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Lucio Fulci was one of the most prolific Italian directors by the time of his death in 1996, yet his career had long since descended into a downward spiral of increasingly futile genre entries that could barely stand in the shadow of his earlier work. For much of the '70s into the mid-'80s, he cranked out such stylistically distinctive horrors as "City of the Living Dead," "The Beyond," and the brutal giallo "The New York Ripper," fondly remembered by fans like myself. And while "Cat in the Brain" falls in with the era of Fulci's decline as a filmmaker, it is a shocking, darkly hilarious headtrip that, while a clearly inferior work (the framing, effects, and acting are below par), proves an interesting, open-ended meditation on pop psychology and film's ability to desensitize. Make no mistake: "Cat in the Brain" is a total gorefest, and as disjointed as Fulci's previous films, but it deserves credit for trying to be something more. In a deliciously tongue-in-cheek touch, Fulci plays himself: a director in the midst of filming yet another violent horror flick who comes down with perverse/murderous hallucinations; after visiting a shrink who puts him under hypnosis, his dreams and reality begin to intersect, to the point where the viewer cannot discern the two. The recent DVD from Grindhouse Releasing mentions "Cat" as an heir apparent to the likes of "Eraserhead," and it does carry a similarly disquieting, awkwardly funny quality associated with the best surrealist art. | 1pos
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Bradford Dillman plays a scientist who wakes up one morning in the middle of a bloody crime scene; having partial amnesia (or "global amnesia", which one character claims to define as elective loss of memory), the scientist finds a private detective in the phone book in the hopes of piecing his life back together. Abhorrent concoction very loosely based on Walter Ericson's book "Fallen Angel" (filmed in 1965 as "Mirage" with Gregory Peck). It was probably too racy for television--what with drugs and hippies added to the mix--that NBC initially refused to air it, which is how this low-budgeter wound up in theaters. Director James Goldstone gets freaky with the hyperkinetic visuals and camera-tricks, while editor Edward A. Biery goes wild with the zig-zag cuts. Unfortunately, their admittedly-colorful gimmicks cannot cover up the weaknesses of this updated plot, and the acting is woefully overripe. Dillman, under pressure to recall the events of the night in question, goes through an Actor's Seminar of tics, stammers, nose-wipes, and crazy half-laughs while spitting out dialogue like, "Dream...a dream...drugs...yeah, drugs...that SOUND...bells...help!" As a villainous fellow scientist with a Cheshire Cat smile, Pat Hingle nearly upstages Dillman in the Grand Thespian department by continually addressing everyone in baby-talk, strutting about like a middle-aged peacock and twisting his mouth around in agony. Hope Lange's scientist/love-interest is given the short shrift, but not before she screams at indifferent-lover Dillman: "What do I have to do, talk Ape Man? Me want You!" This is one frantic "Jigsaw"! *1/2 from **** | 0neg
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] |
I'm not going to talk about the plot or the script, no no...that things are really good in this movie but the acting...oh, the actors are incredible. Federico Luppi as always, perfect, Eusebio Poncela, really great, Cecilia Roth, better than in All about my mother (won a spanish award goya by this movie) and the boy, Juan Diego Botto, one actor i don't like too much, is perfect too. The dialogues are terrible, and the actors perfect, what you can expect is a movie where you going to believe every word of the script. Really good. I rated 9/10. | -1no label
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] |
Was in the mood for a French film and saw this at Blockbuster. What a little gem it turned out to be! Not sure how I missed Gregori Derangere all these years, but he is fantastic. Such innocence and grace! I love his face and the way he moves. Isabelle Adjani was hilarious--reminded me of Nicole Kidman's over-the-top performance in Moulin Rouge. She looks the same as 20 years ago...truly remarkable. Gerard Depardieu has not held up nearly as well, but his acting continues to amaze. He's perfect in this film. Will probably buy this one, I enjoyed it so much. If you want to see another great French movie, rent Joyeux Noel. Stunning. | 1pos
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When my now college age daughter was in preschool, this miniseries appeared on A&E from 8-9 each morning. My neighbor and I made a pact that we wouldn't miss a minute of Jane Eyre and our kids were late for preschool every morning for the whole week. Good choice. I'd forgotten how much I loved this movie until I got out my old VHS copy recently. Timothy Dalton is very handsome, but still perfect as Rochester. The dark, craggy face, the imperious demeanor tempered with humor and tenderness were straight from the pages of the book. Although Dalton eats a little scenery, I couldn't sit through an adaptation starring wimpy William Hurt or grumpy Ciaran Hinds. The magic here is that women love Dalton and get caught up in the romance. I would love to know what's become of Zelah Clarke. She is dead on as Jane, quiet, formal, saying volumes with but a look. The sparkle in her eyes gives viewers a glimpse of the strength and spirited nature that helped Jane survive the mistreatment she endured in youth. Criticism of her performance as "wooden" is misplaced. A servant in a proper English household would have maintained just such a demeanor, but she speaks passionately when overcome with emotion. Unlike many other screen Janes, she appears plain enough to be Jane yet pretty enough to allow the audience to buy Rochester's attraction to her. Bronte's dialog is a large part of why the book endures the script keeps much of it intact. Dalton and Clarke capture the interplay between Jane and Rochester with wit and quiet intensity. Although Jane appears as plain and sweet as vanilla custard, she refuses to be cowed by the dark, blustery Rochester. The two leads play off each other beautifully. This is the most perfect adaptation of the best romance novel ever. | 1pos
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I thought that the Farlley Brothers were suppose to churn out comedies? Stuck On You is a one joke movie, and the joke isn't funny. The brothers are conjoined. HA! They do everything together. HA! Walt (Greg Kinnear) has dreams of being a Hollywood actor, but doesn't seem to be able to recognize the obstacle that awaits him. HA! Bob, (Matt Damon) has stage fright and experiences panic attacks. HA! If you take a look at the Farlley Brother filmographies, they only have one funny movie. The rest could be considered witty or clever, but by no means funny. We all can hope that they will one day produce another 'Something About Mary,' but with this latest entry, all were getting is something. | -1no label
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I read a few reviews of the movie and got the impression that it was not as good as the previous Karate Kid installments. Although my favorite is still Karate Kid II, I felt this fourth installment of the movie series was consistent with the others and had some important lessons to share. Unlike the previous versions, the karate student is a female teenager who takes a somewhat different learning path, rather than a male teenager. Maggi finds this a little more challenging, but rises to the occasion. The plot twists are believable and predictable. I found that the bad guys are a little one dimensional, but this weakness is present in all the installments in varying degrees. The camera work is impressive and pans across some beautiful scenery from time to time. The Zen monastery is both austere and charming. The Zen monks add some humor and lightness to the narrative flow. I liked the "Zen Bowling" scenes which are a humorous counterpoint to the more serious Zen archery scene earlier on. The quality level of the movie is like a good TV series. The music chosen for the background is very good, especially with the Little River Band playing "Listen to Your Heart". The lessons in the movie are valuable and worthwhile to learn. They feel faithful to the spirit of karate and take care not to over-glorify the fighting part. All in all, I enjoyed it. | 1pos
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] |
I'm not sure if talking about the ending is really going to spoil this for anyone, but I checked the spoiler box just in case. Considering the age of this movie AND the fact that I saw it when it first aired (okay, so I'm dating myself), it remains one of the most compelling computer-related films I've ever seen. Although I'm sure it really shows its age nowadays, it's the story that will hook you. Picture yourself the inventor of a computer that monitors everything, keeps track of everything, so you save time and effort. However, it monitors YOU, too, and as it gets more powerful, you have less and less freedom. So you try to turn it off. Of course, you can't. You've seen 2001, War Games and Star Trek, and THEY all managed to find a way to disconnect or blow out their computer nemeses. But Colossus is different. And you are stuck. The thing is, if this movie wasn't written as a pilot for a TV series, it should have been. It is the perfect set up and will leave you wanting more. | -1no label
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] |
This is indeed quite the strange movie... First, we have an ex-U.S.-gymnast trying to turn actor (or something), and this seems to be the only role he ever got (that I know of anyway) -- and for good reason. While he does pull off the role well enough to keep some interest, it is a rather bland and flat performance. Second, we have the WORST EVER sound effects ever used in a movie!!! I'm not kidding. This alone makes the movie extremely comical, but in that annoying way. hehe And third, while we have a generally decent acting supporting cast (including the required hot chick!), an actually not-so-bad story, and some cool visuals; the dialogue, fight scenes involving gymnastics (hilarious!), and overall execution of the plot are weak. This movie would have been barely better as a network TV movie (too bad Fox wasn't around in 1985). It's one of those movies that's simply bad, yet you can't resist watching and even enjoying it once you get used to it, especially now that it has found the perfect eternal home on late night TV and cable. | 0neg
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] |
This was on Showtime the other night, and I figured it was going to be another made-for-video crap fest, like "Earth vs. the Spider" or any of those other HBO horror shorts. Instead, I found a comedy/gore classic. It was legitimately funny, and surprisingly, the acting was quite good. Even my wife, an overall horror-hater, agreed and was laughing at parts. In addition, the FX were high-quality. Overall, the film felt like a parody of Joy Ride/Jeepers Creepers, and the 2 main characters reminded me of the pair from Shaun of the Dead. Definitely worth watching, but don't take it seriously. The End. | 1pos
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] |
Charming gem of a film has been unfairly lost to the world a mere year after its release, which is a real shame. This is a powerful statement about people and life. The plot of this film has a crashed American flier, two South Korean soldiers and three North Korean soldiers all ending up in a small remote village that seems untouched by the civil war that raging in the rest of the country. At first there is tension between the two waring sides, but the slowly the two sides begin to see eye to eye. Unfortunately beast of war takes no sides and it isn't long before the violence threatens the peaceful village. Yes its clichéd, and yes you'll probably know where its going, but this is still a charming little film that touches both the heart and the head. There is magic in this tale, both on screen and off as the simple story wins over the audience like the village wins over the sworn enemies. The film makers seem to feel that there is a magical quality to living and they have infused their film with some truly magical moments, how else do you describe a hostage situation that falls apart because the hostages wander off to do other things? This is a movie for the head and the heart. You will be touched by some wonderful characters and the world they live in. As some people say there is magic all around you and in a film like this you'll believe it. It begins with the crashing pilot noticing a moth and it ends with the final image that is both heartfelt and bittersweet. For the head there is another meditation on the stupidity of war and the pointlessness of it all. And while it may seem to be yet another warning that war will destroy all that we love, its a warning we can not hear often enough. If the film has any real flaw its that its probably too long at two and a quarter hours. I don't know what you'd cut, but it just seemed a bit long to me. Still, I can't recommend this film enough. Its a charming off the beaten track sort of film that deserves a bigger audience. Those looking for a change from the stereotypical Asian horror or action films should look here. The same should be said to anyone simply looking for a good film to see. 8 out of 10 | -1no label
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] |
I beg to differ with an earlier poster who thought this movie was a 'wonderful little flick'. Neither myself, my wife nor my two teen daughters thought this movie rated even a '1' on the scale. The acting can only be described as amateur at best. The lines given the actors aren't up to the task either and the situations, which are supposed to be comedic, are not. I noticed just one small smirk each from wifey and one daughter. The other daughter and I just thought the whole movie stunk. What could have been fodder for an uproarious comedy was wasted in this stereotypical teen high school farce having all the requisite players; jocks, goofs, hairballs, goons and mentally-deficient teachers. Just what purpose was served by the "reptile guy" and the "trekkies" I'm not sure. And the relationship between the two main characters seemed to suddenly appear without any basis. Instead, we get treated to scene after scene with the "goon" pulling pranks on underclassmen - oh, how cute! I'm glad they left some production money in the Valley because they sure didn't leave any laughs. | -1no label
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] |
this movie has a lot of old ideas all mixed into one, yet it doesn't look messy, several teen agers try and open a night club, on "holy ground" without noticing, one of the teenagers finds a girl but her mother is the local "crazy person" they ignore her about this but it was a bad move, when the club is up and running the fun begins, from maggots to wall of dead, its a fun thrill ride that keeps you on the edge of your seat. This movie wasn't one that was supposed to be taken serious, it has snoop dogg so if you came for a serious movie then you are pretty much crazy... It Is a lot of fun to watch, it has a a lot of funny moments, a few sad moments a few scary moments and even some dramatic moments but the main point of the film is to entertain, people are really hard on this film because they expected a masterpiece but if you just want to have a fun time enjoying a movie then this one should do! | -1no label
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] |
This film has its share of negative comments and I have to agree with those who consider it one of the worst movies ever made. True, most of the films based on the works of King are pretty bad, but this one goes beyond bad into the realm of horrible. There is not one scary moment in it unless you consider stupidity scary. It is typical King garbage -- myths twisted around that made no sense in the first place, mixed with obvious and belabored so-called "scares" that are about as shocking as PeeWee's Playhouse (which, at least, is entertaining). It is full of ridiculous moments, not the least of which is Alice Krige's character. When she goes on a rampage and starts quipping like the villain in an old Batman TV show, it is so absurd as to be sickening. All the people who had cameos in this (including John Landis)are lucky they still have careers. But the most absurd part has to be the cat costumes towards the end, which look like cheap rubber outfits someone bought at K-mart. The best part of the movie is the appearance of some real cats who actually out-act the people in the movie. | 0neg
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] |
I gave this movie 9 stars out of Ten, only because the story line resembles other flicks like The Texas Chainsaw Massacre and Timber Falls. I went and seen this at a theater when they they had the After Dark Horrorfest playing, and I was really impressed. I went into it thinking that its gonna be a cheesy gore-fest, but it proved me wrong. I mean it had some bloody and violent parts, but it actually is a decent flick. The acting was decent, especially for the fact that the actors weren't really known. When three sisters Kelsey Crane, Kelsey Weeden(Detour) and Tara Gerard inherit some property deep in the country, they and a group of their friends Alex A. Quinn, Malea Richardson, Vanessa Viola and Jim Devotti decide to take a weekend off and check it out. They end up finding a beautiful camping ground and a huge lake and think that it is going to be a weekend that none of them are ever going to forget, until they encounter a family of psychos living on the property. This movie is intense and brutal, so I definitely recommend this flick to everyone. | -1no label
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] |
I first saw The Couch Trip (1988)on late night television years ago and instantly fell in love with it. The funny thing is I usually catch all the comedies made but have never even heard of this one until I saw it. Dan Ackroyd is plain and simpley hillarious period. He has made a couple great movies with Belushi and don't forget Saturday Night Live. But I think the Couch Trip is probably his best and funniest. With a good supporting cast of Charles Grodin, David Clennon, and Walter Matthau this piece of cinema shines with comic gold. Ackroyd's wife Donna Dixxon even does a fine job here. My favorite moments of the film involve Ackroyd and David Clennon's charachter Lawrence Baird. Those two played well off each other. So if you haven't seen a good comedy in awile take a trip back to 1988 and rent or buy The Couch Trip. I just did, Amazon 78 cents. What a bargain, too bad I got hit with a 2.50 shipping fee. Oh well still well worth it. Any guy will love this flick check it out. | 1pos
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] |
I really liked this movie. I watched it last night on the Public Broadcasting System. The part I liked about it was the fact that they dealt with issues of today not in the future or the past. They basically had some terrorists take a van or two and rent them out to be car bombs. I think what the movie could have showed was people in different countries at the same time. It did show the fact that England, or any other country, isn't prepared for an attack on the magnitude that they showed. I have never heard of any of the actors or actresses in the movie so I can't really say if they are normally their parts. After the movie, they had this panel of experts talking about if something like that could happen here in the U.S. It was a thought-provoking discussion! | 1pos
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] |
Oh God, there is nothing even laughable in this Godawful film you are probably about to see. It was a large mistake, a large MODERN HORROR film mistake. It has no plot, only the story of people in the forest, involving the sasquatch. And here's a spoiler for you: YOU BARELY SEE HIM! and that's really the only reason why you would want to see the film. Blair Witch Knock off, someone should really make fun of this. First of all, we have a GOLD lead actor here, Lance Henrikson You KNOW!!! From PUMPKINHEAD and ALIENS and THE TERMINATOR, a great actor. But sadly, he's acted in a LOT of B-Flicks, and this is the BIG one, BIG-FOOT one, that is. I'm sorry this ruined your career, Lance, but I know you'll do better in the future. Anyway, avoid this AWFUL movie. Long Story Short: It won't make your hair grow up. There's just a LOT of HAIR in it | -1no label
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] |
A couple of cowpokes help a group of Mormons cross some rough country on their way to a new settlement. This low-key Western is unusual for Ford in that it lacks any big stars. Johnson gets top-billing but his is basically a supporting role, although he and Carey work well together. Dru is given little to do other than provide the love interest. The best performance is given by Ford favorite Bond, playing the leader of the Mormons. In fact, this role helped him land a starring role in the long-running TV Western "Wagon Train" before his untimely death at age 57. Featuring beautiful cinematography, Ford regarded this as one of his favorite films. | 1pos
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] |
Feeling Minnesota is not really a road movie, but that's still the best categorization I can generate. A road movie does not primarily depend on a great story line, and since the plot of this movie is truly pathetic, it does fulfil that description. To be interesting, such a movie must rely entirely on moving and intriguing characters, and on the chemistry between them. Unfortunately the staff of Feeling Minnesota fails utterly in producing this excitement. The initializing presentation of the characters is unsatisfying and confusing; I can, for example, not figure out whether Jjaks (Keanu Reeves) did grow up in the house of his mother and brother or not. It is said, by his mother (Tuesday Weld), that he must live with his father, but nothing in the film suggests that it ever happens. The same goes for the rest of the characters - I never get to know them. They appear irrational, and no real explanation is given to why they do so. The bottom line is that I leave the movie without any feelings for the characters, except dullness and perhaps a tiny kick of attraction for the cute Cameron Diaz. | 0neg
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This is one of them movies that has a awesome video box but has wired camra work and unknown actors that speak with bad dialogue.Its so dark when the killings happen you can hardly see it plus the movie is hard to understand.The only star in this is WCW`s Vanessa Sanchez (Tygres in WCW before it folded) and she is a good actress. I like low budget film especialy ones that has errors because they are fun to watch but Severed unfourtunatly isn`t one of them.This movie is ok to see if you like voodoo and severed heads but this is no blockbuster but if you need something new to watch then rent Severed. | 0neg
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I was a fan of the AMERICAN WEREWOLF IN LONDON movie and so was curious whether a 16-year later sequel could be done with French language and local re-cast major, supporting, and minor characters. Tonight I watched the "edited for FOX Network" version that was some sort of curious hybrid of several hyperactive sequels. The screenwriters and directors pay homage to certain of the key plot concepts: Tourist gets wolf bite, full moon comes out, boy meets girl, boy becomes beast, boy dies heroic death after help from ghost victim. For me, the oddest aspect of this "formula" teen horror special effect-ride was the casting of the school teacher-love interest of the TV comedy "ED" as one of the werewolf's clueless victims who is more or less totally unsympathetic in the scripted lines they handed her. I haven't seen another horror-flick that this movie is "sequelling" (a vampire fighting flick titled BLADE), but I guess that parts of its plotline must explain how villain werewolves (they're spoofish) are threatening the "good" werewolf pair during a long part of the movie. There is also a final conflict in a Paris subway train, a la SPEED. This 1997 studio product is an odd hybrid of a film since considerable technical effects are shown for scary purposes but the authentic terrors of the original have been completely undermined, in my opinion. Such an odd re-write of the werewolf legend and "movie-mythology" !?! My suggestion to those considering this at the video store -- go for a classic "top of the line" Thriller instead : Alfred Hitchcock's PSYCHO! | 0neg
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] |
Bangville Police supposedly marked the debut of the Keystone Kops, named after the studio they worked for. In this one, however, they don't dress in the silly cop costumes or drive the fast-paced car that's their trademark. Anyway, Mabel Normand is a farm girl here who's begged her dad for a calf. She later sees some strange men in the barn and quickly calls the police. One answers and the chase is on. Next, Mabel slams her door just as someone is coming in. Turns out it's her mother who jumps to the conclusion robbers are in there! So while Mabel blocks her door with furniture, the mother and father try to fight their way in! This was perhaps the most amusing part of the short along with some explosions of the cop car. This was a short 7 minutes that went by so fast it's over before it's begun. The only real characterization that's developed is Mabel's who exudes charm with just her face and big eyes and seems so optimistically cheery here except, of course, when she's frightened. It's easy to see why she became a star. It's largely because of her that I'd recommended seeing this at least once and why I'm giving this a 4. | 0neg
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I am a college student studying a-levels and need help and comments from anyone who has any views at all about the theme of mothers in film, in the mother. Whether you have gone through something similar or just want to comment and help me research more about this film, any comment would much greatly appreciated. The comments will be used solely for exam purposes and will be included in my written exam. So if you have any views at all, im sure i can put them to use and you could help me get an A! I am also studying 'About a Boy' and 'Tadpole' so if you have seen these films as well, i would appreciate it if you could leave comments on here on that page. Thank you. | 1pos
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] |
I have seen many, many films from China - and Hong Kong. This is the worst. No, the worst one was 'Unknown Pleasures'. I watched 'Platform' yesterday evening and thought that Jia Zhang Ke's other two films must be better. This evening I was disappointed again. I will not be watching 'Xiao Wu' tomorrow evening because I have just placed all three films in the bin! Whoever gave this film, 'Platform' ten out of ten, needs to watch more cinema! The photography was very poor: it was very difficult to differentiate between some of the characters because of the lack of close-up work. The storyline was so disjointed that I fast-forwarded it towards the end out of pure frustration. I would not recommend this film to anyone. Give me Zhang Yimou or Chen Kage any day. These are true masters of Chinese cinema, not pretentious con men! | 0neg
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] |
You know, I have YET to see a conservative deny what they are. Hannity doesn't deny it, Rush doesn't, Levin doesn't, basically they all are very clear and comfortable with who they are. Heck, Bill O admits what he is (libertarian I believe). EVEN ALAN COLMES WILL SAY HE IS A LIBERAL. Why is it that liberals never admit what they are? They always claim to be fair, but everything they do says they aren't. For example, this guy always features a conservative as his 'worst' person. Really now. Out of all the dopey Dems in Congress...none of them make the list? Puhleeze. All of the aforementioned hosts routinely play clips of both sides. Does anyone believe that Olbermann would ever go after a liberal the way Hannity did Voinovich over immigration? This guy probably wouldn't be at the bottom of the pile if 1.he wasn't so hateful and 2.if he'd just admit his bias instead of unsuccessfully hiding it. | -1no label
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] |
This movie is truly unique. It really captures the spirit of the play, but makes it entertaining to the modern generation. The romance between Tromeo and Juliet was believable, and erotic, not pulled off by many adaptations. It is also so funny I was almost crying with laughter. Like with most Troma its in your face, taboo subjects, gore and sex, and yet add in some really good acting and a Shakespeare plot. You really have to see this movie to believe it! There are some hillarious jokes in the credits (best credits I've seen since Hot Shots) loads of Troma in jokes as well as general satire and shakespeare refs. And Lemmy from the house of Motorhead narrates. I lent this movie to a friend and had an almost impossible job of getting it back. Troma at its best, this film really is a gem, and goes in my top 5 favourite movies of all time. Though its not the sort of film you'd watch with your mum, and might offend some people. For anybody bored with run of the mill cinema, with a wacky sense of humour you MUST SEE THIS FILM. | 1pos
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] |
I usually don't give 1 or 2:s to movie because there is always something in a movie thats good, This movie however has nothing good in it. Everything with this movie is horrible, the story, the music, the acting, the jokes(what jokes?) And to top it all the actors don't even know the English language. I really don't get it. Swedes are among the best of the non-English speaking people at English, so why pick people that are as good as a bunch of kindergarden-children. It really sounds terrible, and it also makes the rest of the world think that all swedes suck at English which really isn't the case. I really like watching bad movies because i can laugh at them, But this isn't even funny, in any way. I know it tries to be funny, but fails miserably. like someone already posted, "its not even so bad its good, its just so bad its unbearable" I can safely say that this is the worst movie i have ever seen. AVOID LIKE THE PLAGUE!! PS: Bunnyman???!?!! What were they thinking? DS | -1no label
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] |
In the sparkling tradition of 'Very Bad Things,' 'A Simple Plan' and 'Open Water 2: Adrift,' comes a 'Donkey Punch' that's a dozen of hits inferior to the films it's mirroring. Sure it's more serious than 'Things' and 'Plan' but what made those fun to watch was that they didn't take themselves so seriously. This 'Donkey' movie was made by people that have never seen those three, or any other young adult 'Oh, I've never met you, so I guess it's safe to go with you to ___" (fill in destination) film. There's got to be countless ones out there. The twist, I suppose they were shooting for was the said title. What takes seconds to explain what it is doesn't make this much more original than 'Things' or 'Plan.' Three girl friends meet four guy friends while on holiday in Spain and opt for a sunset cruise on a yacht. After one dies by a (insert title here), the action, suspense and paranoia ensures. When the movie turns cat & mouse, everyone out for themselves, hurting each other, plotting, etc, it's not terrible, but horribly unoriginal, predictable and gives us zero characters/heroes in which to root for. Granted most of us haven't been involved in such circumstances, we can't honestly say what we would do. However, having seen at least 48 movies like this one, I think I'll have a pretty good idea of what NOT to do. I think if it really did happen to me, and they made it into a movie, chances are it would just a 5-minute You-tube clip. One other problem I had, and I'm probably in the minority, but though I speak English, I find myself using the English subtitles more with such thick English accents. Unfortunately, this DVD only had Spanish subtitles. 'Very Bad Things' and 'A Simple Plan' are highly recommended over this. Even the low-rated (but I actually enjoyed) 'Open Water 2: Adrift' is a better rental. | -1no label
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] |
I found this movie and movie number six (Wish Maker Jirachi) way different than the other pokemon movies. They were kind of more mature. Anyway, this movie was really good and I just watched it today on Kidswb. I think what really made this a good movie was the fact that it had featured pokemon from outer space, which was interesting and brings a whole new world to Pokemon. I recommend this movie because its feature length, It has two really strong pokemon in it, one secret pokemon that has something to do with snorlax, and its a lot of fun to watch. The only faulty thing I didn't like about it was that it lacked good popular music like the other four before pokemon: Jirachi Wish Maker. I think good rock songs would have made it earn the true title as a Pokemon Movie. | -1no label
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] |
Just to tease those who have not seen this incredible work of art and to make the others think you should see it again ! Who could think that a movie about a simple violin could turn into such magnificent beauty? «The Red Violin» whole story is based on a piece of wood and strings, which carries a whole story of humanity and social issues. We travel through 400 years of history and music, to end up in what you might think is the end of the story of the «red violin» but in fact, takes you to the next chapter. If you are a classical and historical music fan, you will love this movie. The Oscar to composer John Corigliano was not an option. François Girard clearly has something for music, as he did another wonderful movie about pianist Glenn Gould, «Thirty Two Short Films About Glenn Gould», a movie that really drives us through the life of a great piano interpreter. Quite different from «The Red Violin», but quite good too. I can't wait to see his next movie, if he ever plans to do one, but the challenge to surpass «The Red Violin» is quite big. | -1no label
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] |
Less importantly, I can't figure out why Sharon Stone is the number one credit when the story isn't really about her character. Other than that, this movie has good intentions and a great story. However, there were a few scenes that just felt overly tense, such as when--possible spoilers--Kevin begins choking on his food and loses consciousness, when Max learns of Kevin's death (which is more disturbing than emotional), and even the scene where Loretta is strangled (but not killed), which is otherwise understandable. This seemingly is supposed to be a family-friendly film, but with these scenes the filmmakers make it look more like a horror/thriller. If the filmmakers had not done this, I believe this film could very easily have been given a PG rating. -6 stars for the tension. | -1no label
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] |
This belongs in their top tier, although there were others, such as Micro-Phonies and Punch Drunks, that were more deserving of Oscar nominations than this one. But if nothing else, the recurring loudspeaker announcement, "Dr. Howard, Dr. Fine, Dr. Howard," followed by Curly's "Woo woo woo woo," makes this a classic on two levels. First, it symbolizes all that the Stooges represent; my daughter loves to repeat the announcement when she is in the middle of doing something silly. Second, the absurdity of these three as physicians in a hospital; I imagine the terror I would feel if I were a real patient in a real hospital and heard this announcement over the loudspeaker. Throughout this short, you hear that announcement and you know that something horrible is about to happen, and the loudspeaker voice stays with you for months afterward. | 1pos
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] |
It may be no coincidence that the title letters of this movie form the acronym SIC, and while it certainly isn't suitable for the mainstream prime time TV slot, serious students of bondage or porn will be disappointed if not downright bored by the film. That is, unless jabbing a girl in the buttocks with a needle, playing "doctor" or hide-and-seek, really turns you on. The title would lead you to believe it is a heavy S&M number, but there is little in evidence apart from decorative dog collars and light chains as the "victim" is led (otherwise unconstrained) around. The two brothers who kidnap young girls and keep them prisoner are not the sort I'd like working around my local school, but they seem far removed from the likes of The Collector or Buffalo Bill (Silence of the Lambs) - too boofy if anything (tho capable of killing). Any "drama" in SIC seems contrived or stilted. There is sex, a little of it forced, but generally quite tasteful and with little real conviction. Nudity likewise is limited and subdued. Overall, the film falls well short of any potential hinted at in its title. It's neither an entertaining porn flick nor a serious insight into disturbed mental states, nor a horror flick. It gets a 2/10 from me. | -1no label
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This is probably one of the worst films on Nam I've ever seen. So unorganized and unprofessional that is the guys I served with acted that way none of us would have came home. I like Michael Pare's acting but not in this movie. The writer should have gotten his facts straight or at least talked to some real tunnel rats. Even a unit in the Army that served in Nam didn't act that way in Nam. Not that I ever saw, but my time was in the Marines and not a chance did a Marine unit ever act like this movie portrayed. zadziks from Antarctica gave it a 10, he has no clue or is getting royalties from the DVD sells. Pure waste of time. | -1no label
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The moral of this show is that bad eating habits give people bad hair, bad taste in clothes, bad posture, bad jobs, and on and on. They are obviously miserable and loathe themselves. However, if they learn to eat broccoli, they will be wealthy, successful, and attractive. TLC ought to be ashamed of themselves for this blatant exploitation of parental fears and guilt. If nutrition is really that important, they should be able to develop a show using honest and truthful methods. If they really believed in their computer simulations, I'd like to see them do a double-blind test by finding some 40-year-olds, finding out what their eating and exercise habits were as children, and age-progressing the kids' photos. Then compare to the real things. Hey, that sounds like a project for Mythbusters! Discovery Channel--are you listening? TLC must stand for Tabloid Lies and Cons. | 0neg
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] |
I just got Red Sun and enjoyed it. It's kinda hard to explain it in writing, you have to watch it. It's worth the time. Charles Bronson fans will like his performance as Link, a thief who's forced to team up with Toshiro Mifune's character Kuroda-a Samurai who has 7 days to get back a sword stolen while traveling to the US capital in 1870(around that time); the sword was to be a gift to the prez. Toshiro's performace was great, simply great. Fans will like this. It is very odd to hear him speak english...especially when he never really learned it in the first place! There's many great little bits in the movie like when Link is trying to escape from Kuroda...he just can't get away from him. They way Kuroda begins to really relax in the saloon cracks me up..he's usually stiff and mean looking..well, not that mean looking. I voted a 10 for this.... | -1no label
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Like many others here, I read the book a couple of years ago and I absolutely loved it. In fact, when I think about it, it's one of my all-time favorite books hands down. But so very often, you read a really good book and when it is made into a movie, it never measures up to the book. The characters "look different" from what you had in your head, the story gets changed, and the general spirit goes missing. Not in this case, I am happy to report! It was like seeing old friends again, even though I saw the movie for the fist time. Sure, due to run length-restrictions thinks got left out and were changed. But it still made a very good adaptation and a very, very good movie on it's own. I wasn't a big fan of Eric Bana when I first saw him in Hulk and even Munich. But I think, nobody could have played the role better than him. He just IS Henry DeTamble. All in all, big thanks to everybody who was involved in the making. You did very good! | -1no label
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What went right with the Highlander TV series starring Adrian Paul? First it was the main protagonist that really got into the role of the highlander, second it was the fact it it had very good swordplay and martial arts action and third it was those well done flashbacks into history, that showed many different time-lines and presented conflicts that lasted for centuries... So, what is wrong with this movie? All the things stated above are missing...Yes we have Duncan , Mythos and Dawson but the script is really poor, the main villain is ridiculous , there are no flashbacks no swordplay whatsoever. All we get is a clown jumping around talking gibberish (the so-called guardian) and a crappy story about the "legendary" source. The direction tries to seem cool but it ends up rather boring, and the acting is poor. Of course I wasn't expecting any great acting or imaginative direction but at least I was expecting some believable special effects...I didn't get those either the SFX are bad and uninventive. Obviously the movie hasn't got a big budget but it would have been adequate if it was used properly and with a story that didn't involve guardians with superpowers and other cosmic forces. In the end it just feels sad that the Highlander franchise probably ends with such a bad movie. It's even worse than "Endgame" and that is really an achievement. Adrian Paul isn't much of an actor but give him a Katana and let him do his martial stuff and he'll work some magic. Unfortunately in this movie he does nothing of the above so in the and we get nothing , not even a good action scene... | -1no label
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] |
Hey, I'm really into Sci-Fi movies. I love any movies that have to do with Science Fiction, and are based in the future with unique settings. Well I'd like to say that I've seen Moon 44 and consider it a great movie. I'd give this movie overall a 8/10. The reason for this is because of the cinematography. You cannot have a Sci-Fi movie without cinematography. I consider the cinematography above average in Moon 44 because the director, even though on a short budget was able to create some neat scenery, of futuristic earth, space ships, fighter planes, the base itself and etc. This really caught my eye and made me feel like I was in the movie, like I was Felix Stone (Michael Pare). Now, I though this may sound crazy, but I have to be able to get into a movie to enjoy it, like I enjoyed Blade Runner because of the cinematography. I felt like I was in the movie, in Neo Angeles 2019 AD and as the main character. Same thing went for Star Wars and so on....... Even though Moon 44 was done in a foreign country and on a tight budget, I consider Moon 44 to be one of my Sci-Fi favorite flicks. The script could have used improvements, but overall it was a great movie. See it for yourself and tell me what you think. I'm sure you'd enjoy it as well. -Romeo | -1no label
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] |
If you ever plan on renting (hopefully not buying) this movie, think again. It was as if Gary Busey had a gun to his head and was forced to act or die. I only wonder if Busey was arrested for something and was sentenced to play in this movie because I just don't see the guy that acted so much better with Keanu Reeves in Point Break play in this disaster. It was a feel-good movie, but there are thousands of other feel-good movies that make you laugh without wanting you to get your money back. The only reason I would ever tell someone to rent this movie is to watch this movie is to see Gary Busey jump up and down like a monkey. If you want a good funny movie, pass up Quigley and go rent Spongebob or something. | 0neg
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] |
Went to the premiere at the Tribeca Film Festival in NYC and I absolutely loved the film!!! I am Diane's #1 biggest fan and of course, as always, she gave a magnificent performance!! I have seen every single one of her movies and I must say that this is one of my new favorites. Diane was funny and moving and just took my breath away. Donald Sutherland was surprisingly humorous but also a good amount of serious. Anton Yelchin is just a wonderful young actor and gave an amazing performance. All in all, I recommend this film to anyone who can appreciate an excellent movie. 10 thumbs up!!! I would definitely go see it again and again and again. This is the best film of the year so far!!! | 1pos
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] |
Probably somebody heard of Alberto Tomba. A former policeman, a former sky champion, and, now, a TERRIBLE actor. "Alex L'Ariete" was planned to be a TV "mini serial", but the Italian television itself refused to show the movie on its channels. Now it's a, believe me, ridiculous movie. The script it's simply hilarious (it's supposed to be a dramatic movie), something like a 5 years old kid work. But what really blows you away it's the amateurish acting: Alberto Tomba, who actually was not believable as a policeman himself, plays terribly a totally silly character: a special operations italian policeman specialized in smashing doors open! ("ariete" is "ram"). This super-guy will try to save a young nice girl life (an actual italian "little" TV showgirl, married to the singer Eros Ramazzotti): nice but absolutely inept in the acting. Lose this one and make yourself a favour. A movie that is a shame to Italian cinema industry: only John Travolta in Earth Attack got close.. | 0neg
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] |
Man On Fire tells a story of an ex-special forces guy with a drinking problem who accepts a job as a personal bodyguard of a little girl in Mexico during the wave of kidnappings for ransom. At first he's not to friendly, but then they befriend with each other, he decides to stop drinking etc., etc... then one day she gets kidnapped... and killed... And HE, won't stop at anything to get the revenge. That's basically the story of Man On Fire but expect some big twists at least a few times including the ending which is beautiful and will probably make you cry. That's also because of the great music Harry-Gregson Williams with Lisa Gerrard (Gladiator) composed. But the strongest part of the movie... wait... the thing is, everything here is perfect. First - acting. Denzel Washington is at his best, Mickey Rourke and Christopher Walken good as always, great Radtha Mitchell and AMAZING young Dakota Fanning. And that's not the end of the list... Then come the cinematography which is dazzling and along with superb editing, should have won an Oscar for sure. The story is... not just a revenge movie. The story is intelligent, the story makes you think... and is pure beautiful. Really. This is one of those movies you need to see in your lifetime, at least once! | 1pos
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] |
If you like horror films then you will love this movie. 'House of 1000 Corpses' will keep you on edge, and scare the crap out of you. Rob Zombie is a brilliant horror writer, so if you are squeamish, please stay away! As far as horror movies go, this is among the best ever made. I compare almost all new horror movies to this one, and few come close to the extremity and violence of this film. People who give this movie a low rating do not appreciate true horror, and therefore should not be taken into consideration when evaluating whether or not to watch this movie. It goes from general nervous horror (like what are those crazy kids doing in that "creepy country town") to full out mutilating horror where people are getting scalped and slowly tortured. It leaves out nothing when it comes to messed up killings, Rob Zombie somehow thinks of it all. You don't have to be a Rob Zombie fan to like this movie, anyone I have ever watched this with has been horrified (to say the least) and that is what most people are looking for when turning to a truly scary movie for entertainment. I can't give 'House of 1,000 Corpses' enough praises for stepping outside the box of the general horror movie equation, adding both an intense plot and gruesome (not cheesy) effects. It is a movie that will stay with you, and will stand out in your mind when comparing it to the rest of the new millennium horror films. I absolutely love it!!! | -1no label
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] |
Dinner guests for a professor/archaeologist find out they're on the menu instead when the undead, from a crypt unearthed by their host, come a calling. While this might appeal to zombie fans(..and, from what I hear, this flick has quite a following), I thought it was rather poor with no real explanation as to why the dead would rise and behave in the fashion of George Romero's zombies eating flesh and innards. Bizarre angle where a "young boy" Michael(Peter Bark who actually looks older than the actress portraying his mother)lusts after his mommy Evelyn(Mariangela Giordano, who really loves to widen her eyes)groping her sexually in one scene. The zombies are often merely extras wearing Halloween masks..that's how effective some of them aren't. There are scenes of gut-munching and neck ripping for the fans who desire this sort of thing when they watch their zombie movies. Some nudity and sex. There's no plot to speak of other than one dimensional characters in search of an exit off the grounds of their host's castle with slow zombies lumbering after them. An eerie electronic score(think "Forbidden Planet")does add ambiance where the film often fails to deliver. | -1no label
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] |
I grew up watching the old Inspector Gadget cartoon as a kid. It was like Get Smart for kids. Bumbling boob can't solve any case and all the work is done by the walking talking dog Brain and his niece Penny. I had heard the live action movie was decent so I checked it out at the library. I rented this movie for free and felt I should have been paid to see this. Broderick comes nowhere near the caliber of acting Don Adams had as the voice of gadget. His voice was all wrong. The girl who played Penny looked nothing like the cartoon Penny. She is brunette where the cartoon version was blonde with pigtails. But she does do a decent job given what she had to work with. Dabney Coleman gives a good performance as Cheif Quimby. Saldy he never hid in any odd place or had exploding messages tossed at him accidently by Gadget. The gadget mobile was wrong. It never talked in the series and it did fine. Why did they do this? Gadget was too intelligent in this film. In the show he was a complete idiot. Here he had a halfway decent intellect. It would have worked better if he was a moron. Also the completely butchered the catchphrase. Borderick says "Wowser". It is and should always be "Wowsers". It sounds lame with out the 's'. I got upset when they showed the previews and they didn't have the correct phrase. The ONLY decent gags were during the credits. The lacky for Claw is in front of a support group for recovering henchmen/sidekicks. Seated in the audience is Mr. T, Richard Keil aka Jaws of Bond movie fame, a Herve Villacheze look alike, Oddjob, Kato and more. This is about the only part I laughed at. The other is at the end where Penny is checking out here gadget watch and tells brain to say somethin. Don Adams voices the dog saying that "Brain isn't in right now. Please leave your name at the sound of the woof. Woof." of course this isn't laugh out loud funny, just a nice piece of nostalgia to hear Adams in the movie. He should have at least voiced the stupid car. Kids will like this, anyone over 13 won't. | 0neg
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] |
It wasn't until I looked at the trivia section that I found out that the original producer/star of this movie Tyrone Power died during its making . This no doubt explains why everyone on screen seems to have their minds on other things , a symptom of which appears in a very early scene involving a battle that can only be described as pathetic . You know when you've been painting a wall until you're completely bored ? Well that's the sort of expression the combatants have on their face when they're swinging their swords in a highly unconvincing manner The plot centres on Soloman the King of Israel having an affair with the Queen of Sheeba and his people not being happy about it . You can't really blame them since there's few things more beautiful in the world than those Israeli moteks , though the Israeli women here all seem to look like Cherie Blair ! Modern day Israel is also very cosmopolitan with the majority of Israelis being born outside the country but would this have been true a couple of thousand years ago where everyone speaks in European and American accents After much talking and a dance sequence that has to be seen to be believed ( And no that's not praise ) we have a climax where the heavily outnumbered Israelis have to defend themselves against a massed Egyptian army who can't read a map otherwise they would have known there was a canyon in front of them . This is what I don't get - Even though their blinded by the sun the Egyptians spend ten minutes charging towards the Israelis never ever realising they're charging towards a gaping ravine ! Isn't this somewhat illogical ? It's also something of a revealing error since the horses , chariots and men falling into the canyon are obviously miniature figures Anyway the film ends with Soloman killing his treacherous brother and praising God for his victory . But who needs Moshe Dayan , Arik Sharon or God when you've got an idiotic enemy who can't see a ravine in front of him or waves a sword like he paints a wall ? | 0neg
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] |
You can't really go far when the initial story isn't all that great. The premise of cyborg's needing blood is just dopey. The script is blasé'. The actors don't have much to work with. The sets were staged out in the desert to cut costs. It's a trademark that if the background is the desert, then the movie has no budget. Lack of budget is okay, if there's a story. "Solarbabies" and "Blood of Champions" are examples of decent work from no $. but this movie looks as if they had to scrape their change together just to buy the cameraman a sandwich. Again, forgivable if only the story didn't just plain suck. Finally, this movie commits the biggest crime of all: It doesn't finish! It simply ends as if it's a commercial break away from the rest of the movie. But the rest never comes. Just odd. Just bad. | 0neg
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] |
In my opinion, this movie's title should be changed from "Only the Brave" to "All About Lane". I went to a screening of this film a few months ago and was quite disappointed with the outcome. Although, I appreciate that the director made a movie about the men of 442nd - a subject matter that long deserved addressing in the film industry - the acting in some parts of film was quite stale. The performances of Marc Dacascos, Tamlyn Tomita, and Jason Scott Lee were all great. However, the director should have NEVER put himself as the main character in the movie. Sorry Lane, you are just not a film actor. Stick to what you're good at - theater acting. Gina Hiraizumi's performance in this film was also horrible. She should never have been given a speaking role and her looks were unfit to play the part of a Miss Nisei queen. There were other young actresses in the film who were naturally beautiful and whose performances were wonderful... Why weren't they cast for that role? Another major problem with this film were its action sequences. The Japanese-American soldiers don't look like they were fighting German soldiers... let alone anyone. Granted this was a low budget feature, but since this was a war-based film, isn't it important to show some actually fighting? This film was a worthy attempt, but definitely not worth a major distribution. | 0neg
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] |
Tom the Cat is having fun with Jerry the mouse in the old West lassoing him up. Until a girl cat comes along and sets Tom's heart on fire. He waists no time in trying to woo her. Of course Jerry doesn't want Tom happy. So he, along with some help from a bull, try to put the kibosh on Tom's chance at love. The hit to miss joke ratio in this one is greatly in favor of the hits. And it's very enjoyable throughout. Of course I'm biased as i pretty much love anything by the cat & mouse duo. This hilarious classic cartoon can be found on disc two of the Spotlight collection DVD of "Tom & Jerry" My grade: A | -1no label
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] |
I just got back from this movie and I had to let people know...this is the worst film I have seen in a long time. The "acting" (if you can call it that), especially by DeNiro and McDormand is flat. The dialog is such a joke that the audience broke into laughter at one of most "dramatic" moments (during the scene in DeNiro's apartment with his new-found grandchild), DeNiro plays his character as one who seemingly has the intelligence of cotton ball. I could go on, but this movie doesn't deserve that much time. If ever there was a case for a refund at a theater, "City by the Sea" would be on the top of the evidence list. | -1no label
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] |
Unless you've the skill of an O. Henry, it's pretty ridiculous to talk about the spirit of a city, even as a generalization. But when that "spirit" takes human form and joins the local police force, really it's too much! Whatever induced scriptwriter Steve Fisher to introduce this bizarrely extraneous element into his otherwise tight little tale of the seamier side of Chicago, it was a mistake. Fortunately, the assignment was handed to John H. Auer, who was most definitely the class director of the Republic stable. The action scenes here are handled with his usual vigorous finesse and there's plenty of excitement. The movie was actually lensed on location in Chicago, the city's streets made forcefully real by John Russell's deft photography. Gig Young registers okay as the hero, while Chill Wills is saddled with the "spirit". However there are top performances by seasoned players like Edward Arnold, Marie Windsor, William Talman, Paula Raymond, and Wally Cassell as the mechanical man. Mala Powers is suitably cast as "Angel Face". | -1no label
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] |
As a zombie fan, I really love these types of plots where people end up in strange places surrounded by wicked monsters! PB is also an excellent tie-in to Chronicles of Riddick (COR). The gang has to run as fast as they can away from darkness. There are so many metaphors in the story! Riddick is this bad guy, but he's also the hero who tries to save the slow-paced folks. The Muslim guy, Imam, relies on the sun's positions for the five times a day prayers, but he is stuck in a land where darkness will rule. Overall, I recommend this film to any sci-fi fans. You won't be disappointed. | 1pos
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] |
....When so many people have done a better job than I ever could? When I rented this on video, a few years ago, my mother (who has passed away since) commented on how she would watch this back in the 70's, absolutely fascinated by it. I'd rented it because I'd seen it during its replay in the 80's, and was equally fascinated. It was rare to see a historical drama with so much lurid character detail. What fascinates me today is the sheer number of character actors who appear in it.... Most of which were little known then but have since gone on to become better-known. Everyone from Brian Blessed, John Hurt, Sian Phillips, George Baker, Patrick Stewart and John Rhys-Davies to lesser-known actors like Kevin Stoney, Bernard Hill, Christopher Guard, Fiona Walker, Stratford Johns, Sam Dastor, Guy Siner, Darien Angadi, James Bree, George Pravda, Simon MacCorkindale, Sheila Ruskin, Bruce Purchase and Denis Carey. And they were _all_ good, no matter how small their roles were. Where the Brits find actors of this caliber, I'll never know. | -1no label
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] |
In Seoul, parts not matching of severed copses of three men are found in cars and bags left in public spaces. Detective Cho (Suk-Kyu Han), who is under investigation of the Internal Affairs, is assigned to lead the investigation with his team. When the identities of the men are discovered, the police finds that the artist Su-Yeon Chae (Eun-ha Shim), who lives with her friend Seungmin Oh (Jung-ah Yum), had been lover of the men. Detective Cho and his force protect Su-Yeon and follows the leads based one the information she tells, while the killer executes other victims. However, Cho discloses very dark secrets in the end, finding the real motives of the murderer. "Telmisseomding" is a stylish and gore South Korean thriller, with a magnificent cinematography, camera and acting, and an awesome music score. Unfortunately the director and the screenplay writer have not succeeded and the story is totally confused mainly after the last twist. I have my interpretation but some points are missing or does not make sense, and I did not understand the bond between Su-Yeon and Seungmin (the homosexual love between them is subtle and not clear whether it is corresponded or not) and who is the killer indeed. It seems that Su-Yeon has actually killed her lovers based on her sexual trauma with her obsessive father, but if this premise is correct, why Seungmin had the aggressive attitude when the detectives arrive in the hospital? Or maybe both girls were the killers and Su-Yeon wanted to blame Seungmin and plotted the whole situation in the Tower Records. Therefore, the story is flawed and not clear. My vote is seven. Title (Brazil): "Partes de um Segredo" ("Parts of a Secret") | -1no label
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] |
when i've watched "Barda" i was expecting' a quality tension movie but i was disappointed when i saw it.instead of tension i just felt boredom.the story of the movie goes like this a group of armed bank robbers entered to a bar after the robbery.few minutes later they took few customers in the bar as hostages and after that they begun torturing them until the night's over and cops bust in and arrest all of them That wasn't the film which makers promised in it's trailers.Film completely filled with torture,beating,rape and murder.i still wonder how could they charge people to see a humans in the movie getting tortured,humiliated and so on. it's a waste of time if you have passion for snuff films you just can get thousands of small videos in the net and i wager they're more high quality than this low budget crap | -1no label
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] |
I have to start off by apologizing because I thought the first 75-80% of this film was hilarious. It's mostly because of Brad Pitt's performance. Spot on. The acting by all involved was quite good but Brad stole the movie. The atmosphere was perfect in all respects. I'm not a giant Pitt fan but this has got to be one of his best roles ever. Brutal,Honest,Gritty. All good words to describe this movie. I was reading a previous review and the person said that the reasoning behind Early's violence isn't explained. It is explained but they thankfully don't have to go into graphic detail to get their point across. Overall I gave this a 9 because every scene bar 1 or 2 was effective. I think the humor in the first half or so is perfect for this movie. Underrated. | 1pos
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] |
This movie was portrayed in the trailer as a comedy. It is an extreme tragedy. It left me sick to my stomach. I hated it. I think if they want to make a movie like this than they should be man enough to reflect the true intentions of the movie in the trailer. I would not have seen this movie if I would have known. I think the trailer should reflect the theme and intentions of a movie. I am tired of it. I really wanted to have a fun comedy and I am extremely disappointed. It has been several days now and I still have a bad taste in my mouth from this movie. I have never been more disappointed in a movie, nor have I ever written a comment on a bad movie. I really think that true deception was involved in this trailer because if they showed the true intention of the movie, no one would have seen it. | 0neg
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] |
This is by far the worst movie I have seen from Disney Channel. The story was weak and so was the chemistry between all the actors. Most appalling was the sexual innuendos. This is the Disney Channel! Please! My kids didn't even like it. Completely inappropriate and not even fun to watch. Another comment was posted comparing it to "Hook", "A Series of Unfortunate Events", etc. I have yet to figure out the comparison. We enjoyed the other movies. This one left a negative impact on us toward Disney. If it was on any other channel I would understand. Although, it still wouldn't have been good. It was choppy and the reaction from some of the characters at times made absolutely no sense. | -1no label
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] |
Was forced to watch this by a "friend" and can honestly say this is one of the most tedious boring films that I have ever seen. From the little of the film that remains with me it's about some old git in a study with some annoying woman having something to do with the plot as well of course the mummy itself. For most of the films too long running time most of the main characters are talking in the study with an unconscious old man. For some reason the film includes sex scenes that seem to come out of nowhere and have nothing to do with the story although they rarely do. Avoid this there is nothing redeeming in this film at all - it's boring. | -1no label
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] |
A divorced dad and son attempt to build on their newly resurrected relationship by heading back to pop's hometown named Salem in up-state Maine.When he gets there,he finds that all the townspeople have turned into 300-year-old vampires."A Return to Salem's Lot" by Larry Cohen is not as bad as it's reputed to be.In fact I used to watch it pretty often when I was a kid.Of course it's not as scary or suspenseful as Tobe Hooper's "Salem's Lot",but it still manages to entertain if you are in the right mood.The acting is terrible as is the make-up of the vampires,but there is enough amusing moments to make the viewer smile.Samuel Fuller is quite memorable as a Vampire slayer.Overall,"A Return to Salem's Lot" is a quirky,occasionally uneven horror film that is worth a look for fans of Larry Cohen's unusual horror movies.7 out of 10 and that's being kind. | -1no label
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As stated in the subject, I am so mad that there is no 0 rate on IMDb site. Zombie Diaries proves the film theory that today digital movie making world is affordable to everyone. When I say everyone, I mean people that most probably should stay with another profession. This film is a total proof on that and a total mess! There is no plot, no tension, no continuance ... Nothing. Still, the director tries to steal a little bit from several movie blueprints made in last few decades. Movie is made in Blair Witch Project camera style. However there is more than one camera here and the director gets completely lost in first twenty minutes by mixing them. Then, we have Memento moments of going backwards in one part of the film, also parallel actions without interaction as in David Lynch films and all this cheep mishmash is followed by pale and somehow drunk zombies that look like bad navigated extras on the poor stage. Absolute waste. Don't even bother. | -1no label
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As I work at a video store, I found it to be my solemn duty to talk about the worst movies I've ever seen, and warn my friends and co-workers of it. Amidst one day of particularly heated debate of what is the worst movie, my friend dared me to watch B.T.K. Killer, even stating that if I could watch the whole movie and still claim my previous choice was the worst movie ever, then he'd watch it. I lost. I believe that even I made better videos than this in high school, and those were hardly great feats of a young genius. This film not only lacked in what seemed to be production value (it looks like it was shot on a bad camcorder, although it is surprisingly clear), but also in acting (wooden, hollow, and pathetic don't scratch the surface), as well as just generally bad movie feeling. I can remember a scene where I heard glass smash, suddenly, I was reminded of some bad high school plays (I know that I reference high school too often here, but this film did seem very juvenile) both in terms of the set, which seemed far too fake, but also as if the people were reading their lines from the script, not entirely sure what was actually going on. My review doesn't do this film justice, because I can't describe how utterly horrid the time I spent watching this was. It's almost ironic that I do a pathetic job describing a pathetic excuse for a movie. | 0neg
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« J'en suis » is without a doubt one the crappiest movies ever been made in Quebec (and, believe me, i've seen a lot of bad movies in my life). Even without mentioning the fact that it's full of the worst cliches on gays as well as on artists or on anything else it despicts, the plot is lousy, the situations are ridiculous (not in an intended way) and the dialogs are simply atrocious. Avoid losing two hours of your short lives on this deliberately low aiming piece of junk; go take a walk instead, you'll feel healthier and, above all, smarter... | -1no label
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Sean Bean is great, as are the photography, locations and costumes. However, the plot is somewhat muddled, and the conclusion flat. The plot has been SUBSTANTIALLY altered from Cornwell's novel, and not to the better. Unfortunately, this adventure is much better read than watched. Sharpe was too narrowly drawn here, in contrast with his literary alter ego, who seems more intelligent and determined despite his apprehension in his new role as an officer promoted from the ranks. I really enjoyed the brief scene in which Sharpe is tripped by a "real" officer, and after a quick pause and piercing stare, pushes the surprised and cowed officer right back. It sets the tone for his later trials as a commanding officer. Rating: "4" of "10." | 0neg
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First time when my son brought home the CD with "15", we just had a look. And we reacted. We saw the opening credits, with the long list of acknowledgements - and we laughed our asses off. We saw the opening shot, with that ferris wheel - and we laughed our asses off. We fast-forwarded to a scene where Maia Morgenstern is in a sewer and calls for someone - and we laughed our asses off. We FF-ed even more, to some militiamen invading an apartment - and we laughed our asses off. We switched at random, to find a scene self-pastiched from "Revansa" (some guy jumping from a bridge on a train carriage) - and we laughed our asses off. ...This was the first impact. After a while, we gathered enough patience to sit down and watch all the movie. And we both reached to the same conclusion: It made no difference. Really none. And we cried our eyes off. | -1no label
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I just saw this film and consider it to be one of the best anti-war films I've seen in quite a long time. And that makes me wonder at what the various critics are thinking. Roger Ebert gets it right, but some film critics are far too dismissive of a very serious, important film. James Berardinelli, in particular, seems curiously _angry_ that this film depicts the moral degradation of war in a frank and honest fashion. Berardinelli is basically wrong in every single thing he says about the film. Since this film is not a "politcal message" film, it has no requirement to "show both sides equally". It is a story about a group of soldiers basically driven beyond the area of traditionally human behavior. Berardinelli thinks that it's "obvious" that war changes the way people feel about their country. I sense a person utterly detached from history when I read that. A recent study concluded that the English were, as a group, fairly happy during WWII, even when their nation was under attack. Why was that? Because they believed in what they were doing. The notion that war _necessarily_ results in moral breakdown is, while hardly novel, also not true. That is part of what is important about "Elah". Jones' character is a veteran of the Vietnam war, and is hardly a delicate flower when it comes to the matters of war and its effect on the psyche. And yet even he is floored at what the Iraq war has done to the soldiers. It is easy for a film critic to simply reject what is essentially reporting on the state of the military today. That Berardinelli does so with such vitriol makes me guess that he is injecting his own bias into the review. | -1no label
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] |
When I first saw this film, I thought it should have come from the children's section - It's very fun and at times humorous, and is actually quite a good story, but it severely lacks the "romantic chemistry" that actors like Meg Ryan and Tim Robbins are capable of delivering. I must note that Walter Matthau is perfect for the part of Albert Einstein, and his performance is extraordinary, but that's the sole exception. This film appears a bit forced, the directing lacks substance, and oh yeah...the music is ridiculously awful, it didn't put me in a very good mood. But if you are not expecting a smart, well-crafted comedy/romance tale, then this certainly can be entertaining, like I said..it should be in the children's section. Einstein and his buddies are a good relief from Tim Robbins' boring, almost tense quest to steal Meg Ryan's heart. A very conflicting film, but as long as it's not taken seriously this can be an alright movie. | 0neg
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When I first saw this film I was wondering if it would be a spoof of Chaplin's "Gold Rush." However it's totally different. Fields is excellent and the film has a very good moral! ;-) I love the very sad song he sings which doesn't seem to have a rhyme in it. One warning however, for DVD fans. The version I have was on a cheap DVD (along with "The Dentist" and "Golf Specialist"). Apparently, the company did a very bad job of porting the film over to digital because the soundtrack of every film is off by about 2 seconds. So the dialogue & sound effects are very mismatched. There is another company that puts out a DVD which is better quality but apparently while the overall quality is better, the version of "The Dentist" is censored & has cheezy music added in. | -1no label
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] |
A `Wacky Chick' flick. A beauty contestant winds up dead and the Usual Suspects are rounded up. Another entry in the vein of the Texas Cheerleader, this is an average example of its type. Yasmine Bleeth turns in her usual wholesome girl performance, and Jill Clayburgh does a good job as her stressed-out slightly obsessed mom. Some mildly funny moments listening to the vapid self-serving PR coming out of contestants' mouths. (`I'd like to own a restaurant so I can give left-over food to the homeless.') You have to ask yourself what people are using for brains when they think a cheerleader spot or beauty crown is worth killing for! | 0neg
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] |
I shall begin with a disclaimer: This movie is NOT recommended for anyone who lack interest or have never played FF7 the game before watching. The movie relies on the audience's knowledge of each character in the game to convey story plot elements. And it does so very subtly. Do your homework before watching this wonderful piece of CG film and I promise it'll be that much better. With that in mind, this film has some of the most spectacular CG sequences I have ever witnessed. The whole experience felt like an extra long FMV sequence from the game, on steroids. Yeah. The attention to detail in each scene, especially in the heavy action oriented ones, is so impeccable it left me with a sense of awe. I believe the soundtrack is simplified so as to help the audience focus on the animation quality more than the music. Again, for those who are familiar with the FF7 story and background, the music should not surprise anyone (although the timing and placement of each soundtrack from the original accompany each scene and mood to the point where the music simply enhances the animation). Once again, I myself having only played through FF7 once, thoroughly enjoyed this piece of art from Square Enix. And that is the feel in most scenes, choreographed and organized. Like a dance. In short, if you enjoyed the music or the game Final Fantasy 7, this film will blow you out of the water. If you're in the unfortunate majority who has not experienced the goodness known as FF7 on Playstation or PC, doing so before watching the movie will allow for an exponentially greater experience. Finally, I just want to make a note of the quality in animating this film. Characters move with fluidity. Each scene background comes to life and tells its own story. For those who criticize the thinness and dependency of the story plot, I urge you to reexamine the animation. Facial reactions, subtle clues that bring about another level of entertainment above the typical narration method of story plot delivery. Square Enix and the great Tetsuya Nomura has set a new bar for quality animation and storytelling. Advent Children has ushered in a new era for CG animations, allowing the subtleties that lie in each character to speak volumes in and of themselves. Thanks Square Enix. The wait was well worth it. | 1pos
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] |
My mom and I just finished watching this movie and I liked it a lot. Just the way it was made and what happened. I found the song that the mice sing (At the Ball) was really funny and I was trying to find it on the internet, but I haven't found it yet. I hope that a soundtrack of some sort comes out or they release at least some of the songs on an EP. That would be really cool. I liked what happened in the movie. When I first found out that they were making another movie and what was going to happen in it I was a little upset because I didn't want the story to change and I didn't want it to be turned around in a 360 degree turn, but I'm really glad what happened and it was a really good movie. | -1no label
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] |
William H. Macy is at his most sympathetic and compelling here as a hit-man and loving father who wants to step out of the family business without angering his overbearing parents. Treads much of the same territory as TV's "The Sopranos" in terms of the mid-life crisis of a criminal theme (here too he visits a shrink) but is still worth watching thanks to some taut direction from Brommel (I look forward to what this guy directs next), an excellent script, and all around great performances. Macy is excellent as always. This is probably his best role since "Fargo." Donald Sutherland is at his creepy best as the domineering father. Tracy Ullman gives a surprisingly riveting dramatic turn as Macy's wife. Young David Dorfman is excellent as Macy's bright and sensitive son (many of his lines sound ad-libbed and are wonderful). Even Neve Campell (who I usually find abhorrent) is compelling as the troubled young woman who captures Macy's eye. All of this is punctuated by a moving score and crisp pace that lead up to a predictable but still powerful climax and meaningful and touching aftermath. This film deserved a much wider release, as I suspect it would have connected with audiences. | 1pos
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] |
I just watched Watch Me When I Kill this evening and found it to be a very good film. This woman stops by a chemist to pick up some painkillers. she is told to come back another day by some voice she hears. the chemist is lying dead in the back of the shop. so she is now involved in a murder case. there were some quite gory senses with throat-slitting, and strangulations, apart from that i found it to be a very good storyline. I though that the director of the film, (Antonio Bido) did i very good job in making the film, i found the storyline to be quite gripping to watch as the story made sense more than some other Italian horrors that i have seen. Good Movie: Recommended | -1no label
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] |
The Brits have crafted a story that is compelling, interesting to look at, complete with the supernatural, and, with a shoe string of a budget, something quite believable. Hex, is a show of which I have seen three episodes on BBC America. Cassie, a startlingly unpopular girl at an English (either college or Prep School) has had some very strange dreams since she discovered a little piece of pottery hidden away in her room. It turns out, she's a witch, being pursued by an Angel named Azazeal, who wants to make beautiful music. Her best and only friend is her roommate Thelma, a dark-haired lesbian who is infatuated with her. The plot moves along at a moderate pace, with enough twists and turns and subtle effects that the very atmosphere of the show is compelling. Unlike the American Buffy the Vampire Slayer, character development is the most important piece of the show. I'm sorry to hear that the actress playing Cassie does not continue with the show in season two, and will be sad to see her go. Thelma, you will find out, is probably the most interesting character, after she is killed in the first episode by Azazeal. She becomes a ghost, who eats constantly, snoops about the castle, and even wanders into her classmates dreams for midnight rendezvous. The implications are delicious, as is this gem of a show. | -1no label
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] |
The Elephant Man is one of my favorite films. The film's main highlight is the incredible performance by John Hurt. It is heartbreaking and touching at the same time. Some of the scenes in the film are incredibly hard to watch, when the worst of humankind is shown being as cruel as possible. As a result you may find The Elephant Man depressing, however, I see it on the contrary. I find the film to be a brilliant, touching work portraying a man desperately trying to be accepted in a prejudiced society. Watch it and make up your own mind. Oh, by the way, don't mind the fact that Mel Brooks produced. He actually had his name removed from the credits, fearing that the public would not take the movie seriously if his name was there. It is NOT a Mel Brooks- type movie. | -1no label
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This was one of the most boring "horror" movies that I have ever seen. A college kid has an epidemic of nightmares involving roaming spirits at Alcatraz. Trying to deliver a mix of "Nightmare on Elm Street" and standard vampire fare in the form of a bad 80s music video, this movie is jammed full of bad acting and an exhaustively slow moving story. Although, being such a bad, and often laughable movie (dig those mullets and the terrible dialog), it would be good material to spoof on for an episode of Mystery Science Theater 3000. Don't be fooled by the proud mention of the film being the 1987 winner of the Silver Scroll Award by the Academy of Sicence Fiction, Fanatasy, and Horror, or that Devo contributes to the soundtrack, or that Tony Basil has a part in the film. It is a giant disaster, though one with a small cult following (see the other IMDb comments for this film). | 0neg
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] |
We've just watched the last of the series shown on the SBS network and will miss our weekly dose of Danish Delight. My wife and I picked up the show after the Swedish show "The Eagle" finished and it seemed by comparison to be a very poor substitute for our then favourite show on TV. Week by week, however, the show grew on me, and whilst not as glossy as the Swedish show and definitely grittier in terms of their investigations of everyday crimes, it certainly provided a very satisfying weekly viewing meal indeed. Prior to these 2 shows I had not really been a fan of the cop genre and can't say I am now but the 2 Scandinavian shows really provided us with an insight into life in those northern Euopean countries through the eyes of their special policing units. | 1pos
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] |
this is the worst film i have ever seen and what disappoints me the most is that this is yash raj film so at first when you see the promos you think yes thats definitely another yash raj hit But when you see the film your eyes will water with disappoint the storyline is stupid and dumb we've seen it many times boy is soon to marry and falls in love with a girl blah blah blah. if you do see this pathetic film don't go with you family there is too much exposure and kiss scene. i don even see why you would go to see it on your own. overall this is a disgraceful disgusting and anything else which is bad and starts with a d film don't go to see it you'll end up hating yash ji and yash raj films | 0neg
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] |
Although Bullet In The Brain is, without question, superior amongst short films, it largely seems more like a short piece of writing than a film. And it is a little hard to feel too sorry for the teacher when his smart ass remarks get him shot. But after the bullet enters his brain we begin to understand a little bit about why he became so jaded with life in the first place. There is an awful amount of detail packed into this reasonably short film and this is what makes me feel that it should have been extended a little bit - it seems like there's almost too much to take in at once as the details come flying at you so fast. A slightly more relaxed pace and a less po-faced narrator in the final section would have benefitted this film a little bit. Despite these complaints, there is no denying that Bullet In The Brain is a quite stupendous work compared to many short, and even full length films. The makers should be applauded for trying to make such a basically emotional and literate film in the current climate of quick jokes and Hollywood action. | 1pos
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] |
Like almost everyone, I am familiar with the music of Ray Charles. Who hasn't heard "Georgia ON My Mind" and "The Mess-Around" and some of the other marvelous songs featured in this movie. But about the life of Ray Charles I was sadly ignorant until watching this. I have to say that Jamie Foxx brought Ray Charles to life brilliantly. His performance was powerful, right down to the mannerisms and voice inflections. The movie also offered a no-holds-barred account of some of the trials and tribulations Charles dealt with over the course of his life, and with some demons from the past that haunted him well into adulthood. Perhaps the most powerful scene in the movie was the heroin withdrawal scene, which was painfully realistic. The movie portrays Charles' growing awareness of and involvement with the civil rights movement, culminating in his refusal to play before a segregated audience in Georgia, which led to a ban on him performing in the state. His drug addiction and extra marital affairs are also well documented. The movie revolves around a plea from his mother when he was a child: don't let anyone or anything turn you into a cripple." The point is that drugs did just that, and to honour his mother's memory, he had to beat them. There's not much here about his later life and career after breaking his heroin habit but up to that point, this is really powerful stuff. 9/10 | 1pos
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] |
OK...I think I missed something here. Not to mention I did like the ending on this at all. I watched this a least three time already and is still lost. Was Roger supposed to be some kind of under cover terrorist driving around in that cab? OMG...did I misinterpret this film or what. I keep watching and watching and I'm still lost. The ending could have been better. I'm still looking for more. However i did read the synopsis on this and it was nothing like I thought it would be. Overall there may have been some good shots here but I was very disappointed. And if I had wasted my money to go see this in the movies, I'd asked for a refund...No,no,no better yet... I would've demanded a refund. You disappointed me in this one Guenveur. Grumble | -1no label
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What on earth has become of our dear Ramu? Is this the same man who made Sarkar, Satya, and Comapny? I refuse to believe so. If AAG was Ramu's most ambitious project, he has clearly jumped off the high cliff he has ascended by giving the industry some of the greatest works of all times. This movie is made to fall like a brick. I was cringing to leave the theater, but I was forced to sit because I wouldn't have been able to take my car out of the parking lot before others also left. Else, nothing would have made me sit beyond interval. This movie is nowhere close to Sholay. It doesn't even come near it within a mile. I believe Ramu surely loves The Godfather more than Sholay, since Sarkar was a classic piece of work. I read Ramu's interview a couple of days back, in which the interviewer said that Ramu doesn't sleep for more than 4 hours a day, that too not at a stretch. I completely agree with this now, as his lack of sleep has probably taken its toll on the movie. There is no power in the performance. Amitabh Bachchan doesn't even look scary. He looked more terrifying in the few posters and wallpapers I saw earlier. Ramu's favorite Nisha Kothari did a fantastic job in Sarkar because she didn't have many dialogs (in fact none if I remember clearly). She opened her mouth in this movie, and has found a place in history. The new guy playing Jai's role seems to have that brash look, but didn't manage Jai's role at all. I cant go on... Im sorry... my pain is too big for me to manage right now. I promised myself throughout the movie that I will watch the original Sholay once more just to see that it is still there. Bottom Line: Horrible movie. The media and critics are going to cook Ramu's goose. And just to remind all readers once more, I am one of the biggest Ramu fans, and even I cant spare him for this act. | 0neg
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] |
Despite of the success in comedy or drama, the Turkish directors are failure in horror-thriller. "Okul-D@bbe" are good examples for the awful horror Turkish films. But if you watch "Gen" you will understand that it is a strike. The atmosphere of the movie is impressive and dark. Also the special features are colorful and not cheap. The soundtracks fit the movie, but the script is not totally perfect and the theme of the movie is ordinary. As a result "Gen" does not add any difference to horror movies, but it does not disappoint thriller fans. In this respect it is a success for Yesilcam and Turkey. (7/10) | 1pos
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] |
Michael Dudikoff is one of those "actors" in Hollywood that makes his living on B grade action movies that don't have any story or fun what so ever.The same goes for "Crash Dive", a totally inert flick that borrows heavily from "Under Siege","Die Hard" and so forth.The acting is horrible as is the story.Come on,a middle east terrorist group (that contains Russian speaking Germans WAAHAA) that invades a sub marine and then wants to destroy New York or Washington to rule the world.The same old story told without any humor.I'm starting to feel a little sea sick now... At one point I was cheering for the terrorists,I mean who would put nukes on a sub.Then you're begging for total destruction.Dudikoff is no action hero and he wouldn't be a good terrorist either,he's below that. And then that ugly "Russian" woman,she looks awful,why couldn't she die earlier? No surprises,bad acting,a dull story.lame one liners and ridiculous special effects (the explosion in the Empire State Building is stuff from the forties,I mean really) make for a totally forgettable VHS B grade movie. Dudikoff should be fired once and for all or killed by those movie terrorists... 2/10 (just because it's not that awful for a 1.) | -1no label
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] |
MUTATOR aka TIME OF THE BEAST (1989) & PROJECT: METALBEAST aka METALBEAST (1995). Two *very* similar B-movies. A dubious choice for this double feature, perhaps. But I know I'm most definitely not the only one around here who would voluntarily watch rubbish like... ----- For some reason, I always recalled some scenes from "Mutator" being from "Metalbeast". Both films are not worth this kind of confusion. Nevertheless, "Metalbeast" is *slightly* better (even if they're practically the same movie, with people just running around in a facility with some beast after them). A little bit more money was spent on the creature design, including make-up sfx for various stages of the transformation and animatronics in the head-piece of the final creature costume. The real werewolves from the opening scenes, seem styled after the ones from Joe Dante's "The Howling". To my knowledge, "Metalbeast" is the only movie ever to feature an, ehrr... mutant werewolf synthetically enhanced with metal skin, extendible / retractable steel claws and red-glowing eyes. Honestly, I like this movie. ----- Level of Appreciation: Moderate | -1no label
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] |
there should be a sub-genre in the Western called 'the Robert Mitchum Western'. Mitchum's brilliant, idiosyncratic, usually undervalued Westerns import his film noir persona to etch some compellingly dark character sketches, and bring an elegiac world-weariness more familiar from the films of Sam Peckinpah. 'Man with the gun' is one of his best. Directed by Orson Welles protege Richard Wilson, it is a stark, monochrome beauty, full of chilling silhouettes and terrifying outbursts of savage violence, as Mitchum comes to tame a town terrorised by a monopolist with a private army. Mitchum's regression from soft-spoken stranger to deranged murderer, with a host of dark emotions in between, is a marvel of expressive, physical acting. | 1pos
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] |
One of the earliest works of Woody Allen I have seen, well, probably it's because of my age. As this movie is actually much older than me, I'd like to recommend it to anyone who likes sweet, personal and somehow British-like comedy, although I failed to persuade any of my friends to watch it--they think it's just wicked to watch a movie made in 70s which is not famous. Woody is absolutely lovable, I almost choked when watching this movie while I was eating because of uncontrolled laughters, especially the scenes of his first date after the divorce. Diane is very pretty in this movie, although I think now she looks rather cruel when she is serious, but man i liked her dresses so much I hardly noticed her acting (sorry, can't help it as a girl). It's easy to watch, cos' I have to confess I never quite get the greatness of the famous "Anne Hall". If someone from China like me who is still learning English can get this movie, I AM SURE you guys who like the style of Woody Allen, will totally dig it. | -1no label
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] |
Robot Wrecks should have been a great Our Gang entry--- the basic idea of building kid's robot slave in the days soon after the World of Tomorrow sounds pretty cool. Alas, sounds can be deceiving. Robot Wrecks blows the premise by bastardizing the robot by stuffing it with Billy Ray "Boxcar" Smith and allegedly fueling it with "invisible rays" and then selling it to one of their usual foes, Freddie "Slicker" Walburn (who's atypically gullible here). Voices are obviously dubbed, the acting is excruciating to watch and the only remotely funny aspect is that the writers could get even kids to recite the dialog (blame Hal Law and Robert A. McGowan). Sadly, future MGM Our Gangs would rival this deplorable production. If I could give this less than 0 stars I would. | -1no label
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] |
I guess by now you could call this movie a "classic." It would meet most definitions. It was so popular that it spawned a number of sequels, but they just got dumb and dumber. This is one of the most famous "revenge" movies ever made and still stands up today. This was a very, very simple story and it panders to our base instincts which is probably why it was so successful. Most people want justice, and they want it now....which is what this movie preaches. At the time, the movie was shocking. If it came out today, it wouldn't have nearly the impact. However, the early scene of the mother and daughter raped and killed is still horrifying. That will never change. The story then slows down as we see the transformation of the husband, from conscientious objector to vigilante. When Charles Bronson hits the streets, the film picks up big-time. The movie also ends on a very satisfying note. | -1no label
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] |
When I saw this movie in the dollar rental bin at the video rental store I should have left it there. Let me start off by sharing with you what happened upon completion of the movie. My friend Rob and I looked at each other with blank stares on our faces. Neither of us could express what we had just seen into words. After a few seconds of that Rob made his way to the VCR. When he got there, he pressed the eject button. The tape seemed to take hours to eject. Once it decided to show it's face the tape was yanked out and broken into at least 243 pieces. We both new that we would have to pay the video store for the tape. To us though this was worth it. There was even talk of renting it at every store in our area and doing the same to them. The movie was obviously written for a small specific group of people inside a specific generation. This is not a movie that can weather the times and still be enjoyed and understood by future generations. Please for your own good do not watch this movie. | -1no label
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] |
I did not watch the 2002 MTV Movie Awards, but when I downloaded this 3-minute spoof from Kazaa, I found myself strangely entertained at this little piece. Yes, I agree, at times it can seem a little tasteless and lame but the quality of the editing and the snippets cut from the original movie was so clever and smartly put together that I couldn't help but laugh. The performances by Jack Black and Sarah Michelle Gellar were also funny in contrast to the seriousness of the other actors. I recommend this to all LOTR fans, as well as anybody else. This is a must watch!! However, if you don't like offensive material, then think twice. | -1no label
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] |
"Roman Troy Moronie" is my comment on the movie. What else is there to say? This character really brings out the moron in Moronie. A tough gangster with an inability to pronounce profane words, well, it seems that it would have been frustrating to be tough and yet not be able to express oneself intelligently. Roman Moronie will go down in the annals of movie history as one of the greatest of all morons. There is of course great comedy among the other characters. Michael Keaton is F.A.H. and so is Joe Piscipo. I just like the fact that Moronie kept the movie from an "R" rating because he could not pronounce profanity. | 1pos
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] |
yes barney is nonsense now but when i was a kid it made perfect sense. i haven't gotten any smarter but i enjoyed it. as a child i was mocked because no one could say my name so i changed it. ever since i was 4 I've gone by the name Tina from barney because i could relate to her being from a different culture. i'm 17 now and barney is a huge part of my life . ...my name came from it.... i cant dis the show i grew up with no matter how stupid it seems now. i don't care if i get blocked i have nothing more to say. they shouldn't make the minimum 10 lines because some people just don't have much to say. OK done | 1pos
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] |
Without comparing this too much to the first Butterfly Effect, the storyline was what made me watch this time waster. Always will is about as good as the 2nd Butterfly Effect. The acting in Always will was passable at best, Baglini didn't seem to do anything with his lines. Nor did any of the other actors. A dug up capsule of students school items is the ridiculous item that allows Will to travel to times in the past and change them. In The B E Kutcher remembers parts in the past that have been blocked because they are memories best forgotten, with more tragic consequences when the events are changed. The storyline of Always Will is interesting, the movie needed decent acting and a better idea of how he could change his life. See Back to the Future or any number of time travel movies for something better. | -1no label
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] |
Watching Solstice is a bit like platting fog ! yes there is a storyline and maybe the writers are aiming at a student/ teen cult market, but I don't think this film quite hits it. It is like an old 70's / 80's movie. I don't think solstice will be cult or stand the test of time. I was not a big fan of Blair Witch but I could see the appeal and would give that a good rating. If they thought they would capture the same audience they may. Only once I think. Not being the first to slate this movie I feel confident that my opinion is valid. Solstice is weak. You really have to draw your imagination into wanting to be on the edge of your seat with this one. The actors are all good its just the poor movie. | -1no label
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] |
Yet another Lo Wei production to completely waste the talents of a young Jackie Chan, To Kill With Intrigue is a strange mix of wuxia, melodrama, supernatural action, and plain old-school kung fu fighting that is pretty dull despite featuring several surreal WTF moments and lots of laughably bad dialogue. In an effort to protect his pregnant girlfriend Chin Chin from the Killer Bees, a gang of ruthless killers that are about to attack his home, Cao Lei (Jackie Chan) pretends to be a heartless cad, driving her away, and thus saving her from danger. During the attack, Cao's relatives are all killed, but he is left relatively unharmed by the gang, whose leader, a scar-faced woman, seems to have the hots for him. Cao then goes in search of Chin Chin, whose safety he has entrusted to his close friend Chu Chuk. During his quest to find his true love, Cao befriends the head of a courier company whose precious cargo has been stolen by the leader of the evil 'Bloody Rain' clan. Eventually, after being injured in a fight against members of the nasty clan (a fun scene with lots of silly weaponry), and then nursed back to health by the scar-faced Killer Bee (who shows her love by burning his face!), Cao ultimately learns that he is a lousy judge of character: his friend, Chu Chuk, is none other than the power hungry head honcho of the 'Bloody Rain' clan, who has plans to marry Chin Chin himself. Cue the drawn out climactic battle, with Cao getting kicked in the face repeatedly before eventually choking his traitorous ex-pal to death with a scarf. Even die hard Chan fans will find this one a chore to sit through, with only the final fight managing to showcase some of the star's amazing acrobatic abilities. Fans of general Asian weirdness might dig the spooky appearance of the Killer Bees at the beginning of the film (with one character inexplicably demanding back his severed hand!), or the moment when three men float through a window to attack our hero, but, for most, this film will have very limited appeal. | 0neg
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] |
I am in this film (IMDB, can I have a credit?) You see me run up to the harbour wall and my line, "She's getting away!" is dubbed in a bad Hispanic accent and becomes, "The Condor, she is leaving!" (See, now, I could have done that - bad Hispanic accent and all!) Henry Cele reprises the role of Shaka, Zulu. James Ryan does standard B-movie tough guy, military-type acting but without precision. Cameron Mitchell seems to be bored. Maxine John is gorgeous, but that's about it. There is no sense of story placement or detail about Grenada - but, as it appears to have been filmed exclusively in Cape Town, South Africa, I guess that's not surprising. Basic, low-budget tat. This is, without question, the worst film I have ever seen. It probably beats "Revenge of the Killer Tomatoes". I absolutely loved it. | -1no label
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] |
Oh boy! What a shameful experience. Stakes were high with this one. Four fine actresses on a 'Dangerous liaisons' type of film but somehow in the process everything witty and entertaining contained in this great novel of the 15h century was lost in translation. The film gives no clue whatsoever if the tales being told have anything to do with some army in particular in some period of history or with the lord of the rings saga.. (Hint: the turks are the orks, and Tirant resembles Aragorn, though no Virgo Mortensen in sight just a lookalike). (Another hint: the standard flag of Tirant's side in battle scenes) The film carries a solemnity that echoes through the halls and chambers of every step of flight of stairs of the palace in which the static action takes place. Can you hear my yawn from the aisles of the castle? Esther Nubiola as Carmesina -the princess-, Ingrid Rubio as Estephania, Leonor Watling as Pleasureofmylife, Victoria Abril as the Peacefulwidow and Jane Asher as the queen do their best in trying to liven things up. But the dead funeral air of Vicente Aranda's take at sex scenes won't make you have a hard on if it's not in the way of rigor mortis. | -1no label
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