The Express.
London, England, 1856-07-23 00:00:00

HER mummy% THEATRE.

Tasersdi was revived last sight, with Johaass
Wagner is the •laraeeer of the hero. They. was
ea eicsediegly wooded house. The fair prima donna sae;
very flatly, sad ha I s splendid rem pup.,
It is long *Moe Town* was performed in Loa-
des. The lest time, if we remember rglit, wee is
the first seem of the Repel Italie& Open, Vk
Alboal sad Pentad append is the principal parts. It
was coldly remind, and led, we think, only two
repteseutstleas. In prodastlce at that time was
otter another leap nurse; to that this OASTS
may be said to Wive Ulna tato abeyance ever
eines the den of Poe n. This I. the more remerkable.
sis so opera, probably, ever made sages', a gestation in Ile
sovalty aS Tiwnedi. It raised its &ether, Si obscure 70.11
MSC of twisty, at ems leap to the plastids attune. It dew
like wildfire over Infer, took pommels of every theatre,
wee performed in every language, and its light, gainful,
melodious mule emeheated every am who turd it. Inc

oaksnasat (went, however, IS ao;asatooliatable. Rosales
style, at first as sow as it woo asptivatiag, svadaally lost
its &whams as his operas asoseesively appeased, mad
Um palate got atroaslemod to kis insist of repro-
dodos the sans Was ander varied foram sad Otis
worked op with (rotator skill sad complateaess. Still, bow-
ies?, there is a groat altars is ehs swig of Tanen*, sad
he rhino is eke rested for those who ant hoard it la its
wevelty sad indiums, sad is whose Wads it is undated
with the ressiaisessras of saws days. To motives, we

have no doubt, It sine s pester dernie of plemare this to
thus who have farmed s later sequaintane with It. The
Inanity of the drama, tee, is s drawback to to seems ca
the step. Tlingit the subject is to►en from Tolsin's
senbratel tragedy, yet the patty has 'end out is the
ha►do et the Italian playwright, sad nothing reining bat ems
of the driest sad meet vapid larders to be loud la
Om whole reap of the open mangey. Is short, Toseredi
may ha seassdonally pr +dosed teethe same? some reminder
primmer, but Ito peemeslom et the stage is let h r aver.
Joheass Wegner's performenai la this opera, stunk--
ism, le, musisally speekleg, her most eassustal et. rt hem
Ilitimme Ms hes Mime Andy II an sNrar ; bat the Ms-
mese et nesendi, a men nammtlenel sommeepisee of Me
apses RIM does not give the unallom mope for demean
latest. ht4Us. Waver, is nodding pleas sad bright pssoply,
bind easy handsome, sad very heroic after the step
bides of heselam. Her movements were free and grssr
14 and she declaimed kr recitatives with pod scent
and pod Minnie& No sue, ■ot sum Pasta, could de
Men. It was by for :mad pidommits, therefore, that
all her guests were prodused. Nosy of the principal
Pomo were beautifully dabbed, sad fall of energy and
power. This was espesially the ease with the pest amen
seiliequy—the meet stalking prase is the whole open,—
emnseeceing, " 0 patria!" and wound up with the flumes
one, "DI testi palpitl." The we, from beginning to
mid, a model of !musette eingleg, sad Its reseploa eons-
speeded with 1•e merits, being hailed with the most maths-
deeds spplsess. Thom wen other passages in which the
pedaled sirens little inferior; sad she altogether
'shined a vain triumph.

Wills. Jenny Bever, se Asesaide, wag with streets*"
and Masi, bet me trequatly ebUged te strain bar vales
bayead its stnaith. Is sabdaed mad soft pansies she was
veep happy, sad deservedly rased mash applases.
Itatehardt wasisompletely successful is Archie. We mover
board him slag better. The past w well suited as his
wise; sad be adapted as alteretlea whisk has been math
GS the Gauss Mete—st shaking Arefris the heather at
•mmeNq ast bar father, mid *as avoiding the issesignity
at se shims slag*/ with a Naar vela.
The hew win quite MI la nosy pest.