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In the dark of night The stars light up the sky We see them flying free That's just like you and me Everyone is lonely sometimes But I would walk a thousand miles to see your eyes You are not alone, we are family Hold me, let's escape all this reality You are my symphony By your side, we are unity You are my energy My guiding light, we are unity (We are, we are) We are unity (We are, we are) We are unity Although the rain might pour A thunder starts to roar The lightning wakes the wave But through it, we are brave Everyone is lonely sometimes But I would walk a thousand miles to see your eyes (Yes I would) You are not alone, we are family (Family) Hold me, let's escape all this reality You are my symphony By your side, we are unity (We are unity) You are my energy My guiding light, we are unity (We are, we are) We are unity (We are, we are) We are unity You are my symphony (We are) By your side (We are, we are unity, unity) You are my energy (We are) My guiding light (We are), unity We are unity We are unity

This is Kenneth Vigya, and we were a little under two weeks away from the start of our season. I wanted to first say that I hope you all are well. I know this has been one hell of a year. So many of you that I've talked to have been dealing with the emotional and mental repercussions of a year that just won't quit. This month is Suicide Prevention Month, and I mention it because many of you have sent me personal notes saying how much this show and our stories have helped give you a break from reality. I can't tell you how humbling that is. I want to also say that everyone needs to talk, and everyone needs to be heard. Friend of the show, Pete Hines, is a board member of TakeThis.org, an organization dedicated to decreasing the stigma of and increasing the support for mental health in the gaming community and industry. And here struggling, I encourage you to reach out. Because they're there to listen, with resources and support tools to help you. Not just during this time, but going forward. This hits close to home for me as we are unfortunately running a little behind schedule, due to a situation I was dealing with last month that took its toll on me. Our YouTube and Facebook page has a video explaining it, but now that the situation has been resolved, the cast is right now recording episode one of season two. In the meanwhile, I wanted to share another of Simon's Lost Journals, discarded by him over a year ago on the outskirts of an Appalachian Mountain town called Helvesia. For reasons that will become clear, the horror of his experience there last year for Parade of the Damned kept him away from the town, until now. Hear that? The parade is about to begin. So grab a mask, and light the fire. Then grab a mask, and light the fire. Then grab a mask, and light the fire. Light the fire, light the fire, fire, fire, fire, fire. Then grab a mask, and light the fire. Then grab a mask, and light the fire. Then grab a mask, and light the fire. Well eggs, we're here, Helvesia. Come on, let's scope out the buildings. Be ready for anything though, it's too quiet here. Oh, what's that? Yeah, one year ago. Slow and steady now. Seems pretty quiet. No decorations or anything up yet. I don't understand, this place should be swarmed with critters and bots. Yeah, look, I want to thank you for finding me. If you hadn't found my tent and got me out of that stash box, let's just say there are worse places to end up than dead. You can say that again. It started in the 1860s, German and Swiss immigrants fearing that their culture and traditions would fade over time, being absorbed by the city of Brooklyn, New York, where they had settled. So they trekked on out here and built Helvesia. By the 2000s though, the place had become a big tourist trap. I left something behind last time, something I found, but I didn't understand at the time. Come on, let's go inside the post office here, it should still be in there. There, post office box 12. Yes, it's still here. All right, well, I wanted to leave a record behind as a warning, but the overseers ranting during the trial reminded me of something. I don't remember everything that happened here, it's like it's been blanked out. I just remember a name, Blackwell. Appalachia day 95, 61 degrees Fahrenheit overcast. I am still haunted by my time in that place. I don't feel comfortable in camp with that pink princess bed just sitting there reminding me of what I did, what happened in that atomic shop. I was wandering aimlessly when I stumbled on several vault dwellers headed east. I cautiously greeted a party of them and they informed me that they were headed for Halvatia, for a parade and some kind of festival. I asked them why and they got this glazed and bewildered look on their faces and one of them said for the masks. I asked him what masks. He said the masks. As I again asked what masks, one of them explained a little more about this parade called fast nicked fast fast noked. I don't know. He kept correcting me on how I was butchering how it was pronounced in German. And after he had me well irritated

... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... Pull in close, because I want to tell you a story. Wherever there are woods and shadow, a camp and darkness, there is a story whispered by a campfire, just like this one. It's a story of teenagers who were told not to, but did anyway. A shadow that stalked, and chased, and killed. Sometimes there's a hook for a hand, other times a chainsaw, or a blade. Sometimes there are teeth a little too sharp, or an appetite that can never be satisfied. But no one realizes one simple truth. They all stem from just one story. One of madness and murder. Woods that should never have been trespassed. A camp, cursed with a stain so red, that with the passing of years, never washes away. All those other stories of men gone mad are just pale copies of what happened right here 45 years ago, when a red dawn broke on a Saturday morning, and the camp remained silent. When concerned neighbors ventured over, they found the entire camp staff dead, slaughtered in the night. The killer was never caught. But locals knew the truth. That old Victor Miller had come back for revenge. His true name would be lost to time. But most know him by another. The Sickle Man. Music In two days as a coroner, I have never seen such a bloodbath. Commander, we set up a perimeter and got the scouts back with their parents. Places locked down. What are we looking at Hawkins? Oh god, I'm gonna be sick. I've never seen so many paper bags. So much blood. Oh god. Steady son. Come up. Man up. Focus. How many did you count? Firebreathers were able to excavate part of the collapsed tunnels at the Miller Place. There's at least ten bags in there, and two bodies that were, um, fresh still. Not even a bag yet. Like, still a body. The oversea has done lost a damn mind. Did you hear a holotape from the silo entrance? She was practically raving about all the fun we were having with the nopes. Why would she do this? No idea. She's the last person you could have suspected. Why don't you head back to HQ and get cleaned up? You've been through enough here, and we're damn lucky to get you out of there. Thanks, Commander. Is that district attorney Fletcher? What's he doing down here? He wanted to take charge of the case because of who she is. Damn pencil pushers running the show now, just like the old days. Anyway, get out of here. On your way out, tell those kids to hold back. I have some more questions for them. Ten-four. Come on, Hawkins. Let's get you a hot shower and a whole lot of whiskey. No, no, no, ma'am. I'm sorry, we've been through this already. You slaughtered twelve people. Twelve of the very vault dwellers you were sworn to protect. Is that not correct? No. You are not listening. Don't you see what I've done? Can't you see? What the hell have you people been doing this last year? Where are all the towns and the farms you were going to build? You've been blowing each other apart and casually playing around like nuclear weaponry like it's some kind of game. These are people's lives. Did you ever wonder why you were all of a sudden so fucking casual about all of this? This is survival we're talking about. How many times have you died, Fletcher? How many? How can you all be so casual about death? Begging your pardon, ma'am, but how can you? We done here. We need to move her to a secure location. For now? Yes. I sent a runner to get Doc Taylor to do a complete psychological assessment. The judge is going to want a clean conviction on this one. You sure it was wise to notify him already? He's been swinging that hammer of judgement down pretty hard on some raiders up north lately. Would you be the one to want to tell him after the fact? She's given a confession already. I'm headed back to HQ to complete booking. Let's go, boys. Look, tinhead, I busted my ass out here with these brats all summer. What do you mean I ain't getting paid? Excuse me, Scoutmaster Stewart. Allow me. I'm just tickled to be able to showcase the new skills I've learned after completing the cross stitch and contract

[Girl Ultra] Hello, Tiny Desk. Where did I find you? Fresh as Chardonnay. I didn’t realize that. Suddenly you were already inside. On my mind. You’re on my mind. Ah, on my mind. Your peculiar accent. As if you came from Bombay. It got me real hooked. Where are we going to go? You’re on my mind. You’re on my mind. Ah, on my mind. Sí, sí, sí, sí, sí, sí, sí! Ah, you and me. What's the worst that could happen? We get high, touch the sky. If they see us, they can't get us down. Oh, you and me, you and me. What's the worst that could happen? From there they can't get us down. You and me, you and me. Ah! Sí, sí, sí, Sí, sí, sí, sí, sí, sí, sí, Sí, sí, sí, sí, sí, Sí, sí, sí, sí, Sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, [continues] Take me to Bombay. I take my favorite strain. To not sleep because you like the sativa. Meet me as if I was your girl. I can be your Jolly in the Dolly. I take you to my house and I get over you. I want something with you. And I’ll have. What I need. It’s not good love I’m talking about. Ha! Sí, sí, sí, sí, sí, sí, sí! Ah, you and me. What's the worst that could happen? We get high, touch the sky. If they see us, they can't get us down. Oh, you and me, you and me. What’s the worst that could happen? They can’t get us down from there. You and me, you and me, ah, ah. Sí, sí, sí, Sí, sí, sí, sí, sí, sí, sí, Sí, sí, sí, sí, sí, Sí, sí, sí, sí, Sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, sí, [continues] Ah, you and me. What’s the worst that could happen? We get high, touch the sky. If they see us, they can't get us down. Oh, you and me, you and me. What’s the worst that could happen? They can't get us down from there. You and me, you and me, ah, ah. Ah, you and me. Ah, ah, ah, ah. Ah, you and me. Ah, you and me. So high they can’t get us down from there. [audience applauding, cheering] [Girl Ultra] Thank you. Hey, guys, I’m Girl Ultra, I’m from Ciudad de Mexico. [audience cheering] [Girl Ultra] And this song is called “Punk.” I want to turn you into a memory. That I’m going to keep. Same streets, but a new story, hey. Two bums in the big city. The taxi hasn’t gotten here and I’m losing my mind. Hey, hey, you want what I want. I’m going to give you all my love in the Southside. Let’s play something punk. I want to kiss you all alone, just you and me. I’m going to give you all my love in the Southside. Let’s go, I’ll take you down to the south. I want to kiss you where there’s no light. Tell me what I’ll do with this feeling. I wanted it so bad and you grew that on me. Don’t worry, there’s no one to blame. The south takes the evil out of you. The south takes the evil out of you. I’m going to give you all my love in the Southside. Let’s play something punk. I want to kiss you all alone, just you and me. I’m going to give you all my love in the Southside. Let’s go, I’ll take you down to the south. I want to kiss you where there’s no light. I’m going to. I’m going to give you my love. In the Southside. I’m going to. I’m going to give you my love. In the Southside. I’m going to give you all my love in the Southside. Let’s play something punk. I want to kiss you all alone, just you and me. I’m going to give you all my love in the Southside. Let’s go, I’ll take you down to south. I want to kiss you where there’s no light. I’m going to. I’m going to give you my love. In the Southside. I’m going to give it. I’m going to give it to you. I’m going to. I’m going to give you my love. In the Southside. I’m going to give it. I’m going to give it to you. I’m going to. I’m going to give you my love. In the south. I’m going to give it, I’m going to give it. I’m going to give it to you. I’m going to. I’m going to give you my love. In the south. I’m going to give it, I’m going to give it. I’m going to give it to you. I’m going to. I’m going to give you my love. In the south. I’m going to give it, I’m going to give it. I’m going to give it to you. I’m going to. I’m going to give you my love. In the Southside, oh. I’m going to. I’m going to give you my love. In the Southside, oh. [audience applauding, cheering] [Girl

Status? Ready. Assignment? Sodium bicarbonate. Water. Organic sandstone. Ok. Excellent. Sulfur. Modify the substances physical condition without endangering us! I am not allowed to start a fire. We will make it. Energy. It decays. Now. Now. Now. Now. Now. Now. Now. We have been here already. I know where we are. Status? Come! Ey! Status? Status! Yes air. Focus! If you measure everything at once, you measure nothing at all. It is going to be dark in 2 min 47 sec. What? That’s not possible. Energy. It decays. Now. Now. Now. Now. I am altering! Stop it! Recalibrate your sensors! No errors. It is dark. Status? Status. Status! Status. Status? Status? The part and the whole. United and apart. Simultaneously. Do you think it is arrogant..? Have I been arrogant to .. you ..? There is a cloud floating heavenward. There is a flower hiking into the big, wide world. A field so sere. A field so sere. And a mountain tips over. And a mountain tips over. And the cloud bends buckled. And the cloud bends buckled. The day.. ..falls asleep. Inseparable.. ..beeing. The flower has to decay to dust - echo as a song.. ..through the skies.

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hi everyone welcome to shsirclasses today  in this video we have to represent root   7.2 on number line so today representing root 7.28  on number line so let's start the video first of   all roughly discussing here so seven point two  eight so eight greater than five so we can write   seven point three approximately so we can take  seven point two eight as seven point three   now first drawing here a line of any length first  and taking here point a and here arrow mark and x   now taking seven point three approximately so  seven point three centimeter so first taking   here seven point three centimeter line so taking  here point b so a b equal to seven point two eight   or approximately seven point three centimeter now  drawing here a number line from point b to x so   this is one two centimeter three four five six  seven so this one zero one two three four five   six seven and now taking here extra one centimeter  so c and this one one centimeter next we have to   bisect the line ac so taking greater than half  of ac and drawing arc by this way and putting   the compass on the point c and cut here and cut  here so both the curve intersect at a two point   now first joining this bisector and  which made the line ac at a point o   next taking the length o a and oc to draw a  semi-circle so drawing here a semi-circle next   drawing a 90 degree angle on the point b  by using protector so this is 90 degree   now joining this line and next joining  o and this line and taking here point d   so od is the required length and od equal to root  7.28 so now taking the length by using compass   and drawing arc by this way and which intersect  the number line at a point p and this is the   root 7.28 on number line now roughly discussing  here some calculations so first given a b equal   to seven point two eight centimeter and bc equal  to one centimeter so we can write ac equal to   a b plus bc so putting the value seven point  two eight plus one so this is eight point two   eight centimeter now the radius o a o c and  o d so o a o d equal to o c equal to a c by 2   so this is 8.28 over 2 centimeter now the length  ob equal to we can write oc minus bc so putting   the value so this is eight point two eight over  two minus one now lcm two so eight point two eight   minus two so this is six point two eight over two  centimeter now from right angle triangle o bd by   now by using pythagoras theorem so bd so bd  is the perpendicular so vd equal to root over   hypotenuse square minus basis here so d square  minus ov square now putting the value of od so   this is eight point two eight over two  whole square minus six point two eight   over two whole square now applying formula  a square minus b square equal to a plus b   and a minus b so first plus and then minus okay  now adding this both has two lcm so this is 14.56 over two and two point zero zero by  two so this is seven point two eight into one   so this is root over seven point two eight  centimeter so therefore distance bd and   bp are equal so equal to root 6.28 centimeter  so that's all thanks for watching if this   video was helpful to you then please share  it with your friend thanks for watching

MAN: One, two, three, four! [SINGING] Mmm, yeah. Ooh, count me in. Count me in. I am special. CHOIR: I'm so special. MAN: I'm outstanding. CHOIR: I'm outstanding. MAN: I can win. CHOIR: I can win. So count me in. MAN: There is light and dark and freckled, lots of different kinds of skin. Some folks like to sit real quiet. Others like to dance and spin. Doesn't matter where you come from. Doesn't matter where you've been. Everybody is important. CHOIR: So count me in. Oh, count me in. Count me in. MAN: I'm important. CHOIR: I'm important. MAN: I'm outstanding. CHOIR: I'm outstanding. MAN: I can win. CHOIR: I can win. So count me in. MAN: Some have straight hair, some have curly. Some have hair upon their chin. Some have teeny little smiles, others have a great big grin. Everybody's an original, even if you have a twin. Everybody is important. CHOIR: So count me in. Oh, come on, can you count me in? Yeah, count me in. MAN: I am special. CHOIR: I'm so special. MAN: I'm outstanding. CHOIR: I'm outstanding. MAN: I can win. CHOIR: I can win. So count me in. ELMO: [SINGING] This is the song, la la la la, Elmo's song. La la la la, la la la la, Elmo's song. SNUFFELUPAGUS: I like it! ERNIE: [SINGING] Oh, rubber ducky, you're the one. You make bath time lots of fun. Rubber ducky, I'm awfully fond of you. WILL.I.AM: [SINGING] Oh, I'm a keep my head up high, keep on reaching high. Never gonna quit. I'll keep getting stronger. ELMO: [SINGING] Do the jump, the jump, the wiggle and the jump. Elmo's got the moves. We all got the moves. We all got the moves, yeah.

The love for our homeland is burning in our hearts We go to battle for the honour of our native land Cities are burning, covered in smoke The cruel god of war is rumbling in the dark forests Artillerymen, Stalin gave an order Artillerymen, the motherland is calling us From the hundreds of thousands of batteries For the tears of our mothers For our motherland, fire, fire Know my dear mother, know, my wife, my friend Know my distant home and my whole family What is beating and burning our enemy is our blizzard of steel Freedom we will bring to our homeland Artillerymen, Stalin gave an order Artillerymen, the motherland is calling us From the hundreds of thousands of batteries For the tears of our mothers For our motherland, fire, fire The time of victory will enter, the end of marches will come But before we go to our beloved homes In honor of our leader, in honor of the people We'll salute cheerfully in the time of victory Artillerymen, Stalin gave an order Artillerymen, the motherland is calling us From the hundreds of thousands of batteries For the tears of our mothers For our motherland, fire, fire From the hundreds of thousands of batteries For the tears of our mothers For our motherland, fire, fire

Photo photo photosynthesis Photosynthesis photosynthesis- sis- sis-   Photo photo photosynthesis Photosynthesis photosynthesis- sis- sis-   (The reactants) 6CO2 +   6H2O 6CO2 + 6H2O   6CO2 + 6H2O 6CO2 + 6H2O   (What about the products?)   C6H12O6 + 6O2 C6H12O6 + 6O2   C6H12O6 + 6O2 C6H12O6 + 6O2   (The reactants) 6CO2 + 6H2O   6CO2 + 6H2O 6CO2 + 6H2O   6CO2 + 6H2O (What about the products?)   C6H12O6 + 6O2 C6H12O6 + 6O2   C6H12O6 + 6O2 C6H12O6 + 6O2   six carbon dioxide molecules taken from the air six water molecules: it's quite an affair   converted by light energy  captured by chlorophyll   Sugars are created, plant energy  needs this: fulfills   (The reactants) 4(Carbon dioxide)(Water)   6CO2 + 6H2O (Carbon dioxide)(Water)   6CO2 + 6H2O(Carbon dioxide)(Water) 6CO2 + 6H2O   (Carbon dioxide)(Water) 6CO2 + 6H2O   (What about the products?)   (Glucose)(Oxygen) C6H12O6 + 6O2   (Glucose)(Oxygen)   C6H12O6 + 6O2 (Glucose)(Oxygen)   C6H12O6 + 6O2 (Glucose)(Oxygen)   C6H12O6 + 6O2 Photo photo photosynthesis   Photosynthesis photosynthesis- sis- sis-   Photo photo photosynthesis Photosynthesis photosynthesis- sis- sis-

Mango (Scientific name is Mangifera indica) Mango (el nombre científico es Mangifera indica) Fig (Scientific name is Ficus carica) Higo (el nombre científico es Ficus carica) Mangosteen (Scientific name is Rambutan Nephelium lappaceum) Mangostán (el nombre científico es Rambutan Nephelium lappaceum) Papaya (Scientific name is Carica papaya) Papaya (el nombre científico es Carica papaya) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico es Prunus persica) Mango (Scientific name is Mangifera indica) Mango (el nombre científico es Mangifera indica) Pomegranate (Scientific name is Punica granatum) Granada (nombre científico es Punica granatum) Plum (Scientific name is Prunus domestica Brooks) Ciruela (el nombre científico es Prunus domestica Brooks) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Date palm (Scientific name is Phoenix dactylifera) Palmera datilera (el nombre científico es Phoenix dactylifera) Sugar apple (Scientific name is Annona squamosa) Manzana de azúcar (el nombre científico es Annona squamosa) Apricot (Scientific name is Prunus armeniaca) Albaricoque (el nombre científico es Prunus armeniaca) Blackberry (Scientific name is Rubus) Blackberry (el nombre científico es Rubus) Strawberry (Scientific name is Fragaria × ananassa) Fresa (el nombre científico es Fragaria × ananassa) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico es Prunus persica) Guava (Scientific name is Psidium guajava) Guayaba (el nombre científico es Psidium guajava) Coconut (Scientific name is Cocos nucifera L) Coco (el nombre científico es Cocos nucifera L) Unknown Cherry (Scientific name is Prunus avium) Cereza (el nombre científico es Prunus avium) Pear (Scientific name is Pyrus) Pera (nombre científico es Pyrus) Lychee (Scientific name is Litchi chinensis) Lychee (el nombre científico es Litchi chinensis) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Dragonfruit (Scientific name is Hylocereus undatus) Dragonfruit (el nombre científico es Hylocereus undatus) Loquat (Scientific name is Eriobotrya japonica) Níspero (nombre científico es Eriobotrya japonica) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Plum (Scientific name is Prunus domestica Brooks) Ciruela (el nombre científico es Prunus domestica Brooks) Watermelon (Scientific name is Citrullus lanatus) Sandía (el nombre científico es Citrullus lanatus) Pineapple (Scientific name is Ananas comosus) Piña (el nombre científico es Ananas comosus) Durian (Scientific name is Durio) Durian (nombre científico es Durio) Mangosteen (Scientific name is Garcinia mangostana) Mangostán (el nombre científico es Garcinia mangostana) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Mangosteen (Scientific name is Garcinia mangostana) Mangostán (el nombre científico es Garcinia mangostana) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Coconut (Scientific name is Cocos nucifera L) Coco (el nombre científico es Cocos nucifera L) Jackfruit (Scientific name is Artocarpus heterophyllus) Yaca (el nombre científico es Artocarpus heterophyllus) Lychee (Scientific name is Litchi chinensis) Lychee (el nombre científico es Litchi chinensis)

This is a video to locate intervals where  a function is increasing or decreasing.   The question states: identify the open intervals  where f(x) is increasing or decreasing. f(x)   equals x plus 9 over x. There's a theorem  that states that a function is increasing   when its derivative is positive and it's  decreasing when its derivative is negative.   So we're going to find out when the  derivative is neither positive nor negative.  So that means it's either zero or undefined.  Let's take the derivative of f(x).   And when I do that, the derivative of x is  1. I can write nine over x as nine times   x to the negative first power and its derivative  will be negative 9 times x to the negative second   or minus 9 over x squared. So there's my  derivative. Let's set that equal to 0 and solve.   So multiply by x squared on both sides and  I get x squared minus nine equals zero.   And that has solution x equals negative three or  x equals three. But we're not done yet because a   critical point also occurs when the derivative  is undefined. Notice that when x equals zero   f prime is undefined and in fact f(x) is not  continuous at zero. So of course f prime is   not defined. So we add our third value of  x, x equals zero. So now let's draw a table.   And on my table I'm going to put intervals  from negative infinity until I get to my   first critical point which is negative 3. Then  negative 3 to my next critical point which is 0.   Then 0 to my next critical point which is 3. And then finally 3 to infinity.   And what I want to do is I want to put in some  test values. I could put in any number in the   interval. I will put in -4 because that's  between negative infinity and negative three   for the first interval. -1 for the second one is  certainly between zero and three. For the third   and four for the fourth test value. And  the way we use test values is we plug that   value into the derivative and decide whether  the sign of that derivative is positive or   negative. So for example if I plug in -4, I get  1 minus 9 over 16 and that's a positive number.   If I plug in negative 1, I get 1 minus 9 over 1  squared which is -8. So that's a negative number.   Similarly, if I plug in 1, I get -8 which  is a negative number. And if I plug in 4,   I get again 1 minus 9 over 16 and that's a  positive number. So I can make conclusions now   because the theorem says that if the  derivative is positive it's increasing.  So I'm going to say it's increasing in this  first interval from negative infinity to -3.   Here between -3 and zero, the derivative is  negative, so it's decreasing in the interval   from negative three to zero. It's also negative  between zero and three, so the function is   decreasing between zero and three. And the sign of f prime is positive between   three and infinity, so f is increasing between  3 and infinity. And I'm done with the problem.

I don’t want to be alone tonight It’s pretty clear that I’m not over you I’m still thinking bout the things you do So I don’t want to be alone tonight, alone tonight, alone tonight Can you light the fire? I need somebody who can take control I know exactly what I need to do Cause I don’t want to be alone tonight, alone tonight, alone tonight Look what you made me do I’m with somebody new Ooh, baby, baby I’m dancing with a stranger Look what you made me do I’m with somebody new Ooh, baby, baby I’m dancing with a stranger Dancing with a stranger I wasn’t even going out tonight But boy I need to get you off my mind I know exactly what I have to do I don’t want to be alone tonight, alone tonight, alone tonight Look what you made me do I’m with somebody new Ooh, baby, baby I’m dancing with a stranger Look what you made me do I’m with somebody new Ooh, baby, baby I’m dancing with a stranger Dancing with a stranger Dancing with a stranger Dancing, yeah Look what you made me do I’m with somebody new Ooh, baby, baby I’m dancing with a stranger Look what you made me do I’m with somebody new Ooh, baby, baby I’m dancing with a stranger I’m dancing, I’m dancing Dancing with a stranger I’m dancing, I’m dancing Dancing with a stranger I’m dancing, I’m dancing Dancing with a stranger

Mark Freeman: Welcome statistics students. I'm going to go over some questions from Chapter two today. Mark Freeman: Alright, so today we're going to talk about pie charts. There was a couple tricky questions, usually questions I get the most questions about... Mark Freeman: semester after semester, so let's go over them. Mark Freeman: And the first one is question number seven and Chapter two. Mark Freeman: Kara categorized her spending for this month into four categories: Mark Freeman: Rent, food, fun, and other. Mark Freeman: The amount she spent in each category are pictured here. Mark Freeman: So you see a pie chart divided into four slices with $267 for food, $333 for rent, $200 for fun, and $400 for other. Mark Freeman: We want to find the amount that she spent on food. So, this is going to take two steps, we're going to have to add up the total amount she spent this month. Mark Freeman: And divide the amount she spent on food by that total, and then we're going to round to the nearest whole percent. So let me show you how to do that as well. First, let's find the percent. So i'm going to have to add up. Mark Freeman: All of these numbers, we can do it by hand or on the calculator. Let's do this one by hand because it will only take a moment. Mark Freeman: I'm just going to add up all these numbers. 267 + 333 + 200 + 400 Mark Freeman: So that is the totals for all the categories in the pie chart. Seven plus three is zero, carry the one. One plus six is seven, plus three is 10, carry the one. One plus two is three, plus three is six, plus two is eight, plus four is twelve, so I get 1200 dollars total. Mark Freeman: For the month. Mark Freeman: And so the percentage is going to be... Mark Freeman: The amount spent on food $267... Mark Freeman: divided by 1200. Mark Freeman: And then i'm going to multiply by 100 to get the percent. Mark Freeman: And then round that to... Mark Freeman: a whole percent. So let me start my calculator up... Mark Freeman: I'm using the... Mark Freeman: TI 84 plus emulator. Mark Freeman: And really quick, I'm just going to do this easy calculation here, but I don't want to do it in my head, it will go faster on the calculator. All right so clear the screen and divide 267 by 1200. Mark Freeman: I get point 2225 multiply that by a hundred to get the percent. Mark Freeman: 22.25, we round to the nearest percent, so I know that that is 22.25... Mark Freeman: percent, rounding to the nearest, well, percent will be 22%. Mark Freeman: All right, well, that was pretty easy, let's try another one. Mark Freeman: Alright, so autumn categorize your spending this month at the four categories rent food fun and other. This time we have the percentages and we have to figure out the amount. Mark Freeman: So it says Autumn spent a total of $2,900 this month. How much did she spend on food? Mark Freeman: This will be an easier calculation, because she mounted she spent on food was 22% so food. Mark Freeman: will be whatever 22% of $2,900 is. Mark Freeman: Alright, so we're going to say 22% times 2900. Mark Freeman: And when we... Mark Freeman: do arithmetic with percentages, we want to convert it to a decimal I do you could multiply by 22/100, but I think I mentioned how much I don't like fractions, so i'm going to do the decimal, point two two. Mark Freeman: All right, some of you have a percent function on your calculator. I don't know how to use that. I've never figured out how that thing works, I always do it this way, so don't ask me how that percent thing works if you have like a casio or... Mark Freeman: Some other kind of calculator. Alright so let's do point two two... Mark Freeman: times 2900. Mark Freeman: I get $638, and that's the exact amount we don't have to round or anything. Mark Freeman: I'm gonna say 638. Mark Freeman: Let's enter these questions, I mean these answers, and see if I got it correct. So I'm saying $638 for this one $638, I'm not going to put the dot zero, I think, let's just see if I will take this. I'm going to submit the question... Mark Freeman: And you see, I get the gre

Aha Oho Aha Aye pattani moonji... odi va! Thaga Thaga Thaga Thaga Thaga Thaga Dhumakapuka Rapukutha Dhumakapuka Rapukutha Dhumakapuka Rapukutha Dhinakku Thathakku Dhinakku Thathakku Dhinakku Thathakku Dhinakku Thathakku Achakka Achakka Achakka Achakka Achakka Achakka Achakka Achakka Peter’u Sirukura Sirukura Majava Irukudha Irukudha (Sirikura) Sarukuran Sarukuran Machan Side'uka Sarukuran Sirukura Sirukura Majava Irukudha Irukudha Parakuraan Parakuraan Macha Flight’a Pol Parakuraan Ah Su Ah Su Ah Su Macha Pili Pili Pili Pili Pili Pili Adho Paaru Pacha Kili Machan Gili Gili Gili Gili Gili Gili Machanuku Pudicha Kili Machan Pili Pili Pili Pili Pili Pili Yaara Avan Side’la Vali Macha Gili Gili Gili Gili Gili Gili Route'u Vitta Vaaya Kizhi Achochoo Thupakki Sivakumar Pondatti Chochoo Thupakki Sivakumar Pondatti Achakka Achakka Achakka Achakka Achakka Achakka Urla katta Achakka Achakka Achakka Achakka Achakka Achakka Karlla Katta Achika Achika Achika Achika Achika Achika Achika Achika Thala Oru juice Solley Hey! College'la Kavalai illa Kadaisi Benchula Kavundhu Kedapaen da Maalaiyila Canteen Illa Mayila Pidipaen da Kaalaiyila Ezhundhiduchu Kan Muzhuchi Coffee Kudipaen da Aproma Bus'la Dha Footboard Adipaen da Ahhh... Pulaingalukaaga Naanga Uyira Kudupom da Thambi...Prechananu Vandha Yeri Sangula Medhipom da Figurerunga Munnadi Naanga Scene'a Irupom da Aana...Yenn Figure'a Mattum Dhan nan Sight'u Adipaen da Tight'u Kudupaen da Fight'u Kudupaen da Dhowlothakaga Suthunakka Yetti Odhaipaen da Quite’a Irupaen da Weight’a Irupaen da Yenn Figure’u Enna Paatha Light ah Siripaen da Thaga Thaga Thaga Thaga Thaga Thaga Dhrigidaku Thakkdhina Dhrigidaku Thakkdhina Dhrigidaku Thakkdhina Thiguthigu Thiguthigu Thiguthu Dhrigidaku Thakkdhina Dhrigidaku Thakkdhina Dhrigidaku Thakkdhina Thiguthigu Thiguthigu Thiguthu Choochoo Thupakki Sivakumar Pondatti Choochoo Thupakki Sivakumar Pondatti Achakka Achakka Achakka Achakka Achakka Achakka Uralla Katta Achakka Achakka Achakka Achakka Achakka Achakka Karla Katta Achakka Achakka Achakka...

I just didn’t wanna fight with you I didn't want to do this with you. The two of us were madly in love but now you're looking at me like you're going to kill me Just sticking out your lips won't solve everything If you have something to say, just tell me Umm These absurd situations where you can and I can't I can't do this anymore I want you to be hurt with words sharper than a knife It's easy to say Every single thing you do makes no sense This is a Game where everyone dies Kill me now Oh kill me You used to be my lover Now Love War between us The cold expression and the thorny words You are my Lover But every day we Love War We love each other But why do we keep doing this Oh my lover It’s a Love War It’s so over I’m so over Yeah so over Oh my lover It’s a Love War It’s so over I’m so over Yeah so over Whatever I say, you go crazy You just called me darling I just told you for a while there's a ton of work to do Go take a rest and don't rub your sleepy eyes You're pouting that you're not the first to me I'm tired of your pretending The tone that it's all my fault, come and go one-two You don't like my efforts to ease it by clearing my throat You keep tearing me down. Embarrass me Who is that girl from KakaoTalk? I met her for work thing So are you I also have a lot to say Why? Why? We just need to take a step back I hate you, go away Baby, come here Why can't we do this? If you're leaving me I'll let you go in pain Memories of the past Even those meaningless times We love each other, but I this gonna and this Love War now You used to be my lover Now Love War between us The cold expression and the thorny words You are my Lover But every day we Love War We love each other But why do we keep doing this Oh my lover It’s a Love War It’s so over I’m so over Yeah so over Oh my lover It’s a Love War It’s so over I’m so over Yeah so over

[Music] Robert Seamans:welcome to the panel titled business Robert Seamans:dynamism and Entrepreneurship this panel Robert Seamans hosted jointly by LMU's Institute for Robert Seamans:strategy technology and organization and Robert Seamans:NYU's center for the future of Robert Seamans:management these joint panels are held Robert Seamans:semi-regularly and we will mention, sorry Robert Seamans:excuse me, we'll mention about our next Robert Seamans:panel at the end of today's panel today Robert Seamans: we've got two of the two of the most Robert Seamans:well-known experts on this topic we have Robert Seamans:Karen Mills from Harvard and Javier Robert Seamans:Miranda from IWH Hall. One brief Robert Seamans:programming note is that we were Robert Seamans:scheduled to also have Ronnie Chatterjee Robert Seamans:he's a professor from Duke University Robert Seamans:who's currently serving in the Biden Robert Seamans:Administration but he's unable to make Robert Seamans:it today. Robert Seamans:Here's the format we'll start with some Robert Seamans:brief introductions of each of the Robert Seamans:panelists then we'll jump into a Robert Seamans:moderated discussion and after that we Robert Seamans:will take audience questions. Audience Robert Seamans:you can enter your questions via the Robert Seamans:zoom Q&A feature and again we'll get to Robert Seamans:those about part way through the Robert Seamans:discussion today and we'll get to as Robert Seamans:many of those as we can. So I'm going to Robert Seamans:hand things over to my collaborator Robert Seamans:collaborator here I'm going to hand Robert Seamans:things over to Toby Kretschmer. Tobias Kretschmer:Thanks very much Rob and also very Tobias Kretschmer:welcome from my side Tobias Kretschmer:um and so by way of introductions Tobias Kretschmer:um Karen Mills is a senior fellow at Tobias Kretschmer:Harvard Business School she has served Tobias Kretschmer:in present Barack Obama's cabinet as the Tobias Kretschmer:administrator of the U.S small business Tobias Kretschmer:administration from 2009 until 2013. Tobias Kretschmer:Karen received the U.S department of the Tobias Kretschmer:Navy's distinguished Public Services Tobias Kretschmer:award for her work on innovation. Tobias Kretschmer:In addition to her work at Harvard Karen Tobias Kretschmer:also serves on a number of corporate and Tobias Kretschmer:non-profit boards including the NBR Tobias Kretschmer:National Bureau of economic research and Tobias Kretschmer:the Harvard Corporation. Tobias Kretschmer:Karen's interests in terms of research Tobias Kretschmer:include fintech Innovation policy and Tobias Kretschmer:the supply chain economy Tobias Kretschmer:Javier Miranda is Deputy ahead of the Tobias Kretschmer:Department of structural change and Tobias Kretschmer:productivity at The halei Institute for Tobias Kretschmer:economic research IWH. So the IWH the Holly Institute for Tobias Kretschmer:economic research is one of eight Tobias Kretschmer:publicly funded economic research Tobias Kretschmer:institutes in Germany and it serves the Tobias Kretschmer:goals of the Leibniz association of Tobias Kretschmer:excellence in the service in the service Tobias Kretschmer:of science so it's been founded in 1992 Tobias Kretschmer:and IWH's founding missions was to carry Tobias Kretschmer:out research for on the economic Tobias Kretschmer:transition in East Germany and Central Tobias Kretschmer:and Eastern Europe Tobias Kretschnmer:prior to joining iwh Javier was principal Tobias Kretschmer:Economist at the U.S Census Bureau and Tobias Kretschmer:Javiers's research focuses on Tobias Kretschmer:entrepreneurship business dynamism job Tobias Kretschmer:creation and productivity growth. Tobias Kretschmer:so let's start briefly by defining a Tobias Kretschmer:couple of terms for our audience. Tobias Kretschmer:What do we mean by business dynamism Tobias Kretschmer:and what do we mean by entrepreneurship? Tobias Kretschmer:is that just someone starting a new Tobias Kretschmer:business? Tobias Kretschmer:and whoever wants to start of the

this is Elvis 2022 doing a special  request for Cindy and Thomas  Maybe I didn't treat you Quite as good as I should have Maybe I didn't love you Quite as often as I could have  Little things I should have said and done  I just never took the time You were always on my mind  (You were always on my mind) You were always on my mind  Maybe I didn't hold you All those lonely, lonely times And I guess I never told you I'm so happy that you're mine  If I made you feel second best Girl, I'm so sorry I was blind You were always on my mind (You were always on my mind)  You were always on my mind  Tell me Tell me that your sweet love hasn't died  Give me Give me one more chance  To keep you satisfied, satisfied  Little things I should have said and done I just never took the time  You were always on my mind (You were always on my mind)  You were always on my mind  You were always on my mind  Maybe I didn't treat you Quite as good as I should have  Maybe I didn't love you Quite as often as I could have  Maybe I didn't hold you All those lonely, lonely times  And I guess I never told you I'm so happy that you're mine  Maybe I didn't treat you Quite as good as I should have

Up from the pastures of boredom Out from the sea of discontent They come in packs like hungry hounds the seekers of the dark enchantment They haunt the boulevards and bars They pray to wishing wells and stars They ride the hurricane of hope Not looking back, but on they go Toward the distance and deceiving And all the while they keep believing They are special and apart The lovers, the lovers of the heart... the lovers... And when they pair off two by two They feel they are the chosen few And though their beds are made of straw They feel like velvet in the night And so the night is never ending Its made of distance and pretending Coz they're special and apart The lovers, the lovers of the heart... the lovers... And when love goes away And when love goes... Goodbye! Catches in their throats like cotton Rises in their hearts like rain The good times suddenly are all forgotten The hunt... begins... again They search the subways and the streets Their faces tired, like their feet Their bodies aching to be warm And so they hide behind the moon Their loneliness inside them growing But they take comfort in just knowing That they are special and apart The lovers, the lovers of the heart... the lovers... And when love comes again And when love comes... Hello! Rises from their throats like singing Catches in their hearts like wind The good things Strangers in their arms are bringing Makes life all right... again. They turn their faces to the light No longer hiding in the night So unashamed and unafraid That they can face each others faults And though the waltz will have its ending There is no harm in just pretending That they are special and apart The lovers, the lovers of the heart... the lovers..

'Blaze and Blade' Mix - Here's another Techno, Tech House, House Music, Progressive House and Electro House mix with Free MP3 Download. All tracks released in the first weeks of October 2013. The Bed That Squeaks (Tony Dee Remix) - Miguel Bastida & Salero Vs Christina Aguilera Feat Redman - Dirrty Back & Forth (Original Mix) - Nihil Young Vs Wu Tang Clan - Gravel Pit Push (Original Mix) - Tomy Declerque Maximum Carnage (Original Mix) - Wuillermo Tuff, Mr. Wise Fat Tony (Original Mix) - Guille Placencia Vs Altern 8 - Activ-8 That's How It Rolls (Original Mix) - Matthew Codek, Belocca Kriptonita (Original Mix) - Sack Muller Take This Out (Jorge Montia Remix) - Coqui Selection Boozy (Original Mix) - Guille Placencia Nobody (Original Mix) - Jay Lumen Budapest Bounce (Original Club Mix) - Groovebox, PHNTM Another Skyy Blue (Original Mix) - Siwell Thrown It All Away (Dolly Rockers Remix) - Lizzie Curious, J-C Check This Out (Original Mix) - Jose Nunez & Antranig Believe In Love (My Digital Enemy Remix) - Marshall Jefferson, House Of Virus, Soliaris Don't Give Me Your Life (Lissat & Voltaxx Remix) - Alex Party Groovejet (Original Mix) - Lissat & Voltaxx, Marc Fisher Pyrmd (Original Mix) - Kryder Meditation Hill (Julian Woods Remix) - Sucre D'Orge Feat. Aicha Adrenaline (Original Mix) - Lush & Simon Get Ready (Original Mix) - Erik Arbores Sneak Attack (Original Mix) - Damien Anthony 50.000 Watts (Original Mix) - Azzido Da Bass

in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem and they will bow down to Hashem (God) On the Holy Mountain On the Holy Mountain in Jerusalem And it will be on that day and it will be on that day It will be sounded - A Great Shofar (Ram's Horn) A Great Shofar (Ram's Horn) And it will be on that day and it will be on that day It will be sounded - A Great Shofar (Ram's Horn) A Great Shofar (Ram's Horn) And they will come - those who were lost In the land of Assyria And the outcasts in the land of Egypt And they will bow down to Hashem (God) On the Holy Mountain On the Holy Mountain In Jerusalem And they will come - those who were lost in the land of Assyria and the outcasts in the land of Egypt And they will bow down to Hashem (God) On the Holy Mountain On the Holy Mountain in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem And they will bow down to Hashem (God) On the Holy Mountain On the Holy Mountain in Jerusalem And it will be on that day and it will be on that day It will be sounded - A Great Shofar (Ram's Horn) A great Shofar (Ram's Horn) And they will come - those who were lost in the land of Assyria and the outcasts in the land of Egypt And they will bow down to Hashem (God) On the Holy Mountain on the Holy Mountain in Jerusalem And they will come - those who were lost in the land of Assyria and the outcasts in the land of Egypt They will bow down to Hashem (God) on the Holy Mountain on the Holy Mountain in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem And they will bow down to Hashem (God) on the Holy Mountain on the Holy Mountain in Jerusalem And they will come - the lost ones in the land of Assyria and the outcasts in the land of Egypt And they will bow down to Hashem (God) on the Holy Mountain on the Holy Mountain in Jerusalem And they will come - the lost ones in the land of Assyria and the outcasts in the land of Egypt And they will bow down to Hashem (God) on the Holy Mountain On the Holy Mountain in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem And they will bow down to Hashem (God) on the Holy Mountain on the Holy Mountain in Jerusalem and they will bow down to Hashem (God) on the Holy Mountain on the Holy Mountain in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem in Jerusalem And they will bow down to Hashem (God) on the Holy Mountain On the Holy Mountain in Jerusalem in Jerusalem in Jerusalem in Jerusalem

roblox hospital tycoon is a massively multiplayer game. it's games for free and my game version is 2.562.360 roblox hospital tycoon game pros 1 - it's very creative and innovative roblox hospital tycoon game pros 2 - it's lots to do and rich in game content roblox hospital tycoon game pros 3 - it's good for boys roblox hospital tycoon game pros 4 - it's a new game model roblox hospital tycoon game cons: too much ads :-( please hit the like button and subscribe betty's channel all games in their being are good for something. dears, please share my video and leave a comment. thanks to roblox corporation game review details: is this game worth playing? yes. this game worth playing for 100 minutes. game art design: 3 stars (of 5 stars). keep up efforts for it ! roblox hospital tycoon. game ideas: 5 stars (of 5 stars). awesome ! i love the roblox hospital tycoon game idea. game story: 3 stars (of 5 stars). keep up efforts for it ! roblox hospital tycoon. game control: 5 stars (of 5 stars). awesome ! i love the roblox hospital tycoon game control. game smoothness: 5 stars (of 5 stars). awesome ! i love the roblox hospital tycoon game smoothness. game music: 4 stars (of 5 stars). not bad ! i like roblox hospital tycoon. sound effect: 4 stars (of 5 stars). not bad ! i like roblox hospital tycoon. degree of difficulty: i think this game is easy for you game login: you need to register for an official account to play roblox hospital tycoon kaspersky security scan: great! roblox hospital tycoon is a safe game. no virus or trojan. norton security scan: roblox hospital tycoon is a safe game. no virus or trojan. all copyright to roblox corporation thanks for your watching please hit the like button and subscribe betty's channel but turn off the notifications :) thank you ! find more videos by "roblox hospital tycoon" game: play store about androids earning app iphone | roblox corporation play store about androids earning app iphone roblox hospital tycoon apk roblox hospital tycoon app roblox hospital tycoon review roblox hospital tycoon ios roblox hospital tycoon mod apk roblox hospital tycoon tips and tric roblox hospital tycoon tips

Derivative exercises. We are going to show the solution of derivative exercises, in some cases in the same exercise we will show different ways to solve it, we are also going to use the derivative table previously published. In the comments area you will find: - The derivative table link. - The links of the proof of derivatives of functions. DisclaimeThis video was made for the purpose of helping and educating. Any question in the comments. Give us a like and share. Exercise 1 Exercise 2 Basic properties. See the table of derivatives. You can see the proof of derivatives of trigonometric functions by going to the corresponding link in the comments area. Exercise 3. another way to solve the exercise... another way to solve the exercise Exercise 4. another way to solve the exercise... Exercise 5. another way to solve the exercise Exercise 6. Exercise 7. Exercise 8. Exercise 9. Exercise 10. Exercise 11. another way to solve the exercise... Exercise 12. Exercise 13. DisclaimeThis video was made for the purpose of helping and educating.

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in this video we're going to complete the CUDA  software infinite calculus free worksheet slope   at a value so for each problem on this worksheet  we're going to find the slope of the function at   the given value now remember finding the slope  of the function at a given value is finding the   slope of the tangent line at that value and in  order to find the slope of the tangent line we   find the derivative of the function and then plug  in our value to get the slope so in number one   we're finding the slope at x equals negative two  so the slope at the point negative two negative   one now in order to find out so we're first going  to find the derivative so the derivative of Y with   respect to X it's going to equal the derivative  of x squared plus the derivative of 6x plus the   derivative of seven the derivative of x squared is  2x to the first or simply 2x and the derivative of   6x is a six and the derivative of seven is zero  because it's the derivative of a constant so our   derivative of Y with respect to X equals 2x plus  six so based on this derivative we can plug in any   value for x a longer function and get the slope  that's what the derivative tells us so what we're   going to do now is take negative two and plug in  negative 2 for X so that's going to be 2 times   negative 2 plus 6 2 times negative 2 is negative 4  negative 4 plus 6 is a positive 2 so the slope in   number one at negative 2 is positive 2 so let's  go ahead and draw that tangent line just to see   so using the slope that's a rise of 2 over a run  of 1 rise of 2 over a run of 1 and so on but we   only need two points to make that line so that's  our tangent line and we found the slope of our   function at that point which is the slope of  the tangent line to that point so number two   again we're going to find the derivative of Y  with respect to X so the derivative of Y with   respect to x equals the derivative of X cubed  which is three x squared minus the derivative   of 3x squared which two times three is six so  that's six times X to the first or 6x and then   we're adding that to the derivative of five which  is zero so we'll just have 3x squared plus 6x now   in order to find the slope at any given point  we're going to plug in the x value where we want   to find the slope at so because we're finding the  slope at x equals three we're plugging in 3 for X   so we'll get three times three squared minus six  times three so that's three times three squared   is nine minus six times three is 18 3 times 9 is  27 and 27 minus 18 equals a positive nine so our   slope at x equals three is a positive nine so  using that slope let's graph another point in   order to find that tangent line just to draw it  out so you can see it visually so as opposed to   using positive nine over positive one I'll use  negative nine over negative one so going down   nine one two three four five six seven eight nine  and one to the left in the run will now draw our   tangent line let's continue on to number three  and number three we're finding the slope of our   function y equals x cubed minus 6x squared plus  9x minus four at x equals two so we're starting   by finding the derivative of Y with respect to X  so that's going to be the derivative of X cubed   which is three x squared minus the derivative of  6x squared which two times six is well 12 times   X to the 2 minus 1 is 12 X plus the derivative of  9 X is 9 and then the derivative of 4 is 0 and we   don't need to add or subtract 0 since that won't  change the value now since we're finding the slope   at x equals 2 we're going to plug 2 in for X so  we'll have 3 times 2 squared minus 12 times 2 plus   9 so that's 3 times 4 minus 12 times 2 which is 24  plus 9 so that's going to give us 3 times 4 is 12   so 12 minus 24 plus 9 12 minus 24 is negative 12  and negative 12 plus 9 is going to be a negative   3 so negative 3 is the slope of our function  at x equals 2 for number for the derivative of   Y with respect to X the derivative of negative  x cubed negative 3x squared and I'm subtracting   the deriva

- [Instructor] Use rules of logarithms to expand. Well first of all, let's review the rules of logarithms. First of all, the logarithm of a product is equal to the logarithm of the first factor plus the logarithm of the second factor. Second, the logarithm of a quotient is equal to the logarithm of the numerator minus the logarithm of the denominator. And third, the logarithm of a power is equal to the exponent of the power times the logarithm of the base. So let's take a look at part A. We have the logarithm of the square root of 4xy. We run into a little bit of a stumbling block, because none of our rules appear to have a square root in them. However, we can write the square root using a power. We can write the square root as something raised to the 1/2 power. So let's rewrite the square root of 4xy as 4xy raised to the power of 1/2. Now that we have the logarithm of the power, we can apply rule number three and write the exponent 1/2 multiplied by the logarithm of the base, which is 4xy. Now we have the logarithm of a product. So we can write that as the sum of the logarithms of the factors. So we have 1/2 times the quantity, the natural logarithm of four plus the natural logarithm of x plus the natural logarithm of y. For part B, we have the natural logarithm of the cubed root of 2x over four. So we'll use a similar strategy. Well first of all, rewrite the cubed root of 2x as 2x raised to the power of 1/3. So first of all, we have the logarithm of a quotient. So we'll begin by using rule number two. And we'll write that the logarithm of the numerator minus the logarithm of the base. Our first term is the logarithm of a power, so we'll write the exponent 1/3 times the logarithm of the base. Finally, we have the logarithm of a product, so we'll rewrite that as the sum of two logarithms, the logarithm of 2 plus the logarithm of x. And remember to put parentheses around the logarithm of two plus the logarithm of x so that both of them are multiplied by 1/3. And we can stop at this point, because all of our logarithms are just logarithms of a single quantity. There aren't any logarithms of products, quotients, or powers. For part C, we have the logarithm of three times the fourth root of x cubed. So again, we use a similar strategy, and we rewrite the root using rational exponents. So the fourth root of x cubed can be written as x to the 3/4 power. So first, we have the logarithm of a product, so we'll use rule number one and write the sum of two logarithms, the logarithm of three plus the logarithm of x to the 3/4. The second term is the logarithm of a power, so we'll write that as the exponent 3/4 times the logarithm of the base x. So our final answer for part C is the logarithm of three plus 3/4 times the logarithm of x.

She be my queen Since we were sixteen We want the same things We dream the same dreams Alright (alright) I got it all 'Cause she is the one Her mum calls me love Her dad calls me son Alright (alright) I know, I know, I know for sure Every body wanna steal my girl Every body wanna take her heart away Couple billion in the whole wide world Find another one 'cause she belongs to me Everybody wanna steal my girl Everybody wanna take her heart away Couple billion in the whole wide world Find another one 'cause she belongs to me Na na na na na na (oh, yeah) Na na na na na na (alright) Na na na na na na Na na, she belongs to me Kisses like cream Her walk is so mean And every jaw drop When she's in those jeans Alright (alright) I don't exist If I don't have her The sun doesn't shine The world doesn't turn But I know, I know, I know for sure Everybody wanna steal my girl Everybody wanna take her heart away Couple billion in the whole wide world Find another one 'cause she belongs to me Everybody wanna steal my girl Everybody wanna take her heart away Couple billion in the whole wide world Find another one 'cause she belongs to me Na na na na na na (oh, yeah) Na na na na na na (alright) Na na na na na na Na na na na na na She knows, she knows That I never let her down before She knows, she knows That I'm never gonna let another take her love from me now Everybody wanna steal my girl Everybody wanna take her love away Couple billion in the whole wide world Find another one 'cause she belongs to me Everybody wanna steal my girl Everybody wanna take her heart away Couple billion in the whole wide world Find another one 'cause she belongs to me Na na na na na na (oh, yeah, alright, yeah) Na na na na na na (alright) Na na na na na na Na na, she belongs to me Na na na na na na (oh, yeah)(she belongs to me, yeah) Na na na na na na (alright) Na na na na na na She belongs to me

- [Instructor] What I want to do in this video is review a little bit of what we've learned about monopolies and, in the process, get a better understanding for some of the graphical representations, which we have talked about in the past, but I wanna put it all together in this video here. So let's say that the industry that we are in, the demand curve looks something like that. That is demand and I'm going to assume that it is a linear demand curve. This axis right here is dollars per unit. In the context of demand, that's price, and this is quantity over here. This little graph here, we still have quantity in the horizontal axis, but the vertical axis isn't just dollars per unit, it's absolute level of dollars. Over here we can actually plot total revenue as a function of quantity, total revenue. Remember, we're assuming we're the only producer here. We have a monopoly, we have a monopoly in this market. ` ` ` ` ` ` ` So if we pick a quantity, if we don't produce anything, we're not going to generate any revenue, so our total revenue will be zero. If we produce a bunch, but we don't charge anything for it, and that's this point right over here, our total revenue will also be zero. We've done this in other videos, but then as we increase quantity from this point, our total revenue will keep going up and up and up. There'll be some maximum point and then it'll start going down again, so our total revenue would look something like this. Total revenue would look something like that, total revenue. And from the total revenue, we can think about what the marginal revenue would look like. Remember, the marginal revenue just says if I increase my quantity by a little bit, how much am I increasing my total revenue? So that's essentially the slope, the slope of the total revenue curve at any given point, or you can think of it as the slope of the tangent line. We've seen before, when you start here, you have a very high, positive slope and we've seen in other videos ` ` ` ` ` ` ` ` ` it actually ends up being the exact same value as where the demand curve intersects the vertical axis right over there, but then it keeps going lower, the slope becomes a little less deep, less deep, less deep. It's still positive, less deep, less deep, and then it becomes zero right over there and then it starts going negative. It becomes zero right at that quantity. The slope of this keeps going down and down and down, it's positive, then it becomes zero, and then it actually becomes negative and you see that here. Now it starts downward sloping even more steep, even more steep, and even more steep. That's the revenue side of things. Let me label this, this is our marginal revenue curve, slope of the total revenue. If we're gonna maximize profit, we need to think about what our costs look like, so let me draw our total cost curve. And I will do it in magenta. Let's say our total costs look something like this. Total cost looks something like that. ` ` ` ` ` ` ` ` ` Out here, where we have very few units, where we have zero units, all of our costs are fixed costs. And then as we produce more and more units, the variable costs start piling on over there. Even from this diagram, you can actually start to visually see economic profit. Economic profit, and when we're talking costs and profit in an economics class, like this is kind of one, I guess, remember, you should view it in terms of economic profit and when we're talking about total cost, we're talking about opportunity cost. So this is total opportunity cost, both the implicit, both the explicit, the ones that you're actually paying money for explicitly and the implicit opportunity costs. Total opportunity costs, that's total opportunity cost and the difference between your total revenue, so for a given quantity, the difference between your total revenue and your total opportunity cost, that gives you your economic profit. For this quantity right over here, your economic profit would be represented ` ` ` ` ` by the height of this little bar between these two curves. But what we see what's going

I'm gonna marry Edward. I won't give up on my life. I'm a warrior Queen. Live passionately tonight. I'm gonna marry Edward. Gonna make love to the stars. I'm a soldier to my own emptiness. I am a winner. I'm gonna marry Edward, gonna marry Edward. I'm gonna marry Edward! I'm not gonna cry anymore! I'm gonna marry Edward! Leave nothing on these streets to explore. M-m-m-marry m-m-m-marry m-m-m-marry Edward! Oh, m-m-marry m-m-m-marry m-m-m-marry Edward! Tonight, I want all of you tonight. Give me everything tonight. Give me everything tonight. Give me everything tonight. Give me everything tonight. Excuse me, excuse me. And I might drink a little more than I should tonight. And I might take you home with me, if I could tonight And, baby, Imma make you feel so good, tonight. Cause we might not get tomorrow! Tonight, I want all of you tonight. Give me everything tonight. For all we know, we might not get tomorrow. Let's do it tonight. Bam! I'm gonna marry Edward! I'm not gonna cry anymore! I'm gonna marry Edward! Leave nothing on these streets to explore. M-m-m-marry m-m-m-marry m-m-m-marry Edward! Oh m-m-marry m-m-m-marry m-m-m-marry Edward! Grab somebody sexy, tell 'em hey! Give me everything tonight. Give me everything tonight. For all we know, we might not get tomorrow. Let's do it tonight! Reach for the stars! And if you don't grab 'em, at least you're on top of the world. Think about it. Cause if you slip, I'm gonna fall on top of your girl, hahaha! What I'm involved with is deeper than them aces. baby, baby and it's ain't no secret. My family is from Cuba, but I'm an American Idol getting money like Seacrest! Put it on my light, baby. I'll make you feel right, baby. Can't promise tommorrow, but I promise tonight. Dale! Excuse me, excuse me! And I might drink a little more than I should tonight. And I might take you home with me, if I could tonight. And baby, Imma make you feel so good tonight. Cause me might not get tomorrow. M-m-m-marry m-m-m-marry m-m-m-marry Edward! I'm gonna marry! Marry! Come on! Edward! Edward, Edward! Edward, Edward, Edward! Edward, Edward, Edward! You're having my baby. What a lovely way of saying how much you love me. I can see it! Your face is glowing! I can see it in your eyes, I'm so happy in knowing! That you're having my baby! You're the woman I love and I love what it's doing to you. Having my baby! I'm a woman in love and I love what it's doing to me. Having my baby! I'm a woman in love and I love what's going through me. Didn't have to keep it. Wouldn't put you through it. You could have swept it from your life but you wouldn't do it! No, you wouldn't do it! And you're having my baby! I'm a woman in love and I love what it's doing to me! Having my baby! I'm a woman in love and I love what's going through me! Having my baby, having my baby! What a lovely way of saying how much you love me! Having my baby, having my baby! Excuse me, excuse me! And I might drink a little more than I should tonight. And I might take you home with me if I could tonight. And baby, Imma make you feel so good tonight. Cause we might not get tomorrow.

IM ALWAYS WITH YOU (Tamally Maak) I am always with you even when you are away from me, your love is in my heart I am always with you I am always with you You are always in my mind and in my heart I never forget you I always miss you even if I'm with you I am always with you even when you are away from me, your love is in my heart I am always with you You are always in my mind and in my heart I never forget you I always miss you even if I'm with you I always longing my dear I always need you and nobody else And if I'm surrounded by the whole world I still need you, my dear I always longing my dear I always need you and nobody else And if I'm surrounded by the whole world I still need you, my dear I am always with you You have my heart and my soul My most precious love My most precious love and it is no problem you away from me you are close to my heart you're living in the future and present and the most beautiful destinations I am always with you You have my heart and soul My most precious love My most precious love and it is no problem you away from me you are close to my heart you're living in the future and present and the most beautiful destinations I always longing my dear I always need you and nobody else And if I'm surrounded by the whole world I still need you, my dear I always longing my dear I always need you and nobody else And if I'm surrounded by the whole world

ready ready For ready For Shark ready For Shark Week. ready For Shark Week. The ready For Shark Week. The Texas ready For Shark Week. The Texas State ready For Shark Week. The Texas State Aquarium ready For Shark Week. The Texas State Aquarium is ready For Shark Week. The Texas State Aquarium is ready ready For Shark Week. The Texas State Aquarium is ready to ready For Shark Week. The Texas State Aquarium is ready to give State Aquarium is ready to give State Aquarium is ready to give the State Aquarium is ready to give the community State Aquarium is ready to give the community an State Aquarium is ready to give the community an immersive State Aquarium is ready to give the community an immersive look the community an immersive look the community an immersive look about the community an immersive look about these the community an immersive look about these Creatures. the community an immersive look about these Creatures. The the community an immersive look about these Creatures. The week about these Creatures. The week about these Creatures. The week long about these Creatures. The week long event about these Creatures. The week long event is about these Creatures. The week long event is meant about these Creatures. The week long event is meant to about these Creatures. The week long event is meant to educate long event is meant to educate long event is meant to educate people long event is meant to educate people about long event is meant to educate people about the long event is meant to educate people about the ocean's long event is meant to educate people about the ocean's most people about the ocean's most people about the ocean's most famous people about the ocean's most famous predators people about the ocean's most famous predators But people about the ocean's most famous predators But a people about the ocean's most famous predators But a handful famous predators But a handful famous predators But a handful of famous predators But a handful of shark famous predators But a handful of shark species famous predators But a handful of shark species are famous predators But a handful of shark species are currently of shark species are currently of shark species are currently staying of shark species are currently staying at of shark species are currently staying at the of shark species are currently staying at the aquarium of shark species are currently staying at the aquarium and of shark species are currently staying at the aquarium and all staying at the aquarium and all staying at the aquarium and all serve staying at the aquarium and all serve a staying at the aquarium and all serve a purpose staying at the aquarium and all serve a purpose in staying at the aquarium and all serve a purpose in the staying at the aquarium and all serve a purpose in the Ocean. serve a purpose in the Ocean. serve a purpose in the Ocean. Most serve a purpose in the Ocean. Most important serve a purpose in the Ocean. Most important thing serve a purpose in the Ocean. Most important thing prey serve a purpose in the Ocean. Most important thing prey on Most important thing prey on Most important thing prey on wants Most important thing prey on wants the Most important thing prey on wants the community Most important thing prey on wants the community to Most important thing prey on wants the community to know Most important thing prey on wants the community to know is wants the community to know is wants the community to know is that wants the community to know is that the wants the community to know is that the sharks wants the community to know is that the sharks are wants the community to know is that the sharks are not wants the community to know is that the sharks are not as that the sharks are not as that the sharks are not as scary that the sharks are not as scary As that the sharks are not as scary As movies that the sharks are not as scary As movies tend that the sharks are not as scary As movies tend to that the sharks are not as scary As movies tend to portray scary As movies tend to portray scary As movies tend to portray the

Why wait to say, at least I did it my way Lie awake, two faced But in my heart I understand I made my move and it was all about you Now I feel so far removed You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, oh way, oh way, oh way Why wait to say, at least I did it my way Lie awake, two faced But in my heart I understand I made my move and it was all about you Now I feel so far removed You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, my way, my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way You were the one thing in my way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, oh way, oh way, oh way My way, oh way, oh way, oh way

How to make an origami Christmas tree Instructions in English. Video instructions to make a Christmas tree in origami Start with a square sheet of paper. Green is a good choice, but you can also use white paper for a snowy tree! If the paper has only one colored face, put the colored side on the bottom. Then turn it. Fold along the vertical diagonal. Unfold the fold you just made. Fold the bottom right side towards the vertical axis in the middle. Fold the bottom left side towards the vertical axis in the middle. Turn the model to the other side. Fold the top right side towards the vertical axis in the middle. Fold the top left side towards the vertical axis in the middle. Turn the model to the other side. Fold the bottom tip up to the top tip. Turn the model to the other side. Fold the top tip (only one layer) towards the bottom. Make the fold a bit above bottom. Fold the bottom tip towards the top to form the stump of the tree. Turn the model to the other side. Your Christmas tree is finished! I hope you like this model and this video! Please share and like the video. :-) And comment if you liked it! Thank you!

From coast to coast, on the mountain peaks, where the mountain eagle flies! About Stalin, the wise, dear and beloved, the people compose a beautiful song! About Stalin, the wise, dear and beloved, the people compose a beautiful song! This song flies faster than a bird, and the world of the exploiters is trembling spitefully! No posts and borders will stop it, no country's borders will stop it! No posts and borders will stop it, no country's borders will stop it! Neither whips nor bullets scare it, this song sounds in the fire of the barricades! The rickshaw and the coolie sing this song, the Chinese soldier sings this song! The rickshaw and the coolie sing this song, the Chinese soldier sings this song! From coast to coast, on the mountain peaks, where the airplanes traverse! About Stalin, the wise, dear and beloved the peoples sing a beautiful song! About Stalin, the wise, dear and beloved the peoples sing a beautiful song! About Stalin, the wise, dear and beloved the peoples sing a beautiful song!

Innocent and delicate I’m tired of pretending I’m done What are you up to? Where are you? Did you eat? Goodnight Baby, Darling, Honey, I miss you It’s all useless You got me like This is not a touching Love story No romance no sincerity I’m sorry, but I’m not sorry From today on I’m a shining solo I’m a shining solo I’m going solo lo lo lo lo lo I’m going solo lo lo lo lo lo Used to be your girl Now I’m used to being the GOAT You’re sittin’ on your feelings I’m sittin’ on my throne I ain’t got no time for the troubles in your eyes This time I’m only lookin’ at me, myself and I (I’m goin' solo) I’ma do it on my own now Now that you’re alone, got you lookin’ for a clone now (So low) That’s how I’m gettin’ down Destined for this and the crown Sing it loud like This is not a touching Love story No romance no sincerity I’m sorry, but I’m not sorry From today on I’m a shining solo I’m a shining solo I’m going solo lo lo lo lo lo I’m going solo lo lo lo lo lo After the relationship, romance, emotion there’s Breakup, tears, regret, longing I like being alone, because I should be true to myself Like the flowing wind Like the stars above the clouds I want to go far away, I want to shine brightly I’m a shining solo I’m going solo lo lo lo lo lo I’m going solo lo lo lo lo lo

THE DEATH OF A MURDER.... THE DEATH OF A MURDER.... Have you watched Pulp Fiction? Have you watched Pulp Fiction? Have you watched Pulp Fiction? Dude, I have also watched it. What you mean by presenting me this glittering gilt paper? Cut this crap and tell me where my cash is Dude, I have also watched it. What you mean by presenting me this glittering gilt paper? Cut this crap and tell me where my cash is Dude, I have also watched it. What you mean by presenting me this glittering gilt paper? Cut this crap and tell me where my cash is Dude, I have also watched it. What you mean by presenting me this glittering gilt paper? Cut this crap and tell me where my cash is Dude, I have also watched it. What you mean by presenting me this glittering gilt paper? Cut this crap and tell me where my cash is Dude, I have also watched it. What you mean by presenting me this glittering gilt paper? Cut this crap and tell me where my cash is Brother…. the cash… Brother? Who is your brother? Brother? Who is your brother? I mean What?? (Stammering uncomfortably….) Call me Reddy. Feel like giving me some respect? Then call me Reddy Sir Call me Reddy. Feel like giving me some respect? Then call me Reddy Sir. Call me Reddy. Feel like giving me some respect? Then call me Reddy Sir Take your seat Take your seat I am that old Jose from Thrissur. But I had a makeover after reaching Bangalore! I need to survive in this business.. you see! I am that old Jose from Thrissur. But I had a makeover after reaching Bangalore! I need to survive in this business.. you see! I am that old Jose from Thrissur. But I had a makeover after reaching Bangalore! I need to survive in this business.. you see! I am that old Jose from Thrissur. But I had a makeover after reaching Bangalore! I need to survive in this business.. you see! I am that old Jose from Thrissur. But I had a makeover after reaching Bangalore! I need to survive in this business.. you see! I am that old Jose from Thrissur. But I had a makeover after reaching Bangalore! I need to survive in this business.. you see! Do you have any idea why am I going around in this revolving chair? Do you have any idea why am I going around in this revolving chair? Man… see …I don’t have any time to run around. Simple Man… see …I don’t have any time to run around. Simple Hahahaha! Why don’t you laugh? Are you tense? Why don’t you laugh? Are you tense? Why don’t you laugh? Are you tense? Why don’t you laugh? Are you tense? Mr. Sainu…we have been working together for the last two years Mr. Sainu…we have been working together for the last two years Mr. Sainu…we have been working together for the last two years Mr. Sainu…we have been working together for the last two years Mr. Sainu…we have been working together for the last two years So, I don’t think you would ever pull a fast one on me So, I don’t think you would ever pull a fast one on me. So, I don’t think you would ever pull a fast one on me. So, I don’t think you would ever pull a fast one on me But, the suitcase has come empty and how can you be so clueless? But, the suitcase has come empty and how can you be so clueless about the whole thing? Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Brother… I mean… Reddy … I swear… I don’t know. I guess…our clients cheated me…! Get me your Whatsapp… Get me your Whatsapp… Get me your Whatsapp… Get me your Whatsapp… Get me your Whatsapp… Get me your Whatsapp… Get me your Whatsapp… Then tell me … what is this? This photo of you receiving the money was whatsapped to me Then tell me … what is this? This photo of you receiving the money was whatsapped to me The guy here -- w

Pray for the morning light To lift up my soul Crave for the long walk That leads back home Still my restless heart That burns in my chest Bend the space and time And put me to rest Blame it on me I’ll take it all I cry to the seven skies You’ll never silence my voice I’ll die before you bend my will No one will take it away Down this avenue Of pain and deceit I will vindicate And vanquish my foes Lies and iniquity Don’t hurt me no more I’m tied to my resolve Like never before Blame it on me I’ll take it all I cry to the seven skies You’ll never silence my voice I’ll die before you bend my will No one will take it away I cry to the seven skies You’ll never silence my voice I’ll die before you bend my will No one will take it away No one will take it No one will take it No one will take it away No one will take it away Look in my eyes I have nothing to fear My pleading is over Open the gates I’m here to let light shine Through I cry to the seven skies You’ll never silence my voice I’ll die before you bend my will No one will take it away I cry to the seven skies You’ll never silence my voice I’ll die before you bend my will No one will take it away No one will take it away No one will take it away

mentor mentor meaning a person who gives a younger or less experienced   person help and advice over a period  of time especially at work or school a person who gives a younger or less experienced  person help and advice over a period of time   especially at work or school with no mentor to guide him   the struggling student ended up dropping  out of school due to lack of support with no mentor to guide him   the struggling student ended up dropping  out of school due to lack of support responsibility responsibility meaning something that is your job or duty to deal with something that is your job or duty to deal with it's her responsibility to ensure  the project finishes on time it's her responsibility to ensure  the project finishes on time wisdom wisdom meaning the ability to use your knowledge and  experience to make good decisions and judgments the ability to use your knowledge and  experience to make good decisions and judgments without wisdom a person  cannot make the best decisions without wisdom a person  cannot make the best decisions innovator innovator meaning someone who introduces changes and new ideas someone who introduces changes and new ideas i aspire to be an innovator not a follower i aspire to be an innovator not a follower optimist optimist meaning someone who always believes  that good things will happen someone who always believes  that good things will happen he's such an optimist that  he's sure he'll soon find a job he's such an optimist that  he's sure he'll soon find a job versatile versatile meaning able to change easily from one activity to another  or able to be used for many different purposes able to change easily from one activity to another  or able to be used for many different purposes a versatile person is often good  at a number of different things a versatile person is often good  at a number of different things discipline discipline meaning training that makes people more willing to  obey or more able to control themselves often   in the form of rules and punishments if these are  broken or the behaviour produced by this training training that makes people more willing to  obey or more able to control themselves often   in the form of rules and punishments if these are  broken or the behaviour produced by this training the book gives parents advice on discipline the book gives parents advice on discipline brave brave meaning showing no fear of dangerous or difficult things showing no fear of dangerous or difficult things he was commended for his brave actions he was commended for his brave actions integrity integrity meaning the quality of being honest and having strong  moral principles that you refuse to change the quality of being honest and having strong  moral principles that you refuse to change i have always regarded her as a woman of integrity i have always regarded her as a woman of integrity inspiring inspiring meaning encouraging or making you  feel you want to do something encouraging or making you  feel you want to do something an inspiring teacher can  stimulate students to succeed an inspiring teacher can  stimulate students to succeed ethical ethical meaning relating to beliefs about what  is morally right and wrong relating to beliefs about what  is morally right and wrong i don't think it's ethical for you  to accept a job you know you can't do i don't think it's ethical for you  to accept a job you know you can't do charisma charisma meaning a special power that some people have naturally  that makes them able to influence other people   and attract their attention and admiration a special power that some people have naturally   that makes them able to influence other people  and attract their attention and admiration he was elected to power on  the strength of his charisma he was elected to power on  the strength of his charisma unique unique meaning being the only existing one of its type or  more generally unusual or special in some way being the only existing one of its type or  more generally unusual or special in some way each person's signature is uniqu

In this video, we will find out the differentiation of secant of x w.r.t. x. As we know secant of x = 1 divided by cosine of x. So, differentiation of secant of x w.r.t. x = differentiation of 1 divided by cosine of x w.r.t. x. The chain rule defines the derivative of composition of functions. The derivative of composition of function f and g is derivative of ‘f’ w.r.t. g into differentiation of g w.r.t. x. So, the application of the chain rule gave us, the differentiation of secant of x w.r.t. x = differentiation of 1 divided by cosine of x w.r.t. cosine of x into differentiation of cosine of x w.r.t. x As, the derivative of 1 divided by cosine of x w.r.t. cosine of x is minus 1 divided by square of cosine of x. And the derivative of cosine of x is minus sine of x. So, the differentiation of secant of x w.r.t. x = minus 1 divided by square of cosine of x into minus sine of x. In the numerator (-1) into minus sine of x = sine of x. As – into – is plus. So, we got, the differentiation of secant of x w.r.t. x = sine of x divided by square of cosine of x. Sine of x divided by square of cosine of x = sine of x divided by cosine of x into 1 divided by cosine of x. As, sine of x divided by cosine of x = tangent of x and 1 divided by cosine of x = secant of x. So, the differentiation of secant of x w.r.t. x = tangent of x into secant of x.

Christopher Carbone: Welcome to my final exam review. These are my short answer questions. My first one, being a company training program determines that on average, a new employee can do P. Of Us. Pieces of work per day after S. Days of on the job training we'll. P. Of S. Is equal to a 9 Christopher Carbone: plus 59 times s divided by s plus 7 Christopher Carbone: and a month to limit as as as as approaches to Christopher Carbone: of pms. Christopher Carbone: So in this case is a Christopher Carbone: put on my mind. Okay. Christopher Carbone: this is going to be Christopher Carbone: and in on Christopher Carbone: plus 59 times 2 Christopher Carbone: 59 excuse me Christopher Carbone: 59 times 2, Christopher Carbone: all divided Christopher Carbone: by 2 plus 7. Christopher Carbone: So this is 207, divided by 9 Christopher Carbone: or 23, Christopher Carbone: and the interpretation of that Christopher Carbone: would be Christopher Carbone: as the employee approaches 2 days of on the job training. Christopher Carbone: So, as the employee Christopher Carbone: approaches Christopher Carbone: 2 days Christopher Carbone: of on the job training. Christopher Carbone: the new employee Christopher Carbone: will be able to complete Christopher Carbone: 23 pieces of work. Christopher Carbone: but the second one, the cost of manufacturing a particular video tape is c. Of X is equal to 9,000 plus 11. X Will X is the number of tapes produced. The average cost per tape, denoted by C. Bar of X is found by divide and C of X by X. Christopher Carbone: We want to take the limit as X approaches a 1,000 of C bar of X, Christopher Carbone: so to get that C. Of X first. When you divide c. Of X by X. So Christopher Carbone: 9,000, Christopher Carbone: all divided by X. Christopher Carbone: And now, when we take that limit Christopher Carbone: as X approaches a 1,000 Christopher Carbone: of 9,000 Christopher Carbone: plus 11 X. Divided by X. Christopher Carbone: There should just be 9,000 Christopher Carbone: less, 11 times a 1,000, Christopher Carbone: all divided by a 1,000, Christopher Carbone: and that gives us a value of 20, Christopher Carbone: So, as the number of tapes produced. Christopher Carbone: the number of types produced Christopher Carbone: approaches a 1,000 types. Christopher Carbone: the average Christopher Carbone: cost per tape Christopher Carbone: will be $20 per tape. Christopher Carbone: Let me know if you have any questions or concerns. Thank you.

This tutorial is not fake. Everything that you are going to see can be replicated at home. We are going to modify this car alternator to turn it into a Brushless generator. First we are going to try to disassemble the alternator pulley. But we cannot because the pulley has a special bearing. So we are going to weld a piece of iron between the pulley and the bearing In this way we block the bearing of the pulley Now we can disassemble the pulley. We continue to disassemble the rear cover AND remove all the screws. We remove the support of the brushes or carbons. We do not need this part We also remove the diode rectifier because we do not need it In order to remove it we have to cut the diodes Here we have the three coil connections. We remove the screws from the alternator housing We open the housing We remove the copper winding We also remove the shaft We have to cut all the iron parts of the rotor They look like iron fangs We have already cut the iron parts We put the rotor in the bench drill and smooth the iron surface that we have cut We roll insulating tape to make the surface flat to be able to stick the magnets Here we have the neodymium magnets. They have a lot of force We start to glue the magnets on one side, right where the pieces of iron that we have cut were We glue them with Instant Adhesive or Cyanoacrylate We do the same right where we have cut each piece of iron We have already glued a row of magnets Now we glue another magnet next to the magnets that we have placed It is quite complicated because both magnets repel each other. We fix them with electrical tape until the adhesive dries. And so all the magnets. They have to be glued in pairs When the cyanoacrylate dries we can remove the insulating tape All the magnets that we have glued are with the South Pole facing out Now we use another easier method to glue the magnets in pairs We glue another six pairs of magnets AND then we stick with adhesive on the opposite side, right where the pieces of iron that we have cut were. These magnets have to be glued with the North Pole outwards. All the magnets are already glued. They should look like this Now we empty a bottle of Coca Cola We need the plastic container to continue We have to cut two pieces of the plastic bottle We wrap the container with the pieces of plastic And fix the pieces of plastic with insulating tape Now we seal one end with hot silicone We prepare the Epoxy Resin mixture We fill the entire container that we have created with Epoxy Resin ... And let it dry for 24 hours ... Now we can remove the insulating tape and the pieces of plastic We mount the rotor again in the bench drill and leave the surface smooth so that the electric generator does not vibrate Here we have the finished rotor Now we are going to weld three cables in the three connections of the coils and in each weld of the cables we place heat shrink insulation Now we place the rear bearing of the shaft We mount the copper winding on the rear cover of the casing and now we put the rotor shaft in its place We put the front cover in place ... And we put the screws back to join the casing We fix an electrical connection strip with flanges to the rear cover of the electric generator ... ... and connect the three cables Now we fix this pulley on the Y axis We already have a 5000W Brushless Electric Generator We continue to disassemble the side covers of my exercise bike We are looking for the best place to place the electric generator We have to remove the flywheel to place the transmission belt We put the belt in its place And we reassemble the flywheel Now we are going to manufacture the bracket for the brushless generator The brushless generators are the most efficient electrical generators We start to weld the bracket parts Now we mark the position of the holes to fix the bracket to the bicycle We make the holes and put the screws to fix the electric generator support Now we place the alternator belt joining the flywheel and the pole a of the generator We fix the Brushless generator in its support And we tighten the belt by ti

hello students welcome to my channel engineer's  academy let's solve this problem in this problem   we are given that if f1 equals to 300  newton and this theta is 10 degrees   we are required to determine the magnitude and  direction measured counterclockwise from the   positive x' axis of the resultant force acting  on the bracket right so first we have to find the   resultant of resultant of f1 f2 and f3 and then  we have to find the angle of the resultant with   this x dash axis right and that angle need to be  measured in the counter clockwise direction right   so i will write that f1 magnitude is given  this is 300 newton right and this theta is   10 degrees right so if let me remove  this x dash axis is for now right so so if this theta is 10 degrees then this  means that this f1 force is making 60 plus   10 degrees with the y axis right so this means  that f1 force is making 70 degrees with the   y-axis right so we can write that this angle is 70 degrees right this is 60 plus 10 degrees  right so this is 70 degree angle of f1 with the   positive y axis is right so to find the resultant  we have to find the Rx component of the resultant   and the Rx component of the resultant will be  equal to the summation of all the components   along the x direction right so now if we  resolve f1 into its components right so it   will have one component which will be acting in  this direction right f1 will have one component   like this and it will be the cos component  right and similarly f1 will have one another   component which will be acting like this right  a parallel to the x axis right so this component   let's say that this is f1 y right and this is  f1 x so f1 x is the sign component if this is   70 degrees right so we can write that this is  f1 sine of 70 degrees and f1 magnitude is 300   so we can write it f1x is 300 sine of 70 degrees  and similarly f1y i can write that f1y is 300   cos of 70 degrees right similarly  if i resolve this f3 force into its   components right so we will have one  component in this direction like this   right and we will have one another component  which will be acting in this direction like this   right and if we consider this theta so then  we have to consider this theta right we are   given this triangle right so let us say that  we are considering this angle alpha let's see   so then this will be f 3 x and this component  right and it is acting in the negative x direction   so f 3 x will be equal to so  this will be 1 80 cos of alpha   right and we can write that this is 180  and cos of alpha from this triangle is   ah base divided by hypotenuse right  so this will be 12 divided by 13   right and similarly this will be f 3 y and  from this triangle we can write that f3   y is uh this will be the sine component we  can write this is 180 sine of alpha right so   we can write that this is 180 and sine of alpha  from this triangle is perpendicular divided by   hypotenuse right so we can write this is 5 divided  by 13 right and now if we look into this f24 so   this f2 force is only acting in the y direction so  this means that f2 x is 0 right we can write that   f the component of f2 along the x axis is  0 since the whole f2 force is acting in the   positive y direction and similarly we can  write that f2 y will be equal to f2 right   since the whole f2 is acting in the positive y  direction so this will be equal to 200 newtons   right so now if you want to find the rx component  so this is equal to the summation of all the   components along x axis right so we can write  that this will be equal to f 1 x plus f 2 x   and plus f 3 x right so f 1 x is 300 sine  of 70 so i will write that this is 300   sine of 70 degrees plus f2 x f2 x is  0 right so this is 0 plus f3 x so f3 x   is this thing right 180 we can write that this  is 180 and remember that this f3 x is acting in   the negative x direction so we have to write  the negative sign with it right since we are   considering that this is our positive direction  right so this is minus 180 into 12 divided by 13   right or we can remove th

Salvation for your demise Wretched and filthy existence despised humans spread like a plague ruined this planet now everything's dead hatred for all of mankind extinction delivered now pay for your crimes cities will burn to a crisp after the bloodshed we fade in the mist watch the world dance in flames apocalypse, that's my name genocide, it's all a game we watched the world dance in flames watched the world dance in flames watch the world in flames IN FLAMES damnation after your death torture and fear is all that is left wicked and warped in their ways demons love torment they'll cut you for days eternal is your suffering a species wiped out is my offering cities will burn to a crisp after the bloodshed we fade in the mist watch the world dance in flames apocalypse, that's my name genocide, its all game we watched the world dance in flames watched the world dance in flames watch the world in flames watch the world dance in flames apocalypse, that's my name genocide, its all game we watched the world dance in flames watched the world dance in flames watch the world in flames

let me tell you something you already know the  world ain't all sunshine and rainbows it's a   very mean and nasty place and i don't care how  tough you are it will beat you to your knees   and keep you there permanently if you let it  you me or nobody is gonna hit as hard as life   but it ain't about how hard you hit  it's about how hard you can get hit   and keep moving forward how much you can take and  keep moving forward that's how winning is done   pain is temporary it may last for a minute or an  hour or a day or even a year but eventually it   will subside and something else will take its  place if i quit however it will last forever the margin for error is so small i mean one  half a step too late or too early and you   don't quite make it one half second too slow too  fast you don't quite catch it the inches we need   are everywhere around us they're in every  break of the game every minute every second you got a dream you gotta protect it people can't do something themselves  they want to tell you you can't do it you want something go get it don't be afraid to fail you can't always  win but don't be afraid of making decisions you have to believe that something different  can happen he who says he can and he who says he   can't are both usually right that most of you say  you want to be successful but you don't want it   bad you just kind of want it you don't want it  better than you want to party you don't want it   as much as you want to be cool you most of you  don't want success as much as you want to sleep   our deepest fear is not that we  are inadequate our deepest fear is   that we are powerful beyond measure it is our  light not our darkness that most frightens us deep down dig deep down and ask yourselves who do  you want to be figuring out for yourselves what   makes you happy no matter how crazy it may sound  to the people make a choice like you just decide   what it's going to be who you're going to  be how you're going to do it just decide why not why can't i be the mvp of the league   why can't i be the best player in the league  i don't see why why why can't i do that what did you say to the kid it ain't about  how hard you hit it's about how hard you   can get hit and keep moving forward how  much you can take and keep moving forward get up and don't ever give up we can stay here get the [ __ ] kicked  out of us or we can fight our way back   into the light we can climb out of hell one inch at a time to be able at any moment  to sacrifice what you are for what you will   become most of you won't be successful because  when you're studying and you get tired you quit   i don't do well than math you're right you ain't  never studied i'm not good at writing because   you have never written before talent you have  naturally skill is only developed by hours and   hours and hours of beating on your craft if you  are not making someone else's life better then   you're wasting your time don't cry to give up try  to keep going don't cry to quit you're already in   pain you already hurt get a reward from it now  if you know what you're worth now go out and get   what you're worth but you got to be willing to  take the hits and not point your fingers saying   you ain't where you want to be because of him or  her or anybody cowards do that and that ain't you   you're better than that because every day is a  new day every moment is a new home so now you   got to go out and show them that i'm a different  creature now i'm going to show you how great i am the seventeenth chapter of senfocus is  written the kingdom of god is within man   not one man nor a group of men but in all  men in you you the people have the power   the power to create machines the power to create  happiness you the people have the power to make   this life free and beautiful to make this life  a wonderful adventure now what are you gonna do because limits like fears  are often just an illusion

of the currenupnik current Something new. current situation, said Baham. Nikali Okay, so lot of means, lot of Okay, so lot of Okay, so lot of me, lot of of me. Lot of people curious. If I have your If I have your permission If I have your permission. I would like to I would like to share this I would like to share I would like to share the I would like to share the screen , so can I get , so can I get a few thumbs so can I get a few thumbs up quick, thumbs quick, thumbs up up. Excellent. ellent! Go ahead. So 3, 30 ellent! Go ahead. So ellent! Go ahead. So 3 terms up ellent! Go ahead. So 3 terms up out of 1 54 per out of 1 54 per ticipants That's That's said I'm looking for That's said I'm looking for some That's said I'm looking for some more more interaction more interaction. Okay. There the thumbs up. There the There the thumbs, up goes, and just give me just give me 2 min Is Is the screen Is the screen visible Is the screen visible? Yes. Yes. For new For new room. Must you For new room. Must you For new room. Must you new room. Must you know, skeleton problems problems, how problems, how many lems, do online therapy lems, do online therapy class class some local duck, are class some local ducker. They in They neural, muscular They neural, They neural, muscular skeleton, They neural, muscular skeleton, eleton problems, cases problems, cases. Namaskar, I welcome you all to Namaskar, I welcome you all to Namaskar, I welcome you all to the the Ashtown ticket the Ashtown the Ashtown chicken webinar the the Ashtang chicken webinar. My e Ashtown chicken webinar. My My name is My name is My name is My name is Rachnam, and I'll be your host for today your your host, for today's your host, for today's webinar your host, for today's webinar. your host, for today's webinar. I'm I'm a part of it I'm a part of I'm a part of an I'm a part of an I'm a part of an organization I'm a part of an organization called called a visa called a Visa called a Visa. Healing and fitness, Healing and fitness, private and fitness, private limit. limit, in today's limit, in today's webinar, we will will present to will present to you a will present to you a will present to you a unique will present to you a unique therapy procuring procuring procuring muscular skeletal procuring muscular skeletal problems that you are problems that you problems that you or someone in your your family your family may be your family may be suffering your family may be suffering your family may be suffering from. But I have not yet found But I have not yet found permanent permanent permanent relief, permanent relief, despite permanent relief, despite permanent relief, despite spending a good amount of spending a good amount of money on various treatments on various treatments. tments, a strong chickiza can chicken can also be used as a preventive preventive method, so that preventive method, so that your internal internal organs are internal organs are internal organs are internal organs are internal organs are functioning ning at their ning at their optimum levels at their optimum levels. levels, now, I'd like to levels, levels, now I'd like to levels, now I'd like to introduce you all to introduce you all introduce you all to swami swami, swami, raspberry, swami, raspberry, and swami, raspberry, and swami, raspberry. Swamirajapuji has been transforming lives of thousands of people who have of people who have not found of people who have not found any any any relief even any relief even after yours any relief even after any relief even after years any relief even after years of of aliphatic medicine of aliphatic of aliphatic medicine, not only of aliphatic medicine, not only in India, but in Europe in India, but in in India, but in Europe and in India, but in Europe in India, but in Europe. And the Us. As well. Yes, David And the Us. As well. Yes, And the Us. As well. Yes, taken people people out of people out of people out of chronic people out of chronic diseases like like thyroid like like thyroid heart type like thyroid heart like thyroid heart like thyroid hear

hi everybody I'm nofal welcome to my Channel  today we are going to discuss regarding ethical   principles or principles of Ethics in research  okay principles of Ethics in research so what   is research ethics or what is ethics in research  research ethics means in every profession there   will be a code of conduct there will be a code  of conduct that is what are the things you can   do and what are the things you can't do okay  what are things you can do and what are things   you can't do that is Code of Conduct in  research also there is a code of conduct   that is called research ethics the code of  conducting research is the research ethics   okay what the researcher can do that is what is  the right for the researcher and what is wrong for   the researcher what the researcher can't do that  is research ethics what the researcher can do and   what the researcher can't do that is research  ethics we can see the principles of Ethics   mainly you can see three principles first one is  principle of beneficence second one is principle   of respect of human dignity and principle of  Justice three principles are there first one is   principle of beneficence principle of beneficence  according to this principle the participant that   is the person who is participating in your  research your subject okay the person who   is participating in your research should get  the maximum benefit and minimum or less harm   okay those who are participating in the research  they should get maximum benefit and they should   get only minimum or less or no harm or no side  effect the benefit should be maximum and the   harm or the side effect should be very less that  is the first principle principle of beneficence   the things coming under this principle is first  one is non-mile efficients non-mile efficients   that means doing no harm doing no harm okay so for  this the researcher should take all the action to   prevent the harm okay the researcher should take  all the action to prevent or to minimize the harm   or the side effect okay the researcher should take  all the precautions the researcher should take all   the precautions to prevent or to minimize the harm  according to your study the harm may be different   sometimes it may be physical harm for example  any injury to the participants sometimes it may   be psychological harm that is stress or anxiety to  the participants sometimes it may be social harm   that is there is no social contact that is they  are participating in your study they don't have   any contact with the family or they don't have any  contact with the friends as well as Financial harm   they are participating in your study they can't  go for the job so it will affect their salary   they will not be there will not be any wages or  salary to them so you have to minimize such harms   physical harm psychological harm Financial harm  as well as the social harm you have to try to   minimize or you have to reduce okay so non-male  efficience means doing no harm okay no harm   should be there and the benefit should be maximum  next one coming under the principle of beneficial   is the right to protection from exploitation  okay the right to protection from exploitation   exploitation means misusing or utilizing okay you  should protect the participants from misusing you   have to protect them from exploitation or don't  utilize your participants the information shared   by them the data you have collected okay the  information shared by them it should be used   only for the research purpose it should not be  used for any other purpose the information shared   by the participants should be used only for the  research only for your research it should not   be used for any other purpose so exploitation  should be protected misusing of the participant   should be protected misusing may be in the form  of sexual misusing or the financial misusing or   the emotional misusing all the misusing or the  utilization of the participant should be avoided   should be protected all the exploitation should  be protected you to protec

Abracadavre I can fly like a bird not in the sky Which can always swim and always dry I say goodbye at night and morning hi I'm part of you What am I I follow and lead as you pass Dress yourself in black my darkness lasts I flee the light but without the sun Your view of me Would be gone I Can see the damage that I Am causing you is so benign You want me to be gone But I have just be- GUN I AM THE ONLY ONE UNDONE I'M A BROKEN MIRACLE NOW (In your head) I don't feel Like I am real But I know It's all imaginary Are they real And do they feel Is all the pain Just inside my head I am what men love more than life Fear more than death or mortal strife What dead men have and rich require I'm what contented men desire You Want be to be gone But I have just be- GUN YOU WILL NEVER KNOW HOW FAR I'VE COME WHAT GOES UP MUST NEVER COME BACK DOWN (In your head) I don't feel Like I am real But I know It's all imaginary Are they real And do they feel Is all the pain Just inside my head It's all inside my head It's just inside my It's all inside my They'll all inside my I see them always but they're all inside my head All inside my head They're all inside my head It's killing me To see I'm killing you Death is magic Say Abracadavre now You see me now you Don't cry when I am gone These shackles they come With certain opportunities They won't let me get away But they show me we're the same We're the same We're the same They show me that we are the same I can't give in I won't give in It's not a state of mind I'm wretched but I'm powerful and I don't feel Like I am real But I know It's all imaginary Are they real And do they feel Is all the pain Just inside my head It's all inside my head It's just inside my it's all inside my They're all inside my I see them always but they're all inside my head All inside my head They're all inside my head

hello little angles. I am so happy to see you in the last lesson we 've learned to do addition using the number line. Do you know that we can also use the number line To do subtraction I will show you how to do it right in this lesson Are you ready? let's begin how to do subtraction using the number line for example how to find 6-3 using the number line let me show you. To find six minus three we start from number six then jump three numbers to the left then see the number where we stop to find the difference. Here we stop at number three therefore six minus three equals three. It 's easy right Now, Let 's take another example. Let 's find 8-5 using the number line we start from number eight then jump five numbers to the left then see the number where we stop to find the difference. Here we stop at number three therefore eight minus five equals three it's simple isn't it. now let's have some practice Task 1: find the difference using the number line 3 minus 1, 7 minus 4, 8 minus 3, 10 minus 6 to do this task download the worksheet below and print a copy then try to do it on your own. Pause this video while you are doing it when you finish replay the video and check the answers with me now let's find the answers together first, to find 3 - 1. We start from number three then Jump one number to the left. Then see the number where we stop to find the difference Here we stop at number two. Therefore three minus one equals two Next, to find seven minus four. We start from number seven then jump four numbers to the left. Then see the number where we stop to find the difference Here we stop at number three. Therefore 7 minus 4 equals 3 next, to find eight minus three. We start from number eight then jump three numbers to the left. Then see the number where we stop to find the difference. Here we stop at number five. Therefore eight minus three equals five the last one, to find ten minus six. We start from number ten. Then jump six numbers to the left. Then see the number where we stop to find the difference. Here we stop at number four. Therefore ten minus six equals four. I hope you enjoy the lesson. Bye for now and see you soon!

hi welcome to the statics tutorials we have a  region that's defined by this curve y is equal   to x squared divided by 4 now we're going to look  at this shaded area here from y is equal to 0 to   16 also X is going to go from 0 to 8 we want  to find the centroid of this shaded region and   so we'll draw a differential element in here you  could use a vertical differential element or you   could use a horizontal this one I have shown  a horizontal differential element we need to   figure out a couple things with this one one is  to calculate the differential area so this one   is a rectangle so the differential area is going  to be the base times the height so our da is going   to be x times dy and then we also need to find the  centroid of this differential area element so we   have X 2 dy Tildy that's our centroid of this one  and in this case you can see that the centroid is   right in the middle and so this is going to be an  X location of x over 2 and a wide location of just   why think of your X and your Y being defined by  the curve and so when you're here you're halfway   to the X that you have if you were on the curve  but you're you're at the same y-value that you   have on the curve so let's look at our X intrude  first so we're going to look at the integral over   the area of X tilde times da divided by the entire  area so just the integral of DA I substituting in   for X tilde we have x over 2 and then for da we  have x times dy and same thing over here for da x   times dy down here at this point we have a single  integral but it's mixed with X's and Y's in there   so we want to eliminate either X or Y so that we  can do the integral I'm going to go ahead and just   eliminate X so I pulled the one half of here  I've combined the two x's to give us x squared   times dy down here we just still have x times dy  looking back at our functionality we can rewrite   this as x squared is equal to 4y and so make that  substitution here and then we can take a square   root and say that X is equal to the square root  of 4 which is just 2 times the square root of Y   so down here we have 2 times the square root of  Y dy so we've completely eliminated the x's our   only variable in the integration is y so let's run  our limits we're going to start at 0 and go up to   16 so here our limits of integration from 0 up to  16 just pull in the constants out in front of the   integrals and the integral of Y dy is going to  be Y squared divided by 2 integral of Y to the   one-half that's going to be Y to the 3 halves as  we're adding 1 to the power but then invert what   you have here and put it in front so it would  be a two-thirds factor in front of them and   then we'll run the limits of integration between  0 and 16 on both of these so when we plug that in   it's going to be 16 squared divided by 2 minus 0  squared divided by 2 on the top times the 2 that   sign out in front and then on the bottom we have  the 2 that set out in front the 2/3 and then the   16 to the 3 halves power minus 0 to the 3 halves  power you could certainly simplify this a little   bit I'm just trying to show you all the steps  and show you cannot eliminate anything so you   can clearly see where everything's coming from  over here this gives us 128 for this portion of   parentheses and 42 point 67 for this portion and  the parentheses and that gives us an xn troy'd of   3 millimeters over here for our Y centroid it's  the same equation just with the integral of y   le da so again now when we substitute this in we  have just Y times the differential area x times   dy we still need to get rid of either X or Y so  if just to get rid of X and so in here again we   have X is equal to two times the square root of  Y it's multiplied by another Y so it's going to   give us Y to the three halves there's the two that  came out of there and then we can integrate the   this top side the bottom we've already gotten an  America value for the integration so we can just   go ahead and plug in that numerical value here  that we already have for the top side when we  

Christopher Carbone: Welcome to the fourth part, Christopher Carbone: the last part of section two point two, the derivative as a function. Christopher Carbone: We just saw that third derivative we could go even higher than that. Christopher Carbone: What's the derivative is the F with four primes. Christopher Carbone: But since running that out tends to be a bit, and the more confusing side. We tend to use this notation here F with a four kind of as an exponent in parentheses Christopher Carbone: so in general, the n-th derivative of f is denoted by F. To kind of this power with n inside parentheses Christopher Carbone: from differentiating end times. Christopher Carbone: So This means the n-th derivative of Y is equal to Christopher Carbone: the F. The n-th derivative of F. Of X, which is A. Good G. To the Ny. Divided by Dx to the N. Christopher Carbone: And there Christopher Carbone: the last example we are going to do here is to use this graph to estimate the value of each. Derivative Christopher Carbone: As you could see, we have a whole bunch of ones, the easiest ones to do, actually be. Christopher Carbone: And F. Christopher Carbone: So Christopher Carbone: what A. B. Christopher Carbone: What about Christopher Carbone: That's because both of those are the vertex of those appropriate curves right because of that. Both of these are going to have a slope of zero Christopher Carbone: for the derivative of the T. For the slope of the tangent on. So both of these are zeros, Christopher Carbone: to begin with, Christopher Carbone: but to find then Christopher Carbone: there's other ones. Christopher Carbone: We're going to need a few points on here, so Christopher Carbone: let me Christopher Carbone: draw a few of these out Christopher Carbone: just so that way. We are able to Christopher Carbone: these different points for us to use for this, Christopher Carbone: and also be helpful for us to um. Christopher Carbone: No what I know that we're talking about. Christopher Carbone: So i'm going to call a this first point over here. We have. Christopher Carbone: Be down here, Christopher Carbone: see Christopher Carbone: D, Christopher Carbone: and we could do Christopher Carbone: It's here. Christopher Carbone: Gee! Christopher Carbone: And it Christopher Carbone: so the slope of Christopher Carbone: um A to B Christopher Carbone: the slope of A to B. If you find that calculation we get ourselves a value of Christopher Carbone: um. Excuse me, and they give you the point. Christopher Carbone: These different points. These points are the following: A is the point negative, three point eight about the Christopher Carbone: time a zero Christopher Carbone: be Christopher Carbone: negative, three comma negative, one point, two, Christopher Carbone: c. Is negative, two comma negative, one point, seven Christopher Carbone: d is negative, one comma negative, one point, four Christopher Carbone: a Christopher Carbone: would be the point. Zero comma negative zero point five Christopher Carbone: F is the point. Christopher Carbone: One comma, one point, six Christopher Carbone: G. Christopher Carbone: It's two Christopher Carbone: comma, three point three, Christopher Carbone: then H. There's three comma, two point six. Christopher Carbone: So to get for A here Christopher Carbone: we are going to do that slope of A. B based on these two points. Doing that gives us a value of negative one point five. Christopher Carbone: So between A and B, Christopher Carbone: we have ourselves a slope of negative one point five. We need to approach the Christopher Carbone: so that slope is going to be decreasing, though Christopher Carbone: excuse me, the slope that is going to be increased in their orbit, since, even though going down towards B. Um, it's not the slope isn't going to be as high as it approaches where that Vertex. There is so a good estimate for this, since we're going towards B Christopher Carbone: Slope is going to be increasing here, but to be about negative one as an estimate Christopher Carbone: we already have the value for F

Physical and Chemical Changes. Physical and Chemical Changes. Cold region, desert and forest. In a physical change appearance or form changes, but substance remains same. Cold region, desert and forest. In a physical change appearance or form changes, but substance remains same. Ice on melting converts to water. Water on evaporation converts to water vapor. Ice, water and water vapor. All the products formed are still forms of water. Hence, this is a physical change. Ice on melting converts to water. Water on evaporation converts to water vapor. Ice, water and water vapor. All the products formed are still forms of water. Hence, this is a physical change. Plate. These broken pieces are all still parts of a plate. Hence, this is a physical change. When wood burns, chemical reaction takes place. New substance gets formed. Plate. These broken pieces are all still parts of a plate. Hence, this is a physical change. When wood burns, chemical reaction takes place. New substance gets formed. This is a chemical change. Here, the substance changes. Look at this car. Over time, chemical reactions have taken place resulting in rusting. This is a chemical change. This is a chemical change. Here, the substance changes. Look at this car. Over time, chemical reactions have taken place resulting in rusting. This is a chemical change. When we light a matchstick, combustion reaction takes place. This is a chemical change. When we light a matchstick, combustion reaction takes place. This is a chemical change.

okay. Good evening, good morning, or good afternoon everyone, wherever and whenever this may find you. My name is Ayto Chubuktu. I'm an associate professor in the Department of Sociology and co-director of LSC Human Rights at the London School of Economics and Political Science. It's a pleasure to welcome you to our annual Human Rights Day Electorate LEC and a great pleasure to introduce our speaker today, Doctor Noura Erakat. Um Before we proceed, first allow me to extend warm thanks to colleagues at LSE Human Rights and the Department of Sociology. In particular, Sara Salem, Mai Taha, Mahush Ahmad, and Fran Tonkins for their commitment in making this event possible. We are honoured and thrilled indeed to host Doctor Noura Erakat for our Human Rights Day lecture today which was delivered by professor Selah Ben Habib of Yale University last year which some of you will remember. Now Doctor Erakat's work as a scholar, editor, and public intellectual will require no introduction for many of you. Nevertheless, let me say a few words to introduce her. For those who are who are going to witness her brilliance for the first time today. To Etiquette is a human rights. attorney attorney associate attorney associate attorney, associate professor in associate professor in Africana Studies. Studies. and the and the program in criminal and the program in criminal justice at Rutgers university. ty, as well as a number as well as a non resident fellow. ow at the religious ow at the religious literally lit ow at the religious literacy literacy project at harvard divinity literacy project at harvard divinity School. Dr. Erica is the Dr. Erica is the author of. f justice for some f justice for some low and the f justice for some low, and the question of palestine, which was published in 2000 was published in 2019. 9 By Stanford university Press 9 By Stanford university Press, which received. and the bronze medal for and the bronze medal for the independent publishers book Award independent publishers book Award in current affairs and. d foreign affairs intern d foreign affairs in current events and foreign affairs. the US House of the US House of representatives. s, as Legal advocate s, as Legal advocate for the budget as Legal advocate for the budget and resource Center. r for Palestine policy r for Palestine palestinian refugee r for Palestine palestinian refugee and residency rice. e. And as national or e. And as national organizer of e. And as national organizer of the US campaign to end. the Israeli. Dr. Erica is. is co founding editor of co founding editor of Medallia. d then d an editorial board d an editorial board member of the d an editorial board member of the journal or palestine studies. show she She has also produced She has also produced a number of documentaries. including. this year as a this year as a public intellectual year as a public intellectual, she. e has also appeared on e has also appeared on the media extensively in. Enjoy extensively, including on extensively, including on CBS News. , CNN, Fox News , CNN, Fox News and NPR among , CNN, Fox News and NPR, among many other media outlet. tight The title of Dr. Erica humans The title of Dr. Erica human human rights Day lecture this year. ar is this meant ar is this meant ar is dismantling the upper is dismantling the appetite of our time. e. The palestinian live e. The palestinian liberation Movement, as an anti racist Movement, as an anti racist struggle. now. Now, I would like to know that Now, I would like to know that this event is being audio this event is being audio Recorded and broadcasts Recorded and broadcasted live over source. ocial media bar ocial media, barring technical difficulties, we will soon difficulties, we will soon make the recording available as the recording available as video and the recording available as video and Podcast. and Podcast. t for Twitter users in the t for Twitter users in the audience. The hashtag for today's event The hashtag for today's event is whatever you would lik

Berdly -  Deltarune Chapter 2 ANOTHER HIM - Deltarune Chapter 1 Chill - Undertale Nyeh Heh Heh! - Undertale Thundersnail - Undertale mus_zzz_c.mp3 - Undertale Spamton - Deltarune Chapter 2 Queen - Deltarune Chapter 2 Ooo - Undertale Sigh of Dog - Undertale Darkness Falls - Deltarune Chapter 1 The Chase - Deltarune Chapter 1 Dance of Dog - Undertale Weird Birds - Deltarune Chapter 1 Burn in Despair! - Undertale Dogcheck - Deltarune Chapter 1 Song That Might Play When You Fight Sans - Undertale MERRY CD - Omori d.ogg - Deltarune Chapter 2 Empty House - Undertale Run! - Undertale Here We Are - Undertale Bird That Carries You Over A Disproportionately Small Gap - Undertale Card Castle - Deltarune Chapter 1 Imminent Death - Deltarune Chapter 1 Lancer - Deltarune Chapter 1 Fanfare (From Rose of Winter) - Deltarune Chapter 1 Dating Fight! - Undertale Your Best Nightmare - Undertale Stronger Monsters - Undertale Basement - Deltarune Chapter 1 Oh! One True Love - Undertale Thrash Machine - Deltarune Chapter 1 Amalgam - Undertale Determination - Undertale sans. Flashback (Excerpt) - Deltarune Chapter 2 Premonition - Undertale Anticipation - Undertale Alphys - Undertale Small Shock - Undertale Noisemaster's Theme - Cucumber Quest Good Night - Undertale Danger Mystery - Undertale Hotel - Undertale Checker Dance - Deltarune Chapter 1 April 2012 - Deltarune Chapter 1

the dialect variant: The dialect variant of the word differs from the standard form. Authentic: It is important to speak authentically in order to master the language. pictorial: The author describes the scene pictorially. stingy: He is known to be very stingy. the miser: The miser only buys used clothes. garrulous: She is garrulous and talks a lot. the context: the context is crucial to understand the meaning. the expression: His facial expression betrayed his feelings. the possibility of expression: The new technology expands the artist's possibilities of expression. express: She expressed herself clearly and precisely. the wavelength : The wavelength of light determines its color. be on the same wavelength: We are on the same wavelength and get along well. Getting on the same wavelength: She had to work hard to get on the same wavelength as him. create: I think I can do it. create a pleasant atmosphere for conversation: He managed to create a pleasant atmosphere for conversation. the hurdle: we have to tackle this hurdle together. clear a hurdle: She had to clear some hurdles to get the job. penetrate to: In order to really penetrate a language, you have to practice a lot. the impression: The impression I had of him was wrong. have the impression that …: I had the impression that he was concerned. the position: He has an important position in the company. the coaching: The coaching helped him to improve his skills. Linguistics Linguistics is the science of language. linguistic: The text contains many linguistic terms. the foreign word: The foreign word is not understood by everyone. the loan word: The loan word has lost its original meaning. the imprint: the imprint affects the way we think. the embossing: the embossing has changed the language. Shape: Our experiences shape us. be in contact with: In order to learn a foreign language, it is helpful to be in contact with native speakers. Diverse: The culture is diverse and interesting. the source language: The source language is German. the target language: The translation is to be transferred into the target language. the meaning: The meaning of words can change over time. the difference in meaning: The difference in meaning between house and casa is obvious. the root: The word computer has its root in English. the influence: The influence of French on the English language is clear. Mapping Influences: It is important to map the influences on the development of a language. the structure: The structure of the sentence is adapted to the target language. adapt to : We have to adapt to the rules of the target language. transferred: The text is transferred to German. the translation: The translation of the text into German has been completed. get into: We have to get into the depths of the language. go hand in hand with: A loss of language maintenance often goes hand in hand with a decline in the language. prevail: Anglicisms prevail more and more in the German language. the lingua franca: English is the lingua franca in many countries. der Anglicism: Download is a commonly used Anglicism. the maintenance: the maintenance of the mother tongue is important for the identity of a culture. Language maintenance: We have to take care of language maintenance. Linguistic care: We should act in a language-care manner. der Sprachpfleger: The Sprachpfleger checks and corrects linguistic errors in texts. the association: The association of linguists is committed to the maintenance of the language. the aspiration: Our aspiration is to further develop the language. strive: We should strive to improve the language. set a goal: We have set ourselves the goal of preserving the language. explore: We need to explore the language more closely. eindeutschen: We should try to make foreign language words German. the decline: The decline of a language can be regrettable. the jury: A jury often evaluates language skills in competitions. choose: He selected the best candidate through freestyle. the reform: The reform of the education system was very successful. The Achievement: The Internet is a gr

Come and listen to my story about a man named Jed. Poor mountaineer barely kept his family fed. And then one day he was shot. Had some food and up through the ground come a bubbling crew. Oil that is. Black gold. Texas tea. Well the first thing you know Jed's a millionaire. Kid and folks said, Jed move away from there. Said California is the place you ought to be. So they loaded up the truck and they moved to Beverly. Hills that is. Swimming pools. Movie stars. The Beverly Hillbillies. Music. Music. You see dude, it's easy. I just throw this stick out yonder. You pick it up and fetch it back. Okay, we'll do it again. Go on boy, get it. Fetch it you. Fetch it, fetch it. Alright I'll show you. Just once more now. You watch. Catch on dude. Catch on boy. Do it once more. Fetch it you. Get it. Come on. Get it. Shucks. You know something Uncle Jed? That there is a real dumb dog. Well I don't think he's so dumb, yet though. He just learned you how to fetch sticks for him. But the dog is the one that's supposed to do the fetching. Why does the fella down the street that has the dog that fetches sticks for him all day? Well next time you want some sticks fetched, go down the street and let that dog fetch them. You just don't care nothing about it. Jed, do you want some fiddles today? I do Granny. I've worked up a right smart appetite fetching sticks for old Duke. See Jed, that's the trouble around here. The critters are taking over. Dilly Mae has done made pests out of everything but my pickled turds. What's we gonna do for fiddles? Hey, I remember something Mr. Drysdale told us when we first moved in here. What's that? He said anytime Granny didn't feel like cooking, there were some folks that had fetched food over to us. Here in Beverly Hills? Yes ma'am. All you gotta do is call them on the telephone and tell them what you want. Well now that's mighty neighborly. Your call her name Jethro? Let's see, uh, Kater. Call her first name? It's a woman. Beverly. Beverly Katerer? Must be a widow woman. She's the best cook Jed. They have more time. Well let's call up the widow and see what she's got cooking today. Now just a minute Jed, I want it made clear that I'm gonna do something for her in return. Oh naturally we don't take charity. Come on Duke, let's try it again. Oh hi there Miss Operator. This here is Jed Clampett. I'm wanting to call her Witticator. Beverly is a Christian name and I don't rightly know what her late husband was called. Anyway, she's the one that cooks the food and takes it around to folks. Yes ma'am, that's it. Beverly Katerer. Oh, caterers is it? More than one. Looks like the widow's got some young'uns to help her. That's good Jed. Most times they leave home. Just when you... Uh... Well thank you ma'am. What was that you were saying Granny? I was saying that most times the young'uns leave home. Just about the time that you're... Well, howdy to you Miss Beverly Katerer. This here is Jed Clampett. Sounds like a right friendly woman. Howdy Beverly, this here is Granny. I'm a widow myself. And I was just saying to Jed it's nice when the young'uns stay home to help you. So many times they leave. Just when you need them most. I'll let you women folks talk about the riddles but first I just want to say if you ever need a fence mended or a well dug or any heavy work at all you just call on Jeff through on me. Now here's Granny. Beverly, what you got on the back of the stove this morning? I don't want to put you to no extra trouble. Huh? Well me, I'm partial to baked possum but we'll take dowels or fatback or sowbelly any kind of meat or pleasure is considerable. Bunch of nuts. Well you can send them along. I'll tell you right now the critters will get the bulk of them. Now tell me something we can do for you honey. Do what? Hello? I declare Jed I never knowed anybody could turn nasty quicker than her. What do I set her off? Hard to tell Jed. A generous woman like her probably gets took advantage of a lot and tired to boot I reckon. Uncle Jed, I can't learn this dumb old dog to fetch his stick. Well Duke ain't about to

Nickson110: hello tlier Getlucky12341: what if nobody shows up Getlucky12341: what if nobody shows up Nickson110: too late for that huh Nickson110: too late for that huh Nickson110: too late for that huh LittleGreentrooper: hey Tyler LittleGreentrooper: hey Tyler spoofaman_2: damm instead of getting an audible ad I go something else spoofaman_2: damm instead of getting an audible ad I go something else DukeDeserix: Yo spoofaman_2: damm instead of getting an audible ad I go something else DukeDeserix: Yo TheOwlOfLife: hi tyler DukeDeserix: Yo TheOwlOfLife: hi tyler DukeDeserix: Yo TheOwlOfLife: hi tyler n3r_d: yo yo yo DukeDeserix: Yo TheOwlOfLife: hi tyler n3r_d: yo yo yo spoofaman_2: Hi DukeDeserix: Yo TheOwlOfLife: hi tyler n3r_d: yo yo yo spoofaman_2: Hi LittleGreentrooper: holy shit it's him, tyler mcvicker DukeDeserix: Yo TheOwlOfLife: hi tyler n3r_d: yo yo yo spoofaman_2: Hi LittleGreentrooper: holy shit it's him, tyler mcvicker n3r_d: we tookin TheOwlOfLife: hi tyler n3r_d: yo yo yo spoofaman_2: Hi LittleGreentrooper: holy shit it's him, tyler mcvicker n3r_d: we tookin n3r_d: yo yo yo spoofaman_2: Hi LittleGreentrooper: holy shit it's him, tyler mcvicker n3r_d: we tookin n3r_d: yo yo yo spoofaman_2: Hi LittleGreentrooper: holy shit it's him, tyler mcvicker n3r_d: we tookin DukeDeserix: My favorite streamer to watch while mowing the lawn spoofaman_2: Hi LittleGreentrooper: holy shit it's him, tyler mcvicker n3r_d: we tookin DukeDeserix: My favorite streamer to watch while mowing the lawn LittleGreentrooper: holy shit it's him, tyler mcvicker n3r_d: we tookin DukeDeserix: My favorite streamer to watch while mowing the lawn n3r_d: we tookin DukeDeserix: My favorite streamer to watch while mowing the lawn DukeDeserix: My favorite streamer to watch while mowing the lawn DukeDeserix: My favorite streamer to watch while mowing the lawn glucoseandrodo: i got past doom cultist base on ultra nightmare for the second time, hopefully I can get past super gore nest next glucoseandrodo: i got past doom cultist base on ultra nightmare for the second time, hopefully I can get past super gore nest next Subatomicfish: Hey Tyler, I was wondering if you thought Knuckles controllers are worth an upgrade from original vive wands? Subatomicfish: Hey Tyler, I was wondering if you thought Knuckles controllers are worth an upgrade from original vive wands? Nickson110: Nickson110 subscribed with Prime. They've subscribed for 16 months! keep on swagging on tyler-man Nickson110: Nickson110 subscribed with Prime. They've subscribed for 16 months! keep on swagging on tyler-man Nickson110: Nickson110 subscribed with Prime. They've subscribed for 16 months! keep on swagging on tyler-man glucoseandrodo: @Subatomicfish They absolutely are Nickson110: Nickson110 subscribed with Prime. They've subscribed for 16 months! keep on swagging on tyler-man glucoseandrodo: @Subatomicfish They absolutely are glucoseandrodo: If you have the budget glucoseandrodo: @Subatomicfish They absolutely are glucoseandrodo: If you have the budget glucoseandrodo: If you have the budget glucoseandrodo: If you have the budget glucoseandrodo: they are much more comfortable glucoseandrodo: they are much more comfortable glucoseandrodo: they are much more comfortable spoofaman_2: also the knuckles give you analog sticks spoofaman_2: also the knuckles give you analog sticks glucoseandrodo: yeah glucoseandrodo: yeah glucoseandrodo: they use to also have drift issues but i think they fixed those in the more recent batches glucoseandrodo: they use to also have drift issues but i think they fixed those in the more recent batches spoofaman_2: Hey Tyler hope you are doing well! Wondering if you think summer game fest will have anything interesting to show? spoofaman_2: Hey Tyler hope you are doing well! Wondering if you think summer game fest will have anything interesting to show? Subatomicfish: Yeah, I’m mostly hesitating because I honestly get by fine with my original Vive and I kind of have the money, but I also really need to save Subatomicf

Begin with the side intended as the toe section up Fold edge to edge; unfold Fold edge to crease; unfold. Begin with the side intended as the toe section up Fold edge to edge; unfold Fold edge to crease; unfold. Begin with the side intended as the toe section up Fold edge to edge; unfold Fold edge to crease; unfold. Fold corners of top flap to center Fold pt. in on border line behind Fold corners of top flap to center Fold pt. in on border line behind Fold corners of top flap to center Fold pt. in on border line behind Fold edges to center Fold edges to center Fold edges to center A. Unfold flap from behind. B. Fold edges to center. Crease only as shown. Unfold A. Unfold flap from behind. B. Fold edges to center. Crease only as shown. Unfold A. Unfold flap from behind. B. Fold edges to center. Crease only as shown. Unfold A. Fold edges in on border line or 1/4 distance to center. B. Fold flap over on crease A. Fold edges in on border line or 1/4 distance to center. B. Fold flap over on crease A. Fold edges in on border line or 1/4 distance to center. B. Fold flap over on crease Evenly fold corners to center Evenly fold corners to center Evenly fold corners to center Fold edges to 1/8-inch distance from center line Fold edges to 1/8-inch distance from center line Fold edges to 1/8-inch distance from center line On both sides: A. Mtn. fold section in half. Crease only as shown. Unfold B. Unfold flap Turn model over On both sides: A. Mtn. fold section in half. Crease only as shown. Unfold B. Unfold flap Turn model over On both sides: A. Mtn. fold section in half. Crease only as shown. Unfold B. Unfold flap Turn model over Fold edge down to crease Fold edge to edge under top flap Fold edge down to crease Fold edge to edge under top flap Fold edge down to crease Fold edge to edge under top flap A. Mtn. fold edges behind on creases. B. Fold pt. to crease A. Mtn. fold toe section in half; unfold. B. Fold section over on edge; unfold A. Mtn. fold edges behind on creases. B. Fold pt. to crease A. Mtn. fold toe section in half; unfold. B. Fold section over on edge; unfold A. Mtn. fold edges behind on creases. B. Fold pt. to crease A. Mtn. fold toe section in half; unfold. B. Fold section over on edge; unfold 1. Push on sides to open layers, raising center line. 2. Use tweezers to start fold. Bend mid pt. of edge in. 3. Push to fold edges in between pts. 1. Push on sides to open layers, raising center line. 2. Use tweezers to start fold. Bend mid pt. of edge in. 3. Push to fold edges in between pts. 1. Push on sides to open layers, raising center line. 2. Use tweezers to start fold. Bend mid pt. of edge in. 3. Push to fold edges in between pts. Fold sides of heel and midsection together Fold sides of heel and midsection together Fold sides of heel and midsection together Pull heel out to position Pull heel out to position Pull heel out to position Place toe of shoe on flat surface. Push on sides to open toe section. Bring rest of shoe forward on creases and heel in line on surface. Pleats are created in the process on both sides Pinch pleats flat. Use paper clips to set A. Lightly pinch edges of toe to define. B. Round top of heel. C. Push on edges of spike to round on creases A. Round sides out on creases, slightly bending edges in. B. Use a tweezer to redefine folds and edges, lift layers, and mold model. C. Push on center of left edge to create instep of right shoe or vice versa. Place toe of shoe on flat surface. Push on sides to open toe section. Bring rest of shoe forward on creases and heel in line on surface. Pleats are created in the process on both sides Pinch pleats flat. Use paper clips to set A. Lightly pinch edges of toe to define. B. Round top of heel. C. Push on edges of spike to round on creases A. Round sides out on creases, slightly bending edges in. B. Use a tweezer to redefine folds and edges, lift layers, and mold model. C. Push on center of left edge to create instep of right shoe or vice versa. Place toe of shoe on flat surface. Push on sides to open toe section. Bring rest of shoe forward on creases an

Waaaaahhh!!!! The seaweed is always greener In somebody else's lake You dream about going up there But that is a big mistake Just look at the world around you Right here on the ocean floor Such wonderful things surround you What more is you looking for ? Under the sea, under the sea, Darling it's better Down where it's wetter Take it from me Up on the shore they work all day Out in the sun they slave away While we devotin' Full time to floatin' Under the sea Down here all the fish is happy As off through the waves they roll The fish on the land ain't happy They sad 'cause they in their bowl But fish in the bowl is lucky They in for a worser fate One day when the boss get hungry Guess who's goin' be on the plate Under the sea, Under the sea Nobody beat us Fry us and eat us In fricassee We what the land folks loves to cook Under the sea we off the hook We got no troubles Life is the bubbles Under the sea Under the sea Since life is sweet here We got the beat here Naturalyyyy Even the sturgeon an' the ray They get the urge 'n' start to play We got the spirit You got to hear it Under the sea The newt play the flute The carp play the harp The plaice play the bass And they shourdin' sharp The bass play the brass The chub play the tub The fluke is the duke of soouuul The ray he can play The lings on the strings The trout rockin' out The blackfish she sings The smelt and the sprat They know where it's at An' oh that blowfish blooowwwww !!! Wooooaaahhhhh!!! :D Under the sea, Under the sea When the sardine begins the beguine It's music to me What do they got? A lot of sand We got a hot crustacean band Each little clam here knows how to jam here Under the sea Each little slug here cuttin' a rug here Under the sea Each little snail here Knows how to wail here That's why it's hotter Under the water Ya we luck here Down in the muck here UNDER THE SEA

Evolution of Harry Potter Games 2001 - Harry Potter and the Philosopher's Stone 2001 - LEGO Creator: Harry Potter 2002 - Harry Potter and the Chamber of Secrets 2002 - LEGO Creator: Harry Potter and the Chamber of Secrets 2003 - Harry Potter: Quidditch World Cup 2004 - Harry Potter and the Prisoner of Azkaban 2004 - Harry Potter: Find Scabbers 2005 - Harry Potter and the Goblet of Fire 2007 - Harry Potter and the Order of the Phoenix 2007 - Harry Potter: Mastering Magic 2009 - Harry Potter and the Half-Blood Prince 2009 - Harry Potter: Spells 2010 - Lego Harry Potter: Years 1–4 2010 - Harry Potter and the Deathly Hallows – Part 1 2011 - Harry Potter and the Deathly Hallows – Part 2 2011 - LEGO Harry Potter: Years 5-7 2012 - Harry Potter for Kinect 2012 - Wonderbook: Book of Spells 2013 - Wonderbook: Book of Potions 2015 - LEGO Dimensions 2016 - LEGO Harry Potter Collection 2016 - Fantastic Beasts: Cases From the Wizarding World 2018 - Harry Potter: Hogwarts Mystery 2019 - Harry Potter: Wizards Unite 2020 - Harry Potter: Puzzles & Spells 2021 - Harry Potter: Magic Awakened 2023 - Hogwarts Legacy

In Greek language, words get an accent only on one of the last 3 syllables. The ultimate, the penultimate and the ante-penultimate. In the table we have in front of us we see all the possible positions of long & short within the 3 last syllables in combination with the 3 accents of Greek: the acute, the circumflex and the grave. The symbols used on this table but also in general, are : the Long the Short the Acute the Grave the Circumflex. the Long & Short are symbols of Quantity. that is, of duration showing if a sound takes more or less time. In theory, a Long is twice the duration of a Short. but also the personal traits of the speaker which, though, aren't written... Likely, loudness. It isn't written how loud something has to sound; whatever this something is; be it a word, sentence, syllable, accent etc. Thus, the media that allow us to express something in a certain style. More like giving speech its emotional dimension. Enriching the message with sentiments. An ancient grammarian writes : "Prosody is named relating with "consonate", "sing in tune" and "fit" with the underlying word." But which is the "underlying word"? He clearly doesn't mean the *written word but, the act of speaking. The "underlying word" is the whole meaning, what one essentially wants to say. We all know that this usually is not only the lexical meaning

Francis International Airport, Liberty City, 1992 I'm having that bike! Come on, move it! Head to a 10-34 in central Idlewood. Suspect last seen on foot. Grove Street - Home. At least it was before I f****d everything up. You wanna drive? Yeah, that's cool. Nice car, Smoke. You know me. It's not cut. Keep the value in it. Keep it real. Ballas! Drive-by! Incoming! Ah, mother f****r, my car! We gotta get back to the hood, man. It's too crazy around here! Grab a bike and pedal. Even you ain't forgotten that. Follow my lead! Look out! Come back here! Keep up, mother f****r! Cluck head! What's up, homie? Grove Street Families- I love violence! I got with them mother f*****s though - showed them n****z who's gangsta! Ryder, n***a! So when you leaving, Carl? I ain't sure. Thought I might stay. Things is f****d up. Well, the last thing we need is your help. Aw man, I won't let you down. I swear. Hey, we're gonna call up some hood rats and chill the h**l out. You want some? I got a whole lot going on. I'm tired. I'll catch y'all later. Hey, yo, just drop in. We all hanging out. Yeah and get yourself some colors, fool! And a haircut - it's embarrassing to be seen with you! Mission passed! Respect + I ain't nursing no drunk! Raise up! I'm moving! Hey, you papa! Get back here! Hey, show me how they drive on the HEY HEY HEY HEY HEY Hey, Old Reece still run the barber shop? Like a raggedy a**ed mother f****r! He popped his membrane years ago. No way I'd let that old fool near my head! Yeah, I think I'll get cut up. Whatever, you got five minutes. I'll be cutting you like a DJ. So, when you running off again? I'm not. I'm thinking of staying. Why? Make yourself comfortable, son. What are you after, Carl? Your dad used to get a cut just like that. Tell Big Smoke he needs a cut. You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece still got it c- You know something? I take it back. Old Reece still got it cra- You know something? I take it back. Old Reece still got it cr- You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece still got it cra- You know something? I take it back. Old Reece still got- You know something? I take it back. Old Reece still got- You know something? I take it back. Old Reece still got it cr- You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece still got it cra- You know something? I take it back. Old Reece still- -You know something? I take it back. Old Reece still got- -I take it back. Old Reece still got- You know something? I take it back. Old Reece still got it- You know something? I take it back. Old Reece- You know something? I take it back. Old Reece still got it cr- You know something? I take it back. You know some- Tenpenny, you mother f*****g piece of s**t! I ain't letting you get away with all you've done! Sweet, no! Hang on, Sweet! I'mma p**s on your corpse, Tenpenny! I ain't losing this fool! Oh, s**t! CJ! Do something! Just keep hanging on, bro! Oh man, that was a close call! I ain't letting this b*****d go! Get that thing off the- Gotcha! Fix this? Take the wheel, it's payback time! Mother f****r! Take that pig b*****d down! Those fire trucks are indestructible! We ain't gonna dent it! Watch our six, cops on our tail! Vagos rioters coming up! This city's gone nuts! I'll keep up with Tenpenny, don't you worry! Concentrate on keeping all these other lunatics off our back, CJ! Rioters on the bridge up ahead, they're dropping s**t from that bridge! Look out, CJ! Watch our six, some rioters after us on bikes! Look out, CJ, crazy bikers on a rampage! I'm on Tenpenny, he ain't getting away! Cops on our tail! Cops up ahead! Where'd all these a** holes come from? Down in flames, down in flames! That's my dog! It's over, Tenpenny, over! I'mma stop you, mother f****r! He's losin

You know what? I'm done, done, done Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more (Kio, Kio) I got the horses in the back Horse tack is attached Hat is matte black Got the boots that's black to match Ridin' on a horse, ha You can whip your Porsche I been in the valley You ain't been up off that porch, now Can't nobody tell me nothin' You can't tell me nothin' Can't nobody tell me nothin' You can't tell me nothin' Ridin' on a tractor Lean all in my bladder Cheated on my baby You can go and ask her My life is a movie Bull ridin' and boobies Cowboy hat from Gucci Wrangler on my booty Can't nobody tell me nothin' You can't tell me nothin' Can't nobody tell me nothin' You can't tell me nothin' Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I got the—

in this video we have given that square root  of log minus x is equal to log square root of   x square and we have to find the value of x so  according to the definition of log, this minus x   should be positive and this implies x  is negative suppose this is equation (a)   and this square root of x square, square  root of x square also should be positive   and this implies x is not equal to  zero suppose this is equation (b) and square root of negative  number is also not defined   so log minus x should be greater than or  equal to 0 and it is minus x should be greater   than or equal to 10 power 0 and it is minus x  should be greater than or equal to 10 power 0   is 1 and this implies x should be less than  or equal to -1 suppose this is equation (c) and now if we see common in equation (a) equation (b) and equation (c) then equation (a) is x less than 0, equation (b) is x  not equal to 0 and equation (c) is x less than or   equal to minus 1 so common in (a), (b) and (c)  will be x belongs to minus infinity to minus 1 suppose this is equation 1.   and we have given square root of log minus  x is equal to log square root of x square we have given square root of log minus  x is equal to log square root of x   square and it is square root of log minus x  is equal to log and square root of x square   is mod x and if we square both side then we  get log of minus x is equal to log mod x square and we have x belongs to minus infinity  to minus 1 that means x is negative   so mod x will be equal to minus x here it will be log minus x is equal to  log of and mod x is minus x square and if we take log of minus x as t  then we get t is equal to t square   and it is t square minus t is equal to  0 and if we take t common then we get   t minus 1 that is equal to 0 so t  is equal to 0 and t is equal to 1 and we have t is equal to log of minus x that is  equal to 0 and here also t is log of minus x   that is equal to 1 so from here we  get minus x is equal to 10 power 0 and it is minus x is equal to 1 and x  is equal to -1 and from here we get   minus x is equal to 10 power 1 and minus x  is equal to 10 and x is equal to minus 10 and we have x belongs to minus infinity  to minus 1 and both the value of x   are in this range that means x  is equal to minus 1 and minus 10.

in this video we have to find which  is smallest among 25 by 28, 53 by 59,   41 by 45 and 93 by 105, so the first method that is lengthy method if we have to compare a by b and c by d  where a, b, c, d these are positive integers   then we cross multiply these numbers  and if a times d is less than b times c   then a by b will be less than c by d and if a times d will be greater than b times  c then a by b will be greater than c by d so if we compare 25 by 28 and 53 by 59 if we compare 25 by 28 and  53 by 59 then 25 times 59 it is equal to 25 times 60 minus 1  and it is 1500 minus 25 that is 1475 and 28 times 53 28 times 53 it is 28 times 50 plus 3   and 28 times 50 will be 1400 plus  28 times 3 will be 84 and it is 1484 that means 25 by 28 will be less than 53 by 59 so 53 by 59 cannot be smallest and  if we compare 25 by 28 and 41 by 45 if we compare 25 by 28 and  41 by 45 then 25 times 45 it is equal to 25 is 100 by 4 times 45  and it is 4500 by 4 that will be 1125 and 28 times 41 it is 28 times 40 plus 1   and 28 times 40 will be 112 plus 28 times 1 will  be 28 that is 1148 and 1148 is greater than 1125 that means 25 by 28 will be less than 41 by 45 so 41 by 45 cannot be smallest and  if we compare 25 by 28 and 93 by 105 if we compare 25 by 28 and  93 by 105 then 25 times 105 it is equal to 25 times 100 plus 5  that is 2500 plus 125 that is 2625 and 28 times 93, 28 times 93 it  is equal to 28 times 100 minus 7   and it is 2800 minus and 8 times 7 is 56 and 2  times 7 is 14 plus 5 will be 19 so it is 2604   that means 25 by 28 will be greater than 93 by 105 so 25 by 28 is not smallest so  smallest number is 93 by 105 and the second method if we have to compare a by b, c by d, e by f, g by h and so on... and if a minus b is equal to c minus d is equal  to e minus f is equal to g minus h and so on... and a greater than c greater than e greater than g then a by b will be greater than c by d will be  greater than e by f will be greater than g by h and here difference between 25 and 28  is 3, difference between 53 and 59   is 6, difference between 41 and 45  is 4 and between 93 and 105 is 12 and LCM of 3, 6, 4 and 12 is 12 so if we multiply 25 by 28 with 4 by  4 then it will be 100 by 4 times 28,   if we multiply 53 by 59 with 2 by  2 then it will be 106 by 2 times 59   and if we multiply 41 by 45 with 3 by 3 then it  will be 123 by 3 times 45 and it is 93 by 105 and now difference between these two numbers  is 12, between these two numbers is 12 and   between these two numbers is 12 and between  these two numbers is 12 and 123 is greater than   106 greater than 100 greater than 93 so 123 by 3  times 45 will be greater than 106 by 2 times 59   greater than 100 by 4 times 28 greater  than 93 by 105, so it is smallest.

What is an emotional word that represents the heart of this relationship that you want? Ease. Ease. Ease. Beautiful. The relationship I want is one of ease. It's easy. It's easy to feel good. It's easy to feel at one. It's easy to like what I see. It's easy to move through my day. It's easy to be who I am. It's easy to do the work that I want to do. It's easy to be two separate people with two separate intentions through many things. It's easy to interact. It's easy to be in a relationship like that. It's easy. It's easy. It just feels comfortable. It feels comfortable. It feels comfortable to be in a relationship like this. It feels comfortable. It feels secure. It feels certain and secure and easy and comfortable. It feels real. It feels true. It feels honest and deep. It feels soul and source. It feels core. It feels basic. It feels true. It feels real. It feels good. It feels easy. It feels soft and gentle and sure. It feels comfortable. It feels like love. It feels like it feels like being loved. It feels like loving. It feels like adoring. It feels like sureness. It feels like certainty. It feels like confidence. It feels like knowing. It feels like being. It feels like me. It feels like home. It feels real. It feels certain. It feels honest. It feels open. It feels open ended. It feels expansive. It feels delicious. It feels fun. It feels exciting. It feels captivating. It feels enticing. It feels passionate. It feels vital. It feels alive. It feels full. It feels real. It feels like me. You see now that's way more than 68 seconds, and you accomplish so much. And now all the questions are gone. The grid is just right. The the energy is moving. The grid is filling in. The details of it do not matter. The relationship in its fullness cannot feel better than that. Cannot feel better than that, in other words, because all those things and all those details that are coming that you want are all because you wantto feel like you just felt. So you just made an end run around the unnecessary manifestation, and you captured the emotional vibrational resonance of what you're looking for, and you just became a vibrational match to what's in your vortex. And now, like water flows downhill. So this soft, gentle, comfortable, easy momentum. So now what's happened, now you've done gridwork. And you have because we didn't pull that out of thin air. We pulled it right out of your vortex, right out of the core of who you are. It's who you are. It's why you felt it. It's why you resonate with it so deeply. So now you've done this grid work. What's happened is the vibration of that which you are and the vibration of that which you want are in the same place. So now evidence, evidence of this new found, newly discovered resonance good word resonance will start showing up. In other words, the grid is going to begin filling in. Your work is not to jump into some sort of immediate action. Your work is to acknowledge the relationship between that and what just happened. Between that and what just happened between that and what just happened. So what will happen as you continue to do that today and tomorrow and the next day and the next day is your confidence in your belief, your expectation, your knowing, your certainty of the unfolding. Then you just say things like, things are always working out for me. Things are always working out for me. Sometimes if you haven't done grid work consciously, you've been doing it, but you haven't been doing it consciously. And someone walks across a hotel lobby and you see them again, you think that it's assigned from the universe and that you should follow it out. And maybe it is. But when you've consciously done the grid work and that happens, you see it for exactly what it is. You see what we're getting at. Yes. There's no possible way that you will not find and enjoy and feel all of these things that we're talking about. And if we were standing in your physical shoes, we would joyously allow the universe to deliver to you with precision everything that you're looking for and we would not for a mome

hello everyone in this video there are four individual lessons  on English vocabulary to do with health and beauty you can skip to any lesson with the  time stamp provided in the description here are all the lessons in the video lipstick lipstick lip gloss lip gloss eye shadow eye shadow blusher blusher mascara mascara eyeliner eyeliner nail polish nail polish foundation foundation makeup sponge makeup sponge eyelash curler eyelash curler mirror mirror comb comb straighteners straighteners mirror mirror scissors scissors hair clippers hair clippers hair brush hair brush hair gel hair gel hair grip hair grip razor razor curling iron curling iron hair clip hair clip towel towel hair rollers hair rollers water spray bottle water spray bottle hair extensions hair extensions toothbrush toothbrush toilet toilet bathtub bathtub mirror mirror tap tap shower shower shower curtain shower curtain bath plug bath plug toilet roll toilet roll soap soap laundry basket laundry basket towel towel rubber duck rubber duck bathroom sink bathroom sink razor razor shaving foam shaving foam shampoo shampoo soap dish soap dish bathroom cabinet bathroom cabinet comb comb sponge this is a thermometer this is a thermometer this is a thermometer this is a syringe this is a syringe this is a syringe this is a gauze this is a gauze this is a gauze this is a first aid kit this is a first aid kit this is a first aid kit this is a cotton swab this is a cotton swab this is a cotton swab this is a catheter this is a catheter this is a catheter this is a stretcher this is a stretcher this is a stretcher this is a scalpel this is a scalpel this is a scalpel this is adhesive tape this is adhesive tape this is adhesive tape this is an operating table this is an operating table this is an operating table this is an eye patch this is an eye patch this is an eye patch this is a stethoscope this is a stethoscope this is a stethoscope these are medical scissors these are medical scissors these are medical scissors this is a wheelchair this is a wheelchair this is a wheelchair these are crutches these are crutches these are crutches this is a plaster this is a plaster this is a plaster this is a toothbrush this is a toothbrush this is a toothbrush this is a microscope this is a microscope this is a microscope this is an x-ray this is an x-ray this is an x-ray this is a bandage this is a bandage this is a bandage this is a cold pack this is a cold pack this is a cold pack these are medical gloves these are medical gloves these are medical gloves these are tweezers these are tweezers these are tweezers these are antiseptic wipes these are antiseptic wipes these are antiseptic wipes these are tablets these are tablets these are tablets this is a torch this is a torch this is a torch this is a whistle this is a whistle this is a whistle this is a cane this is a cane this is a cane this is a capsule this is a capsule this is a capsule this is cough medicine this is cough medicine this is cough medicine these are tissues these are tissues these are tissues this is a surgical mask this is a surgical mask this is a surgical mask this is a pipette this is a pipette this is a pipette this is an oxygen mask this is an oxygen mask this is an oxygen mask these are scales these are scales these are scales this is a pregnancy testing kit this is a pregnancy testing kit this is a pregnancy testing kit this is cotton wool this is cotton wool this is cotton wool this is a needle this is a needle this is a needle this is mouthwash this is mouthwash this is mouthwash this is a razor this is a razor this is a razor this is a measuring jug this is a measuring jug this is a measuring jug this is toilet paper this is toilet paper this is toilet paper this is shaving cream this is shaving cream this is shaving cream this is a mirror this is a mirror this is a mirror this is a plaster cast this is a plaster cast this is a plaster cast this is a test tube this is a test tube this is a test tube these are antibiotics these are antibiotics these are antibiotics this is a blood pressure monitor

- (both) No! (both laugh) - [Censored] off. This one's somewhat phonetic? - What? - (React) Well, today, we will be doing Americans Try Not To Fail: Pronunciation Challenge. - Oh, let's go! - Oh no. - Let's go! - I'm so, wait. - We got this, Benny! - I spoke a little bit of Spanish. In high school and college. - I took two years, high school. - Yeah. - I don't know why I'm so excited! This is really cool! - This is very exciting, but I'm kinda nervous. I'm gonna get like flamed. - (narrator) Words you won't be able to pronounce, unless you speak Farsi. - Farsi? - (narrator) The first one is... - This is embarrassing. It's like "hail-hail-hack?" I don't know. - It's "heel-heel-ack" - "Gal-ge-lack" - "Gaggle-ech" - "Ghel-ghel-ack" - Yeah, "gella-ghelack" - (narrator) "Ghel-ghel-ack." - This is scuffed, this is so scuffed. - A lot of huh. - Yeah. - A lot of like... - That like throat scratchy. - Yeah. - (narrator) Number two. - "Duh-he-gah-he" - (React) "Duh-he-gah-he" - "Dah-he-guh-he." - Woah. - "Dai-ya" - No, I think it's just "dai-gi-gay" - I'm gonna say "da-higgy" - "Da-ghi ghe." (bell rings) - Ah, "da-ghi-ghe." (bell rings) - (narrator) Da-ghi-ghe. - Oh, bruh. (buzzer rings) - (narrator) Da-ghi-ghe. - Da-ghi, I got the da-ghi part. - Da-ghi-ghe. (bell rings) - "Dah-he-gay." (buzzer rings) The second G is silent. - (narrator) And for our last one. - Khoda. - "Khoda ha-fez." - "Khoda ha-fez." - "Khoda ha-fez!" - "Kah-ho-da ha-fez." - Oh! - "Khoda ha-fez," yeah. - "Khoda ha-fez." - "Khoda ha-fez." - (narrator) "Khoda ha-fez." - Ha, we're so good! - Nice! - That's crazy. - Khoda ha-fez. - Khoda ha-fez! - Nice! - (React) I'll give you guys that. That was pretty close. - They use their entire mouth. - Yeah, they use a lot of like... - "Ka-ho." - Yeah. - "Da." - We got one third right, so you know, not terrible. - Nope, not at all. Not at all. - (narrator) Here are some more commonly mispronounced Hindi words. Instead of mantra, say... - "Mun-true." - I think it's "mun-truh." Okay, "mun-true." - Mantra, "man-ter-ah." - "Mun-truh." - "Mun-truh," yeah. - "Mun-truh." - (narrator) "Mun-truh." (bell rings) - You was close, bruh. - I was close, I was close. - "Mun-truh." - It's almost like a D. - "Mun-truh." - "Mun-truh." - Instead of chakras, say... - "Chuk-ruhs." - Yeah, it's gotta be the same, right? - (both) "Chuk-ruhs." - "Chuk-ruhs." - "Chuk-rahs." - (React) "Chuk-ruhs." - Yeah. - "Chuk-ruhs." - "Chak-ruhs." (laughs) I don't know. - "Chuk-ruhs." - (narrator) "Chuk-ruhs." (bell rings) - Okay, okay, okay. - There you go. - This is easier. - [Censored] are tough. - Yeah, what the crap? - (narrator) Instead of namaste, say... - "Nuh-muss-teh." - "Nuh-muss-teh." - (Jaxon) "Nuh-muss-teh." - Yeah. - "Nuh-muss-teh." - "Nuh-muss-teh?" - "Nuh-muss-teh." - "Nuh-muss-teh." - Ooh! Hey, I'm going "nuh-muss-teh." (Jair laughs) - (React) You ready, ready? - (narrator) "Nuh-muss-teh." (bell rings) - Nice. - That's easy! - I mean, to be fair, like... - "Nuh-muss-teh." - "Nah-ma-stay." It's like a different stress on the E. - "Nuh-muss-teh." - That's actually crazy, because I literally go to yoga every week. They completely botch, yeah. - (React) Butcher it, of course. - "Nah-mah-stay," everybody. - (React) "Nah-mah-stay!" - Alright, okay. - Everybody, let's "nah-mah-stay!" - Can we do Italian? - (React) We will. - I'm ready. - (narrator) Italian pronunciation is super easy. - Ah, there we go, I got this. - I'm going with the hard G. - That's what I think, I think it's a hard G too. - "Fam-e-glee-ah." - "Fah-mil-ia." - With the "fah-mil-ia." - "Fam-e-glee-ah." - I'll go with "fah-mil-ia." - "Fam-e-glee-ah." - I'm going "fah-mil-ia." - The thing about Italian, this means close together, this means what are you saying? - Awesome, "fah-mil-ia." - No! - Ah! (laughs) (buzzer rings) (bell rings) - Period. - There's no G, yeah. - I don't like Italian. - He's like let me listen to that G. - "Oro-low-joe." - No, "oro-low-gio." - "Oro-low-hio." - "Oro-low-hio." - "Orlo-joe." - Man, I barely got mine the first time. "Oro-lorio." - (narrator) Awesome. "Or

welcome back geology students this week you are  diving into the scientific method and the solar   system formation so in this module you have two  separate lectures one is for the scientific method   and it kind of goes over the basics of geology and  the scientific method and then the second one is   the formation of our solar system giving some  basics on how our solar system formed and some   of the things that are in our solar system the  planetary bodies all the planets things like that   and so this week you're also going to have a  lab that takes you through on the scientific   method and it takes you to a NASA website where  you get to explore the solar system a little   bit and learn some more facts that are separate  from what you would have learned in the lecture   and then the last thing you're going to do is  you're going to respond to a discussion post   about whether you think we should be exploring  outside of earth for life so we'll talk a little   bit about in lecture how we search for life on  particularly mars but other planets as well we're   looking for habitable zoned planets that could  contain life and so if you think that that is   something we should continue to do or we should  invest more on earth we're open to discussion   there so that's it for the week and then if  you have any questions please reach out bye

(Distorted Bass) (Fast Twitching noise) + (Distorted bass) (Kick) + (Fast Twitching noise) + (Distorted bass) (Fast Twitching noise) + (Distorted bass) (Kick) + (Fast Twitching noise) + (Distorted bass) (Fast Twitching noise) + (Distorted bass) (Kick) + (Fast Twitching noise) + (Distorted bass) (Fast Twitching noise) + (Distorted bass) (Kick) + (Fast Twitching noise) + (Distorted bass) (Fast Twitching noise) + (Menacing bass) + (Distorted bass) (Menacing bass) + (Distorted bass) (Metal Clanks) + (Menacing bass) + (Distorted bass) (Rapid Metal Clanks) + (Menacing bass) + (Distorted bass) (Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Rapid Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Rapid Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Rapid Metal Clanks) (Heavy Percussion) + (Menacing bass) (Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Rapid Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Rapid Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) (Rapid Metal Clanks) + (Menacing bass) + (Fast Twitching Noise) *Chant* (Distorted Bass) + (Menacing bass) + (Fast Twitching Noise) *Chant* (Distorted Bass) + (Menacing bass) + (Bubble Noise) (Distorted Bass) + (Menacing bass) + (Intense Thumping) (Distorted Bass) + (Menacing bass) + (Bubble Noise) (Distorted Bass) + (Menacing bass) + (Intense Thumping) (Distorted Bass) + (Menacing bass) + (Bubble Noise) (Distorted Bass) + (Menacing bass) + (Intense Thumping) (Distorted Bass) + (Menacing bass) + (Bubble Noise) (Distorted Bass) + (Menacing bass) + (Intense Thumping) (Drums) + (Menacing bass) + (Bubble noise) (Drums) + (Menacing bass) + (Intense Thumping) (Drums) + (Menacing bass) + (Bubble noise) (Drums) + (Menacing bass) + (Intense Thumping) (Drums) + (Menacing bass) + (Bubble noise) (Drums) + (Menacing bass) + (Intense Thumping) (Drums) + (Menacing bass) + (Bubble noise) (Drums) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Rapid Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Rapid Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Metal Clanks) + (Menacing bass) + (Intense Thumping) (Metal Clanks) + (Menacing bass) + (Bubble Noise) (Intense Thumping) (Heavy Percussion) + (Menacing bass) (Heavy Percussion) + (Menacing bass) + (Fast Twitching sound) (Mouth Percussion) + (Menacing bass) + (Fast Twitching sound) (Mystical Melody) + (Menacing bass) + (Fast Twitching sound) (Menacing bass) + (Fast Twitching sound) (Mystical Melody) + (Menacing bass) + (Fast Twitching sound) (Menacing bass) + (Fast Twitching sound) (Mystical Melody) + (Menacing bass) + (Fast Twitching sound) *Chant* (Menacing bass) + (Fast Twitching sound) (Mystical Melody) + (Menacing bass) + (Fast Twitching sound) (Menacing bass) + (Fast Twitching sound) *Chant* (Mystical Melody) + (Menacing bass) + (Mystical Choir) (Menacing bass) + (Fast Twitching sound) + (Mystical Choir) (Mystical Melody) + (Menacing bass) + (Mystical Choir) (Menacing bass) + (Fast Twitching sound) + (Mystical Choir) (Mystical Melody) + (Menacing bass) + (Mystical Choir) *Chant* (Menacing bass) + (Fast Twitching sound) + (Mystical Choir) (Mystical Melody) + (Menacing bass) + (Mystical Cho

"KAIA IS HERE!" CHARICE: Hi guys! CHARICE: We’re here in America. Kidding! It’s because I’m wearing this turtleneck today CHARICE: We’re here today at Sony Music Philippines Office CHARICE: for the contract signing (/j) CHARICE: We really feel like we’re artists ANGELA: We’re now watching CHARICE and ANGELA: TURN UP Dance Jam ALEXA: Dance Jam! CHARICE: There! CHARLOTTE: With our Sony Music Fam CHARICE: The video looks so crisp! CHARLOTTE: The quality! CHARICE: Yes, let’s go Sophia, you got this CHARICE: It’s so clear! It’s 4k! CHARICE: Actually, this is the reaction video CHARLOTTE: We will do better for our next release CHARLOTTE: So watch out for it! CHARICE: We’re confident about our song CHARLOTTE: Yes, so please send lots of love CHARLOTTE: We really worked on every detail of our next song, especially this person CHARLOTTE: Leader-nim CHARICE: This girl ANGELA: What did you say? CHARICE: She said she got high-blood ANGELA: And anger issues CHARICE: She had anger issues because of our next release CHARLOTTE: She developed it CHARICE: And she overused her laptop CHARICE: This is our reaction video ALEXA: Reaction video (2) SOPHIA: Reaction video (3) "Dance with the video in front!" CHARICE: We’re not leaving anymore ANGELA: We’ll camp here CHARICE: We feel loved here CHARICE: and appreciated “I just want to say that we’re very happy because KAIA has good performance on YouTube” CHARLOTTE: That's good news! KAIA: Thank you Sony Music Philippines! CHARLOTTE: We really enjoyed our stay here. CHARLOTTE: And of course, there will be a next time. Thank you very much Sony Music Fam! ALEXA: Thank you! CHARLOTTE: Hello everyone! Good afternoon! CHARLOTTE: We’re here again at Sony Music Philippines SOPHIA: I thought you’re talking to someone CHARLOTTE: Day 2 CHARLOTTE: Today we’ll collaborate with a KPOP Group named TFN ANGELA: So we taught them how to dance 'TURN UP' and they also taught us how to dance their song, 'AMAZON' We were very shy because this is the first time we had a collaboration with a KPOP Group it's a privilege to have a chance to teach them our dance it feels so good to share our music with them It's a once in a life time opportunity I hope it's not just one time, I look forward for more Because these kinds of collaborations are really fun SOPHIA: Thank you for watching this video. Make sure to subscribe to this channel for more "This is TFN!" "This is KAIA!" "See you next time!"

namaskar welcome to nishamadhulika.com today we will amke eggles date cake. let's see what all ingredients are required for making eggless date cake. maida - 1 cup Powdered sugar - 1/2 cup Butter - 1/2 cup Milk - 1/2 cup Dates - 10 Alsi(flax seeds) - 1 tbsp Walnut - 1tbsp Almond - 1 tbsp Baking soda - 1/4 tsp Baking powder - 1/2 tsp remove seeds from dates and soak them in 4 tbsp milk or water Use the same milk or water to make paste from dates. egg works as a binder in cake but we are using alsi powder instead of eggs. add it in milk and then mix in cake. it works as a good binder. soak it in milk for 15-20 minutes. we have prepared alsi powder paste as well made dates paste. add baking powde and baking soda in maida for making cake. strain the mixture 2-3 times in sieveso that all ingredients blend nicely. take out butter in bowl and melt it. now add powdered sugar in melted butter and mix thoroughly. add alsi paste and date paste and whisk nicely. we have whisked all ingerdients thoroughly now add half the amount of milk in batter. add the rest milk if batter appears to be thick. now add maida in the mixture. add walnuts and almonds as well. grease the utensil to be used for baking cake. for this take some amount of ghee and spread it all around. take 1 tsp maida and spread all around like this. we have greased the utensil and remove the extra maida. pour the ready mixture in utensil. bake the cake for 180 degree centigrade in oven. we have preheated the oven. now palce the cake in oven and bake for 40 minutes. cake is ready. take it out once it cools down. run knife all around like this and flip it. cut into slices. cut cake once it cools down as if cut when hot it make splater. eggless date cake is ready. try makinf this reciepe at your home and share your experiences with us. see you again at nishamadhulika.com

Hello music people. Welcome to another video on this channel. And in this video I'm going to analyze Alvan and Ahez. I don't know any of these artists. I apologize if I mispronounced your name. I don't know this song and it will be the first time that I am going to listen to it. For those who don't know that I'm a heavy metal singer, multi-instrumentalist, producer and composer. And in this video I'm going to do a technical analysis on vocal behavior, the musical arrangement and the form of musical production. Therefore, whenever I deem it necessary, I will make my technical observations. The message has been passed and we go to the most important thing, Let's break down Alvan and Ahez. Look how interesting the way she tenses her vocal cords is. Look how interesting the way she tenses her vocal cords is. in a very clever way. The first note she makes is not a note in the region of the mask. The first note she makes is not a note in the region of the mask. It's a bit of head voice use. And so she begins to sing, It reminds me a lot of a regional song, something that reminds me of a Celtic singer, or something similar. It reminds me a lot of a regional song, something that reminds me of a Celtic singer, or something similar. It reminds me a lot of a regional song, something that reminds me of a Celtic singer, or something similar. I love, I love this creativity of mixing regional songs, old songs, I love, I love this creativity of mixing regional songs, old songs, I love, I love this creativity of mixing regional songs, old songs, with modern elements. It is a very heavy and strong sound. It is a very heavy and strong sound. Is incredible. It's a very energetic song. Is incredible. It's a very energetic song. It is very impactful and has a very strong beginning. The music does not have the proposal to start in a very minimalist way. The music does not have the proposal to start in a very minimalist way. All the weight of this battery starts from the beginning. All the weight of this battery starts from the beginning. So really the intention of the song is to start with a lot of impact. It's electronic music with Celtic elements. It's electronic music with Celtic elements. It is a very interesting mix. I notice the electronic elements here. it really is a mix from a corner that looks very much like something celtic and the electronic elements are very strong and present. from a corner that looks very much like something celtic and the electronic elements are very strong and present. The dynamics of this song is very amazing. Sometimes things happen in music. that we were really surprised and we didn't expect it to happen. that we were really surprised and we didn't expect it to happen. And it is the result of a very creative arrangement. And it's a very powerful way of singing. The melodic creation of the voices is very impressive. The melodic creation of the voices is very impressive. And it's amazing how this way of singing It connects very easily with all this electronic dynamics that music has. It connects very easily with all this electronic dynamics that music has. A moment in which the music works in staccato. This helps increase that energetic vibration that music has. This helps increase that energetic vibration that music has. This helps increase that energetic vibration that music has. Is incredible. Amazing. It's a lot of creativity. Mix tan different elements, it really demands a creative way of working the musical arrangement on the part of the artist. it really demands a creative way of working the musical arrangement on the part of the artist. And I am finding this wonderful result. The musical proposal is very interesting. The proposition is really to be shocking and strong and put a lot of energy into the music. Amazing. The proposition is really to be shocking and strong and put a lot of energy into the music. Amazing. These electronic elements... In electro there is always a very strong mix of elements. Here I can perceive a bit of this breakbeat atmosphere... Here I can perceive a bit of this breakbeat

that placado, diyan yung layer niya. Okay? Si Okay, please remember Okay, please remember that Okay, please remember that 1 s that Okay, please remember that one Sapa, Us. Borealis Sabba or Alice. Okay, thermos. Here again. again! Here again! Raji again Bradshaw again Here again! Regions Regions, I think sun alright Regions, I think sun alright. Regions, I think sun alright. lright go go upwards exactly pwards, pwards, exosphere exo pwards, exosphere pwards, exosphere exo, meaning pwards, exosphere exo, meaning ng out there. This is the upper ng out there out there. This is the uppermost region of This is the uppermost region of the earth's the earth's atmosphere the earth's atmosphere the earth's atmosphere. Okay. And gradually Okay. And Okay. And gradually, as you go Okay. And gradually, as you Okay. And gradually, as you go Okay. And gradually, as you go Okay. And gradually, as you go o away, it o away, it o away, it means into working with space Outside Outside, existing Outside, Outside, exosphere in a Outside, Outside, Outside, exasper at Outside, exasper Outside, exasper Outside, exasper adito . Okay Outside exasper adito. Regarding Regarding pause among us Regarding pause among us at the let's manage et's mention Tina et's et's manage let's low, or be let's low, or be satellites let's low, or be satellites neither or neither or bits are collected neither or bits are collected neither or bits are collected neither or bits are collected ected at far ected at far away of ected at far away ected at far away a far orbit, satellites my master my master satellites Okay. Or better Or Or Or Or better, satellites Or better, Or better, satellites to get Or better, Or better, satellites. Give me Or better, satellites. Give me an example of, as at the like. Nana ago e of, us at the like, Nana, go, e like Nana goal orbit, starting , , planning the , planning the most planning the most famous , a certain light, , a certain , a certain like not do A certain A certain like not do own. You do own, you know, don't do own, you do own, you know own, you know. don't exist don't exist. Stay, humana astronauts started. I don't know Stay humana astronauts started. Satellite, satellite, satellite, space, probe, space, pro books space, probe, space, space, probe, space, probe, space, probabs, baseball. On, naked. One of One of the One of the biggest are one of One of the biggest One of the biggest one of the One of the biggest one of the largest satellite probes. None largest satellite probes largest satellite probes. Nana, go, Orbit Nana, go, Orbit! Yeah, bye, bye. In this In this In this bookneck. In this bookneck. Sorry neck. Okay In this bookneck. Okay. Okay Okay. Okay Okay. Okay. Very good . Okay, very good. The . Okay, very good. The . Okay, very good. The . The International Space . The International Space Station, Station, Yanyo Station, Yanyo iss Station, Yanyo Station, Yanyo iss, okay Station, Yanyo iss, okay. okay. Always Always. Always, okay, so Always, okay, Always, okay, Always, okay, so, exosphere Always, okay, so, exosphere. Always. Okay. So Always. Okay. So at y. So exosphere Detroit. Your satellites are gradually going to the vacuum. Okay to the to the vacuum again, working to the vacuum again, working to the vacuum again, working on process based Okay Okay, so Okay, Okay, so those are Okay, so those are the Okay, so those are the different layers that we layers that we should layers that we should know layers that we should know. Okay Okay. Just remember Okay. Just remember the key Okay. Just remember the Okay. Just remember the key. But key. Terms, but at least in the key. key. But at least in the Thio key. Terms. But at least in the Tio Mako, confused. Don't among Don't among us . Okay . Okay. So from . Okay. So from layers, let's move to the move to the positions A A composition, A composition, and Okay. I will give one example I will give one example I will give one example I will give one example afterwise. So atmosphere Oh, well Hello! With With a 7, 8 With a With a With a 78% With a 78% deba it's a whole composi

In the beginning God made the heaven and the earth. 2 But the earth was unsightly and unfurnished, and darkness was over the deep, and the Spirit of God moved over the water. 3 And God said, Let there be light, and there was light. 4 And God saw the light that it was good, and God divided between the light and the darkness. 5 And God called the light Day, and the darkness he called Night, and there was evening and there was morning, the first day. 6 And God said, Let there be a firmament in the midst of the water, and let it be a division between water and water, and it was so. 7 And God made the firmament, and God divided between the water which was under the firmament and the water which was above the firmament. 8 And God called the firmament Heaven, and God saw that it was good, and there was evening and there was morning, the second day. 9 And God said, Let the water which is under the heaven be collected into one place, and let the dry land appear, and it was so. And the water which was under the heaven was collected into its places, and the dry land appeared. 10 And God called the dry land Earth, and the gatherings of the waters he called Seas, and God saw that it was good. 11 And God said, Let the earth bring forth the herb of grass bearing seed according to its kind and according to its likeness, and the fruit-tree bearing fruit whose seed is in it, according to its kind on the earth, and it was so. 12 And the earth brought forth the herb of grass bearing seed according to its kind and according to its likeness, and the fruit tree bearing fruit whose seed is in it, according to its kind on the earth, and God saw that it was good. 13 And there was evening and there was morning, the third day. 14 And God said, Let there be lights in the firmament of the heaven to give light upon the earth, and to rule the days and the night, and to divide between day and night, and let them be for signs and for seasons and for days and for years. 15 And let them be for light in the firmament of the heaven, so as to shine upon the earth, and it was so. 16 And God made the two great lights, the greater light for regulating the day and the lesser light for regulating the night, the stars also. 17 And God placed them in the firmament of the heaven, so as to shine upon the earth, 18 and to regulate day and night, and to divide between the light and the darkness. And God saw that it was good. 19 And there was evening and there was morning, the fourth day. 20 And God said, Let the waters bring forth reptiles having life, and winged creatures flying above the earth in the firmament of heaven, and it was so. 21 And God made great whales, and every living reptile, which the waters brought forth according to their kinds, and every creature that flies with wings according to its kind, and God saw that they were good. 22 And God blessed them saying, Increase and multiply and fill the waters in the seas, and let the creatures that fly be multiplied on the earth. 23 And there was evening and there was morning, the fifth day. 24 And God said, Let the earth bring forth the living creature according to its kind, quadrupeds and reptiles and wild beasts of the earth according to their kind, and it was so. 25 And God made the wild beasts of the earth according to their kind, and cattle according to their kind, and all the reptiles of the earth according to their kind, and God saw that they were good. 26 And God said, Let us make man according to our image and likeness, and let them have dominion over the fish of the sea, and over the flying creatures of heaven, and over the cattle and all the earth, and over all the reptiles that creep on the earth. 27 And God made man, according to the image of God he made him, male and female he made them. 28 And God blessed them, saying, Increase and multiply, and fill the earth and subdue it, and have dominion over the fish of the seas and flying creatures of heaven, and all the cattle and all the earth, and all the reptiles that creep on the earth. 29 And God said, Behold I have given to you every seed-bearing her

Parallel to life, there’s wisdom that seems out of reach, like a figure of speech, in a maze of white lies, so elusive it’s hard to recognise, with naivety’s eyes. It’s like running with a knife, the thought steals away with your peace and high on that trapeze, you hold on to me, hold on to me And I’ll be singing you songs of tomorrow, And then dawn will follow And our sorrows all undone When you’re done with all the strife, when they echo the minds in the streets, you know your heart beats, a solitary call, for a change in the tone of it all, you’ll be scaling that wall. And the higher you climb, the more you can see of this life, and on the edge of that knife, you hold on to me, hold on to me. And I’ll be singing you songs of tomorrow, And then dawn will follow And our sorrows all undone Yeah, I’ll be singing you songs of tomorrow, And then dawn will follow We are children of the sun And you know you can take this story, take your glory, make your own way Yeah, I want you to shake this story, take your glory, find your way Make your own way And I’ll be singing you songs of tomorrow, And then dawn will follow And our sorrows all undone Yeah, I’ll be singing you songs of tomorrow, And then dawn will follow We are children of the sun

hello YouTube today we're going to see how to  fix game could not start administrator access   is required in here and the cheat and launching  FIFA 23 after the update to fix this first you   close the EA application then you have to  go to the FIFA 23 shortcut and go to right   click and then go to properties from here then  you have to go to compatibility and from here   just you have to remove the run this program as  administrator and click on apply and click on OK   so again you have to go and right click and  go to show more options and open file location   from here you have to go to FIFA 23 application   and here you have to go to show more options  then again you have to go to properties   and compatibility and check the run this program  has administrators unchecked so then you have   to click on OK now close this file explorer now  you can go to EA application and launch the game now click on play and I'm using epic launchers  so game is launching from Epic Launcher here   and you can see the E application is now launching   and you can also see that Tandy  cheat is also launching here so once this is done you can see the application  is loading so you can see FIFA 23 game is loading   so this is how you have to fix this issue tell  me in the comment section below this solution   worked for you give a like And subscribe to  our channel for more videos like this thank you

now we’ll start with the topic of fluid dynamics. in this topic, we are going to study, and analyze, motion of fluids. so complete analysis and study of fluids in motion is termed as fluid dynamics. very 1st thing we’ll be taking up the basics of fluid dynamics, and some situations in which we analyze ideal fluids. and in some situations we analyze real fluids. so we can say for basic analysis, we use, ideal fluids, instead of real fluids, as real fluids have several limitations. and, to take it as an ideal fluid, we make, some to real fluids it can be taken as ideal. like, the very 1st point about ideal fluid is, stream line flow. we assume that a fluid flow in a streamlined manner and streamline flow is also termed as, laminar flow. this is the situation in which, a point or we can say when a fluid body is flowing then we can say, at a point, velocity of fluid particles, does when fluid particles are passing, at a specific point the velocity in magnitude and direction always remain constant. such kind of flow we term as, stream line flow. in later part of this section we’ll discuss about, streamline representation also. let’s first take up the 2nd point, which is incompressible flow. if we talk about incompressible flow, here we can say, we assume that, during flow, fluid density, remain constant. whereas in case of real fluids, it happens that at some point, fluid density is more and at some point fluid density is less, but for idealistic situation we assume that, fluid flow is incompressible, it remains constant or we assume that fluid density remains constant throughout the flowing body. another point we use for this is, non-viscous flow, as we already discussed about viscosity of fluid, so we can say, in viscosity, it is accounting the friction between, different layers of the fluid. so we can say, for an ideal fluid, we neglect the viscosity between layers. in detail, we are going to discus viscosity in the separate chapter of, properties of matter or viscous forces. so we can say, for ideal fluids, we neglect, viscous forces, between fluid layers. and, last point related to an ideal fluid assumption is, irrotational flow. if we talk about an irrotational flow we can say, here we assume, that fluid particles, do not impart, any rotational motion, to the uniform bodies, in path of, fluid, which are flowing, or we can say which are moving, along with fluid. and, this happens only when in a given cross section fluid velocity can be taken a constant. so we can say, when we talk about fluid dynamics and we consider ideal fluids, for ideal fluids we can simply state, ideal fluid is the 1 in which always it flows in streamlines, it is incompressible, it is non viscous, and its flow can be regarded as irrotational flow. whereas in real fluids, these properties are not exactly matching. these are deviated depending on, the parameters given for a fluid. so, you must be careful about all these assumptions, as we are going to use these assumptions, for different cases in this particular topic.

Okay finally in that was easy Alright - Tarkov... what's this game ab-- Wait... are these guys you? Wait who are these guys? Woah guys I am surrounded by 3 randoms Are they us? I don't know I can't tell there are no names above their heads! Do I shoot them?? Do I shoot them?? Don't shoot what if it's us! But what if its not us? What if its not us Rowan? I need to know if I need to shoot them? Am I shooting them?? Guys I'm freaking out Okay this game is WAY too real! Woah guys they're aiming their guns at me! Ahh! Ahh! No no no no Wait put your guns down! I'm going to shoot you! No you put your gun down! Put your gun down! Put your gun down! Put the gun down! Put the gun down!! Can you hear me?? Put your gun down! Guys I'm going to have to shoot them! I'm going to shoot! I'm going to shoot! I WILL END YOUR LIFE! PUT IT DOWN! PUT IT DOWN! I wont shoot you if you dont shoot me! I'm gonna shoot! I'm gonna shoot AHH! ARGHGH Did you guys just die? Yep Yeah, totally I guess now we know Now we know Hey guys welcome to kar-ko... karkov? Nailed it! Lets just roll with that can we commit to this one?

[22:33:13] callicantzaros: let me put my wings on and check on my stuff [22:33:13] callicantzaros: let me put my wings on and check on my stuff [22:33:21] tarosmoothies: You can buy mine! [22:33:13] callicantzaros: let me put my wings on and check on my stuff [22:33:21] tarosmoothies: You can buy mine! [22:33:31] smugjojo: Soba is over my house [22:33:21] tarosmoothies: You can buy mine! [22:33:31] smugjojo: Soba is over my house [22:33:32] link2006: *** WOW I HAVE TO DO THAT [22:33:31] smugjojo: Soba is over my house [22:33:32] link2006: *** WOW I HAVE TO DO THAT [22:33:35] smugjojo: Get out [22:33:32] link2006: *** WOW I HAVE TO DO THAT [22:33:35] smugjojo: Get out [22:33:41] substance59: i already have like no coins lol [22:33:35] smugjojo: Get out [22:33:41] substance59: i already have like no coins lol [22:33:41] cootiesbooties: not drop game items though, right? [22:33:41] substance59: i already have like no coins lol [22:33:41] cootiesbooties: not drop game items though, right? [22:33:42] callicantzaros: tim i have my wings on [22:33:41] cootiesbooties: not drop game items though, right? [22:33:42] callicantzaros: tim i have my wings on [22:33:45] callicantzaros: if you want them [22:33:42] callicantzaros: tim i have my wings on [22:33:45] callicantzaros: if you want them [22:33:47] dyrand: What game is this? [22:33:45] callicantzaros: if you want them [22:33:47] dyrand: What game is this? [22:33:52] seme_ukulele: who is chris [22:33:47] dyrand: What game is this? [22:33:52] seme_ukulele: who is chris [22:33:54] robokun: time to raid peoples closets in Miitomo! [22:33:52] seme_ukulele: who is chris [22:33:54] robokun: time to raid peoples closets in Miitomo! [22:34:00] link2006: YEP [22:33:54] robokun: time to raid peoples closets in Miitomo! [22:34:00] link2006: YEP [22:34:04] link2006: Yep* [22:34:00] link2006: YEP [22:34:04] link2006: Yep* [22:34:09] lucasnator2: IS the stream wiggin out for anyone else? [22:34:04] link2006: Yep* [22:34:09] lucasnator2: IS the stream wiggin out for anyone else? [22:34:18] robokun: it's acting weird on my end [22:34:09] lucasnator2: IS the stream wiggin out for anyone else? [22:34:18] robokun: it's acting weird on my end [22:34:26] pimanrules: you could spend real people money on the game [22:34:18] robokun: it's acting weird on my end [22:34:26] pimanrules: you could spend real people money on the game [22:34:28] robokun: will just randomly stop and go [22:34:26] pimanrules: you could spend real people money on the game [22:34:28] robokun: will just randomly stop and go [22:34:28] bbrosef: most likely twitch tomfoolery [22:34:28] robokun: will just randomly stop and go [22:34:28] bbrosef: most likely twitch tomfoolery [22:34:28] callicantzaros: me too [22:34:28] bbrosef: most likely twitch tomfoolery [22:34:28] callicantzaros: me too [22:34:40] cootiesbooties: it's not just you [22:34:28] callicantzaros: me too [22:34:40] cootiesbooties: it's not just you [22:34:44] sonickitsune: I wonder if they'll let you change the apartments as well or just stick with the people [22:34:40] cootiesbooties: it's not just you [22:34:44] sonickitsune: I wonder if they'll let you change the apartments as well or just stick with the people [22:34:44] tarosmoothies: You can only buy some stuff though. [22:34:44] sonickitsune: I wonder if they'll let you change the apartments as well or just stick with the people [22:34:44] tarosmoothies: You can only buy some stuff though. [22:35:03] callicantzaros: i dont [22:34:44] tarosmoothies: You can only buy some stuff though. [22:35:03] callicantzaros: i dont [22:35:06] callicantzaros: because im not casual [22:35:03] callicantzaros: i dont [22:35:06] callicantzaros: because im not casual [22:35:09] callicantzaros: *** [22:35:06] callicantzaros: because im not casual [22:35:09] callicantzaros: *** [22:35:09] substance59: i have the cupcake hat [22:35:09] callicantzaros: *** [22:35:09] substance59: i have the cupcake hat [22:35:12] tarosmoothies: I thought I changed? [22:35:09] substance59: i have the cupcake hat [22:35:12] tarosmoothies: I thought I change

groups are the vertical columns going down. so we have group one group two and so on. now one quick way to memorize that is verticals is up and down if you look at the letter V itself So V is made up of two lines going up and down. you have one line going gown and you have another going up so V for verticals going up and down and groups are basically vertical columns going up and down Now lets look at the individual elements box on the periodic table. There are very important information by the elements based on information given on the PT first of all, we have this number right here, the number on top. that is your atomic number each element on the periodic table has its unique atomic number And this atomic number equal to the number of protons remember this proton is a positive subparticles , located in the nucleus right. Now we have a symbol for an element , an atomic number is unique to an specific element So, therefore, it's unique to the element symbol as well. Then we have the name of an element, again if we have the name of the element we would know the symbol of an element, we also know the atomic number of a element and also we know the number of protons of an element Lastly, we have the atomic mass of an element. now this is known as the average atomic mass of an element. This is not the same thing as the mass of a number of isotope which we will cover later. Because the mass number of an isotope is equal to the mass number of protons Plus number of neutrons only, specify for the isotopes One last thing you need to know is that if an atom is neutral that means the net charge is 0, ok It has no charge at all , you need to know that the atomic number is equaly to the number of protons. and is also equal to the number of electrons,is the positive of protons will cancel out with a negative of an electron. so again it will happen in a neutral atom.

Laaaaa! Hi kids! Today we're going to learn how to count the numbers 1 to 20. Can you count from 1 to 20? Let's try it together. One [kids] One Two [kids] Two Three [kids] Three Four [kids] Four Five [kids] Five Six [kids] Six Seven [kids] Seven Eight [kids] Eight Nine [kids] Nine Ten [kids] Ten Eleven [kids] Eleven Twelve [kids] Twelve Thirteen [kids] Thirteen Fourteen [kids] Fourteen Fifteen [kids] Fifteen Sixteen [kids] Sixteen Seventeen [kids] Seventeen Eighteen [kids] Eighteen Nineteen [kids] Nineteen Twenty [kids] Twenty Outstanding! Now, let's count backwards from 20 to 1. Twenty [kids] Twenty Nineteen [kids] Nineteen Eighteen [kids] Eighteen Seventeen [kids] Seventeen Sixteen [kids] Sixteen Fifteen [kids] Fifteen Fourteen [kids] Fourteen Thirteen [kids] Thirteen Twelve [kids] Twelve Eleven [kids] Eleven Ten {kids] Ten Nine [kids] Nine Eight [kids] Eight Seven [kids] Seven Six [kids] Six Five [kids] Five Four [kids] Four Three [kids] Three Two [kids] Two One [kids] One Fantastic! Now, let's see how well you can count on your own. Count the stars in the sky and tell me how many there are. [kids] Fifteen [kids] Nineteen [kids] Six [kids] Twelve [kids] Seventeen [kids] Two [kids] Eleven Great job kids! Click here to watch our fun "Counting from 10 to 20" music video. You can sing along and practice. Don't forget to click like, and don't forget to subscribe to our Youtube channel. Thanks for watching!

White side up. Fold and untold diagonals White side up. Fold and untold diagonals White side up. Fold and untold diagonals Fold the edge to the diagonal and unfold Fold along the line connecting the and of the crease line made in 2 and the top right corner. Unfold Fold the top left corner to the first intersection. and unfold Fold the edge to the diagonal and unfold Fold along the line connecting the and of the crease line made in 2 and the top right corner. Unfold Fold the top left corner to the first intersection. and unfold Fold the edge to the diagonal and unfold Fold along the line connecting the and of the crease line made in 2 and the top right corner. Unfold Fold the top left corner to the first intersection. and unfold Fold the top right and bottom left corners along the diagonal. The crease line should start from the circled ends. Unfold Fold the top right and bottom left corners along the diagonal. The crease line should start from the circled ends. Unfold Fold the top right and bottom left corners along the diagonal. The crease line should start from the circled ends. Unfold Pleat Unfold everything Pleat Unfold everything Pleat Unfold everything Make crease lines connecting the circled points Make crease lines connecting the circled points Make crease lines connecting the circled points Make crease lines with the half width by pleat folds Make crease lines with the half width by pleat folds Make crease lines with the half width by pleat folds Fold the edges to the diagonal Fold the edges to the diagonal Fold the edges to the diagonal Make crease lines connecting the circled points Fold the edge to the crease line Unfold Make crease lines connecting the circled points Fold the edge to the crease line Unfold Make crease lines connecting the circled points Fold the edge to the crease line Unfold Fold the edge to the crease line. Unfold Fold the edge to the crease line. Unfold Fold the edge to the crease line. Unfold Make crease lines connecting the circled points Pleat using the existing crease lines Make crease lines connecting the circled points Pleat using the existing crease lines Make crease lines connecting the circled points Pleat using the existing crease lines Make crease lines at a right angle through circled intersections Make crease lines at a right angle through circled intersections Make crease lines at a right angle through circled intersections Make crease lines at a right angle through circled intersections Unfold Make crease lines aligning two crease lines Make crease lines at a right angle through circled intersections Unfold Make crease lines aligning two crease lines Make crease lines at a right angle through circled intersections Unfold Make crease lines aligning two crease lines Make crease lines aligning two crease lines Fold using the existing crease lines Make crease lines aligning two crease lines Fold using the existing crease lines Make crease lines aligning two crease lines Fold using the existing crease lines Inside reverse fold Don't fold the top portion. Open the edge and squash Inside reverse fold Don't fold the top portion. Open the edge and squash Inside reverse fold Don't fold the top portion. Open the edge and squash Make trisecting crease lines Unfold everything Make trisecting crease lines Unfold everything Make trisecting crease lines Unfold everything Extend the crease lines Extend the crease lines Extend the crease lines Repeat 22-27 on the right Fold in half Repeat 22-27 on the right Fold in half Repeat 22-27 on the right Fold in half Crimp and swivel corners Crimp and swivel corners Crimp and swivel corners Crease edge to edge Crease edge to edge Crease edge to edge Fold like a petal fold Unfold everything Fold like a petal fold Unfold everything Fold like a petal fold Unfold everything Fold edges to crease lines and unfold Fold edges to crease lines and unfold Fold edges to crease lines and unfold Fold edges to crease lines further Fold edges to crease lines further Fold edges to crease lines further Pleat along the existing crease lines Fold corner to corner A

Watch in 4K for best quality Consider subscribing to my channel for more instrumentals like this one! Watch in 4K for best quality 1UG, hard to see You start to spin, let's begin (let's begin) Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five-two five-two five-three, two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five-two five-two five-three, two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Let's begin 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin You spin, spin, spin (4x) Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five-two five-two five-three, two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five-two five-two five-three, two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin You spin, spin, spin You sp-you spin, spin, spin You sp-you spin, spin, spin You sp-you spin 1UG, hard to see You start to spin, let's begin You sp-you spin You sp-you spin, spin, spin You sp-you spin 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin Two five three, LSD Two tabs by ten, mescaline 1UG, hard to see You start to spin, let's begin You spin, spin, spin You sp-you spin, spin, spin You sp-you spin, spin, spin You sp-you spin, spin, spin 1UG, hard to see

We're asked to find the difference, if we have negative 45 minus 66. To find this difference, write the difference as a sum, and then find the sum. We can write this difference as a sum, because, subtracting an integer is the same as adding the opposite. So subtracting b, is the same as adding negative b. And therefore subtracting 66 is the same as adding negative 66. Which means we can write negative 45 minus 66 as negative 45 plus negative 66. And now we use the formula rules for adding integers to find this sum, and also show this sum on the number line. Because we have a negative plus a negative, we use the rules for adding two integers, with the same sign. So step one, we add the absolute values of the integers. So let's first find the absolute value of both integers so we'll find the absolute value of negative 45, and the absolute value of negative 66. The absolute value of a number is a numbers distance from zero. Distance is always positive. The absolute value of negative 45 is positive 45. The absolute value of negative 66 is positive 66. So now we add the absolute values. So 45 plus 66, adding, 5 plus 6 is 11, perform an exchange, 1 plus 4 plus 6 is 11. The sum of the absolute values is 111 But for the sign of addition sum, we use the common sign because we have a negative plus a negative that means the sum is negative, -111... Now let's also show this sum on the number line, to model negative 45 We start at 0, and move left 45 units to negative 45.... and then from here because we're adding negative 66... We move left another 66 units from negative 45. So if we move left 66 units, it takes us to negative 111 Negative 45 plus negative 66, or negative 45 minus 66 ,equals negative 111 I hope you found this helpful!

The second episode of the world science fiction masterpiece "the dragon's egg". The second episode of the world science fiction masterpiece "the dragon's egg". The second episode of the world science fiction masterpiece "the dragon's egg". The second episode of the world science fiction masterpiece "the dragon's egg". By Robert fward. By Robert fward. By Robert fward. By Robert fward. When Pierre became the chief scientist of the dragon egg exploration team. When Pierre became the chief scientist of the dragon egg exploration team. When Pierre became the chief scientist of the dragon egg exploration team. Some people say it's relationship. But those who are privately dissatisfied. None of them worked as hard as he did. Pierre had always felt that his mother had not received enough recognition from the scientific community. He has always wanted to correct this erroneous assertion. So he became the world's top expert in neutron star physics. He wanted everyone to know what Jacqueline's son had achieved. The plan for the personal inspection of neutron stars was officially launched. The first step of the project:. It's the quasars that create the gravitational balance of neutron stars. According to the calculation, six such stars need to be made to enter the orbit of the dragon egg. What's more, the attraction of these six stars to each other also avoids the misfortune of being torn apart. When six quasars are complete. Only the human spacecraft can observe Longan at close range. And the beginning of all this is to transform ordinary asteroids into quasars. Six months before the inspection team went to Longdan. The autopilot began to work. They were sent by the St. George to take the lead. There is still a lot of work to be done to enable humans to observe neutron stars at close range. Since the discovery of the asteroid belt they need around the neutron star. The work of exploration was carried out in an orderly manner. These jobs no longer require human intervention. It can be done by machine brain. The largest probe ship is actually an automatic chemical plant. It produces only one extraordinary product: magnetic monopoles. The spacecraft originally carried a small number of monopoles. SH. The spacecraft originally carried a small number of monopoles. The spacecraft originally carried a small number of monopoles. These are not seed materials for production, but for plant operation. It can act as the energy source and the rotor of the generator at the same time. With only a few coils, the energy of the rotating magnetic field can be converted into a current. The mission of the smaller spacecraft is to lay the cables. The work began in their factories. Lay a long thin cable into a big circle. Wrap the whole neutron star in it. At the same time, it has a safe distance from the neutron star. Suggestion: the audience who think the theory is tedious can jump to the 6th minute. This will keep it stable for months when electricity is needed. Suggestion: if you think the theory is too complicated, you can jump to the 6th minute.. This will keep it stable for months when electricity is needed. Suggestion: the audience who think the theory is tedious can jump to the 6th minute. This will keep it stable for months when electricity is needed. Suggestion: the audience who think the theory is tedious can jump to the 6th minute. A billion kilometers of cable is needed. So this kind of cable material must be very special. The cables are bundles of superconducting polymer wires. Although the temperature near the neutron star is very high. This cable does not need to be cooled to maintain superconductivity. The longer the cable is laid, the longer it begins to react to the magnetic field lines of the neutron star. The lines of force pull the cables ten times a second. From the East and west of the neutron star respectively, the positive and negative magnetic fields are released. Every time the magnetic field passes, the current surges in the cable. 11. ! And as an excess charge accumulated in the spacecraft. And as an excess charge accumula

We're asked to expand the following expression using properties of logarithms. We're given log base three of the product of two X and X minus three divided by the product of the quantity two X minus one and X plus four. Notice how the argument of the logarithm is already factored completely and nothing simplifies. To begin expanding, we will first use the quotient property of logarithms shown here where log base B of M divided by N equals log base B of M minus log base B of N. Notice how we have the log of the numerator minus the log of the denominator. So in our case, this is equal to log base three of the numerator, which is two X times the quantity X minus three. Then we have minus log base three of the denominator, which is the quantity two X minus one times the quantity X plus four. This should be a closed parenthesis here. Notice now we have a log of our product here as well as here, we can expand further by using the product property of logarithms, which is shown here. Log base B of M times N equals log base B of M plus log base B of N. So for this first logarithm, we have log base three of our product of three factors. One factor is two, one factor is X, one factor is X minus three. This will expand into the sum of three logs. So next we have log base three of two plus log base three of X. Then finally, plus log base three of the quantity X minus three. Notice this is also a log of a product. We need to be careful here because of the subtraction. If we subtract this log, we must also subtract the expansion of this log. So because we have a product of two factors, this will expand to the sum of two logs, but we must subtract that sum. So we'll have minus, then in parentheses log base three of the first factor of two X minus one plus log base three of the second factor of X plus four. But for the last step, let's clear these parentheses and because of the minus, if it's helpful, we can think of distributing a negative one. So the final expansion is log base three of two plus log base three of X plus log base three of the quantity X minus three and then clearing the parentheses we have minus log base three of the quantity two X minus one, minus log base three of the quantity X plus four. I hope you found this helpful.

I push my fingers into my eyes... It's the only thing that slowly stops the ache But it's made of all the things I have to take Jesus, it never ends, it works it's way inside If the pain goes on Aaaaaaaah! I have screamed until my veins collapsed I've waited as my time's elapsed Now, all I do is live with so much fate I've wished for this, I've *****ed at that I've left ****** this little fact: You cannot kill what you did not create I've got to say what I've got to say I push my fingers into my eyes... It's the only thing that slowly stops the ache But it's made of all the things I have to take Jesus, it never ends, it works it's way inside If the pain goes on Aaaaaaaah! I have screamed until my veins collapsed I've waited as my time's elapsed Now, all I do is live with so much fate I've wished for this, I've *****ed at that I've left ****** this little fact: You cannot kill what you did not create I've got to say what I've got to say And then I swear I'll go away But I can't promise you'll enjoy the noise I guess I'll save the best for last My future seems like one big past You're left with me because you left me no choice I push my fingers into my eyes It's the only thing that slowly stops the ache But it's made of all the things I have to take Put me back together Or separate the skin from bone Leave me all the Pieces, then you can leave me alone Tell me the reality is better than the dream But I found out the hard way Nothing is what it seems I push my fingers into my eyes It's the only thing that slowly stops the ache And then I swear I'll go away But I can't promise you'll enjoy the noise I guess I'll save the best for last My future seems like one big past You're left with me because you left me no choice I push my fingers into my eyes It's the only thing that slowly stops the ache But it's made of all the things I have to take Put me back together Or separate the skin from bone Leave me all the Pieces, then you can leave me alone Tell me the reality is better than the dream But I found out the hard way Nothing is what it seems I push my fingers into my eyes It's the only thing that slowly stops the ache But it's made of all the things I have to take Jesus, it never ends, it works it's way inside If the pain goes on I'm not going to make it All I've got all I've got is insane All I've got all I've got is insane All I've got all I've got is insane All I've got all I've got is insane I push my fingers into my eyes But it's made of all the things I have to take Jesus, it never ends, it works it's way inside If the pain goes on I'm not going to make it All I've got all I've got is insane All I've got all I've got is insane All I've got all I've got is insane All I've got all I've got is insane I push my fingers into my eyes It's the only thing that slowly stops the ache But it's made of all the things I have to take Jesus, it never ends, it works it's way inside If the pain goes on I'm not going to make it It's the only thing that slowly stops the ache But it's made of all the things I have to take Jesus, it never ends, it works it's way inside If the pain goes on I'm not going to make it

hi welcome to the statics tutorials so in this  video we have a frame that has three members EDC   CB a and then DB D B is connected in with smooth  pins here at D and B EDC and AVC are connected   here with the smooth pin a is connected to the  ground with the smooth pin and then e is just a   frictionless connection to flat smooth surface  so we need to find the reactions here at D and   B so let's start off by looking at this member of  DB this member DB has forces that are applied at   the joints due to the reactions but it also has  a force here that's Midway over so it has more   than just two forces so it's not an either just  simple compression or tension so whenever we draw   a Freebody diagram over here we need to draw deep  X and a dy for the pin connection and then over it   B of BX and B y for that pin connection and then  show our 300-pound applied load we can do the sum   of moments around D so we have our negative 300  times our one foot we calculate the 1 foot in that   this whole height this four feet we're two feet  up so we're going half the height so we must be   going half of the way over so if this is two feet  then this has got to be then one foot and one foot   and then on this side one foot and one foot so we  have the 300 pounds times the 1 foot distance here   and then we have B Y times the two feet distance  back over to D the be Y times two feet gives us a   positive moment and we get the B Y is equal to 150  pounds then we can do the same thing but around B   and we get basically the same result we get the  D Y is equal to 150 pounds so dy and B Y I just   split the value of the applied load in terms of  the forces in the reactions of D and B we can do   a sum of the forces in the X but we can't solve  it quite yet we get the DX plus BX is equal to   zero so DX is equal to minus BX we can draw also  the free body diagram for the overall body so this   would be e d c b a all connected because we have  it connected we're not going to show the forces   of d and b and we're not going to show the forces  of a because they're internal to this free body   diagram well what this free body will allow us to  do is our sum of moments at a so when we do that   we have ey times the forth foot distance here and  that's a negative moment and then we have the 300   pounds times the 2 foot distance here which is  a positive moment and we can solve for e y and   get that it's 150 pounds then we can do a free  body diagram for e DC so we could show the 150   pounds that we just calculated for e 1 for B Y  because this is the other side of the connection   we need to remember that the reactions are equal  and opposite so D 1 is going up over here he was   going to be going down over here but we already  solved for dy and we got the 150 so we can plug   in the 150 here the X we have it going in this  direction over here so we're going to equal an   opposite and put the X going in this direction  over here the C X and see why we haven't drawn   those already so I'm just going to put C X going  and positive x and see why the positive Y then we   can do some of the moments about C so we have DX  times the 2 foot vertical distance it's a negative   moment about C then we have our 150 pounds times  our 1 foot distance it's a positive moment around   C and then we have our negative 150 pounds times  our 2 feet distance which is also negative so we   get the DX is equal to negative 75 we already  have this relationship that the X is equal to   negative B X and so B X is equal to 75 so this  one this is a frame because it's not moving but   the analysis is the same basically with the  frame and the machine type problems and you   can see how with the pair of plyers that we  did in the previous video we only have the   two members it really wasn't that complicated but  now just adding a third member really makes it a   lot more complicated and some of these frames can  include several members and so you can sometimes   take pages and pages of calculations but just  keep in mind you can draw all these different   Freebod

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I'm just a step away I'm just a breath away Losin' my faith today (We're fallin' off the edge today) I am just a man Not superhuman (I'm not superhuman) Someone save me from the hate It's just another war Just another family torn (We're falling from our faith today) Just a step from the edge Just another day in the world we live I need a hero to save me now I need a hero (to save me now) I need a hero to save my life A hero'll save me (just in time) I've gotta fight today To live another day Speakin' my mind today (My voice will be heard today) I've gotta make a stand But I am just a man (I'm not superhuman) My voice will be heard today It's just another war Just another family torn (My voice will be heard today) It's just another kill The countdown begins to destroy ourselves I need a hero to save me now I need a hero (to save me now) I need a hero to save my life A hero'll save me (just in time) I need a hero to save my life I need a hero just in time Save me just in time Save me just in time Who's gonna fight for what's right Who's gonna help us survive We're in the fight of our lives (And we're not ready to die) Who's gonna fight for the weak Who's gonna make 'em believe I've got a hero (I've got a hero) Livin' in me I've gotta fight for what's right Today I'm speaking my mind And if it kills me tonight (I will be ready to die) A hero's not afraid to give his life A hero's gonna save me just in time I need a hero to save me now I need a hero (to save me now) I need a hero to save my life A hero'll save me (just in time) I need a hero Who's gonna fight for what's right Who's gonna help us survive I need a hero Who's gonna fight for the weak Who's gonna make 'em believe I need a hero I need a hero A hero's gonna save me just in time

M: ...blow up like the M: ...blow up like the World Trade Center. N: I... N: Are you... N: No. N: no N: nono N: nonono N: nononono N: nonononono N: nononononono N: We're not telling that. N: We're not tel- N: We're not saying that. N: We're not saying that. No. N: Absolutely not. N: You have to stay up there. N: You have to sta- OH MY GOD STOP W: Alex, for fuck's sake! W: What the fuck? W: What the fu- W: ARE YOU DROPPING NUKES DOWN THERE? F: I have noclip again. F: What are the explosions? F: What the fuck? F: What the fu- *laugh* W: JESUS CHRIST N: What the hell? N: oh my- N: WHO KEEPS DOING THAT? N: WHO KEEPS DOING THAT? A: *laughing* N: Uhh... N: I think he needs a little help. N: Oh. N: Alright. N: I... N: I literally need a manual to operate this thing. N: Hang on... N: It... N: This thing is 13 pages. *laugh* W: YES! W: Congratulations! W: You actually did it for once! N: wow N: so cool F: God damn... F: He under the thing! F: He under- F: He on... N: *laughs* F: He on the... N: my god F: He under the thing! N: my god N: It's spinning so slowly, N: It's spinning so slowly, how are you missing it? N: It's... N: It's moving so slow, N: It's moving so slow, how are you still... N: *bursts out laughing* N: *bursts out laughing* A: NO! N: *bursts out laughing* A: I misclicked! *laugh* A: WOOOOOOOOOOO A: WOOOOOOOOOOO N: Finally! Alright. M(?): WOOOOOOOOOOOOOOOO F: Who's this guy? N: what da dog doin F: *panics* F: Wave! F: Wave, run! F: Wave... F: Wave, F: Wave, there's a (x1) F: Wave, there's a (x2) F: Wave, there's a (x3) F: Wave, there's a Five Nights at Freddy's after you! N: Hang on, there's no crystals in there. N: Does it undo everything if I turn off the main rotor? W: Yes. F: He's gonna help. N: Alright, well someone stole the uranium. N: Alright, well someone stole the ura- *sigh* N: Did someone just reset it? W: Yes. W: Yes. MASKED! N: You deserve the death sentence. N: Where's Masked? N: Where's Masked? I need to have a word with him. N: Masked... (x1) N: Masked... (x2) N: Masked... (x2) M: I did not do it. (x1) M: I did not do it. (x2) M: I did- *laugh* N: You know what you did. N: You know what you did. Come here. M: The elevator's broken. N: Good. N: You know the most important thing you should always remember when you're... N: You know the most important thing you should always remember when you're... uhh... N: You know the most important thing you should always remember when you're playing Roblox sci-fi games? N: You know the most important thing you should always remember when you're playing Roblox- or... N: You know the most important thing you should always remember when you're playing any sci-fi game, really? W: What? N: IT'S PIZZA DAY. W: uh oh W: IT'S HAPPENING (x1) W: IT'S HAPPENING (x1) F: What did you do? W: IT'S HAPPENING (x2) F: What's happening? F: KLEINER! W: NO N: bye kleiner *everyone else panicing* N: bye kleiner F: He's dying! F: No! F: No... W: *laughing* W: NO N: Okay, so... N: Okay, so we just wait, I guess? W: Yeah. N: Kleiner, do you... N: Oh, N: Oh, he's traumatized. N: Uhh... N: It was for the better. F: He's right there. A: No! F: No, I... *laugh* M: Wait, is it a Nightmare one? F: No! F: no F: nono F: nonono F: nononono F: nonononono F: nonononono *laugh* F: Yes, it's a Nightmare. F: No! F: no F: nono F: nonono F: nononono F: No! F: No... F: No! F: NO N: He's in. F: No! F: I THREW A GRENADE, F: I THREW A GRENADE, WHY DID YOU BRING ME? W: Oh, it's almost done! W: It's almost done! N: Oh. N: I see him. N: There he is! F: NO WHAT DID YOU DO F: NO F: no F: nono F: nonono F: nononono F: nonononono F: nonononono F: nononononono F: nonononononono F: nononononononono F: nonononononononono W: You just missed the test results. W: You just missed the test results. N: Nothing. W: No! W: No! Don't! W: Don't do it! W: Don't do it! N: Yes. W: NO F: No! W: WHO DID THAT? W: oh... W: oh no... N: Let him in! W: He can't get through the door. N: Let him in! N: Oh, he's stuck. N: Yep! N: Y

Oppan Klingon Style Klingon Style qavan raHtar. be' 'IHqu' SoH. Qapla' jay'! Ha' 'Iw HIq Datlhutlh. SoH qalegh. Qut, Qut. QeDpIn be' je. maw'. nughoStaH nuq? parmaq, manga'chuq. Qut Ha' maruch qaleghneS. Qapla' jay'! Qut Ha' maruch. wa' cha' parmaq Qapla'! tIqwIj Sa'angnIS wa' cha' parmaq Qapla'! tachDaq maghom. tugh tugh wa' cha' parmaq Qapla'! parmaq Qapla'! Ha', nItebHa' romuluSnganpu'! HIja DIHoH HEY! ghobe' 'eH! NO HEY Ha', nItebHa' romuluSnganpu' HIja DIHoH HEY! ghobe' 'eH! NO HEY maSwov, 'ejDo, parmaq, manga'chuq, 'eH! 'eH! 'eH! 'eH! 'eH! Qapla'! Oppan Klingon Style Klingon Style Op Op Op Op Oppan Klingon Style Klingon Style Op Op Op Op Oppan Klingon Style Hey Sexy Lady [Klingon Style] Op Op Op Op Oppan Klingon Style Hey Sexy Lady [Klingon Style] Op Op Op Op Eh eh eh eh eh eh tujqu'choH QuQ. Hljol. jIghung. Ha' maruch jISey. chabDu'. ghem. 'ejyo'. Sa'Hut, qamuSHa', HIja yIH yIlIgh, be' yIH yIlIgh. yIruch! wa' cha' parmaq Qapla'! bIjatlh 'e' yImev. yItlhutlh! yIlop! wa'leS chaq maHegh! yItlhutlh! yIlop! Qut Qapla' jay'! Qut Ha' Qapla'! yIH yIlIgh, be' yIH yIlIgh yIruch! parmaq Qapla'! Ha', nItebHa' romuluSnganpu' HIja DIHoH HEY! ghobe' 'eH! NO HEY Ha', nItebHa' romuluSnganpu' HIja DIHoH HEY! ghobe' 'eH! NO HEY maSwov, 'ejDo, parmaq, manga'chuq, 'eH! 'eH! 'eH! 'eH! 'eH! Qapla'! Oppan Klingon Style Klingon Style Op Op Op Op Oppan Klingon Style Klingon Style Op Op Op Op Oppan Klingon Style Hey Sexy Lady [Klingon Style] Op Op Op Op Oppan Klingon Style Hey Sexy Lady [Klingon Style] Op Op Op Op Eh eh eh eh eh eh tlhIngan maH! Qapla'! Ha' tlhIngan maH! Baby baby yuQ, pIvghor, Hurgh, qIb, yuQ tlhIngan maH! Qapla'! Ha' tlhIngan maH! Baby baby yuQ, pIvghor, Hurgh, yuQ You know what I'm saying! Oppan Klingon Style. Qapla'! Hey Sexy Lady [Klingon Style] Op Op Op Op Oppan Klingon Style Hey Sexy Lady [Klingon Style] Op Op Op Op Eh eh eh eh eh eh Oppan Klingon Style

How can you hate your own father? There are fathers, and there are animals who only sire you. He was never a real father to me, nor to you, nor to Ivan. What do you expect me to do, love him? Dmitri, we all need love. You blame him for nothing? Nothing. Akira The Don There is only one way to salvation And that is to make yourself responsible For all mens' sins As soon as you make yourself responsible In all sincerity for everything and for everyone You will see at once that this is really so And that you are, in fact, to blame For everyone and for all things. Dostoevsky, I think, said something like every man is responsible for everything that happens to him and everything that happens to everyone else. Every man is responsible for everything that happens to him and everything that happens to everyone else. Every man is responsible for everything that happens to him and everything that happens to everyone else. Every man is responsible for everything that happens to him and everything that happens to everyone else. It's a crazy statement, right? It's a crazy statement. And he was a pretty extreme person in many, many ways, but there's a level at which that's metaphysically true, you know, because what happens is that it's failure to act, often, that's the most catastrophic. It's to not do the right thing when the situation presents itself. It's very specific. You know, you're constantly in situations where you could do the right thing, if you were willing to take a risk, that's actually of relatively moderate size. And you know that you could take the risk and you know that you should take the risk, and you don't. (And you don't, and you don't, and you don't) Every man is responsible for everything that happens to him and everything that happens to everyone else. Every man is responsible for everything that happens to him and everything that happens to everyone else. Every man is responsible for everything that happens to him and everything that happens to everyone else. Every man is responsible for everything that happens to him and everything that happens to everyone else. And that happens to people all the time. And then what happens is; the thing that they didn't oppose grows a little bit and they shrink a little bit, and that starts a loop, eh? And so, when you say, "Well, how do you take responsibility for the world?" And the answer is, well, you also have to do it with a certain degree of humility because what do you know? Why are you doing this? For him or for yourself? I degraded him before his son, begged them to forgive me, father and son. You see, whatever I do from now on must be straight, clean. Otherwise, no hope, no future (no future, no future, no future, no future) (no future, no future, no future)

- Those are brave men knocking at our door. Let's go kill them. (crowd cheering) (Game of Thrones theme) - [Jaime] Bit of a quandary for you. If you kill me, you fail Lady Stark. But if you don't kill me, I'm going to kill you. (grunts) (swords clashing) You're good. Graceless, but good. See? If you were willing to hurt me, you might have had me there. (coughing) (grunting) (gasping) (panting) (horse whinnies) (hoofbeats) (grunting) (shattering) (thudding) (wind howling) (coughs) (Jon gasps) (shouting) (ice shattering) (growling) (grunting) - Stay down. (gasps) Or I'll kill you. (growling) (dramatic drum music) (gasping) (swords clashing) (dramatic music) - He's better than my father. - Far better. (swords clashing) - But Father beat him. - Did he? - I know he did. I heard the story a thousand times. (swords clashing) He stabbed him in the back. (suspenseful music) (growling) (grunts) (growling and grunting) (wights hissing) (screams) (grunting) (gasping) (bone shattering) (panting) (swords clashing) (grunts) (swords clash) (grunting) (grunts) (growls) (swords clashing) (grunting) - No! I have no wish to kill you, sir. (claps) (crowd cheering) (drumming) (grunting) (weapons clashing) (grunting) (groans) (growls) (crowd cheering) (swords clashing) (shouts) (swords clashing) (groans) (crowd shouting) (shouts) (swords clashing) (inaudible shouting) (sword clashing) (gasps) - Yes! - Enough, Ser Vardis! Finish him! (dramatic music) (swords clashing) (gasping) - [Voice in the crowd] You can do it! Get up, get up! (growling) (gasps from the crowd) (panting) (crowd shouting) (crashing) (screams) (giant roaring) (screams) (grunting) (giant roaring) (panting) (screams) (choking) (roaring) (screams) (giant cries) (thudding) (footsteps) (armor clanking) (soldiers grunt) - [Voice] Retreat! (chanting) (grunting) (chanting) - With me, lads! Break down the line! (swords clash) (growling) (screaming) (slow music) (gasping)

in this video we're going to complete the  CUDA software infinite calculus free worksheet   derivative at about you so for each problem  in this worksheet we're going to find the   derivative of the function at the given value so  the steps to find the derivative at a value first   we calculate the derivative and then we plug in  our x value and solve so for number one we have   y equal to x squared plus 4x and we're finding the  derivative of that function at x equals negative   five so finding the derivative dy/dx using the  rule of sums we're going to take the derivative   of x squared and add that to the derivative  of 4x the derivative of x squared using the   power rule will be two times X to the 2 minus  1 which is 1 so we'll have 2x plus and now the   derivative of 4x to the first that one will get  multiplied by the coefficient 4 so that's 4 and   then times X to the 1 minus 1 which is X to the  0 and that is equal to 1 so now that we have the   derivative of Y with respect to X we're going to  plug in negative 5 for X so we're going to get 2   times negative 5 plus 4 which 2 times negative  5 is negative 10 and adding 4 to that negative   10 plus 4 equals a negative 6 so the derivative  of Y with respect to X at the given value of x   equals negative 5 that's equivalent to negative  6 and this is the notation we're going to use   to write the derivative at a given value so let's  continue on to number two number two we're going   to find the derivative of Y with respect to X  that's going to be the derivative of negative   x cubed so that's negative 3 X to the 3 minus 1 or  negative 3 x squared and then we'll be adding that   to the derivative of or x squared which is 2 times  4 times X to the 2 minus 1/2 times 4 is 8 and X   to the 2 minus 1 is X to the 1 or simply X and  the derivative of constant is 0 so subtracting 0   we're not changing that value so now that we have  our derivative of our function y with respect to   X we're going to plug in that value of 4 for X so  we'll have negative 3 times 4 squared plus 8 times   4 so that's negative 3 times 4 squared is times  16 plus 8 times 4 is 32 so negative 3 times 16 was   a negative 48 and when we add that to 32 we get  negative 16 so the derivative of Y with respect to   X at x equals 4 equals negative 16 now onto number  3 and number 3 we're going to be calculating the   derivative of 20 over x squared plus 5 so remember  we're going to use the quotient rule that's   low D high so low is x squared plus 5 times the  derivative of our numerator so the derivative of   20 - hi that's our numerator times the derivative  of our denominator all over our denominator   squared x squared plus 5 squared so calculating  this out x squared plus 5 will be multiplied to   the derivative of 20 and 20 is a constant so  that's getting multiplied to 0 and then we're   subtracting 20 times the derivative of x squared  plus 5 is 2 X because the derivative of x squared   is 2x and the derivative of 5 is 0 and 2x plus  0 is 2x and that's all over our denominator of   x squared plus 5 squared now simplifying you can  see that x squared plus five times zero is zero   so now I'll just take that value of 3 and plug it  in for X so I'll have negative 20 times 2 times   3 all over 3 squared plus 5 squared negative 20  times 2 times 3 is negative 20 times 6 which is   negative 120 and that's all over 3 squared which  is 9 plus 5 which is 14 and 14 squared equals   196 120 and 196 are both divisible by 4 so when I  simplify the derivative of Y with respect to X at   x equals 3 equals dividing both by 4 that's going  to be a negative 30 over 49 negative 30 49 is my   solution for the derivative of my function at x  equals 3 now on to number 4 again we're going to   use that quotient rule low D high minus high  D low all over low low so low X plus 1 times   the derivative of high the derivative of the  numerator is 0 - hi 2 times the derivative of   our denominator which is going to be 1 because  the derivative of X is 1 and the derivative of   1 is 0 and 1 plus 0 is 1 and that's all over

All these thoughts now rising in my mind they pass like clouds through a clear blue sky And all these feelings that come from every side they pass like clouds through a clear blue sky And all these visions they pass before my eyes just like clouds through a clear blue sky All these visions they pass before my eyes just like clouds through a clear blue sky And the calm of a clear blue sky is where I’m going when I die there’s nowhere else to go, that’s all there is And the calm of a clear blue sky is where I’m going when I die there’s nothing else to know, that’s all there is And all these fears they passing before my eyes just like clouds through a clear blue sky All the years they passing before my eyes just like clouds through a clear blue sky This world of illusion passes before my eyes just like clouds through a clear blue sky So many energies of every different kind but they pass like clouds through a clear blue sky And the calm of a clear blue sky is where I’m going when I die there’s nowhere else to go, that’s all there is And the calm of a clear blue sky is where I’m going when I die there’s nothing else to know, that’s all there is that’s all there is that’s all there is That’s all there ever was, and that’s all there is (bis) that’s all there is that’s all there is That’s all there ever was, and that’s all there is (bis) that’s all there is that’s all there is

Install the power and water supply. Check your urinal datasheet to mark the position of the fixing points. Drill the holes. Install the plugs. Install the mounting brackets. Mark the fixing point of the sensor. Drill the hole. Install the plug. Mark the holes of the power supply. Drill the holes. Install the plugs. Screw the power adapter to the wall. Install the angle valve. Run water for 45 seconds to clean the pipes. Screw the connection nut on the angle valve. Screw the valve on the connection nut. Pay attention to the flow direction. Install the IPEE Vortex in the water outlet. Fixate the IPEE Vortex with a screw to the wall. Connect the valve to the IPEE Vortex. Connect the power supply using the connection box. Make sure the power is disconnected! Connect the power supply to the IPEE Vortex. Mount the reed contact in the urinal. Mark it with the sticker. Connect the reed contact to the IPEE Vortex. Connect the hose to the valve. Connect the hose to the urinal using the supplied cuff and metal bend. For urinal that aren't fully compatible, cut away some space in the wall. Open the water supply. Install the urinal. Fixate using provided plugs and screws. Turn on the power. Calibration: wait 15 minutes... ...or initiate the calibration using the Magnetic Key. A chirping sound indicates that the sensor is calibrating. Some flushes will occur. A melody plays when the urinal is properly calibrated. The urinal is now ready for use.

SUBSCRIBE AND BELL OOH I can’t pretend Like you didn’t bring my tempo up again My head’s in a spin You send my body to a place it’s never been Baby won’t you let me Keep you up all night Let the morning come closer You send me so high Now the ceiling can’t hold us Listen to my heart Let the rhythm control ya I’ll be there when you need my love Just follow the beat of my drum It goes… Just follow the beat of my drum Just follow the beat of my drum Just follow the beat of my drum Just follow the beat of my drum OOH I can’t pretend Like you didn’t bring my tempo up again My head’s in a spin You send my body to a place it’s never been Baby won’t you let me Keep you up all night Let the morning come closer You send me so high Now the ceiling can’t hold us Listen to my heart Let the rhythm control ya I’ll be there when you need my love Just follow the beat of my drum It goes... Just follow the beat of my drum Just follow the beat of my drum Just follow the beat of my drum Just follow the beat of my drum

hi everyone in this video we'll go through as to  what is a logarithm and the laws with respect to logarithms now what are logarithms why do we  need logarithms right logarithm is nothing but the inverse of exponential inverse of exponential  so what is exponential exponent is nothing but a power right suppose you have 2 to the power x 2 to  the power x this x is called as the exponent right say for example we take 2 to the power 6 is 64.  what does this mean this means that 2 multiplied 6 6 times is 64. if i multiply 2 6 times it becomes  64 right so this is nothing but exponential form right so the reverse of this is logarithm  so logarithm will tell how many times how many times should i multiply 2 to get 64. it's  a reverse here i'm telling if i multiply 2 6 times i will get 64. but here my question is how many  times should i multiply 2 with itself so that i get 64. so i know 64 i know the number 2 how  many times this x represents number of times 2 should be multiplied to get 64 right this is what  we call as logarithm we call this 2 as the base and we call 64 as any number say y right this x  is nothing but the exponent or the power right exponent power indus all mean the same right so x  is the exponent 2 is the base and 64 is any number now if i have to write this in exponent form  how will i do this that is if i have to write it in this form i'll have to take the base that's  what we did here we'll have to take the base 2 and we'll have to have the power as x and it's equal  to 64. this is how you write an exponent form now let's generalize this right instead of 2 we can  have any number right so instead of 2 we can put a and x is any power and instead of 64 we say  it is say y right just to generalize so now this is in exponent form this is an  exponential form now if you have to write the same thing in logarithmic form  then we'll write first let's write log right and we need to write the base which is a here  this is the base equal to x this is the exponent and y so x will come to the other side a will be  the base and then we have y which is next to log so basically if a is any positive real number a  is any positive number so in the example we took 2 right if a is any positive real number and y is  equal to a to the power x then x is called the logarithm of y to the base a and it is denoted as  x is equal to log of y log of y to the base a now instead of a we are taken 2 right and 2 to the  power x is equal to 64. so instead of y we have taken 64. now what should be x right what should  be x x should be 6 only if x is 6 then we'll get 64. so in the logarithmic form it would be x  is equal to log off that is you take this x this is equal to because we have to find the power  ultimately we have to find the power right because we need to find how many times this particular  number or the base needs to be multiplied to get this value so x is the power so x is equal to log  of 64 and the base the actual number which should be multiplied will be your log 2 you'll be placing  it as a subscript and the way we read it as we say that x is the logarithm of 64 to the base two so  the technique here is we'll have to take the power like this x is equal to take the power equal  to put log put the number a as base and y you can remember this as power is equal to  log to the base of the number x is the power a is the base and y is the number so this way  we can remember power is equal to log to the base of the number few more notes here what if  what is a to the power 0 a to the power 0 is equal to 1 then how do we write in logarithmic  form right if a to the power 0 is equal to 1 how do we write in logarithmic form this is our  exponent so 0 is equal to log base is a of 1 this is how we write basically log a of 1 is 0 the  other note is what is what if a to the power 1 is equal to a how do we write in logarithmic form  a to the power 1 is equal to a so this exponent will come on the left hand side 1 is equal to  log of this base this number will come as the base and then this value this is how we write  when we have a to