Q: As I mentioned before you did this is "more than a dream" where the fact that the bit in D was major  was hinted at by having a Gmaj7 in there, giving an F# in the melody. You ve said that this is a very natural movement and it does sound as such, so have you used this same harmonic technique in any other songs of yours?
A: i'm not sure which thing you mean, but whether you are talking about slipping to minor-third-away sister keys, or landing in a new key on its 4maj7 with 3 note of new key in melody, both seem to occur quite frequently in my writing. again, in zero cases is this premeditated. the technique is to dive where i want to dive, and then let the analysts analyze later, which of course has no effect on the song, unless i notice certain maneuvers that are just happening way too often and then i try to avoid them for a while and find something new instead