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Ramesh Phirodia College of Architecture , Ahmednagar A.Y. 2021-22 Annual Day Function 5 Years Full Time B.Arch. Course Approved By COA Affiliated to DBATU Lonere Founded By. CA Ramesh Phirodia in 2017 For More information Call on 9890476237 |visit http://rpetarchitecture.com/ For More information Call on 9890476237 | visit http://rpetarchitecture.com/

My next guest is a bona fide worldwide superstar. She's absolutely incredible and I'm so excited to have her here on my show. Singing Let You Love Me, it's the wonderful Rita Ora! # I should've stayed with you last night # Instead of going out to find trouble # That's just trouble # I think I run away sometimes # Whenever I get too vulnerable # That's not your fault # See I wanna stay the whole night # I wanna lay with you till the sun's up # I wanna let you inside # Oh, heaven knows I've tried # I wish that I could let you love # Wish that I could let you love me # Wish that I could let you love # Say what's the matter, what's the matter with me? # What's the matter with me? # Oh, I wish that I could I let you love # Wish that I could let you love me # Now # I wish, I wish, I wish, I wish, I # And every time it gets too real # And every time I feel like sabotaging # I start running again # And every time I push away # I really wanna say that I'm sorry # But I say nothing # I wanna stay the whole night # I wanna lay with you till the sun's up # I wanna let you inside # Oh, heaven knows I've tried # I wish that I could let you love # Wish that I could let you love me # Wish that I could let you love # Say what's the matter, what's the matter with me? # What's the matter with me? # Oh, I wish that I could let you love # Wish that I could let you love me # Now # I wish, I wish, I wish, I wish, I # I wanna Stay with you till the morning Lay with you through the sunrise Show you that you're my only # I wanna Oh, yeah Stay with you till the morning Lay with you through the sunrise # Oh, heaven knows I've tried # I wish that I could let you love # Wish that I could let you love me # Wish that I could let you love # Say, what's the matter, what's the matter with me? # What's the matter with me? # Oh, I wish that I could let you love # Wish that I could let you love me # Say, what's the matter, what's the matter with me? # What's the matter with me? # Oh, I wish that I could let you love # Wish that I could let you love me # Now # I wish, I wish, I wish, I # Oh # I wish, I wish, I wish, I. # APPLAUSE AND CHEERING

Okay, Okay, So now we are cycles Okay, So now we are life cycles. Okay, So now we're like Okay, good afternoon everyone. Other military style gonna put this on my list gonna put this on my list Miley put this on my list Miley. Yes, but you literally could totally I'm doing any be exam oriented. matthew revision class matthew revision class tomorrow. diminish communicate with no money communicate with no money to the personas so attack questions about the extra samples or when you become a question so the organic chemistry good reason. vision Veronica to Palo Alto Veronica to Palo Alto and butter did literally could totally under any be exam oriented Matthew region classroom at to communicate with no money, no sir attack questions about the extras on to serve when you become a Christian so the organic chemistry revision Veronica to Palo Alto and butter. This semester alter the middle this summer say otter gimmicky going in circles. ame on ame on the success message or them ame on the success message or then basically when you put in money at my lucky. otcha questions or not the deal otcha questions or not the deal is questions or not the deal is. what is my family oriented way. y important, important Corolla three America little focus group three America little focus agreed upon it. tion so not the deal is okay with this metabolism oriented very important, important parameter America need to focus agreed upon it. Okay, let's discuss the topic with a lot of kin. over Israel a lot what you're smarter than your normal kid my family about. prison rted a new law rted a new law pressure a new law for a person to person. purpose and my family purpose and my purpose in person purpose and my purpose and got some extra alone can cook. my purpose and my purpose and got some Deborah Allen Kim Cooper person kick it back to the lesson Emily. lesson Emily on all came back to school preparation going to start Tom Lee. y all about opinion y all kindergarten program the key concepts of preparation gonna suck so family on Paul part of some sort Paul part of a scoop represent. goodness me from old Kibana lucky me from again when we're looking for me from all from all kin. n all can barter or all can barter are looking bad. bad, ugly, yellow arter family. Yeah, hello. Kim prison custody.net. ustody.net net. make might adjust it and Kim and it goes. o see us for. ca o see ads for cx for you o see ads for cx for you all you can lay similar case and the reaction. group alluded on Sunday ry allegiance and reacts and onary Ks co present SMA onary Kisco presents my light group Kisco presents my light co present SMA. light. can be carried out. ut by free radical maker by free radical mechanism. that.

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Yeah, you can be the greatest You can be the best You can be the King Kong banging on your chest You can beat the world You can beat the war You can talk to God, go banging on his door You can throw your hands up You can beat the clock (yeah) You can move a mountain You can break rocks You can be a master Don't wait for luck Dedicate yourself and you gon' find yourself Standing in the hall of fame (yeah) And the world's gonna know your name (yeah) 'Cause you burn with the brightest flame (yeah) And you'll be on the walls of the hall of fame You can go the distance You can run the mile You can walk straight through hell with a smile You can be the hero You can get the gold Breaking all the records they thought never could be broke Yeah, do it for your people Do it for your pride How are you ever gonna know if you never even try? Do it for your country Do it for your name 'Cause there's gonna be a day... When you're standing in the hall of fame (yeah) And the world's gonna know your name (yeah) 'Cause you burn with the brightest flame (yeah) And you'll be on the walls of the hall of fame Be a champion, be a champion, be a champion, be a champion On the walls of the hall of fame Be students Be teachers Be politicians Be preachers (Yeah) Be believers Be leaders Be astronauts Be champions Be truth seekers Be students Be teachers Be politicians Be preachers Be believers Be leaders Be astronauts Be champions Standing in the hall of fame (yeah, yeah, yeah) And the world's gonna know your name (yeah, yeah, yeah) 'Cause you burn with the brightest flame (yeah, yeah, yeah) And you'll be on the walls of the hall of fame (Be a champion) You could be the greatest You can be the best You can be the King Kong banging on your chest (Be a champion) You could beat the world You could beat the war You could talk to God, go banging on his door (Be a champion) You can throw your hands up You can beat the clock (yeah) You can move a mountain (Be a champion) You can break rocks You can be a master Don't wait for luck (Be a champion) Dedicate yourself and you gonna find yourself Standing in the hall of fame

analysis analysis of analysis of natural analysis of natural gas analysis of natural gas and analysis of natural gas and the problems problems they problems they had analysis of natural gas and the problems they had during problems they had during the storm. >> >> There's >> There's a storm. >> There's a new >> There's a new bipartisan bill bill before bill before Congress >> There's a new bipartisan bill before Congress looking bill before Congress looking to give give tax give tax breaks bill before Congress looking to give tax breaks to give tax breaks to American mining mining companies. It's It's called It's called the mining companies. It's called the Rare It's called the Rare Act. One One of One of our It's called the Rare Act. One of our US One of our US congressmen, Democrat Democrat Vicente Democrat Vicente Gonzalez One of our US congressmen, Democrat Vicente Gonzalez has joined joined with joined with Texas Democrat Vicente Gonzalez has joined with Texas Republican Congressman Congressman Lance Congressman Lance Gooden joined with Texas Republican Congressman Lance Gooden to Congressman Lance Gooden to try and and get and get the Congressman Lance Gooden to try and get the rare and get the rare act bill bill passed. Both Both congressmen Both congressmen say bill passed. Both congressmen say the coronavirus coronavirus pandemic coronavirus pandemic made Both congressmen say the coronavirus pandemic made it apparent apparent the apparent the US coronavirus pandemic made it apparent the US is apparent the US is too apparent the US is too reliant on on China on China for apparent the US is too reliant on China for essential on China for essential minerals metals metals used metals used in on China for essential minerals metals used in national metals used in national defense and and other and other industries. Some Some of Some of those and other industries. Some of those include Some of those include cobalt lithium lithium and lithium and graphite. Certainly Certainly >> Certainly >> in lithium and graphite. Certainly >> in another catastrophic catastrophic situation catastrophic situation I Certainly >> in another catastrophic situation I think for for national for national security catastrophic situation I think for national security purposes we we need we need to for national security purposes we need to have we need to have a we need to have a better for national security purposes we need to have a better handle on on that. We We cannot We cannot be on that. We cannot be relying We cannot be relying on We cannot be relying on China or or Russia or Russia or We cannot be relying on China or Russia or some or Russia or some of or Russia or some of our We cannot be relying on China or Russia or some of our foes to to have to have those or Russia or some of our foes to have those essential minerals minerals that minerals that we to have those essential minerals that we need minerals that we need for national national defense, national defense, for manufacturing, manufacturing, for manufacturing, for a national defense, for manufacturing, for a lot of of essential of essential products manufacturing, for a lot of essential products that of essential products that that and and national and national interest of essential products that that and national interest >>. The The Department The Department of and national interest >>. The Department of Interior The Department of Interior has a a list a list dozens The Department of Interior has a list dozens of a list dozens of important a list dozens of important rare earth earth minerals earth minerals and a list dozens of important rare earth minerals and metals earth minerals and metals that are are sourced are sourced outside earth minerals and metals that are sourced outside the are sourced outside the US China China supplies China supplies twenty are sourced outside the US China supplies twenty two of of the of the thirty China supplies twenty two of the thirty five of the thirty five listed of the thirty five listed if this this act this act passes of the thirty five listed if this act passes it this act passes it would this act passes it would call on on the on the Internal this act passes it would call on the Internal Revenue on the Internal Revenue Code on the Internal Revenue Code to be be amended be amended to on the Internal Revenue Code to be amended to permanently be amended to permanently allow for for a

Subscribe to the Technical Awareness Channel And press the bell icon The latest technology to watch videos first In this video I will talk about United Barvo How can United Barvo get installments What will be the JS Bank Requirements? I will share his complete information with you in this video Hello Friend's . I hope you all are well I am your host Rana Rashid Come to your service with another new video If you want to buy a car You can not make a full payment to the company You have the option of taking the vehicle on installments You can get vehicle on installments from any bank How can you own a car? I will talk about how we can get a car on installments from JS Bank What will happen to the request? Before beginning the video I request you to do so Thank you if you have subscribed to my channel If you are new to my channel, please subscribe to my channel And definitely hit the bell icon so you get notifications for every new video I have United Barvo PKR 995,000 Down Payment: 20% (199,000) Tenure: 7 Year Monthly Payment : PKR 16,702 Total Initial Deposit : PKR 236,350 I will make it more explored Down Payment: 20% (199,000) Processing Fee: PKR 7,500 Insurance For First Year : PKR 29,850 Total Initial Deposit : PKR 236,350 Now let's talk about the installment plan 1st Year : PKR 18,941 per month 2nd Year PKR :18,817 PKR per month 3rd Year PKR 18,692 per month 4th Year : PKR 18,568 per month 5th Year PKR 18,443 per month 6th Year PKR 18,319 per month 7th Year PKR 16,702 per month Each month we will give to the bank Now let's talk about which document should be First you need a photocopy of your ID 2 recent passport size photographs If you have an account with JS Bank, it needs a six month bank statement If you have an account with another bank, it needs a 12 month bank statement Your statement from the bank is stamped by the bank People who do the job need three salary slips People who do business or self employed should have a bank statement of 12 months Now let's talk about which people are eligible First of all, you are a Pakistani national Age should be between 21 and 70 years old If you have an account with JS Bank, Self Employed and Business Person's account should have an average balance of at least 50 thousand rupees.\ - 6 month If you have an account with another bank, the balance of your account should be Rs. 50,000 / - 12 months If you do a permanent job, your job must be at least 6 month out of date Apart from this, Permanent Jobs does have a minimum monthly salary of Rs 25,000. If you work on a contract base, your job must be at least one year old The salary of those who work on contract base should be at least Rs 40,000. I hope you like this video If you like the video then please like And share it with,Comment by telling you how So much for this video,See you at Next Video. Good Bye. Thank's For Watching

Yeah, I was there but I wasn't They never really cared if I wasn't We all need that someone who gets you like no one else Right when you need it the most We all need a soul to rely on, a shoulder to cry on A friend through the highs and the lows I'm not gonna make it a-la, la-la-la-la-la, la, la-la-la-la-la, 'lone Then I saw your face, your forgiving eyes Looking back at me from the other side Like you understood me And I'm never letting you go We all need that someone who gets you like no one else Right when you need it the most We all need a soul to rely on, a shoulder to cry on A friend through the highs and the lows I'm not gonna make it a-la, la-la-la-la-la, la, la-la-la-la-la, 'lone I'm not gonna make it alone 'Cause you are that someone that gets me like no one else Right when I need it the most And I'll be the one you rely on, a shoulder to cry on A friend through the highs and the lows I'm not gonna make it a-la, la-la-la-la-la, la, la-la-la-la-la, 'lone I'm not gonna make it alone

This is a Line 3 water protector who locked themselves to a horizontal directional drill and were arrested on felony theft charges. Being charged with felony theft by a company that is actively stealing our clean water, our clean air and our livable future. The state and Enbridge want us to be afraid. They have the money. They have the manpower. They have the courts to do their bidding. They want to bully us into believing their narrative that what we're doing here is wrong. If you think things can stay the way that they are or that oppressed peoples' responses to the daily onslaught of violence that is life in the so-called U.S. is too extreme, then you have made yourself an enemy of a just and habitable future.

Hello music people. Welcome to another video on this channel. And in this video I'm going to analyze Angelina Jordan with the song "Goodbye Yellow Brick Road". I had never heard this song before, but we have several videos of Angelina on our channel, Therefore, I invite you to visit our channel. and check out the other videos we have of this amazing singer. angelina is a singer and it is evolving. She always evolves more and surprises us every day that she evolves. This is incredible. For those who don't know, I'm a heavy metal singer. multi-instrumentalist, producer and composer. And in this video I will do analysis and technical observations, on vocal behavior. Angelina is an amazing singer. And we know we'll be surprised we just don't know how she will surprise us. But the message was passed and let's go to the most important thing, Let's analyze Angelina Jordan. It's an amazing performance. One thing that really struck me about the performances, the way Angelina interprets the songs, is the melisma work she does. But it is very interesting to see how his work with melisma matured. Because she puts melisma in a very intelligent way. The melisma is exploited, but it is not abused. Notice how she is currently worried about focusing on working with vibrato. At this point, in the verse of the song, explore vibrato. And at one point she explores the melisma. And this is very interesting, the use of melisma with falsetto. And here she does a very delicate job. It's very subtle what he does with his voice. Is incredible. Amazing. Mixed voice. An amazing performance. I'm surprised. Is awesome. And the way she arranged her voice is very creative. How she created a harmonic way to interpret this song. Because we realize that she sings the verses in the same way, but it reproduces in another way what would be the chorus. It's amazing. It's wonderful vocal work. She has evolved a lot, to the point of having incredible vocal control. Ella uses the falsetto as an adornment. and she transits her voice in the region of the voice of the mask. It also projects mixed voice while working with melisma and vibrato. And how can she explore and insert a lot of embellishments into her voice and it's a wonderful performance. I was very surprised by this interpretation. Amazing. But this is the technical analysis and the reaction of this video. And if you want more technical analysis and reactions for Angelina Jordan, leave more suggestions in the comments. Subscribe to our channel, activate notifications, click like and share this video. I end here. I hope you liked this video and see you in the next review. Goodbye then.

Hi everybody, in this video we show how you can edit the TV Programmes on WebOS5.0 We will show how to change the order of the programmes, how to change a programme number, how you can skip programmes and how you can lock a programme with a password. To do this, go to All Settings, Programmes, select Programme Manager, and then Edit All Programmes. Here you can see the list with the TV programmes, after you have done the tuning on your Antenna, Cable, or Satellite signal. How to change the order of the programmes To change the order of the programmes, select one or more programmes in the list and then select Move. Then use your Magic Remote to move the programmes to another position. Use the scroll wheel to move up and down in the list. Then press the scroll wheel to put the programmes on the new position. Now, we can see that the programmes are on the new position. How to change the programme number To change the programme number, select a programme, then select Edit Programme Number, and then enter the new number. Now, we can now go to the programme directly, by pressing the new number. Be aware, that when you have done the Programme Tuning and you selected a pre-configured operator, it might not be possible to change the programmes position or number. In that case, check out our other video about how to create a TV Programmes Favourite List. How to skip programmes To skip programmes, select one or more programmes in the list and select Skip. When we now go through the programme list, these programmes are skipped. Also, the skipped programmes wil not be shown when you press the list button on the Magic Remote To restore skipped programmes, select one or more programmes, and then select Restore. How to lock programmes To lock a programme, select the programme in the list and select Lock. Enter the current password. By default, the password is 0000. When you use this function for the first time, the TV will ask you to switch on the safety function Select Yes To change the password, go to All Settings. Go to General, Safety, and select Reset Password. First enter the current password. Then enter the new password and again to confirm the new password. Now, when I go to the locked programme, I have to click the scroll wheel, and enter the password before I can watch the programme. This is how you can edit the TV Programmes. For more help, check out the other videos on our YouTube channel, or contact your local LG helpdesk.

Hi, how are you? I am super. I hope you're well, too. Today I'm going to show you my kitchen. Where do I start? So, on the far right is the refrigerator. There's a picture of my parents on the fridge. The photo is attached to the refrigerator with two magnets. On top of the fridge is the microwave. Next to the refrigerator is the dishwasher. Do you have a dishwasher too? The dishwasher was a gift from my parents. See this electrical outlet? There are two plugs in the socket. The first plug belongs to the electric kettle. The second plug is from the blender. Right next to the blender is my pepper mill. Do you like pepper? There's a bottle of Greek olive oil here. Two frying pans are hanging on the wall above. I have a large frying pan and a small one. There's a soup ladle down here. Right next to it is my stove. The stove also has an oven. I always bake a pie on Sundays. To the left and right of the stove are two kitchen cabinets. The sink is here on the left. Here are my clean plates. There are two pots on the stove. The pot on the left is a soup pot. I made a vegetable soup. Do you like soup? I'm boiling potatoes in the pot on the right. I love potatoes. What am I in the mood for today? I'm in the mood for pancakes. What ingredients do you need for pancakes? My recipe has six ingredients. I need 400 cc's of milk. I need four eggs. I need 200 grams of flour. I also need some sugar, salt and butter. Here I have a measuring cup. I mix all the ingredients. I then let the ingredients sit in the fridge for 30 minutes. I then fry the pancakes with a little olive oil. For the pancakes, I use the large frying pan. Have you ever made pancakes? What does your kitchen look like? Please leave a comment in your native language now.

Hello music people. Welcome to another video on this channel. And in this video we are going to analyze Arch Enemy, with the song "Sunset Over the Empire". I apologize if I mispronounced the name. I do not speak English and I apologize. But anyway, I'm going to review this video. And for those who don't know, I'm a heavy metal singer, multi-instrumentalist, producer and composer. And in this video I'm going to do a technical analysis of vocal behavior, on musical production and musical arrangements. Therefore, whenever I deem it necessary, I will make my observations. The message has been passed and let's go to the most important, let's analyze Arch Enemy. The scene is one of total destruction. And I already loved the sound with just the beginning of this video. With the bass having a lot of prominence. Help create the atmosphere in this musical arrangement. I really like the way she works with her voice. The use of this vocal distortion, I find it impressive. She works a lot with lower and middle region with the use of the glottis, using this distorted voice. At times it raises this vocal distortion a bit. And I say this referring to his voice in general. And I consider it a very different job. She does this with great quality. This ending she inserts this distortion, it is a job that there is with the musculature of the mouth. You have the projection of vocal distortion with the use of growl... And you can articulate this in many ways. And this is a job with the articulation of the tongue, the articulation of the opening and closing of the thickness that the mouth will have. Therefore, all this dynamics is realized, not only with the technique of making the distortion, but also how to work with it. And Arch Enemy's songs and sound are amazing. It is a band that has an absurd stage presence. They manage to command the audience and the audience gets excited... They really put on really exciting performances. It's fantastic. You realized? She is already doing a job, using this flexibility with the use of the glottis. Therefore, it moves the glottis in the upper region. But it does not project the superior glottis completely. Because in this case, the projection becomes higher. And with that you will lose the full-bodied voice you convey. Because there is a work of the middle and low region of the voice. And it is possible to regulate this superior projection of the glottis. Look at this change in the rhythm of the drums, how amazing it is. Amazing. Look at this melodic part in the chorus, it's fantastic. And this is a feature of Arch Enemy, to be able to insert this melodic passage. So we have this melodic death metal influence. And this style is very strong in Europe. European heavy metal is heavily influenced by melodic death metal. And it's amazing I consider these moments melodic, it creates an incredible difference and adds a lot of dynamics to the song. And it is always done in a very creative way. Only in this way... And this is not a show, and a video, a video production. But look how she has the attitude to perform this song. And this attitude reflects his personality, including the band as artists and this is the way they play on stage. What you see in this video is what she plays on stage. Because it is something very natural, it is a very natural way project what the artist feels and, this is impossible to control. Y articulates, transmits, she gives off this vocal distortion and always in a very comfortable way. And this double bass work is really cool. The double bass drum in heavy metal even performs percussive work. And it helps to fill out the sound much more and insert more dynamics in relation to the song. And ever since heavy metal introduced the double bass drum, it was fantastic. It was a reworking of NWOBHM influences. They weren't in the habit of using the double bass drum. And starting in the 1980s, the double bass drum was introduced very widely. Look at this pause that makes this dynamic of music... Because the music is sequential and suddenly it stops. It is a break in the dynamics that music has. And this is really cool. It's very exciting. And these riffs are excellent. It really is a very creative arrangement. Look at the way she projects her voice on a work connected in relation to the dynamics of string instruments. Is incredible. It's a fantastic metric. this rhythm... I at least know it as inverted battery. It is a time invested in relation to the dynamics and behavior of string instruments. I think it's fantastic. Is a way, to be able to make variations and insert dynamics without losing weight in the music. Imagine this song at a concert and at that moment the audience does... This is very exciting and those who had the opportunity to attend an Arch Enemy concert, saw how they manage to attract the audience. See the hype. The work and the dynamics that the bass drum intersperses with the double bass drum. The dual pedals really give the song a percussive feel. and does not lose the weight of the box that is in the battery, It continues to keep the battery pulsing but it is an element that makes a difference. With or without acceptance, the double kick makes an incredible difference. See how she projects her voice to a higher region... And before she was inserting this middle way up her voice and, sometimes emphasizing the lower region of the glottis. The voice gains volume and, at this time, works in the mid to high region. But it is not the entire region of the superior glottis. She has a very good command of her voice. That's why I always say the form of the vocalist... The way Alissa works her voice regarding the construction of the instrument it is extremely important. She needs to be connected. she also has to do creative work regarding their vocal behavior. And every dynamic that music has, It is very important that she follows all this dynamic, and the construction that the musical arrangement will have in relation to the behavior of the instruments. It's fantastic, it works very well in the glottis region, in a way that she has a lot of control over her voice. This is wonderful. And this opening that she makes in relation to the use of vocal distortion, It accompanies very well the rhythm made by the electric guitar. Look at this bass... This is very exciting... Arch Enemy is a fascinating band. They are very creative, extremely experienced and professional musicians. Alissa has a command with her voice. The way she works with her voice is amazing. His use of vocal distortion is truly impressive. Master this technique very well. It's a fantastic band. They are amazing. And I really like the performances. arch enemy live They have a lot of energy and aggression. They have a fantastic stage presence. And they manage to reproduce this stage presence from your experience, even for them to produce a video with a wonderful result. A very well produced video too. Arch Enemy is an amazing band and must have amazing video too. But this is analysis and technical reaction of this video. If you want more analysis and technical reactions to Arch Enemy, make your suggestion in the comments, subscribe to our channel, turn on notifications, click like and share this video. I end here. I hope you liked this video and see you in the next review. Goodbye then.

welcome to the TASCAM Model 12 in this video we will show the basic instructions on setting up the model 12 as a control surface for your digital audio workstation this video is specifically for logic if you don't have logic see the other videos for your particular da w connect the model 12 USB cable to your computer model 12 uses a USBC connector some modern computers will also have a USBC connector this computer we are using today as a USB a connector so the cable we need is this common USB see the USB a cable make sure the cable supports USB 2 or higher next put the input mode switch on PC or in the middle position of the model 12 for channels 1 and 2 you can set the other channels however you choose the first thing to do is download the model mixer setting panel software from task am calm this is found on the Downloads tab on the individual model 12 product page go ahead and install the model mixer setting panel software now it's time to put model 12 into da W controller mode press the menu button the multi jog knob uses a turn and push method once you highlight a function you can then push the knob to select it turn the multi jog knob until you get to the da W controller push the multi jog knob to select da W controller model 12 has presets for the most popular da WS so highlight Maggie logic and press the multi jog knob to select it the model 12 will ask you if you are sure and want to start the controller mode press the far right button directly under the display or yes bottle 12 is now in controller mode and it's faders and most of its knobs are disabled to the internal model 12 functions tascam cannot provide customer support for your software program computer or computer configuration here are the settings on this computer which is a MacBook Pro using Logic Pro X the first thing we need to do is set up the model 12 as the audio interface for logic we click on the upper left here Logic Pro X go down to preferences and we can go directly to audio here we have the output device and the input device we click Choose model 12 logic automatically choose model 12 as the input device if not you can click that and select model 12 now we need to set up the model 12 as the control surface so there's a control surface icon here let's click that pops up we then choose MIDI controllers set up and the lower right and on the upper left of the pop-up window new so we're going to choose install because we need to install a protocol for the controller and there are several selections here the model 12 uses the Mackie control protocol and we need now to tell logic to use the Mackie control protocol from the model 12 so the model 12 can be a control surface so we choose Mackie control and hit add and that's done and then finally the last thing we need to do is we need to take the input port here and select that and we will choose model 12 and the output port we will select model 12 close that close that and we're done now that we have that set up you can see that the faders are live the pan pots work the master volume works fine the transport control let's hit play let's hit stop let's fast-forward stop rewind stop and even the scroll dial on the model 12 scrolls through the file the default is to control tracks 1 through 8 on your d8w this screen is the marker set screen this is where you can set markers on your da W by pressing the set button underneath the display while the file plays to control tracks 9 through 16 press the menu button on the model 12 a model 12 will display track then press the arrow to the right button under the display and da W tracks 9 through 16 are controlled to control tracks 17 through 24 press the display arrow to the right again underneath the display now tracks 17 through 24 are controlled to go back to tracks 9 through 16 or 1 through 8 press the Display button to the left over and over and tracks 9 through 16 or 1 through 8 are then controlled [Music] you

(bright ambient music) (train chugging) (whistle blowing) - [Narrator] Here they come, clickety-clack down the track. It's Lots & Lots of Trains. Big trains, little trains, steam trains, diesel, freight, and passenger trains, even trains the blow through snow. Old trains, new trains, fast trains, slow trains, smokin' trains, even trains from around the world. Plus toy trains, trolley trains, and much, much more. Hear the whistle blow, feel the heat, smell the smoke, as these titans of the tracks thunder on by. (whistle blowing) (train chugging) (flames crackling) (steam hissing) (whistle blowing) (twangy country music) (train chugging) (bell tolling) (whistle blowing) (cargo crashing) (jaunty country music) (train chugging) (whistle blowing) (brakes squealing) (bell tolling) (train chugging) (whistle blowing) (twangy country music) (steam hissing) (bell tolling) (train chugging) (whistle blowing) (muffled radio announcement) (twangy country music) (train chugging) (whistle blowing) (flames crackling) (metal clanking) (train chugging) (whistle blowing) (brakes squealing) (steam hissing) (motor humming) (train chugging) (bell tolling) (steam hissing)

Skyfall (2012) Days of Heaven (1978) Amelie (2001) The Big Lebowski (1998) Kyousougiga OVA (2011) Katanagatari (2010) Mawaru Penguindrum (2011) Ergo Proxy (2006) Aria the Origination (2008) Cowboy Bebop: The Movie (2001) Joshiraku (2012) Kyoukai no Kanata (2013) Mononoke (2007) Shirobako (2014) Tokyo Ghoul (2014) The Eccentric Family (2013) Mononoke (2007) Katanagatari (201) Ergo Proxy (2006) K-On!! (2010) Tsuritama (2012) Pokemon 2000 (2000) Zankyou no Terror (2014) Kyousougiga OVA (2011) Madoka Magica (2011) Tamako Love Story (2014) Mawaru Penguindrum (2011) Hanayamata (2014) Mononoke (2007) Bakemonogatari (2008) Mawaru Penguindrum (2011) Shirobako (2014) Zankyou no Terror (2014) Paprika (2006) Ping Pong the Animation (2014) Redline (2009) Ghost in the Shell (1995) Cowboy Bebop: The Movie (2001) Dusk Maiden of Amnesia (2012) Your Lie in April (2014) Hibike Euphonium (2015) Aku no Hana (2013) Ghost in the Shell (1995) Madoka Magica: Rebellion (2013) Dusk Maiden of Amnesia (2012) Hibike Euphonium (2015) Tekkonkinreet (2006) Zankyou no Terror (2014) Kara no Kyoukai: Paradox Spiral (2008) 6:45 am SUN 31 August (2014) D-Frag (2014) Aria the Origination (2008) Etotama (2015) Evangelion 1.11 (2008) Your Lie in April (2014) Kill la Kill (2013) The Garden of Words (2013) Ergo Proxy (2006) Tekkonkinreet (2006) Hibike Euphonium (2015) Mawaru Penguindrum (2011) Hanayamata (2014) Tokyo Ghoul (2014) Tsuritama (2012) Ergo Proxy (2006) Nagi no Asukara (2013) Your Lie in April (2014) The Eccentric Family (2013) Dusk Maiden of Amnesia (2012) Hyouka (2012) Evangelion 1.0 + 2.0 (2008 - 2011) Akira (1988) Tamako Love Story Hanamonogatari (2014) Kara no Kyoukai (2008) Redline (2009) Akira (1988) Hyouka (2012) Mushishi Zoku Shou (2014) Angel Beats (2010) Ping Pong the Animation (2014) Shirobako (2014) Tsuritama (2012) Aria the Origination (2008) Paprika (2006) K-On!! (2010) Shinsekai Yori (2012) Fate/Stay Night (2014) Hanamonogatari (2014) Hyouka (2012) Kyousougiga OVA (2011) Ergo Proxy (2006) Your Lie in April (2014) Mawaru Penguindrum (2011)

[MUSIC - JOSEPH, "SISTER WINTER"] (SINGING) Oh, my friends, I've begun to worry, right, where I should be grateful, I should be satisfied. oh, my heart, I would clap and dance in place. With my friends I have so much pleasure to embrace. But my heart is returned to sister winter. But my heart is as cold as ice. Oh, my thoughts I return to summertime, where I kissed your ankle. I kissed you through the night. All my gifts, I gave everything to you. Your strange imagination, you threw it all away. Now my heart is returned to sister winter. Now my heart is as cold as ice. Oh, no. Now my friends, I return to sister winter. apologize, apologize. Ah, ha. All my friends, I've returned to sister winter. All my friends, I apologize, apologize. All my friends, I've returned to sister winter. All my friends, I apologize, apologize. wish you all the best. All my friends, I wish you a happy Christmas. We wish you a happy Christmas.

- So I have the number 235, and we can think of that as 2 hundreds, we have a 2 in the hundreds place so 2 hundreds, 3 tens, we have a 3 in the tens place, so 3 tens, and 5 ones, we have a 5 in the ones place. And over here I've actually drawn it out with that many boxes, this is 235 boxes. So you have 2 groups of a hundred boxes, so this is 2 hundreds, then we have 3 tens, 1,2,3. And then we have 5 ones. Now let's try some interesting things here. So what happens if I were to add 10 here. Well adding 10, we're just adding 1 ten. We're just adding 1 ten. So if we add 1 ten, what's going to happen? Well, over here I need to add one more 10, I've got to add this 10. So what's it going to look like? Well that, the next 10 is going to look like this. Let me see if I can draw it pretty fast. So we have one, two, three, four, five, six, seven, eight, nine, and ten. One, two, three, four, five, six, seven, eight, nine, ten. So I just added a ten. So what does that leave us with? Well if I had 3, if i had 3 tens, and I have 1 more ten now, now I'm going to have 4 tens, now I'm going to have 4 tens. I'm gonna do that in that yellow color. So now I'm going to have 4 tens. I'm still going to have 5 ones, 5 ones, I'm still gonna have 5 ones, I'm not adding any ones there. So I'm still going to have 5 ones, and I'm still going to have 2 hundreds, I'm not adding any hundreds there, so I'm still going to have 2 hundreds, 2 hundreds. So now it's going to be 2 hundreds, plus 4 tens, plus 5 ones. 2 hundreds plus 4 tens plus 5 ones. Well what's that going to be? Well, 2 hundreds, plus 4 tens, plus 5 ones: 245. Let's do one more. Instead of adding a ten, let's add a hundred. So let's do that, let me see if I can clear all this stuff out, so... So instead of adding 10 lets add 100 here, so I'm going to add, so plus, let's add 1 hundred, 1, I'll actually do it in yellow and in blue. So I'm adding 1 hundred, 0 tens, and 0 ones. So essentially just adding 1 hundred. So this is going to be equal to, so plus 1 hundred. So plus 1 hundred, so what's that going to get me? Let me draw it out here, let me copy and paste. I have 2 hundreds before but now I'm going to add 1 hundred. So let me just copy that, and let me paste it. So now, how many hundreds do I have? How many hundreds do I have now? Well now i have one, two, three hundreds. I have 3 hundreds. So over here, I had 2 hundreds, I'm adding one more hundred right over here so now I have 3 hundreds. Over here I could say that now I have 3, 3 hundreds. Now, are the number of tens, have they changed? No, I had 3 tens before, and I'm not adding tens this time so I'm still going to have 3 tens, and I had 5 ones before and I'm not adding any more ones so I still have 5 ones. So I have 335, which is the same thing as 3 hundreds plus 3 tens, plus 3 tens, plus 5 ones, plus 5 ones.

How to make an origami manatee Instructions in English. Video instructions to make a manatee in origami Start with a square piece of paper. Put the colored side on top. Fold and unfold the two diagonals. Turn the model to the other side, and rotate by 45 degrees. Fold the top right and the bottom right towards the horizontal axis. Fold the left tip slightly towards the right. Unfold the two right flaps. Fold the top left and the bottom left towards the horizontal axis. Slightly open the two folds on the left and fold again the two folds on the right. Flatten the folds towards the left. Turn the model to the other side. Fold the bottom of the model over the top of the model. Fold the tail. Start the fold in the middle of the right top side, and fold so that it touches the tip of the flap. Unfold the tail and open the model. Invert the tail fold at the bottom and fold again the top fold. Fold the model in two again. Fold the right tip towards the left, slightly upwards. Unfold the fold you just made and open the flap. Invert the fold of the tip and fold it inside the model. The tip is on one side and the model is not completely symmetric. Fold the flipper (fin) towards the right. Turn the model to the other side and fold the other flipper. Make two small folds inside for the snout, and flatten the tail. Your manatee is ready to swim and graze plants from the bottom of the sea! Don't leave your manatee alone, and fold a whole family of manatees! :-) You can also make the tail point towards the top instead of the bottom. I hope you like this model and this video! Please share and like the video. :-) And comment if you liked it! Thank you!

One of the categories of plotting the rational numbers on the number line, is when the numerators are less than the denominators. Let's try to plot '1 by 2' and 'minus 1 by 2' on the number line. First, we see how we can plot '1 by 2'. The numerator 1, is less than the denominator 2. When the numerator is less than the denominator, the positive rational number will be between 0 & 1. So we draw the number line like this. The number '1 by 2' has to lie somewhere between '0 & 1'. Now we divide the length between 0 & 1 into equal parts. How many equal parts is the question. The denominator tells us the number of equal parts. The denominator is 2. So we divide it into two equal parts. This line divides this region into two equal parts. But what does the numerator tell us? It tells us the number of parts starting from 0. The numerator is 1. And therefore we take one part from '0' and mark '1 by 2' here. We can use the same procedure to mark 'minus 1 by 2' on the left side of 0. Divide it into two parts, and mark 'minus 1 by 2', one part away from '0'. Just as integers had corresponding values, Rational numbers too have Corresponding values. In our example, 'minus 1 by 2' corresponds to '1 by 2'. Let us look at another example where the numerator is less than the denominator. We have to plot '3 by 4' and 'minus 3 by 4'. Let us plot '3 by 4' first. Since the numerator is less than the denominator, we know that the number will be between 0 & 1. So we draw the number line like this. With just 0 & 1 plotted. Remember, the denominator tells us the number of equal parts. Since the denominator is 4. We divide the length between '0 & 1' into 4 equal parts Drawing these three lines gives us four equal parts. Now we move to the numerator. The numerator tells us the number of parts from the number zero Since the numerator is three we move three equal parts from zero. One, two, and three. So we mark 'three by four' here. Now let us plot 'minus three by four'. Since 3 is less than 4. And the Rational number is negative, we know that will come between '0 and minus 1'. We divide this length into four equal parts as the denominator is 4. And we mark 'minus 3 by 4', 3 parts away from zero. That's it. We have plotted the points. But let me ask you a question. You have plotted the numbers '3 by 4' and 'minus 3 by 4'. But do you know which numbers are plotted on these points? Here's your answer. Since this is one part, we mark '1 by 4' here. Since these are two parts, we mark '2 by 4' here. Similarly, we can plot 'minus 1 by 4'. And 'minus 2 by 4' here. This was just for your understanding. And you don't need to mark all the points if you're asked to mark just '3 by 4' and 'minus 3 by 4'. In the next video we will look at an example, in which the numerator is greater than the denominator.

Christopher Carbone: Hello, and welcome to the third part of this section two point two, the derivative as a function to continue on. We have this example Here, in example, four, if F. Of X is equal to X cubed minus x. We want to find and interpret F. Prime of X and F. Double prime of X. Christopher Carbone: So to find um these particular values, let me do a part of this work up here, for right now to get that value of F of X plus h minus F of X, divided by H. Christopher Carbone: Based upon our function. Christopher Carbone: This is going to be Christopher Carbone: x plus h Christopher Carbone: cubed Christopher Carbone: modest exposure. Christopher Carbone: Manus Christopher Carbone: X cubed minus x, Christopher Carbone: all divided by H. Christopher Carbone: So we need to expand that output. Which is why i'm doing this up here, Christopher Carbone: expanding out this X plus h cubed. This makes x cubed. Christopher Carbone: What's the way Christopher Carbone: x squared h Christopher Carbone: plus three Christopher Carbone: x h squared plus h cubed is Christopher Carbone: minus x minus h minus x cubed, Christopher Carbone: plus that Christopher Carbone: all divided by it. Christopher Carbone: So a few of these Christopher Carbone: he's a we cancel out. Christopher Carbone: Why, we are the to us Christopher Carbone: three x squared h Christopher Carbone: plus threex h squared Christopher Carbone: plus h cubed Christopher Carbone: minus h, Christopher Carbone: all divided by H. Christopher Carbone: I'm nasty Christopher Carbone: that cancers out a bit just to leave us three x squared. Christopher Carbone: It was three x h Christopher Carbone: plus h squared minus one. Christopher Carbone: So for the F prime of x Christopher Carbone: be in that limit Christopher Carbone: h approaches zero. Christopher Carbone: This F of x plus h minus F of x, divided by H. Christopher Carbone: We can Well, let me write that step first. Actually, this is of x plus h Christopher Carbone: cubed Christopher Carbone: minus x plus h, minus X cubed Christopher Carbone: minus x, all divided by H. Christopher Carbone: This amounts to just nicely the limit Christopher Carbone: as h approaches zero of threex squared plus threexh plus h squared minus one, and Christopher Carbone: that makes nicely Christopher Carbone: threex squared minus one Christopher Carbone: for that second derivative Christopher Carbone: all that Christopher Carbone: we are going to have the limit. Christopher Carbone: H approaches zero. This will be now using the derivative Christopher Carbone: um Christopher Carbone: three times x plus h Christopher Carbone: squared minus one Christopher Carbone: manus Christopher Carbone: threex squared minus one, Christopher Carbone: all divided by H. Christopher Carbone: So to find this one Now we need to expand this, Christopher Carbone: so this will be the Christopher Carbone: as h approaches. Zero. Of Christopher Carbone: this would be three x squared Christopher Carbone: plus six xh Christopher Carbone: plus three h squared Christopher Carbone: minus one Christopher Carbone: minus three x squared, plus one, Christopher Carbone: all divided by it. Christopher Carbone: So again, a few things cancel Christopher Carbone: limit Christopher Carbone: as h approaches zero over. Christopher Carbone: Yeah, of this will be three. Christopher Carbone: So a couple of things cancel out here which will be nice without the for six xh Christopher Carbone: plus three h squared, Christopher Carbone: and that will be divided by H, which gives us the limit. Christopher Carbone: H approaches zero of sixx plus Christopher Carbone: three h, Christopher Carbone: which just gives us six x when we put in zero for H. Christopher Carbone: So the acceleration Christopher Carbone: in general, the second derivative is interpreted as a rate of change of a rate of change. So if we have S is equal to S. Of T. Being our position Function of an object that moves in a straight line. The first derivative is the velocity V. Of T. Christopher Carbone: The object as a function of time, so V of t is equal to s prime of T, which is Ds over Dt. Christopher Carbone: The derivative of the velocity function, which is the second derivative. Of the position. Function is the acceleration function. So A. Of T. Would be equal to V. Prime of T, which is the second derivative of S of T. Christopher Carbone: In Lebanese notation A is Dv. Over Dt. Or D squared s over Dt. Squared Christopher Carbone: the third derivative to go even higher. Christopher Carbone: Triple prime is the derivative of the second. Derivative so f triple prime is the second derivative prime Christopher Carbone: and f triple prime of X can be interpreted as the slope of the curve. The Christopher Carbone: Y is equal to F double prime of x, or as the rate of change of F double prime of X and Lebanese notation. This is expressed as y triple prime is equal to F. The triple prime of F of X is equal to d over dx of d squared y over dx squared, so that being d cubed y over d x cubed, Christopher Carbone: and we can interpret now that third derivative of our position function s so s triple prime being equal to the S. Double prime prime is equal to a prime. The third derivative of the position function is the derivative of the acceleration function, and this is called the jerk Christopher Carbone: of the motion. This jerk, the jerk is the rate of change of acceleration. So a large jerk is a sudden change in acceleration which causes in a buff movement, or that joking around, such as like with the car. If you shook Christopher Carbone: one direction while trying to change lanes or something. Christopher Carbone: Lebanese Notation J. Would be da over Dt. Which will be d cubed s over Dt. Cute. Christopher Carbone: So this is the third part of section two point, two on that derivative as a function B in the lookout for the fourth part. Christopher Carbone: Thank you.

hi everyone today we're going to talk about how to use the quadratic formula to solve for the roots of a quadratic function to complete this problem we'll identify components of our quadratic function plug them into the quadratic formula and then simplify the quadratic formula to solve for the roots of the function let's take a look in this particular problem we've been asked to use the quadratic formula to find the roots of the function f of x is equal to one fourth x squared minus two x plus three the first thing we need to recognize when we're talking about the quadratic formula is that we can only use the quadratic formula when we have a quadratic function and in this case we do have a quadratic function because our function is in the form a x squared plus bx plus c which is the form of a quadratic function this format for a quadratic function recognizes that there are three constant coefficients a is a constant coefficient and in our case that's one fourth which is the constant coefficient on the front of x squared we have a constant coefficient of b which is in front of an x to the first variable and in our case that's negative two it's always important to include the negative sign that's there and then we have the constant value here c with no x variable attached and ours in this case is just three so because we have the same format coefficient multiplied by x squared plus or minus coefficient times x to the first power plus a constant we know that we have a quadratic function so given that we have a quadratic function with these three values we can use the quadratic formula to solve for the roots of this function normally given a function like this our first choice to solve for the roots is just to factor the function but that's not always possible and when we can't factor it one of the things we can do is use the quadratic formula so as you can see with our quadratic formula we have the same values shown in our quadratic formula we have b we have a here and we have c here so let's go ahead and use the quadratic formula to solve for the roots of our function so we'll say that x the root of our function will be negative b we know that b here is negative two always include the negative sign if it is there so negative negative two plus or minus the square root of b squared we know that b is negative two so we'll plug in negative two minus four times a we know that a is one fourth times c we know that c is three so we enter all those values that's all underneath our square root sign and then we divide the entire numerator here by two times a and a and our quadratic function is one fourth so once we have all of our values plugged in we just need to simplify as much as we can so we have a negative negative two which will give us of course a positive two plus or minus the square root negative two squared gives us four four and one fourth here will cancel with one another and just become one and we'll be left with three so we'll get four minus three underneath the square root sign all divided by two times one fourth which will just give us one half when we simplify further we see that we'll get two plus or minus the square root of one which we know will just be one all divided by one half dividing by one half of course is the same thing as multiplying by two so we'll get two times two plus or minus one so we'll get two roots here for x we'll get x equals two times two plus one and we'll get x equals two times two minus one the first root of course will just give us six the second root will give us two and that's it these are the roots of our function that's how you use the quadratic formula to find the solutions to your quadratic function so I hope you found that video helpful if you did like this video down below and subscribe to notified of future videos

To create Tattoo android application Download unity package to slider images on https://github.com/walidabazo/Unity-Swipe-Slide-Show-Tutorial and import to your project Rotate images Button Zoom out button images zoom in button images Very simple code to can be change it add or remove images (Notes: Not need to Developer to change ) To change rotate scale To change zoom in scale To Change zoom out scale now we will add new image it slider Add New Image Copy And past Level images and rename it Change position New image in slider Change Image name Copy and past large image and rename it now will add new image name in code Add on game object new small image name On load hide this image On rotate button add new image name to change and rotate it copy and past other image and change image name On zoom in button add new image name to change and rotate it copy and past and rename image name On zoom out button add new image name to change and rotate it copy and past and rename image name must be change on event target new button function name import vuforia SDK

For this problem, we want to rewrite the log base four of 9X squared Y squared over the square root of Z as an expression of simpler logarithms. First, we can see that there's division within the logarithm, so we can use the quotient property to rewrite this as the log base four of 9X squared Y squared minus the log base four of the square root of Z. Here, we can see that there's multiplication within the log, so we can use the product property to rewrite this as the log base four of nine plus the log base four of X squared, plus the log base four of Y squared minus the log base four of the square root of Z. We can take a closer look at these two logs to further rewrite this as the log base four of three squared plus the log base four of X squared plus the log base four of Y squared minus the log base four of Z to the 1/2 power. Now we can use this last property to bring down all of the exponents. So this becomes two times the log base four of three plus two times the log base four of X plus two times the log base four of Y minus 1/2 times the log base four of Z. This cannot be extended any further, so this is the final answer.

We're born blind there's nothing than black When your journey ends that state comes back While we're waiting for the endless night We'll watch how fade the last strips of light So...everybody dies alone Life has no purpose on its own We are all on the way just to the end Deep into the void our souls will blend You may pray to the great beyond But you'll never have respond Life's the one you truly love But with death you'll spend aeons and above Life's a b^tch Call it by the name Whatever gives you Gonna take what you've reached This b^tch will leave you finally Take everything you have The more you wanna live The more you gonna lose Betray you Forsake you She hates you She's in you Rest in dust One day I'll disappear I'll be gone Like a dream when you're awake So, like a fetus before it's born I don't give a fuck If I would live or die Eight bilion lives will fade in 100 years After the salty rain of tears Dig into the mud to be forgotten Dirt is the place where dreams are rotten Ideas you so deeply care today Like thrash will be thrown away The truth we have to to face Life is the pure act of waste Life's a b^tch Call it by the name Whatever gives you Gonna take what you've reached This b^tch will leave you finally Take everything you have The more you wanna live The more you gonna lose Betray you Forsake you She hates you She's in you Rest in dust This b^tch will leave you finally Take everything you have The more you wanna live The more you gonna lose Betray you Forsake you She hates you Rest in dust She's in you

well if you don't know that it's a big fucking CIA plot by now then you're fucking stupid aye hmm ISIS and ISIL or? Isis is ill are they not yeah Isis the money what do you do with a fucking dollar sign that's two fucking I's and an S isn't it? or! two S's and the two I's it's the fucking ISIS Isis is their money and it's ill ISIS ISIL hmm they've got no fucking money so they need a war so what are they pulling on you they're fucking turning up the heat on the fucking pot are they not yes so once they turn the heat up on the pot you people are going to all go like a fucking pressure cooker which was what Boston was all about fucking explode which is what they're doing right now and they're doing it all the way around the world and they've done it many times over and I've watched it fucking happen many times over ok and this is what the fucking all the fucking biker burqa and bigots all about and the biker and the burqa and the bigot are the three fucking people in Australia that they want to fucking rev up and turn the fucking heat on the pot on you understand? so all the bikers and all the people with burqa's the Muslims and all the bigots which they're calling the fucking neo Nazi fucking whatever bigots so we've got the neo-nazis we've got the Muslims and we've got the bikers the three people in Australia that they want to turn the heat up so while they sit there and mock the three people they want to turn the heat up in Australia at the Parliament fucking steps with some fucking big meathead fucking salami necked fucking under agent fucking undercover fuckin i should say fucking agent talking about fucking wank! for some government ploy who we're never going to see again because he's a faceless man remember? so a faceless man that just pops out of fucking say Pine Gap and just you know appears on the fucking doorstep of the Parliament wanks on about burqa's bigots and bikers and tells yous all this fucking shit to say their trying to fucking make the fear not so much fear but they're just trying to fucking turn the heat up! on the fucking pot just like they're doing with Ebola and all this stuff they say oh they don't want fucking all this fear with Ebola but they want you fearing Ebola they want you're staying indoors they want you fucking thinking if you go to hospital you're gonna fuckin you know oh my god be fucking more fucked up at hospital then you're going to be at fucking home they want you to fucking think that the whole world is going to fucking collapse because they're collapsing it's a big Nazi CIA ploy because it's happened before in Germany they fucking did this when they lost all their fucking money and made the Reichsmark and the reichs mark is the fucking little IOU that we fuckin do with the Queen the queen is the I owe you money plastic fucking bullshit and then what are they doing now? they got this fucking look! the burqa Avenger the burqa Avenger well what are they doing with this burqa Avenger? they're trying to fucking piss off the Muslims more they're trying to rub salt in the Muslims faces because the Muslims don't believe in fucking idols do they so they're idolizing things their fuck en idolizing this burqa Avenger hero fucking person that goes around and does all this shit so while they make you Westerners believe that they're doing such a good thing their rubbing salt and vinegar into the wounds of the Muslims and trying to fucking rev them up so! we've got two sides of the story here and you people are so dumb and insipid that you fucking follow the fucking wrong side of the fucking story don't ya yeah and you go oh me oh pity oh blah blah blah empathy I'm a woman and fucking nurture fucking western shit because you can't see past your fucking stupid you know? sill in your fucking mind that makes fucking sense because they've already raped that from you because you're a Western woman and you fucking believe in all the shit that they feed you right! yeah so instead they're going to fucking tell you all this fucking wank and then give you a tax reform and up your fucking petrol and do all this fucking bullshit because Abbott's a fucking cunt yeah! Abbott the fucking cunt all the while ISIS is AL-CIA-DA and it's their fucking plan because they're fucking broke because Isis is ill do you understand? I hope you fucking understand cause I'm fucking really still tired and it's early and it's the day after my birthday and it was the worst birthday I've ever had considering ah? fucking last year which was fucking the worst-test birthday in my fucking life :( all right! so here we go mmm Abbott looking down on the people over his glasses like you're a little fucking shill yeah like you're his little child and he knows all fucking better for you because that's how you fucking are! in the eyes of fucking government because they want to fucking govern you because that was there meant do you understand? no! you don't because you're fucking stupid is that right? yeah oh okay well fucking swe swine jump fucken jumping off a cliff into a fucking sea isn't that what it's all about? yeah you're the swine you're on the cliff and you're about to jump off into the sea and what's that mean huh? the swine jumping off the cliff into the sea while you're on the razor's edge the sea is the fucking people and you're the swine so do that fucking math yeah right you're all on the razor's edge this shit's gonna fucking hit the pan fan and in the pan you know? the fuckin panic button pan up in the sky mmm the fucking pan eh and fucking shits gonna hit the fan and guess what hmm? you're all in the sea of people the masses of people that you've already pissed off that they're turning the fucking heat up on the fucking pot hmm right! and the swine are going to be eaten alive yeah by the demons that they're already full of that they've already fucking put into you because you're all Western fucking idiots that are hypnotized under a fucking spell and they're just loving this spell that they're going to fucking rev up on you right now because CIA's in Australia like I've told you over and over and over and over again that's why if you turn on the fucking television lately then everything on the television that you're seeing is fucking setup and it's there to fucking force fear into you while they tell you how they're trying to take the fear away well? just do the math and just look at it and fucking hello where's all the fucking taking the fear away hmm! I don't see any of it at all do you? because David Cameron and this wanker shill protection boy I see a camera chasing a Secret Service agent to make a point do you? yeah while this fucking boy runs across with a white little fucking thing in his hand like a little white dove of peace running into fucking David Cameron oh no fuckin Secret Service agent the count looks like fuckin Russell Brand is this a Russell Brand fucken ploy is it? like Russell Brand's little point to make a fucking point of their fucking shit so he you know everybody's like oh little secret fucking oh this little Russell Brand dude run over with a fucking white thing in his hand and ran into fucking David Cameron and oh all of a sudden the Secret Service agents all have to fucking pull all this new fucking shit and laws and fucking stuff because you're all fucking you are all fucking under the thumb you know? already! I mean like that's fuckin the case heh yeah and the fucking I mean fuck! look at this shit making a point mature meat hmm what about mature meat? well seven minutes mature fuckin meat isn't it about the wheat and the fruit well? you're fucking its the wheat and the fruit is it not where you wait for mature meat well what's it about the fucking young? the young you fucking eatin young lambs you're eatin young fucking food! what's about the fucking young all about isn't it about the fruit and the meat well we have to wait for fruit to fucking get mature don't you? yeah have to wait for the wheat to get mature before you eat the wheat and the fucking fruit! so what are you doing eating? fucking young meat isn't that the whole fucking point isn't that the point! of the fucking scriptures symbology are yous fucking stupid or something? or are yous living in the fucking past I don't understand! isn't it all about the Renaissance well? this whole fucking plague shit they fuckin put the plague on Vietnam didn't they? the Black Plague they dropped it on Vietnam well talk about Ebola why is Ebola coming from fucking Africa huh? do the fucking math why do yous all eat young meat for hmm? why do you eat young meat for why? you fuckin wait for the wheat to get fucking mature you wait for the fruit to get fucking mature you're as dumb as fucking not understanding burqa's well burqa's is just like a fucking doll isn't it? you give a fucking child a doll they grow up to fucken go oh I'm going to grow up and be a mother I'm going to fucking look after and nurture a doll yeah! well they have to nurture themselves first so you give them a burqa don't you! you put a burqa on them and you teach them how to be a lady is that not the whole point? because once you fucking teach them how to be a lady they don't need the burqa so much in life later on because they're already a fuckin lady just like when you give a child a fucking doll they fucken grow up and go oh I want to fucking be a mother and i'm going to fucking grow up and nurture a doll and you have to don't fucking teach that later on in life do ya! to them nah you stupid fucking cunts I mean its it fucking just speaks for itself it's as simple as fucking this mmm look under a rock and the truth is there lift a piece of bark and you shall find me the secret fucking sayings of Jesus fucking Christ hmm wake up are yous fucking daft or something? I can say more shit but I'm going to have to turn it off because stupid rules on fucking Facebook and fucking YouTube and if you want this YouTube account? to fucking you know fucking go some go places i'd say you fucking should start spreading my fucking videos thank you very much

Ryan: It's like no time at all has passed Ryan: i forgot what I was doing Ryan: that's it tha- it's all over Ryan: well we left it on all night Ryan: yeah it was still on Ryan: I've uh Ryan: I've forgotten how to do this first part already Ryan: tha- this is this is the end of the episode man we Ryan: I wasn't Ryan: I wasn't expecting to be there Ryan: oh Ryan: I promise I will never look at you Ryan: Downside really of the (mumbling) slow mo is that it takes much longer to clear the screen Ryan: uhhh Ryan: no I I was just (mumbling) Ryan: (mumbling) is what happened I usually go over Ryan: oh Ryan: yep Ryan: you go to a happy place Ryan: I Ryan: (mumbling) to do that Ryan: field? Ryan: a little bit more to the right Ryan: it is a bitch cunt gap Ryan: yes you are Ryan: it's the royal we Ryan: there it is! there it is! Ryan: go over there Ryan: there it is Ryan: ohhhh Ryan: oh Ryan: (unintelligible yelling) Ryan: aw Ryan: (something about doors) Ryan: oh oh Ryan: fuck Ryan: weeeeeee Ryan: what's he up to these days Ryan: like remember when uh Ryan: fuckin' what's his face Ryan: uh Ryan: (mumbling) uh the guy (more mumbling) Ryan: married uh Kardashian Ryan: yeah the dude who [sold?] a thousand dollar t-shirt Ryan: remember when he was rich? Ryan: uh Ryan: nooooooooooooooooo Ryan: weeeee Ryan: that might be the farthest we ever see in this level Ryan: people you don't want to spend hours with Ryan: Michael Bay had a back and forth with Megan Fox right Ryan: I mean (mumbling) Ryan: who's got my basketball Ryan: oh yeah it was amazing Ryan: awwww Ryan: burn it Ryan: get that subject outta here Ryan: I wonder what (mumbling) time this comes out Ryan: this video Ryan: you're not married Ryan: (mumbling) Ryan: he's getting testy Ryan: follow the line Jack don't get smart Ryan: well the one that you keep dying on you do need cause of the Ryan: fire trail Ryan: that is true Ryan: I think that it's just a (mumbling) delay Ryan: that one right there you don't need Ryan: but that one you do Ryan: not anymore you don't Ryan: how long is it gonna take to do all that again Ryan: we may be making it Ryan: they'd probably just go like Ryan: oh I can just walk three feet to the left and I'll be fine Ryan: boy it'd be real dumb to walk through this in two dimensions Ryan: yeah there was a uh a frame (mumbling) Ryan: no you were already bad Ryan: th-uh this game is such a rhythm timing based thing Ryan: yes Ryan: uhhh Ryan: yeah Ryan: we got like motion sensor Ryan: uh they calibrate Jeremy: heyo! Ryan: the line gave up! Ryan: yeah I figured (mumbling) Ryan: or we could just roll back the footage then analyse it real quick Ryan: what is this new reality I'm not prepared for this! Ryan: you know what? (mumbling) I also I'll go to whataburger in the morning and get a potato egg and cheese with Ryan: ham in it Ryan: I will say though that whataburger their potato is uh they put a hash brown in it Ryan: which is a little weird Ryan: but it's crunchy so I kinda like the texture Ryan; oh no you can - eggs are the easiest to mess up Ryan: oh yeah Ryan: they're not hard to cook Ryan: over cooking eggs is also pretty bad Ryan: it is right awful Ryan: yeah Ryan: right Ryan: I mean Ryan: this is why you eat it over a piece of paper Ryan: it's like you've been pavlovia- I tried it and I almost got it Ryan: (mumbling) attached to [a 2D line?] Ryan: (eating something) I knew I probably wouldn't be able to say it but I took the risk alright Ryan: that's what life's about Ryan: that is my problem I just need to stop pretending to use real words Ryan: oh I don't know I think we've done worse Ryan: I mean honestly this game at this point is more like playing music than it is playing a game Ryan: you're like a drummer you got to get the beats Ryan: how many times do you think he tripped that day? Ryan: paralyzed themselves probably Ryan: well you - you gotta sample them Ryan: (mumbling) bad grapes Ryan: see the- they scared me away from that idea Ryan: cause it's like ah now there's pesticides on it you got to wash them Ryan: so Ryan: yeah Ryan: [all the?] loose fruit Ryan: I just assume it's like every piece of loose fruit that I come across had a whole life before it met me Ryan: and maybe it took some hard choices Ryan: well no if it's in a package Gavin it's safe Ryan: that's just- that's just common sense Ryan: yeah Ryan: bags means that it's safe Ryan: no-he-uh-that that was it he was on it Ryan: maybe the next one will be shorter Ryan: ah! Ryan: there's- hey look everyone's got a limit somewhere right Ryan: yeah Ryan: it was nice Ryan: we were already like [at 280?] by that point Ryan: it's an achievement Ryan: for Michael Ryan: that would be great Ryan: that would be like uh Ryan: d-uh Ryan: gamerscore achievement just like a light achievement Ryan: yeah Ryan: I think you've asked that like a bunch of times Ryan: and the answer is uh I think now no Jeremy: bucket Ryan: uh what Ryan: uh I don't know you've asked a lot of uh ice related Ryan: I mean Christmas is coming up Ryan: you did Ryan: we- are they from like different sides Ryan: was he like revealing secrets or Ryan: either were inconvenient Ryan: oh! Ryan: (mumbling) we got an hour to go before (mumbling) pewdiepie Ryan: it's five pm British is what it was Ryan: I don't know Ryan: now Ryan: you know what? I'm gonna look Ryan: alright ok he uplo- he uploaded his video an hour ago Ryan: the channel still exists *realisation* Ryan: hey guess what? Ryan: look as this Ryan: this'll be good you're welcome with difficulty I got you sorta covered [and i... tried to help]

Voltage and current transformers Data Conversion ratio of voltage transformers By double-clicking on the voltage card, the Card Properties window opens, in this window the signals of the card are given. In the row of voltage signals starting with the letters PT, the conversion ratio of the network voltage transformers is specified. In primary column, the nominal voltage of the primary side and in the Secondary column, the nominal voltage of the secondary side of voltage transformers is selected. It should be noted that this conversion ratio should be adjusted separately for each voltage input of the card. If the desired value is not available, a new value can be added to Primary or Secondary by selecting the Add New option. For example, here the value of 230,000 volts for the primary and the value of 110 volts for the secondary are selected. By clicking on the Save option, the changes in this window are saved. Conversion ratio of current transformers Similar to the previous case, the Card Properties window opens by double-clicking on the current card, in this window in the row of current signals starting with the letters CT, the conversion ratio of the network current transformers is specified. In the Primary column, the nominal current of the primary side and in the Secondary column, the nominal current of the secondary side of the current transformers is selected. If the desired value is not available, a new value can be added to Primary or Secondary by selecting the Add New option. For example, here the value of 1000 amps for the primary and the value of 1 amp for the secondary is selected. By clicking on the Save option, the changes in this window are saved. Note: In this window, you can also access the other cards in the other units. To do this, first, in the Units field, the desired unit is selected and then in the Unit Cards field the desired card is selected. If changes are made, first the user is asked if the current card settings are saved or no, if you want to save the settings, you should click on save option.

Oh gabru de hatan vich dang jachdi (Stick look good in my hands) Tere paira vich sohniye panjeb jachdi (Your ankles looks good with anklets) Oo kurte pajamea ch fabbe gabru (I look good in kurta pajama) Ni tu chakmein je suita vich bhali jacchdi (You also look good in suits) Ho chobra de seene utte paun boliya (Boy become crazy) Jo akhian ne billo surme ch dhalia (When you apply kohl in your eyes) Oye aap de layi jattiye mangaya asla (For me I bought a gun) Ni mein tere layi mangayia london to walian (And for you brought hoop earrings) Oo turdi ae jado kude vair painde ne (When she walks people fight for her) Ho gabru de nitt tere shehar painde ne (Boy also gets involved in fight everyday) Je tainu kude maut da saman akhde (If they call you killing machine) Te jatt nu vi vairy billo zehar kehnde ne (Then they also call me death) Oo turdi ae jado kude vair painde ne (When she walks people fight for her) Ho gabru de nitt tere shehar painde ne (Boy also gets involved in fight everyday) Je tainu kude maut da saman akhde (If they call you killing machine) Te jatt nu vi vairy billo zehar kehnde ne (Then they also call me death) Oh sone diya mundia kara du gabru (Boy will get you gold earrings) Das di tu billo kinnia ne saaliya (Just tell how many sister in laws I have?) Oye aap de layi jattiye mangaya asla (For me I bought a gun) Ni mein tere layi mangayia london to walian (And for you brought hoop earrings) Oh rang ae sandoori ganne diye poriye (Your skin tone is really fair) Ho dolled up ho ke rehndi tu ae shoriye (You really look beautiful) Oh chaal teri biba hirni de wargi (You have walk like deer) Ho gabru de dil nu sataundi goriye (You make me suffer) Rang ae sandoori ganne diye poriye (Your skin tone is really fair) Ho dolled up ho ke rehndi tu ae shoriye (You look really beautiful) Oh chaal teri biba hirni de wargi (You have walk like deer) Ho gabru de dil nu sataundi goriye (You make me suffer) Oh jita jita jita pind manko da ni (Jita from manko village) Tere piche chakki firda dunalia (Carries gun because of you) Oye aap de layi jattiye mangaya asla (For me I bought a gun) Ni mein tere layi mangayia london to walian(And for you brought hoop earrings) Ni mein tere layi mangayia (And for you brought hoop earrings) Ni mein tere layi mangayia london to walian (And for you brought hoop earrings) Oye aap de layi jattiye mangaya asla (For me I bought a gun)

Do not love half-lovers Do not entertain half friends Do not indulge in the works of the half-talented Do not live half a life And do not die a half-death If you choose silence, then be silent When you speak, do so until you are finished Do not silence yourself to say something And do not speak to be silent If you accept, then express it bluntly Do not mask it If you disagree, be clear about it An ambiguous refusal is simply a weak acceptance Do not accept half a solution Do not believe half-truths Do not dream half a dream Do not fantasize about half-hopes Half a drink will not quench your thirst Half a meal will not satisfy hunger Halfway will get you nowhere Half an idea will yield no results Your other half is not the one you love It is you in another time yet in the same space It is you when you are not Half a life is a life you didn't live A word you have not said A smile you postponed A love you have not had A friendship you did not know To reach and not arrive Work and not work Attend only to be absent What makes you a stranger to those closest to you And they are strangers to you The half is a mere moment of inability But you are able for you are not half a being You are a whole that exists to live a life Not half a life

*Dog toy noise* You have a butt (butt). You like butts (butts). Nej, you love butts (butts). But you don't like your butt (butts). Your butt annoys you (butts). Sure, you sit on your butt (butts), your butt is the top of your legs (butts) You wouldn't look right without your butt. (butts) You can't get rid of your butt (butts), you just wish it looked like a different butt (butts). You like this butt and this butt but not your butt. Why you do dis, butt? Why can't you be this butt? Gotta make a new butt. Make your (inaudible) look like a different butt. A better butt, a butt's butt, a butt to end all butts. You think about your butt and then you butt. You dream about your butt and then you butt. You eat and think about your butt, you cry and think about your butt. Why must you defy me, butt? DAMN YOU, BUTT! You look at pictures of butts, try to get a buttspiration. An inspriation for your butt. Your butt is sore from butting, ouch my butt. "I can't butt anymore," says your butt, but you continue to--

120 Hz Refresh Rate on 14 pro max & 13 pro max iphone 13 pro max have 1000 nits peak brightness But iphone 14 pro max have 2000 nits peak brightness Both smartphones comes with 12 MP Selfie Camera We can record 4k 30fps on both smartphones using 12mp selfie camera But we can shoot videos like cinematic mode using 4k 24/30fps in iphone 14 pro max ( iphone 13 pro max have only 1080p in cinematic mode) Both smartphone comes with triple camera setup on main camera section The iphone 13 pro max have 12 mp triple camera setup ( 12+12+12 ) Camera Setup But iphone 14 pro max have an upgraded 48MP Camera ( 48+12+12 ) camera setup Hmm..It's a good upgrade from apple We can shoot 4k 30/60fps videos using 14 pro max and 13 pro max We can shoot 4k 30fps cinematic videos on both Smartphones iphone 13 pro max have 4352 Mah battery capacity But iphone 14 pro max have 4323 Mah battery capacity only Both phones supports 20W fast charging and it help to complete 50% at 30 minutes iphone 13 pro max have A15 Bionic chipset with ios15 And the iphone 14 pro max have an upgraded powerfull A16 Bionic chipset with ios16 iphone 13 pro max have 160.8mm height But the 14 pro max only 160.7mm height 7.6mm thickness on iphone 13 pro max 7.8mm thickness on 14 pro max 238g Weight on iphone 13 pro max and 14 Pro Max have 240g weight Both phone supports IP68 Water & Dust Resistance Both Smartphones build at seramic shiled stainless Steel & powerfull quality Ok , why i not choose the 14 pro max to buy ? The reason is iphone 14 pro , it is more better than 14 pro max and the features are same but the price is lower than 14 pro max

[music plays] London Bridge is Falling Down London Bridge is falling down, falling down, falling down. London Bridge is falling down, my fair lady. Build it up with wood and clay, wood and clay, wood and clay. Build it up with wood and clay, my fair lady. Wood and clay will wash away, wash away, wash away. Wood and clay will wash away, my fair lady. Build it up with bricks and mortar, bricks and mortar, bricks and mortar. Build it up with bricks and mortar, my fair lady. [let's fix that bridge] [children yelling] [clap your hands] [clap, clap] Bricks and mortar will not stay, will not stay, will not stay. Bricks and mortar will not stay, my fair lady. Build it up with iron and steel, iron and steel, iron and steel. Build it up with iron and steel, my fair lady. Iron and steel with bend and bow, bend and bow, bend and bow. Iron and steel will bend and bow, my fair lady. Build it up with silver and gold, silver and gold, silver and gold. Build it up with silver and gold, my fair lady. London Bridge is falling down, falling down, falling down. London Bridge is falling down, my fair lady. [music plays] [cheering]

Whose the life change, The mindset change too, Yeah, How you do, Don't stuck on your mindset, Yeah, yeah, yeah, yeah, All thing we think, Is mindset, All works we do, And how we link them, Mindset, Mindset, Mindset, All thing we think, Is mindset, All works we do, And how we link them, Mindset, Mindset, Mindset, Teach fellow class, When still are student, Then you go behind them, Behind them, Smoking smokin shit, Getting nothing, I mean no profit, For all the profecy you heard from officers, You put a cross in it, Cause of the mindset, Looking for money, You call men honey, Reach on the door, Then you call on your phone, Trying to taste way you were born, You never know that your dady was boss, And then you compare with your boy high dose, And then you know that your mom was miss, I don't the source of mess you have, N*** you need to change your, Mindset, N*** you need to deal with your, Yeah, yeah, yeah, yeah, All thing we think, Is mindset, All works we do, And how we link them, Mindset, Mindset, Mindset, All thing we think, Is mindset, All works we do, And how we link them, Mindset, Mindset, Mindset,

[Music] *Audible cameras flashing* Reporter: Mrs. Pearce?! Can you tell us anything about the 'God Particle' Mission? *Sigh* Alison Pearce: On the 13th of December 2062, -my team and I launched a very important mission for the purpose of expanding our knowledge on Existence. Unfortunately, we were unsuccessful. Whatever lies beyond the universe is too dense for us to sustain a signal and therefor there will be no further experiments regarding the mission, whatsoever. Reporter 2: What about the Pilot? Alison Pearce: No further questions. Reporter: Mrs. Pearce? Mrs. Pearce! Alison Pearce: (muffled) I mean, we just need some time to wrap our heads around the idea of it all. By analyzing the presence of black holes throughout our visible universe we can navigate a path where you'll be able to use the gravitational pull of these black holes to fling yourself further into deep space at a massive rate. Time as you know it will surely no longer exist, but... You'll be executing humanity's most crucial space mission... ever. Have you ever heard of the 'Higgs Boson'? Mr. Lockhart? The Higgs Boson is responsible for all mass in our universe. It passes through the 'Higgs Field' which creates all potential energy. Scientists have theorized that the Higgs Boson Particle is only the beginning of understanding our entire existence. When the simulated image of a Higgs Boson is compared to the image of the Big Bang theory... The similarities are... too identical... to overlook. I'm not following. What if I told you... [Soft Piano Music Starts] That there lies a much larger world beyond our very own? Every action has a reaction, right? Scale is the only thing that causes mass to react and behave differently. If the theory adds up... We might be looking at the very first image of... ultimate discovery. What kind of discovery are we actually talking about here? God. Alison Pearce: I understand that this can be quite daunting to digest. But I cannot trust anyone else up there... I just want you to think about it. Besides. Even if we manage to create a device that can transfer an individual through space time without being destroyed... I mean, it'll be months before your training program is even updated for this unique journey. How does one even begin to prepare for a mission like this? - If you're not willing to go through with this.... Listen... Ben... You'll never be able to come back. but... your name will forever be defined as a possible answer to every scientific equation. Just... Think about it. [Soft Piano Music Continues] Space Craft Interior: SYSTEM FAILURE SYSTEM FAILURE Distant: SYSTEM FAILURE Distorts: SYSTEM FAILURE [Soft Piano Music Continues] *Suction Audio* [Piano Music Fades] 'Heaven up There' by PALACE Starts. "Well the night is gone And the shadows clear when I hear my song... with the grave beneath. So see what you want. But I'm the rising tide. I'm a selfish man Designed to die... But is it heaven up there? Is it heaven up there? 'Cuz it's hell down here. But even exist in space. to seperate us from them. to know that your blood runs thin Is to live with the truth within. So scrape up the bruise I wear. and eradicate all my fears but planning to walk these stairs. I don't know where my future is. Is it heaven up there?

I m currently on a plane headed to Scottsdale, Arizona... ... i haven t actually been out of state in six years... i thought i would eventually, just didn t expect it to be under these circumstances... ... Anyways, let me back up a bit first... This is what happened: Right after i disposed of the laptop, i heard my lock being tampered with... ... Somebody was trying to pick it... Now, I ve never been great under pressure, so you could imagine how i was feeling... ... But the human mind is an interesting thing... When you think you re at the end of the line, your will to live really ramps up... ... The balcony... i thought... Only way out of this... ... Without hesitation, i ran out and climbed over it... Fortunately, i was on the second floor, so i didn t break my legs... ... Now came a decision... Run or hide? Both didn t seem too promising... Shit... ... i thought... i was panicking... That s when i spotted salvation a cab parked on the other side of the lot... ... i bolted for it... i tapped on the window, startling the driver... Mr... ... Horvat? He asked... Well, no it wasn t... But i nodded anyways... ... You said 8: 40, didn t you? He looked at me in confusion... Finished early... ... Let s go... There was anxiousness in my voice, but i tried to hide it... ... Last thing i needed was for this guy to think i was a lunatic and drive off... i got in, told him the address and we got out of there... ... As we left the lot, i looked back... The two men i saw coming out of the car were now on the balcony where i just was... ... i could tell that there was a dead stare directed right at me behind their sunglasses... Despite all this, relief washed over me... ... It was short lived, however... i relayed the message i got in my head... Do so before this text gets intercepted... ... That meant i was still on the clock... If they don t know where I m headed yet, they will soon... ... We finally got to the place about fifteen minutes later... As soon as i got in, i rushed into the locker room... ... It was mostly empty... i kept repeating the combination in my head... This was the only thing i had... ... i didn t really care about getting answers before, but it seemed like i had no choice now... ... i finally found the locker... Don t know why this guy chose such a massive place... ... 12 left, 27 right, 33 left... i swung it open... Sitting there was an older blackberry model and an envelope... ... i opened it up to find a plane ticket, 2000 cash and a sticky-note... In horrific penmanship, the words CHECK PHONE, PASSWORD: SNAKETRACKS were scrawled across it... ... i obliged and booted up the ancient device... i remember being slightly amused... i always begged my parents for one of these when i was a kid... ... This was a far cry from that... i took a quick look through the phone... It was mostly blank... ... No apps downloaded, no pictures, nothing... There was only one contact, bluntly named CALL ME ... ... So i did... After just one ring, a voice answered... There was a sense of tentativeness in his tone... ... Somehow it sounded familiar... Who is this? Uh Well how the hell was i supposed to answer this? Should i say my name? i got your message... ... i finally responded... There was a brief pause... His response caught me off guard... ... What s your religious affiliation? His tone had gotten a lot more aggressive... Why the hell was he asking me this?, i thought... ... i didn t have enough energy to question him, though... Raised Protestant but now Agnostic i guess was my answer... ... He seemed to breathe a quick sigh of relief... Then he cut the line... Well, shit... ... Is this guy nuts or something? My thoughts were interrupted as i got a message... He d sent me an address and a room number... ... MEET ME , was the only other thing he d typed... i looked at it for a second before coming to my senses... ... I m an idiot... i should have just taken the stuff and bolted... i heard the door to the locker room swing open... ... Then footsteps coming towards where i was... Sprinting, actually... i flipped shit... ... i shoved the stuff into my pockets and started looking for a way out... Again, there was really only one option here... ... i started making a break for the pool entrance... As i ran, fucking gunshots started ringing out behind me... ... i could tell they were using silencers, but boy that doesn t do a whole lot when you re only forty feet away... ... i suddenly felt a sharp pain in my side... i saw a bullet penetrate a locker right up ahead... ... God, that didn t miss by much... i ran faster than i thought i was ever able to... ... i almost slipped into the damn pool as i stumbled out... The life-guard shouted after me as i burst out the emergency exit... ... i couldn t stop there... i hurried along, making turns every minute, looking over my shoulder the whole time... ... It s a good thing i was downtown... i blended into the sea of people easily... At one point i saw a pair of policemen... ... i considered telling them, i really did... But what s that going to do? They ll search for those two guys, turn up with nothing, monitor my house for a couple of days and then call everything off... ... It wasn t going to solve anything... i finally ducked into a hair salon... i couldn t run anymore... ... The barber just looked at me like i was insane... Screw it, i thought... Might as well make myself less recognizable while I m here... ... i got him to shave it all off... i spent the rest of the day making various purchases... ... A used laptop, new set of clothes, some bandages and a pair of shades - at least something good came out of this... ... The flight was supposed in a couple of hours at this point... i called a cab and made my way there... ... And that s where i am now... I ve got a long trip ahead of me still... Let s see what happens next... ... As i made my out of the airport, i recoiled at the heat... God, its November... ... How does anybody live here during the summer? i called another cab... Got to the address... ... It was a holiday inn... i laughed to myself... How ominous, i thought... ... i made my way up to the room and knocked on the door... A billion thoughts were running through my head... ... What if it was a trap? i actually thought about just running away for a second... But i realized that wouldn t accomplish shit... ... After about a minute, the door opened... A wave of surprise washed over me... But in retrospect, this is exactly who i should have been expecting... ... It was the other guy that came to my house that night... The one that didn t get strangled... ... He didn t look great, however... He had a black eye and a busted lip... And just looked tired in general... ... He looked me over before gesturing me in... He had a slight limp as he walked... Nice haircut... ... He muttered softly... He sat down on the bed and i sat on the couch across from him... ... There was a long silence... The whole time, he just stared at the ground... To be honest, i didn t know what to say... ... So i said nothing... He finally spoke up: Might as well let you know what s going on... ... He then proceeded to let it all out: About 4 years ago, there was an incident in the Paris catacombs... ... i got chills after hearing this... Four teenagers decided it would be a good idea to wander off during a tour... ... i guess they got lost or something cause they weren t there at the end... The police pretty much swept everywhere... ... No sign of them... Eventually, the government decided to set up infrared cameras all around the place... ... Just to see what would turn up... One day, one of the cameras picked up movement... Nobody anticipated what they were gonna see next... ... It was hell manifested... An abomination of writhing limbs somehow stuck together squirmed across the screen... ... There were four human heads stuck to the top of this thing... You can guess who they were... ... i was beyond speechless... i thought about that video of the catacombs... Glad i didn t stick around for the grand reveal... ... He continued: They decided to send elite forces down there to exterminate it... ... Apparently it took out 12 men before they put it down... Now the question was what they were going to do with the video... ... They couldn t just get rid of it... But they didn t want anybody to see it either... And this was around the time the whole Snowden thing was going on, so they didn t feel comfortable with just using government servers... ... So this is where that website you saw comes into play... They got the most seasoned technical experts they had to bury it somewhere deep in the internet... ... And I m talking about as deep as they could go... Nobody was supposed to know about it, nobody was supposed to find it, and nobody was even supposed to know what to look for... ... i wracked my brain over this... Sure, i knew my way around, but there was no way in hell that i was on par with government experts... ... So how did i find it? He continued: And it worked well for a while... They made a pact with governments world-wide... ... Anything they deemed unfit for public knowledge went on that site... There were even precautions... ... For every real thing on there, they posted four fake ones... For the select few that actually managed to find it... ... Wait, what? i couldn t believe this... He just chuckled... Yeah... ... Most of that stuff you saw was bullshit... Most... The videos are harder to fake... ... i didn t know how to feel about this... i was slightly relieved, i guess... Just slightly... ... He kept on: The logic behind this was that once people found these things, they d look further into them... ... However, since they were fabricated, nothing would come up and the page would be disregarded... Just a gag site... ... At least that was the idea... i knew where he was getting at... What about the people that started looking into the real things? He sighed... ... Look, nobody would have given a shit if they started spouting it off to their friends or on the internet... ... People would think they re crazy... It s the damn people that just have to go and find proof... ... The ones that plan to publicize it... Yeah, they get silenced... i was about to say something... ... i think he noticed because he cut me off... Look, don t put that moralistic shit on me... They didn t have to do it... ... It was their choice, they were committing a crime... Do you really think public knowledge about any of these things would help anybody? No, it wouldn t... ... Sometimes ignorance is bliss, alright? To be honest, i had to agree... But here s where things really went to shit... ... He went on: Before, there would be maybe two breaches a month... ... And then it skyrocketed up to twenty... And then fifty... They looked into it... ... Apparently there were rumors circulating around the deep and dark web... A rumor about a page that held secrets nobody was supposed to see... ... They decided to find out how easy it really was to access this place just from reading forums and shit... ... It took the experts about twenty minutes to find it, just by solving weird fucking riddles and then following these concealed links that would spawn from them... ... And then there was the final prompt... What do you seek? You ve seen it, no? i nodded... Apparently, there s a lot of different answers that could work... ... Anyways, it didn t make any sense... Everybody that was supposed to know about this was grilled... ... Somebody had to be doing this, right? Nobody fessed up... Honestly, everybody seemed genuine when they said they didn t do it... ... They knew the consequences... After a brutally in-depth investigation, nothing was resolved... ... And then it hit them... Back in 2010, they had also finalized an experimental AI... ... I ll spare you the details, but it went off the rails... Nobody could control it... ... As soon as they thought they could corner it into a virtual trap, it just disappeared... It didn t come up again... ... Until now ... He paused after that... Like he was waiting for me to connect the dots... ... So, you think that this Ai resurfaced and is now directing people there? i asked... He said that he doesn t think that s the case... ... He KNOWS it is... It s the only feasible explanation... He stated... ... But why? i don t know... He responded... ... i was starting to get a hunch now... About why this was happening to me... These people they aren t after me because i saw those links, are they? He just nodded... ... It s what i saw after... And you think this Ai has something to do with it?" Another nod... ... Well, what did i see? He took a second before speaking... i couldn t tell you... ... There s some things that i don t even know about... All i can tell you is that there are some groups, some people out there, beyond any government that are after this kind of stuff... ... This forbidden knowledge... And somehow, they know that you ve seen it... And they want to know what you know... ... And they came after you as well? i asked... Yeah... They know we talked to you... ... A wave of guilt came over me... Did i get that guy killed? However, that guilt quickly turned into frustration... ... Well, what the hell am i supposed to know?! i don t what the hell it was i saw! A dry chuckle came out of him... ... Well, they don t care, do they? They ll jump at anything... "And who do you work for? The government?" i finally asked... ... The question had been on my mind since i got here... "Sort of" Was all he responded with... ... He got up, taking out a pair of car keys... We gotta figure this out... We gotta go... ... Go where? i asked... Vegas... In any other situation i would have been ecstatic... ... We went outside and he led me to an older, beat-up Sedan... Inconspicuous... ... He said with a smile... i could tell he was just trying to lighten the mood... ... The drive was long and arduous... We barely spoke... My brain was fried at this point, so i didn t bother asking more questions... ... i did remember one peculiar conversation we had, though: Listen, if anything happens to me, there should be a file on the blackberry named contingency ... Everything you need to know will be there... i remember feeling flustered... What? What could happen to you? i responded... ... i don t know... Just in case, i guess... Don t lose that phone... ... In reality, i knew there were a lot of things that could happen... i just didn't want to admit it... ... He woke me up when we arrived at McCarran... i was confused... You have plane tickets? Don t need em... ... He responded... He got out of the car and i followed him in... What happened next was strange... ... He just walked past everyone... The check-in, security, everybody... They didn t even pay attention to him... ... Not to me, either... That s when i started to wonder who the hell this guy really was... ... As we walked past the various stores and restaurants set up near departures, he took a sharp turn... i stumbled keeping up... ... He walked towards an unassuming door set up right between two shops... He swung it open and i followed... ... We walked down a bunch of corridors, turning every so often... Various men in suits passed us but didn t seem to acknowledge our presence... ... We finally got to another door... This one required a key card... He took one out and scanned it... ... i didn t realize how huge this place really was until i thought about it after... We must have passed at least 15 other hallways... ... Anyways, the door opened up to what looked like a long flight of stairs... We trekked down for about five minutes before we got to what looked like another terminal... ... Now, it didn t look futuristic or anything... Just a regular damn terminal... Surely there s no planes taking off here... ... i asked... He said i was right... That s when i noticed the train tracks... ... Now we wait... And he sat down on a bench... Well, great... ... I d given up trying to piece this together in my head so i didn't even bother asking what this place was... ... Let s just see what happens, i thought... But as I d soon find out, things are just not that simple these days... ... i spotted a washroom sign towards the back and i headed for it... As i was washing my hands after finishing up, i noticed what looked like a card stuck into the side of the mirror... ... i plucked it out and looked at it... It was standard business card size... Just plain white with black text... ... But here's what it said: From far and wide, we search for meaning, As seconds pass, since the time of weaning, Our destiny is sealed, we ll face the wraith, We don t need hope, we have our faith, We will not stop until we re dust, All for God, in whom we trust... ... Creepy, i thought... And then i turned it over... In big bold letters, was FOTLG No idea what that s supposed to be... ... However, in that moment i felt that something just wasn t right... It s that creeping sensation you get when something just feels off... ... i needed to tell him, whoever the hell he is, about this... i opened the door and he was gone... ... i searched around the terminal for a bit, but he was nowhere to be found... Hell, there was nobody else here... ... The place started rumbling slightly... The train was coming... Well, i sure as hell wasn t getting on by myself... ... i looked around a bit more before i heard footsteps coming down the stairs... Great... ... i thought... He s back... Then i realized it wasn t just one pair of steps... ... There were multiple... Instead of seeing a familiar face, i was greeted with four of what i assumed to be men... ... i couldn t tell because their faces were covered with a burlap sack that had eye-holes carved out... ... Kind of like the one Scarecrow wears in Batman begins... The only difference was a symbol that seemed to be spray-painted on where the forehead should be... ... It was simple... A vertical semi-circle with angular arrows going through it... ... As i recall, the rest of their get-up was normal... Just plain street-clothes... ... i was frozen... And then i realized that one of them had liquid dripping off his glove... ... Dark liquid... The next few moments were a bur... i remember the train pulling up and those guys starting to run towards me... ... i started bolting for the train... It was a weird one... Only one section and one set of doors... ... i don t think i saw a driver... As i ran up to it, the doors opened automatically... i remember frantically looking for a shut button but there wasn't one... ... i just stared in horror as those freaks got closer and closer... As they got within about ten meters, i closed my eyes and just prayed for the best... ... i opened them when i heard kicking and banging at the door... It wasn t opening up for them... ... i watched their crazed eyes follow me as the train started moving... i was safe... ... But only for now... i turned on the phone again and took a thorough look through it... ... Sure enough, the text file he mentioned was there... Guess I ll read it soon... ... After I m done with this... Now i don t know where I m going, and i don t know what s waiting for me there... ... My head's pounding... All i know is that i should have just stayed on google... ...

We want to identify the whole number plotted on the number line. So, the key to doing these types of problems is to identify the scale used for each number line. Notice, on this first number line, from zero to 1,000 is divided up into one, two, three, four equal parts. So, 1,000 divided by four would tell us what each tick mark represents. Well, 1,000 divided by four is equal to 250. So, each tick mark represents 250. So, here, we'd have 250, here we'd have 500, here we'd have 750, and then 1,000. So, for this example, this point represents the whole number 750 on the number line. Looking at the second example, this is marked from 5,900 to 6,000, would be 100. And this interval is divided into one, two, three, four, five equal parts. Well, 100 divided by five is equal to 20. So, each tick mark represents 20. So, starting at 5,900, we'd have 5,920, 5,940, 5,960 here, 5,980, 6,000, 6,020, 6,040 and so on. So, the number 5,960 is plotted here on the number line and here we have 6,040 plotted on the number line. Let's take a look at one more example. From 10,950 to 10,970 would be 20. And this interval of 20 is divided into one, two, three, four equal parts. 20 divided by four is equal to five. So, each tick mark represents five. Here we'd have 10,955, here we'd have 10,960, and here we have 10,965, followed by 10,970. So, 10,965 is the whole number plotted on this number line.

- Aww, but I wanted to keep cooking. - Wait a second, is there a way to go to school and cook? - There is. - There is? - These is? - Kitchens are actually an important part of a school. - To the kitchen school. That can't be right. To the-- - [Both] School kitchen. - [All] Hidey ho, up we go. - [Basket] Beep, beep, next stop, school. - [Abby] Yeah. - Whoa. - Wow, this is the biggest kitchen I've ever seen. - This is the cafeteria where lunch is made for all the kids in all the classrooms. - That's a lot. - Your job is to be cafeteria workers and make lunch before the bell rings and all the kids come to eat. - Challenge accepted. - For today's lunch you need turkey, apple, milk, and a healthy green vegetable, broccoli. Fill all the trays so they'll be ready before lunchtime. - [Abby] Ooh, look at all the colors. - Cool. - Let's do this. (playful music) - Turkey. - Apple. - Milk. - Broccoli. - Let's keep going, these lunches aren't gonna make themselves. - Yeah. - Turkey. - Apple. - Milk. - Broccoli. - Good work cafeteria workers, keep it up. - Turkey. - Apple. - Milk. - Broccoli. - Looks delicious, it's almost lunchtime. - Oh-oh, we need to fill more trays. - Better speed up the conveyor belt. Zippity zap. - Turkey. - Apple. - Milk. - Broccoli. - Turkey. - Apple. - Milk. - Broccoli. - Turkey. - Apple. - Milk. - Broccoli. - Turkey. - Apple. - Milk. - Broccoli. - Turkey. - Apple. - Milk. - Broccoli. - Turkey. - Apple. - Milk. - Broccoli. - Turkey. - Whoa, whoa, whoa, whoa, whoa, excuse me. (both stammering) That can't be right. Zippity zap. - Much better. - Well done cafeteria workers, just one tray left to fill. - Let's do it. - Turkey. - Apple. - Milk. - And, oh no, Rudy, we're all out of broccoli. (Rudy gasps) Oh no, there's no broccoli, there's no broccoli. - Oh, no broccoli in here, what are we gonna do we need a green vegetable? - Is this a green vegetable? - No, apples are a fruit and we need a vegetable. Oh, look, here's a carrot. - It's a vegetable but not green. - Oh, right.

Hey what's up guys, I am Anuj and welcome to the complete web development course Today we will talk about media queries With the help of which, your website will convert into responsive website To understand this, we will start from very basic concept We have a very basic index.html i have connected the style.css with that, like this And I am not writing anything inside that Let's move within the style and in the body I will define the background color, let's say red Now, basically the page will look like that, where the background is red Now I want when the devise width get decreased then the background will change For that I have to write media queries The syntex is like that, @media After that you have to tell in which actions your media queries will fit I will write eithin brackets width lest than 400 pixel I want when the width is lest than 400 pixel then this style.css will be in use Within that, if I want to change the background color of the body I will change the background color from red to green Now you can see it is red color but when I will make it small, for that, I will right click and click on inspect I will come here and click on toggle device tool And then will click on responsive Here you can see the width in writing When I will make it big, width will increase I will make it small, width will decrease when you will hit 400 pixel Then your background color of the body will change from red to green You can see that till 400 width it is green after that it will become red again So this is our media queries What we have seen now that was media queries on the basis of device width If you don't want to do it on the basis of width but on the basis of orientation Than you will write orientation and portrait When orientation will be portrait then the background color will change to green When orientation will be portrait? When the height will be more than the width So when the height will be more than the width then it will change to green color background At the moment, the height is 458 and width is 391 So we are now at portrait mode when we will move more than 458 so we came to landscape mode This is your landscape mode When your width will become less than height then we will come portrait mode Here also my media query is fitting It is a very basic example where you saw how to change the body color We will not only change the color of the body in the website. We can change many other things also For example, let's watch the MDN website So, we can see that this is a very normal website where there are sidebars in the left and right and a menu at the top so we will inspect this and as we make the screen small and big, we will see the changes, okay? Right now it is looking like this with full width But as we make the screen smaller and smaller so you can see that the side bar in the right disappears And when you make it even more smaller, then the menu will change, it will disappear and we can see this button and when we make it small further, the left side bar also disappears. So, you can see they have used many media queries and now when you make it more smaller, no media queries are fitting. and if you want to see how many media queries are fitting here, you have to click on the three dots and then we will click on show media queries. you can see 3 bars They have defined the width that it will look like this with 992 pixel width Here maximum width is 758 pixel Maximum width is 40 ram and then so on So you will see when I will make it small, then it will change in different media queries If you want, you can make different media queries in your website Right now I have made only one media query Let's get back to width less than equal to 400 pixel I have written this, but if you want, you can make an another media query after this I will mention, when the width is less than 200 pixel when the width is less than 200 pixel then the color will be gold So you will see that, if it is less than 400 pixel then color will be green and if is less than 200 pixel then color will change to gold You can see that, above where width is mentioned, when it is 400 pixel then color is changing to green when it is less than 200 pixel then color is changing to gold Here we can do one more thing that In our media query we have mentioned that width is less than 400 pixel This is a completely new syntax It will roll out in version 4 of media query Instead of writing, width is less than 400 pixel, we will now write max- width 400 pixel So here we wrote max- width 400 pixel. when our width will be 400 pixel or less than that then only your condition will hit Similarly, we can write that, when max - width 200 pixel then only this condition will hit Here also the meaning is same You can see that, when it is less than 400 pixel then color is changing to green and when it is less than 200 pixel then color is changing to gold Now, if you will do show media queries here, then you can see that our media points are also there These are our media query which we had defined here So, this is how our max width works Similarly we can make min width also So, you read max width like that up to 400 pixel That up to 400 pixel, do whatever is defined in this media query And up to 200 pixel, do whatever is defined in this media query Actually, how do media queries work Here normal CSS is working First you have set the background color of the body Then media query will get hit Then the condition will be checked If this condition is true then execute, what is written inside this media query For example, Is this condition of max 400 pixel is true? Then we will see that, if the condition is less than 400 pixel, then it will be true And your background color will be green Then further it will check that, whether the max width is less than 200 pixel First it was green and now suppose your width is 150 pixel, then your body color will change from green to gold So you are going from top to bottom like that If you will write this above then you can understand that, when you will make it 150 pixel it will not be gold It will again change to green Because first it will be gold and when this another condition will it, Then it will be checked that, is the width which is now 150 pixel, less than 400 pixel? Yes it is, then it will become green again So, if you want to write max width, you have to write in a decreasing order from top to bottom Otherwise it will not work Similarly we have one min width We can define here min width and we can write here min width What does this mean? It means starting from. You are mentioning here that, starting from 400 pixel means after 400 pixel change my background color to this It means, first your background color will be red And when it will more than 400 pixel then you will change the color to green Similarly when it will more than 200 pixel then you will change the background color to gold Now we will make it 600 pixel You can see that, when it is more than 400 pixel it is changing to green and when it is more than 600 pixel it is changing to gold You can see that, it is more than 600 pixel, so it is now gold when it is less than 600 pixel, it is now green when it is less than 400 pixel, then you can see the default color red Now it is red. when this condition is getting hit then it is becoming green and again when this condition is getting hit then it is becoming another color red Similarly, you can write as many media queries as you can You can change corresponding different properties One more handy thing we can use, which is and We can write "and" here and after that, one more condition we can write here So this "and" will work as a logical and So, both the conditions will be true So we will define here that more than 400 pixel and less than 600 pixel So here I will write max width 600 pixel So when it is more than 400 pixel and less than 600 pixel then the color will be green If I remove this condition down Then you can see that, this green color is only be seen in between 400 - 600 pixel So when we are more than 400 pixel and less than 600 pixel then only this green color is showing when it is more than 600 red color will turn up You can see that, here is the green bar, this is our media query of range, which we have defined with the help of "and" You can read the rule also when I am hovering on it that, Min width 400 pixel and max width 600 pixel That means, we are hitting a media query, within a range Here if you feel problem to remember min width and max width that what is min width? I will tell you that, min width reads starting from Max width will read as up to So starting from 400 pixel and up to 600 pixel Or we can do a different work here similar to this, as we will copy and paste here You can use the new syntax of media query also You will write that, width will be more than 400 pixel and less than equal to 600 pixel This syntax will also work and will work the same way see here This is green and when you make it small, it will turn to red. This will only work between 400-600 pixel Here you can see at the top, the ruler is not visible. Maybe its not visible because this is a new syntax and its not supported inside the browser Inside the browser, the max width, min width and the range is visible. but for this syntax rule, those are not visible That's what was inside the theories of media queries Now let's practically implement it and see how we use media queries in real world so we will come to our grid portfolio example and we made this project in the last video. So if you want to understand how this works, you have to watch the last video. Where we made a layout, this is our portfolio which is looking great when you are in full width mode I mean if you are in laptop mode But when we will convert this over phone when we will go to inspect and make it small Then you can see that the layout got disturbed, it is not looking good One more thing I want to tell you here what response you have mentioned here under dimention You can change that in the aspect of different different device ratio For example, in iphone SE it will look like this in iPhone XR, it will look like this and so on They have some pre defined width and height You can't change the width and height after that change it to 100% You can see that now it is looking like this And you can see that, in iPhone 12, this portfolio will not look good We want to convert that and we want to show the left part should come at the top and the right part should come at the bottom You can do that very easily with the help of media queries You are now thinking that, we have many devices with us we have to put the breakpoint based on the height and width of the device chosen i just wrote it here that to keep it within 400-600 Pixel But how many device width and height we will consider? For this you can take help from var research document For example tailwind You will write tailwind media queries and basis of which tailwind has written it's media queries we can use that also as after so much research they came to this decision which is less than 640 pixel width, we will take that as small which is less than 768 pixel, we will take that as medium which is less than 1024 pixel, we will take that as large So accordingly to that can make as many media queries point as you want For large device I will keep this layout For large device, we will keep like this only But when it is becoming medium or small I mean when it is less than 1024 Than we want to change the portfolio For that I will add one media query here So we will go inside the style of the portfolio We will move to the end and define that media query for width then equals to 1024 pixel, like that Here I will define it in media so we will write @ media You can see sometimes that, with media, screen is written This is basically the type of media You have has another two values along with this which is print or another is all Usually you have to write screen It means, when it will happen within screen, then you are handling that Print means, when your website will get print then which media query will be in use At the moment I will write this @ media screen this is a type other than this which features we want to hit We will write less than 1024 width, so we will write max width 1024 This is upto 1024 pixel Here we will define something You can see this, this is a flex right? The container which is at top, is a flex If you want to understand that you have to see the last video i have explained well there So, this is currently a flex and if it is more than 1024 it will look like this But when it will become less than 1024 then we want to change the flex direction from row to column when you will come inside our container Where I have mentioned it's display as flex I will come here will write .container I will change the direction of flex from row to column Row is by default but I have changed it to column Then you can see that left part had gone up and right part had gone down like that If I will make more than 1024 left part is coming to left and right part is coming to right But when you are making is small it is changing to column We will set the other properties as well The gallery, which is here We have to set the width we will write .gallery and it's width, we will set to 100% so that it will take the whole width see, how it is taking the whole width But when you will make it small, you can see that, it is expanding in two rows I want that, when it will get small, all boxes will expand within one row and one column Basically it will make one column Here three columns are there To handle this I can do one thing I have given column2 class to some boxes and row2 class to some boxes I will go and set one rule for all boxes that For all my boxes, I will set the grid row to span 1 so all boxes will be row 1 the waterfall which was expanding in two rows will span in one row only Similarly the rain which was expanding in two rows will span in one row only But the mountain is expanding in 2 columns similarly the hills are expanding in 2 columns For that what we can do/ we have 3 columns here right? We can say all elements to expand in 3 columns My all elements will expand in 3 columns like that My all elements are now at one line and looking like this And like that my portfolio have become responsive It will look like this in a small screen and in a big screen like this Same content is shown in a different way by using media queries You can change some more properties For example, you can give padding to the container from top and bottom To give padding block from top and bottom we can take 20 pixel So when it will be in this mode, it will get a padding from top and bottom like that It is getting padding from both top and bottom Other functions will work as it is For example hover state will work like before One more thing we can do that, when it will get smaller in mobile then we will increase the height of the boxes For example, previously the height of the boxes were grid auto rows 120 pixel We will go to the gallery and will make it to 220 pixel Now our boxes will be bigger, like this They are big now In mobile mode, they will become big and laptop mode it will be like this I have two media queries here You can make more different media queries for different width Similar to this for mobile phones, you can some different one For Tablet you can make something different for 768 pixel So for making the different one, you have to copy the same code And for that you have to define some other properties here You have to write max width 768 pixel For different pixels, you can give different behavior and this is how your responsive website work In my next video I will discuss about variables in CSS and we will see some functions in CSS

If you have a golf ball sized consciousness, when you read a book, you'll have a golf ball sized understanding; when you look out, a golf ball sized awareness; and when you wake up in the morning, a golf ball sized wakefulness. If you could expand that consciousness, then you read the book, [you have] more understanding, you look out, [you have] more awareness, and when you wake up, [you have] more wakefulness. When I started meditating, I was filled with anxieties, filled with fears, kind of a depression, and anger. And I took this anger out on my first wife. After two weeks of meditation, she comes to me and she says, "This anger - where did it go?" and I didn't even realize that it had lifted. They have a saying: "True happiness isn't out there. True happiness lies within." And I always wondered, "Where is this within?" And they don't say where it is. And then they don't even say how to get to it. There's lots of forms of meditation but with transcendental meditation, the key is to dive all the way in. It's a huge realm between the surface of life and this fundamental pure consciousness. Now these negative things like anger and depression and sorrow, they're beautifulthings in a story but they're like a poison to the filmmaker, they are a poison to the painter, they are a poison to creativity. They're like a vice grip. If you are super depressed, you can't hardly get out of bed let alone have that creativity flowing. People say got to have anger, you got to have an edge to create. You got to know about anger. You got to have energy, you got to have clarity to create. You got to be able to catch ideas. You've got to be strong enough to fight unbelievable pressure and stress in this world. There's an ocean of pure vibrant consciousness inside each one of us and it's right at the source and base of mind right at the source of thought and it's also at the source of all matter. This pure consciousness is called by modern physics, "The Unified Field." All of matter - everything that is a thing - emerges from this field and this field has qualities like intelligence, creativity, universal love, energy, peace. Bliss is a thing in the unified field. Bliss is the sweetest nectar of life. Bliss is physical, emotional, mental, spiritual happiness and you can vibrate with this bliss. And it's not the intellectual understanding of this field but the experiencing of it that does everything. You dive within experiencing this field of pure consciousness and you enliven it, you unfold it, it grows. This field is a field of pure knowingness. Intuition grows. [You have] the ability to catch ideas at a deeper level. The final outcome of this growth of consciousness is called enlightenment. Enlightenment is the full potential of all of us human beings. At that level of life, we are all one. We're one.

This is fantastic. I thought the sound of this song was amazing. It's a very different song and at the beginning it shows a lot of swing. The music until this moment, is elaborated in staccato. Staccato is when a song has no continuity, when the music is not continuous... I only notice that there is a continuity in the battery. And it's fantastic, this introduction and this beginning, the singer shows a lot of attitude. Incredible. Is very good. This is incredible. Fantastic. The bass is very evident. And this musical style, is a musical style that, it is a funk style and in this style the bass is very evident. The bass and the drums. Wind instruments are added at strategic times. It is not common for wind instruments to always stand out. Although this is not a rule. I really like how he sings because it works with a mixed use of the voice. Gives little evidence in the chest voice region. And this is very different if direct transmission was used in the mask voice region. Therefore, this darkening caused by the chest voice is evident while singing. Because we notice that the note darkens. And he sings with a lot of attitude, he has an incredible stage presence. I didn't expect the bass player to sing as well. Therefore, they are... two band members sharing the voice. Incredible. And they both sing fantastically very well. This is very interesting. When the bass player sings, we notice that a chorus is also inserted. This choir not only serves to support those who sing, the lead singer, but also to enrich the song. And it's fantastic. The choreography is incredible. Realize that at this point we already have the job along with the other musical elements, the saxophone. Therefore, the saxophone is introduced strategically. It is not continuously inserted into the song. This is common, but not a rule. Notice that at the end of the word... This really makes it very obvious, how your voice is working and where projects the strongest resonance of your voice. is the chest region with a mixed use of the voice that is this more direct emission in the mask voice. And the performance of this band is incredible. This is incredible. And here everything is fantastic, it is a set of dance and music that is very moving. This is very exciting. All the vocal melodies are amazing. Everything is very well inserted, designed and added. The use of the chorus is extremely important at this point in the chorus. Because right now, it's the main moment, it's the climax of the song. Each song is always prepared for the chorus. And again what I'm talking about is not a rule, you take out a standard singing format, you insert vocal embellishments. This little note holder... With a little vibrato it's perfect. This makes the music gain a lot of dynamics. It is very interesting because we can see that the battery is present, and there is also another element that, It was added at this point that there are string instruments such as bass and electric guitar, but use synthesizer. The synth in this song works really well. Because it is an instrument that is not used to stand out but to just to complement the sound. And at this point it is more noticeable with the battery. And this saxophonist plays very well. This song has moments and All the moments that this song has are very remarkable. And this is very exciting. This is how the instruments work the dynamic that these instruments have when working together and at other times without everyone being together. This creates a dynamic but also makes the music very exciting for the listener. They are very exciting. It's an amazing performance. The choreography is very well done and that enriches not only the interpretation of the music but it also really excites the audience that hears and watches this and it's fantastic. I myself confess that I want to be among them dancing, because this song is fantastic. And the interesting thing about this musical style is that the electric guitar also works with swing. Therefore, in funk, in this musical style, everything is dance. Incredible. This band is really good. They have an amazing performance on stage. This is very exciting. This is really good. They are great musicians and they are also great dancers. This was a performance to take anyone's breath away. A fantastic and sensational band. They are all great musicians and great dancers. The bassist and vocalist are great singers and I found it very curious that there was a division in vocal work. It is an incredible performance, danceable, happy, vibrant and with a lot of attitude. They have a fantastic stage presence. And sure enough, everyone who saw this performance felt like dancing. I wanted to be among them dancing. Incredible, perfect. He was very surprised.

Alright everybody now I'm going to show you how to do the floating spoon, now this can also be the floating pencil, the floating pen, any kind of long skinny object. Your going to need a couple of other things your going to need to be wearing a watch, and you need to have something like a ruler. I'm going to use a table knife but you can use a ruler, you can use another pencil, anything that's kind of flat, and basically your going to stick it in your watch band just like that. Now all you do is you place a spoon in front of it like this okay and what your doing is going to hold it up with your finger like this so that it looks like it's balanced an then you can spread your fingers out and take this finger away. And it looks like you have the spoon floating in you hand now when I did the segment before I actually did the bending spoon part with this already set up. So this was here and I just did this and then you know I took the spoon and stuck it right here so if your wearing a long sleeve shirt you can have this a little further back you can have this right here it's only needs to be clipped on the very end and now you get a pretty good illusion that the spoon is just kind of floating there like that. And that's kind of a fun trick that you can do with some stuff that is around the office, don't be afraid to switch out the props do some experimenting practice in the mirror and see how it looks and have fun with it.

Hello music people. Welcome to another video on our channel. And in this video I'm going to analyze Katrina and Jessica. I know Katrina and we have a lot of videos on our channel with Katrina. Feel free to watch the videos. I have never listened to Jessica before and in this video I am going to analyze the song "I Surrender". They will sing a well-known song by the voice of Celine Dion. But first of all, for those who don't know, I'm a heavy metal singer, multi-instrumentalist, producer and composer and in this video, I am going to do a technical analysis on the vocal behavior of the two singers. Therefore, I will make technical comments whenever I consider it necessary. But first of all, if you are not subscribed, please subscribe to our channel, turn on notifications, like and share this video. Leave more suggestions in the comments and let's go to the most important, Let's look at Katrina Velarde and Jessica Villarubia. This is fantastic. Katrina has a very strong and powerful voice. And here she begins by making delicate use of the mixed voice... It darkens the note a little and when the note darkens, this means working on a region of the chest... And obviously it has a darker sound. But it's not that dark because she does a little mixed use of voice. And it does a lot of streaming from the mask region. This is incredible. In some moments I notice a slight use of fry. And that is what makes this voice sound. Therefore, sometimes she makes a lot of use of her vocal cords. but on other occasions this use of the vocal cords It's not as intense, it's more relaxed. Because the use of fry really comes into play when you relax your vocal chords too much. When you try too hard you stretch your vocal cords and that's why it doesn't sound like that. But everything is done very quickly. She is very skilled. She has incredible consistency in her voice. Especially this way, she's singing where she needs to hold the notes the most. She has a very consistent use of vibrato. He conveys a lot of confidence in what he does. And of course this confidence can be seen in her voice and the way she sings. We know that your vocal ability is impressive. Look how he has a darker voice. It's the first time I've heard it, I've never heard it before. But she has a very strong and very powerful voice as much as Katrina. Therefore, this shows that she is also a great singer. Interesting that it explores the lower region more and darkens your note more. Which is very different from... She darkens and adds more intensity to her voice but in a different way. Catrina too. But she has a different personality than Katrina. in the way he sings. And this is extremely important and essential for a singer. Possess a vocal personality. And Jessica shows a lot of vocal personality. Jessica draws on the note using melismas. However, the two of them singing together is an amazing combination. It's interesting that Jessica actually has a darker voice than Katrina. Jessica seems to have a deeper voice than Katrina. And this is very interesting to understand how two different voices are, but they work very well together. And great singers, they know how to work very well together with another singer. Is incredible. This result is fantastic. See this voice in the octave above the other. Is incredible. This is fantastic. The Philippines makes a lot of amazing singers. They are both great singers. It's fantastic. This is amazing. This is incredible. See consistency note. And how she manages to hold the note in a fantastic way. In different octaves and in a certain way in unison. This is fantastic. It's wonderful work. They are very connected. This is cute. Perfect. Perfect. This is wonderful. The attack notes here are wonderful. And each one has a highlight that is driving me crazy. This was an amazing performance. Is incredible. It's fantastic. This is wonderful. Jessica and Katrina make an amazing singing duo. The arrangement of the song is very well done and at times, there is something different in music to adapt inserted in the context of the proposal they had when making this work of art. Because it's amazing. Amazing. Fantastic. But anyway, this was the analysis of this video, if you want more technical analysis and reactions from Katrina or Jessica, Subscribe to our channel, turn on notifications, like and share this video. And leave more suggestions in the comments, for Katrina, Jessica or any other great singer from the Philippines. Fantastic. Amazing. I end here. I hope you enjoyed this video and See you in the next review. Goodbye then.

The House of Pain is in effect y'all I say the House of Pain is in effect Ya know the House of Pain is in effect y'all and anyone that steps up is getting recked Pack it up, pack it in, let me begin I came to win, battle me that's a sin I won't ever slack up, punk you better back up Try and play the role and yo the whole crew'll act up The House of Pain is in effect y'all I say the House of Pain is in effect Ya know the House of Pain is in effect y'all and anyone that steps up is getting recked Pack it up, pack it in, let me begin I came to win, battle me that's a sin I won't ever slack up, punk you better back up Try and play the role and yo the whole crew'll act up Get up, stand up (c'mon!) see'mon throw your hands up If you've got the feeling, jump across the ceiling Muggs lifts a funk flow, someone's talking junk Yo I bust him in the eye, and then I'll take the punk's hoe Feelin', funkin', amps in the trunk and I got more rhymes Than there's cops at a Dunkin' Donuts shop Sho' nuff, I got props From the kids on the hill plus my mom and my pops I came to get down, I came to get down So get out your seat and jump around! Jump around! Jump up, jump up and get down! Jump! Jump! Jump! Jump! (Everybody jump) Jump! Jump! Jump! Jump! Jump! Jump! Jump! Jump I'll serve your ass like John McEnroe If your girl steps up, I'm smacking the hoe Word to your moms, I came to drop bombs I got more rhymes than the Bible's got Psalms And just like the Prodigal Son I've returned Anyone stepping to me, you'll get burned 'Cause I got lyrics, but you ain't got none If you come to battle, bring a shotgun! Get up, stand up (c'mon!) see'mon throw your hands up If you've got the feeling, jump across the ceiling Muggs lifts a funk flow, someone's talking junk Yo I bust him in the eye, and then I'll take the punk's hoe Feelin', funkin', amps in the trunk and I got more rhymes Than there's cops at a Dunkin' Donuts shop Sho' nuff, I got props From the kids on the hill plus my mom and my pops I came to get down, I came to get down So get out your seat and jump around! Jump around! Jump up, jump up and get down! Jump! Jump! Jump! Jump! (Everybody jump) Jump! Jump! Jump! Jump! Jump! Jump! Jump! Jump I'll serve your ass like John McEnroe If your girl steps up, I'm smacking the hoe Word to your moms, I came to drop bombs I got more rhymes than the Bible's got Psalms And just like the Prodigal Son I've returned Anyone stepping to me, you'll get burned 'Cause I got lyrics, but you ain't got none If you come to battle, bring a shotgun! But if you do you're a fool, 'cause I duel to the death Trying to step to me, you'll take your last breath I got the skill, come get your fill 'Cause when I shoot the gift, I shoot to kill I came to get down, I came to get down So get out your seat and jump around! Jump around! Jump up, Jump up and get down! Jump! Jump! Jump! Jump! (Everybody jump) Jump! Jump! Jump! Jump! I'm the cream of the crop, I rise to the top I never eat a pig 'cause a pig is a cop Or better yet a Terminator, like Arnold Schwarzanegger Try to play me out like as if my name was Sega But I ain't going out like no punk bitch Get used to one style and yo and I might switch It up, up and around, then buck, buck you down Put out your head and then you wake up in the Dawn of the Dead But if you do you're a fool, 'cause I duel to the death Trying to step to me, you'll take your last breath I got the skill, come get your fill 'Cause when I shoot the gift, I shoot to kill I came to get down, I came to get down So get out your seat and jump around! Jump around! Jump up, Jump up and get down! Jump! Jump! Jump! Jump! (Everybody jump) Jump! Jump! Jump! Jump! I'm the cream of the crop, I rise to the top I never eat a pig 'cause a pig is a cop Or better yet a Terminator, like Arnold Schwarzanegger Try to play me out like as if my name was Sega But I ain't going out like no punk bitch Get used to one style and yo and I might switch It up, up and around, then buck, buck you down Put out your head and then you wake up in the Dawn of the Dead I'm coming to get ya, I'm coming to get ya Spitting out lyrics, homie, I'll wet ya I came to get down, I came to get down So get out your seat and jump around! Jump around! Jump up, jump up and get down! Jump! Jump! Jump! Jump! (Everybody jump) Jump! Jump! Jump! Jump! Yo, this is dedicated to Joe "The Biter" Nicolo! Grab your Bozack, punk! I'm coming to get ya, I'm coming to get ya Spitting out lyrics, homie, I'll wet ya I came to get down, I came to get down So get out your seat and jump around! Jump around! Jump up, jump up and get down! Jump! Jump! Jump! Jump! (Everybody jump) Jump! Jump! Jump! Jump! Yo, this is dedicated to Joe "The Biter" Nicolo! Grab your Bozack, punk!

Another head hangs lowly Child is slowly taken And the violence It causes silence But who are we mistaking? There, you see It's not me It's not my family In your head, in your head They are fighting With their tanks and their bombs And air bombs and their guns In your head, in your head they are crying In your head... In your head Zombie, zombie Zombie What is in your head? In your head, oohh hoo Zombie, zombie, Zombie Ohhh, ooh oooh, oh Ooh oooh, woah Ooh ooh, ohh Ooooooh, oh Oooooooh Another mother's broken heart is taking over And the violence that causes silence We must be mistaken It's the same old thing since 1916 In your head, in your head they are fighting With their tanks and their bombs And their bombs and their guns In your head, in your head they are dying In your head... In your head Zombie, zombie Zombie, eh, yeeeh What is in your head? In your head Zombie, zombie Zombie, eh Eeeyyeeh, it's in your head In your head Zombie, zombie Zombie, eh Eeeyyeeh What's in your head? In your head Zombie, zombie Zombie, eh Eehhhh hey Dooo, dooooooo Tell me, what's in your head? What is in your head? Zombie, zombie Zombie-eeee Zombie

Particles can have a positive charge Or a negative charge Particles with the same charge repel one another Particles with opposite charges attract one another This is because charged particles create electric fields And Electric fields exert a force on charged particles When there is an electric field between two points ... ... we say that there is a voltage between them. Voltage can be thought of as the height of a mountain. Rocks at higher elevations can do more damage. The same is true with voltage. The height of the mountain tells you the energy of each falling rock. The total power is the... ...height of the mountain times the number of falling rocks per second. Similarly, the voltage is the energy of each charged particle. The total power is the voltage is times the number of particles per second. The number of particles per second is called the current. In a circuit, the charged particles flow through wires. If the wire is cut, the current stops flowing. All wires have charged particles in them. A battery creates an electric field which pushes the charged particles along. With this setup, if one light bulb breaks, all the lights turn off. With this setup, if one light bulb breaks, the other lights stay on. More batteries will give more voltage. This will cause more current to flow, and the lights will be brighter. The batteries do not create the charged particles. The batteries only create an electric field ... ... which pushes the charged particles along. All charged particles create electric fields. However only moving charged particles create magnetic fields. Magnetic fields exert a force only on other moving charged particles. A charged particle moving in a loop... ...creates a magnetic field that looks like this. A spinning electric charge is the same thing. When a material has many charged particles... ...spinning in the same direction, we call it a magnet. We call one end of the magnet the North Pole, ... ...and the other end of the magnet the South Pole. The magnetic fields exert a force ... ... on the spinning charged particles in other magnets. Magnetic fields can also be created by current through a wire. Reversing the direction of the current... ... causes the magnetic field to reverse direction By constantly changing the direction of the current ... ... we can cause the magnet to rotate. This is how electric motors are made. All charged particles create electric fields. And electric fields exert a force on charged particles. Only moving charged particles create magnetic fields. Electric Fields can also be created ... ... by a Magnetic Field which is changing with time. A moving magnet creates a changing magnetic field. The changing magnetic field creates and electric field ... ... which pushes the charged particles. The magnet must keep moving to maintain a changing magnetic field. The changing magnetic field creates an electric field ... This can be done by rotating the magnet. This is how power plants generate electricity. Here the voltage and current keep alternating direction ... ... so we call this AC voltage and AC current. AC stands for "Alternating Current." A battery creates a voltage and a current which is always in the same direction. So, we call this DC voltage and DC current. DC stands for Direct Current. All charged particles create Electric Fields. However, only moving charged particles create magnetic fields. Electric Fields can also be created by a Magnetic Field that changes with time. Similarly, an electric field changing with time ... ... can create a magnetic field. Since changing magnetic fields create electric fields ... ... and changing electric fields create magnetic fields ... ... this can cause a chain reaction. We call this an electromagnetic wave. This is how radios and cell phones communicate. Visible light is also an electromagnetic wave. The only difference is that visible light ... ... has a much higher frequency than radio waves. Each color is a slightly different frequency. Electromagnetic waves with much higher frequencies ... ... are called X-rays and Gamma Rays.

Advanced Surgical Navigation System using Augmented Reality Technology Examination on the stone model The left area is the simulation software screen, and the right area is the ar view screen The translucent board shape 3D object on the stone model can move in conjunction with the implant on the simulation software The 3D objects indicate the placement positions of the simulated implants As you can see, the display positions of the 3D objects are very accurate The placement positions of the two implants were displayed on the stone model In the case of another patient Move implants on the simulation software screen to find the implant placement positions The mandibular canal can be displayed in the stone model for this patient The 3D objects indicating the 3D position of simulated implants were displayed on the stone model with good stability and accuracy When there are bone or teeth together with the 3D objects, we can hide the overlapping areas Drilling simulation on the training typodont The upper and lower rings are drilling guide rings separated from each other at the distance of the drill length First, determine the position of the implants Move the 3D objects to find and determine the implant placement positions Next, mark the starting points on the bone surface with a round bur When the centers of the upper and lower two guide rings are aligned, make a dent using a round bur Set the apex of the drill at the starting point and set the tail of the drill at the center of the guide ring, then start drilling The second installing hole is drilled in the same way Drilling simulation on the training typodont showed a good performance of our system Display of the 3D objects in the oral cavity The 3D objects were displayed in the patient's mouth proving that our system works in the actual oral cavity same as on the stone model As you can see, there are no obstructions in the oral cavity We examined our system in the staff's oral cavity The 3D objects move in conjunction with the implants on the simulation software screen These 3D objects are also very stable Unlike the plate type surgical navigation systems, our system has nothing to interfere with the operation in the oral cavity

We want to plot each decimal on the number line. The first decimal is negative 0.3, or negative three tenths. To help us pop this on the number line, we need to recognize that negative 0.3 is between negative one and zero, or negative 0.3 is greater than negative one and less than zero. So to begin, let's plot a negative one and zero on the number line, where negative one is on the left and zero is on the right. Notice how this interval has a length of one unit. So now we'll cut this interval into 10 equal subintervals, where each subinterval will have a length of 0.1 units, or one tenth of a unit. So in the middle, we would have negative 0.5. And now we'll cut the interval on the left and right into five equal subintervals. And now let's label these from zero to negative one. To the left of zero, we'd have negative 0.1 and then negative 0.2, negative 0.3, negative 0.4, and so on. And now we can plot negative 0.3 or negative three tenths in the number line which is here. So the next decimal, we have negative 1.64, or negative one and 64 hundredths. Because we have the hundredths place value here, it'll be helpful to recognize that negative 1.64 is between negative 1.7 and negative 1.6, or negative 1.64 is greater than negative 1.7 and less than negative 1.6. So this time on our number line, we'll plot negative 1.7 and negative 1.6. Or negative 1.7 is on the left and negative 1.6 is on the right. And notice this interval has a length of one tenth of a unit. So now I'll cut this interval into 10 equal subintervals, where each subintervals will have a length of one hundredth of a unit or 0.01 units. So in the middle, we would have negative 1.65. And now we'll cut the interval on the left and right into five equal subintervals. And again, each of these subintervals has a length of 0.01 units, or one hundredth of a unit. So starting at negative 1.6, we would have negative 1.61, negative 1.62, negative 1.63, negative 1.64 and so on. And now we can go ahead and plot negative 1.64. Notice negative 1.64 is just to the right of negative 1.65 which is here. I hope you found this helpful.

{\an8}(translated to English) - Eight makes one team! {\an8}Hello, we're ATEEZ! {\an8}- We are going to get tangled up with {\an8}- [All] MTV News! {\an8}(cheering) (clapping) {\an8}(bell dinging) - [All] Let's go. {\an8}- Let's go. {\an8}- Baa. {\an2}- Oh! {\an2}- Seonghwa, right hand. {\an2}- Okay, Seonghwa where are you, where are you? {\an2}- He's... - [Together] Here! {\an2}- Ya! {\an2}- Okay. - Yeah. {\an2}- Wow. {\an2}- Yeosang. {\an2}- Yay! {\an2}- It's me, it's me. {\an2}- My turn. {\an2}- Okay. - Okay. {\an2}- It's little bit hard. {\an2}- You can do it. - Okay. (groans) {\an2}- Okay. - Wooyoung, right here. {\an2}- Okay! - Whoa. {\an8}- It's not difficult. {\an8}Come on. Come on. - Ooh. {\an8}- Come on! {\an8}- Hey. {\an8}(translated to English) - That's kinda hurtful-- {\an8}- I can't believe... {\an2}(translated to English) - Turn around, turn around. - Oh, I'm in trouble. - Everything. {\an8}(translated to English) - My love for Hongjoong. {\an2}(translated to English) - They look so intimate right now. {\an2}- Yunho, left hand. - Okay. {\an2}- No! - No! {\an8}- What? - Boo. {\an8}- Yeah, he's bad guy. {\an8}- Yeah. - Best friends. {\an2}- Without Mingi, we are best friends, yeah. {\an2}Turn! - Whoa! {\an8}- Okay. - Yeah. {\an2}(chanting Hongjoong) {\an2}- Left hand, Mingi. - Left hand, Mingi. {\an2}- Bye, Mingi! {\an2}- Okay, bye. (cheers) {\an2}- Everything. - Oh, wow. {\an8}- I don't think so. {\an8}- I don't agree. - Yeah. {\an2}- I can't agree. - He's liar. {\an2}- Right foot, right foot. - It's too easy, look. {\an2}(translated to English) - Hey man, this is really hard. {\an2}- Bew, boop. Okay! {\an2}- Okay. - Left foot? {\an2}- Ooh, where is-- - Cross, cross. {\an8}- He looks like Spider-Man. {\an8}- No, no problem! {\an2}(translated to English) - Right here. Hey, stop it! - Stop it! - I've never had any {\an2}difficulty while being a member of ATEEZ. {\an2}(translated to English) - Then let's make it hard now! - San, San, San, San. {\an2}just move your left foot up. {\an2}- San, I can move up for you. {\an2}- Up, up! Just right there! {\an2}- Your left foot, right there. {\an2}- Right there, right there. {\an2}- Help him out, man. {\an8}(translated to English) - What, where are you going? {\an2}- Oh, my favorite superhero is Iron Man. {\an2}- Yeah! - Tony Stark. {\an2}(imitating Iron Man) {\an2}- [Jongho] Okay! - [San] Okay! {\an2}(groans) {\an2}- See you next time. {\an2}- Help me. - Bye bye, Mingi. {\an2}- Okay, goodbye Mingi. {\an2}- Ooh! {\an2}- Left hand Hongjoong? {\an2}Where is he? {\an2}- Hey, look at me. {\an2}(shouting) {\an8}(cheers) {\an8}- Bye, Mingi. {\an8}(mocking) {\an2}- This is my turn? {\an2}- Oh, no. {\an2}- Ooh, ooh. - Yeah! {\an2}- Ooh! Nice, Jongho. {\an2}- Wow. - Yunho, Yunho, Yunho. {\an2}- Left foot, San. {\an2}- Wow {\an2}(groans) {\an2}(translated to English) - Oh, about each other... {\an2}- Well San is able to showcase his many sides on stage. {\an2}(translated to English) - Even though he is {\an8}the youngest, Jongho is... How can I say it? {\an8}Someone I can rely on. {\an8}(translated to English) - Hongjoong and Mingi look {\an2}like they're coaching right now. {\an8}(laughs) (applauds) {\an8}- Yay! {\an8}- Okay, I'm in. {\an8}(laughing) {\an2}- Okay, okay. {\an2}- Right foot, San. - Right foot, San? {\an2}This here. - Okay! {\an8}- Okay. {\an8}- My face. {\an2}(laughing) My face. {\an2}- Left hand, Jongho. - Okay. {\an8}- I love you, Jongho. - Yeah. {\an8}- I will give a challenge. {\an2}- Right foot. - Hey, that's me! {\an2}I'm here! {\an2}- San is sweat. {\an2}San is sweat. - Okay, I can do it. {\an2}- Oh, it's too easy. {\an2}- Oh. - Left foot, Hongjoong. {\an2}- My face! - Okay, bye. {\an2}(translated to English) - Yes, it's to {\an8}- [All] Oh! {\an8}- Oh, no! {\an8}- Oh, my God. (exclaims) {\an8}- This is so strange. - Oh no, dangerous. {\an2}- So weird. - So hot. {\an2}- Mingi is. - Mingi. {\an2}(shouting) {\an8}- [Producer] Jongho's the winner! {\an8}- Okay! (all cheer) {\an8}(chanting) - Jongho, Jongho, Jongho. {\an8}Jongho, Jongho, Jongho, Jongho, Jongho, Jongho. {\an8}- Okay. {\an8}- San is dead. {\an8}(laughing) - I'm dead! {\an8}(bell dings) - Oh, yeah! {\an8}- I am nervous. {\an2}- I guest the first loser is Wooyoung. {\an2}- Ah, okay. {\an2}- I! Me, me, me, me, me. {\an2}- I think Yeosang. {\an2}- Oh, no. - No, no, no, no. {\an2}No. {\an2}- Okay. {\an2}- Left hand, Mingi. {\an2}Where's Mingi. {\an2}- No! {\an2}- What? {\an2}block the members from the camera. {\an8}I don't want them on the footage. {\an8}Just shoot me, just me. {\an8}(translated to English) - Stop grabbing me. Stop! {\an8}- No, I can't! Don't leave me! {\an8}- Stop grabbing me! {\an2}- I can't! Stay with me! {\an8}(translated to English) - He can be cute at times, {\an8}but also be sexy on stage. - Let go of me! {\an8}- I won't! {\an8}- I don't want you anymore! {\an2}- No, take me with you! Don't leave me! {\an2}- No, you can't! {\an8}(translated to English) - This is getting serious. - Oh yeah, it's Wooyoung, me, and Mingi {\an8}who are the main dancers in our group. {\an8}(laughing) {\an2}- Left hand, San, okay! {\an8}- San! - Yeah! {\an2}(laughs) {\an2}(laughing) {\an8}- [Hongjoong] Oh my face! {\an8}- [Yeosang] Oh my face, oh my God. {\an8}- Hello, hello. {\an2}- Yeah. - Yeah. {\an2}- Everybody is a great dancer. {\an8}- Yeah, woo! {\an2}- Woo! - Woo! {\an2}- Okay. {\an2}- Bye. {\an2}(translated to English) - Oh, yeah, yeah, we do. {\an2}- We're always relying on each other. {\an2}- We actually play this game all the time. {\an8}(translated to English) - When times are hard, {\an8}we're always there to talk and listen to each other. {\an8}- Hey man, why are you leaning on me right now? {\an8}- I'm relying on them right now! {\an8}(translated to English) - Hey, let go of me! - Can we speed this up {\an8}a little faster, please? {\an8}(translated to English) - No, don't let go! {\an2}(translated to English) - We really like {\an2}fried chicken. - You keep getting that! {\an8}- Eight makes one team. - Yes. {\an8}- Hurry up, hurry up. (laughing) {\an8}Please! {\an8}- Are you artist? {\an8}- Oh my god! {\an8}- Are you singer? {\an8}- Fast please. Fast please. {\an8}- Help me. {\an8}- Excuse me. {\an8}- Hello, Yeosang. {\an8}- Oh my god. {\an8}- Hey! {\an2}- Oh. - Ooh! {\an2}- I love chicken. - I really love chicken, {\an2}very, very. {\an2}I love you. {\an2}- Oh, yeah, yeah. {\an2}- Yeah! {\an2}- Okay. {\an8}(translated to English) - This really doesn't {\an8}look good. Poor Yeosang. {\an2}(translated to English) - Min... Mingi? {\an2}- Right here, here. {\an2}- Where? - Here. {\an8}(translated to English) - What happens {\an8}if you push them? - Don't push me! {\an8}(translated to English) - I won't, I won't... {\an8}- I'm totally comfortable here. {\an8}- He's pushing down on him. {\an2}(translated to English) - Yeosang's in trouble... {\an8}(translated to English) - Yeosang, {\an2}- Yeosang. - I'm here. {\an2}- No. {\an2}I'm-- - Whoa! {\an8}(laughing) {\an8}- Bye. {\an2}- Oh my god. {\an2}- Okay. (laughing) {\an8}(groaning) {\an8}(laughing) {\an2}- Yes. (laughing) {\an8}(shouting) {\an2}- Yeah! {\an2}- Help me! {\an2}- Left foot. {\an2}- Oh, Yeosang is standing up. {\an2}- Okay. - Ooh. {\an8}just stand up all the way! {\an8}(translated to English) - Hey Yeosang, {\an8}you should just stand up! {\an2}(translated to English) - I de-stress by playing {\an2}around with the group. - Oh, Seonghwa stepped out. {\an2}- Where? {\an2}(translated to English) - Hey Yeosang, {\an2}can't you just jump up? - Stop it! {\an2}(translated to English) - Oh my. {\an2}- Oh my. {\an2}(singing: "I'll show you Every Hidden Part of Me") {\an2}(translated to English) - Trying to mess others up {\an2}is hard work isn't it? {\an8}- Oh, my God. {\an8}Oh, my God. {\an8}(laughing) {\an2}(groaning) {\an2}- Oh, out, out! - Ooh! {\an8}- Out. - Oh! {\an8}- He out. {\an8}(laughing) {\an8}- You're dead. {\an2}(groans) {\an2}- Right hand, Yeosang, okay. {\an8}(shouting) {\an8}(laughing) {\an8}- Okay, sorry. {\an8}(translated to English) - This act of love isn't real! {\an2}(translated to English) - What are you guys doing? {\an2}- What's happening? {\an2}- Right hand, Hongjoong. {\an2}(laughing) {\an2}(groans) (laughs) {\an8}- Okay, okay, okay. {\an8}(laughing) - Oh! - Yay! {\an8}- Okay. - Yeah, yeah, my boy! {\an8}(grunting) {\an8}- Wow, very scary. {\an8}Scary. {\an2}(translated to English) - Kick Mingi! - Well, we're known as {\an2}"Two Ho Brothers." We're that close. {\an8}Two Ho. {\an8}- Jongho, Yunho. - Jongho, Yunho. {\an8}- "Two Ho Brothers." {\an8}(translated to English) - Well we're always playing {\an2}around with each other. So this feels pretty normal. {\an2}(translated to English) - It's right there, {\an2}next to Yunho's left hand. - Wait, I'll have to {\an2}cross over? {\an8}- Yo, fight! {\an2}- Okay. {\an2}Okay. - Mingi. {\an2}(laughing) This here. {\an2}- Okay. - Oh. {\an2}- Right foot, San, okay. {\an2}- Nice to meet you! {\an2}- Okay. - Okay. {\an2}(groaning) (laughing) {\an8}- Ho Ho. - Two ho. {\an2}- Left foot. {\an2}- Okay. {\an2}- Goodbye, Jongho. {\an2}- Okay, bye. {\an8}- [Together] Oh! {\an2}- My face! {\an2}- Left foot. - You can do it! {\an2}- [Together] Whoa! {\an8}- He's here. {\an2}(grunting) - Ooh, man. {\an2}Ah, Yeosang. {\an8}(translated to English) - Oh, {\an2}if Jongho plays this right... {\an2}(translated to English) - To your left. {\an2}- That was unnecessary-- {\an8}(translated to English) - Who's the coolest {\an8}of 'em all? - I had so much fun playing {\an8}this game today. {\an8}I'd like to take this back home to Korea {\an2}Okay! {\an8}(groaning) {\an8}Spider-Man, Spider-Man. {\an8}(laughing) - I love him. {\an8}- Okay. - Yeah, perfect. {\an2}- Left hand, Yunho. - Yunho? {\an2}Oh, this here. - Oh! {\an2}- Okay. {\an2}- Right foot. {\an2}(grunting) {\an8}- Push. - Okay. {\an2}Okay. {\an8}(cheering) {\an8}(all chanting) {\an8}- Yunho, Yunho! {\an8}(chanting) {\an8}(laughing) {\an8}and play it again with the ATEEZ members. {\an8}Thank you MTV News for making this happen. {\an8}Thank you. Please show lots of love for ATEEZ! {\an8}Please show us love! {\an8}- Game key: Jeong Yunho. {\an8}- Take that, take that, take that. {\an8}- This is mine! - Take that, okay! {\an8}Let's go! {\an8}- Bye! - Bye!

Dollar Scorpion Paper: Dollar Bill (15.6 x 6.6 cm) Fold in half, Unfold. Fold the short edge to the long ones. Unfold. Valley fold on the iniersection, Unfold. Crease the angle bisectors by aligning the edges to the creases. Turn over. Crease the angle bisectors by aligning the creases to the creases. Collapse the waterbomb base. lnside reverse fold the inner flaps using existing creases. Pivoting from the intersection of the creases. Note that it will not reach the tip. No crease is created on this step, and the model will not lie flat. Valley fold using the crease on the layer inside as a reference, so that the flap will stretch out and flatten completely. Make these creases for a rabbit-ear fold in the next step. After each crease, make the mirror image on the opposite flap. Rabbit-ear fold. Crease well. Unfold. Valley fold the top layer to open up flap; press the center to flatten. Petal fold, then fold in half. Create a small crimp fold inside so that the flap aligns with the edge. Turn over. Fold the edges of the top layer to align with the center crease, from the tip to the folded edges hidden underneath. The model will not lie flat. Release the layer that is trapped. Swivel fold. Shift the edges around the folded edges, allowing some paper to stretch to flatten. Start creasing along the edges from the sides, Crease to connect the references. Let the head fold over. Flatten the area indicated. The model should lie flat. Fold the entire flap to the back. Mountain crease the folded edge. Pleat. Start the first crease slightly bellow the edge, not on it. lnside reverse folding asymmetrically, starting from a point parallel to the center line, and ending in a point. Continue reverse folding so tha t the edges becomes flush. Repeat steps on the other side. Pleat fold. The first mountain should align with the folded edge. The valley fold should leave the same gap used on step 26. Unfold. Fold the edges to the center line. Fold the edges to the center crease, only to the first perpendicular crease. Unfold. Pleat on existing creases. Fold the edges to the center crease, allowing some of the paper to lift, The model will not lie flat. Creating new creases to flatten. Fold from corner to corner. Fold the edge almost to the center crease of the tail. Fold the legs back out along the center line. Rabbit-ear the tail to lift it up. Start by pinching the tail into a series of water bomb bases to make segments; curve; open the tip for the venom bulb; pinch and curve to make the stinger. Fold the head down as far as possible. Fold the mouthparts (the tip) forward. For the pincers, make an outside reverse fold, then crimp and leave the flap slightly open. Unfold. Shape the body. The completed Scorpion.

[Music] thank you [Music] I'm not sure I understand it before I don't know how I feel this way but every time I hear your name [Music] [Music] [Music] I don't know if you feel the same but every time I hear your name [Music] you made my dreams come true [Music] [Music] [Applause] you know foreign baby [Music] because [Music] chemistry same energy [Music] character every day [Music] every day [Music] get up outside [Music] can't believe I forgot this feeling finally found the one in my life [Music] [Music] words to describe the bigger picture [Music] [Music] an angel in disguise [Music] [Applause] [Music] and the summer always make me wonder how you never get me feeling on the Flawless from you put my hand on my chest [Music] the way that you shine [Music] an angel in disguise [Music] [Music] thank you [Music] [Applause] [Music] one step forward in another bag I would never try to fool you I One Heartbeat Away from going mad go when you look like that [Music] how many times [Music] loving you is [Music] [Applause] [Music] I need you baby [Music] instead [Music] baby [Music] Come a Little Closer I Wanna Dance With You everything's moving slower I don't know what it is [Music] [Music] it's what you're doing there's no one else [Music] [Music] you see my wheels in motion I'm going crazy foreign thank you [Music] we break up and you slam the door I messed up on the bedroom door what the hell do we do this for I push you out you come back that attraction we can't fight that keep telling myself [Music] [Music] thank you tell me the things [Music] keep telling myself [Music] [Music] [Music] happy birthday [Applause] please please [Music] [Music] maybe later we can dance never let go listen to her favorite songs on the radio [Music] I just want your everything baby [Music] [Music] drinking from your body [Music] on the couch ES [Music] [Music] dripping from my love [Music] [Applause] [Music] oh keep it coming babe I don't mind another round [Music] relax [Music] ing [Music] [Music] [Applause] [Music] even when my teardrops start to try [Music] even when the sun begins to shine [Music] experience has made me realize that I won't build my life on empty words [Music] looking for someone [Music] looking back on how I used to be I always thought the love was made for me [Music] loving you has made me realize I'm so tired [Music] everything try to love songs [Music] even when my teardrops start to dry and even when the sun begins to shine again I've taken all the advice [Music] [Music] foreign girl I see your face everywhere when I'm going out you'll be there cause everything reminds me of you I can't take no more girl I think I'm losing my mind trying to go to work but I lost track of time cause everyone keep looking like you I can't take no more [Music] I miss your touch from your hands and your body it hurts so much to think of you with someone else Can't Get Enough when you're sweet talking to me now I'm talking sweet all by myself on me what you need from me need your love on me put your love on me [Music] put your faith in me put your love on me can we stop the clock and Rewind go back to that moment in time when you say you want me for life was it all alive [Music] no [Music] I miss your attention on me need your love on me put your [Music] faith in me put your love on me [Music] put your love for me [Music] it hurts me so much to think of you with someone else Can't Get Enough when you're sweet talking to me now I'm talking sweet all by myself put your arms around me put your faith in me put your love on me put your love on me put your faith in me put your love on me [Music] there is only one of you only one of me there's a million of those who won't let us be but they're not gonna Not Gonna See Me Bleed cause baby I got you yes [Music] take me down [Music] no matter who it's for foreign they always [Music] [Music] [Music] you you [Music] I'm gonna go where my heart is I'm not afraid [Music] [Music] the game was set right from the start I don't wanna go I don't wanna know I don't want it anymore [Music] expressions [Music] questions [Music] Bang Bang foreign [Music] [Applause] enjoy [Music] foreign [Music] thank you foreign episode [Music] thank you

Right now, I'm in a state of mind I wanna be in like all the time Ain't got no tears left to cry So I'm pickin' it up, pickin' it up I'm lovin', I'm livin', I'm pickin' it up Oh, I just want you to come with me We're on another mentality Ain't got no tears left to cry So I'm pickin' it up, pickin' it up I'm lovin', I'm livin', I'm pickin' it up Pickin' it up, pickin' it up Lovin', I'm livin', so we turnin' up Yeah, we turnin' it up Ain't got no tears in my body I ran out, but boy, I like it, I like it, I like it We're way too fly to partake in all this hate We out here vibin', we vibin', we vibin' Can't stop so shut your mouth Ain't got no tears left to cry- I'm lovin', I'm livin', I'm pickin' it up They point out the colors in you, I see 'em too And, boy, I like 'em, I like 'em, I like 'em Don't matter how, what, where, who tries it We're out here vibin', we vibin', we vibin' Comin' out, even when it's rainin' down Can't stop now Shut your mouth Ain't got no tears left to cry Oh yeah, oh yeah Oh, I just want you to come with me We're on another mentality Ain't got no tears left to cry (cry) So I'm pickin' it up, pickin' it up (oh yeah) I'm lovin', I'm livin', I'm pickin' it up I just want you to come with me We're on another mentality Ain't got no tears left to cry (cry) So I'm pickin' it up, pickin' it up (oh yeah) I'm lovin', I'm livin', I'm pickin' it up Pickin' it up (yeah), pickin' it up (yeah) Lovin', I'm livin', so we turnin' up Pickin' it up, pickin' it up Pickin' it up Pickin' it- Pickin' it UP Can't stop so shut your mo-o-o Ain't got no tears left (to cry-) Pickin' it up, pickin' it up Pickin' it Pickin' it up I'm lovin', I'm livin', I'm pickin' it up (Pickin' it up, pickin' it up) (Pickin' it) (Pickin' it up) Ain't got no tears left to cry- Oh yeah, oh yeah Yeah, we turnin' it up

I've got this planet in my hands, you know I'll waste it if I can. Come on let's give it a twist and if it all turns to shit. And oh wait, let's try that again. My live's too short to have a plan, here let my help you understand. First take this drink and this pill, relax your mind and be still. Let's find out who I am. 'Cause I... I'm just American trash! Stupid American trash! I've got this planet in my hands, I'll try to save it if I can. I'm satisfied with myself, don't care for anyone else. I'm so united when I stand. I get my facts from the tv, believe in everything I read. It's such an ignorant bliss. When the whole fucking world wants to be like me. 'Cause I... I'm just American trash! Stupid american trash! I'm just American. And everyone's shutting down, the people all so worn out. Wake up, the dream is over. Everyone's shutting down, 'Cause I (Wake up) I'm just American trash! Stupid American trash! I'm just American! (Trash)

In this video, we will look at expanding and condensing logarithms. First off, here are the properties written out. Number 1: The Product Rule for Logarithms. The log, base b, of M times N is equal to the log, base b, of M plus the log, base b, of N. Number 2: The Quotient Rule for Logarithms. The log, base b, of M divided by N is equal to the log, base b, of M minus the log, base b, of N. Number 3: The Power Rule for Logarithms. The log, base b, of M to the power of p is equal to p times the log, base b, of M. Now, for a few examples of expanding logarithms: First, let us look at the log, base b, of x-squared times y-cubed. By the Product Rule, this makes the log, base b, of x-squared plus the log, base b, of y-cubed. By the Power Rule, applied to the x-squared and y-cubed, will yield two times the log, base b, of x plus three times the log, base b, of y. Secondly, let us look at the log, base b, of two times the square root of x divided by y. By the Product Rule, this makes the log, base b, of two plus the log, base b, of the square root of x divided by y. Now, by the Power Rule, this makes the log, base b, of two plus one-half times the log, base b, of x divided by y. Finally, by the Quotient Rule, we have the log, base b, of two plus one-half times the difference of the log, base b, of x and the log, base b, of y. Now, for a few examples of condensing logarithms: First, let us look at the log, base b, of x plus two times the log, base b, of z. By the Power Rule, we have the log, base b, of x plus the log, base b, of z-squared. Then, by the Product Rule, we have the log, base b, of x times z-squared. Secondly, let us look at three times the log, base b, of x minus a half times the log, base b, of z. By the Power Rule, applied twice, we have the log, base b, of x-cubed minus the log, base b, of the square-root of z. By the Quotient Rule, we have the log, base b, of x-cubed divided by the square-root of z.

1. There is a fountain filled with blood Drawn from Immanuel's veins; And sinners, plunged beneath that flood, Lose all their guilty stains, Lose all their guilty stains, Lose all their guilty stains, And sinners, plunged beneath that flood, Lose all their guilty stains. 2. The dying thief rejoiced to see That fountain in his day; And there may I, though, vile as he, Wash all my sins away, Wash all my sins away, Wash all my sins away. And there may I, though vile as he, Wash all my sins away. 3. Dear dying Lamb, Thy precious blood Shall never lose its power Till all the ransomed Church of God Be saved to sin no more; Be saved to sin no more, Be saved to sin no more; Till all the ransomed Church of God Be saved to sin no more. 4. E'er since, by faith, I saw the stream Thy flowing wounds supply, Redeeming love has been my theme And shall be till I die. And shall be till I die, And shall be till I die. 5. When this poor lisping, stamm'ring tongue Lies silent in the grave, Then in a nobler, sweeter song I'll sing Thy power to save, I'll sing Thy power to save, I'll sing Thy power to save. Then in a nobler sweeter song I'll sing Thy power to save.

[MUSIC] I live in two different worlds. Like lots of other boys and girls. One's at home with my family. The other's school where I learn all I can be. [MUSIC] I live in two different worlds. At home I can speak whenever I please. I can talk real loud and shoot the breeze. At school I raise my hand in the air when there's something that I want to share. [MUSIC] Oh at home we go [NOISE]. At school we go. At home we go [NOISE]. I live in two different worlds. At home I can sit here and there. On the couch, the floor, my bed, or easy chair. At school I have a special place. It's my desk and that's my learning space. Oh at home we go [NOISE]. At school we go. At home we go. I live in two different worlds. >> School's got more rules because learning's the goal. Learning takes focus, so you'll need self-control. >> At home I move wherever I like. I can run around or ride my bike. At school we have a different way. We stand in line every day. >> Oh at home we go [NOISE]. At school we go. At home we go [NOISE]. I live in two different worlds. >> I live in two different worlds. >> Home and school are two different worlds. >> Two different awesome worlds.

Antichrist (2009) Melancholia (2011) Nymphomaniac (2013) Breaking The Waves (1996) Dancer In The Dark (2000) The Idiots (1998) Dogville (2003) Nymphomaniac (2013) Breaking The Waves (1996) Antichrist (2009) Melancholia (2011) Manderlay (2005) Dogville (2003) Europa (1991) Dancer In The Dark (2000) Antichrist (2009) Nymphomaniac (2013) Breaking The Waves (1996) Manderlay (2005) Dancer In The Dark (2000) Nymphomaniac (2013) The Idiots (1998) Dogville (2003) Manderlay (2005) Antichrist (2009) Melancholia (2011) Breaking The Waves (1996) The Idiots (1998) Europa (1991) Epidemic (1987) Dancer In The Dark (2000) The Five Obstructions (2003) Antichrist (2009) Nymphomaniac (2013) Dancer In The Dark (2000) Breaking The Waves (1996) Melancholia (2011) Dogville (2003) Europa (1991) The Five Obstructions (2003) The Idiots (1998) Melancholia (2011) Dancer In The Dark (2000) Antichrist (2009) Nymphomaniac (2013) Melancholia (2011) Dogville (2003) Manderlay (2005) The Idiots (1998) Breaking The Waves (1996) Melancholia (2011) Dancer In The Dark (2000) Antichrist (2009) Breaking The Waves (1996) Dogville (2003) Nymphomaniac (2013) Antichrist (2009) Europa (1991) Dancer In The Dark (2000) Dogville (2003) Breaking The Waves (1996) Antichrist (2009) Nymphomaniac (2013) Europa (1991) Manderlay (2005) Melancholia (2011) Nymphomaniac (2013) Dancer In The Dark (2000) Breaking The Waves (1996) Antichrist (2009) The Idiots (1998) Making of The Idiots (1998) Dancer In The Dark (2000) Melancholia (2011) Nymphomaniac (2013) Dogville (2003) Antichrist (2009) Dancer In The Dark (2000) Breaking The Waves (1996) Nymphomaniac (2013) Melancholia (2011) Dogville (2003) The Idiots (1998) Antichrist (2009) Dancer In The Dark (2000) Breaking The Waves (1996) Nymphomaniac (2013) Dogville (2003) Making The Idiots (1998) Manderlay (2005) Dancer In The Dark (2000) Antichrist (2009) Nymphomaniac (2013) Melancholia (2011) Dogville (2003) Manderlay (2005) Nymphomaniac (2013) Melancholia (2011) Europa (1991) Antichrist (2009) Nymphomaniac (2013) Dancer In The Dark (2000) Breaking The Waves (1996) The Five Obstructions (2003) Nymphomaniac (2013) Dogville (2003) Antichrist (2009) Melancholia (2011) Europa (1991) Dogville (2003) Breaking The Waves (1996) Dancer In The Dark (2000) Antichrist (2009) Nymphomaniac (2013) Melancholia (2011) Breaking The Waves (1996) Europa (1991) Antichrist (2009) Dogville (2003) Nymphomaniac (2013) Melancholia (2011)

All right, today's workout is a hand speed workout. We're not gonna focus too much on head movement, or on footwork, moving around the ring. Just focusing on hand speed, putting quick combos together. Now, the combos are gonna be pretty simple. Ones and twos, one-two-threes, little bit of uppercuts, we're gonna work with the six basic numbers. So you're looking at one for the jab, two for the rear straight hand. That could be either you're southpaw or orthodox, that's your rear side. Three for the lead hook, four for the rear hook, five for the lead uppercut, and six for the rear uppercut. But we're gonna be focusing mostly on simple combos with the jab, one-two, multiple punches. Every now and then you'll hear me call out, "Shoeshine!" And right in your spot you're gonna bust out the Shoeshine. Every now and then you're gonna hear me call out, "Punch-out!" And that's when you'll be throwing a bunch of straight punches in a little short flurry. 2 2- 2-3 2-3! Two-three-two! 2 2- 2-3 2-3- 2-3-2 2-3-2! Two-three-two-three! 2 2- 2-3 2-3- 2-3-2 2-3-2- 2-3-2-3 2-3-2-3! One-two-three! 1 1- 1-2 1-2- 1-2-3 1-2-3! One-two-three-two! 1 1- 1-2 1-2- 1-2-3 1-2-3- 1-2-3-2 1-2-3-2! One-three! 1 1- 1-3 1-3! One-three-two! 1 1- 1-3 1-3- 1-3-2 1-3-2! One-three-two-three! 1 1- 1-3 1-3- 1-3-2 1-3-2- 1-3-2-3 1-3-2-3! Ready, Shoeshine! 5... 5... 4... 5... 4... 3... 5... 4... 3... 2... 5... 4... 3... 2... 1... Move! Double jab! Jab- Jab-jab! Six! 6! Six-five! 6 6- 6-5 6-5! Six-five-two! 6 6- 6-5 6-5- 6-5-2 6-5-2! Six-five-two-three! 6 6- 6-5 6-5- 6-5-2 6-5-2- 6-5-2-3 6-5-2-3! Punch-out, straights, go! 5... 5... 4... 5... 4... 3... 5... 4... 3... 2... 5... 4... 3... 2... 1... Move. Two-five! 2 2- 2-5 2-5! Two-five-two! 2 2- 2-5 2-5- 2-5-2 2-5-2! Two-five-two-three! 2 2- 2-5 2-5- 2-5-2 2-5-2- 2-5-2-3 2-5-2-3! Double jab! Jab- Jab-jab! Double jab - two! Jab-jab- Jab-jab-2! Shoeshine, go! 5... 5... 4... 5... 4... 3... 5... 4... 3... 2... 5... 4... 3... 2... 1... Move! Two! 2! Two-three! 2 2- 2-3 2-3! Two-three-two! 2 2- 2-3 2-3- 2-3-2 2-3-2! Two-one-one-two! 2 2- 2-1 2-1- 2-1-1 2-1-1- 2-1-1-2 2-1-1-2! Two-one-one-two-three! 2 2- 2-1 2-1- 2-1-1 2-1-1- 2-1-1-2 2-1-1-2- 2-1-1-2-3 2-1-1-2-3! Two-one-one-two-three-three! 2 2- 2-1 2-1- 2-1-1 2-1-1- 2-1-1-2 2-1-1-2- 2-1-1-2-3 2-1-1-2-3- 2-1-1-2-3-3 2-1-1-2-3-3! Again, two-one-one-two-three-three! 2 2- 2-1 2-1- 2-1-1 2-1-1- 2-1-1-2 2-1-1-2- 2-1-1-2-3 2-1-1-2-3- 2-1-1-2-3-3 2-1-1-2-3-3! Again, two-one-one-two-three-three! (Countdown clock beeping) And time. All right, nice work on the hand speed. You can always push your limits with the hand speed. Rest more in between, but when it's time to go, you let those hands fly. Do this workout enough and soon you're gonna start to know the combos even before all the punches are called out. All right, nice work. Make sure to subscribe to my channel, like the video, leave a comment, come back and do this again tomorrow. Thanks for watching. Peace.

Your experiences, the difficulties you have in your life, the troubles that you have, the things that are giving you anxiety, the things that give you depression, the things that worry you all the time, the burdens that you have in this life are unique to you, and they're different for you than they are even for your children. And those of you that are married, the burdens of the husband are different from the burdens of the wife. Everyone has been given a different set of burdens, and a different set of overbearing thoughts. You know, if you ask yourself as you're going through your day, obviously we do things that are functional, like go to work or you know, get stuck in traffic, or do the groceries and all of those things. And we're functioning in this world, but there's another world that exists inside of our minds. And that world is filled with worries about the future, or it's filled with thoughts about the past, or regrets about the past. Or it's worried about you know, all kinds of uncertainties. And they're always circling in our minds. And it doesn't show on the outside but there's a lot of turbulence going on, on the inside. Right? And everything we're going through, Imam Alqurtubi said something so beautiful: "Why did Allah make me focus so much on water? Because water doesn't stay in the same place." Water mixes with other things, water is constantly moving and changing. And if you try to keep water in the same place, it goes bad. So actually Allah designed this life, to constantly go through changes. So those of you that got uprooted from your home, and you are in a different place, and you say "I miss my village, I miss my home". "Why can't I just go back? Why can't I do this? Why can't I have that old job back?" "Why do we have to move to this neighborhood?" "Why did I have to, there's why, why, why, I hate change, I hate change." Allah says He made life full of change. You can't keep anything the same. Anything that Allah's command came into, like the water that came into a fruit, if you look at that fruit, what's happening slowly? It's losing it's water and it's getting dry, and it's eventually going to die, right? It's going to go. That's the beginning and the end. And everything else we're experiencing, is just the stuff in between. This is just an episode in between, or multiple episodes in between. And they will come to pass. they will go. These experiences will come and go, nothing is permanent. What happens to some of us? You know somebody sitting here, had something bad happen to them, and they think about that everyday. And they review it in their head everyday. And they get sad about it everyday, and they talk about it everyday, and they remind others about it everyday. They are stuck in it. over, and over, and over again. You are stagnating. This is not how Allah meant life to be. You had a tough experience yes, nobody is denying it. But it's time for you to take today and not live in yesterday. You have to keep moving, or you are rotting yourself. Because if you try to keep it the same and preserve, nothing stays preserved. No matter how bad you want the flower to live forever, the flower will wither. But you know what's incredible about those flowers that die on a tree?

Counting to 100. One, two... ...three, four... ...five, six... ...seven, eight... ...nine, and then... TEN, TEN! ...eleven, twelve... ...thirteen, fourteen... ...fifteen, sixteen... ...seventeen, eighteen... ...nineteen... what comes next? ...TWENTY! Twenty!... ...Twenty-one, twenty-two... ...twenty-three, twenty-four... ...twenty-five, twenty-six... ...twenty-seven, twenty-eight... ...twenty-nine... THIRTY! THIRTY! ...Thirty-one, thirty-two... ...thirty-three, thirty-four... ...thirty-five, thirty-six... ...thirty-seven, thirty-eight... ...thirty-nine... and what comes next? FORTY! ...Forty-one, forty-two... ...forty-three, forty-four... ...forty-five, forty-six... ...forty-seven, forty-eight... ...forty-nine... Half-way there after this... ...fifty, FIFTY! ...Fifty-one, fifty-two... ...fifty-three, fifty-four... ...fifty-five, fifty-six... ...fifty-seven, fifty-eight... ...fifty-nine... ...SIXTY!, SIXTY! ...Sixty-one,, sixty-two... ...sixty-three, sixty-four... ...sixty-five, sixty-six... ...sixty-seven, sixty-eight... ...sixty-nine, We're getting closer. SEVENTY!, SEVENTY! ...Seventy-one, seventy-two... ...seventy-three, seventy-four... ...seventy-five, seventy-six... ...seventy-seven, seventy-eight... ...seventy-nine... EIGHTY!, EIGHTY! ...Eighty-one, eighty-two... ...eighty-three, eighty-four... ...eighty-five, eighty-six... ...eighty-seven, eighty-eight... eighty-nine We just need 10 more after this. NINETY!, NINETY! ...Ninety-one ninety-two... ...ninety-three ninety-four... ...ninety-five ninety-six... ...ninety-seven ninety-eight... ninety-nine ONE-HUNDRED!!! ONE-HUNDRED!!! ONE THOUSAND. TEN THOUSAND ONE-HUNDRED THOUSAND ONE MILLION TEN MILLION ONE-HUNDRED MILLION ONE-BILLION! ONE-BILLION! Now that is a lot! Counting to 100.

- [Voiceover] In the last video we learned that there are a class of stars called Cepheid variables. And these are the super giant stars, as much as 30000 times as bright as the sun. A mass, as much as 20 times the mass of the sun. And what's neat about them is, one, because they're so large and so bright, you can see them really really far away. And what's even neater about them is that they're variable, that they pulsate. And because their pulsations are related to their actual luminosity, you know if you see a cepheid variable star in some distant galaxy, you know what it's luminosity actually is if you were kind of at the star, because you know you can see how it's period of pulsation. And so if you know it's actual luminosity, and you know it's obviously apparent luminosity, you know how much it's gotten dimmed. And the more dim it's gotten from its actual state, you know the farther away it is. So that's the real value of them. What I want to do in this video is to try to explain why they're variables. Why they pulsate. And to do that, to do that, what we're gonna think about is doubly and singly ionized helium. And just to review, helium, so neutral helium, let me draw a neutral helium, neutral helium's got two protons, it's got two protons, two neutrons, two neutrons, and then two electrons and obviously this is not drawn to scale. So this is neutral helium right over here. Now, if you singly ionize helium you knock off one of these electrons. And these type of things happen in stars when you have a lot of heat, easier to ionize things. So singly ionized helium will look like this. It'll have the same nucleus, two protons, two neutrons. One of the electrons gets knocked off so now you only have one electron. And now you have a net positive charge. So here, let me do this in a different color, this helium now has a net charge, we could write one plus here, but if you just write a plus you implicitly mean a positive charge of one. Now you can also double the ionized helium if the environment is hot enough. You can doubly ionize helium and doubly ionizing helium is essentially knocking off both of the electrons. So then it's really just a helium nucleus. It's really just a helium nucleus like this. This right here is doubly, doubly ionized helium. Now I just said in order to do this you have to have a hotter environment. There has to be a hotter environment in order to be able to knock off both these, this electron really doesn't want to leave, to take an electron off of something that's already positive is difficult. You have to have a lot of really pressure and temperature. This is cooler. And this is all relative, we're talking about the insides of stars. So, you know, it's hot, this is a hotter part of the star versus a cooler part of the star I guess is a way you think about this, it's still a very hot environment by our traditional, every day standards. Now the other thing about the doubly ionized helium is that it is more opaque. It is more opaque, which means it doesn't transmit, it doesn't allow light to go through it, it actually absorbs light. It is more opaque, it absorbs light. It absorbs light. Or in another way, it absorbs that light energy that energy will make it even hotter. So that's just something to think about. Now, the singly ionized helium is more transparent. This is more transparent. More transparent, it allows the light to pass through it. So it doesn't get heated as much by photons that are kind of going near it, or through it, or whatever. It allows them to go through it here the photons are going to actually heat up, heat up the ion. So let's think about how this might cause cepheid variable to pulsate. So assuming that cepheid variables have a large enough quantity, I should say, of these ions, we can imagine that when a cepheid variable is dim, so let me draw a dim cepheid variable, so I'll draw that like, I'll draw this in a dim color so this is a dim cepheid variable right here. It's dim state, and it's dim state just like this, you have a lot of the doubly ionized helium, you have a lot of doubly ionized helium in the star, at least kind of the outer surface of the star. Doubly ionized helium. And so this does not allow a lot of light to pass through. So this is the dim part of the pulsation of the cepheid variable. Now because this doubly ionized helium is opaque it is absorbing the light, it is getting heated. It is getting heated. And because it's getting heated, it'll cause the star to expand. So because it's getting heated it'll become more energetic and the star will actually expand. The star will actually expand. Now, as the star expands, because this doubly ionized helium is getting heated, what's going to happen, the further away you are from the core of the star, the cooler it gets. So this expanded because it was getting heated, but then because it expanded the outer layers of the star become cooler. And since they're cooler, helium won't be doubly ionized anymore, it'll start to get a couple of, it'll get an electron from, each helium atom can now get an electron from the plasma, I guess you can say, to become singly ionized helium. So now we have singly ionized helium. We have singly ionized helium. And now the star is going to be more transparent, it's going to allow more light to pass through it. So now this is the bright part of the pulsation. It's going to allow more light through, so now it is bright. The star is bright. But what's happening now? Because the light is no longer or it's not being absorbed as well by the helium when it was a doubly ionized helium, now it's letting most of the light, or a lot more of the light, get through it's not going to get heated as much. And so it won't have the kinetic energy to kind of keep pushing out, to keep moving outward, and so it'll collapse back into the star. And so then this will cool down and collapse back in. And when it collapses back in what's going to happen? When it collapses back in, when these helium atoms get closer to the center of the star, to the core of the star, they're going to be heated again, because they're closer now to the core, and when they get heated they're going to become, they're going to become doubly ionized. So then we have doubly ionized helium, again. Doubly ionized, and then the cycle will go again, it is now opaque, it will now absorb more energy, that'll cause it to have more kinetic energy to expand, once it expands, it'll get cool again, and transparent and bright. And so this is the current best theory of why cepheid variable stars are variable to begin with. It's this whole notion of having the doubly ionized helium versus the singly ionized helium in kind of the outer layers of the star itself.

You're just a little girl with grey eyes never mind, say something wait until the crowd cries oh, wait until the crowd cries You're just a little girl with grey eyes So deep in your room you never leave your room something deep inside of me - yearning deep inside of me talking through the gloom what in the world can I do I'm in the mood for your love for your love ... just a little bit afraid of you cause love won't make you cry wait until the crowd goes oh, wait until the crowd goes I'm just a little bit afraid of you So deep in your room you never leave your room something deep inside of me - yearning deep inside of me talking through the gloom what in the world can I do I'm in the mood for your love for your love You're just a little girl with grey eyes never mind, say something wait until the crowd cries oh, wait until the crowd cries you're just a little girl with grey eyes ...deep in your room you never leave your room something deep inside of me yearning deep inside of me talking through the gloom what in the world can I do I'm in the mood for your love for your love I'm just a little bit afraid of you Cause love won't make you cry wait until the crowd goes oh, wait until the crowd goes I'm just a little bit afraid of you So deep in your room you never leave your room something deep inside of me - yearning deep inside of me talking through the gloom what in the world can I do I'm in the mood for your love for your love

[gentle music] - [Announcer] Mohammadsaid Abdelhadi. Sami Abdisubhan. Kevin Abraham. Kurt Abrams. Dania Abul-Enin. Rodrigo Acuna Cervantes. Robert Adashev. Ashwin Advani. Rohit Agarwal. Rohan Agashe. Sean Raphael Ages. Amritpal Ahluwalia. Nikhil Ahuja. Vinny Ahuja. Sami Al Marzooqi. Aman Alagh. Craig Albers. Alexander Aleksandrovich. Alyssa Alfano. Jorge Almeida. Hugh Alvarado. Sean Amegadzie. Alice An. Constantine Anastasakis. Dominick J Ancona. David Andiario. Andrew Andreatta. Flavia Araujo Sounis. Steven Annunziato. Andrew Aran. Justin Arn. Abhijit Aroskar. Lucas Arruda. Adeyemi Ashiru. Brandon Atchison. Tomer Attar. Michael Averbook. Jesse Axelrod. Sam Badawi. Lining Bai. Charles Baker. Sarah Baker. Azza Bakkar. Kelly Balavender. Shreya Balhara. Shantanu Ballal. Anthony B Balsam. Bitun Banerjee. Raca Banerjee. Gargi Bansal. Saransh Bansal. Ryan Barbaccia. Daniel Patrick Barron. Alexander Barry. Emily Bary. Sonali Basak. Noufal Mohamed Basheer. Jeffrey Battipaglia. 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Taylor Horty. Lucy Hovanisyan. Julia Hu. Yijing Hu. Chloe Huang. Daniel Huang. Jonathan Huang. Min-Hsuan Huang. Pat Huang. Kyungye Hyun. Nida Zahid Ibrahim. Riazul Islam. Olivia Jacopetti. Daniel Alexander Jaw. Mahaesh Jayaraman. Huilin Jiang. Ayla Jiang. Yiliang Jiang. John Jo. Becky Joseph. Nitin Joshi. Kevin Joyce. Molly Joyce. Jaehoon Jung. Gage Kaefring. Barry Kagan. Tanvir Kahlon. Bryan Kahn. Matthew Kahn. Mithun Kalaga. Jessica Kaliski. Jeewon Kang. Dhwanil Kapadia. Sid Kaparthy. Benjamin Kaplan. Cheryl Kaplan. Jeremy Kaplan. Shaina Kaplan. Shakira Karimbaksh. Krishna K Karra. Rukmani Chaube. Alina Kasyanova. Andrew Katz. Brandon Katz. Chamandeep Kaur. Tatyana Kaverina. Adam Kayali. Roxanne Keeley. Kelly Keenan. Emily Kelley. Wilson Keng. Dylan Kennedy. Kelly Kennedy. Alexander Kestner. Rohit Khandelwal. Kamini Khanjee. Arjun Khanna. Ayush Khanna. Soham Khanna. Surabhi Khanna. Eva Khoueiri. Ryan Kiczek. Prita Kidder. Jacqueline Killenga. Kyu Sung Kim. Mark Kim. Julia Kingsley. 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Daryl Martis. Konstantine Mastroianni. Sohail Mathur. Youstina Matta. Casey McAlpin. Savannah Mccoy. Nathan Mcdonald. Eugene Mcgee. Laura Mcgraw. Tara McHugh. Mary McKenna. Eleanor McNeil. Skip McShea. Rob McSwiney. Caroline McTish. Divesh Mehta. Logan Meier. Jason Mellone. Constance Meltzer. Jaime Mendal. Brentyn Mendel. Daniel Mendelsohn. Bryce Mendes. Melody Mendez. Sarah Mengual. Raghu Menon. Kyle Robert Menz. Meredith Menzel. Matthew Merrill. Derrick Metzler. Stephanie Meyers. Alexander Mical. Benjamin Jason Michaels. Laura Michaels. Dan Mikus. Michael Miles. Alexander Miller. Michael Miller. Diana Minogue. Devi Mishra. Harsh Mishra. Ivanka Larysa Misilo. Hugh H. Mo Jr. Ram Modh. Anthony Modugno. Sanjana Mohan. Sandy Moheban. Alan Montes. Andrea Monzon. Alexander Moon. Santiago Mora. Dheeraj More. Michael Moretti. Mahssa Mostajabi. Alice Moy. Ilona Mukhsinova. Michelle Mullenax. Matthew Mullery. Travis James Mulvihill. Justin Munda. Varinia Munoz. Tara Nadkarni. Taryn Nagata. Melissa Nahm. Leah Naidorf. Samantha Nanayakkara. Ornela Nano. Nathaniel Nelson. Vineeta Shashank Nerurkar. Thomas Nesdill. Lee Nettles. Jonathan Ngo. Dimitrios Niarchos. Max Nickbarg. Max Nimaroff. Annemarie Noble. Kwangho Noh. Courtney Nolan. Dorea Novaez. David A. Noveck. Trisha Nussbaum. Andrew O'Brien. Nnamdi Obukwelu. Evan Ocello. Alan Ochoa. Lauren Odell. Evan Okin. Paulina Olesinska. Olutade Olulade. T. Jason Ortiz. Temitayo Ezekiel Osibanjo. Amanda Packer. Caroline Packowski. Rachel Palekar. Sriharsha Palugulla. Catherine Pan. Pratik Parekh. Anand Parikh. Jenny Park. Loel Park. Su-Kyong Park. Gavin Parker. Manraj Parmar. Alexa Parsons. Tamas Pataky. Nicholas Pate. Akshar Patel. Kunal Patel. Trisha Patel. Yash Patodia. Ali Peikon. Timothy Penn. Ryan J Pennock. Jeffrey Perkins. Daniel Perlin. Calley Perrino. Thomas Perskin. Ty Petrosyan. Patrick Phillips. Elliot Jordan Pines. Manojna Pinnamaneni. Paranee Pintola. Thanases Plestis. Olivia Podolsky. Amanda Popiela. Kiril Popnikolov. Michelle Posen. Zachary Powell. Debashis Pradhan. James Prager. Justin Proetto. Yun Zhu Pu. Alexander Puglise. Bhuvan Puri. Anthony Pusateri. Sara Putterman. Anthony Putvinski. Eris Qian. David Qin. Matthew Quinlan. Jamie Quiroz. Emily Raciti. Timothy Ralston. Timothy Ramdeen. Maria Ramirez. Varun Rampall. Jonathan Rao. Julia Rayder. Kendra Raymond. Rishi Redkar. J. Edward Regalado. Thibault Remezy. Joseph W Revier. Ali Rezai. Michael Riegel. Gabriel Rives-Corbett. Charles Roberts. Christine Roberts. Louise Robertson. Gordon Roble. Diana Rodriguez. Miguel Rodriguez. Sabot V Rodriguez III. Carolyn Rogers. Pratyush Rohatgi. Yash Rohera. Stephen Roland. William A Romano. Robert Romanow. Eduardo Rosas. Codie Rose. Jerel Ross. James Rossi. Rea Rotholz. Margaret Rowley. Alissa Rubinstein. Lorraine Rubio. Lingyu Rui. Victoria Rusinak. Emal Rustemi. Conor S. Ryan. Justin Sable. Benjamin Sacks. Matthew Saffi. Utsab Saha. Noriaki Saito. Reilly Sakai. Rudmila Salek. Dena Samad. Patricia Samuel. Caitlin Sanchez. Andres Sanchez Badia. Matthew Sanders. Robert Sansone. Michael Santangeli. Nihar Sarna. Gabrielle Sart. Darya Sasson. Bryan Scalici. Katherine Ann Scarbrough. Daniel Scarpinato. Jake Schantz. Ari Schiff. Alice Schnurman. Hannah Rose Schonwald. Nikolas Schreiber. Philip Reed Schroder. Douglas Schulte. Alexander D. Schwartz. Quentin Scott. Andrea M. Sease. Jason Seigel. Joseph Seiler. Hisham Semaan. Michael Sendze. Jason Senko. Daniel Seoane. Peng Ser. Sarah Serbiak. Amy Setton. Tina Seyrafi. Shan Shabsigh. Aeshna Shah. Shaival Shah. Nik Shankar. Matthew Shapiro. Tanya Sharma. Michelle Shen. Samantha Sherman. Trevor Shields. Alexander Shih. Celine Shin. Chun Shin. Joseph Shin. Caelum Shove. Kirti Shukla. Brett Shulick. Charles Shutt. Taylor Chaubard. Lauren Siegel. Matthew Siegfried. Matthew Silverman. Sam Simpson-Dore. James Singh. Sanjana Singh. Fernando Siqueiros. Sinduja Sivakumar. Kaitlin Slattery. Evan Slepian. Alyssa Smith. Naomi Smolevitz. 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Christina Yu. Bo Yuan. Dorothy Yuen. Thomas Zalewski. Hart Zeitler. Andrey Yuryevich Zelenovsky. Maria Zenzola. Boris Zhabianski. Hanson Zhang. Nancy Zhang. Tian Zhang. Xinyi Zhang. Diana Zhang. Yongqing Zhang. Yun Zhang. Mengyi Zhao. Nancy Zhao. Katrina Zheleznyak. Shao Zhou. Stephanie Zhou. Becca Yu Zhou. Danielle Zhu. Tong Zou. Nicholas Zubkoff. Karissa Zubulake. Maria Fernanda Zuleta. Feng Zuo. Sarah Molly Zweifach.

Christopher Carbone: This is question. Number twenty-seven of our calculus review. We want to find the derivative of the function. Y is equal to the sine of the tangent of ninex. Christopher Carbone: So Christopher Carbone: we're going to use a use substitution you as the tangent Christopher Carbone: of nine x, Christopher Carbone: and do you? Christopher Carbone: It's going to be nine times the secant Christopher Carbone: of nine apps Christopher Carbone: squired. Christopher Carbone: That's this whole secant of ninex whole of that is squared. Christopher Carbone: So this, then, means, then, that we have. Christopher Carbone: Why is it good to the sign of you, Christopher Carbone: for this y prime would be equal to the cosine of you. Christopher Carbone: Deal. Christopher Carbone: So we're poisoned parts. Now this is equal to the cosine Christopher Carbone: of the tangent of nineux Christopher Carbone: times Christopher Carbone: nine Christopher Carbone: times the secant. I'm going to rewrite this as the secant squared of not x. Christopher Carbone: That just simplifies to be nine times the cosine of the tangent of nine X. Now Christopher Carbone: times the secant Christopher Carbone: of nine apps Christopher Carbone: squared. Christopher Carbone: Thank you,

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Frostbite Theater presents... Cold Cuts! No baloney! Just science! Hi! I'm Joanna! And I'm Steve! Here's a question for you... Two, essentially identical ice cubes, are placed in liquid nitrogen. One ice cube is left in the liquid nitrogen for one hour. The other ice cube is left in the liquid nitrogen for five hours. Both ice cubes are removed from the liquid nitrogen and are allowed to melt under essentially identical conditions. Which ice cube melts first? The one that was in the nitrogen for an hour? The one that was in the nitrogen for five hours? Do they both melt at essentially the same rate? Or, are the ice cubes now invulnerable to melting? Pause the video now if you'd like to think it over before we show you what happens. One hour is plenty of time for an ice cube to reach thermal equilibrium with liquid nitrogen, let alone five, so both ice cubes are the same temperature when they're removed from the liquid nitrogen. But, the ice cube that was in the nitrogen for five hours isn't 'more cold' just because it's been cold for longer. It's like if you have $10 in your pocket. If you have $10 in your pocket, then you have $10 in your pocket. It doesn't matter how long the $10 has been there. Since both ice cubes are essentially identical and are melting under essentially identical conditions and start at the same initial temperature, both ice cubes melt at essentially the same rate. Thanks for watching. I hope you'll join us again soon for another question! Essentially.

D J Bravo D J Bravo D J Bravo D J Bravo Champion Everybody know say bravo a champion Everybody know chris gayle is a champion Beenie a champion Bounty a champion Machel is a champion Bunji is a champion Pollard is a champion Lara is a champion Gayle is a champion Don't forget Michel Jordan Obama a Champion Mandela a champion Serena a champion Wendy a champion Shellyann a champion Dj Bravo,Dj Bravo Dj Bravo Dj Bravo Champion Everybody know say bravo a champion Everybody know chrise gayle is a champion Beenie a champion Bounty a champion Machel is a champion Bunji is a champion Pollard is a champion Lara is a champion Gayle is a champion Don't forget Michel Jordan Obama a Champion Mandela a champion Serena a champion Wendy a champion Shellyann a champion 958 bolt a champion champion Everybody know say bravo a champion Everybody know Chris Gayle a champion champion we are real champion Don't vex if your name not call We have to leave time to bat some ball we love Soca and Dance-Hall We love cricket and football From Dancing My name your call Champion Every trini and every yard man Every Vincy and every Bejan Beenie a champion Bounty a champion Machel is a champion Bunji is a champion 958 bolt a champion champion Everybody know say bravo a champion Everybody know Chrise Gayle a champion champion we are real champion Don't vex if your name not call We have to leave time to bat some ball we love Soca and Dance-Hall We love cricket and football From Dancing My name your call Champion Every trini and every yard man Every Vincy and every Bajan Beenie a champion Bounty a champion Machel is a champion Pollard is a champion Lara is a champion Gayle is a champion Dont forget Michael jordan obama a champion Mandela a champion Serena a champion Wendy a champion Shellyann a champion 958 bolt a champion champion Everybody know say bravo a champion Everybody know chris gayle is a champion Bunji is a champion Pollard is a champion Lara is a champion Gayle is a champion Dont forget Michael jordan obama a champion Mandela a champion Serena a champion Wendy a champion Shellyann a champion 958 bolt a champion champion Everybody know say bravo a champion Everybody know chrise gayle is a champion

Christopher Carbone: This is question. Thirteen of our calculus review. A ball is thrown into the air with the velocity of thirty six feet per second. Christopher Carbone: Its height and fee after t seconds is given by S. Of t is equal to three over six t Christopher Carbone: minus sixteen t squared. Christopher Carbone: We want to find the velocity in feet per second of the ball at time t is equal to one seconds. Christopher Carbone: So this is the velocity we're trying to fund, Christopher Carbone: which would be V of one. Christopher Carbone: This would be the limit Christopher Carbone: as t approaches one Christopher Carbone: A. Of S. Of T Christopher Carbone: minus s, of one Christopher Carbone: divided by T minus one. Christopher Carbone: So Christopher Carbone: for us to find that. Let's do the work down here. Christopher Carbone: Um s of t minus s of one Christopher Carbone: divide by t minus one. Christopher Carbone: We're placed in the function. First. Christopher Carbone: This would be Christopher Carbone: thirty-six t Christopher Carbone: minus sixteen t squared. Christopher Carbone: If we put one into that function we Christopher Carbone: we will get twenty Christopher Carbone: divided by t minus one. Christopher Carbone: So. Christopher Carbone: Ah, for us to do this Christopher Carbone: we could, you know, drop these parentheses and kind of rewrite this a little bit Christopher Carbone: has negative sixteen t squared the Christopher Carbone: plus thirty, six t minus twenty, Christopher Carbone: all divided by t minus one. Christopher Carbone: So this does factor a bit. Christopher Carbone: The numerous factors to be Christopher Carbone: t minus one Christopher Carbone: times Christopher Carbone: twenty, Christopher Carbone: minus sixteen T. Christopher Carbone: And this whole thing is divide by a still t minus one. Christopher Carbone: And now we can see, Christopher Carbone: and that the T minus ones Christopher Carbone: they are going to cancel out, Christopher Carbone: and then we would be left with Christopher Carbone: for this twenty minus sixteen T. Christopher Carbone: So let's rewrite that up here Christopher Carbone: a minute. Christopher Carbone: As t approaches one of twenty minus sixteen t Christopher Carbone: the placing in the T with one. Now, since nothing stops it from happening, Christopher Carbone: it's just twenty minus sixteen times one, which would just give us a value here of four, Christopher Carbone: so that describes the instantaneous velocity, Christopher Carbone: instantaneous velocity, Christopher Carbone: when Christopher Carbone: t is equal to one second Christopher Carbone: is from what we just found four feet per second. Christopher Carbone: Thank you.

[SINGING] Sunshiny day-- Time for your breakfast, dear. [GRUMBLING] I don't want breakfast, Ma. I want to go out and play. What the-- Did I hear you say you didn't want any breakfast? That's right. Huh? No breakfast? What? Don't you know that breakfast is the most important meal of the day? Yeah, that's right! Yeah! Sing it, sister! [SINGING] You wake up in the morning. The sun is shining bright. You're going to start another day. You better start it right. Oh, yes. You wash yourself and brush your teeth, put sneakers on your feet. But before you go and play, you've got to eat! Yeah! Ba ba. It's the most important meal of the day, of the day. The most important meal of the day. Yes, you had your lunch and dinner, and breakfast clearly is the winner. It's the most important meal of the day. Little Suzie ate no breakfast before she went to school. She didn't think she needed it. She thought that it was cruel. But once she hit the playground, she was much too tired to play without the most important meal of the day. Of the day. It's the most important meal of the day. Yes! Don't ever wait for lunching. The morning's time for munching on the most important meal of the day. And what do we eat? I'll tell you. A piece of fruit. Or orange juice, with or without the pits. Some cereal. Or a muffin, or some pancakes. Or some grits. A glass of milk is what you need to send you on your way. We're the most important meal of the day. Of the day. So make your eggs with bacon. Breakfast can't be beaten. It's the most important meal of the day. A doggy needs his munchies to start the morning strong. Even animals need breakfast to last the whole day long. A tiger has a t-bone. A horse needs some hay. It's the most important meal of the day. Of the day. Swing it, daddy! No other meal can beat it, so go ahead and eat it. It's the most important meal of the day. Of the day. What's for breakfast, Ma? [MUSIC PLAYING]

Biologically Humans are fruitarians. Human body is designed to eat fruits and nuts. Since humans have started to eat cooked food thousands of years ago it is difficult to change to raw food suddenly. So we should live in natural raw food as far as possible and for the remaining we should follow vegan diet.(ie avoiding milk, curd, butter, ghee, butter milk egg etc.which comes under animal protein) Also in the vegan diet we should follow healthy vegan diet. I have prepared a list of vegan substitutes While switching over from non veg to vegan diet. If you have a idea of following vegan diet I think it would be helpful to you. That is the purpose of this list. In this list I have written non veg/veg food on the left side. I have written the vegan substitutes on the right side. Instead of mutton you can use soya, potato and jack fruit seeds. Instead of chicken mushroom can be used, Instead of milk we can use coconut milk. Instead of egg omlette we can use green gram omlette. Ginger instead of green chilly. pepper instead of red chilly. In the place of tamarind we can use tomato, mango, lemon, kudam puli which is available in nattu marunthu kadai. Tiger kills at forest but tamarind kills at home says a famous proverb. Hence instead of tamarind these 4 alternatives can be used. Himalayan rock salt in the place of sea salt/iodized salt. In the traditional country medicines given it is advised to have a diet without salt and tamarind for 48 days . The diet works more than the medicine in curing the disease. so we can realise how it is important to reduce salt and tamarind in our food. sea salt, iodized salt can be substituted by himalayan rock salt or indupu. In the place of oil chekku coconut oil can be used. vegetable /mushroom biriyani in the place of mutton/chicken biriyani. Instead of fish fry elephant yam fry can be substituted. This has to be avoided. Because lot of oil is required for this receipe. however if one feels it difficult to change from non veg to vegan diet this can be used as an substitute. coconut curd can be used in the place of dairy curd. coconut butter milk, lemon juice in the place of butter milk instead of polished rice unpolished rice, wheat and flattened rice(aval) can be used. Instead of snacks flattened rice (aval), Puffed rice (pori), roasted gram(pottu kadalai) can be used. For substituting sweets panchamirtham, sesame burfi (elurundai), ground nut burfi,(kadalai burfi) dry fruit laddu can be used. Instead of coffee black coffee and sukku coffee can be used. Instead of tea lemon tea, black tea and herbal tea can be substituted. Those who drink regularly coffee and tea will find it difficult to stop them immediately. They can use these substitutes. vegetable /mush room soup in the place of non veg soups. coconut curd rice in the place of curd rice. vegan mor kulambu instead of mor kulambu. cashew laddu in the place of pal peda. Instead of using mustard for tempering pepper, cumin and fenugreek seeds can be used. Instead of white sugar- palm sugar, jaggery and karumbu sarkari can be used. Those who want to overcome drinking habit can have coconut milk and red banana in their diet daily. Those who are interested in natural food can download the book aarokiyamae anandham free from the link given in the description box. thank you.

I'm trying to hold my breath Let it stay this way, can't let this moment end You set off a dream in me Getting louder now Can you hear it echoing? Take my hand Will you share this with me? 'Cause darling without you All the shine of a thousand spotlights All the stars we steal from the night sky Will never be enough Never be enough Towers of gold are still too little These hands could hold the world but it'll For me Never, never Never Never enough For me All the shine of a thousand spotlights All the stars we steal from the night sky Will never be enough Never be enough Towers of gold are still too little These hands could hold the world but it'll For me Never, never Never Never, for me For me Never enough Never, never No, never, never For me Cimorelli and James: Hi, sisters! James Charles here, and welcome back to my YouTube channel. You guys, I'm currently at Tennessee with some very very special guests, Cimorelli! Cimorelli: Hi! hey! Oh my god, you guys! I have literally been dying to do this collab for so many years now, I've been subscribed to them on YouTube for literally four years! That was literally so much fun to arrange and put all together and sing with you guys. Thank you sisters all so much for allowing me to be part of the group for the day like this is such a cool opportunity and has meant the absolute world to me and yeah, I really hope you sisters at home like this video as well. If you did, please don't forget to give a big thumbs up down below and show your love and support. It means so much to all of us, especially because you guys know I'm working heavily on music this next year and Cimorelli has been an amazing role model for me growing up in this industry. If you really really enjoyed it You can now stream it on Spotify using the link down below, kind of fun, kind of fresh Who knows what other things will be available from me to stream on Spotify within the next year? We don't know, if you really really enjoyed this cover also and you want to hear us sing more together We also did a ton of videos over on their channel which the link will be in the description box down below We did the harmonizing challenge Which was literally one of the greatest things that ever happened in my entire life And also a fun little mashup of Demi songs, you guys know she's my all-time favorite artist, so go check it out over there Please subscribe to them, they're such amazing and talented musicians and ooh if you guys want to subscribe to me as well Don't forget to click that big red subscribe button down below and come join this sisterhood. We're almost 13 million sisters strong which is so crazy and also click that bell icon so you get notifications every time I upload a brand new video, if you like to follow me on my makeup journey You can follow me on Instagram and Twitter. They're both just @JamesCharles And my Snapchat's more behind the scenes Snapchats it's James Charles with an extra 'S' after Charles. Where can they find all of you guys? Our Instagram is @cimorelliband and our YouTube is youtube.com/CimorellitheBand -Love that! -More on Spotify. This video sister shoutout goes to sister Shalynne. Thank you so much love for always following and supporting me. I love you literally the most in the entire world and if you have only to be the next videos sister shoutout Don't forget to always retweet with the links when I go live on Twitter. Already you guys, that is all we have for today's video I really really hope you enjoyed it. I love you so much, and I will see you in the next one, All: Bye!

slept in today better late than never they say clear all the clouds while I'm in flight Don't challenge me to a race You can't keep up with my pace don't wanna cry while you're in flight Someday I'll join the wonderbolts I'll dazzle fillies and colts They'll shower us with diamonds I daydream while I am in flight I have five friends in my life I'll be there for them until the day I die if they ever need me that is that I will be there for them in ten seconds flat Did you know that you're my best friend although sometimes I condescend I think of you when I am in flight I know I may sometimes be brash But I'm no longer Rainbow Crash A good friend is hard to find So I'm definitely sticking with mine I have five friends in my life I'll be there for them until the day I die if they ever need me that is that I will be there for them in ten seconds When we are in flight we can soar through the sky I'll never leave you I'll be right by your side and I am in flight feel the wind in my mane Before the rainbow you gotta fly through the rain I have five friends in my life I'll be there for them until the day I die if they ever need me that is that I will be there for them in ten seconds flat I have five friends in my life I'll be there for them until the day I die if they ever need me that is that I will be there for them in ten seconds flat

Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road horses in the back Horse tack is attached Hat is matte black Got the boots that's black to match Ridin' on a horse, ha You can whip your Porsche I been in the valley You ain't been up off that porch, now Can't nobody tell me nothin' You can't tell me nothin' You can't tell me nothin Ridin' on a tractor Lean all in my bladder Cheated on my baby You can go and ask her My life is a movie Bull ridin' and boobies Cowboy hat from Gucci Wrangler on my booty Can't nobody tell me nothin' You can't tell me nothin' You can't tell me Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road Hat down, cross town, livin' like a rockstar Spent a lot of money on my brand new guitar Baby's got a habit: diamond rings and Fendi sports bras Ridin' down Rodeo in my Maserati sports car Got no stress, I've been through all that I'm like a Marlboro Man so I kick on back Wish I could roll on back to that old town road I wanna ride 'til I can't no more take my horse to the old town road I'm a and ride 'til I can't no more

welcome to DPV technology in this video we will learn how to connect these four into four keypad and how to program these keypad with arduino so let's get started you can buy all types of electronic components modules sensors at best price from www.dpvtechnology.com these keep it has 4 rows 1 2 3 4 for each row we get an output port here so for 4 rows we get 4 out to port here 1 2 3 4 then for 4 columns we get 4 out of ports 1 2 3 4 so here 1 2 3 4 so this left side these 4 ports from the left side are for rows and these four ports from the right side for columns now you first open your arduino ide then go to file then go to example and then go to keypad so here we will find a keypad so here is the keypad and then go to hello keypad and open it if you did not find a keypad in your example folder then you have to download the keypad library from that Github so go to GitHub the link is given in the description of this video then go to clone download clone or download here then download zip then you go to your download folder find the downloaded library and then extract it extract here and then copy and paste the extracted folder in the Arduino library folder so I have already downloaded it so I'll not replace it again after downloading that keypad library please don't forget to reopen your Arduino software now in the hello keypad code we have to edit some codes here so in the keypad we can see after three we have 'A' so in the code also we have to write here 'A' comma then 'A' single quote then 6 this we have to add 'B' then after nine here we have to add C and then after Hash we have to add this D single quote don't forget to write this single quote here so here we have a addede ABCD now here these are the code and pins for rows that means we have to connect our lower pin of the keypad to digital pin 5 4 3 2 and column pin to 8 7 6 but we have 4 column pins so we have to write one here suppose we will connect it 9 8 7 6 so let us go to the connections now so in the code we have seen there these rows pins are connected to 5 4 3 2 that means we have to connect this first row pin to pin number 5 of the Arduino so here is pin number 5 similarly connect the second row pin to pin number 4 of the Arduino third row pin to pin number 3 of the Arduino and fourth row pin to pin number 2 of the Arduino now we have to connect our column pin so connect the first column pin here to pin number 9 of the Arduino similarly, connect the second column pin to pin number 8 of the Arduino third column pin to pin number 7 of the Arduino and fourth column pin to pin number 6 of the Arduino so now our connection is now go to your Arduino IDE again here in the column here we can see it is 3 so we have to make it 4 and then upload it so done uploading then you go to serial monitor and then here you can see let me maximize it so I will press 1 here so we can see in the serial monitor also 1is there so 2 3 a 4 5 6 B 7 8 9 C star 0 Hasd D so we can see all these characters are here that means the keypad is working property you can buy all types of electronic components modules sensors at best price from www.dpvtechnology.com

How to make origami HEART BUTTON POP IT [origami button] Let's make a cute and easy origami heart button pop it. It's a cool origami antistress toy that will help you to calm down if you're stressed. It's very fun to play with and it looks very nice. You can make one, two or any other amount of buttons. And you can also select any shape you like) This origami button is easy to make. How to make origami HEART BUTTON POP IT [origami button] Let's make a cute and easy origami heart button pop it. It's a cool origami antistress toy that will help you to calm down if you're stressed. It's very fun to play with and it looks very nice. You can make one, two or any other amount of buttons. And you can also select any shape you like) This origami button is easy to make. How to make origami HEART BUTTON POP IT [origami button] Let's make a cute and easy origami heart button pop it. It's a cool origami antistress toy that will help you to calm down if you're stressed. It's very fun to play with and it looks very nice. You can make one, two or any other amount of buttons. And you can also select any shape you like) This origami button is easy to make.

Plants prepare their own food by a process called photosynthesis. Photo is the Greek word for light and synthesis is the Greek word for putting together. Plants need sunlight, carbon dioxide from air and water from soil to prepare their own food. Photosynthesis takes place in the leaves of a plant. Leaves have tiny pores called stomata through which carbon dioxide enters the plant. Plant cells contain tiny structures called chloroplasts that contain chlorophyll. Carbon dioxide and water, in the presence of sunlight and chlorophyll get converted into glucose and oxygen. Oxygen then leaves the plant through the stomata. Glucose gives nourishment to the plant. The extra glucose produced is stored by the plant in the form of starch for later use. Carbon dioxide and water, in the presence of sunlight and chlorophyll get converted into glucose and oxygen. Oxygen then leaves the plant through the stomata. Glucose gives nourishment to the plant. The extra glucose produced is stored by the plant in the form of starch for later use.

Understanding it doesn't mean listening to a talk or reading a book, though that is helpful. It comes through learning. Learning comes from participation. You learn from others. You learn from the people you're trying to organize. You have to gain the experience and understanding which will make it possible to maybe implement ideas as a tactic. There's a long way to go. This doesn't happen by the flick of a wrist. It happens from a long, dedicated work. I think in many ways the most exciting aspect of the Occupy movements is just the construction of these associations and bonds that are taking place all over. Out of that if they can be sustained can come expansion to a large part of the population that doesn't know what's going on. If that can happen, then you can raise questions about tactics like this, which could very well at some point be appropriate.

Wherever you go, where ever you may wander in your life Well surely you know, I always wanna be there Holding your hand and standing by to catch you when you fall Seeing you through in everything you do I said let me be there in your morning, let me be there in your night Let me change whatever's wrong and make it right Let me take you to that wonderland that only two can share All I ask you is let me be there Watching you grow and going through the changes in your life That's how I know I always wanna to be there Whenever you feel you need a friend to lean on, here I am Whenever you call, you know I'll be there I said let me be there in your morning, let me be there in your night Let me change whatever's wrong and make it right Let me take you to that wonderland that only two can share All I ask you is let me be there Let me be there in your morning, let me be there in your night Let me change whatever's wrong and make it right Let me take you to that wonderland that only two can share All I ask you is let me be there I said let me be there in your morning, let me be there in your night Let me change whatever's wrong and make it right Let me take you to that wonderland that only two can share All I ask you is let me be there

Hello. My name is Michael, and today we are going to have a fun time learning about day and night. Right now it is day. The day is light. During the day you can see the sun, clouds, and birds in the sky. This is night. The night is dark. At night you can see the moon, clouds, and stars in the sky. Today, we are going to practice speaking. I want you to listen and repeat after me. Day is light. Night is dark. Let's continue. Is this day or night? It's day. Good. Is it light or dark? Yes, it's light. How about this? Is this day or night? It's night. Good. Is it light or dark? It's dark. Very good. Let's learn a little bit more. This is a picture of the sky. During the day you can see the sun, clouds, and birds. Can you listen and repeat after me? Sun. Cloud. Bird. Very good. Let's practice using these words in a sentence. I see the sun. I see a cloud. I see a bird. Very good. Now let's learn about the night sky. This is the night sky. What can you see in the sky at night? Let's find out. At night, you can see the moon, clouds, and stars. Can you listen and repeat after me? Moon. Cloud. Star. Good. Now let's practice using these words in a sentence. Listen and repeat after me. I see the moon. I see a cloud. I see a star. Very good. Congratulations. You just learned ten new words. Great job. Hey! Did you hear that? I think it's time for us to say goodbye. Did you have a fun time learning today? I hope so. If you would like to play a game, all you have to do is watch this video again, practice the words and sentences that we learned today, and come back next time. And so you don't forget, please subscribe to our YouTube channel so that you don't miss our next video. Thank you for watching, and I'll see you next time. Bye.

a drill a ladder a brick a hammer a vernier caliper bolt gloves an axe (an ax (US)) a broom a bucket a cable a cement mixer cement a chainsaw a chisel a clamp a combination pliers an Allen key / an Allen wrench / a hex key a concrete block a cone a cut off wheel / a cutting disc a digital caliper a dust mask a dustpan and brush set a stepladder / steps (UK) earplugs a combination wrench (US) / a combination spanner (UK) a face shield a torch (UK) / flashlight (US) a flat try square scissors (a pair of scissors) safety goggles grinder blades a grinding wheel / a sandpaper flap disc a gutter a hacksaw a hand brush a file (a hand file) a hand grinder a saw blade a high-visibility vest, a high-visibility jacket hi-vis vest, hi-vis jacket a knife a mallet / a rubber mallet a measuring tape / a tape measure a steel measuring tape / a steel tape measure an adjustable wrench / a monkey wrench a nail a nut (to a bolt) a padlock a paintbrush paint a can of paint / a tin of paint a pocketknife / a penknife an angle iron a plasterboard a dustpan pliers a plug protective glasses / safety glasses protective headphones a protractor a rake a rope a ruler a safety harness a hard hat a sandpaper saw / handsaw a scraper a screw a screwdriver a shovel a socket a double open-end wrench / a double open end spanner a level / a spirit level a lumber / a timber (for construction) a tool belt a toolbox a tool kit tools a string a vise (US) / a vice (UK) a washer (to place under a head of a screw) a dump truck a digger a wheelbarrow a wire brush a forklift truck / a lift truck a rivet a roller / a paint roller a circular saw a silicone gun silicone glue pincers a glue gun a soldering gun / a soldering iron a welder a wall plug plaster a pickaxe, a pick a bit / a drill bit a riveter a cloth (to clean a surface) a lathe a scaffolding a stapler brace (tool) / a hand drill a gimlet a pipe wrench a coping saw a plunger an awl / a bradawl a cordless drill

Didn't know what time it was, the lights were low I leaned back on my radio Some cat was layin down some rock 'n' roll "Lotta soul," he said Then the loud sound did seem to fade Came back like a slow voice on a wave of phase That weren't no DJ, that was hazy cosmic jive There's a starman waiting in the sky He'd like to come and meet us But he thinks he'd blow our minds He's told us not to blow it 'Cause he knows it's all worthwhile He told me Let the children lose it Let the children use it Let all the children boogie I had to phone someone so I picked on you Hey, that's far out, so you heard him too Switch on the TV, we may pick him up on channel two Look out your window, I can see his light If we can sparkle he may land tonight Don't tell your poppa or he'll get us locked up in fright There's a starman waiting in the sky He'd like to come and meet us But he thinks he'd blow our minds He's told us not to blow it 'Cause he knows it's all worthwhile He told me Let the children lose it Let the children use it Let all the children boogie Starman waiting in the sky He'd like to come and meet us But he thinks he'd blow our minds There's a starman waiting in the sky He's told us not to blow it 'Cause he knows it's all worthwhile He told me Let the children lose it Let the children use it Let all the children boogie La, la, la, la-la, la, la, la

01 - Cacti on the runway......gotta be a bad sign by TravelPod member quinnlucie 02 -Ready to quite literally rock n roll..fearless by TravelPod member quinnlucie 03 - Licence out of a weetabix packet?..i think so by TravelPod member quinnlucie 04 - Action Shot! by TravelPod member quinnlucie 05 - A whale..can you see it...can you see it? by TravelPod member quinnlucie 06 - A carrot...hmmmm by TravelPod member quinnlucie 07 - The alien by TravelPod member quinnlucie 08 - The Monkey by TravelPod member quinnlucie 09 - The Condor by TravelPod member quinnlucie 10 - I'll let you have a guess what that is..... by TravelPod member quinnlucie 11- This one's a little easier..answer on postcard by TravelPod member quinnlucie 12 - Juanita's mate Betty by TravelPod member quinnlucie 13 - Our taxi's await....not quite the classic car by TravelPod member quinnlucie 14 - An arty shot from within by TravelPod member quinnlucie 15 - A face...do you see it?! by TravelPod member quinnlucie 16-Everyone looks at the face...boys throw stones by TravelPod member quinnlucie

This Powerful compact spreadsheet allows you to get valuable information when playing Poker. The first thing you'd do is enter the amount of players at the table, including yourself. You are now ready to play, click the icons that match the cards from your hand. You can now see what the chance is that anyone has a better hand then you. Your win chance is 100% minus the chance that someone has anything better. You can clear your hand or the table or both with a simple click. You can now start entering the cards that are placed on the table. You can also see the chance of getting a certain combination, as well as your current highest combination. You can see how every card chances the odds, so 100% at the start will rarely still be 100% at the end. The current combination has a 100% win chance, since the only thing that beats it is a player having two sixes, that chance is less then 1%. You can also set different profiles which will determine what you should do, based on your preferences. These preferences can be set in the second tab... You can set up to three different profiles, maybe for 3 situations. Here I've set: "When someone raises","my chance must be at least"[92%] for me "To raise". ..."and at least" [85%]"To call". You can do this for two parts of the game: Pre-flop or after the flop, since the approach is often different. You can also set if cards are being burnt (real-life Poker) or not (internet Poker).

all truth passes through three stages first it is ridiculed second it is violently opposed third it is accepted as being self-evident the struggle so violent in the early days of science between the views of Ptolemy and Copernicus would then be quite meaningless either ordinate system could be used with equal justification although it is not uncommon for people to say that's corpenicus proved ptolmey wrong that is not true when you look at the CMV man it was the plaintiff the earth around is this is coming back to office that would say we are truly the center of the universe

Please, welcome: The game director of Bethesda Game Studios Todd Howard! The Chalkeaters - It Just Works Subtitles By: Martcraft and [INSERTNAMEOFTHEGUYWHODIDALLOFTHISEARLIERWORK] Enjoy the song. Watch this: our newest release! The legendary series you've missed for years Comes back, get ready for some action! Got couple bugs in here, some broken scripts right there The fans will fix it anyway so we don't care! They'll patch it through micro transactions So enjoy your pretty nylon bag Oh and boy, stop shitting on our swag You're not getting any money back You knew that was a one way wacky track Just shut up and have your nylon bag! Coming up with it was real drag! All proceeds go strictly to Vault Tec So you're NOT getting your money back! It just works, it just works Little lies, stunning shows People buy, money flows, it just works Overpriced open worlds Earnings rise, take my word It just works Our tech is cutting edge as far as I can tell The creation engine's aging very well We're not planning on Doing anything about it Skyrim's the limit, don't deny it See this mountain? You can buy it In the DLC for the price of a real mountain! What's wrong with a train in place of your head? Come on, believe me, you've seen nothing yet The battle spaceship with a dragon animation Will become a new sensation on the internet Just shut up, give us your every dime Buying an armored horse is not a crime! Our devs could eat the Shadowmere alive so... BUY SKYRIM ONE MORE TODD DAMN TIME! It just works, it just works Little lies, stunning shows People buy, money flows, it just works Overpriced open worlds Earnings rise, take my word It just works We don't want your endless shit It's just not the game we need Sick of looting useless junk Graphics making our eyes bleed We don't want your endless shit It's just not the game we need Sick of looting useless junk Graphics making our eyes bleed Hey Now listen up! Welcome to the place washed by lliac waves There's two and a half peasants with the same ugly face You're not into small towns? Check out big-ass plains! 50 times the size of Skyrim's, twice as many pointless caves! You see, We at Bethesda know exactly what you want Hardcore gamers inspired us to improve shopping a lot Now each lockpick must be bought for an actual ten spot And saving now is a paid mod for just twenty a slot You're never getting bored, you'll have infinite quests There's every vagabond will put you to the test You'll be richly awarded, with infinite chests Full of rusty swords and used pregnancy tests We got rid of skill trees, they were old and lame Who needs a leveling system in a role-playing game? You came to slash and kill and save one more nation No more levels and skills, only degredation! It just works, it just works Little lies, stunning shows People buy, money flows, it just works Overpriced open worlds Earnings rise, take my word It just works, it just works Little lies, stunning shows People buy, money flows! It just works! IT JUST WORKS! So, who's laughing now?

Kelly: this one or this one? Maxim : Ouw Found !! Maxim : Vest Maxim : Level 4 Haha Nice one Clu : There's something here .... Kelly : Maxim... Clu : Someone's calling me? Clu : Hey come here Luqueta : Do you want to be kicked? Kelly : Wait let's talk Luqueta : Any last words? Shirou : Only I can say that Shirou : I delivery danger Luqueta : I'm showing off, it's better to kill first, kid Shirou : Hey that's mine !! Luqueta : So disturbing Luqueta : WRYYYY Shirou : Stubborn Shirou : Take This Maxim : Thank You Shirou : WTF Clu : Take it easy, I will take your revenge Shirou : Sniper Shirou : EZ Clu : WTF ? *GTA* Shirou : FIRE Maxim & Kelly : Cool !! Shirou : What is that !! Shirou : Danger Alvaro : Watch out !! Wolfrah : Where Are you ? Wolfrah : There Shirou : Fight me if you can Shirou : I Delivery Danger Shirou : iam Fast Shirou : Take This !!! Shirou : HAHA EZ Shirou : Play rough you kid Alvaro : Then feel this ... Maxim : Haha iam healthy Shirou : Crazy damage is not messy Shirou : Hehe i have good idea Shirou : The Flying Drone Alvaro : Come out you Alvaro : Wait... Alvaro : What is that ? Shirou : Competition ? iam the competition

WOOT WOOT WOOT WOOOOT WOOT WOOT WOOT WOOT-WHO la la la la la laaaaaa, la la la la laaa Why can't we rush B? Why can't we rush B..? I've seen you rushing to Long long fast... I really remember yelling you were the last! Why cant we rush B? Why can't we rush B? Why can't we rush B..? I've seen you planting Potato on wrong site... (woot yehe) I called you but couldn't go fight! Why can't we rush B? Why can't we rush B..? I paid my money for this AK Redline... I see you stealing me from it everytime! Why can't we rush B? The color of your team don't matter to me... The color of your team don't matter to me... (sooka blyat) As long as we can rush B in harmony! Why can't we rush B? I'd kinda like to be Global Elite... I'd kinda like to be Global Elite... (yeah) So I could show you how you were stupid. Why can't we rush B? Woo! Sometimes I don't... play... good. sooka blyat But yet I know how to use the P90 good! Why can't we rush B? I know you're working for the CIA... I know you're working for the CIA... (grampa_says_ayy.mp3) There wouldn't have some many Rush A! Why can't we rush B? Ayy, thanks you for listening to my blyatiful song. I hope your enjoyed it hahah Like, soobscribe commen (uncomprehensible) see me what you have a tougha budget And see you very soon. Bakabaka Hehehehe. EEEEUAAHH Ahh... Blyat. Video. Captions by Fesiug

Hello students, I am Dr. Gajendra Purohit today I am here with a new topic jacobian jacobian is a very important topic and students were commenting from a long time to make a video on this topic so I am here with this topic I will come up with 3-4 videos on jacobian in that video, we will discuss different topics what are jacobians, how to calculate, and properties we will discuss some concepts of jacobians student, you can go through my all old videos by clicking on 'i' tab and I have covered a lot of content which can be helpful in b.sc, engineering mathematics exam, GATE exam, IIT jam you can see here students I request you to like my videos and share with your friends so that they also get the benefit and press the bell icon and subscribe my channel so you get notification of my upcoming videos what is jacobian (explanation) similarly jacobian of u, v, w with respect to x, y, z (they are of three variables) its determinant will be the value of jacobians let's see the question this need to be understand 'x' in respect of 'r' now 'y' in respect of 'r' how to calculate, I will explain to you, firstly 'r' in respect of 'x' not having enough space. will make space. so I will tell you again, I will explain to you. you must have understood this one let you know in 2 minutes. how to proof 2nd part so, student, I have explained to you how to solve how to solve that part I will explain first, we differentiate 'r' with respect to 'x' the same way we will differentiate this if you have difficulties in solving partial differentiation you can click on 'i' tab and check my video on partial differentiation you can go through that video put the value now we multiply this we will calculate the determinant in the next video, I will teach you the properties I explain the property so that I am going to tell you further I have explained to you in two ways how to solve next videos will be on properties let's take 2-3 questions u1 in respect of 'X'1 u1 in respect of 'X'2 u1 in respect of 'X'3 u2 in respect of 'X'1 u2 in respect of 'X'2 U2 in respect of 'X' 3 U3 in respect of 'X' 1 U3 in respect of 'X' 2 U3 in respect of 'X' 3 its determinant should be 4 now find the value using determinants property if you have any problem in transformation then check the video on the rank of a matrix let's see the last question student, I don't have time for significance, I simply explain you if there are any doubts you can comment below in the comment box so students next video of the jacobian is based on properties and one more video on the most important properties then we will start new topics envelopes and evolutes. Thank you so much for watching my videos students subscribe to my channel, comment and press the bell icon so that

Black as oil false as gold The price of comfortable Burning hills flooding streets It's irrefutable In a greenhouse we call Our holy mother earth Still we talk, still we talk We talk, talk, talky talk. Species die, don't ask why Enjoy the decadence Power lies while oceans rise The price of arrogance In a greenhouse we call Our holy mother earth Still we talk, still we talk We talk, talk, talky talk Will you save this world? Or will you kill this world? Will you save this life? Will you talk, talk, talky talk? Woh - oh, Woh - oh Farms to dust, flee they must Climate refugees Tensions rise with angry eyes and anxious souls In a greenhouse we call Our holy mother earth Yea we talk, yea we talk We talk, talk, talky talk. Who will save this world? Who will kill this world? Who will save this life? Who will talk, talk, talky talk? Polar bear, starving there In a gray and ice-less land Hungry fears, no one hears Its desperate howl And when it falls, sad for all The last one's living in A Chinese mall, a shopper's thrall, With iceberg murals on the wall Will you save this world? Will you kill this world? Will you save this life? Will You? (Donald Trump): Global warming, a lot of it's a hoax, it's a hoax. What about the scientists who say it's worse than ever? You'd have to show me the scientists! Sanders: We have to transform our energy systems Huge chunks of ice falling into the oceans, raising the sea levels You don't know whether or not that would have happened with or without man. A dire warning from climate experts A UN Panel says governments around the world must take rapid action To curb rising temperatures Even now, man may be unwittingly changing the world's climate With the waste products of his civilization Al Gore: The 5 hottest years ever measured have been the last 5 years MIck Mulvaney: Climate change, we're not spending money on that anymore, it's a waste of your money 18 of the 19 hottest years have been in the last 19 years Talk, talk, talky talk

Hello. You all are most welcomed at Krishna Rasoi Ghar Myself Anita Agarwal Today we will prepare sweet pickle as you have already prepared sour pickle, mix pickle.. but today we will prepare sweet pickle of mango which is most liked by small children. Generally, it is liked by everyone nowadays. and it can be made very easily. So, let's prepare the sweet mango pickle today.. Ingredients required to make a sweet pickle of raw mango: 1.5 kilogram of Raw mango (Keri). This is 1.5 kilogram after peeling and removing the seeds of raw mangoes. One kilogram of sugar in 1.5 kilograms of raw mango pieces Measurement is like as 1-kilogram of Raw mango will contain 750 grams sugar. So, as per the measurement, I have taken 1 k.g. of sugar 1 tablespoon of grounded Fennel, not too grounded but limited amount 1/4 spoon of Asafoetida 2 teaspoons of Red Chilli Powder 3/2 teaspoons of Turmeric Powder 1 teaspoon of Black cumin or Onion Seeds 3 tablespoons of Salt To start the recipe of Raw mango sweet pickle, first of all, we will put all the mango pieces inside a big container. and we will put sugar in it and we will mix both in this way. It is mixed properly.. now we will put the turmeric powder in it and we will also put salt in it.. we will mix all these in a same way Now we will put this container on the burner to cook Turn on the burner now.. and we will put this container on the burner's flame. After 2 minutes, we will stir it gently with the big spoon so that the sugar will not get stuck at the bottom. Let the container gets heat for 2 minutes and then stir it gently with the spoon. We have to stir it gently for the next half an hour. Our container is heated up and the sugar also starts melting. So, just stir it gently with the big spoon so that the sugar will not get stuck at the bottom When the sugar gets melt completely, then there is no need to stir it frequently You can stir it within 2-5 minutes. Look our sugar has been melted. Now we will cook it for next 5-10 minutes. Half of the pieces are cooked while some are left. While cooking, we will put asafoetida in it so that it smells better and we will mix grounded fennel also and we will mix red chili powder and black cumin after it will cook completely. Now there is no much need to stir it as the sugar has already melted. Now leave it for 10 minutes to cook After 10 minutes... our pickle has been cooked. We can check by pressing one piece of mango if it presses well, it means it has cooked properly So, if we cook it more than the sugar syrup will become more viscous which will not be good. Now we will mix red chili powder in it. Now we will cook it only for 2 minutes so that the color of the pickle will be good. We will mix this black cumin in this after the pickle gets cool down. If we will mix it now the pickle will get black in color. Our red chili powder is mixed well in it. Our pickle is cooked well, now we will turn off the burner Our sweet raw mango pickle is now ready to serve. You need to take care here is that it must not to mix with water Before peeling the mangoes, wash it properly with water and then peel it and cut into small pieces. After it cooked, water must not get in touch with it. Let it cool down for around 6-7 hours and then put it inside the jar and mix the black cumin n it. which make it live for around 1 year and it will be good also So, you must try this. As it will not take much time and tastes yummy also. and the children loves it very much. So, you must try this at your home and Please don't forget to subscribe our Channel "Krishna Rasoi Ghar". Till Then Good Bye..

Five little monkeys jumping on the bed one fell of and bumped his head mumma called the doctor and the doctor said no more monkeys jumping on the bed Four little monkeys swinging on a tree one fell of and brushed his knee mumma called the doctor and they both agreed will never let monkey swing on a tree Three little monkeys playing with the drum one slipped the stick which flew and hit his bum the doctor heard the noise and he quickly called the mum don.t let the monkeys make noise on the drum Two little monkeys playing on the beach one step in the water and he got bite by a leach mumma called the doctor who gave a listening speech never send your monkeys ever to play on a beach One little monkey getting bored at home he packed his bag and took along his comb he travel to the great big pharaoh dome he saw a walking mummy got scared and ran back home no little monkeys doing nothing mad they all just lazy eating butter and bread there mom got worried and to herself she said was still better when they were jumping on the bed

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I'm glad this is is a isn't and I'm glad and I'm glad and I'm glad and I'm glad this isn't times has that Lou I asked that loot I asked that loot ever I asked that loot every I asked that loot everything I asked that loot button to is is a is it Is there a is there an is it raining is a random is is a random Quest marker oh man oh man I'm oh man I'm so ready oh man I'm so ready for oh man I'm so ready for a oh man I'm so ready for a break from work play Malawi nice I haven't eaten a a little break yeah yes yes I yes I do yes I can yes I got yes I can show yes I got shot yes yes I yes I guess I just yes I guess I just got to remember to remember to send remember to send a yes I guess I just got to remember to send a email remember to send a email a it's fun did it's fun did you it's fun did you do it's fun did you tell it's fun did it's fun did you it's fun did you delete it did you delete it man did you delete it man, did you delete it Mannford did you delete it Mainframe did you 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I have loved you for the last time Is it a video? I have touched you for the last time For the love, for laughter, I flew up to your arms Is it a video? I have loved you for the last time Visions of Gideon, visions of Gideon And I have kissed you for the last time For the love, for laughter, I flew up to your arms Is it a video? (Is it a video?) For the love, for laughter, I flew up to your arms Is it a video? (Is it a video?) For the love, for laughter, I flew up to your arms Visions of Gideon (visions of Gideon), visions of Gideon (visions of Gideon) For the love, for laughter, I flew up to your arms Visions of Gideon (visions of Gideon), visions of Gideon (visions of Gideon), visions of Gideon Visions of Gideon, visions of Gideon, visions of Gideon Visions of Gideon (is it a video?), visions of Gideon (is it a video?), visions of Gideon (Is it a video?) (is it a video?) (is it a video?)

good afternoon we are extremely pleased that you are here it is good to come together for the purpose of co-creating do agree are you knowing what you are wanting are you enjoying the evolution of your own desire so that must mean you are in the vibrational vicinity of it yes and other words you have a desire and no doubt about it is just a matter of enjoying the unfolding yes if your design yes if your desires feel good to you then that's what it means it means there's not a big expense between the vibrational frequency of what you want and the vibrational frequency of what you believe that the question is do you believe what is in the process of becoming more than or at least as much as what is already been experienced by you that's the tricky part isn't it because your attention to what is actually hold you back from where you would rather be so that's a little bit tricky for us and it because what is is so vivid there's so much for you to see about it and often so much for you to talk about it so you're talking about it and observing it and keeping what is so active in your vibration that you don't let it evolve to what you prefer what are you gonna do about that what are you gonna do about that that's the question that's what we'll be talking about together how can you adjust your point of attraction how can you adjust your vibrational frequency how can you adjust your point of attraction how can you adjust your vibrational frequency to be more like what you have asked for that is in the process of becoming and less like what caused you to ask for the improvement to begin with because there's a sort of human characteristic some of your getting over it a little bit but many are not and that is you are so aware of what is and so interested in explaining what is to someone else to everyone else because you want them to get you you want them to understand where you stand but if you are good at convincing people about where you are and what you believe and why you believe what you believe and how long have believed it then you may be holding yourself and of vibrational pattern that if not allow in the evolution of what you want into something that is improved and we gotta say to you all day every day your life is giving you opportunities to ask for improvements to improve your preferences to evolve it's the reason that you're here you are source energy in these beautiful physical bodies do you know that in this body are an extension of that source energy but that source energy is still dominant it's the dominant point of attraction that you have most humans don't really understand that you know yourself as you you know your personality and many of you especially those like you hear you're getting closer and closer to really understanding that you have a vibrational frequency that you are emitting and that the powerful law of attraction is responding to it so you're getting what you're thinking about whether you want it or not but there's another part of you who thinks to it's the inner been of view is the source energy part of you is the part of you that was you before you came into this physical body and the part of you that is still you even though you are now here in this is a full body and that you have you stand on the ready at all times aware of where you stand aware of where you be aware of how you feel aware of what you're asking for aware of the magnificent contrast that is causing you to ask for an improvement and not only aware of what you've asked for but able to blend into that non physical been us to actually become the vibrational frequency of each and every new request that you send forth from your very important physical life experience of fifteen and sorting and evaluating and concluding and deciding and preferring that's how the expansion of the universe works that's what the evolution of all species of about that's who you are that's what you are about as humans sometimes as life comes to you and you sift through you sift through knowing what you don't want which causes you to know what you do want as you launch those vibrational rockets sometimes consciously even with words accompanying the them but more often just launching rockets of desire vibrational preferences as you do that all day every day your inner being stands in this vibrational reality it's such a real place we have given up the name the vortex written two books about it because we want you to accept that the vibrational reality is reality it's the reality that contains all of the expansion that you have accomplished as you've been moving through your life experiences and your inner been stems their em holds the fullness of who you have become but you know what you often don't you don't go immediately to the vibration of frequency of what you've just ask for instead you stand in a sort of justifying mode of why you want that improvement a sort of explanation because you are accustomed to other humans who asked you why why why why why about everything and so you get very good and you're explaining don't do you get very good at explaining why you want more money because i do not have enough why you want more freedom because i do not feel free why do you want more loving relationship or why do you want a more meaningful work environment and your answers often are because i'm not happy where i am and in that awareness of what is you diss allow yourself to hold the perspective that your inner been have because when you ask it has given someone should write a book when you ask it has given it is given in the vibrational equivalency but often as humans that's not quite enough because the vibrational equivalency is not something yet that you can see and hear and smell and taste in touch it's not manifested it doesn't feel tangible to you it feels emotional to you you can feel when you're tuned to it because you feel wonderful are you can feel when you're tuned in opposition to it because you feel disappointed or unhappy but that become becoming is a real thing and we just want you here at the outset of our wonderful hours together we want you to focus and remember or recall or even try to think about it a little bit that there is a non physical part of you who is the extension of your further most becoming and that part of you is the dominant part of you that part of you is the part of you that the law of attraction is responding to and the strongest why because and this is an important statement that we're about to make because that part of you is non resistant thought the awesome power of non resist bought just wait till you tune into that on a regular basis wait until you discover what non resisted thought will bring to you this is the energy that creates world this is the focus that puts all things that you deem wonderful about short time and place this is the what has allowed that to be calm and so when you become a vibrational match to that part of you that further as extended part of you that most evolved part of you when you are a match to that which means you're not doubting that or countering it with contradictory thoughts your aligned with that because you've practiced yourself into alignment you have withstood all of the harassment from humans who can't see what you can see and so they doubt you knowing that it's there but you know that it's there because you've practiced the feeling of being an alignment with it you feel the residents of at your in on the becoming of it you're getting to witness the incremental unfolding of it you are that hands in the clay creator of your own experience most physical humans are not most physical humans stumble into alignment from time to time but they don't maintain that because they don't understand that they don't know why they feel what they feel but you do your understanding that you are a source energy being them as you here in this physical body that that source energy part of you is be mean the signal under the universe and as calling cooperate components to this vibrational reality on your behalf and when you in tune with that when you're in sync with it when you're in the zone when you're tuned in tapped him turned on when you feel great when you feel eager or when you feel full when you feel satisfied you know that those emotions are your indicator that you've got yourself tuned into the frequency of who you really are and you are in those moments experiencing the awesome nuff the amazing power of non resisted thought a resistant thought goes more like this i would really like that but wouldn't it be nice if i could do this that i am not doing i really want to do this but it does not a logical thing you're humanness has taught you to be real to face reality and we're not asking you not to face reality but rather we're asking you to create a reality that you want to face would rather than you understand that you get to create reality you are the creator of your own reality you get what you think about whether you want it or not and as you start taking that responsibility that awesome power and you begin to understand that you can feel when you are in that alignment and you can feel when you are not and you do the things we'll talk about a lot of them that keep you more consistently in a place where you are living in who you really are and what you really want them off it goes and we really want you to know off it goes toward what you want

For this problem, we want to complete the square to solve for x in the equation x squared minus four x plus 13 equals zero. To complete the square, we take the coefficient of x and multiply by 1/2. So we get negative four times 1/2 equals negative two. Then we take negative two and we square it, which is equal to four. Now we can add four to both sides of the equation to get x squared minus four x plus four plus 13 equals four. Now we can complete the square to make this equal to x minus two squared plus 13 equals four. We subtract 13 from both sides of the equation to get x minus two squared equals negative nine. Using the square root property, we make those equal to x minus two equals plus or minus the square root of negative nine. Since we have a negative number underneath the square root, there are no real solutions for x. However we can use i equals the square root of negative one to solve for a complex solution. So we rewrite this as x minus two equals plus or minus the square root of negative one times the square root of nine. This is equal to x minus two equals plus or minus three i. If we add two to both sides of the equation, we get x equals two plus or minus three i. So x equals two plus three i or two minus three i. This is the final answer.

and activate our weapons factories. You know the weapon: antibodies. They're like targeted missiles produced specifically to combat the invader. Unfortunately, this process takes several days to complete. That gives intruders a lot of time to do damage. Contrary to popular wisdom, what doesn't kill you doesn't make you stronger. Our bodies really don't want to fight serious wars over and over, so our immune system came up with an ingenious way to get stronger and stronger over time. If we fight an enemy that is dangerous enough to trigger our heavy weapons, our immune system automatically creates memory cells. Memory cells remain in our body for years, in a deep sleep. They do nothing but remember. When an enemy attacks for a second time, the slumbering memory cells awaken, and order coordinated attacks and the production of antibodies. This is so fast and effective, and activate our weapons factories. You know the weapon: antibodies. They're like targeted missiles produced specifically to combat the invader. Unfortunately, this process takes several days to complete. That gives intruders a lot of time to do damage. Contrary to popular wisdom, what doesn't kill you doesn't make you stronger. Our bodies really don't want to fight serious wars over and over, so our immune system came up with an ingenious way to get stronger and stronger over time. If we fight an enemy that is dangerous enough to trigger our heavy weapons, our immune system automatically creates memory cells. Memory cells remain in our body for years, in a deep sleep. They do nothing but remember. When an enemy attacks for a second time, the slumbering memory cells awaken, and order coordinated attacks and the production of antibodies. This is so fast and effective, that many infections you beat once will never make you sick again. You might even be immune against them forever. Which is also why little kids are constantly ill; they don't have enough memory cells yet. And this beautiful natural mechanism is what we build on when we use vaccines. How Vaccines Work As great as memory cells are, obtaining them through an infection is unpleasant and sometimes dangerous. Vaccines are a way of tricking our bodies into making memory cells, and becoming immune to a disease. They pretend to be a dangerous infection. One way of doing this is to inject invaders that can't do harm. For example, by killing them, or by ripping them into pieces. Our immune systems deal with these kinds of vaccines pretty easily. Sometimes, it's necessary to make our immune system work harder though, to produce even more memory cells. Live vaccines are the real deal. that many infections you beat once will never make you sick again. You might even be immune against them forever. Which is also why little kids are constantly ill; they don't have enough memory cells yet. And this beautiful natural mechanism is what we build on when we use vaccines. How Vaccines Work As great as memory cells are, obtaining them through an infection is unpleasant and sometimes dangerous. Vaccines are a way of tricking our bodies into making memory cells, and becoming immune to a disease. They pretend to be a dangerous infection. One way of doing this is to inject invaders that can't do harm. For example, by killing them, or by ripping them into pieces. Our immune systems deal with these kinds of vaccines pretty easily. Sometimes, it's necessary to make our immune system work harder though, to produce even more memory cells. Live vaccines are the real deal. An enemy that can punch back is a bigger challenge than a dead one. But this also sounds like a sort-of horrible idea. What if the germs win? To avoid that, we breed a sort-of weak cousin of the real germ in the lab. Just powerful enough to annoy the immune system, and create enough memory cells. Okay, so these are the basic principles of vaccine use. They provoke a natural reaction in our bodies that makes us become immune against very dangerous diseases. Some, like the flu virus, mutate so often that we need a new vaccine every year, but most vaccines protect us for years, or even a lifetime. But, there's a catch. Like everything in life, vaccines have another side: Side effects. What are they, and what happens if your child develops one? The Risks of Vaccines An enemy that can punch back is a bigger challenge than a dead one. But this also sounds like a sort-of horrible idea. What if the germs win? To avoid that, we breed a sort-of weak cousin of the real germ in the lab. Just powerful enough to annoy the immune system, and create enough memory cells. Okay, so these are the basic principles of vaccine use. They provoke a natural reaction in our bodies that makes us become immune against very dangerous diseases. Some, like the flu virus, mutate so often that we need a new vaccine every year, but most vaccines protect us for years, or even a lifetime. But, there's a catch. Like everything in life, vaccines have another side: Side effects. What are they, and what happens if your child develops one? The Risks of Vaccines It's complicated to directly compare the side effects of vaccines with the effects of diseases. For example, hundreds of millions of people are vaccinated against measles in the West, but there were only 83,000 cases in Europe in 2018. So, with numbers that different, even mild side effects can seem scary compared to the bad effects of a disease that we don't see as much anymore. Before the measles vaccine became available in 1963, virtually every single child on Earth contracted measles at some point. An estimated 135 million cases in the 1950s. Every single year. But are measles really that dangerous in the year 2019? With our advanced healthcare and new technologies, are they worth the risk of vaccine side effects? Let's do a thought experiment based on real numbers. Imagine a developed country in a parallel world. It has good healthcare but people stop vaccinating. It's complicated to directly compare the side effects of vaccines with the effects of diseases. For example, hundreds of millions of people are vaccinated against measles in the West, but there were only 83,000 cases in Europe in 2018. So, with numbers that different, even mild side effects can seem scary compared to the bad effects of a disease that we don't see as much anymore. Before the measles vaccine became available in 1963, virtually every single child on Earth contracted measles at some point. An estimated 135 million cases in the 1950s. Every single year. But are measles really that dangerous in the year 2019? With our advanced healthcare and new technologies, are they worth the risk of vaccine side effects? Let's do a thought experiment based on real numbers. Imagine a developed country in a parallel world. It has good healthcare but people stop vaccinating. In this scenario, let's say ten million children caught measles. What happens? Nine million eight hundred thousand, or 98%, will get a high fever and a very unpleasant rash. Up to 800,000 of them, or 8%, will suffer from dangerous diarrhea. 700,000, or 7%, will suffer from an ear infection, which can lead to permanent hearing loss. 600,000 kids, or 6%, will suffer from pneumonia -- the most dangerous effect of measles. It, alone, will kill 12,000 children. Up to 10,000 children, or 0.1%, will get encephalitis. 2,500 kids, or 0.025%, will contract SSPE, a disease where the measles virus lingers in their brain and kills them a few years later. Taken together, around 2.5 million children will suffer from somewhat serious effects from measles. In this scenario, let's say ten million children caught measles. What happens? Nine million eight hundred thousand, or 98%, will get a high fever and a very unpleasant rash. Up to 800,000 of them, or 8%, will suffer from dangerous diarrhea. 700,000, or 7%, will suffer from an ear infection, which can lead to permanent hearing loss. 600,000 kids, or 6%, will suffer from pneumonia -- the most dangerous effect of measles. It, alone, will kill 12,000 children. Up to 10,000 children, or 0.1%, will get encephalitis. 2,500 kids, or 0.025%, will contract SSPE, a disease where the measles virus lingers in their brain and kills them a few years later. Taken together, around 2.5 million children will suffer from somewhat serious effects from measles. And, about 20,000 children will be killed by measles. It doesn't stop here though. The kids who beat measles are left with a severely damaged immune system that needs a lot of time to regenerate. Time for other diseases to do further damage. Aside from that, what's almost guaranteed is that your kids will have a really bad time for about two weeks. Okay, but what about vaccines? It's only fair to look at these risks, too. So, let's repeat our thought experiment. But, this time, we vaccinate ten million children with MMR. What would theoretically happen here? After being vaccinated, of our 10 million kids, around ten percent get a fever. 500,000, or 5%, will get a mild rash. Up to 100, or 0.001%, might have a serious allergic reaction and will have to be treated. Up to ten boys, or 0.0001%, might get inflammation of the genitalia. And, about 20,000 children will be killed by measles. It doesn't stop here though. The kids who beat measles are left with a severely damaged immune system that needs a lot of time to regenerate. Time for other diseases to do further damage. Aside from that, what's almost guaranteed is that your kids will have a really bad time for about two weeks. Okay, but what about vaccines? It's only fair to look at these risks, too. So, let's repeat our thought experiment. But, this time, we vaccinate ten million children with MMR. What would theoretically happen here? After being vaccinated, of our 10 million kids, around ten percent get a fever. 500,000, or 5%, will get a mild rash. Up to 100, or 0.001%, might have a serious allergic reaction and will have to be treated. Up to ten boys, or 0.0001%, might get inflammation of the genitalia. And up to ten kids in total, or 0.0001%, might get the most serious side effect: encephalitis. So, we vaccinated ten million kids. In total, around one hundred and twenty had side effects that were somewhat serious. Thanks to good medical treatment in developed regions, almost all of them will be fine. What about autism? The connection of autism and vaccines stems from one source that has been disproven countless times. We'll link to further reading and videos in the description. But, in 2019, it's fair to say that vaccines do not cause autism. All right, but what about deaths? It's really hard to say if even a single one of our 10 million vaccinated kids would die. We really did look hard and talked to a lot of different experts. If we ignore self-reporting, we could only come up with a tiny handful of documented cases And up to ten kids in total, or 0.0001%, might get the most serious side effect: encephalitis. So, we vaccinated ten million kids. In total, around one hundred and twenty had side effects that were somewhat serious. Thanks to good medical treatment in developed regions, almost all of them will be fine. What about autism? The connection of autism and vaccines stems from one source that has been disproven countless times. We'll link to further reading and videos in the description. But, in 2019, it's fair to say that vaccines do not cause autism. All right, but what about deaths? It's really hard to say if even a single one of our 10 million vaccinated kids would die. We really did look hard and talked to a lot of different experts. If we ignore self-reporting, we could only come up with a tiny handful of documented cases for all the hundreds of millions of children who received the MMR vaccine since 1971. Measles are many, many thousands of times more dangerous for your child than even the absolute worst case of vaccine side effects. You have to search for lethal vaccine side effects with a huge magnifying glass and, even then, it's very hard to find confirmed cases. While, deaths from measles are real and easy to find. In 2017 alone, 110,000 people died from measles worldwide. Statistically, today, 300 children will die of measles. One since this video started. You can compare vaccines to seatbelts. Are there weird freak accidents where someone gets killed by their seatbelt? Well, yes. But, do you personally think it's safer to not put a seatbelt on your kid? Wait a second! What if your kid is actually allergic? for all the hundreds of millions of children who received the MMR vaccine since 1971. Measles are many, many thousands of times more dangerous for your child than even the absolute worst case of vaccine side effects. You have to search for lethal vaccine side effects with a huge magnifying glass and, even then, it's very hard to find confirmed cases. While, deaths from measles are real and easy to find. In 2017 alone, 110,000 people died from measles worldwide. Statistically, today, 300 children will die of measles. One since this video started. You can compare vaccines to seatbelts. Are there weird freak accidents where someone gets killed by their seatbelt? Well, yes. But, do you personally think it's safer to not put a seatbelt on your kid? Wait a second! What if your kid is actually allergic? What if none of the things we've said applies to your specific situation? In this case, you need to become the greatest vaccination promoter of all. Because if your children can't be vaccinated, only the collective can protect them. This is called herd immunity, and it's the only thing that can protect your unvaccinated child. Herd immunity means that enough people are immune to a disease, that it can't spread, and dies before it reaches its victims. But to accomplish this for measles alone, 95% of the people around you need to be vaccinated. Conclusion The problem with the debate about vaccines is that it's not fought on a level playing field. While the pro-vaccine side argues with studies and statistics, the arguments against them are usually a wild mixture of gut feeling, anecdotes, and misinformation. And feelings are often immune to facts. We'll not convince anybody by screaming at them. What if none of the things we've said applies to your specific situation? In this case, you need to become the greatest vaccination promoter of all. Because if your children can't be vaccinated, only the collective can protect them. This is called herd immunity, and it's the only thing that can protect your unvaccinated child. Herd immunity means that enough people are immune to a disease, that it can't spread, and dies before it reaches its victims. But to accomplish this for measles alone, 95% of the people around you need to be vaccinated. Conclusion The problem with the debate about vaccines is that it's not fought on a level playing field. While the pro-vaccine side argues with studies and statistics, the arguments against them are usually a wild mixture of gut feeling, anecdotes, and misinformation. And feelings are often immune to facts. We'll not convince anybody by screaming at them. But we can't hide from the reality of what anti-vaccine conspiracies do. They kill babies too young to be vaccinated. They kill healthy children that are just unlucky. They bring serious diseases back from the verge of extinction. And, the biggest side effect of vaccines is fewer dead children. Vaccines are one of the most powerful tools we have to eradicate the monsters that most of us have already forgotten. Let's not bring the beasts back! But we can't hide from the reality of what anti-vaccine conspiracies do. They kill babies too young to be vaccinated. They kill healthy children that are just unlucky. They bring serious diseases back from the verge of extinction. And, the biggest side effect of vaccines is fewer dead children. Vaccines are one of the most powerful tools we have to eradicate the monsters that most of us have already forgotten. Let's not bring the beasts back!

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We have already studied one dimensional two dimensional and three dimensional flow which gives us small understanding of kinematics of fluid flow that is flow of a fluid to study this in detail we'll consider a steady flow and an unsteady flow steady flow and unsteady flow now what do you mean by steady flow steady flow is the flow of liquid in which or a flow of fluid in which it's fluid parameters are not dependent upon time means something is not dependent upon time in mathematical expression we can write that is velocity acceleration viscosity all the three fluid parameters are not a function of time not a function of time means they are not dependent upon time if they are not dependent upon time this means the change with respect to time of all the fluid parameters will be zero so this can be written as DV by DT is equal to zero change in acceleration versus time is equal to zero with respect to time is equal to zero and change in viscosity with respect to time is equal to zero now we know that the velocity is a function of X Y Z and e it is dependent upon four variables three variables are spatial coordinates or space coordinates and the fourth variable is the time coordinate so we can write down that is dou u by dou T is equal to 0 dou V by dou T is equal to 0 and dou W by dou T is equal to 0 now why do we use D over here and over here because velocity is a function of one or more variables that is why we use blue over here while considering the velocity along X y direction and Z direction so this comprises of a steady flow this comprises of steady flow now what is an unsteady flow unsteady flow is a flow in which unsteady flow is a flow in which we'll consider it is dependent upon time that is all the fluid properties are dependent upon time that is velocity acceleration and viscosity are a function of time that means your dou V by dou T is not equal to zero similarly dou u by dou T is not equal to zero dou W by dou T is not equal to zero now during this entire part we can write this in terms of differentials let's check out one differential for this entire unsteady flow so we'll consider the u component of velocity what is U component of velocity that is velocity along X Direction that is change in velocity along X Direction is not equal to zero if it is not equal to zero either this part will be greater than zero or this part will be less than zero if it is greater than zero the velocity along that direction is increasing if it is less than zero then the velocity along that direction is decreasing let us consider if it is increasing so you will write this differential as dou u by dou T is equals to it is not equal to zero if it is not equal to zero either it is greater or less will consider this K as greater than zero a variable has a positive value so if you multiply that is do you is equal to K into duty and if you integrate over an entire limits or just if we integrate we will get this as U is equals to K T plus C that means U is a function of time and it is dependent upon type hence this flow is called as what unsteady flow I hope you have understood what is basic difference between steady flow and unsteady flow one is dependent upon time which is unsteady flow one is independent upon type which is steady flow thank you

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