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Yossi and Jagger is really a short story of a movie: one climactic incident, no development of character, a lack of narrative dimension. But it's a very interesting picture, for two reasons beyond the usual interest in a movie about gay life in the Israeli army. The first is the amazing sense of transience about the military effort there -- you don't feel it's an army defending a homeland. Even Jagger's house seems recently set up. And there's a palpable feeling of some world more permanent and hostile beyond the range of field glasses. The military action and people are entirely credible (I've had a lot of experience of action) but the action is that of invaders. Second, the relations among the men and women are striking. Everyone pretty clearly knows or suspects about Jossi and Jagger's affair, but they're willing to leave it private, and to deal with individual feelings as personal and of value. In this sense I found the picture to give an interesting contrast with "Brokeback Mountain", whose protagonists are somewhat similar, but which presented a sense of alienation and hostility to homosexuality quite lacking in Yossi and Jagger. | -1no label
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Gee, where to start... Well, first, this movie is awful. From the very start, it is apparent that what is about to follow is going to be a true offence on the viewers intelligence. From the cheesy music to the horrendously bad acting, it is amazing that the film ever got made. Its main protagonist is the character Matt Riker, a mercenary for hire. The actor playing him ( of who's name I thankfully can't recall) is easily the worst actor I've ever seen. At many points you can see him reading his lines off a card behind the camera, and what's worse, for the whole first ten minutes of the movie, he gets around only in a bad pair of white underpants. The story follows a bunch of cyborgs, who due to a heavy intake of some drug, go insane and start killing people for pleasure (obviously). The cyborgs themselves are just a bunch of terribly stiff beefcakes in gymsuits, and are as convincing as they are menacing (ie not at all). Matt Riker and his band of comrades must track them down and destroy them, before they kill again. The continuity is appaling, the cheesy 80's synthesized keyboard music stinks, every actor is a joke, and the story fails to impress. In short, the whole package is a complete dud. I heartily recommend checking this one out if not merely for a glimpse of what I believe is possibly the worst movie ever made. | -1no label
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] |
"Lookwell" is the thinking man's "Police Squad," a fiercely funny sendup of the TV detective genre. It's a national tragedy that NBC execs pulled the plug. Adam West's deadpan delivery is so slyly self parodying that at times you wonder if he was in on the joke. O'Brien and Smigel manage to drop in references to nearly every Quinn Martin 70s police drama while at the same time weaving a bitterly hilarious ode to the chew-em-up, spit-em-out world of Hollywood TV actors who go from being essential pop-culture icons to unemployable has-beens in what seems like weeks. Often overlooked in glowing tributes to "Lookwell" is the work of longtime television director E. W. Swackhamer, a veteran of the very shows "Lookwell" parodies, who imbues every frame with the dead-serious crime-fighting authenticity of "Tenspeed and Brownshoe" and "S.W.A.T." One imagines the mighty O'Brien could feasibly get "Lookwell" back in production, and he should do so at once. An essential piece of television. | -1no label
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] |
Sure, for it's super imagery and awesome sound, it's a great home theater "show off" disk, but this is also a touching drama as well as an informative documentary. The parallel stories that are intertwined throughout this film will keep all viewers interested. Young, old, boys and girls alike will find that deep down, we are all fans of the automobile, especially the high performance indy machines that are the result of generations blood, sweat, tears, ingenuity and perseverance. The Mark Knopfler and Ry Cooder sound track is perfectly matched to the visuals and the content. I don't want to give away the ending, but the final driving sequence to Quincy Jones' "Days Like These" just might bring a tear to your eye. Enjoy it! | 1pos
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I've always been a big fan of the film Freaks and think it was very ahead of its time although in its day it was thought disturbing. Freakshow stays near to the originals plot but as a story it loses its moral,in the original you care for the unfortunates of the title and they are the heroes of the film.In Freakshow there is very little character development and you really couldn't care less about them,as they are neither likable or admirable and towards the last 10 minutes of the film they turn out to be bigger sadists than those who portrayed the villains,so i really couldn't see the moral of the story,it all seemed more like a film of revenge and sadism. The last 10 minutes of the film was so unnecessary with the girl Lucy {baring in mind she hadnt actually killed anyone herself}being gruesomely hacked at so that she could be turned into a freak,i thought they were just going to cut her tongue out but oh no that was only the beginning,i couldn't believe how long this scene went on for or what they were going to stop at.It was also silly really as no one would survive all that blood loss. Very pointless | -1no label
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Wow-this one sucks. I'm gonna sum it up as quickly as possible. A count invites 4 naive sluts back to his castle. A bunch of nothing happens for a long time. Some lame and un-erotic soft-core sex scenes happen. Some girls get their heads cut off (off-screen)-The End. The only things going for this one are the decent looking sets and costumes, some bad dubbing which leads to some unintentionally funny dialogue, and a few brief nudie shots. And believe me-those things are not enough to redeem the 90-minutes of tedium that this film is. In fact-the best part is the tacked on beginning from the distributor that features some slutty goth chicks covered in blood and showing their tits-and again-this is definitely not worth the price of admission for this garbage. As everyone else has noted- the title of the film is completely nonsensical-as there's absolutely no bloodsucking, nor dancing of any sort in the film at all. It may as well have been called 'The Goat-Raper Leads the Circle-Jerk'-and at least then it would have had a better title that also pertains to nothing in the film. An accurate title would have been '90 Minutes of Torture'-another alluring title that would have at least been truthful...for the viewer. Honestly-the trailer that's on the disc shows all the best parts (and i use the term 'best' extremely loosely...) so I highly suggest watching that instead if you're still curious. I can't imagine anyone liking this wreck of a film-please take my advice and leave this one on the shelf. 2/10 | 0neg
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] |
Unfortunately, Koontz seems doomed to die without seeing a decent adaptation of his work. Whispers follows the original book very closely, seemingly until the production company ran out of money. All of the sets in the first half of the movie were meticulously recreated from the book - something which has been lacking in many other Koontz films. Despite its other (numerous) downfalls, I continued to watch in anticipation of some really great scenery. Wrong. By the time the detectives show up at the crack head's apartment (in the book), the movie is out of funds, and one of the most suspenseful scenes from the book, is ruined. Where the book offered grisly discovery, a search and a chase through the guys apartment, the movie offers the backseat of the guys car. Let's face it - Koontz writes without a budget in mind, because imagination is free. If a Koontz novel ever gets made into a decent movie, no one will go and see it, because they have been let down so many, many, many times before. This is why Dean Koontz's Frankenstein is now just Frankenstien - if you had seen your work butchered that many times, you'd get out early if it looked like happening again! | 0neg
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OK, I saw this movie at the tribeca film festival and came face to face with the director as I tried to get the hell out of there. I wish I could have said this to him now. the guy must have a vendetta against the female race or something because the young (18 years old!!!) female lead Reina seems to be everything he wants you to hate about women. She is a cock tease, she uses her sexuality to get men to do things for her (quel horreur!), she cares about only one thing, coming to America to find her drug addicted mess of a mother and have a better life. Throughout the movies, she is robbed, raped, crosses the rio grande, is stuffed in a hollowed out tree stump and abandoned by her boyfriend in a skanky hostel in brooklyn. She is such a pathetic figure in the end of the movie, how could anyone possibly look this young messed up mother of an infant, prostitute and caretaker of a indigent mother in the eye and tell her to kill herself? well, thats what the director/writer and lead character does. what a mensch. which leads me to the male "hero". although attractive in the face, he has the personality of Nomie Malone from Showgirls, and I have trouble believing all women fall for his charms. He continually gets himself lost by running around like a person who's never lived in a big city, I have a hard time swallowing that a colombian from medellin is that ignorant of neighborhoods and how to retrace their steps, that city has 3 million people in it. I've met colombians, they seem to do just fine with streets and landmarks, they even know how to drive!!!! They are a sophisticated and street savvy people. Even worse, he often stumbles into NYC landscapes that are right out of 80s movies clichés (trash can fire bums, squatters, s&m, payphones - your movie needs to be updated when it looks like a scene from bonfire of the vanities) This is not NYC, this is NYC circa 1988, there's so much "ick" factor in this movie, there's even a sex scene with a sleeping grandma in the room. A SLEEPING GRANDMA PEOPLE!! Thats farrelly brothers gross, and not in a good way. With a plot so similar to Showgirls its spooky, this movie is simply really really really bad. | -1no label
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] |
Peak Practice was a British drama series about a GP surgery in Cardale a small fictional town in the Derbyshire Peak District and the doctors who worked there. It ran on ITV from 1993 to 2002, and was one of their most successful series at the time. It originally starred Kevin Whately as Dr Jack Kerruish, Amanda Burton as Dr Beth Glover, and Simon Shepherd as Dr Will Preston, though the roster of doctors would change many times over the course of the series. The series was axed in 2002 and ended on a literal cliffhanger when two of the series main characters plunged off a cliff. Viewers wrote to ITV in their thousands and a petition for one last episode was set up by website Peak Practice Online. However, all pleas were unsuccessful and ITV said they would not make any more episodes. Peak Practice was replaced by Sweet Medicine, another medical series set in Derbyshire. It lasted a few episodes before it was dropped from the schedules. Cardale was based on the Derbyshire village of Crich, and the series was filmed there and at other nearby Derbyshire towns and villages, most notably Matlock and Ashover. After the end of this programme, ITV attempted to launch a follow-up series called Sweet Medicine, which extended the stories of different characters from the original show. | 1pos
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] |
some people are amazed by this movie, even chilled, but i thought it was a complete waste of my time. the entire first two acts of the film are great, setting up a tense situation where the viewer is intently waiting to see the dramatic climax. and then the whole thing goes to hell! my only qualm is that the ending is entirely unbelievable. no one, NO ONE, would volunteer for this uncertain fate. i can't believe that this man, the protagonist, would be so distraught that he'd volunteer to suffer the same fate as his mysteriously absent girlfriend. she was obviously dead; she never tried to make contact with her old life. so, either he is the world's laziest suicide, unable to commit the act himself, or he's an idiot. as i watched the movie, when the protagonist is presented with the choice of finding out what happened to Saskia by undergoing the exact same treatment, i almost turned the movie off. all i could think was that there was a third choice: beat the kidnapper into a pulp, take his ass back to your apartment, and torture the information out of him. not agree to die at the hands of the same bastard who killed your girl. hey, maybe i'm just too American to appreciate the emotional damage motivating this man's inexhaustible search, but all i know is that, given the same situation, my own need to know could be instantly replaced by an undying homicidal urge that i would gladly focus on the kidnapper who created this void in my life. i certainly wouldn't sign up to be buried alive. and just why does this budding killer bury people in the first place? he goes through all that preparation so he can just bury his victims? wouldn't he rather see their anguish? i just think all these characters are flat, thoughtless interpretations of how real people would conduct themselves in similar situation with similar motivations. i think this movie was written by a monkey with no human insight and the idea that people are genuinely frightened by this schlock causes me to doubt moviegoers more than i already do. personally, i think the deranged neighbor kid from Toy Story is more psychologically thrilling than this foreign rag. | -1no label
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] |
These films of the 1930s, 1939 in this case, are amazing. Simple acting, yet still quite inspired by silent movies technique. Very simple setting not cluttered with too many useless props and other decorations. The dialogue is necessarily simple and the voice work is a caricature of dramatic speech. It was all recorded directly when the film was shot on a sound stage most of the time and the microphones were still very primitive. So what could you expect? No integrated music, no sound effects or very poor ones, no visual effects of course with most of the time sedentary cameras. And the lighting was still far from particularly brilliant. And yet these films were magic because they did not even try to look real, realistic. They had to work the way the technique dictated it. Then the rest was compensated and supplemented by the imagination of the audience. And the zippers in the backs of the monsters were not bothering anyone at the time since it was such a marvelous improvement to have the puppets on the screen speak in real voices. It is amazing to see such an old film by Hitchcock. He was already a great director who could get some real gripping action or situations even with all the shortcomings of his equipment. We have to watch them again these old films, these first talkies, to ,be able to appreciate what modern films have to offer but also what we have lost along the way, a lot more than we may think, and particularly the magic of black and white illusion. But we can't be and have been at once, that's obvious. So let us be living in our time and nostalgically revisit the past. Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne | -1no label
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] |
if i hadn't seen his Otar Iosseliani's next film, 1999's masterpiece "Adieu, Plancher des vaches !". So my comment will probably be linked to the two films rather than only to this particularly strange journey, adrift in a Parisian's tramp mind. War is the main thread that links his dreams, as he embodies a medieval king, or a communist leader, or remembers of his east-european country, ravaged by war. But more interesting is the permanent obsession, for Iosseliani, of typical features like Cinema in itself, Paris, where the director actually lives (he's from Georgia), tramps, alcohol and songs. The scenes which I think are 'real' in opposition to 'dreamt' ones, mainly show the hero, with his unfortunate friends, but still happy singing beautiful harmonies. Just like the last scene (and others) from "Adieu,..". It is a bit difficult to follow the plot, since there are so many different ages edited together, but as the very first sequence shows us, this is only Cinema. So just let your mind wander with the pictures. | -1no label
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] |
Never having seen an Oliver Stone film before, nor any films starring Eric Bogosian, I didn't know what to expect from this film. Having toyed with the idea of buying it for a while, I finally got it for free as a supplement with a Sunday newspaper and I was hugely impressed. It tells the story of Barry Champlain, a talk radio host who can be incredibly rude towards his callers, often putting them in their place before they realise what's going on. Though this is what has made him a popular radio show host, it has also earned him numerous enemies. The acting in this film was hugely impressive with not one dud actor in it. Eric Bogosian is brilliant as Barry Champlain, the troubled talk radio host with Alec Baldwin turning in a strong performance as Barry's boss, Dan. It also features the voice of, and cameo appearance by, Michael Wincott (my reason for wanting to see this). The story was really well written as, despite his arrogance, you feel for Barry as more about his troubled life is revealed and you see how vulnerable he really is. I'd recommend this film to anyone as it is captivating and, more importantly real on numerous levels, two of which being that is was inspired by the life of an actual talk radio host and the fact that you do actually get radio show hosts, and callers, like the ones featured in the film in reality. High recommendation and 10/10. Aye yours, Cat Squire | 1pos
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] |
This movie has some good lines, but watching Dillon's less-than-masterful Rourke impersonation just left me wanting to see the original. I like Marisa Tomei but she's no Faye Dunaway. Also, in my opinion, the number one movie rule is to make the lead character someone you care about. You might not LOVE the character, but you should care what happens to him. This is achieved in Barfly with the hilarious running gag about the fights with Eddie the bartender. The main fight in Factotum is when, completely unprovoked, he stalks up to the Lily Taylor character in a bar, punches her to the floor and calls her a whore. The whole thing just didn't work. Again, some great lines -- some laugh-out-loud funny -- but as a movie overall it's a fail. Mediocre attempt at reinventing something that was brilliant, and you can't get past that. Next? Let's remake Breakfast at Tiffany's with Kate Hudson. | 0neg
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] |
The Secret of Kells is a film I've been waiting for for years after seeing some early footage at the Cartoon Saloon in Kilkenny. I'm here to tell you now it's been worth the wait. The cartoons are heavily stylised but not annoyingly so as I'd feared. The whole film is a thing of beauty and great imagination, I particularly love the animated illuminated book where the little figures come to life on the page. The characterisation is superb, I love Brendan Gleeson's voice as the stern Abbot and I especially liked the voice of the sprite Aisling. The forest is a triumph, such a beautiful place. The story is well realised, a mix of fact and fantasy. and really draws the viewer in to cheer on Brendan in his quest for the perfect materials for the Book. I'm a lover of calligraphy and illumination anyway so the subject is close to my heart, but all the people I know who've seen this and are not fans of the craft agree that it's a lovely little film. I will definitely buy the DVD when it's released, and would like to say, well done Cartoon Saloon and all the people involved in this mammoth project. May there be many more. :) Coming back in here to say that I bought several copies of the DVD as soon as I could and gave them out at Christmas, everyone loves it! And I wish them all the luck in the world at the Oscars, such a joy to see this nominated. | 1pos
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] |
Eaten Alive is a little film that opens in New York city and the arctic where tribe men shoot snake venom at a few people,then a woman enters the police precinct who's trying to find her sister that has disappeared after 6 months Sheila is from Alabama,but her accent sucks,she is teamed up with an adventurer who seems to just want her money and seems to say it a lot throughout the film.They venture through the amazon only to find a community with people and they find the sister,they're confronted by a mad man who has probably seen one too many Jim Jones preaches.He will bring them to a better place,it could be heaven but no,Mark and Sheila find out later its actually a suicide cult. Why do I call Eaten Alive a "little film"? Ill tell you but when I watched it,I was floored through all the run ins with the cannibals,Robert Kerman has a different role than his professor in Cannibal Holocaust.He's a bit annoying,once we meet him at an arm wrestling match that looked like Russian roulette we know hes one tough guy.Plus the strong misogyny just makes you cringe and it looked like I saw it somewhere,oh the scenes of animals killing each other.But the whole film revolves on those scenes,its like were actually watching a images of nature with parts of a film But after watching this film I realized that most of the films scenes are taken from other cannibal films,even the demise of 2 of the characters,well..most of the film is.That's why I call this a little film,when I did found out that scenes were borrowed I felt like throwing the disc across the room,this isn't a film just a simple montage of sorts . | 0neg
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] |
Terrific film with a slightly slow start - give it a chance to get cooking. Story builds in interest and complexity. Characters and story line subvert expectation and cliche at all the right moments. Superb New York City locations - gritty, real - are a fantastic antidote to the commercial imperatives of "Sex in the City" - in fact, the entire film is an antidote to the HBO/Hollywood notion of New York City , sex and relationships. It's a rare film that treats its characters so honestly and compassionately. LOVED IT! Great cast with notable performances by Steve Buscemi, Rosario Dawson, and her love interest (forgot his name!). | 1pos
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] |
The murder of the Red Comyn in Grayfriars Abbey was a long way from one of the most horrendous things ever done in the Scottish War of Independence and fights (and killing) in churches wasn't unusual at all. Not that much later Robert Bruces wife, daughter, two of his sisters were captured during a fight in a church in which people were killed. And comparing it to the massacre of Berwick in which the English slaughtered at least 8000 non-combatants (some, yes, in churches) is ridiculous. That said this is not a well-made movie. It is slightly antidote to the absolutely RIDICULOUS sniveling representation of Robert Bruce in Braveheart. Whatever Bruce was, it wasn't a wuss. Too bad that they didn't do a better job of this because someone should make a really GOOD movie of a war that is so amazing that it sounds like something someone made up going from complete defeat at the Battle of Methven to a secret return from hiding to a long guerrilla war to Bannockburn. This isn't it though. Poorly made and to a large extent poorly written and acted. Too bad! | 0neg
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] |
Well, because I'm a musician I thought, maybe I'll check this movie out on TMC, nothing else good on. One of the worst mistakes of my life so far, and it's only half done. I seriously thought it was one of those soft core movies with crappy plot and crappy acting, crappy filming and crappy effects. But nope, I don't even get the pleasure of that. Even the "musicians" weren't very good. I was hoping for maybe some laughs, but I wasn't sure if they were attempting to throw in one-liners or not. But now I have to sit here and watch the rest just until Pulp Fiction starts. Or maybe something better. And now i get to sit here typing until i have 10 lines | 0neg
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] |
I have visited many of the places in 'Around the world in 80 treasures' and really loved my travels. However, Dan Cruikshank has trivialized the history, culture social systems and architecture of these places to present an imperialist, pompous 'search for treasure' -(whatever that is supposed to mean). The idea of a treasure (in mysterious places, like the East) is a totally Victorian imperialist British concept and completely inappropriate for discussing the cultures of the places that this idiot visits. He is an ill-informed waffler and a complete opportunist who hasn't even bothered to do adequate research into the places he visits - I doubt if he has much interest in knowing about these places. Rather the program is just about him and with his dramatics and animations he steals from these extremely interesting places to direct attention to himself. For example there is no need to emphasize the drama of the markets area of Calcutta through dramatic gestures, there is enough going on there already. So why doesn't he just let us enjoy seeing the place and tell us a few well researched facts, instead of forcing us to look at him? I think Dan Cruikshank is shameful and should be an embarrassment to the BBC - and to the ABC who present his antics. The only way I can bear to view this program is to turn the sound off - even then I'm forced to see his ridiculous gestures as he dominates the screen. Watching this program is an exercise of frustration and I won't be punishing myself again. | -1no label
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] |
I will start by saying that this has undeservedly be panned by just about everyone! The fact is it wasn't what anyone was expecting, especially from Guy Ritchie. What everyone was expecting was cockney geezers and good one liners "do ya like dags?" etc, but this is far more mature than his previous works. I would agree that it is confusing but all the facts are there for us we just have to see them and listen harder, this film demands all your attention! Look past the cool and dazzling look of the film, try to listen to the dialogue rather than admire the performances and i think we will all get a more thorough understanding of the whole film. Yes this has its influences from modern classics( fight club, pulp fiction etc ) but it is in the whole original in both direction and pacing with a music score second to none. I feel that if everyone watched this film over and over they would understand it a lot more and maybe appreciate it for the fine piece of modern cinema that it is and i hope also that Ritchie continues in this vain as i far prefer this to his mockney "masterpieces". | 1pos
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] |
- In the final Hercules made-for-television movie, Hercules is called upon to save a village from a Minotaur. But things are not as simple as they seem. The Minotaur has a secret that Hercules must overcome if he is to save himself and the village. - This is easily the weakest of the five movies that preceded the television series. Half of the running time is filled with flashbacks from the four previous movies. It gets old real quick. The actual battle with the Minotaur is a disappointment as well. The costume worn by the actor playing the Minotaur makes it all but impossible for him to move with any grace during the fight scenes. The relationship between Hercules and Iolaus, which would become one of the highlights of the television series, seems very unnatural. Almost all of the dialogue is designed to set up the next flashback. - Too bad, because this one has a lot of potential. The plot concerning the Minotaur's secret is one of the best in the five movies. Although the way it is handled makes it very obvious for anyone to guess. | -1no label
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] |
One of the five worst movies I have ever watched. And I'm not exaggerating. In fact, I recommend watching it so you can get the same feeling of incredulity as you might by watching Showgirls. Out of 400 votes, the movie gets a user rating of 5.3/10. But there is a disproportionate number of voters who gave it a 10/10, probably due to the message of the movie - nuclear weapons are the bane of mankind. Chuck Murdock is an all-star little league pitcher who gives up baseball because there are nuclear weapons. Soon "Amazing Grace" Smith is an all-star Boston Celtic who is inspired by Chuck's story and gives up basketball. Soon all sports leagues from the professional level to college to high school to little league dismantle in a world-wide protest. Later all the children of the world go on a silence strike. This inspires the President of the United States to meet with the Soviet Premier, who in time agree to eliminate all nuclear weapons in time for the start of the next Little League season. The movie ends with Chuck about to throw out the first pitch, with the President telling his new best friend Chuck not to worry about striking out every batter, as he hasn't thrown a baseball in a year. Somewhere along the line a nefarious underworld boss kills Amazing Grace. When the President finds out he is told that the FBI can verify the killer but will never be able to prove it. So the President calls the underworld boss ("But it's one a.m." "I don't care, get him on the line") and tell him that he is to resign from all company boards that he sits on and sell all stocks that he has. And to not get out of line again. Honestly, this movie was so crappy that I couldn't turn it off. It was on television from 2:30 am to 4:00 am, and I watched it all. I wasn't turned off by the anti-nuclear weapons propaganda. I was turned off by the implausible break down of all organized sports. I don't even understand why "Amazing Grace" Smith was killed. And with all these famous athletes becoming Chuck's friends, why the father was constantly upset with his son taking a principled stand. And there was the cliché moment near the end when dad tells Chuck, "I never told you this, but I'm proud of you." Cue hug. | 0neg
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] |
This may be the worst film adaptation of a Broadway musical ever. Even the music has been destroyed. Attenborough knows nothing about theater - almost every shot and moment ring false. I will say, though, that it is almost bad enough to be funny. The hairstyles are remarkably dated. I can not for the life of me understand what is meant (conceptually) by opening the film with an exterior of the theater where "A Chorus Line" is playing. Are we to think that these people are auditioning for "A Chorus Line," which contains the stories about the people who are auditioning? Oh no, the show is collapsing on itself. I saw the original production, and have listened to the album hundreds of times. Why, oh, why, did they do this? | 0neg
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] |
Sick of the current cinema output, particularly American cinema, I've been making an effort to see the Oscar-winning foreign films. That's when I came across this gem. Slow to start, it picks up nicely once war is declared. Basically an old fashioned girl-waits-for-boy-to-return-from-war-story, the performances, the cinematography make this so very much more. Why Tatyana Samojlova as the young woman didn't become an international star after this is beyond me(though she has remained successful in her own country). You take the journey with her: young, defiant impetuous young girl, who, through the ravages of war becomes a very sober, somber woman who keeps a glimmer of hope (her final scene is devastating). We love her as much as the camera does. And the camera-work! Was this the pioneer in hand-held camera work? It truly adds an immediacy to the story. And the beauty of it (like when Tatyana's character is running up stairs and next to a slatted fence). I am humbled and grateful to see this film. | 1pos
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] |
Well first off i would like to say that this film was a beautiful display of genres. They way all three Asian directors captured light shadow and color was like looking at visual poetry. I felt all directors had their own take on how horror or drama and comedy should be portrayed and they brought it out very well. The biggest surprise in this movie to me is that the most violent and gruesome of directors Takashi Miike didn't display ultra images of violence, he didn't go over the top to try and gross the audience out he just stuck to the twist and turns of the story and he created a pretty usual short of his nightmarish ballad. The other two Fruit Chan and Chan-wook Park made there short highly grotesque with images of bloody infants and disturbing dissections of body parts. Therefore this film only went extremes with two directors not all three. In conclusion i felt it deserved an eight because of its acting, Cinematography, Direction and the conceptual aspects. Go see this film its amazing. | -1no label
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] |
I remember watching this when it was made and thinking it was brilliant at the time. Watching it for the second time nearly 20 years later, I still think Traffik is brilliant and much better than the US film that was based on this drama. It should also be watched by all our come today gone tomorrow politicians who think they can win the war on drugs, as the issues raised in this film are as pertinent today as they were back then at the end of the 80s, and unless they change their policies, will be so in another 20 years. Well written, well made, beautifully acted and superbly filmed. A thought provoking drama that entertains as well as brings to light some of the hard realities of the criminal drug trade. | 1pos
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] |
I saw this film at the Boston Internation Festival of Women's Cinema last night, and was saddened to hear Ms. Troche tell us (in her Q&A after the screening) that she doesn't expect to see too much US distribution, due to her insistence on including all of the so-called "gay content". It was a FANTASTICALLY entertaining comedy, and it just seems to me that American audiences might enjoy it in much the same way they enjoyed "The Full Monty", so it's really unfortunate and kind of ridiculous that a few shots of two boys kissing is keeping it away from mainstream theaters. Wonderful cast, FABULOUS script, and of course, Rose Troche's direction make this one of the funniest films I've seen. | 1pos
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] |
When my wife dragged me to this movie I thought I'd be bored. The trailers show nothing except the little monster growing quickly and swimming around happily. What I did not expect is the wonderful, and entertaining background story set in Scotland during WWII. Now the film has a modern frame as well as the WWII story. An old man tells two young visitors to Loch Ness what they assume is a tall tale. Frames usually don't add much to movies but in this frame is an exception. In WWII a young boy, who doesn't know his father was lost at sea, finds a strange egg. While the egg grows into a likable, gigantic plesiosaur, a strange man, who might be a German spy, starts as caretaker of the boy's father's estate, and a gunnery unit takes over the estates grounds. The captain of the gunnery unit takes a shine to the boy's Mom, and tries to instill discipline to the boy by treating him like a drill sergeant would a recruit. Meanwhile, the new caretaker decides to keep the boy's new pet a secret. and wins the respect of the boy's mother. Although there is no real violence in this movie there is a killer (hunter) cook and some shooting. In fact there is a scene with cannon fire that might scare young children. And of course the cook has a tough bull-dog who likes to chase things. The characters here are well developed and the acting and cinematography is superb. This movie will not disappoint. | -1no label
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] |
I love Alec Guinness. And that's saying a lot after this film. Actually, he is not bad in it. He just seems to stand aside, be urbane and his usual delightful self, but invest nada. It is obvious the girl he is matched with is a featherweight, even as an inexperienced young French girl. Sir Alec wouldn't have chosen her when he was young and very obviously isn't too happy about it now. The interesting character is the brooding brother of the odd "Suzanne", another twit. "Donald" aspires to be a French Heathcliffe and I waited in vain for the source of his mystery. What deep dark secret was he hiding behind that forehead? Was he in love with the father's mistress? Why did he jerk Suzanne's hair when she plotted to bring the disparate parts of this turkey together on the country estate? Or perhaps he had simply had enough of her obnoxious acting. The film would have been charming with Guiness and the "older woman" reminiscing and seeing Paris together. THAT would have been a great story! Two lovely experienced people in a beautiful city after the destruction of World War II. Why didn't somebody come up with that? I suggest watching Alec Guiness in "The Card", a little known but worthwhile film. | 0neg
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] |
I don't expect a film about the apocalypse or premonitions to be the smartest movie ever ... hell, those 'disaster' movies where the hero charges around saving people are pretty much standard Hollywood fluff, and aren't too intelligent - but they are rarely this stupid. Its like they took all the annoying elements out of these movies and put them all in one (think Independence Day but without the bad jokes to forgive it for the stupidity) In parts I felt like I was watching a kids flick with gory disasters and spooky pedophile stalkers added in for effect. The kids were (as is often the case in these type of movies) annoying. But this time around the adults were so much worse. And the acting was just plain awful all round. The most annoying thing though was the plot - it didn't make any sense. These advanced aliens can predict the future and feel the need to impart this to some kids to write it all down as a set of numbers in the hope some college professor figures out what they mean. But in the end, it doesn't matter what they mean, they're all going to die anyway. Lucky the aliens feel like saving the kiddies. Now I get the whole religion-aliens/angels take on the movie, but it doesn't feel any less dumb. To sum it all up: Nicholas Cage's acting was awful, his 'son' was annoying, Rose Byrne's character was plain stupid, Cage's character was a total idiot, the aliens ending was ridiculous, and really, the only good thing was that they got what they deserved - toasted to death in a fiery inferno (too bad they kids escaped with their bloody rabbits). | -1no label
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] |
I saw Bogard when it was released in the 70s. It was one of those pictures that received an X rating for violence. We snuck into our local grindhouse, and saw it anyway. Pretty good picture. Lots of blood from the street fights, although the cheap sound effects for the punches took something away from it. And lots of sex. I remember one of the early scenes when Bogard meets this pretty brunette in an apartment she is showing him. Without saying a word, he picks her up, puts her in the windowsill and nails her. From what I remember the picture sailed from that point on. So, when I found out Bogart is also called Black Fist and was available on VHS, I ordered it online. I was very disappointed. Black Fist is Bogard edited for television. So many of the scenes I remember were missing, I wondered if indeed, this was the same picture. | 0neg
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] |
I've just revisited this fondly remembered bit of cinematic madness from my early days, and must urge you to beg steal or borrow it. The story begins with a duel between a righteous Shaolin priest and our villain Abbot White, needless to say, Abbot White kicks Buddhist ass, and wages his campaign against Shaolin unhindered with the aid of his new ninja allies (a golden clad one who fights with a gold ring, a black clad one who fights with a spear, and my favourite; one who fights with a pair of knives who can disappear and reappear as a flying carpet). The rest of the story concerns the training of the disciples of the Shaolin monks killed by Abbot white, one of whom is Alexander Lo Rei. Whilst we are treated to the punishing training sequences the two young avengers must go through to learn the Shaolin Finger Jab technique needed to defeat Abbot White's invincible armour technique, we see some of the ways our villain keeps in shape...mostly using Taoist magic to extract the blood from naked ladies. We all know how this is going to end, but it's the psychedelic trip in between that we're here for. In conclusion, this is a good example of what Taiwan was doing when Hong Kong was getting sick of martial arts movies, and that is making more and more outrageous martial arts movies. This movie is very well choreographed, has some nudity, some gore and enough balls to the wall gimickry to keep even the most jaded viewer entertained. Visit your local Beewise today! | 1pos
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] |
~~I was able to see this movie yesterday morning on a early viewing pass~~ I am a mom of 2 children, who range from 11 down to 6. So I'm sure plenty of parents can relate to having to see many many "kids" movies. This was refreshing for me. I haven't read this particular book, so I don't know if it stayed true to the book or not. But it sure took the grossness factor to a high level. This is the story of the "new" kid in town and it just so happens that there are a group of boys who have formed a club of sorts and love to pick on kids ....sound familiar? Haven't we all suffered this one time or another. He has the little brother who he cant stand and parents that he is embarrassed about. What I enjoyed most of all was seeing how each character was totally different from another they all stood out. The bully (why do they always make the bully a red head? My daughter has red hair! and she is no bully!..lol) is well a great bully, who finds himself being yelled at by his own big brother. It took twists and turns and well you fall in love with all of them and really find yourself routing for all the characters! Even the parents, great connection between father and son. All around enjoyable, sweet,funny, gross etc......Take your kids!!! You will enjoy it as much as they do! | 1pos
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] |
Well, I initially saw this movie because I am a major Carrie fan and I wanted to see another movie with Amy Irving when she was still young. The movie was good, but John Cassevetes and the Kirk Douglas characters were kind of boring. I always thought that john Cassevetes is a little overrated because I've never seen him display a personality that is incredibly enjoyable(even with Rosemary's baby) and in this movie he was his usual negotiating boring self. There was some cool action scenes with Kirk Douglas but my main love of the movie was the majority of the scenes with Amy Irving--who really(despite the billing) is the main stand out character of the film. We watch some really cool scenes with amy involving her watching Andrew Stevens psychically as Andrew watches video tapes of his father being attacked, blood running down other people as Amy's emotions are racing with energy., a sleepwalking scene, a show where she is escaping from the hospital, a scene where she gives a girl a bloody nose, and blue glowing eyes. Amy and Andrew were the two telekinetic teens and they were young, fresh, emotional, and attractive. I really enjoyed their presence and their performance really made the film work. The other characters are really just there for support except Kirk Douglas who gives his usual masculine role. Overall I thought the film was pretty good, 2 1/2 mainly because of the acting, special effects, and the way some scenes just looked so cool! I'd recommend this. | -1no label
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] |
... and yet, we were told, there was another hour and 20 minutes left to go. Why, oh, why wasn't there an editor to tell the writer/director to snip, snip, snip? Apparently that writer/director has previously done shorts; as a short, this would have been okay. But the lack of dialogue starts to grate after twenty minutes. The lack of much music glares. The background noises (talking, traffic, and especially a ubiquitous helicopter) get old really fast. But the worst failure is in story. There is precious little beyond a short. After an hour we saw variations of the same scene over and over again. I nearly screamed at the screen, "We get it, we get it!!!!!" It's amazing that after that left the theatre, we could drive home, watch the Daily Show and parts of the Colbert Report, get ready for bed,and know that the audience was STILL trapped in the theatre. It's not enough to indulge your vision. You have to give the audience enough to share your vision. | 0neg
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] |
Lisa Rianna is simply unbearable to watch. Her collagen filled trout lips simply dominate the screen. It is hard to take her seriously plus her acting is wooden, she has a very limited range of emotions that she can express with her trout lips. It's a wonder she's on the screen at all. The answer, of course, is that her husband Harry Hamlin acts as the male lead plus also produced the movie. Nepotism is alive and well in Tinsel Town. There is no depth of acting or emotional ability, no sense of trauma or affliction rather sex addiction is viewed as being a "problem" that can be cured, with the emphasis on being a "survivor". Movies that can present the extremes as mundane are dull indeed and this is one of them. | -1no label
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There is only one use for a film such as Bulletproof: it reminds you just how bad bad can be. We often see films which we describe as "pretty awful" or "not much good", but then you come across a film like this and you can see that although all those other films aren't "good" they are no way as stinkingly bad as Bulletproof. This was a birthday gift from someone who spent less than two seconds rummaging thru' the DVD bargain bin at our local superstore to fulfil an obligation (i.e. to give me a present). It could have been a serendipitous find but it wasn't: this is so utterly clichéd, so badly written, so poorly directed, so badly acted that I'm surprised everyone involved hasn't been arrested and sent down for 10 years. God, it's awful. I suspected as much from about 30 seconds in, but carried on because sometimes - sometimes - bad films are so bad they can be enjoyable. This isn't one of them. It is simply bad. I stopped watching after 45 minutes, and tomorrow I shall throw it in the bin. | 0neg
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] |
The opening scene begins like a Sunday picnic/Turkey shoot: well-dressed couples in period costumes milling around, young boys plunking away with their new rifles. It takes a minute or so to realize that this is stand-off with a man sealed inside a log cabin. A few racial epithets later and we realize the man is (a) black and (b) possibly innocent of the crime he is accused of. Director Edwin Scherin lucked into a fine script co-authored by Elmore Leonard, one of the pioneers among popular writers to take up the subject of racism in best-selling detective and action novels. He uses Burt Lancaster, the title character, judiciously at first, having him enter inconspicuously and a little awkwardly, like a man who knows he is out of place. But soon Lancaster assumes control of the deadlocked situation, and but for the interference of a trigger-happy shooter (Richard Jordan), almost manages to end it peacefully. This scene sets off the plot events that follow, as Valdez tries to obtain money to compensate the man's Native American widow. Most of the action - except for the bizarre humiliation of Valdez at the hands of a wealthy gun-runner - follows standard formulas, but Lancaster underplays his role so well that the clichés turn to his and the movie's advantage. Add solid supporting roles by John Cypher, Susan Clark, and an offbeat ending, and you have a surprisingly engaging Western that delivers what we expect and then some. | -1no label
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] |
I love Zombie films, shame no one seems to know how to make them anymore Black and Hispanic gangs go bang, bang, with a penis replacement and use words like hoe and other stereo typical so called black gangster related sayings and while they try, listening people? I said TRY to act,like gangsters, they just turn this into what looks like a low budget zombie? film, or is it a home movie made by a 10 year old using a single 1/8" CCD home video camera? Not sure hard to tell really. The coloring was so drained it was almost monochrome most of the time. It's only when I saw so many credits at the end I realised the 10 year old directing the film must have a lot of friends, who also must have seen the Australian film called Undead which used similar opening well sort of, but was one heck of a lot better, in fact it was good. Or did adults make this mess, I don't know, on the credits it looks like they had a large film crew, which makes me wonder how the hell this turned out to be such a load of pooh, 0/10 try again no gold stars for you. Films are Built on story lines people not just crappy acting and a few visual effects. | -1no label
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] |
I did not like the Flying Doctors; I absolutely adored them! When the series were on TV, I had never been to Australia before. Through the series, I discovered the real Australia; rough terrain, people keeping in contact through 27M7 radio, people living far from each other and the social life on the streets, in small villages. From August 1999 till May 2000, I have been to that land down under and found out that everything shown in that series, was real. I have been to Broken Hill, NSW and seen the township of Minyip in Victoria. It is the truth, that, once you've arrived in these small villages being a foreigner, everybody knows you're around. You might say that, in a way, I went to Australia because of the Flying Doctors. BRILLIANT SERIES!!! | -1no label
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] |
The movie opens upon Julian Sands, lying on his back, a black kitten drooling blood into his awaiting mouth from where he holds it, about two feet above him. That was so provocative, and I thought, "Here we go! A good vampire movie!" And then it died. That was literally the only scene which captured any part of the imagination. It was slow, uneventful drivel thereafter. I was vastly disappointed, as my previous experience with Sands' acting was quite enjoyable. However, this attempt was obviously misdirected and the screenplay left a lot to be desired. Even Julian Sands's questionable performance could not begin to save this already sunken barge of a movie. It rates a 1.1/10 from... the Fiend :. | 0neg
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] |
50 years old, this musical comedy fantasy might look its age, but it wears it with dignity. This film is still great fun. Crosby was never really romantic lead material, but he delivers the material with the lightly humorous edge it needs. Bendix plays broad and is huge fun in a part which calls upon his strengths. Hardwicke - how joyous for a knight of the realm - a genuine one - to throw himself into caperings like this with such abandon. And Rhonda Fleming enjoys herself in the least showy of the main roles. Only Murvyn Vye disappoints as an unconvincing Merlin. Though not a musical, the songs are very good, and the "dance" routine accompanying Busy Doing Nothing is perfect - funny, appropriate, dexterous without being challenging, and making a virtue out of Crosby's musical movement which, let's be fair, was inherently amusing due ti its never being his greatest strength. The colour is fine, the sound is a little muddy in places. And the story - well, it takes some liberties with the original, but I suspect that Mr Clemens might well have been pleased with the result. | 1pos
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] |
Highly flawed but just about watchable `comedy' that runs like a Farrelly brothers reject. The most criminal thing about it though is the casting. I couldn't for one minute believe Jerry O Connell and Jake Busey in the role of superstuds, who could pull any woman at the drop of a hat, nor could I believe (the very beautiful) Shannon Elizabeth as a streetwise tough cop!. Story is predictable but does manage to raise a titter on a few occasions, although, the `gross out', meant to be `shock comic' scenes, (one involving an amputated testicle, and another set in a sperm bank) are just plain awful. If this film is on TV then its probably worth watching if you are extremely bored, but please don't waste your money renting it!! | 0neg
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] |
Daraar got off to a pretty good start. The first scene really left me at the edge of my seat wondering what would happen next. Other than that, the first half of the movie is a total BORE. All the first half of the movie is about is Rishi Kapoor falling head over heels in love with Juhi Chawla. By the way, don't you think he's a little old for her??? Things finally start to spice up towards the middle of the film when Juhi tells us about her previous husband; and wow what a lunatic is he! He was an over-protective, neat-freak with a really HOT TEMPER! He used to beat up poor Juhi for no good reason! One of the reasons I really don't like this movie is because I can't stand to see Juhi (my favorite actress) get so abused. This film in general has WAY too much abuse and bloodshed; I find it so sickening!!! Anyway, all I'm trying to say is if you're thinking about renting Daraar, you should put it right back on the shelf where you found it and pick something else! | 0neg
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] |
This could have been a really good movie if someone would just have known how to finish the film. The story was going along just fine and heading towards that point in every movie like this where the "gray" characters turn "good" and the "bad" guys get their just desserts and *boom* ... it's like they ran out of script and the cast just started to make things up. Which wouldn't have been so bad ... if the cast had just continued with the character development they had already put in place. But such is not the case and the movie soon becomes a goofy mess. My advice is to watch this movie up to about the last 30 minutes ... and then shut it off. At this point, imagine how you think the next 30 minutes will look based on what you have seen so far. Believe me, the ending you come up with will look far better than how this film actually ends. Trust me on this. | 0neg
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] |
After seeing the 1996 remake, I thought it was the funniest way to see Cruella De Vil getting her punishment for torturing animals just for their skin. The whole movie was quite funny, and on my view, better than the animated one. But there was actually no need for a second one. First of all, if Cruela is returning, don't cure her and make her insane again. Just make her break away from jail and that's a rap. I thought it was not very funny. It's supposed to have only one original puppy returning. I'd expected that it should be Lucky, since he was the most appealing, and besides, having Roger and Anita back too. However, they decided to have a complete recasting and adding not really one hundred, not even one hundred and two, but only THREE puppies, and a parrot that thinks he's a dog (clever). Gerard Depardieu's part was pointless. At the end, Cruella suffers way too much, way too humiliating and way too exaggerated to be true. She gets baked inside a giant cake. That was a desperate attempt of physical humor, trying to imitate the same effect from the first one. That just didn't work. It was too much over the top, and not too funny. I actually felt sorry about Cruella. | 0neg
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] |
i liked this film a lot. it's dark, it's not a bullet-dodging, car-chasing numb your brain action movie. a lot of the characters backgrounds and motivations are kinda vague, leaving the viewer to come to their own conclusions. it's nice to see a movie where the director allows the viewer to make up their own minds. in the end, motivated by love or vengeance, or a desire to repent - he does what he feels is "right". 'will god ever forgive us for what we've done?' - it's not a question mortal men can answer - so he does what he feels he has to do, what he's good at, what he's been trained to do. denzel washington is a great actor - i honestly can't think of one bad movie he's done - and he's got a great supporting cast. i would thoroughly recommend this movie to anyone. | 1pos
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] |
This straight to video film when I was young was quite good because it went back to the original style of Scooby-Doo the TV series. The only thing that could put it down a bit was the songs. Scooby and the gang get lost and end up in a desert village outside a alien spotting station. Aliens are starting to appear and the gang decide to investigate. During the process Scooby and Shaggy fall in love with Crystal and Amber (a golden retriever). In the end (suprise, surprise) they find out the aliens are three people at the alien spotting station secretly digging for gold. They also find out there are real aliens, Crystal and Amber! Scooby-Doo was number 8 on The 100 Greatest Kids' TV Shows, and he was number 49 on The 100 Greatest Cartoons. Worth a look! | -1no label
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] |
This is definitely one of the worst movies ever made. There is really no plot or theme, it's just film footage of kids cruisin' on Van Nuys Blvd in CA. If you didn't actually live thru the 70's and saw this film, you would think that everyone had sex ALL the time, every night and day with multiple partners. In this film, people get naked at the drop of a hat! Not that I'm complaining but this film today really only has nostalgic value in that it does show how life, especially in California was back then. Today, there is no crusin' at all on Van Nuys Blvd or anywhere in CA for that matter and that area is very run down and dangerous. There are some great cars and lots of racing footage in the film but you probably will fast forward thru most of the bad acting scenes. I do know Dana Gladstone's son and he told me that his father hardly was paid anything for his role as Officer Al Zass which explains the low budget and often disconnected feel of the film as if it were spliced together in a hap-hazard manner. But, I am glad this film was made if anything to capture how cruisin' on Van Nuys Blvd really was! | -1no label
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] |
This is a very touching movie. This is a story about a special bond between a child and his grandfather. A villager (Arun Nalawade) brings his grandson, Parashuram, to the city to get his eyes treated. But comes to know that Parashuram (Aswin Chitale) has some rare cancer of eyes and has to undergo an operation and will lose both his eyes. The movie is all about the emotions and the turmoil both them go through and how they accept the whole thing. The movie avoid any melodrama and tells this story in a simple way. Though the movie is in Marathi, language is not a barrier at all.It proves that to make good movie you do not need item songs, superstars and usual masala. Excellent performances. This is India's entry for Oscars 2004. Hope it gets the nomination at least. Would rate 10/10. | 1pos
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] |
The only reason I did not give this a 1 is because I'm sure the bottom end of the target audience, kids up to maybe 5 years old, will like it. However, this movie was truly horrible. I think the problem rests on the poor acting of the children/young adults and the script. I'm 99% certain the script writers were told "we want to do a movie where there is a hotel for dogs, make it work somehow." Spoilers follow, none of much consequence. The opening of the movie, with two white kids in a foster home ripping off a store owner with a box containing a rock instead of a cell phone because they want to buy some burgers for their dog, is the first blow to the movie's credibility. What kind of morals does that teach, first of all? Also, these kids look way too healthy, happy, and affluent to warrant stealing for petty money. So they don't like the dinner their foster mom makes them, so their dog is a stray after 3 years because these kids are irresponsible, so what? The acting is incredibly bad, the characters about as stereotypical as possible - It's Nickelodeon, what else should we expect? If they had worse foster parents, or at least demonstrated being more distraught and emotionally damaged from their parents dying, I'd forgive the stupid stealing bit. The kids act like snobby self-righteous brats throughout the entire film. It basically teaches kids that you can act however you want if you think your mom and dad don't pay enough attention and cook like crap, and that even if you are perfectly well off it is fine to break the law for petty cash. If you are a dog lover, and a serious one (moderate dog lovers won't love the dogs enough to get past story and acting flaws), then you may enjoy the bits where the dogs act cute. Other than that, I had perfectly acceptable expectations of a KID'S movie about dogs, and they were clearly far too high... If the kids are old enough to see this by themselves, they won't like this movie. If you're stuck taking them, see a movie in a different theater. If they're too young to be unsupervised in front of a screen for an hour and forty minutes, get a dog lover friend to take them. | -1no label
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] |
The cast is just perfect. The casting crew have done an excellent job. Roger, Tuesday, Corey, RT, Margret, Katie, Sophia even Owen are all good actors. It is 1000 time better than that 70s show. That 80s show is way more hilarious than the 70s show. The 70s show had crappy flashbacks and overall was pathetic. While the 80s show had excellent characters and the jokes were hilarious. All the crew performed above themselves. The storyline rules! I hope it is brought back because there is super potential in this show. Full on crack up! The setting is mad the cast is cool! 10 out of 10 for a Sitcom no doubt! | -1no label
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] |
A talented and pretty little Tereska learns how to live. She does not know how to dream, she was never told that her life belonged to her. All she knows is that she must be nice, praise God by singing in a church choir, don't talk too much, don't fight for her rights, and keep most of her thoughts secret. Nobody cares what she feels and thinks anyway. She is desperately looking for love. But where can she find it if her parents, her teachers, her friends do not know it either? In a very well designed way this film shows what steps are taken to make a little young angel into a vicious devil. It happens slowly and it is hard to tell who is to blame. An excellent story to start thinking about values, how they are born and why we need them. The film also shows how different we all are and that the only way to be able to live together is to communicate openly and honestly. It seems so simple, yet so difficult. The only time Tereska gets the courage to talk about her dreams she gets scared to death in a self destructive outburst of anger. I give this movie a 10 because it touches so deeply on the most important life issues: how we think, make decisions, and how narrow minded we are when taking care of our daily problems. It for sure is not a comedy, but I laughed quite a few times. All in all it is a very stimulating movie. | -1no label
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] |
This movie should be a stand-up concert film, but for some reason its a road movie instead. The comedians are funny when you do get to see them on stage, but most of the movie is spent looking at a "Raiders of the Lost Ark" map trace the trip across America, cut with footage of the tour bus and then an audience laughing. Insert a cliché song about the city we're about to visit. They pad the movie out with a last minute Katrina benefit show, which seemed kind of melodramatic (especially for a comedy). Vince Vaughn even shows up on occasion throughout the film to show us his range of talent (see wedding crashers...NOT!). The money shot is definitely Vince and his friend Peter Bilingsley acting out their parts from a steroids after-school special. | -1no label
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] |
Great is Schoolhouse Rock stretched out to a half hour and with not even one percent of the talent. IK Brunel was a pretty cool guy and there's no denying that, but the movie is way too long for it to work effectively. And the songs are really, really annoying. There are simply too many of them and none of them are even very good. Had it been shorter and maybe been about the length of a Schoolhouse Rock video it might have worked. Instead it just goes on. And on. And on. And on. And on. And I could go on, but I don't want to, because just bringing up this cartoon seems to be very painful. Out of the fifty-seven Oscar winning shorts I have seen, Great is the worst. | -1no label
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] |
God, I was bored out of my head as I watched this pilot. I had been expecting a lot from it, as I'm a huge fan of James Cameron (and not just since "Titanic", I might add), and his name in the credits I thought would be a guarantee of quality (Then again, he also wrote the leaden Strange Days..). But the thing failed miserably at grabbing my attention at any point of its almost two hours of duration. In all that time, it barely went beyond its two line synopsis, and I would be very hard pressed to try to figure out any kind of coherent plot out of all the mess of strands that went nowhere. On top of that, I don't think the acrobatics outdid even those of any regular "A-Team" episode. As for Alba, yes, she is gorgeous, of course, but the fact that she only displays one single facial expression the entire movie (pouty and surly), makes me also get bored of her "gal wit an attitude" schtick pretty soon. You can count me out of this one, Mr. Cameron! | -1no label
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] |
As a romantic comedy, this is a good film. The acting is fairly good - particularly Johnny Lee Miller, who makes an excellent Edmund. But the story is not that of Jane Austen's wonderful novel. The Fanny Price of the novel is a delicate wallflower, intelligent and warm but extremely timid. In the film, she's feisty and strong-willed, independent and almost rebellious. Fanny Price is not confident and witty; she is shy and thoughtful. This "new" Fanny may fit modern sensibilities, but I was severely disappointed; by completely altering the main character, the whole story seems different. I should very much like to see an adaptation of the novel that remains as faithful to the book as the BBC's excellent mini-series version of Pride and Prejudice (the Colin Firth / Jennifer Ehle version) or Emma (with Kate Beckinsale, not the Gwynneth Paltrow version). If you want a romantic movie, go for it. But if you're an Austen fan, you might want to stay clear. | -1no label
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] |
Once I had read the Tom Clancy's novel RAINBOW SIX, I always looked for this rare video-game title in all software shops arond my town. When it finally arrived as a pay-less version, it has been TANGO DOWN!I read, somewhere, that must be also a motion picture in production, based upon the Clancy's Novel. The plot is quite simple: this is an action videogame just like DOOM, but is a bit different. RAINBOW is an international SWAT team, composed by the brightest counter-terrorism agents from all-over the world to fight terrorism wherever on the planet. It all starts with a hostage situation at the British embassy in London, where RAINBOW team is called to intervene... and then, various missions, most of them based on the original novel's situations, and a secret, deadly plot comes out from behind this sudden terrorism wave. The way to play is here: you choose the weapons, the equipments and the men, you can made a plan, and you got to accomplish mission, such as defuse bombs, rescue and escort hostages... you CAN KILL TERRORISTS, OF COURSE, BUT THEY ALSO CAN KILL YOU, OR YOUR TEAM MEMBERS, OR THE HOSTAGES, so you must TOOK CARE... when the character that you're using dies, you get the control of another team member since they're all gone (you loose) or the mission is accomplished (you win), but you also loose if hostages are killed, or the bomb explodes, it depends from the mission. THIS IS THE FATHER OF ALL TACTICAL GAMES. Two Thumbs Up! | -1no label
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] |
Peter M. Cohen has a winner satire on the mating game, twisted around and turned inside out. The critical bashing of the movie in mainstream media publications as "offensive" and "raunchy" only serves to underscore its intensity as a refreshing and concentrated dissection of people's sexual pursuits and passions. It is in the tradition of what I call "reality based" satire following in the footsteps of "In The Company of Men," "Chasing Amy", "Your Friends and Neighbors" and "Two Girls and a Guy". Cohen's dialogue is hilarious and I was continually intrigued by how perfectly he captured the real pace of today's conversations. Brian Van Holt, Zorie Barber, and Jonathan Abrahams are three distinct, unrelenting sex-obsessed predators who along with the foil of their recently married buddy (superbly played by Judah Domke) are turned upside down on their own terms by a female predator (Amanda Peet). Underneath the satiric surface lurks a romantic comedy far more satisfying than most sugar-coated studio products. | 1pos
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] |
Director Mark Burson is highly creative and in this debut feature there are many moments that reveal the energy of an auteur, but Burson's fondness for shock cinema eventually causes the film to collapse into near chaos. The work begins with a voice-over by immigrant Joe Dekko (Colin Gray O'Hara), his text indicating inner turmoil, while he and two crime partners prepare for a robbery of two drug dealers. Dekko craves a more responsible life but any chance of achieving it is slim as it is soon apparent that Joe consistently makes poor decisions. These generally involve his criminal peers although his donation of his share of the drug rip-off loot to a friend as an investment in the latter's computer business only backfires when the treacherous fellow blackmails Joe. Revenge then becomes the film's cardinal motif as Joe, along with his cohorts and his enemies, all go on the attack during scenes of wildly escalating violence. The eponymous Dekko, with a bullet reposing in his skull, and with a proclivity for extreme self-abuse, ostensibly has also an iron constitution, as he struts along his path of vengeance with unalloyed intensity. Prominent upon Burson's cinematic agenda is development of scenes for their sensationalist value, including repugnant violence, heroin use and stylized sexual activity; unfortunately, few of these advance the storyline and none has narrative worth. However, he uses his players very capably, deriving strong performances from many of the cast, the charismatic Glaswegian O'Hara impressive with his turn, and with his versatility, as well, contributing the music performed during the closing credits. Multifaceted, too, is Burson, as for this low-budget affair, shot in Ohio and released in 2000, he produces, directs, and edits, with more naked force than most directors within any genre; it is a pity that his penchant for frenzied grotesquerie is not a minor imperfection; Mark Burson - - thy name is excess. | -1no label
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] |
"They Drive By Night" (not to be confused with the Bogart) had a rare showing in a New York theater in 2009, as part of a series on British film noir. The only reason the theater screening matters is because of crowd reaction. And the reaction to this film, especially the final sequences, was absolutely joyous. The movie is at least 2/3rds over before one of the main characters appears, the former schoolmaster Walter Hoover, played by the unbelievably urbane, stick-figure-thin Ernest Thesiger. The camera starts on his hands, so you only see what he's doing-- pasting newspaper clippings about lurid murders into a scrapbook-- but when his face is finally revealed, the whole audience seemed to sit a bit straighter, and we stayed that way through the end, reacting with open delight to this character's every movement, his every phrase. I mean to take nothing away from the star of the film, Emlyn Williams (who wrote almost as many films as he starred in), but Ernest Thesiger was capable of turning a lousy movie into a watchable one, and a good movie into an unforgettable one. This is definitely the latter. | -1no label
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] |
The famed lady spy is on the move.... and the make. It's beautiful Sylvia Kristel's turn to take a shot at playing the most famous female double-agent in World War I history. The twist here is that she also beds every other guy she sees in an art museum or on the train to her next 'performance'.... as it were. Primary focus is on Sylvia and her shapely boobs with little attention to spy stuff. Rather mundane, unless Sylvia is topless; not much happens and the film never seems to have anywhere to go, except to the predictable ending - after all, the film is based on a true story. That's OK, but did it have to be so boring? Gaye Brown is sexy as a lesbian German political officer. | -1no label
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] |
I found this movie to be a big disappointment, especially considering the cast. The characters are not believable, as are the ridiculous circumstances in which they find themselves. The only part of the film I enjoyed was when the most annoying characters finally get killed. The special effects consist mostly of scenes of gory dead or dying bodies. A typical unimaginative slasher flick. It's hard to believe, make that impossible to believe that a reclusive creature that sneaks up on goats in the middle of the night could be captured by a group of clumsy, noisy idiots. Equally impossible to believe is how they knew exactly were to find it, in spite of the fact the creature has evaded capture, or even photographing. The man that pulls off the impossible in capturing the Chupacabra alive is our one dimensional Dr. Pena (Giancarlo Esposito). The only thing Dr. Pena is more obsessed with than the creature is his dart gun. A dart gun that works were mere bullets fail. The captain of the ship (John Rhys-Davies) is introduced as a 'war veteran'. He employs his military prowess by having his men shoot at the creature, regardless of were on the ship they happen to be. The Navy Seals that show up from nowhere repeat the pattern of shooting at everything. Dylan Neal plays an insurance investigator brought on board the cruise ship to catch a thief. He spends most of the movie tagging along with whomever is trying to kill the creature at the moment. The creature doesn't even closely resemble a Chupacabra. It doesn't behave like one either. Instead of a small, shy, secretive animal that hunts by stealth at night, we get a bulletproof Freddy Kruger, killing everything in sight. A simple search on Google would have been very helpful to the writers and the special effects crew. | 0neg
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] |
Having seen the original when I was 13 (and, yes, I was stupid enough to watch it while babysitting!), I was excited to see this remake. Camilla Bell did a great job as Jill Johnson. And the fact that a teen horror flick could be made in the year 2006 without tremendous vulgarity and gore, made it even that much stronger of a film. I had a great time trying not to chew my fingernails off! This film won't win anyone an Oscar, but it is entertaining and worth the matinée price ticket I bought to see it. I think girls around the world should watch the original and the remake...and then determine to never babysit again. All I can say is, I'm glad I'm too old to babysit! There's just something about being in a dark creepy house with sleeping kids that makes this movie classic. No blood, no gore...just good psychological fun! WINNER! | 1pos
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This film was utterly horrible. Stupid premise, and horrible acting by all. Whoever wrote this trash should be hanged. Reminds me of a hack student film, BUT WORSE. Who ever produced this should give up now. I know opinions are subjective and all, and some may think this "fantastic" as some think "Dune (1984)" was fantastic, well get off your horse and watch some real films. OK, the acting was tolerable, and with better direction could have been far better, but it didn't so it suffers. I don't know how much more I can say about this waste of film, other than to totally trash it. Anyways it was horrible and I recommend to avoid it like the plague, if you come anywhere near "dreamland", rent the movie beside it instead. | 0neg
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This is the official sequel to the '92 sci-fi action thriller. In the original, Van Damme was among several dead Vietnam War vets revived to be the perfect soldiers (Unisols). In this one, it's, I guess, about a dozen years later, since Van Damme has a daughter about that age. Now he's working with the government in a classified installation to train the latest Unisols - codenamed Unisol 2500, for some reason. As usual, something goes wrong: the on-site super-computer (named Seth - like the snake in "King Cobra" the same year) goes power-crazy, takes command of the Unisols, and even downloads its computer brain into a new super-Unisol body (Jai White). We're lookin' at the next step in evolution, folks! Most of Van Damme's fights are with one particularly mean Unisol (pro wrestler Goldberg) who just keeps on comin': drop him off a building - no good; run him down with a truck - no go! Shoot him, burn him - forgetaboutit! Much of the humor is traced to how Van Damme is now outmoded and out-classed(he's even going grey around the edges). But, though he takes a lickin', he keeps on kickin'! Most sequels of this sort are pretty lame - pale imitations of the originals, and while this one is certainly no stroke of genius, it manages to be consistently entertaining, especially if you're a pro-wrestling fan. | 0neg
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I am not a Faulkner fan (which is considered sacrilegious, especially since I grew up near the author's hometown); however, I think this is an excellent movie. On par with the quality of the movie "To Kill a Mocking Bird". If you haven't seen it, buy it anyway. It's well worth having in your permanent collection. TCM recently played the movie as a part of the Race on Film series. I wish they'd play it more often. Very moving. On a side note, the folks from Oxford, Mississippi, will also enjoy seeing the footage of the town square as it was back in the 1940's. The Courthouse, City Hall, etc.: They're all on screen. I never knew the movie was filmed there until I noticed the familiarity of the buildings. When I saw the arch in the front of City Hall, I began to get suspicious. Look closely at the pennants on Chick's wall: You'll see two for Ole Miss ! | 1pos
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] |
wow! it's even better than I expected! the best animated Astérix movie ever! and it feels so good to hear Roger Carel doing the voice of Astérix again! I surely recommend it to everyone who likes the comic books of Astérix! but I suggest that you go to see the french version, cause it surely is the best and you hear the original cast! did you know that Roger Carel has played Astérix for nearly forty years? i think he did a marvelous job! and the song from Céline Dion at the end fits rally good to the end credits! the music is good, the drawings are good, the actors are wonderful... in a word: a masterpiece! go to see it! you will not regret this! | 1pos
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This is a neat pre-code film. William Powell gives his usual stand out performance. I've always had a problem, however, with leading lady, Ann Harding. She is one of my least favorite actresses. In this film, she is trying to hook up with Powell, but she looks more like his mother than lover/wife. She is, without a doubt, a good actress--but (like Miriam Hopkins)just not attractive enough. Henry Stephenson, as Harding's father was fine as was Lilian Bond, who played a gal friend of Powell. Ms. Bond was not a marriage type match as she was clearly not the settling down type @ all. Check this out if you like witty dialogue & sophisticated characters. | -1no label
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Man on Fire was hot. I love a classic tale of good ol' revenge, and what better cause for revenge than the kidnapping of an innocent little girl. The writers did an excellent job in this movie of building the relationship between Creasy (Denzel Washington) and Pita (Dakota Fanning) so that the viewer would understand and actually feel the drive Creasy had to rescue Pita. It was also good that Creasy wasn't a choir boy type trying to rescue Pita through the "proper" channels, but instead used torture tactics and street smarts. Some may say, "Torture is wrong regardless," and you may be right, but when you see the pain Creasy goes through due to the loss of Pita and the sheer passion he has for getting her back, you can't help but side with Creasy and pull for him to be even more merciless. There would be no progress if Creasy used diplomacy to deal with the different nefarious gangsters and criminals and he knew that. Creasy's quest ended with the return of Pita to her mother and Creasy dying in the vehicle of the bad guys. But Creasy's death did not diminish the effectiveness of the movie, it in fact enhanced it by showing that Creasy was willing to die to get Pita back. His death was noble in fact. Denzel does an excellent job as do the writers. This movie deserves good marks because it definitely was a good movie. | 1pos
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] |
Johnnie (Bert Wheeler) is a would-be songwriter; Newton (Robert Woolsey) is a would-be inventor. Both work at a cigar stand in the lobby of an office building. Johnnie wants to sell a song to Winfield Lake, a song publisher who also owns the building. Lake's secretary, Mary (Betty Grable), is Johnnie's sweetheart. When Lake turns up dead, circumstances conspire to make Mary and Newton think that Johnnie is the killer. They conspire again to implicate Mary, who goes to jail. But who really shot Lake? Who is the Black Widow, the blackmailer who had threatened him? The other characters in this wacky murder mystery are: Lake's suspicious wife, a self-satisfied private detective, a seemingly slow-witted janitor (Willie Best), Lake's auditor, a songwriter who thinks Lake is stealing from him and another who thinks everyone is stealing from him. It's up to Newton and his truth machine to reveal the real killer. The baby-voiced Wheeler and the cigar-chomping Woolsey strike me as an arbitrary pairing, but they made several movies together in the 30s and some of them were funny. Not this one. George Stevens, who went on to have a distinguished career, directed this dismal comedy with a tedious murder mystery plot. But two scenes are good, and both feature Wheeler and Betty Grable singing the excellent "Music in My Heart," written by Dorothy Fields and Jimmy McHugh. The first time, they sing it walking up a staircase (after which they dance back down). Later, Wheeler and Woolsey are on stilts so that they can see and talk to Mary, who is in a jail cell on a high floor. Wheeler and Grable sing to each other through the bars. "The Nitwits" has a few laughs, but the level of comedy is best illustrated by Woolsey's line: "Sonny, you've got the brain of a six-year-old boy. And I'll bet even he was glad to get rid of it." It's watered-down Grouchowho didn't use the superfluous "even" when he said it. | 0neg
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] |
This is a painfully slow story about the last days of 1999 when a strange disease breaks out and... I stopped caring. This is suppose to be about two people who live over or under each other in an apartment complex. There's a leak and a plumber put a hole in the man's floor so you can see into the woman's below apartment. Also since there is a crisis going on much of the dialog is actually news reports... Sounds promising? Not really. I became distracted and started doing other things which is deadly in a subtitled film. Basically I started not watching, which made events seem even more surreal when I did look up. It may work for you, it didn't for me. | -1no label
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] |
From the award winning director, Kim Ki-duk, that gave us 'The Isle', 'Address Unknown', 'Spring, Summer, Fall, Winter... and Spring', 'Samaritan Girl', '3-Iron'. In this film 'The Bow: Hwal', the old man, the young girl and the young guy all do not have names. However the film still breezes through without identity crisis or confusion. With absolutely NO lines from the old man and the young girl, all we hear from these two characters were whispers to people's ears, laughter and crying. However, it was a masterpiece of absent dialogue. With subtle facial expressions and actions (such as aiming of the bow, striking off calendar dates, holding the girl's hand during sleep, re-construction of bed), it spoke much much louder than words. A favourite cinematic style by Kim Ki-duk. The director, Kim Ki-duk, has also done a good job in creating unbearable suspense on what the old man whispered to the 'fortune seeking' people. I wonder if the Korean DVD will reveal these tidbits. The music used in the film is simple yet moving. I believe the musical instrument used was Er-hu, an ancient Chinese 'violin'. < MAJOR SPOILERS AHEAD > < MAJOR SPOILERS AHEAD > In my opinion, the last 10 minutes destroyed the film. It was almost a masterpiece from Kim Ki-duk. The idea of supernatural elements and the old man's spirit having sex with the girl is too much to accept. After having sex, the old man spirit allows the girl and the guy to go back to shore while he sinks together with his ship. It was a great film without a great ending. In comparison, '3-Iron' had a stronger ending than 'The Bow'. Mao points: 9/10 | -1no label
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] |
Got into this flick, just as it was beginning, on an afternoon where I was home with a touch of flu - otherwise I'd have missed it. That probably would have been best. I noticed the presence of Lindsay Crouse and Jay Thomas - both very good performers - and thought this might be worth a look. It proved to be to some extent, but only because it is one of those stories so awful it fascinates. Zoe McLellan has little to recommend her talents, except for her Jayne Mansfield- or Loni Anderson-like bosom. Unfortunately, her acting prowess - at least here - makes Mansfield and Anderson seem to be Garbo or Davis by comparison. The young nut case's white rat, the owner's cat, the young nut case having the owner evicted and restrained in her own home, and a bunch of doophus's (including the young nut case) running around a bio hazard facility, and the absurd conclusion. I kept waiting for at least some scene or plot element to contain at least a modicum of realism, believability or being capable of evoking some empathy/sympathy -- but this proved to be in vain. | 0neg
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] |
This movie isn't the way it's poster shows, and I assure you that if you don't consider my comment as a friendly warning then you'll feel very sorry after or even before finishing this movie. Those who have written good comments about this movie doesn't know about the real sense of what is called a movie at all. Despite of it's cheapness, actors are so pathetic specially the children - They have successfully put this movie in entire mess from the very beginning. It has a very bad choreography, bad make-up, the brave uncle got a funny mustache that doesn't appear to be true. If you can't make it look real then why bother to have one? It was plainly better without it. This an ultimate insult to the audience. | -1no label
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] |
One of the requirements of science fiction, at least before it starts to become satire, is that it be somewhat plausible. I would think that an anti-matter bomb would do considerably more damage than for what it was intended. But I'll leave that to the physicists who might have seen Solar Crisis. It is a crisis the earth is facing because solar flares are getting totally out of hand. They're getting close to Earth, so much so that it's become unseasonably hot, as if the entire Earth were Death Valley. The answer is an anti-matter bomb which a space ship will have to take to the sun and explode it there. That will divert the flares off in say the direction of say Mercury providing it's not in direct alignment with the Earth. Who to deliver it, but captain Tim Matheson and his crew. That is if he can keep his mind on the business at hand and not on runaway son, Corin Nemec. Taking care of the personal side of the family problems is admiral Charlton Heston, Matheson's father, and Nemec's grandfather. There's a villain here too, Peter Boyle who is the CEO of a multi-national corporation which in this crisis is trying to control the world's food supply for the survivors. The idea he might not survive doesn't enter into his thinking. He's doing his best to sabotage Matheson's mission. Solar Crisis seems like a bad mix of 2001, A Space Odyssey and Voyage to the Bottom of the Sea. Boyle seems to be taking his cue from Gene Hackman as Lex Luthor in Superman, apparently he's the only one in the cast who realizes he's in a turkey and overacts accordingly. The rest of the cast are stalwart, true blue and dull. Except possibly desert rat Jack Palance who finds Nemec and cares for him. The key here is that the film was directed by that noted Hollywood purveyor of flop films, Allen Smithee. The film gets as much as four stars for the cast involved and it was out in time for a Thanksgiving carving. | 0neg
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] |
A friend recommended that I see this movie and I am sorry that I did. We start out with the excellent Jack Warden blabbing away for hours in a restaurant out in public about the criminal life of Jimmy the Saint, Andy Garcia's character. People involved in crime don't do this. We are introduced to a group of ex cons who have to do a job for a mob boss. These guys are supposed to be some sort of friends but I didn't believe it. First, one guy in this group is so crazy that I don't know why the others have anything to do with him. Next is the performance by Andy Garcia which just wasn't very effective. There is a hit man played by the great Steve Buscemi. He is supposed to be some sort of avenging angel but the role is ridiculous in this type of film. It would fit better in Terminator 3. I could go on but I'll just add that many very good actors, Christopher Walken, Bill Nunn and Christopher Lloyd couldn't help this turkey. I guess the topper for me was that the film makers had some sort of anal fixation. They were very concerned about what went in, bullets also charmingly called "buckwheats" and what went out. I understand that since Pulp Fiction, anything gross is supposed to be cool. Frankly, this Denver mess made Pulp Fiction look good. But if you compare Things to Do in Denver to the best crime films, Goodfellas or Casino, it is a piece of garbage. And since one character dies in garbage, maybe that is the best description of it. | -1no label
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] |
It seems there's a bit of a curse out there when it comes to gay cinema. Namely, happy endings aren't very common. Beautiful Thing excluded, gay films tend to end in broken relationships or untimely death. And some, like Come Undone, just end... period. The creators of this horrid piece of nonsense have a thing or two to learn about plot, direction, and timelines. Within the first ten minutes of this film, I found myself a bit confused, and even more so after the first glimpse of Jeremie Elkaim's character having a little psych session. It seems this film was randomly pieced together without the slightest attempt at continuity or consistency. There's no real way to tell when you're viewing the present or some sort of ethereal flashback. I could only take so much before it became truly unappealing. Stephen Holden of The New York Times called this film "...shimmeringly beautiful and utterly real." Well, it seems that Stephen invested in beer goggles prior to viewing, as this is truly far from beautiful. Due to all the praise this film received, I expected something worth watching. Sadly, the film lived down to its title. And by the end of the movie (which provided no resolution whatsoever, I might add) it's plain to see that the writers, the director and the film have all Come Undone. | 0neg
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] |
Who can watch a movie, look at Lucy Liu and not be overjoyed. That woman is amazingly beautiful & a talented actress. That's a tough combination to find now a days. And Jeremy Northam. i heard his name plenty of times, but i never really noticed him. My advice to Hollywood is : "use him more". now about the movie: I watched it in one of my graveyard shift. I don't recommend that to anyone. It's a bit to complicated & mysterious for that. i still can't believe i didn't see the ending coming. I'm not gonna say what cause that'll spoil the hole movie. although saying this is spoilment enough. now i'm suppose to cast my vote about this movie. I love the dark mystic story, the actors did a good job & i love the directors (natali) work in the past. There's not a big audience for this kind of thing, that's also pretty risky. you know what, i'm just gonna give this work a 8 cause everybody should see this. Then again, 1 point deduction cause there is always space for improvement. | 1pos
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] |
I bought the DVD out of a big bin for $4.99, thinking I'd lucked into some documentary pearl that would actually show extensive footage of the Karakoram mountains, and K2 in particular. Fast-forwarding through the film, I reached the climactic scene in which the climbers catch their first sight of ---- Mount Waddington, towering to all of 13,260 ft, in Canada's Coastal Range. At least one of the several bozos geared up to climb K2 clearly has no idea what the real mountain actually looks like -- he has to be assured by his friend and climbing partner that he wouldn't have been brought by said partner to an ugly mountain. Given that one of the film's premises is that 27 or so people have lost their lives on K2, you might think that the jerk in question might have taken a minute or two to bone up on a few basic facts, but the clown seems to think that preparations on this scale, while good enough for the likes of Reinhold Messner, are beneath him. To be honest, I haven't watched the whole thing. What I've seen makes me cringe. They say that you get what you pay for. At $4.99, I've been ripped off. | 0neg
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] |
Watching The Tenants has been a interesting experience for me. It is the first film I have ever seen where I have shuttled at speed through parts of the (non)action - and I can normally watch anything from turgid action movies to Serbo-Croat indie and find them fascinating. The Tenants is frustratingly sluggish and over-orchestrated. One of the main problems of the script is there is little realistic character dialogue, apart from the set pieces where characters 'collide' in a very structured setting (to make this work, the film needed to feel more conceptual, which it didn't). This leads to a lack of realistic character development; everyone seems two-dimensional. The worse for this is the character of Bill Spear, aka Snoop Dogg. I found his characterization very uncomfortable and very unsympathetic. At one point, I even stopped the film because I got so annoyed by the character's aggressive, violent and monotonal delivery, the lack of any other personality layer apart from that of the reactionary "on" switch (which gets really predictable after a while) and I so desperately wanted him to have some redeeming qualities. However, one reason for this jar might be the nebulous time scape of the film (supposedly 70s, it feels and looks more early noughties). If it had been more securely fixed in the 70s, his character might have seemed more understandable. The lighting of the film was also awkward. All the way through, the soundtrack attempts to provide a certain gritty, jazz-infused atmosphere that just did not come off, largely because the set was too well-lit. The Tenants, to me, is an unbelievable film. It doesn't depict real people or propose any interesting ways of thinking about race, identity or the life of a writer, be they white or black. Strangely, I came away with the feeling that this project needed David Lynch; his eerie, clastrophobic and obsessive look and feel would have lifted both the actors and the script into something quite remarkable. | 0neg
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] |
The rise of punk music was scarcely documented on film and most people tend to focus on the happenings of other cities such as London or New York. Penelope Spheeris managed to preserve a snapshot of Los Angeles circa '79-'81 which proves a vibrant and diverse art/music community had spawned which rivalled any other. To some, the bands read like a who's who of now legendary American punk; Black Flag, X, Circle Jerks, Germs, Fear. Purists argue that vital bands were missed (Weirdos, Zeros, Flesheaters) and that the movie was the cause of an onslaught of suburban poseurs and macho violence. However, the issues touched upon in the film remain relevant, the intensity of the music remains unmatched and the influence continues to be seen and heard in the cliques/fashions of today. | 1pos
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] |
I have to say, whoever wrote the comment "Oh My God" made a very valid point, where is the title character?! That aside, it is a bit of a light chuckle, but I found myself screaming at the TV more than anything!! Most definitely filmed in England, with a largely British cast. But the home of the main character is most definitely NOT English, despite being in a very English location. The film is packed with things that the American creators obviously thought they were getting totally right, but have got COMPLETELY wrong!! Ridiculous British stereotypes, the types of people whom I have never come across in my 20 years of living; an Irish stereotype; the obvious Asian-American stereotype; American phrases; American cultural references; ridiculous British references that are.. well they're not really anything that anyone in Britain would actually make any form of reference to!! So on and so forth!! Overall, a laugh, but not worth the frustration of being an American made, British based film!! | -1no label
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] |
A young naked schoolgirl is found hanged in a room locked from the inside, the police suspect suicide, until that is the clues seem to point in the direction of murder. So when the police led by Inspector Silvestri(Claudio Cassinelli) with the assistance of the asst district attorney Vittoria Stori (Giovanna Ralli) realise that they are investigating a teen prostitute ring with some highly influential people involved, they know they are going to have a tough time convicting anyone and sure enough their investigation is dogged with interference and dead ends. Dallamano director of What have they done to Solange? again returns to his schoolgirl in peril themed story and like its predecessor it's a highly controversial topic that is handled professionally and intelligently. Despite its topic, there's very little in the way of visual sleaziness here, the offences against the girls are confined to tape recordings the police have and its from these that they build their case. The film is in fact only half Giallo and plays more like a Poliziotteschi (Italian police procedure film), we only get brief glimpses of the leather clad killer as he tries to cover up his identity by killing those who might be able to give him away. Stelvio Cipriani again provides an excellent score, the film looks good visually, no more than you'd expect from a director who used to ply his trade as a cinematographer, there's also a very memorable chase scene that livens up the film immensely. Claudio Cassinelli and Cortese provide some fine acting in their respective roles, if there is such thing as a high brow Giallo this must surely be it. | -1no label
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] |
The two leads, an Englishman and an Aussie filming an American Civil War story in Romania, have not the slightest spark between them, are utterly unbelievable as lovers, and wholly unsympathetic. There is no story, no characterization, virtually nothing to keep the eyelids separated during this interminable bore fest. Renee Zelwegger, also hopelessly miscast, practically chews the fence posts, but at least watching her embarrass herself provides some comic relief. Nicole Kidman is a decade too old for the role and has not the slightest idea what's going on. Jude Law's moron role could have been played equally as well by any of the Romanian extras. The only requirement is to wander about the forest looking stupid while watching a parade of guest stars steal the show. Not that it mattered, because all of the guest star roles were completely unnecessary as they did not advance the so-called plot by one iota. And as if all that wasn't enough, the auteur felt it necessary to throw in some spinning, whirling, kung fu jumping off horses. What was that about? | 0neg
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] |
Received the DVD as a Christmas present, and only have one complaint (and it's not even the movie's fault) -- I wish the aspect ratio were widescreen. A movie as inspirational as this deserves that "big screen" look, especially for the numerous (and well shot) football sequences. Funny that the trailer appears to be widescreen. Hmmm. Well acted, and believable, there were several touching moments in the various character's journeys. Lacey Chabert and Nick Cornish have a good on screen chemistry, while Terry O'Quinn is perfect as the perfectionist coach. I thought I could predict how everything would turn out. I was wrong -- and I love that in a movie! Also nicely done: the background score. (Wish the audio was 5.1, but the Dolby Pro Logic was quite adequate). Dan Haseltine and Joe Hogue are to be congratulated on creating a nice "high school" feel during the many action sequences. The quiet scenes are are rendered nicely, reminding me of the excellent score from "Remember the Titans". For it's sound focus on quality drama, moving moments, great sport shots and without trashy language, I highly recommend this film. | -1no label
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] |
Hey, I know by far that Spain produces the best comedy series ever, perhaps even better than any American. I can't say the same of other kind of series, but we are GREAT at comedies. For example: "Aquí no hay quien viva", "Los Serrano", "Aída", "7 Vidas", "Médico de Familia", "Todos los hombres sois iguales", etc, etc, etc... Yeah, we might not be the best making movies, or making mystery series, but we are good with the comedy series. 7 Vidas? A very good example. And, it's not like Friends at all. It's just some kind of humor that makes it singular. The main theme it's not very much. There is a guy who had an accident and was in coma for 18 years. Then his sister, his best friend, his best friend's mother and his cousin try to get him into the world again. The most important thing of 7 Vidas are it's jokes and it's stupid stories, the singularity of the characters that make you laugh. The actors are so good, too. Javier Camera is a genius, Amparo Baró does it pretty well and Anabel Alonso (I gotta say, my favourite) is a great comedian. If you haven't see it yet, you have to see it. | -1no label
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] |
Without checking out reviews of the time it's pure speculation whether this blatant rip-off of Meet Me In St Louis went undetected. It's possible that critics and/or viewers weren't so analytical back then but against that is the fact that less than a decade had passed before the Musical Queen of the Warner lot went up against the ex (just) Musical Queen of MGM. There are clues a plenty; both were based on well-loved reminiscences masquerading as short stories - by Sally Benson and Booth Tarkington respectively; both featured charming (but with a touch of the 'cutes') American families; both were set in the Mid-West, Missouri and Indiana respectively; both featured Leon Ames as Banker patriarch; in both stories the girl of the family falls for the Boy Next Door (who, this time around has relocated to the Boy Across The Street); both families boasted an outspoken maid in the respective shapes of Marjorie Main and Mary Wickes plus a youngest member (Margaret O'Brien, Billy Gray) whose tall stories result in misunderstandings that lead to physical assault. Both even have snowmen for God's sake. In most cases the actors stand up well to their counterparts though Rosemary de Camp in the Mary Astor mother role would perhaps not have been as effective as Astor at playing 'bad' as Astor did in The Maltese Falcon. Mary Wickes has far more warmth and appeal than Marjorie Main, Gordon McCrae could sing better than Tom Drake and Gray had a slight edge on O'Brien. What the latter lacks is Minnelli's eye for color and decor and a score by Ralph Blane and Hugh Martin, relying heavily on tried-and-true numbers from the period (1917 against the 1903 of St Louis). Seen today it's highly watchable and competently done but overall I feel that Meet Me In St Louis would come off best in say another fifty years from now. | -1no label
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] |
I thought this movie was fantastic. It was hilarious. Kinda reminded me of Spinal Tap. This is a must see for any fan of 70's rock. (I hope me and my friends aren't like that in twenty years!) Bill Nighy gives an excellent performance as the off kilter lead singer trying to recapture that old spirit, Stephen Rea fits perfectly into the movie as the glue trying to hold the band together, but not succeeding well. If you love music, and were ever in a band, this movie is definitely for you. You won't regret seeing this movie. I know I don't. Even my family found it funny, and that's saying something. | 1pos
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] |
I saw this movie on the Starz channel. I'd never heard of it. I watched it because I thought that Jeff Goldblum, being a star, would pick good projects. This movie is one of his poorer choices. Theres not much I can say about this film other than it was boring and preachy in a very amateurish kind of way, with B-movie style dialogue and unconvincing performances. I walked away from watching this mess not giving a hoot or a holler about the Hollywood Ten, Salt of the Earth, the Blacklist and above all this dreadful "student" film. In fact I hope I never hear about it ever, ever again! | -1no label
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] |
I saw the Strangers With Candy movie yesterday at a free screening. I'm a huge fan of the show (I own all 3 seasons on DVD) and I couldn't believe my luck at having been given a pass. For the most part, t.v. shows don't translate well on the big screen and it pains me to say that Strangers with Candy the movie is no exception to this rule. Basically, the film is a re-hashing of the same gags and jokes true fans know and love (and will unmistakably remember) from the t.v. show. This lame regurgitation simply didn't work, and it was evident through the acting that the actors themselves felt uncomfortable reciting the same material. A side note: At the risk of sound like a total obsessive nerd and the equivalent of SWC "trekkie"....why the hell did they change Derrick??? and the Flatpoint campus (not to mention its new location directly across from the Blank residence!) And this Megawatti person is such a lame substitution for Orlando! This is not to say that the film didn't have it's funny moments--it did have it's fair share. The opening prison montage was especially funny and memorable. Stephen Colbert was hilarious in every scene, and Amy delivered as usual. | -1no label
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] |
This film starts out good and pretty much stays that way, reaching its high point with the Oedipus joke. After that it's straight down. It just loses appeal to fast and it especially does so after the first wedding. Then there are some shoot outs and a betrayal subplot and somehow the comedy gets lost and you just have a Mafia movie that is not really that good. Also I found the performance of Lisa Kudrow too Friends like and I though that DeNiro could not cry that convincingly, but that latter doesn't really matter to me that much, for this is a comedy. Up until the Oedipus - joke I probably would have given this one an 8 but now seeing the whole film its this: A verrrrrry small (like 6,5) 7 out of 10 | -1no label
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] |
Oh where do I begin... It is possible for a cheesy movie to still be good. Some movies, while corny, are delightfully so. This movie has a cheese factor that could beat out the entire state of Wisconsin. Now don't get me wrong, this movie will hook you with the whole "plight to save her dead sister's child from the husband who murdered her" storyline, but that doesn't mean you should sit through it to find out who gets the kid. I happened upon this stereotypical Lifetime movie on a perfectly useful Saturday morning and by the time the film was over, so was the day. It's called a Lifetime movie because it takes a lifetime to watch... For a "based on a true story" movie, it was ridiculously unrealistic. The crime scene was so outrageous and the idea that relatives would be allowed to live in the house while it's under police investigation is so unbelievable it's almost laughable. Sitting down to watch this will mean at least four hours of your life that you will never get back. | -1no label
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] |
This is a so-so thriller with a pretty boy hero going through a lot of convoluted flashbacks ala "jacob's ladder" and "butterfly effect". I noticed a taste of "identity" in the mix too. This movie has good suspense right up until the end where it just kinda goes limp without delivering the goods in a most pathetic manner. It replaced intelligence with obscurity since the writers only had the latter as a tool for plot development. Basically you are left wondering - huh? And .. do I even care what the real deal is with this story or is there even a cohesive story to be uncovered here? Or is it just some dumb ending slapped on the end in an attempt to tie up the hundreds of loose ends this weird script leaves hanging? | -1no label
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] |
This is the biggest piece of lamo I've ever watched. It is excruciatingly boring I would have rather sat through a seminar on creationism than have watched this if i had known it was going to be as boring as it was. Not even the 40 seconds of the hot chick in the bikini with the big ta tas redeems this of anything lower than a 1. The reviews of this movie claiming that this movie is "unintentionally funny" are absurd and just plain WRONG. Not one thing is funny about this movie. they spend the first 50 or so minutes walking through the woods talking about stuff you wouldn't understand nor care about and it is just as lame when the people start dying because you don't even know who the people are because they are so UNINTERESTING. Honestly though, I didn't watch it to the ending, but that should say something about how horrible it is. WORST MOVIE EVER. Immediately after ejecting this filth from my DVD player I started scraping it against the cement in front of my house, not wanting other blockbuster customers to have to fall upon the same mistake i had made as to rent this movie. Then Zach peed his pants. Thankyou for your time. | 0neg
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I signed up for this membership to say something after reading all the negative comments on this movie. As Japanese or other Asian mostly unpopular in this country, I guessed that this wouldn't charm almost any one people here. Seems to affect some people though... This kinna represents how unwilling and unwanting to know any other culture and other aspects of life or... how don't understanding it is... about other cultures... Took me about 10 min. to register this site and I kinna assume that people commenting here would be better than the ones who didn't. If you want to see hard boiled action movie or die hard hollywood blockbuster movies, please do not watch this movie. I also love mind numbing endless action movies like the ones played by Mel Gibson, Steven Seagal, Jean Claude Van Damme. This kinna contributes the marketer who try to suck all the money out of movie goers not telling them what this is really about. Funnily enough this is about life and everything inside it. And about how hard it is to achieve the simplest and smallest thing in the life of one person as it may seem so easy to do so. My best guess is this director doesn't tell you what to do or what to think of so don't be offended if not understood. He is also an ordinary person living and wonderding every aspects of life he is dragged. Just he is trying to be honest expressing himself and I think that's what it caught all other people who are affected in any way. OK. Just think how life could be lovable and intimidating by being itself. | -1no label
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Irwin Allen's first venture into all star spectacle was one all star disaster. The Story of Mankind contains some of the most incredible casting decisions of all time. Virginia Mayo as the blond Cleopatra, Dennis Hopper chewing the scenery with Napoleon, Peter Lorre dining on the scenery for weeks as Nero, Marie Wilson as Marie Antoinette as a roadshow Marilyn Monroe, that's just some of them. The film also is known for being the last film which featured all three of the Marx Brothers though they all have different roles. Chico plays a monk who is Christopher Columbus's confidante, Groucho euchres the Indians out of Manhattan island as Peter Minuit, and most astonishing of all, Harpo Marx as Sir Isaac Newton who discovers gravity when an apple conks him on the bean. Holding all these portrayals together is a story where mankind itself is being judged. A super H Bomb is about to be discovered and let loose will do in the world's population. It's Judgement Day a coming. But mankind has its advocates and detractors. Speaking for the prosecution is Old Scratch who's been bringing the worst out in man for centuries in the form of Vincent Price. But man has his good side as well and who better than Ronald Colman to demonstrate man at his most civilized best. Colman and Price plead their case before The Judge played by Cedric Hardwicke. In those three individuals you have some of the finest speaking voices the English language ever knew. When the film is on them as they each bring out the exhibits for their case it's a pleasure to listen to. Then when the focus is on the individual stories, you want to scream in agony. What was Irwin Allen driving at, I'm still trying to figure it out. Was he deliberately camping it up with some of these casting decisions? If it was satire, it just doesn't get off the ground. This was Ronald Colman's farewell film and while it's hardly something I'd like to go out on, I can't think of any man who could have stated the case for civilization any better. So when you see The Story of Mankind, fast forward through some of the exhibits and treasure every moment the advocates are before the judge. | 0neg
| [
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] |
Beyond a shadow of a doubt Mysterious Planet is one of the worst movies ever made, yet retains an affection in my heart because the poverty of its special effects and astoundingly awful sound track in the first 15 minutes (and to be honest that's all you need to see) combine to create something that is hilariously side-splitting. The opening scene in 'space' is just about as unfathomable as cinematography gets, as washing-up liquid bottles whiz past your eyes to muffled dialogue. Before you've had time to work out whether it's you who's gone mad, the credits roll and the action struggles to life. And aside from the double-headed plasticine giant snail that terrorises our heroes, you also get the added double bonus of having both the original actors voices AND the dubbed voices at the same time. Pure genius. The sad thing for fans of this kind of fare is that I've only ever seen one copy, so the chances of ever seeing it yourself is highly unlikely. Perhaps I own the only copy in existence. | 0neg
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] |
I was really geared up to watch when two of best movie critics tagged this movie as a 'laugh riot'. But the movie turned out be disappointing. You will be advised to watch this movie keeping your brains at home but you simply can't ignore the flaws and the shortcomings. 1. The missile scene was total stupidity. 2. Katrina Kaif and Govinda pair looked awful. (He's 49 and she's just 24... more than double of her age) 3. Salman's comedy is less of acting and more of overacting. 4. Songs are good but interrupts the pace of the movie. 5. Some scenes were deliberately attempted by the movie makers to be funny, and 6. Poor and flawed story. However, there are few pluses- 1. Govinda. Great Individual Performance. 2. Some scenes are actually quite funny. 3. Kattrina Kaif. Looks and Acting keeps on improving with every film. 4. Rajpal Yadav's Don sequences. Though under-utilized but hilarious. So 4 good points, 6 bad ones.. this one gets 4/10. | 0neg
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