Q: First one might make more sense for writing down/analyzing, second might be more instinctive and wont rely on having to make sense of each hand as an individual chord. Like, on the example of the first chord F-Ab-C-Eb-G-Bb-Eb-G, itd be hard to categorize G-Bb-Eb-G as a recognizable chord, perhaps some sort of Eb in first inversion with a doubled 3rd on the top but I want to let my ears do the listening, my fingers the playing and my mind the enjoying instead of intelectualizing it. It may seem I'm saying the newer way im doing it is better but I think maybe it just complements something that's been lacking in my approach to music thus far and a balance must be found as opposed to committing to one way or the other. I find the mind of a piano harmony improvizer intriguing and I hope this new approach makes it less convoluted in my head. It just seems like itll be way easier to improvize when im not trying to first make two independent hand voicings and placing them together as opposed to thining of a big voicing spread through all my fingers (and let them do the chosing of which plays what note as opposed to summoning up some finger positions from the catalogue since my catalogue may be too limited atm. It feels like when playing with this new frame of mind, it's easier to try new stuff and let the music speak to me. How do you approach memorizing/improvizing voicings when you are writing/arranging/playing?
A: i've really never memorized anything of that sort. most of the learning i've ever done with regard to keyboard / chords / fingering, etc, has been a result of spending a very very long time with the keyboard in a deep state of experimental enjoyment. also i will mention again that this default idea that both hands are supposed to play a chord seems all wrong. the only scenario really where i think that would be a good idea is if you had 2 keyboards and you were playing them right in the same range and at least some of the notes are the same. the magic range where harmony/chords work is generally very small (within about 1 octave range). when you spread out, at least on the low side, you'll want single notes only (for bass range). and if you are talking about spreading way up higher, still i think you are going to find that this "each hand plays a chord" idea is just not sound. at least i think that's what you find when you start really paying attention to the sound