Claim: A follower of the style of Correggio (the foremost painter of the Parma school of the High Italian Renaissance), Pier Antonio Bernabei's best-known works include a frescoed view of Paradise on the cupola of Santa Maria del Quartiere in Parma, and the Assumption for a chapel at the church of San Martino at Traversetolo.
Evidence: A native of Parma, Pier Antonio Bernabei was a follower of the style of Correggio. Among his best-known works is a frescoed view of Paradise on the cupola of Santa Maria del Quartiere in Parma. Another renowned fresco is the Assumption for a chapel at the church of San Martino at Traversetolo. Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as just Correggio (/kəˈrɛdʒioʊ/, also UK: /kɒˈ-/, US: /-dʒoʊ/, Italian: [korˈreddʒo), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century.