mass of
lurid flame, a sturdy fireman has succeeded in re cuing a
couple of fine children from destruction, and is descend-
ing the stairs safely with them. At the foot, the over-
joyed mother, clad in her night drew, stretches out her
eager arms to receive them. The two boys are well
drawn, the frightened aspect of the one on
their deliverer's back, bei o naimal and truth-
ful ; whilst the firm step and cool c,urageoue
mien of the fireman are capitally rendrred. Terror,
mingled with gratitude for the hairbreadth esc.pe,
of the children is the feeling sought to be inspired by
these leading features and thee- accessories. In the Litter
the artist has lost no opportunity of enhancing the
horror of the scene. The burnt night gown of the elder
boy, the perfect torrent of conflagration through which
the party apparently had to pass, and the curling flame
thathas begun to eat its destructive way through the stair
on which the fireman is treading—all speak plainly to
the peril of the moment. In these, as in other parts of
the picture, there appears, at first sight, something akin
to exaggeration ; but the impression gives way to a feel-
ing of an opposite kind as the picture is attentively in-

. v 01,00
spect..d. Al r. F. a P ,ek ►,..,,gin i,, r-- prc,ent•! oot do,.
, et• y good spekaniens of his cheracieri-tic style ..
is ~ netofee',
jig and colouring. Perhaps ' they best
f on)SPell"r
unarming," (16) illustrative of the pagage r
Favy Queene --
" With that her glistening be me she tilli4ced%
Whie:l doll her goldeu locks that were upbaar
Still iu a knot, unto her heeler down traced.
o_,lctal
The second is I Find-rice cen eositiou, "Chri-tuere:' to
by Caari,y, , Piety, awl Discretion
ji Loultt •
Valley of Hueliliateon " „rid is imbue,,,, TO
spirit of meen purity and originality of cancer. of be
third is a Scripture subject (341), "The seutiolsoei
disciples by John to Our Lord." Mr. Webst?rile befessi
delights us with some of his quiet, end gelda f
.oing 0
our delineations of juvenile life, the inostgooyer;
which is (182) " A race." The competition ls,ddny, gel
between _bipeds, in the shape tvto 110,00
a the humoured-lookingsteeds,
eaeh ladsa iwho,n o n bands ers!„ rider. "
casualty, however, is occurrinagy—outhlelriineeiluticatstlokrtl
is toppling to a fall, and the 801•4.1/__ of ludic,.
he rides is looking round with an express!,coidelt,
roils curiosity to ascertain the nature of the :_'..3 wit:
The other, however, pushes triumphantly forr'-opea s
his burden towards the goal, victory being eft.3,,a. tchS,
every lineament of his chubby
" Christabel" (181), of Mr. Dyce, WO 07;001,
bneotuiceadociftollolllof,
displaYs_. der
be
site drawing, but we scarcely think be ~b; jailed the
inspiration of the poet from whowme
subject. The only compoeition
easel of Mr. Frost was (396), "Bacchante ~.,pcjant e_a
ftWn dancing," which, though it furnishes arsriog 5,,.
deuces of the artist's subtle felicity of en!" t eget;
beauty of outline, is hardly one of his bariltheesllecis, tai
Mr. A. F. Poole, in his " Seventh dal °I strsoribr'r
ron" (457), has succeeded in producing ar'!„ ncl,c°o4
picture, full of skilful and elegant groull°lo rennedil,
siderable animation ; hut its general effect roses serol
very curious by a most fanciful, yet by n° ere °oe'
agreeable, play of light and shade. There peainstias
battle pieces, illustrative of incidents ilir's't, Sebestiios
and Crimean strugeles. Tee siege °I 9 ere toting
(545) at the point where the British toOPO i 0 ia.,,t
possession of the heights of St. Bartolotne itl;
Stanfield's best and most vivo one tnaSr,ftbeA. 0
the latter Mr. G. Jones sends " The 13attihsnit 010
(249), as a design for a large picture, /1;1-0 °I el
very vivid idea of the difficulties sod d° fributioo/,09,
never-to-be forgotten action. Tbe c:tn of St, 0'
Mr. F. Goodall (402), the "All'-to St, of
smt Royalist—Brittany," displalf, ~,,tist, es, iil
vantage the vigorous conception of this i'ithe otostl
titedes are striking, and well chosen, 2°,00 10 '''' ofir
animated and natural. The colcuringr 'l.ml:fudge I),
prai.e. The only scriptural piece which less' 1, ig Oilrpi'
observation of any pretensions in sio a't forsiril 0
. Mr. T. Brigstocke (540), "The PraYer Re opt.
illustrative of the battle between the Isra,9„r of r'% 00
Arnalekitem, as described in the 17th chapter or;
The figure of Moses seated on a rock is -who °Pier
well drawn, as also are Aaron arel of of pro, jog
his hands. The upturned face of the I,tacleorf the tofieloe
presses very finely a prayerful invocaticc.„o oel pale
of Heaven in the struggle, and the censcl"by,96joet -00
much its issue depends upon his OP Pdo riot 'I
once. We enu,t ,ay, however, that we 110
the tone of the background./0 Oils ea
Of sea pieces there are apparently few lel (169'ees
Mr. E. W. Cooke has been very succeotni• wbieb'iti•
North Sea Breeze—on the Dutch C°A-_,lt'VbanLeingtel
Scheveling fishermen are busily engage'
eatingls ho'" 010;
huge smack out of the surf. which 1113 as on oir
the shore. Mr. J. W. Carmichen alel sessi,„ot or by
rable picture View of ffeligolannef, boseee
" ../lrn
where the Foreign Legion will embark. is pre- ,es)r
fore called atteetion in our columns t° t bt, vi'a sr
and feel great pleasure in again noticing lito'f asijn"
add, that it is hung far too high to OICIt eV. indeed
preciation being formed of its intrinsic.o ;be Or-0d
There are several excellent picture, Inr beoginiollf
Room, which are well deserving
(03fgbsettbsbt,0(16:40111;I:
more prominent situations. AM
noticed Mr. F. Wyburd's " Lalla I:Onisbig crfeilt. Or
gorgeous and really meritorious work' 11°2'00°11°6r°
to the manipulative skill and fervid irtstisotol.,o/0
artist. The'gorgeous incidentals of en to Ole gO
are rendered with exceeding ea`° *cciefit'llee befall° °loll'
two female figures, especially that t't ' of the P-
perfect types of the ioluptUoue l Out° also I°llooo
"The London Gazette of 1854" (I'4°s)'luncli greSe 9°°'
turn into which Mr. Barwell has inful_d t Bodo
pathos, and a sentiment which cannot but 100
sive chord in every feeling heart. the 611 is
Portraits form a prominent feature il° f. Ofoni !tir'
this year, and in this department d,beeee', ebliOfq
prolific contributor. An excellent il' 31. V., ^ tor
Richmond, of the late Sir R. a• ingli9' deal, °obi°
so long a time was antiquary to the 9Ctiftraet ni a%r
from the fact of his so recent decease t° at of bs/
e s one 0,
terest and attention. Mr. Lance se-id„ on )- 0
geous fruit pieces—such as be ony 00 ~
*ender a somewhat eccentric title 4432). „ olisr4og
penee,, pee dip
Coming round to landscapes, '-'-` ' seenes bee. if
with one of his mellow-goldan snas,et fi, it' A ja& •
(287), in the rosy time of year' ALr• lf n)1 Pr°
Ye • bbase , 00.6 oa,
adriwhnubdtcnihtktaismrneser.veTr.alsp.icctu,orees,r.exeTchuetetdivbolbest, 0i0b910,11.cl 6'0,14
Flu
ring conjunction s
aofiaafrahe hswwuhmsa
ilicPrnh. bright,ere aolTaw
sunny
Ire
ra 121 e:es:hoa.:egsi leon,:burticei etl,lB7o:tes7i, ri;: ;it:l;r,
)liiiogi
iwsßviiite,ve River."
excellent.
~
i‘pfl
re. t acree 0
p(
nth
pieces, of
largess
also
ls cattlerich
i iw. i
nei
it olobn.
nsae rt:vhilize:dr.
iatti 'l7l,tde.CsGici:var,e
pi :I
13i0:1), ,Pige :et'. iita; :11:rt,t: ;_ribiCirirtel tie I
0.011:0;/31:°:i
to our
atfteorantonoxce.
led himself' inr"Th eaten* 0 'Die J 0 .
mer Time" (440), which he h
Mr. R. .keelell, A. fine team of her
e stuff'
Mr. e jointed c '&0'4001
heavily-laden timber wegeon, are ,nruenindrihojoB,ol4
amidst a scene teeming with rural an° se--0 et "tar
We imagine Mr. Ansdell, however, is. frt°e..s), ci esilv
himself in his "Seetch Gamekeeper ll e osiOniecel
minds us of some of his best delineations enate roo '
male. Mr. Red zrave shines out in 34) 511Ablei
"The Sylvan. Spring " (83), and 047)
dells anag'ooo4°
the Stream " two of the sweete-t leafy, tie`,,,,aties.,fr•
Mr. J. M. 'Carrick, a youn and protuisic„4 ses7 0,00
Mr. T. Carrick, exhibits two mountailo.lo7:oe;
the neighbourhood of B yedale Culp*, lei"?'
(606) is a lonely orro , ,;ilea 090
_.OO
pathway on the "`
and 01/.4er 04
deepest silence and seclusion brood, „,,„, eblv,red, So,
nentl v ad.
seenery
. epted to e, meditative mind. ~,,"-eoort'ostS,.l if
his of. that romantic sot is hal)P4Jd of S;o‘ll°'
„ _
areceived ample justice
at the hail 50, , 0
re agstrath" (1,363) is no less sue°
e11,,0
possible, the better pieture of the terot_aa w tell
The c. ii.tente of the South Room "I .00r, . V
; 011 able ta'
carefa' study filings
as it is with gal, °' °el '.oge-10
less I • ' a iI. with theptalio,
p. ,asing, _Leger. ; red
the ot . I)
ion.
emnPe
her department,. Portraits Prix aroerirl:
toeto
,I. O'4P
ra,cteri. ' tic, i
atu• am engst these we were -gr, ' ,g 1; ',J
find one of Miss E iz 1, Cook (759). bY, a han'te.dir
In this
Mr. Carrick has not contenl: sof° Are
simply achieving a true likenees--thoug"abt to ot;•00 .
.been singularly felicitous—but he has ecnoe niil4 clisral
10 the oven and expressive c minted!, is
betos;
intellectual warmth and animation wilic'ited lllOl bb
teristic of the amiable and highlriiikese.o„o P. 4
l'n fact, this is the only genuine
hither'to c'rtr°/Itio
yet appeared, for all that have t pBll.O >d r•
lished were mere vulgar atteroPt4 , ta/A re
the delicate " poetess of the peoole• eaceli" yet 0
tbas ale° contributed several other elest'aildt!setAr
mite, remarkable not only for their o°' ' ifeeprlett
manipulation, but also for their fidelitl,r'ited cf, 510
(813) " Herbert Ingram Bag ," the,,"',.i" 0' VP tlir
of the Illustrated 'London News. ,Ta't \ 5 0%100
with" (851), and "Mrs. Beckwith lgyvai whin 0
01c1 a ° e
particular,
for the evident care and „Vet the
plays. co- 0 vo
So far, it will PO Atto 00 1 0
be obvious, We, foe' et
remarks almost exclus;vely to tee ID s:, r
artistic world, and that °nil geo-1 tee
convenience attending our visit w"-fable tbnite
this. There are, however, ionrae•
00060,A, ft! oh
eyery variety by gentlemen whoselz „1/4,
oj $BllOO
not di7nified by the degrees of iis„11001
are fain liar to us "as household °l'd ea°
possess attractions of no ordinary 160 '
40
repay a careful examination. ~ yo
„Iv Of
ATTEMPTED ASSASSIPTAT,- i
NAPO LEO. 09°
______.•------.,g. or f; , 000 A
TO THE EDITOR 01 SIPI b!.00 11i. it rer
Sin)—Suppose some vehement ii:.oo biro elPtho
of the railway system were to eta;iiriverclsible'reill
bridge, and deliberately shoot at the
eared pre iletr sit
train, as it passed, and that it aPPeacir thatl)reitts °lll°
this was done " upon principle, Witt° 'Pared cb°_r"
way association existed with the MC, 0 h „ is° a°
Stokers and Pokers." Well, see, it
betauseb"life6 'ol°
John Brown should just be shot at are tbethe stc,s t4l
rate driver of an express train• But are t° be° ,
esorn, iio to to foe
whole train full of people to be
monomania of Anti-Rail llf not, W" %Ohl V!?,
prevent the repot tion of the crime! keg, ll° itc
,„ sa ttr we PD°
s •
Sir, if be possible, for our ow- roos
Alignr A
the right • •thing We rer' lie
and justice of the , hotiv:4 ir,
Louis NAPOLEON on the line, as the 000 AeW
qsg trgi° •fig °fah roil
sees of the
We
great European orPre .bootte leeeb tie a
object, in the abstract, t° '_ do, boo' .00 -1
differ
in opinion with ,us. Write themdoo,, e jape . .
down, and reason them down but the s bolos, 00
Wh if ' fer Tele .0 ,00
Why, ever man gave good cause
vaeerort. ow 0
extreme measures it was the late N 4-, lnd vo'c't tit°
don't think there is 'a gIIgIII-- tb°-
a man i be rri
have reprobated anattempt to de
will{
~ po
y allrlfis a,
despot. if P°' 01 ifeo e
The Emperor of the French uist,iobtoeetored 01
served_ from assassins. Let the pi,,l.nnail et feteiTilioe,
he made studiously iennminious• 1 linttaahojee!i it yr
I regard only the interests of tbeof the° tiere, If ,t_
peace and happiness of Europe, atil3d d roo er to jet?.
world. Take the life of the 'rite°. e a roaaereinelo, pro
thought best ; but, take that life 1"01 the 14.0 vele 11 0
diserace on the nerne and mernorY. ,_ for bi !toe ~ te,‘
prit. Louis Napoleon le reiparkanle..eir cr,,, thlP•itier
his personal enemies, however greet td_ popeasien;coo:
his duty to himself and to the world tuwitAr ~no,fieo'
cu. 81 Jols frev
in the manner most likelY tO ene, like 0 .. a,. 1,
If not banged, let him be scourged ,'
__Sou' a
twee.
demned to a life of penal sery
servant,

Pflti
..---------------.,3 clelPheil:l/0
The markets for Russian Produce bluld ou tv bed
the decline in tallo off 'l3
the point rObepee.hori
Conferfo che°P •
of the breaking up 'tore Vienna
equal to 4s. or 5s per cwt. lieuT 110. _nitiftr
well as linseed, linseed oil, and other arty el ore" in or
The Eastern Archipelago Con3POY :ooti°°„' a-01'
fleet. of screw steamers, of peculiar 010 ord ovele ''do
nec.tion with their coal mines at Llibut‘l3,.3 froillAero reit
posits coast of Borneo, where their grii:e otol'of°
tanau ncexhteedn
at
ts
Liverpooll 5 O
on, The
ofirs tl;f tithpea° b 0 0 °
of 1,000 too.