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Micheal Bateman | I mean, aren't you gonna be late ? No, there's one down here. |
Micheal Bateman | Oh, really ? I didn't know that. Yeah, it's very good. |
Micheal Bateman | Listen, if anything else occurs to you, any information-- |
Micheal Bateman | Absolutely. I'm 100 percent with you. Great. |
Micheal Bateman | And thanks for your time, Mr. Bateman. |
Micheal Bateman | Bye-bye. Good-bye. |
Micheal Bateman | I haven't seen you around here. You just haven't been lookin'. |
Micheal Bateman | - Would you like to see my apartment ? - I'm not supposed to. |
Micheal Bateman | Do you wanna come to my apartment or not ? |
Micheal Bateman | I'm not supposed to, but I can make an exception. |
Micheal Bateman | Do you take a credit card ? |
Micheal Bateman | I'm joking. |
Micheal Bateman | Come on. Get in. |
Micheal Bateman | I'd like a girl. Early 20s. |
Micheal Bateman | Blonde, who does couples. Couples. |
Micheal Bateman | And I really can't stress blonde enough. Blonde. |
Micheal Bateman | I'm Paul. |
Micheal Bateman | My name's Paul Allen. You got that ? |
Micheal Bateman | You're Christie. You're to respond only to Christie. |
Micheal Bateman | Is that clear ? |
Micheal Bateman | That's a very fine chardonnay you're drinking. |
Micheal Bateman | I want you to clean your vagina. |
Micheal Bateman | No. From behind. Get on your knees. |
Micheal Bateman | You have a very nice body. |
Micheal Bateman | Mm-hmm ? |
Micheal Bateman | Thank you. Send her up. |
Micheal Bateman | Christie, get out and dry off. |
Micheal Bateman | Choose a robe-- not the Bijan-- |
Micheal Bateman | and come and meet me and our guest in the living room for drinks. |
Micheal Bateman | You've arrived. How lovely. |
Micheal Bateman | Let me take your coat. |
Micheal Bateman | I'm Paul. How good of you to come. |
Micheal Bateman | Not quite blonde, are you ? |
Micheal Bateman | More dirty blonde. |
Micheal Bateman | I'm gonna call you Sabrina. |
Micheal Bateman | I'm Paul Allen. |
Micheal Bateman | So. |
Micheal Bateman | Don't you wanna know what I do ? |
Micheal Bateman | No. No, not really. |
Micheal Bateman | Well, I work on Wall Street... |
Micheal Bateman | for Pierce & Pierce. |
Micheal Bateman | Have you heard of it ? |
Micheal Bateman | You have a really nice place here, Paul. |
Micheal Bateman | How much did you pay for it ? |
Micheal Bateman | Well, actually, |
Micheal Bateman | that's none of your business, Christie. |
Micheal Bateman | But I can assure you, it certainly wasn't cheap. |
Micheal Bateman | No. No smoking. Not in here. |
Micheal Bateman | Varda truffle ? |
Micheal Bateman | I don't want you to get drunk, |
Micheal Bateman | but that's a very fine chardonnay you're not drinking. |
Micheal Bateman | Do you like Phil Collins ? |
Micheal Bateman | I've been a big Genesis fan eversince the release... |
Micheal Bateman | of their 1980 album Duke. |
Micheal Bateman | Before that, I really didn't understand any of their work. |
Micheal Bateman | It was too artsy, too intellectual. |
Micheal Bateman | It was on Duke where... |
Micheal Bateman | Phil Collins' presence became more apparent. |
Micheal Bateman | I think Invisible Touch is the group's undisputed masterpiece. |
Micheal Bateman | It's an epic meditation on intangibility. |
Micheal Bateman | At the same time, it deepens and enriches... |
Micheal Bateman | the meaning of the preceding three albums. |
Micheal Bateman | Christie, take off the robe. |
Micheal Bateman | Listen to the brilliant ensemble playing... |
Micheal Bateman | of Banks, Collins and Rutherford. |
Micheal Bateman | You can practically hear every nuance of every instrument. |
Micheal Bateman | Sabrina, remove your dress. |
Micheal Bateman | ln terms of lyrical craftsmanship and sheer songwriting, |
Micheal Bateman | this album hits a new peak of professionalism. |
Micheal Bateman | Sabrina, why don't you, uh, dance a little. |
Micheal Bateman | Take the lyrics to "Land of Confusion." |
Micheal Bateman | In this song, Phil Collins... |
Micheal Bateman | addresses the problems of abusive political authority. |
Micheal Bateman | "In Too Deep" is the most moving pop song of the 1980s... |
Micheal Bateman | about monogamy and commitment. |
Micheal Bateman | The song is extremely uplifting. |
Micheal Bateman | Their lyrics are as positive and affirmative... |
Micheal Bateman | as, uh, anything I've heard in rock. |
Micheal Bateman | Christie, get down on your knees... |
Micheal Bateman | so Sabrina can see your asshole. |
Micheal Bateman | Phil Collins' solo career... |
Micheal Bateman | seems to be more commercial, |
Micheal Bateman | and therefore more satisfying in a narrower way, |
Micheal Bateman | especially songs like "In the Air Tonight" and "Against All Odds." |
Micheal Bateman | Sabrina, don't just stare at it. Eat it. |
Micheal Bateman | I also think that Phil Collins works best... |
Micheal Bateman | within the confines of the group than as a solo artist. |
Micheal Bateman | And I stress the word "artist." |
Micheal Bateman | This is "Sussudio." |
Micheal Bateman | A great, great song. A personal favorite. |
Micheal Bateman | Look at the camera. |
Micheal Bateman | Christie, look at the camera. |
Micheal Bateman | Don't touch the watch. |
Micheal Bateman | Can we go now ? |
Micheal Bateman | We're not through yet. |
Micheal Bateman | If they have a good personality and they are not great looking, then who fucking cares ? |
Micheal Bateman | Let's just say hypothetically, okay ? |
Micheal Bateman | What if they have a good personality ? |
Micheal Bateman | I know. I know. |
Micheal Bateman | There are no girls with good personalities. |