chunk_id
stringlengths 5
8
| chunk
stringlengths 1
1k
|
---|---|
116_7 | Michiru Aida is a beauty parlour assistant who gets constantly bullied at her workplace "Niche" by her seniors. Her mother doesn't care about her much, even forgetting her 22nd birthday. She moves in with her boyfriend Sousuke; who is the only one who she can confide her emotional problems to but becomes the victim of domestic violence.
She was Ruka's best friend in middle school and has not seen her for four years after her mother moved them to a relative's place in Choushi. Michiru graduated from high school in 2003. |
116_8 | After returning to Tokyo, she is spotted by Ruka while shopping for new furniture in accordance with moving in with Sousuke. The two then spend time catching up at a park which holds precious memories to each of them. In the past, Michiru would tell Ruka all of her family problems at the very same park, eat ice cream and take shelter from the rain there. When she returns to Sousuke's apartment, she is slapped because Sousuke thought that the messages that Michiru was receiving from Ruka was from a guy. Failing to find the graduation album in her house, Michiru returns and gets slapped again and promises to find it. When she returns to her house again, she sees her mother with another guy, so she decides to go to the park. Ruka finds Michiru by instinct after receiving a miss call from her, and brings Michiru back to the Share House. They spend the night there and after Ruka sees Michiru crying in her sleep, Ruka kisses Michiru. |
116_9 | She gives Ruka a good luck charm for the race, which Ruka considers to be the thing which saved her during the accident which occurred during the race when her bike flipped over. After the accident, Michiru nearly gets attacked by Sousuke until Ruka turns up and yells at Sousuke not to touch "my Michiru".
After being raped by Sousuke, Michiru moves out of the ShareHouse and isolates herself from everyone else. She goes back to Choushi, where nine months later, she is about to give birth. However, complications arises when it is discovered she has abnormal high blood pressure that can endanger both her child and herself. She manages to pull through and names the child "Rumi", Ru from Ruka and Mi from Michiru. Ru is also present in Takeru.
Taeko Asano has stated that Michiru and Ruka were not based on Naoko Takeuchi's Sailor Moon characters Michiru and Haruka despite rumors.
Japanese Live action actor: Juri Ueno |
116_10 | A brilliant motocross racer, Ruka Kishimoto was Michiru's best friend since middle school. When she meets Michiru after four years, she is delighted yet worried about it. She dislikes people discriminating against gender, like her motocross senior does. She comments that when she is racing and in the air, "everything disappears" and "you become a thing floating in air" regardless of gender. Ruka lives in the Share House with Eri.
Her main problem throughout the series is confessing her love for Michiru. There are moments where it is obvious that Ruka loves Michiru, yet Michiru doesn't see it. Sousuke describes Ruka looking at Michiru with "male like eyes". Her relationship with Takeru is different. While Takeru loves Ruka, Ruka treats him like a friend. Her father even states that Takeru looks "weak", much to Ruka's amusement. |
116_11 | In the past, she and Michiru often got in trouble with the patrol man for riding together on a single seat bicycle. They would stay at a park where Michiru would confide to her about her family problems, and Ruka would stay with her because she "couldn't leave her in tears". Ruka graduated from high school in 2003.
Her motocross number is #27. While initially looked down upon by her male senior, Ruka eventually wins the Kanto Motocross Competition. Ueno started training for the motocross scenes in February, and she commented that the bike was really heavy as it weighs 90 kg. |
116_12 | Taeko Asano commented that Ueno Juri "changed" her image from the Nodame Cantabile hairstyle to Ruka's clothing and hair style right before rehearsal. Asano also commented that "she's a natural genius" and that she became "the character itself" because Ueno changed her habits of walking, talking and sitting to emulate Ruka's style, even when the camera's were not in action. Ueno stated that the role of "Ruka" was starting to have an effect on her.
Asano has also stated that Michiru and Ruka were not based on Naoko Takeuchi's Sailor Moon characters Michiru and Haruka despite rumors.
Japanese Live action actor: Eita
A professional makeup and hair artist by day and a bartender by night, Takeru suffers from a trauma acquired during his childhood. As such, he is uncomfortable around women, except Ruka, whom he has fallen in love with. Many, including Eri at first, suspect him as gay because of his good looks yet the absence of a girlfriend. |
116_13 | When he was a child, his father was abusive but his mother remained by his side. His sister wanted an ally that would not betray her and used Takeru. It is not stated what happened between him and his step sister, but because of it, Takeru suffers from trauma and is afraid of a woman's body.
Takeru is injured badly because Sousuke thought he was the object of Michiru's affection. Due to the injury sustained, he loses his job.
However, when Michiru disappears, Takeru drags Ruka along to "fill her heart". They meet Michiru at the hospital after a minor accident, and after she gives birth, Takeru tells the baby that he will be the father.
{{nihongo|Eri Takigawa|滝川 エリ|Takigawa Eri}}Japanese Live action actor: Asami Mizukawa |
116_14 | An air stewardess, Eri is a happy go lucky woman who often finds herself miserable at love. She is the only original member of the ShareHouse other than Ruka prior to the main story. Eri loves to drink, and can speak various words in different languages due to her experience at work.
Eri often speaks whatever is on her mind, even guessing Ruka's feelings towards Michiru. When Ruka denies this, saying that she treats everyone fairly, Eri also denies her statement because she felt that she was treated differently although Eri is Ruka's housemate. She regrets that she didn't know about Ruka's GID issue until after Ruka wins the motocross race. |
116_15 | When Ogurin tells her that he is leaving for Milan due to a transfer, she gets angry with him for apologizing. However, when she goes to work, Ogurin turns up with a bunch of roses, asking her to marry him. She marries Ogurin despite him being good for nothing, insinuating that her love is enough for both of them. Both of them move out of the ShareHouse due to Ogurin's transfer to Italy, but return eventually after a year for a reunion.Japanese Live action actor: Ryo Nishikido
Sousuke Oikawa is Michiru's boyfriend who works in the Children's Welfare department. He abuses Michiru and seems to suffer from multiple personalities, once slapping her then apologizing and
hugging the next moment. He beats up Takeru as he mistakenly assumes that Takeru was the guy Ruka said that Michiru liked. Sousuke also nearly rapes Ruka, but Ruka manages to get away at the last minute by smashing a lamp into him. |
116_16 | The only relationship he has besides being Michiru's boyfriend is with a young boy who he rescues from an abusive parent. He saves the child's life from an oncoming train, breaking several of his bones in the process.
When he was 10, Sousuke was raised by various relatives after his mother ran away with a customer at the supermarket where she had worked. It is because of this that Sousuke wanted to marry Michiru and raise a happy family.
Sousuke commits suicide at the end of the series because he felt he could not give Michiru the happiness she found with the ShareHouse members. He writes her a letter, explaining his actions and how he understood that the only way to set Michiru free was to kill himself.
Masami Nagasawa, who played opposite Nishikido as Michiru, stated that "his type of acting is more difficult than mine. He also worries about me being hit accidentally." |
116_17 | Supporting characters
Tomohiko OguraJapanese Live action actor: Shigenori Yamazaki
Tomohiko Ogura is Eri's senior at their workplace. He has an estranged relationship with his wife Eiko and decides to move into the ShareHouse while he finds a way to solve his problem. He is often called Ogurin''. Ogurin is very cowardly sometimes, unable to stand up for himself or worry a lot about his wellbeing.
He realizes that he has been in love with Eri all along, and marries her. They both move out of the ShareHouse due to Ogurin's transfer to Italy, but return eventually after a year. |
116_18 | Aki Nishihara as Reina Hiratsuka
Rea Ranka as Sayuri Mita
Sayaka Hirano as Mayumi Okabe
Mitsuko Baisho as Chinatsu Aida
Michiru's mother, she is often drunk and very careless. She gambles and borrows money often, leading to financial burdens on Michiru. At the start of the drama, she finds a new lover which makes Michiru irritated. When Chinatsu needed money to pay of some debts, Sousuke offers her some and in return she tells him of Michiru's location.
Takeru Shibuya as Naoya Higuchi
Toshiyuki Kitami as Kenichiro Endo
Yuko Ito as Yuko Shirahata
Takeru's sister. Their past is vaguely shown, but it is clear that she did something to Takeru which made him fear a woman's body.
Tetsushi Tanaka as Kazumi Hayashida
Hayashida is Ruka's motocross senior. Often looking down on women, Hayashida believes that it is almost impossible for a woman to reach the speed and level of a male racer. He once tried to hit on her, but Ruka manages to ward him off. |
116_19 | Mayumi Asaka as Yoko Kishimoto
Mitsuru Hirata as Shuji Kishimoto
Mitsuki Nagashima as Shogo Kishimoto
Shogo is Ruka's younger brother. The Kishimoto family is very supportive of Ruka.
Setting
The drama takes place in modern-day Tokyo.
The ShareHouse is a house where members share the rent (40000 yen per person) amongst themselves. Takeru mentions to Chinatsu Aida that the house is shared among five people, but the full capacity is unknown. In the beginning, Ruka and Eri are the only members of the ShareHouse, but soon Takeru, Ogurin and Michiru move in as well. The members share the facilities, such as the toilet, kitchen and living room, but each of them have their own rooms. Eri lets Ogurin into her room at times. |
116_20 | The Inokashira Park is another notable setting. When Michiru and Ruka were in high school, they used to go to the park and spend time there. Michiru and Ruka reminisce about their high school days when they meet after four years. After Michiru was beaten up by Sousuke, Ruka finds her in the park. Ruka and Michiru reconcile here after Takeru arranges the meeting. The park also serves as the location where Michiru hides after discovering Ruka's secret.
Media
Manga
The manga features Ruka and Michiru during their highschool days.
OST
Name: Last Friends Original Soundtrack
Release Date: June 11, 2008
An OST containing 21 different tracks have been produced. All songs were composed by Akio Izutsu except the last track.
DVD boxset
The series was released on October 15, 2008. Containing 6 discs, the boxset also includes extras, such as the mini series "Eri - My love" and other bonuses. The retail price for the set is 22800 yen without tax. |
116_21 | Others
The main cast members have appeared in the 2008 Spring Session of Waratte Iitomo. The Last Friends team scored a total 1330 points, the second last team in ranking. Juri Ueno, Asami Mizukawa and Ryo Nishikido were the three members who played the bow and arrow game, each scoring 100 points each. However, Ryo Nishikido's points were doubled to 200 because he had the golden arrow.
Masami Nagasawa, Juri Ueno and Eita appeared on Mentore G talk show on June 1, 2008. They talked about their roles and the program features their debut work, favourite hobbies and favourite food.
The May edition of the KazeRock magazine features Nagasawa, Ueno and Eita as rock band members.
Nagasawa and Ueno also appeared on Mezamashi TV for an interview. Eita commented that the two were really like Michiru and Ruka and kept holding hands. Nagasawa and Ueno insisted it was
because both of them were nervous. |
116_22 | A pre finale radio interview was broadcast on June 15, 2008 at Masami Nagasawa's regular radio show. The interview took place at Odaiba's Wangan Studio and the guest were Ueno, Eita, Mizukawa and Yamazaki.
Ueno, Mizukawa and Eita all starred together in the live action series of Nodame Cantabile. Nagasawa commented during the pre-finale radio broadcast that the "Nodame Team" worked really well together.
The 5 cups made by Okaeri and used in the series run are available to be purchased.
List of episodes
Special |
116_23 | Reception
Last Friends was number 1 on Fuji's top 50 list during its run. However, it had since dropped to 6th place after the broadcast of the special and as of the week of July 7 to 13, Last Friends ranked 9 on the Top 50 list. The series have subsequently dropped to the 15th place and then the 16th place as of the week July 21 to 27. From July 27 to August 3, Last Friends ranked 19 and then moved up to 18 at August 10.
In the first quarter of 2008, Yahoo word search ranking placed Last Friends 1st on the list.
Oricon Style had a poll for the female audience's favorite actor and actress right after Last Friends finished its run. Ueno was voted 1st, while Nagasawa was tied with two others at 6th place. Eita tied in 4th position. |
116_24 | Last Friends came second in the "Best Drama" at the 12th Nikkan Sports Drama Grand Prix. Juri Ueno won "Best Supporting Actress" while Ryo Nishikido won "Best Supporting Actor." Masami Nagasawa tied in fourth place for "Best Actress" while Eita also came fourth in the "Best Supporting Actor" category.
In the 57th Television Drama Academy Awards, Last Friends won as Best Drama. Masami Nagasawa won the 3rd Best Actress award. Juri Ueno won as Best Supporting Actress, while Ryo Nishikido won the Best Supporting Actor award. Both Ueno and Nishikido won with straight sets from the fans, journalists and critics. Eita was the runner up in the Best Supporting Actor category. Last Friends was also awarded the Best Script, Best Director and the Best Theme Song for Hikaru Utada's "Prisoner of Love".
Awards
References
External links
Last Friends website
Last Friends: Another
Last Friends Chinese website |
116_25 | 2008 Japanese television series debuts
Japanese drama television series
2008 Japanese television series endings
Fuji TV dramas |
117_0 | Lawrence is a village in Nassau County, New York, United States. As of the 2010 United States Census, the village population was 6,483.
The Village of Lawrence is in the southwestern corner of the Town of Hempstead, adjoining the border with the New York City borough of Queens to the west and near the Atlantic Ocean to the south. Lawrence is one of the "Five Towns", which consists of the villages of Lawrence and Cedarhurst, the hamlets (unincorporated areas) of Woodmere and Inwood, and "The Hewletts", which is made up of the hamlet of Hewlett together with the villages of Hewlett Bay Park, Hewlett Harbor and Hewlett Neck, along with Woodsburgh. |
117_1 | Old Lawrence
Old Lawrence, or Back Lawrence, is a part of the Village of Lawrence, comprising many large homes, mansions, beach side villas and former plantations with very large property, a few dating back to the time of the American Revolution. This area, like Hewlett is unique because its rural affluence is similar in character to the more well known Gold Coast of the North Shore instead of being more urbanized like the rest of the South Shore of Nassau County. An interesting pre-Revolutionary home on Long Island, Rock Hall, was home to two prominent families, the Martins and Hewletts, and is now an active museum. |
117_2 | Beginning in 1869, a railroad line was completed which originated in New York City and ran through the part of Long Island now called The Five Towns. Part of the land in that area was acquired by three brothers with the surname "Lawrence," which is who the Village was eventually named after. During the second half of the 19th century, it was a main vacation spot for the wealthy families until the 1890s. A series of hurricanes and nor'easters altered the coastline considerably and destroyed a large beachfront hotel. Lawrence could no longer boast direct access to the sands along the Atlantic Ocean. At the same time, Lawrence began to become more like a modern suburb, a village with schools, public facilities, better roads and a large town area that expanded into what it is now today.
In 1897, Lawrence incorporated as a village. This enabled it to gain local control of zoning. |
117_3 | Lawrence, or most notably Old Lawrence, was formerly home to a large upper class of White Anglo-Saxon Protestant families who lived there since the time of the American Revolution. From the 1940s to 1980s, it became a center of Reform and Conservative Jewish life that included the largest Reform synagogue on Long Island (Temple Israel). Many noteworthy residents grew up in Lawrence during this period.
In the late 1980s, it saw a large migration of Modern Orthodox Jews. The Orthodox Jewish communities are close to the more Haredi nearby center of Far Rockaway which has more yeshivas for the children and younger members as well as a variety of kosher restaurants and communal organizations. Central Avenue in Lawrence (and its continuation in Cedarhurst) has a large and growing number of kosher restaurants and other business catering to the Orthodox community.
Geography |
117_4 | According to the United States Census Bureau, the village has a total area of 4.7 square miles (12.1 km2), of which 3.8 square miles (10.0 km2) is land and 0.8 square mile (2.2 km2) (17.91%) is water.
Demographics
As of the census of 2000, there were 6,522 people, 2,113 households, and 1,629 families residing in the village. The population density was 1,694.6 people per square mile (654.1/km2). There were 2,287 housing units at an average density of 594.2 per square mile (229.4/km2). The racial makeup of the village was 95.2% White, 1.1% African American, <0.1% Native American, 1.7% Asian, <0.1% Pacific Islander, 1.0% from other races, and 0.9% from two or more races. Hispanic or Latino of any race were 3.4% of the population. |
117_5 | There were 2,113 households, out of which 37.6% had children under the age of 18 living with them, 69.7% were married couples living together, 5.5% had a female householder with no husband present, and 22.9% were non-families. 20.8% of all households were made up of individuals, and 13.0% had someone living alone who was 65 years of age or older. The average household size was 3.09 and the average family size was 3.62.
In the village, the population was spread out, with 32.6% under the age of 18, 6.9% from 18 to 24, 20.3% from 25 to 44, 24.0% from 45 to 64, and 16.1% who were 65 years of age or older. The median age was 37 years. For every 100 females, there were 94.2 males. For every 100 females age 18 and over, there were 89.7 males. |
117_6 | The median income for a household in the village was $104,845, and the median income for a family was $129,779. Males had a median income of $99,841 versus $41,094 for females. The per capita income for the village was $51,602. About 4.3% of families and 6.3% of the population were below the poverty line, including 6.2% of those under age 18 and 5.8% of those age 65 or over.
Government
The Village of Lawrence is governed by an elected Mayor and Board of Trustees. The present Mayor is Alex H. Edelman, elected in 2014. The Board of Trustees consists of 5 members including the Mayor. Members of the Board of Trustees are as follows:
Alex H. Edelman - Mayor
Michael A. Fragin - Deputy Mayor
Syma F. Diamond - Trustee
Uri Kaufman - Trustee
Daniel J. Goldstein - Trustee
Lawrence recently enacted term limits for the Village Board. The Mayor may only serve three two year terms and trustees are limited to four two year terms. |
117_7 | Representation within wider government
Township - Town of Hempstead, Councilman Bruce Blakeman.
County - Nassau County, Laura Curran, County Executive
New York State Legislature - Senate, 9th District, Todd Kaminsky, Senator
New York State Legislature - Assembly, 20th District, empty, Assemblywoman Melissa “Missy” Miller (R)
United States Congress - New York's 4th district, Kathleen Rice, Representative
Education
The Lawrence Public Schools, School District 15, serve the communities of Atlantic Beach, Cedarhurst, Inwood, Lawrence, and sections of Woodmere and North Woodmere.
The Hebrew Academy of the Five Towns and Rockaway, is a K-12 Modern Orthodox school where students study Jewish and secular subjects in a dual curriculum. The Pre-School, Kindergarten and Elementary schools are located on one campus on Frost Lane and Washington Avenue.
The Brandeis School is a conservative Jewish Day School located in Lawrence.
Mesivta Ateres Yaakov is a yeshiva located in Lawrence. |
117_8 | Rambam Mesivta is also located in Lawrence on Frost ave. It is for grades 9-12 where students learn a dual curriculum of Jewish and Secular studies.
Lawrence is also home to the Shor Yoshuv Institute, a Rabbinical College with several hundred students.
Transportation
The Lawrence station provides Long Island Rail Road service on the Far Rockaway Branch to Penn Station in Midtown Manhattan and Atlantic Terminal in Brooklyn with connections at Jamaica to other parts of Long Island.
The buses of Nassau Inter-County Express run down Central Avenue extending southwest into Far Rockaway (with a connection to the of the New York City Subway at Far Rockaway – Mott Avenue) and northeast to the Hempstead Transit Center in central Nassau County with connections to other parts of Long Island.
A 5-mile drive up Rockaway Turnpike takes you to the Belt Parkway, the Van Wyck Expressway, the Cross Island Parkway, Southern State Parkway and John F. Kennedy International Airport. |
117_9 | Lawrence is connected to Atlantic Beach to the south, across Reynolds Channel via the Atlantic Beach Bridge.
Emergency services
The Nassau County Police Department provides police services in Lawrence and most of Nassau County. Lawrence is part of the force's Fourth Precinct.
Lawrence is served by the EMS group named Hatzalah of Rockaway Lawrence (RL)
Lawrence is served by the Lawrence-Cedarhurst Fire Department. The LCFD consists of 85 volunteer firefighters and emergency medical technicians and provides fire protection to the villages of Lawrence and Cedarhurst, as well as the North Lawrence Fire District and East Lawrence Fire District. The LCFD also responds to alarms such as car accidents and aided cases on the Atlantic Beach Bridge.
Notable people |
117_10 | Notable current and former residents of Lawrence include:
Ben Ashkenazy (born 1968/69), American billionaire real estate developer
Stuart Beck (1946-2016), lawyer and diplomat for Palau who helped negotiate the Compact of Free Association, which established Palau as an independent nation in free association with the United States in 1994.
Bruce Blakeman, First Presiding Officer of the Nassau County Legislature
Benjamin Brafman (born 1948), criminal defense attorney
Beatrice Burstein (1915-2001), first female New York State Supreme Court Justice on Long Island, prominent public servant
John Burstein (born 1950), children's television personality who created the character Slim Goodbody.
Karen Burstein (born 1942), politician and former judge who was the unsuccessful Democratic nominee for New York State Attorney General in 1994.
Michael Cohen (born 1966), personal attorney for Donald Trump, was raised in Lawrence. |
117_11 | Marc Stuart Dreier (born 1950), lawyer convicted for his involvement in a Ponzi scheme.
Bill Etra (1947-2016), live video pioneer and the co-inventor (with Steve Rutt) of the Rutt/Etra Video Synthesizer.
Rockie Gardiner (c. 1938-2008), psychic, was raised in Lawrence.
Henry Hill and his wife, Karen (the subjects of the film Goodfellas) moved in with Karen's parents when the Hills were newlyweds.
Jacob H. Horwitz, (1892-1992), businessman, philanthropist and a fashion innovator who was one of the first to specialize in junior miss and teenage clothing.
Donna Karan (born 1948), fashion designer
Arthur Kopit (1937–2021), playwright, best known for Wings, Nine and Oh Dad, Poor Dad.
Arthur L. Liman (1932-1997), lawyer and Chief Counsel for the Senate Iran-Contra hearings.
Peggy Lipton (1946-2019), actress best known for her role in The Mod Squad
Steve Madden (born 1958), shoe designer |
117_12 | Nancy McCartney, third wife of Beatle Paul McCartney lived in Lawrence with her first husband Bruce Blakeman.
Alana Newhouse (born 1976), editor of Tablet Magazine
Aaron Russo (1943-2007), movie producer, libertarian
Israel Singer (born 1942), rabbi and professor who has held leadership posts in several international Jewish organizations
Maxine Stuart (1918-2013), actress.
Spencer Suderman (born 1966), Airshow pilot and Guinness World Record holder
Bradley Tusk (born 1973), founder of Tusk Strategies, a political and strategic consulting firm based in New York City.
Rob Weiss, director/producer of Amongst Friends and Entourage
Leslie West (1945-2020), of the hard rock group Mountain.
Lil Tecca (born 2002), Hip hop and trap artist. |
117_13 | References
External links
Village of Lawrence website
Lawrence Public Schools
Lawrence: Always a Bastion of Quiet Elegance
Five Towns
Villages in New York (state)
Villages in Nassau County, New York
Populated coastal places in New York (state) |
118_0 | Casabianca (Q183) was a Redoutable-class submarine of the French Navy. The class is also known as the "1500-ton class" and were termed in French de grande patrouille. She was named after Luc-Julien-Joseph Casabianca. Launched in 1935, she entered service in 1936. She escaped from Toulon during the scuttling of the fleet there on 27 November 1942, and continued in service with the Allied forces. Casabianca, commanded by Capitaine de frégate Jean l'Herminier, had a role in the liberation of Corsica, and was an important link between occupied France and the Free French government based in Algiers.
Casabianca was one of only five of the 31 Redoutable-class submarines to survive the Second World War. |
118_1 | Service
It was initially planned to name the submarine Casablanca. Navy Minister François Piétri, who was Corsican, instead pressed for a navy vessel to be named in honour of Luc-Julien-Joseph Casabianca, a naval officer from Corsica who had served in the French Revolutionary Wars. The Casablanca was therefore renamed Casabianca prior to being launched.
In December 1939 Casabianca escorted . |
118_2 | Casabianca was in port at Toulon in November 1942 when the Germans enacted Case Anton, the annexation of the area of France previously controlled by the Vichy government. On 27 November 1942 German forces attempted to take over the fleet at Toulon, leading its commanders to order the ships to be scuttled to keep them out of German hands. Capitaine de corvette Jean L'Herminier, commander of Casabianca, instead took his submarine out to sea and escaped to Algiers to join the Allies. The submarine was attacked by German aircraft during the voyage, and was shadowed by a Royal Navy destroyer. Five other French submarines escaped from Toulon, two of which, and Marsouin, served like Casabianca with the allies. |
118_3 | After arriving in Algiers, Casabianca passed under the orders of Admiral François Darlan, until his assassination on 24 December 1942. Casabianca was then under Général Henri Giraud, until Giraud's replacement by Charles de Gaulle. Casabiancas participation in operations around Corsica was one of the factors that led to Giraud's removal from office. She served mainly on intelligence gathering missions, supplying arms and delivering men to support the Corsican Maquisards. She played an important role in the eventual liberation of the island in September 1943. Her elusiveness earned her the nickname "Ghost Submarine" from the Germans. |
118_4 | The British conservative MP Keith Monin Stainton served as a liaison officer aboard the submarine in 1943, whilst a Royal Navy lieutenant. From 1943 until 1944 Charles William Beattie, a Royal Navy Signals specialist, also served on board Casabianca to safeguard and interpret secret cyphers sent to the boat whilst out on station. He took part in many of the secret landings on the Corsican coast.
In her last mission, Casabianca landed 109 special forces men, a record for a submarine of her size. The men were landed on an isolated beach at Arone, near the village of Piana, in the north west of Corsica, where a monument now exists. |
118_5 | After the liberation of Corsica, the Casabianca was used for regular patrols. In 1944 she was hit in a friendly fire accident by a British plane, and had to refit in Philadelphia until March 1945. In common with other Redoutable-class submarines modernized in the United States, the original conning tower was considerably modified. Two radars were installed, as was a platform on the front to carry a 20 mm anti-aircraft gun.
The submarine was scrapped in 1956, but the conning tower survives — it has been on display in Bastia near the harbour since 2004. The two periscopes and the deck gun are visible, however the conning tower was truncated from the rear, where a second 20mm gun was replaced by a 13.2 double machine gun of French origins. |
118_6 | During her career Casabianca sank one warship with a torpedo and another with her deck gun, sank a merchant vessel, carried out seven secret missions, assisted in the liberation of Corsica, and ran the German blockade of Toulon during her defection to the allies. Cited 7 times out of which 6 at the orders of the navy , Casabianca was decorated with the Croix de guerre 1939–1945 and was awarded the Red Fourragere of the Légion d'honneur.
Namesakes
An anti-submarine escorteur was named Casabianca from 1957 until 1984. The Rubis-class nuclear submarine Casabianca is named after the Second World War submarine.
Casabianca in popular culture
The submarine's exploits were used as the basis for the 1951 film , starring Pierre Dudan and Jean Vilar. The Casabianca also appears in the 2007 novel The Double Agents by W. E. B. Griffin, book five of the Men at War series.
Notes
References |
118_7 | Further reading
History of Le Casabianca
Jean L'Herminier, Casabianca, Éditions France-Empire, first year edition 1953, year 1992,
Toussaint Griffi, Laurent Preziosi, Première mission en Corse occupée, avec le sous-marin Casabianca (décembre 1942-mars 1943)'', Éditions L'Harmattan, year 1988
Technical Documentation
Les Sous-marins de 1 500 tonnes, Claude Picard, Rennes, Marines Editions, year 2006, total pages 119, |
Pierre Vincent-Bréchignac, Flottes de combat 1940-1942, Flottes de combat, Paris, year 1942
External links
Q183
Submarines of France
Ships built in France
1935 ships
World War II submarines of France
Submarines of the Free French Naval Forces
Redoutable-class submarines (1928) |
119_0 | Joseph Celli (born March 19, 1944) is an American musician and composer specializing in contemporary and improvised music for oboe and English horn. In addition, he plays the Yamaha WX7 MIDI breath controller, as well as double reed instruments from several Asian cultures, including the Korean hojok and piri, and the Indian mukha vina. |
119_1 | Celli is Italian American, both of his parents having been born in Italy (from Ripi, Frosinone, Lazio, central Italy) and immigrated to the U.S. in the early 1920s. His early training was as a jazz saxophonist which allowed him to work his way through college performing with rhythm and blues and jazz groups as he began specializing in experimental performance for the oboe and English horn. He studied oboe with Ray Still of the Chicago Symphony Orchestra and members of the New York Philharmonic, the Boston Symphony Orchestra, and other leading oboists. Subsequently, he received a Fulbright Award to study piri with National Living Treasure Chung Jae-Gook (hangul: 정재국; hanja: 鄭在國, b. 1942; Important Intangible Cultural Property no. 46) in South Korea and the hichiriki at the Imperial Court gagaku in Tokyo, Japan. |
119_2 | Celli has conducted much work in the field of experimental music, both as a performer and presenter, and has worked with Jin Hi Kim, John Cage, Ornette Coleman, Phill Niblock, Alvin Curran, Pointless Orchestra, Roberto Carnevale and the Kronos Quartet. He has performed in over 40 countries and presented, with Jerry Hunt, the first live satellite performance in the United States. As a concert presenter he has been involved in over 3,000 events including world premieres by Steve Reich, John Cage, and many others. He presented the U.S. premieres of Spiral and Solo by Karlheinz Stockhausen in addition to over 50 works composed for him by various composers. |
119_3 | Celli served as a co-director with Mary Luft of Tigertail Productions for two New Music America festivals in Hartford, Connecticut and Miami, Florida. He is a founding member of the No World Improvisations ensemble and Executive Director of the Black Rock Art Center in Bridgeport, Connecticut, United States. He is also the founder and director of O. O. Discs, a CD label devoted to new music that has released over 70 discs. He is also the founder and director of O. O. Discs, a CD label devoted to new music that has released over 70 discs with world-wide distribution.
Celli can play on both the western oboe and on non-western oboes. |
119_4 | Discography (a)
• Organic Oboe: Premiere American recording of Stockhausen, Celli, Goldstein, and Schwartz. Joseph Celli, oboe, English horn reeds and electronics. O.O. DISC #1.
• Celli Plays Niblock: Niblock for Celli: Compositions by composer Phill Niblock for oboe, English horn performer Joseph Celli. India Navigation Records #3027
• No World Improvisations: Joseph Celli and Jin Hi Kim performing improvisations on English horn, Indian double reed Mukha Veena, Yamaha WX-7 midi breath controller, Korean komungo and changgo. O.O. DISC #2. Digital Recording Compact Disc. Also released and distributed in Asia byWarner Music Korea FL 002.
• Vermont the Seasons: Music of Malcolm Goldstein with Joseph Celli, oboe, English horn and reeds. Folkways Records FX 6242.
• La Belleza Del Silencio: Music of Orlando Jacinto Garcia with Joseph Celli, Yamaha WX-7 midi breath controller. O.O. DISC #6. Digital Recording Compact Disc. |
119_5 | • Non World (Trio) Improvisations: Joseph Celli, Jin Hi Kim with Alvin Curran, electronics; Shelley Hirsch, vocals; Malcolm Goldstein, violin; Mor Thiam, African Percussion; Adam Plack, didgeridoo. O.O. DISC #4. Digital Recording Compact Disc.
• Resolver: Music of composer David First with Joseph Celli performing on Yamaha WX-7 midi breath controller. O.O. DISC #5. Digital Recording Compact Disc.
• Video Ears – Music Eyes: Video Music of Joseph Celli Four compositions featuring Malcolm Goldstein, Ulrich Krieger, Brian Johnson, Jin Hi Kim and Grupo de Musica Folklorica del Peru. O. O. DISC #22. Digital Recording Compact Disc.
• Living Tones: Music of Jin Hi Kim with Joseph Celli performing on oboe and English horn. O. O. DISC #24. (Seoul Records/ Cantabile in Korea). Digital Recording Compact Disc.
• Inori: A Prostituta Sagrada, Music Jocy de Oliveira. Joseph Celli, double reed instruments. ReR Records BJOCD, Digital Recording Compact Disc. |
119_6 | • Bitter Love: Songs From Peony Pavilion, Tan Dun, composer; Sony Classical Records. |
119_7 | References
External links
Joseph Celli page
Black Rock Art Center site
American experimental musicians
1944 births
Living people
American oboists
Male oboists
Cor anglais players
Musicians from Bridgeport, Connecticut
Contemporary classical music performers |
120_0 | MacMillan Bloedel Limited, sometimes referred to as "MacBlo", was a Canadian forestry company headquartered in Vancouver, British Columbia. It was formed through the merger of three smaller forestry companies in 1951 and 1959. Those were the Powell River Company, the Bloedel Stewart Welch Company, and the H.R. MacMillan Company. It was bought by Weyerhaeuser of Federal Way, Washington in 1999.
Powell River Company
In 1908 two American entrepreneurs, Dr. Dwight Brooks and Michael Scanlon, created a newsprint mill at Powell River, northwest of Vancouver. The Powell River Company turned out the first roll of newsprint manufactured in British Columbia in 1912. It soon became one of the world's largest newsprint plants and today is credited with introducing the first self-dumping log barge to British Columbia. |
120_1 | Bloedel, Stewart and Welch
In 1911 Julius Bloedel, a Seattle lawyer, along with his two partners, John Stewart and Patrick Welch, began acquiring large blocks of Vancouver Island forests. Their Franklin River camp soon became one of the world's largest logging operations. Here, in the 1930s, the Canadian industry saw its first Lidgerwood steel spar yarder and chainsaw. In 1938, Bloedel, Stewart and Welch became the first logging company in the province to plant seedlings in a logged-over area. Bloedel, Stewart and Welch opened a large timber mill in Port Alberni. The company had large camps near Menzies Bay, British Columbia, Comox and Myrtle Point, just south of Powell River. The company was headquartered in Vancouver. Stewart and Welch were also partners in Foley, Welch and Stewart, who were prominent in railway-building operations in the same period. |
120_2 | H.R. MacMillan Export Company
The last of the three pre-merger companies was the H.R. MacMillan Export Company, which was created in 1919 by Harvey, or H.R. MacMillan, British Columbia's first Chief Forester. MacMillan reportedly gained considerable experience in world lumbering during World War I. With his colleague Whitford Julian VanDusen, another forester, MacMillan incorporated a company in 1919 to sell British Columbia lumber products to foreign markets. In 1924, they established a shipping company that would become one of the world's biggest charter companies. With the creation of Seaboard Lumber by the other mill owners in British Columbia, there was a major threat to MacMillan, as Seaboard was to export all the lumber from the companies that founded it leaving MacMillan without the lumber needed to fulfill their orders. MacMillan responded by beginning to purchase mills and creating the first truly integrated forestry company in British Columbia. |
120_3 | During World War II, MacMillan acquired numerous small mills and timber tenures on the south coast of British Columbia.
Merger of 1951
In 1951 Bloedel, Stewart and Welch merged with H.R. MacMillan to form MacMillan Bloedel Limited. The two companies had timber holdings side-by-side and there was a natural synergy from this merger. Bloedel, Stewart and Welch held many timber resources and MacMillan was the first truly integrated forestry company in British Columbia. The merger in 1951 created a company that would be able to compete on the global scene.
Global expansion
Beginning in the 1960s, MacMillan Bloedel expanded across North America as well as to Europe and the United Kingdom. At its peak, acquisitions and construction activities gave MacMillan Bloedel worldwide assets of more than C$4 billion. |
120_4 | The MacBlo Building
The Brutalist MacMillan Bloedel Building located at Thurlow and Georgia Street in downtown Vancouver was a highlight of the early architectural career of Arthur Erickson, who advocated the use of concrete as "the new marble" and employed it in the building's stark design, which is often compared locally to a concrete waffle. The building, completed in 1969, won the Massey Medal in 1970.
Blockade of 1993 |
120_5 | In 1993, the MacMillan Bloedel company composed an agenda of expanding its logging into new areas and refused to abandon its plans to clearcut a significant portion of the temperate rain forest around Clayoquot Sound on the west coast of Vancouver Island, in spite of opposition from several organizations. Environmentalists, together with private land owners and indigenous groups, launched a blockade after discovering that MacMillan Bloedel was logging in one of the most pristine areas around Clayoquot Sound — a clear violation of the recommendations made by top government-chosen scientists. This logging, however, was approved by the Ministry of Forests and was within the Tree Farm License (TFL) granted for that area to MacMillan Bloedel by the provincial government. The Science Panel for Sustainable Forest Practices in Clayoquot Sound was formed after 850 people were arrested for blockading MacMillan Bloedel's logging in Clayoquot in the summer of 1993. The Science Panel made |
120_6 | stringent recommendations which MacMillan Bloedel promised to abide by, a commitment MacMillan Bloedel used to assure their international newsprint and phone directory paper customers that they should keep buying from the Canadian logging giant. MacMillan Bloedel made a commitment to phase out clearcutting and embrace the variable retention method of harvesting timber, but was occasionally accused of falling short of the commitment. |
120_7 | Weyerhaeuser
In June 1999, Weyerhaeuser announced its intention to buy MacMillan Bloedel Limited of Canada for stock valued at about US$2.45 billion. The merger made Weyerhaeuser, which at that time was already the world's largest producer of softwood lumber and market pulp, a leader in packaging as well.
References
Forests.org: MacMillan Bloedel Announces They May Stop Clearcutting Oldgrowth Forests
A Matter of Method: Merve Wilkinson's Wildwood Tree Farm
Supreme Court of Canada: MacMillan Bloedel vs. Simpson
MacMillan Bloedel Violates Rainforest Protection Agreement
Taylor, G.W., Timber: History of the Forest Industry in B.C., Vancouver, B.C.: J.J. Douglas, 1975.
External links
Weyerhaeuser
MacMillan Bloedel Limited fonds – A record of the company's history from the UBC Library Digital Collections
1958 film footage of the VanPly division |
120_8 | Defunct companies of British Columbia
Pulp and paper companies of Canada
Renewable resource companies established in 1951
Manufacturing companies disestablished in 1999
Manufacturing companies based in Vancouver
Weyerhaeuser
Defunct pulp and paper companies
1951 establishments in British Columbia
1999 disestablishments in British Columbia
Manufacturing companies established in 1951 |
121_0 | Ascent of the Blessed is a Hieronymus Bosch painting made between 1505 and 1515.
It is located in the Gallerie dell'Accademia in Venice, Italy. This painting is part of a polyptych of four panels entitled Visions of the Hereafter. The others are Terrestrial Paradise, Fall of the Damned into Hell and Hell.
Formal analysis |
121_1 | The most intriguing element of this painting is the large tunnel at the top of the panel. It appears from the perspective of looking through a straw and into the heavenly beyond. As Stephen Hitchens writes, it could also be described as a “funnel of goodness and light [as] a source of variety and surprise capturing the visionary and ecstatic union with God.” The three dimensional tunnel gives the viewer a peek of the “white light” from Heaven with three figures waiting at the end for the blessed. The near side of the tunnel has one angel carrying a human soul towards the pearly gates. The viewer can differentiate the two figures because one has a white robe with wings and the other is naked, thus a soul and an angel. Both have their hands in prayer formation. |
121_2 | Right beneath the tunnel, there is an array of angels helping blessed human souls towards salvation. In the lower parts of the panel there are two angels per one soul, suggesting that some humans need more help than others. As it gets closer to the top of the panel, there is a one to one ratio of angel and soul. This might symbolize that the human souls that are pulled from Earth's gravity and towards the tunnel become lighter in weight. The angels have their hands either on the human body carrying it upwards or near the body simply guiding it where to go. All the figures in the painting are looking upwards towards the tunnel. |
121_3 | All the characters have similar facial features because the physical aspect of the humans and angels are more idealized and not individualized. The figures are not meant to look like specific individual people. The style of the hair is also quite idealized; the angels have long wavy hair and the souls have short hair. None of the human souls have organs to help differentiate whether they are male or female. This could be a form of symbolism which shows that there are no genders in Heaven. This could be implying that all human souls are no longer differentiated by sexual organs and everyone is the same. The angels have a multitude of different colored robes and wings, such as subtle reds, blues, and greens. |
121_4 | The painting as a whole is very dimly lit which contrasts with the white brightness at the end of the tunnel. The light at the end of the tunnel is not the light that lights up the bottom of the painting, which is most likely the earthly realm. The extreme darkness directly around the tunnel indicates that the heavenly light has nothing to do with the light coming from below. The areas outside the tunnel are dark and gray. The light actually becomes darker as it moves upwards then when it reaches the tunnel there is a sudden eruption of light. Coincidentally, this painting of the funnel has been known to look very similar to people who have had near-death experiences. During the fifteenth-century, the entrance to paradise was depicted as a funnel which appeared in many miniatures. The shape of the radiant funnel actually has some resemblance to contemporary zodiac diagrams but Bosch transforms it into a shining corridor through which the blessed approach God.
Historical context |
121_5 | Bosch's paintings reflect the religious themes that dominated art and society in the Netherlands during the sixteenth century, especially the Catholic religion. Almost everyone's duty was to behave and act like a good Catholic so that they could ascend into heaven. The consequences of sin were made so awful to frighten the faithful obedience into people with the ultimate punishments of weakening in purgatory and being sent to Hell. According to Reuterswärd, the limited number of people being admitted into Heaven “illustrates the remarkable specification contained in a treatise entitled Van der Vorsieningkeit Godes, which circulated in the Netherlands in Bosch’s time, that out of 30,000 souls only two were likely to reach Heaven.” Whether Bosch read this treatise will never be known for sure, however it is known that there was a high number of monks and nuns that lived in his home city. It was even called “a pious city” because of its high quantity of confraternities and religious |
121_6 | houses. |
121_7 | Arrangement of polyptych |
121_8 | Bosch scholars have other interpretations about the meaning behind these paintings, especially Ascent of the Blessed. The panels may come off straight forward and simple but there is a lot of dispute about the order of the panels and how they should be positioned in a museum. When hung in Venice in 2011, the order of the panels was Fall of the Damned into Hell, Hell, space, Terrestrial Paradise, and Ascent of the Blessed. The Terrestrial Paradise was placed on the left because it resembles other Eden panels by Bosch, especially with its landscape, fountain, and following biblical convention. There is also confusion on whether the Terrestrial Paradise is even “paradise” because it might also be Purgatory. Another possible arrangement is Ascent, Paradise, Hell and the Fall which takes inspiration from Matthew 25: 32–3 in the Bible. The idea is that traditionally; God directs the damned to Hell on his left side. The Bosch scholar, Ludwig von Baldass, does not mention any other possible |
121_9 | arrangements and feels that “the wings are divided into two portions, one above the other, representing on the left the figures of the saved being escorted by angels into Paradise and on the right the fall of the damned into Hell. Some scholars believe that Visions of the Hereafter are the wings to a missing middle panel which would presumably be the Last Judgement. |
121_10 | Critics are not unanimous in attributing these panels to Bosch, however it would be difficult to ascribe their compositions to anyone else. There is also speculation about how these designs came to surface through Bosch, whether they are simply just from his mind or dreams. During the sixteenth-century many people would attempt to stimulate themselves into spiritual awakening to get as close to God as possible. Thus, these might have been some of the visions people saw when attempting to jump into the unconscious depth and mystery of the spiritual visions.
References
Baldass, Ludwig von. Hieronymus Bosch. New York: Harry N. Abrams, 1960.
Gibson, Walter S. Hieronymus Bosch. London: Thames and Hudson, 1973.
Hitchins, Stephen Graham. Art as History, History as Art. Belgium: Brepols Publishers, 2014.
Reuterswärd, Patrik. “Hieronymus Bosch’s Four “Afterlife” Panels in Venice.” Artibus et Historiae 12, no. 24 (November 24, 1991): 29–35.
Notes |
121_11 | Angels in art
Paintings by Hieronymus Bosch
Paintings in Venice
1500s paintings |
122_0 | Falkenberg (Elster) station is one of the biggest stations in the German state of Brandenburg. It is located in the town of Falkenberg/Elster in the south of the state. It is classified by Deutsche Bahn as a category 3 station. Railways run in seven directions from the station. It is a two-level interchange station (, literally a “tower station”), built where several routes interconnect. There is a large marshalling yard connecting to both the upper and the lower parts of the station. At times Falkenberg was the fifth largest marshalling yard in East Germany (GDR). Only part of these tracks have been in use since the 1990s.
A large station building, which had been built in 1882, was destroyed in the Second World War. A restaurant complex built in GDR times was substantially rebuilt after 2010 and now serves as the entrance building. A number of buildings of the station and its surrounds are heritage-listed.
Location and name |
122_1 | The station is situated mostly in the town of Falkenberg/Elster in the Elbe-Elster district not far from the state borders of Saxony and Saxony-Anhalt. Originally the station was called Falkenberg (b. Torgau), but it received its present name in 1937. While the town is written Falkenberg/Elster (with a slash), the station is written with parentheses.
The station building is located at km 111.9 of the Jüterbog–Röderau railway,which runs north–south, at kilometer 148.2 of the Węgliniec–Roßlau railway, which runs from southeast to northwest, and at kilometer 95.0 of the Halle–Cottbus railway, which runs west–east. The latter line runs through the upper level of Falkenberg station, while the others run through the lower level. The Lower Lusatian Railway (Niederlausitzer Eisenbahn), which runs to the northeast, also begins at the lower station. |
122_2 | The station has extensive marshalling yards, both connected to the lower and the upper stations and extending over several kilometres. The eastern part of the upper station extends to the territory of the town of Uebigau-Wahrenbrück.
The centre of the town of Falkenberg is located west of the line from Berlin and north of the line from Halle. The original village centre and its manor was about 400 metres from the station.
History |
122_3 | The Berlin-Anhalt Railway Company (, BAE) opened its line from Berlin to Köthen (then spelt Cöthen) in 1841. It planned from the beginning, an additional line that would connect Berlin with Leipzig and Dresden. The towns of Herzberg, Uebigau and Liebenswerda were stubbornly opposed to the railway having direct contact with their towns. So a slightly more westerly route was chosen that passed near the small village and manor of Falkenberg. The station was initially a small halt with a station master, a telegrapher, two signalmen and some shunters. |
122_4 | A railway from Falkenberg to Cottbus was opened by the Halle-Sorau-Guben Railway (Halle-Sorau-Gubener Eisenbahn, HSGE) on 1 December 1871. At first the trains stopped in the lower part of the old station. A line running to the west from Falkenberg via Eilenburg to Halle was opened on 1 May 1872. In the same year the Upper Lusatian Railway Company (Oberlausitzer Eisenbahn-Gesellschaft) began construction of its line from Kohlfurt (now Węgliniec) to Falkenberg, which was opened on 1 June 1874. This was followed by the BAE’s extension of its line from Wittenberg on 15 October 1875, creating connections to lines to Halle and Dessau. The BAE took over the management on the lines of the Upper Lusatian Railway Company in 1878. The traffic on all three lines became very active in the following years, so that Falkenberg became an important railway junction. In 1882 a new, larger station building was built at the intersection of the upper and lower lines. In the same year the Prussian |
122_5 | government took over the management of the lines of the BAE and two years later it took over the HSGE. Nevertheless, the names of the Halle-Sorauer Bahnhof (Halle-Sorau station) for the upper level and the Berlin-Anhalter Bahnhof (Berlin-Anhalt station) for the lower level persisted. |
122_6 | The then competent Staatsbahndirektion (railway division) of Erfurt combined the two workshops of the BAE and HSGE, and from 1887 they were referred to as an operating workshop (Betriebswerkstätte), which later developed into a locomotive depot (Bahnbetriebswerk).
Expansion after 1890
Traffic increased significantly to Falkenberg at the end of the 19th century. The three main railway lines were doubled from 1896 to 1912 to overcome their capacity constraints. The station facilities with the marshalling yards and workshops were extended. A new water tower was built in 1895 and another engine shed was put in operation at the lower station in 1908. The last of the railways built to Falkenberg was opened on 15 March 1898, the private Lower Lusatian Railway to Uckro.
In a train accident in the summer of 1934, a freight train in the lower part on station ran into another and the vehicles pushed off the track collided with an oncoming train. One man was killed. |
122_7 | The Wehrmacht opened a large army airfield at Alt-Lönnewitz southwest of Falkenberg in 1936. A connecting railway ran to it from the top station, which carried materials and airfield employees.
The station had 20 km of mainline track and 93 km of sidings with 324 points in 1939. It had 20 signal boxes and three engine sheds on the upper and lower part of the station. The exits from the marshalling yard handled 4,000 freight wagons a day from the top part and 2,400 from the lower part of the station. There was a siding to the airport with branches to a substation and to the Falkenberg branch of the Torgau grain cooperative.
In World War II, construction began on a multi-track upgrade of the line toward Jüterbog, which was not completed. Some embankments have been preserved. The work was carried out largely by the use of forced labourers and prisoners of war. |
122_8 | Because of the strategic importance of the station, with its marshalling yards and the nearby Falkenberg airfield, it was a target for several Allied bombing raids in the Second World War. The most serious of these attacks occurred in April 1945. On 18 April, the entrance building, the crossing structure and a number of buildings in the area were completely destroyed. After radio reports had already announced that there would be further attacks on the day with the goal of total destruction of the Falkenberg railway junction, bomb raids were primarily carried out on the lower station and a number of buildings were destroyed, including the locomotive depot. |
122_9 | After the Second World War
A few days after the war, Soviet troops under station commander Braschenko began rebuilding the strategic rail facilities on 15 May 1945. In the following months, the railway lines out of Falkenberg were gradually returned to operation, at first provisionally. All tracks were usable again in 1948.
In GDR times, the station was expanded and included 160 km of railway tracks and 377 sets of points. In addition to the north-eastern connecting curve from the lower to the upper station, which had existing since the 19th century, a connecting curve was built south-east of the crossing, allowing direct trips from the west to the lower station, allowing operations to Elsterwerda without having to reverse in the upper yard. The locomotive depot became one of the largest in East Germany with about 500 employees. About 5,000 freight wagons left Falkenberg each day in the 1970s and 1980s. |
122_10 | The station was also important for national defence. Freight tracks were temporarily provided with platforms for travelling Soviet soldiers so that they could use the washing facilities. A new restaurant building was opened for Mitropa in 1972.
The first electrically powered passenger train reached Falkenberg from the direction of Wittenberg on 27 September 1986 and the electrification went into operation towards Riesa on 13 December 1986. Electrification was extended towards Ruhland in October 1987. The other three main railway branches towards Jüterbog,Torgau and Finsterwalde were electrified in 1989. |
122_11 | The importance of the station for freight fell substantially after 1990 due to the decline in industrial production in the region and the modal shift to road transport. The fleet in the depot was increasingly reduced after 1991 and the Wittenberg depot was closed in 1994. In 1998, the depot’s work was transferred to the Leipzig-Engelsdorf depot and a little later the station was converted into a purely passenger operation without responsibility for any rollingstock.
In 2010 and 2011, the passenger platforms were built in the upper part of the station and the railway facilities were transformed. The former Mitropa building was completely rebuilt. The upper railway yard was taken over in 2011 by BLG AutoRail, which uses it as a "hub for car transportation by rail".
Environment |
122_12 | The town of Falkenberg has been decisively shaped by the railways. In the first years, the station of Falkenberg was only a minor station as the town had developed very little at this time. Immediately prior to the construction of the railway, Falkenberg had 350 inhabitants, while it had 405 at the time of the opening of the east-west line. With the construction of the east–west line and the later line from Wittenberg to Kohlfurt Falkenberg, it became a railway junction and the village grew considerably. A number of railway workers settled in the city. The area between the railway station and the old town centre was gradually built up. The post office was opened next to the entrance building in 1888. |
122_13 | At the end of the 19th century, the expanding railway tracks were more and more of a hindrance to road traffic. An overpass was built over the tracks in 1896 to replace the level crossing at Uebigauer Straße north of the platforms of the lower station.
From 1897, a cooperative built, with the help of a loan, tenement-like houses in several streets west of the station; these included stables, a little garden land and community laundry rooms. This area is now a heritage-listed area as the Eisenbahnersiedlung Falkenberg (Falkenberg railway settlement). In 1912, the manor came into the possession of the municipality, allowing new construction areas to be identified, mainly east of the railway. In the 1920s, more apartments were built and by 1925 Falkenberg had become the largest town in the former district of Liebenswerda with 4,850 inhabitants. |
122_14 | In 1962, the town, then having about 7,000 inhabitants, received a charter declaring it a town. The town’s coat of arms includes a winged wheel as a symbol of the railway. |
122_15 | Description
Shortly after the completion of the line, a small entrance building was built in Falkenberg on the west side of the tracks of the Anhalt Railway. After the completion of the other two main lines, a large entrance building was built in the angle between the east–west and north–south lines. The building was destroyed during the Second World War. Thereafter, the original station building was again used as the entrance building. In 1985, the building was substantially rebuilt with significant changes to its outer shape. It later served to house station services. This building was empty when it was sold at auction in December 2013. |
122_16 | In the 1970s, a new building was built south of the entrance building as a Mitropa restaurant. After 1990, the restaurant building was closed temporarily and then used from 2000 as a kiosk before being completely reconstructed in 2010. The restored building was inaugurated in 2011 and now includes a restaurant and the office of the local bus operator, Lehmann-Reisen. There is also a sales point for integrated tickets and Deutsche Bahn tickets. Before the reconstruction, a small building used for the sale of tickets had been located north of it on a platform.
Platforms |
122_17 | The lower level station has five station platform tracks with track 1 next to the station building and the others on two island platforms (track 2 and 3 on one and 4 and 5 on another). The eastern track 5, which was previously mainly used by the trains of the Lower Lusatian Railway, is no longer used. At the southern end of the platforms stairs lead to the upper platforms. The lower platforms were previously connected via a pedestrian tunnel. In the summer of 2012, the tunnel was closed and filled so that travellers now have to take the path on the upper platforms to cross between the various lower platforms.
In the upper part there are two outside station platforms, numbered 6 and 7. Until the reconstruction of the upper platforms carried out from 2000, there were three platform tracks; platform 6 was about at its current location, while tracks 7 and 8 were next to an island platform.
Track network |
122_18 | Three electrified main lines cross in the area of the railway station: Jüterbog–Röderau and (Węgliniec–) Horka border–Roßlau (both through the lower station) and Halle–Cottbus–Guben (upper station). The Lower Lusatian Railway Railway, a branch line to the northeast, which is no longer operated regularly, begins in the station.
Several connecting curves in the northeastern and southeastern parts of the station enable trains to run between the two levels. The line from Röderau is not directly linked to the upper tracks.
The line from Wittenberg crossed the line from Jüterbog about two kilometres north of the passenger station. The lower marshalling yard is between the two lines. The upper marshalling yard is located east of the passenger station on the line towards Cottbus. The lower yard is designed with one entrance/exit, while the upper yard has two ends.
Heritage |
122_19 | A number of buildings of the station are listed as Turmbahnhof Falkenberg ("tower station Falkenberg") in the list of heritage buildings of the municipality of Falkenberg/Elster.
At the lower station the following objects are heritage-listed: "the water station building, signal box ‘B 20’ including its technology, the platform canopy on platforms 1 and 3/2, the roofing of the staircases and exits from platform 1 and 4/5, the barriers of the staircases and exits from platforms 2/3, the kiosk on platforms 3/2 and level crossing barrier post 4a.” |
122_20 | The listed kiosk was acquired in 1989 by a private owner. Later, the owner took part of the former Mitropa building as a kiosk. With the beginning of the reconstruction work, the snack bar closed on 31 August 2010 after the owner could not agree on its future use with the town.
The stairways from the platforms to the pedestrian tunnels have become unusable since the closure of the platform tunnels. Hopes that the town of Falkenberg would be able to preserve the tunnel were not fulfilled because the heritage listing includes only the platform equipment. The level crossing barrier post 4a on Uebigauer Straße north of the platforms had already lost its original function at the end of the 19th century with the construction of the overpass. |
122_21 | At the upper station the following objects are heritage-listed: "the water tower and water crane, signal box ‘B 3' including its technology and the transformer tower opposite ". These objects are located in the marshalling yard, about 1½ km east of the passenger station. The engine shed III of the upper rail depot has been used by a private collection of locomotives since 2001.
Some other buildings in the station area are also protected as monuments. This includes the heritage-listed "railway settlement” (Eisenbahnersiedlung) in Falkenberg, the former Bahnmeisterei (track master’s building, now a house) north of the entrance building, as well as a "class 52 steam locomotive and two water cranes on the north side of the railway premises". The Falkenberg/Elster Railway Museum is also in this area. |
122_22 | The former signal box W 12 at Übigau station is on the list of historic monuments of the town of Uebigau-Wahrenbrück. It is located directly next to the platforms of Uebigau station, the entrance building of which is also a listed building.
Passenger services
Falkenberg was a stop for long-distance traffic for a long time from the time it became a railway junction. In the north–south direction, the Berlin–Dresden railway, after its completion in 1875, competed with the Anhalt line via Falkenberg for traffic from Berlin towards Dresden and Chemnitz. This competition continued until the late 1960s despite the nationalisation of both companies. Often the trains ran on the Anhalt line to Röderau station near Riesa, where it divided with one part of the train continuing to Chemnitz and the other to Dresden, where part of it continued to Prague. Almost all of these trains stopped in Falkenberg. |
122_23 | In 1930, 211,000 passengers were counted departing from Falkenberg. At that time, eight express, six semi-fast and 42 stopping trains ran daily in different directions.
Since the late 1960s, scheduled traffic from Berlin towards Dresden and Riesa has almost exclusively been carried on the Berlin–Dresden railway. But even after 2000, diverted trains often ran between Berlin and Dresden via Falkenberg, but without stopping at the station. |
122_24 | In the east–west direction, some express and semi-fast passenger trains ran in the 1930s via Falkenberg, such as a pair of express trains between Kassel and Breslau (now Wrocław in Poland). Until the 1990s, a series of express trains ran in the east–west direction via Falkenberg, including an inter-zone train between Frankfurt (Oder) and Frankfurt (Main). In the first half of the 1990s, the rail services were harmonised in an integrated regular-interval timetable. In the 1995–96 timetable the following services operated from Falkenberg (Elster), each every two hours:
InterRegio: Leipzig–Falkenberg–Doberlug-Kirchhain–Cottbus (portions from Leipzig coming originally from other stations)
Regional-Express: Schwedt–Berlin–Falkenberg–Ruhland–Cottbus
Regionalbahn: Leipzig–Falkenberg (with extra trains in the peak)
Regionalbahn: Falkenberg–Riesa (gap in the regular interval pattern in the morning)
Regionalbahn: Falkenberg–Herzberg Stadt
Regionalbahn: Falkenberg–Ruhland |
122_25 | Regionalbahn: Falkenberg–Doberlug-Kirchhain–Cottbus
Regionalbahn: Lutherstadt Wittenberg–Falkenberg (with extra trains in the peak) |
122_26 | There were three Regional-Express trains a day from Wittenberg (with part of the train originating in Aschersleben) to Görlitz.
The regional services beyond Herzberg Stadt (town) were discontinued as early as 1995. In April 1998, passenger services also ended between Falkenberg and Herzberg Stadt. In May 2001, the Deutsche Bahn InterRegio service between Leipzig, Falkenberg and Cottbus was replaced by a Regional-Express service. Passenger services between Falkenberg and Riesa ended at the timetable change in December 2004. Over the years there have been several more service changes, including the introduction of a Regional-Express service from Leipzig via Falkenberg to Ruhland and Hoyerswerda. This service was introduced in December 2013 as the S 4 service of the S-Bahn Mitteldeutschland.
The station is served by the following services:.
References
Railway stations in Brandenburg
Railway stations in Germany opened in 1871
Buildings and structures in Elbe-Elster
Elbe-Elster Land |
123_0 | Denise Leese (Davida) Eger (born March 14, 1960) is an American Reform rabbi. In March 2015 she became president of the Central Conference of American Rabbis, the largest and oldest rabbinical organization in North America; she was the first openly gay person to hold that position.
Biography
Denise Eger was born in New Kensington, Pennsylvania, the 2nd daughter of Bernard Eger and Estelle (Leese) Eger. She was raised in Memphis, Tennessee. She studied voice at Memphis State University, then transferred to the University of Southern California, where she majored in religion. She then studied at Hebrew Union College-Jewish Institute of Religion, from which she earned a master's degree, and went on to pursue rabbinic studies. She came out publicly as gay in 1990 in a story in the Los Angeles Times. |
123_1 | Career
Prior to ordination, Eger served as a rabbinic internship for the Chaverim group in Westwood, for the 1983–84 term. She then became an intern in 1985-86 under Rabbi Solomon F. Kleinman at Temple Ahavat Shalom Northridge in Southern California. Rabbi Eger was ordained in 1988 at the New York campus of Hebrew Union College, following which she served as the first full-time rabbi of Beth Chayim Chadashim in Los Angeles, the world's first gay and lesbian synagogue recognized by Reform Judaism. In 1992, she and 25 other people founded Congregation Kol Ami, a synagogue intended to serve both gay and non-gay Jews in West Hollywood, California. Kol Ami has flourished into a 350-member congregation. Significant accomplishments include successfully fundraising to purchase land and construct an award-winning building, located on LaBrea avenue in West Hollywood, which was completed in 2001, and building an endowment that contributes 15 percent of the synagogue's annual operating budge |
123_2 | She previously served as the chair of the Search Alliance Institutional Review Board and Treasurer of the Women's Rabbinic Network, and is a past president of the Pacific Association of Reform Rabbis. She chaired the Gay and Lesbian Rabbinic Network of the Central Conference of American Rabbis and is past chair of the Task Force on Gays and Lesbians in the Rabbinate. She is a founding member of the Religion and Faith Council of the Human Rights Campaign and a founding executive committee member of California Faith for Equality. She is a Senior Rabbinic Fellow of the Shalom Hartman Institute.
Rabbi Eger was instrumental in helping pass the March 2000 CCAR resolution in support of officiation and gay and lesbian weddings. She is co-author of the official Reform movement gay and lesbian wedding liturgy. She officiated at the wedding of activists Robin Tyler and Diane Olson, on June 16, 2008. |