Q: like does it have anything to do with those timing things the uh TIME SIGNATURE? because like i think a waltz goes: du DU DU du DU DU du DU DU which is a regular rhythm or something and what you've done with your verse here is go: 1 2 3, 1 2 [IRREGULARITY].   "and the novelists are typically writing stories about it and the journalists are usually breaking news about it and the pharmacists are frequently making drugs about it and the charities are always raising money for it" i think this entire verse is trying to evoke that 'diagonal' quality to it. great great great.  "and the client's name is always there and [client's name] always cares" beautiful end to the song. somehow you've gotten 'back home' musically not by returning to the same place but by..
 . creating a new home?!?!?
A: i suppose in a way, perhaps i had 'paid my dues' through the rest of the song because i had basically been feeling slightly uncomfortable/skeptical about just keeping the AABA form for so long. it felt good the first time around, but after that, there was always this skepticism about just drilling around the form like that. Was decidedly the best option at the time, but still gave me this nagging feeling of unfulfillment throughout. So it really felt refreshing to hit that outtro (everything after "very slowly now", up to the end), and that rush was enough to keep me out of the worry zone, all the way until the end