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it is also , at times , curiously moving .

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an exciting and involving rock music doc , a smart and satisfying look inside that tumultuous world .

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is n't it great ?

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think of it as a sort of comfort food for the mind .

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a worthy entry into a very difficult genre .

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subversive , meditative , clinical and poetic , the piano teacher is a daring work of genius .

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flaccid drama and exasperatingly slow journey .

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and in truth , cruel as it may sound , he makes arnold schwarzenegger look like spencer tracy .

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i 'd give real money to see the perpetrators of chicago torn apart by dingoes .

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a stunning piece of visual poetry that will , hopefully , be remembered as one of the most important stories to be told in australia 's film history .

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truth to tell , if you 've seen more than half-a-dozen horror films , there 's nothing here you have n't seen before .

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branagh , in his most forceful non-shakespeare screen performance , grounds even the softest moments in the angry revolt of his wit .

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all this turns out to be neither funny nor provocative - only dull .

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splashes its drama all over the screen , subjecting its audience and characters to action that feels not only manufactured , but also so false you can see the filmmakers ' puppet strings .

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an intelligent fiction about learning through cultural clash .

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may be spoofing an easy target -- those old ' 50 's giant creature features -- but ... it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today .

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this is the kind of movie that used to be right at home at the saturday matinee , and it still is .

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this series should have died long ago , but they keep bringing it back another day as punishment for paying money to see the last james bond movie .

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an original gem about an obsession with time .

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obstacles are too easily overcome and there is n't much in the way of character development in the script .

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suffers from rambling , repetitive dialogue and the visual drabness endemic to digital video .

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we are left with a superficial snapshot that , however engaging , is insufficiently enlightening and inviting .

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katz uses archival footage , horrifying documents of lynchings , still photographs and charming old reel-to-reel recordings of meeropol entertaining his children to create his song history , but most powerful of all is the song itself

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much monkeyfun for all .

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there 's suspension of disbelief and then there 's bad screenwriting ... this film packs a wallop of the latter .

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all the well-meaningness in the world ca n't erase the fact that the believer feels like a 12-step program for the jewish nazi .

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in fessenden 's horror trilogy , this theme has proved important to him and is especially so in the finale .

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if you 're not the target demographic ... this movie is one long chick-flick slog .

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this is a very fine movie -- go see it .

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half of it is composed of snappy patter and pseudo-sophisticated cultural observations , while the remainder ... would be more at home on a daytime television serial .

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filmmakers have to dig deep to sink this low .

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like the film 's almost anthropologically detailed realization of early - '80s suburbia , it 's significant without being overstated .

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i loved looking at this movie .

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the cold and dreary weather is a perfect metaphor for the movie itself , which contains few laughs and not much drama .

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as hugh grant says repeatedly throughout the movie , ` lovely !

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a spunky , original take on a theme that will resonate with singles of many ages .

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the plot is straight off the shelf , the performances are television - caliber and the message of providing solace through deception is a little creepy .

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this bold and lyrical first feature from raja amari expands the pat notion that middle-aged women just wan na have fun into a rousing treatise of sensual empowerment .

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fear dot com is so rambling and disconnected it never builds any suspense .

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it 's a hoot and a half , and a great way for the american people to see what a candidate is like when he 's not giving the same 15-cent stump speech .

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this film is so slick , superficial and trend-hoppy , that it 's easy to imagine that a new software program spit out the screenplay .

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nothing plot-wise is worth e-mailing home about .

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the problem is n't that the movie hits so close to home so much as that it hits close to home while engaging in such silliness as that snake-down-the-throat business and the inevitable shot of schwarzenegger outrunning a fireball .

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it 's all pretty cynical and condescending , too .

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writer/director john mckay ignites some charming chemistry between kate and jed but , when he veers into sodden melodrama , punctuated by violins , it 's disastrous and kate 's jealous female friends become downright despicable .

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the people in dogtown and z-boys are so funny , aggressive and alive , you have to watch them because you ca n't wait to see what they do next .

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newton draws our attention like a magnet , and acts circles around her better known co-star , mark wahlberg .

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i whole-heartedly recommend that everyone see this movie -- for its historical significance alone .

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but like most rabbits , it seems to lack substance .

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birot 's directorial debut ( she co-wrote the script with christophe honoré ) is n't so much bad as it is bland .

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this warm and gentle romantic comedy has enough interesting characters to fill several movies , and its ample charms should win over the most hard-hearted cynics .

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in the end , punch-drunk love is one of those films that i wanted to like much more than i actually did .

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despite the premise of a good story ... it wastes all its star power on cliched or meaningless roles .

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boring we did n't .

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children may not understand everything that happens -- i 'm not sure even miyazaki himself does -- but they will almost certainly be fascinated , and undoubtedly delighted .

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a captivating cross-cultural comedy of manners .

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director brian levant , who never strays far from his sitcom roots , skates blithely from one implausible situation to another , pausing only to tie up loose ends with more bows than you 'll find on a french poodle .

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the movie has very little to offer besides unintentional laughs .

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the smug , oily demeanor that donovan adopts throughout the stupidly named pipe dream is just repulsive .

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absorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way .

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sorry , charlie

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the lack of pace kills it , although , in a movie about cancer , this might be apt .

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while super troopers is above academy standards , its quintet of writers could still use some more schooling .

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cute , funny , heartwarming digitally animated feature film with plenty of slapstick humor for the kids , lots of in-jokes for the adults and heart enough for everyone .

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with a cast that includes some of the top actors working in independent film , lovely & amazing involves us because it is so incisive , so bleakly amusing about how we go about our lives .

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a film of precious increments artfully camouflaged as everyday activities .

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feel bad for king , who 's honestly trying , and schwartzman , who 's shot himself in the foot .

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this clever caper movie has twists worthy of david mamet and is enormous fun for thinking audiences .

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a dream cast of solid female talent who build a seamless ensemble .

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quite funny for the type of movie it is ...

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despite its flaws , secretary stays in your head and makes you question your own firmly held positions .

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before long , the film starts playing like general hospital crossed with a saturday night live spoof of dog day afternoon .

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münch 's genuine insight makes the film 's occasional overindulgence forgivable .

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this is one of the most visually stunning and thematically moving epics in recent memory , and in spite of numerous minor flaws , scorsese 's best in more than a decade .

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undercover brother does n't go far enough .

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maudlin and melodramatic we expected .

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everytime you think undercover brother has run out of steam , it finds a new way to surprise and amuse .

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lacking gravitas , macdowell is a placeholder for grief , and ergo this sloppy drama is an empty vessel .

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this time out , ( sade ) is an unsettlingly familiar figure -- in turns loyal and deceitful , responsible and reckless , idealistically selfless and coldly self-interested .

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too timid to bring a sense of closure to an ugly chapter of the twentieth century .

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a triumph , relentless and beautiful in its downbeat darkness .

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the experience of watching blobby old-school cgi animation in this superlarge format is just surreal enough to be diverting .

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the impact of the armenian genocide is diluted by too much stage business in the modern day .

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the film delivers not just the full assault of reno 's immense wit and insight , but a time travel back to what it felt like during those unforgettably uncertain days .

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do not , under any circumstances , consider taking a child younger than middle school age to this wallow in crude humor .

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human nature talks the talk , but it fails to walk the silly walk that distinguishes the merely quirky from the surreal .

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you have to pay attention to follow all the stories , but they 're each interesting .

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what 's at stake in this film is nothing more than an obsolete , if irritating , notion of class .

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anchored by a terrific performance by abbass , satin rouge shows that the idea of women 's self-actualization knows few continental divides .

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awkward but sincere and , ultimately , it wins you over .

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though howard demonstrates a great eye as a director , this southern gothic drama is sadly a tough sit , with an undeveloped narrative and enough flashbacks and heavy-handed metaphors to choke a horse -- or at least slow him down to a canter .

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a worthy tribute to a great humanitarian and her vibrant ` co-stars . '

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a minor picture with a major identity crisis -- it 's sort of true and it 's sort of bogus and it 's ho-hum all the way through .

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just like hearst 's enormous yacht , it 's slow and unwieldy and takes a long time to reach its destination .

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lauren ambrose comes alive under the attention from two strangers in town - with honest performances and realistic interaction between the characters , this is a coming-of-age story with a twist .

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the ring just left me cold and wet like i was out in the seattle drizzle without rainwear .

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sucking all the ` classic ' out of robert louis stevenson 's treasure island and filling the void with sci-fi video game graphics and disney-fied adolescent angst ...

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an experience so engrossing it is like being buried in a new environment .

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it 's never a good sign when a film 's star spends the entirety of the film in a coma .

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an imaginative comedy/thriller .

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